Local Art: There’s an App For That

When Santa Cruz residents Derick Delucchi and Dominic Elkin visited Open Studios a few years back, they were surprised to hear how many local artists were running into issues selling their work online.

While some avoid technology completely, others have tried to make online shops on global platforms like Etsy, though they don’t always get the sales they want.

“At Open Studios, we ran into a couple of artists that told us that Open Studios is the biggest sales event for the entire year because they don’t sell online,” Delucchi says. “A lot of artists post their work online, but there are people from around the world that are also selling, so our local artists are competing on a global scale.”

So Delucchi and Elkin decided to create an app, dubbed Loc Art, exclusively for Santa Cruz artists, allowing buyers to browse local work of all types—from fine art to jewelry to woodwork and much more. After several years in the making, Loc Art was launched in the fall and is now helping artists reach perhaps their most valuable audience: their own community.

The app is exclusive to Santa Cruz County, and while the duo does not charge a commission for sales, they ask local artists to pay an annual $50 fee, coming out to just over $4 a month. 

Elkin works at a Soquel-based startup software company, and Delucchi is a full-time firefighter for CalFire. Delucchi admits that while he loved designing the app, the development part didn’t come easy to him. Delucchi and Elkin paid for the app production out of their own pockets, and although they had an idea of what they wanted going in, Delucchi wishes he had known more about how many details would have to be ironed out before production actually begins.

“We had to work with private developers, because neither Dominic nor I had the ability to do it ourselves,” he says. “When I first started, I did a lot of research on it and how the designs tie in with development, but not knowing a lot about the development process was difficult. I would have an idea of how I’d like the app to function, but those ideas didn’t always work with the software. It was a big learning process, and that’s probably why it took so long to get the app made and onto the app store.”

Another challenge was that when they originally launched the idea, they made a website that allowed local artists to submit interest cards indicating that they would like their work to be included on the platform. While nearly 100 artists showed interest, Delucchi says only three actually followed up and created a profile once the app was developed.

“It was definitely less than expected. There was a long process of making phone calls and meeting with local artists and getting them to upload their work on the app,” he says. “There are a lot of artists that are excited about it because they struggled with either marketing their art in person themselves or posting their work to other online stores without any results. But there are still some that are struggling with the app itself.”

There can be a barrier to entry when it comes to selling work online, particularly for an older generation of artists. With less-technology-savvy creatives in mind, Elkin and Delucchi created a how-to video, now posted on YouTube, for how the platform and profiles work. They also plan to create a website that allows artists to upload and create profiles online, not just from their phones. There are now more than 70 artists represented on Loc Art, and it seems to be growing. 

“We are slowly building up our user base,” Delucchi says. “We hit 150 users recently, and we are hoping sales will start to snowball.”

For buyers looking for something a bit more personal, the app also allows custom commissioned work through direct communication between buyers and sellers. While the app is currently only available to the Santa Cruz community, Delucchi envisions the app starting a wave of community-driven art sales in other places, too, to make art and technology more accessible for both buyers and sellers.

“Technology allows us to connect with a greater number of people much easier, and that’s true for artwork, too,” Delucchi says. “You can see which artists are doing what, and discover new artists. It’s a new way to shop for art in whatever form that allows people to connect with others on a local level.”

Loc Art is available on the Apple Store and GooglePlay. locart.org.

Rob Brezsny’s Astrology Jan. 8-14

ARIES (March 21-April 19): When comedian John Cleese was 61, his mother died. She was 101. Cleese testifies, “Just towards the end, as she began to run out of energy, she did actually stop trying to tell me what to do most of the time.” I bet you’ll experience a similar phenomenon in 2020—only bigger and better. Fewer people will try to tell you what to do than at any previous time of your life. As a result, you’ll be freer to be yourself exactly as you want to be. You’ll have unprecedented power to express your uniqueness.

TAURUS (April 20-May 20): Renowned Taurus philosopher Bertrand Russell was sent to jail in 1918 because of his pacifism and anti-war activism. He liked being there. “I found prison in many ways quite agreeable,” he said. “I had no engagements, no difficult decisions to make, no fear of callers, no interruptions to my work. I read enormously; I wrote a book.” The book he produced, Introduction to Mathematical Philosophy, is today regarded as a classic. In 2020, I would love to see you Tauruses cave out an equally luxurious sabbatical without having to go through the inconvenience of being incarcerated. I’m confident you can do this.

GEMINI (May 21-June 20): It’s common to feel attracted to people because of the way they look and dress and carry themselves. But here’s the problem: If you pursue an actual connection with someone whose appearance you like, there’s no guarantee it will turn out to be interesting and meaningful. That’s because the most important factor in becoming close to someone is not their cute face or body or style, but rather their ability to converse with you in ways you find interesting. And that’s a relatively rare phenomenon. As philosopher Mortimer Adler observed, “Love without conversation is impossible.” I bring these thoughts to your attention, Gemini, because I believe that in 2020 you could have some of the best conversations you’ve ever had—and as a result experience the richest intimacy.

CANCER (June 21-July 22): Mystic poet Rumi told us the kind of person he was attracted to. “I want a trouble-maker for a lover,” he wrote. “Blood spiller, blood drinker, a heart of flame, who quarrels with the sky and fights with fate, who burns like fire on the rushing sea.” In response to that testimony, I say, “Boo! Ugh! Yuck!” I say “To hell with being in an intimate relationship with a trouble-maker who fights with fate and quarrels with the sky.” I can’t imagine any bond that would be more unpleasant and serve me worse. What about you, Cancerian? Do you find Rumi’s definition glamorous and romantic? I hope not. If you do, I advise you to consider changing your mind. 2020 will be an excellent time to be precise in articulating the kinds of alliances that are healthy for you. They shouldn’t resemble Rumi’s description. (Rumi translation by Zara Houshmand.)

LEO (July 23-Aug. 22): The 18th-century comic novel Tristram Shandy is still being translated, adapted, and published today. Its popularity persists. Likewise, the 18th-century novel Moll Flanders, which features a rowdy, eccentric heroine who was unusual for her era, has had modern incarnations in TV, film, and radio. Then there’s the 19th-century satirical novel Vanity Fair. It’s considered a classic even now, and appears on lists of best-loved books. The authors of these three books had one thing in common: They had to pay to have their books published. No authority in the book business had any faith in them. You may have similar challenges in 2020, Leo—and rise to the occasion with equally good results. Believe in yourself!

VIRGO (Aug. 23-Sept. 22): I’ll present two possible scenarios that could unfold for you in 2020. Which scenario actually occurs will depend on how willing you are to transform yourself. Scenario #1: Love is awake, and you’re asleep. Love is ready for you, but you’re not ready for love. Love is hard to recognize, because you think it still looks like it did in the past. Love changed its name, and you didn’t notice. Scenario #2: Love is awake and you’re waking up. Love is ready for you and you’re making yourself ready for love. Love is older and wiser now, and you recognize its new guise. Love changed its name, and you found out. (Thanks to Sarah and Phil Kaye for the inspiration for this horoscope.)

LIBRA (Sept. 23-Oct. 22): Renowned Greek sculptor Praxiteles created some famous and beloved statues in the fourth century B.C. One of his pieces, showing the gods Hermes and Dionysus, was displayed inside the Temple of Hera in Olympia. But a few centuries later an earthquake demolished the Temple and buried the statue. There it remained until 1877, when archaeologists dug it out of the rubble. I foresee a metaphorically equivalent recovery in your life, Libra—especially if you’re willing to excavate an old mess or investigate a debris field or explore a faded ruin.

SCORPIO (Oct. 23-Nov. 21): Over a period of 74 years, the Scorpio philosopher and author Voltaire (1694–1778) wrote so many letters to so many people that they were eventually published in a series of 98 books, plus nine additional volumes of appendixes and indexes. I would love to see you communicate that abundantly and meticulously in 2020, Scorpio. The cosmic rhythms will tend to bring you good fortune if you do.

SAGITTARIUS (Nov. 22-Dec. 21): Picasso was one of the most influential artists of the 20th century. He was also the richest. At the end of his life, experts estimate his worth was as much as $250 million, equivalent to $1.3 billion today. But in his earlier adulthood, while Picasso was turning himself into a genius and creating his early masterpieces, he lived and worked in a small, seedy, unheated room with no running water and a toilet he shared with twenty people. If there will ever be a semblance of Picasso’s financial transformation in your life, Sagittarius, I’m guessing it would begin this year.

CAPRICORN (Dec. 22-Jan. 19): Let’s get 2020 started with a proper send-off. According to my reading of the astrological omens, the coming months will bring you opportunities to achieve a host of liberations. Among the things from which you could be at least partially emancipated: stale old suffering; shrunken expectations; people who don’t appreciate you for who you really are; and beliefs and theories that don’t serve you any more. (There may be others!) Here’s an inspirational maxim, courtesy of poet Mary Oliver: “Said the river: imagine everything you can imagine, then keep on going.”

AQUARIUS (Jan. 20-Feb. 18): In a poem titled “The Mess-iah,” spiritual teacher Jeff Foster counsels us, “Fall in love with the mess of your life . . . the wild, uncontrollable, unplanned, unexpected moments of existence. Dignify the mess with your loving attention, your gratitude. Because if you love the mess enough, you will become a Mess-iah.” I bring this to your attention, Aquarius, because I suspect you’ll have a better chance to ascend to the role of Mess-iah in the coming weeks and months than you have had in many years.

PISCES (Feb. 19-March 20): Comedian John Cleese believes that “sometimes we hang onto people or relationships long after they’ve ceased to be of any use to either of you.” That’s why he has chosen to live in such a way that his web of alliances is constantly evolving. “I’m always meeting new people,” he says, “and my list of friends seems to change quite a bit.” According to my analysis of the astrological omens, Pisces, 2020 will be a propitious year for you to experiment with Cleese’s approach. You’ll have the chance to meet a greater number of interesting new people in the coming months than you have in a long time. (And don’t be afraid to phase out connections that have become a drain.)

Homework: Figure out how you might transform yourself in order for the world to give you what you yearn for. FreeWillAstrology.com.

A Year Like No Other: Risa’s Stars Jan. 8-14

2020 is a #4 year. 2+2=4, which equals Ray 4, which is a year of harmony emerging through conflict and chaos. 2020 will be an intense year of cascading ancient karma, a year where old patterns appear in order to be cast away. Humanity will be challenged as a new cycle of effort and struggle appears. Reactionary forces will accelerate, and our response to these forces will determine the future. It will be a year like no other.

The Unicorn comes down from the mountaintop in 2020, bringing humanity the Light Supernal, assisting humanity in acts of Goodwill which will reset ancient patterns and create new structures for the new era.

A quote from Alice Bailey sums up how we will feel in 2020: “Amidst the whirling forces, I stand confused. I know them not, for, during all my past, they swept me up and down the land wherein I moved, blinded and unaware … I may revolve and turning face the many different ways; I face some wide horizons and yet today I stand. I will determine for myself the way to go. Then onward I will move.”

Aries: This is your year of success and leadership in the world—new opportunities, recognitions and responsibilities. Things wonderful! You may initiate new work, and create events that wow the competition, achieving much in creativity, writing and relationships. All will demand commitment, order, efficiency, discipline, right management and, above all, Goodwill. There may be travel, writing and publishing, religion and a new state of spirituality. Everyone will want to be you conquering the world!

TAURUS: As Aries continues to climb the ladder, you will continue to build and form future foundations. And what you build eventually becomes visible to the world. You will work hard and see significant outcomes. Unexpected gifts may be given. Craft a personal thank you. Important life projects come into view and important decisions will need to be made. Careful with relationships. Slow, repressed anger does not work. Your life will continue to change. This began last year. Change is exciting. Have courage.

GEMINI: You will be called upon to have patience, cooperation and diplomacy this year as you encounter rather temperamental people, places and things—especially in relationships. Venus, your soul ruler, retrogrades this year. All values will be assessed and change. Family relationships are re-evaluated; you realize all experiences with the family taught you how to be independent and self-reliant. Relationship interactions become better, kinder, more meaningful and wiser. It’s time to go out and about in the public again. 

CANCER: This year it’s good to pay attention to the moon’s movements. Your moods reflect its ups and downs—dark to crescent to full to dark again. When we study and observe astrology, we learn more about ourselves. Earth reflects the heavens. Studying the heavens helps us understand that nothing in our world is personal. Interactions may change between intimates and close friends. Try new ways of communication. Begin gently, and observe the responses.

LEO: It’s important in the new year to focus on daily rhythms. Following nature’s rhythms is a way of simplifying one’s life, bringing clarity and comprehension. Rhythm means scheduling around activities needed rather than time. Then a patterned flow emerges that supports all livingness. Whenever the rhythm falls off, re-set the new rhythms the next day. Allow each day to begin with the Sun rising (Sun Salutation) and end with sunset. That’s when the devas are out and about, seeing that the day was good. 

VIRGO: “We welcome the new year, of things that have never been.” (Rilke).  For Virgos, a new level of creativity and inner connectivity will emerge. Activities that increase creativity – listen to a little music, read a little poetry, look at a bit of art each day. Then worldly cares won’t hide the beauty of nature and the beauty of the soul. “The oak sleeps in the acorn, the bird nestles in the egg and in the vision of the Soul, an angel stirs.” (Napoleon Hill). Draw these.

LIBRA: The new year of 2020 is finally here. And it’s the Year of the Art of Living, of harmony, beauty, balance and poise. These are your virtues. A new reality lies ahead. The past is over. What will be, will be. Keep the essence of who you are close to your heart. Enjoy all that is living around you. What is your vision for the new year? What are your hopes, wishes and dreams? Seek more times of rest. As you rest, goodness and wisdom come forth.

SCORPIO: It’s not what we teach that others learn from. It’s what we are, how we act, and what we have become that others learn from. So, in this new year, we begin where we are. We do the best we can. And we use all the gifts, talents and resources we have. We only have each moment in time. Let’s begin right now. Scale back if necessary. And that is always necessary. Then we begin to build back up from there. A new template for the new era emerges.

SAGITTARIUS: This is the year of self-care; the beginning of your journey of a thousand miles. You are to be the integrity others seek, a lantern providing light and truth for the world. You are to shine brightly with your values and virtues. And know that an empty lantern can provide no light. What fuels you? What allows yourself to shine brightly? You are to “build a lighted house and therein dwell.” For self, and then for all others.

CAPRICORN: It’s best not to aim for perfection. It’s best to aim for connection. That keeps you and others balanced, in tune, synchronized. Imagination, too, is most important. It goes hand in hand with knowledge. What do you imagine your new year to be? What would you hope to create and manifest in your new year? All the planets in Capricorn are creating and building a new self (you) around your old self. Creating “all things new.” You are the tarot card called the Star.

AQUARIUS: Uranus, the planet that is sideways—which describes you—is in steady Taurus, and this allows for you to be both conservative yet even more experimental. All things change for the better in 2020–a year of health and happiness, energy and prosperity. You will assess your past as your inner world strengthens. Spirituality, compassion and warmth lead you to a greater aspiration to serve the world and those in need. Interesting friendships form. You experience joy. Take care of yourself.

PISCES: Community and village building, forming and creating will be on your mind throughout the new year. This past year, you sensed something great is coming. Saturn/Pluto brings an end to the past. This year, the new era begins, with all the Aquarian hopes, wishes and dreams streaming forth. It will be like no other year humanity has experienced. Cherished visions about the future will be set in motion. Be sure to have very competent efficient people helping you. You see the goal, and you will reach that goal, as the next goal appears. 

Building on the ’80s Sound with Bandaid Brigade

If you ever saw Zach Quinn play live, he was probably shirtless and a little insane. As the singer of New Orleans hardcore band PEARS, Quinn is an explosive front man—part Iggy Pop, part Henry Rollins. But when he started Bandaid Brigade with friend Brian Wahlstrom, the music quickly headed in a different direction.

“Initially, Genesis was the focal point,” says Quinn. “Late-’80s, early-’90s Genesis.”

Yes, you read that right. Normally inspired by bands like Discharge and Minor Threat, this time around Quinn’s influences were “Land of Confusion” and “Invisible Touch” hitmakers Genesis. There was, however, a catch.

“We wanted to do the ’80s without all the things that were terrible about the ’80s,” he says, before pointing out that “every Genesis song is five minutes too long,” and that “the ’80s were fucking bad.”

So then why does “Travel Light,” Bandaid Brigade’s first single, sound so good?

Driven forward by a disco beat and funky clavichord, “Travel Light” could have been the best song of 1986, were it not released in 2019. The vocals are smooth, and the synths floaty. And true to Quinn’s manifesto, it ditches Genesis’s excess in favor of a lean song structure, flying by on the strength of its melody and the relentless push of that funky clavy.

“Travel Light” was also the song that unlocked Bandaid Brigade’s sound.

“That tune in particular was kind of the jumping off point,” he says. “Originally, it was more like both of our solo material, kind of subdued and quiet. But we decided to lean into whatever old rock influences were creeping in.”

The two first met on a European tour with Joey Cape, the singer of influential skatepunk band Lagwagon. There, Quinn and Wahlstrom formed a musical friendship based on the sounds of the Dayglo decade. As a piano player, Wahlstrom had grown up learning piano-based classic rock song by artists like Billy Joel and Elton John. As the son of two cover musicians, Quinn had been raised in a house where Peter Gabriel and Stevie Wonder were often the soundtrack.

But more than just an exercise in genre, “Travel Light” also has an emotional core. Recorded just days after singer Wahlstrom found out his wife was leaving him, the lyrics are a sincere reflection on the transience of all things.

“Addendum be damned. Don’t need it. Sooner or later, we’re all gonna eat it,” he sings in the pre-chorus. A moment later, the Queen-like choir of background vocals enters, sweeping upwards and leading to Quinn’s chorus: “Time flies, so keep me close tonight/I’m on the go, I travel light.”

“We went in with chord changes and basic arrangements and let it go from there,” Quinn says. “We weren’t sure it was going to work. I’d never laid down slap bass before. But it worked. It was some of the most fun I’ve ever had in the studio.”

While “Travel Light” is Bandaid Brigade’s only single thus far, the Crepe Place show will offer a sneak peek at the rest of the band’s material, ahead of the Jan. 21 release of their debut LP I’m Separate.

“Everybody should come to the show, get excited about the tour, and then hear the songs with like a million more Genesis-y instruments over them afterward,” says Quinn.

Bandaid Brigade performs at 9pm on Thursday, Jan. 9, at the Crepe Place, 1134 Soquel Ave, Santa Cruz. $10. 429-6994.

Be Our Guest: PAMELA ROSE & TERRENCE BREWER

Most folks know that Ella Fitzgerald is one of the greatest American singers of all time. In her huge discography, a few records that deserve a spotlight are the four she made with phenomenal jazz guitarist Joe Pass in the ’70s and ’80s. These are some of the softest, most emotionally tender records Fitzgerald recorded in her long career—her singing duets with Pass’ gorgeous guitar work. Guitarist Terrence Brewer and blues vocalist Pamela Rose loved these records so much, they wanted to pay tribute to them on the Kuumbwa stage.  It will be a night of musical intimacy.

INFO: 7 p.m. Thursday, Jan. 16, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $26.25/adv, $31.50/door. Information: kuumbwajazz.org. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Thursday, Jan. 9 to find out how you could win a pair of tickets to the show.

Music Picks: Jan 8-14

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FRIDAY 1/10

FOLK

JUSTIN FARREN

Sacramento singer-songwriter Justin Farren built his house with his own hands. It’s not perfect, but it has character. And if you ever get a chance to visit him, you’ll find little remnants of his life tucked away in unexpected corners. Farren makes music much in the same way he builds houses. These are intimate little handcrafted songs that will never blare on the radio, but if you listen closely, they’ll whisper to you some of the most profound, tender, and hilarious stories about the essence of life—or, at the very least, Farren’s own little corner of the world. AC

INFO: 8 p.m. Lille Aeske, 13160 Hwy 9, Boulder Creek. $15. 703-4183. 

ROCK

BART BUDWIG

If mellow grooves are what you’re after, then you’re in luck; they’re kind of Bart Budwig’s thing. The Oregonian songwriter has a knack for writing songs that shake like a drunken tambourine, swaggering at an unhurried pace while evoking the ramshackle sounds of Neil Young and Levon Helm. Like those stoned luminaries, Budwig keeps an eye on the small things, writing about missing socks and too-strong coffee. He’s also been described as a “cosmic country lawn gnome,” which I guess is a good thing? MIKE HUGUENOR

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave, Santa Cruz. $10. 429-6994.

FRIDAY 1/10

ELECTRONIC

THRIFTWORKS

Deep, low-end vibes permeate Thriftworks’ tracks. The Berkeley-based DJ and producer captures the Bay Area sound, from chilly walks under grey skies to club hopping from one dark party to another. He’ll be dripping his beats at Moe’s as a pre-party on his way to the Gems and Jams Fest at the end of the month in Arizona. Presented by Euphoric and Santa Cruz Music Festival, the show will also feature tunes from Zipse, Akai, and Cat Sylan. MAT WEIR

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $20/door. 479-1854.

SATURDAY 1/11

COMEDY

CHRIS CHARPENTIER

Let’s get one thing straight: Chris Charpentier is not to be confused with St. Louis Cardinals retired pitcher Chris Carpenter, and thank God because the latter does not seem very funny. Charpentier, however, is very funny, as evidenced by his debut album, Brain Thoughts, and the podcast he co-hosts, “Sports Bullies the Game,” both recorded in his hometown of Denver, Colorado. He also is rumored to have a special with funnyman Bill Burr dropping sometime this month, but all the cool kids know the best way to get in yer chuckles is to see him live and in person. MW

INFO: 6:30 & 9p.m. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20adv, $25/door. 900-5123. 

SUNDAY 1/12

PUNK

BLACK FLAG

Arguably the first hardcore punk band, Blag Flag’s entire existence has been a process of transfiguration, cycling through at least 30 members and multiple iconic lineups since coming to life in 1976. There were the eras of Keith Morris (Nervous Breakdown), Ron Reyes (Jealous Again), and, of course, Henry Rollins (My War). Since 2013, when the band unexpectedly returned, vocals have been covered by skateboarder & Tony Hawk’s Pro Skater alum Mike Vallely. MH

INFO: 9 p.m. Catalyst, 1011 Pacific Ave, Santa Cruz. $20/adv, $25/door. 423-1338.

MONDAY 1/13

INDIE

YOUR SMITH

Your Smith’s bright and breezy pop songs sound cool and effortless, but an older, people-pleasing facet of identity had to be silenced in order for Your Smith to come forth and take the reins as a blunt, risk-taking wild child of California, unafraid to play with her music. Armed with a new sense of freedom that Your Smith could say what her old self Caroline Smith couldn’t, songs encapsulating all her old inspirations (like Bowie and Jackson) spilled from her and melded with the bolder, brasher, dancier and unbothered new her. AB

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $15/door. 423-1338.

JAZZ

JEREMY PELT QUINTET

An early mid-career master, trumpeter Jeremy Pelt has gracefully navigated the transition from avid apprentice to confident bandleader. After gaining attention in swaggering ensembles like the Mingus Big Band and trumpeter Roy Hargrove’s big band, Pelt started recording an increasingly impressive series of albums. His 16th and latest, The Artist, features the same stellar cast of players he brings to Santa Cruz, with veteran bassist Richie Goods, rising pianist Victor Gould, the brilliant Allan Mednard, and imaginative vibraphonist Chien Chien Lu. Stocked with a strong book of Pelt originals, it’s one of the best working bands on the scene. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $33.60/adv, $38.85/door. 427-2227.

Love Your Local Band: Heather Christie

When Heather Christie was a teenager, she took a “musicpreneur” class, and her teacher told the students that in order to make powerful art, you need to write about the thing in your life that has been the hardest. For her, this eventually translated into “Evaporate,” a song she wrote which addressed her eating disorder.

The song is on her new album, Songs From The Moon, her first ever solo release under her own name. She’d already released several albums in groups, and under solo monikers like Cheraki, Silk Drop and Feral Fauna, but now she wants to take music she’s written over the past seven years that’s her at her most vulnerable, and do it in a very personal way. It’s a mix of heartfelt ’70s singer-songwriter and inspirational electro-soul style.

“It’s a constant quest to get to the source of who I am as an artist and where the inspiration comes from,” Christie says. “I come from a theater background, which is the practice of being someone else. I’ve been trying to undo all of the characters. Strip away other people’s ideas about what I should sing.”

On this new record, she’s hoping to promote the idea of radical hope: Knowing the full weight of the negativity and madness around you, and still choosing hope.

She thinks about another song on the record, “Fires.” It deals with her very realistic fears about the effects of climate change in her lifetime.

“That heavy, scary feeling of doom—that’s something I’ve been grappling with. How to speak to that,” Christie says. “You can still come to a place of ‘things are going to be okay’ that takes everything into consideration. Through all of the madness and the craziness, it still finds a way to come through and shine.”

She will have USBs and download cards for the album at the show. The event is a benefit for Women’s Earth Alliance, which aims to empower international women leaders who are dealing with climate change in their communities. 

INFO: 7 p.m. Saturday, Jan. 11, DiviniTree Yoga Santa Cruz, 1043B Water St., Santa Cruz. $15-$20. 421-0518.

Last Call for Seabright Brewery; Plus a David Kinch update

Charlie Meehan emailed to tell me that Seabright Brewery, which he started 30 years ago, is in the midst of a pending sale. “My partner and I were no longer able to spend much time at the pub. It wasn’t working to not be around, so we have decided to retire.” Meehan said that while he couldn’t reveal their names just yet, a “couple from Aptos with restaurant experience are currently interested.” Bottom’s up.

Mentone Coming Up

Update from David Kinch about his new Mentone restaurant in Aptos Village. Kinch told us he “hopes to take possession of the building on or around the 15th of this month and open after a couple of weeks of training.” That sounds like somewhere around March 1 to me. 

Kinch, best known for his Los Gatos restaurant Manresa, also just announced the first of Manresa’s four-hand dinners for 2020. The one-night, multi-course event unfolds on Feb. 27, with Kinch joined by superstar chef Mauro Colagreco of the three-Michelin-starred Mirazur. The event continues the chefs’ tradition of cooking together, and the pair have cultivated a steady exchange of ideas and inspiration over the years. 

Each chef has earned three Michelin stars for restaurants that explore the flavor depths of the Mediterranean climate—one in California, one on the French-Italian Mediterranean Sea. A Santa Cruz local, Kinch is an acknowledged fan of Colagreco and Mirazur, situated in Menton, where the Cote d’Azur merges with the Ligurian coast. “Menton is a place I find myself returning to again and again,” says Kinch “and it represents the foundation for my upcoming restaurant, Mentone.” 

So if you want to experience a once-in-a-lifetime gastronomic experience—and are prepared to pay for it—see if there are any reservations left for the Manresa and Mirazur Four-Hand Dinner on Thursday, Feb. 27. You’ll pay $395 per person, with optional wine pairings for $285. manresarestaurant.com. Tickets available via Tock.

New Year’s Milestones

Veteran Santa Cruz restaurateur Germaine Akin has sold the Red Restaurant and Bar to Terry Bryant, who (we’ve heard) has no plans to change the cozy, laid-back vibe of the historic upstairs watering hole. 

The Wienerschnitzel building, closed for many years on Soquel Avenue, is also set to become a beer garden and restaurant, thanks to the owners of Beer Thirty Bottle Shop & Pour House in Soquel. Look for a June 1 opening for the as-yet-unnamed eatery, which aims to focus on craft beer and foods to go with it, according to Kym DeWitt, who co-owns the local beer empire with husband Shawn DeWitt, Craig Renfroe and Olive Moredock.

And congratulations to the Homeless Garden Project in its successful fundraising efforts for the new Pogonip Farm. Looks like the $3.5 million Pogonip Campaign goal has been met. Construction is expected to start in the spring for the proposed 9.5-acre farm’s barn, greenhouse and combined kitchen and administrative building. The long-awaited permanent site will allow the HGP to plant orchards and make a long-term commitment to a farm serving the Santa Cruz community, as well as providing job training for those in need of stable income and housing.

Why We Live Here 

What better way to catch some coastal rays, a killer view and optimism for the new year than with excellent coffee and pastries at Fran Grayson’s Steamer Lane Supply? Watch surfers romance the waves, forget the uncertainty of 2020, and savor the whole point of living in Santa Cruz. Highly recommended as a daily stress-free ritual. Lighthouse Field, open daily 7:30am-sunset. Happy New Year!

Film Review: ‘Little Women’

There have been so many adaptations of Louisa May Alcott’s beloved novel Little Women that it’s hard to imagine anything new to bring to yet another retread of the material. Then along comes Greta Gerwig, hot off her impressive directing debut Lady Bird, to add her own contemporary spin. Actually, feminist principles (as well as lifelong spinster Alcott’s suspicion of marriage) have always been inherent in the story, if perhaps not expressed so obviously as in Gerwig’s version.

But the most interesting thing Gerwig does is combine the adventures of Alcott’s fictional March sisters with the journey of Alcott herself in getting her story published. Through Alcott’s surrogate, Jo—the budding writer in the March family—Gerwig inserts the author’s early career writing “scandalous” magazine stories for money, and her tribulations with her patronizing male publisher. This provides a solid counterpoint to the familiar domestic tale, and helps to ground the non-linear careening of flashbacks to March family life that inspires Jo to write her first novel.

Gerwig begins the movie after the March sisters have gone their separate ways. Jo (Saoirse Ronan, who is absolutely wonderful) is living in a boarding house in New York City, trying to get her stories published. Meg (Emma Watson), the eldest, is married and raising her own small children. Amy (Florence Pugh), the youngest, is in Paris, studying art, as companion to the sisters’ rich, ferocious Aunt March (a delicious Meryl Streep).

As their individual stories continue, a roundelay of flashbacks and memories sketch in the details of the shared backstory we know. The girls grow up in Concord, Massachusetts, with their fragile sister Beth (Eliza Scanlen), and their warm, pragmatic mother Marmee (Laura Dern)—who teaches them charity and generosity while their father is off fighting in the Civil War. Their lives change with the arrival of Laurie (Timothée Chalamet), grandson of their wealthy, reclusive neighbor Mr. Laurence (Chris Cooper).

Laurie becomes an honorary March as they all come of age together; he and tomboyish Jo become best friends. (In one very funny scene, he also crashes their Girl’s Club, in which the sisters mimic gentleman’s clubs by sporting trousers and pretending to smoke pipes and sip brandy.) Chalamet is as coltish, handsome, and mischievous as the part requires, and Jo’s initial rejection of him as a romantic partner makes as little sense as ever. (Chalk it up to Alcott’s distaste for matrimony.)

But none of the movie’s romantic relationships are quite persuasive, even while faithful to the novel. Jo’s literal pursuit of shy Professor Bhaer (Louis Garrell) in the finale is exhilarating, but feels unearned because the last scene they’d had together (about an hour of screen time earlier) ended discordantly. If there was an interim scene of rapprochement, it didn’t make the final cut. When Laurie begins to court Amy, we feel, as she fears, that she’s just a substitute for Jo, and, sadly, we are never convinced otherwise.

Pugh (last seen in Midsommar) is a formidable actress; her icy turn in the movie Lady Macbeth (not based on the Shakespeare play) a couple of years ago was mesmerizing. But with her deep voice and enormous self-possession, she often seems too mature and sophisticated for Amy, the youngest and, initially, the flightiest of the March sisters.

Meanwhile, the elliptical time frame makes sense at first, as scenes of the sisters’ giddy and riotous youth play off against their more adult concerns, while the bonds between them deepen. But it becomes more difficult to keep track of what’s happening—especially toward the end, when the big emotional payoffs are somewhat dampened by temporal confusion.

Still, the movie exudes so much exuberant and heartfelt goodwill that it’s impossible to dislike. And the sly bracketing story of Jo vs. her condescending publisher (a well-cast Tracy Letts) builds to a satisfying girl-power crescendo that surely would have pleased Alcott herself.

LITTLE WOMEN

*** (out of four)

With Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothee Chalamet and Meryl Streep. Written and directed by Greta Gerwig. A Columbia Pictures release. Rated PG. 135 minutes.

Opinion: Jan. 1, 2020

EDITOR’S NOTE

Last January, when GT let the students from UCSC’s Science Communication Program take over the cover story for an issue, we learned a lot of things. And when I say “we,” I really mean me. I don’t know if you already knew all of these things, but I learned, for instance, that two of the most endangered species in Santa Cruz are actually flowers, what happens to our brains when we enter the Mystery Spot, and that some of my favorite local parks came about because of the lime kiln industry. I remember being a little shocked at how much I didn’t know about Santa Cruz.

Well, it’s January again, and a whole new class of Rob Irion’s students are back to make me feel that way all over again. We once again asked for your questions about Santa Cruz’s natural world, and once again you came through with really interesting inquiries. Even more so than last year, I think, a number of the answers really surprised me. One thing that didn’t surprise me is that several of the questions were focused on climate-change issues, and while global-warming data is always unnerving, there really is something about learning how it will affect our community in particular that really makes it hit home in a whole different way. These students brought a lot of important science reporting to this issue, and I hope our collaboration with the UCSC program becomes an ongoing tradition.

So, welcome to 2020, and hey, don’t forget to vote for your favorite local people, places and things of 2019 in our Best of Santa Cruz balloting. Go to goodtimes.sc and cast your votes!


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Y2K Was Real

In his article “Our Fake Future” (GT, 11/27) Wallace Baine calls the Y2K event “a giant nothingburger … a punchline for comically wrong-headed fears.”

This misconception is widespread. The fact is that system failures were avoided because the modifications needed to avoid such failures were made. At the time, I worked as a programmer/analyst. We had a Y2K team whose task was to modify the computer programs that needed fixing in order to work beyond 1999. The task was completed! Every single program needing modification was modified. Had that not been done, we would have experienced total chaos in our data processing. 

Calling Y2K a stupid name like “nothingburger” just reveals how little Baine knows about the Y2K problem and about the massive amount of work required to avoid the serious consequences that inaction would have led to. I am sorry that the skillful and timely action of so many computer professionals around Y2K is totally unappreciated.   

Kristin Hoye
Santa Cruz

Basic Bike Courtesy

As a short-term sabbatical visitor to UC Santa Cruz since early September, I just wanted to say thanks to the Santa Cruz community for their friendly and casual attitude that permeates my daily interactions. A particularly bright spot for me has been riding my bike to and from campus almost every day (~ 5 miles each way). The infrastructure for cycling is great, and I have been very pleasantly surprised by the overall courtesy of drivers. Sure, many (maybe most?) drive a bit too fast—I have been told “This is California, you know?”—but I have experienced very few negative interactions with motor vehicles in SC.

Surprisingly, the same cannot be said for many of the other bicycles, scooters and skateboards (including e-versions of these). I am reminded almost daily of the lack of courtesy from other riders, including the near absence of being told that I am about to be passed (e.g. “passing on your left”). Indeed, I have frequently been passed closely without any warning—this is especially unnerving and potentially dangerous when the passing vehicle is an e-bike/scooter/board moving at twice or more my speed! In all of the other places where I have cycled—including considerably less bike-friendly environs—the camaraderie and courtesy among riders is ever-present and communication among cyclists is automatic. Why not in Santa Cruz?

John Logsdon
Iowa City, Iowa

Re: Netflix Origins

I worked at Netflix from 1998 to 2000, and as the customer service manager, I reported directly to Marc. I had great coworkers and always appreciated being able to talk to Marc or Reed without the layers of corporate management that usually stifle the flow of information. It was one of the few jobs that I ever loved, and I wish I could have stayed longer. But less than a year after moving from Scotts Valley to Los Gatos, the customer service department was moved from Los Gatos to a warehouse on the San Jose/Milpitas border. Driving from my house in Aptos to that location, and being away from the energy of the Los Gatos HQ, was very demoralizing. So I left and founded Capitola Coffee Roasters, but that’s another story…

— Dan Rogers


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

January is a great month to explore the world of fungi. And Mushrooms: Keys to the Kingdom Fungi will open at the Santa Cruz Museum of Natural History on Jan. 11, the same weekend that the Santa Cruz Fungus Fair will be at Louden Nelson Community Center. The show runs through March 1, with a focus on the ecology of mushrooms—plus lessons on their beauty, diversity and critical importance to the wider environment. Mushroom experts like Christian Schwarz will give talks and lead guided hikes.


GOOD WORK

The Museum of Art and History’s current exhibition We’re Still Here: Stories of Seniors and Social Isolation is on display through Jan. 12. After that, it will hit the road. A group of 186 local seniors and advocates created the artwork. And over the next two years, it will be traveling to the counties of Marin, Sonoma and San Francisco to spread awareness about the problems of loneliness and social isolation among aging populations. Seniors can visit the MAH for free until the exhibit leaves.


QUOTE OF THE WEEK

“Study hard what interests you the most in the most undisciplined, irreverent and original manner possible.”

-Richard Feynmann

Local Art: There’s an App For That

Loc Art
Santa Cruz’s Loc Art app connects art lovers with artists from their own community

Rob Brezsny’s Astrology Jan. 8-14

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Jan. 8

A Year Like No Other: Risa’s Stars Jan. 8-14

risa's stars
Esoteric Astrology as news for the week of Jan. 8, 2020

Building on the ’80s Sound with Bandaid Brigade

Bandaid Brigade
Former punk rocker Zach Quinn is keeping the best of the '80s sound alive with Bandaid Brigade

Be Our Guest: PAMELA ROSE & TERRENCE BREWER

Win free tickets to go see Pamela Rose and Terrance Brewer at Kuumbwa Jazz Center Thursday, Jan 16

Music Picks: Jan 8-14

Santa Cruz County live entertainment picks for the week of Jan.8

Love Your Local Band: Heather Christie

Heather Christie plays DiviniTree Yoga Saturday, Jan 11

Last Call for Seabright Brewery; Plus a David Kinch update

David Kinch
David Kinch has a big event upcoming at Manresa as he prepares to open Mentone in Aptos

Film Review: ‘Little Women’

Little Women
A beloved family tale is updated in Greta Gerwig’s exuberant ‘Little Women’

Opinion: Jan. 1, 2020

Plus letters to the editor
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