The Rebirth of Santa Cruz Bike Pick-Up Composting

Addison Wilks, an owner of the Hard-Core Compost cooperative, has developed a unique passion. That passion is for cycling around town picking up food scraps, composting them, and turning them into healthy soil that can be reused in the future.

Wilks and seven cyclist friends bought Santa Cruz Composting Co. from founder Ivy Young early this year. Young fell behind on pick-ups and running the rest of her operation after suffering a wrist injury on the job, and then undergoing a surprisingly complicated surgery last year. “Being a mom and keeping the business going was not going to happen,” Young says. “I ultimately decided to end the service. It was heartbreaking.”

The Hard-Core crew has picked up where Young left off, cycling around the county with large bins in tow to pick up food waste from households that don’t have the energy, space or hours to compost it themselves. “We do it because we can,” says Wilks, one of Young’s former employees. “And we all love bikes!”

When a small office space opened up right next to Ped-Ex at the Hub for Sustainable Living in downtown Santa Cruz, Wilks and the other soon-to-be compost entrepreneurs took that as a sign. “That in itself pushed us and motivated us to get our shit together,” Wilks says.

It took a few weeks, but they came up with the $8,000 needed to re-launch Young’s business as a new cooperatively owned company. Young gave the team three months to pay, hooking the new owners up with a drop-off truck, three bike trailers, compost sifters, shovels, and almost 500 green 5-gallon buckets in the process.

“I negotiated with them—tallying up how much the equipment was worth and adding a little more for the customer list. It was not a profiteering kind of move,” says Young. “I was going to have to sell the truck, trailers and assorted equipment anyways. We eventually signed a contract we were both happy with.”

Hard-Core’s coverage area stretches from Westside Santa Cruz to portions of Capitola, and subscriptions start at $25 a month. The new business owners—overseeing what is still Santa Cruz County’s only composting service—are running things the same way Young did, but with more riders and a more balanced, sustainable workload. Riders work no more than two days a week. The food waste often goes to the Homeless Garden Project, while customers get a perfectly clean bucket returned to them to start collecting their next round of food waste.

SOIL AND TROUBLE

In 2013, Americans sent 254 million tons of garbage to landfills, according to the Environmental Protection Agency. The U.S. Department of Agriculture has estimated that 30-40% of the food supply gets wasted, coming out to more than 20 pounds per person per month.

Local governments across California have for years collected yard trimmings, which get turned into compost. A few, like San Francisco, also collect food scraps for composting.

Composting creates soil for local farmers, growers and households, and absorbs carbon dioxide from the atmosphere. On top of that, the process stops unneeded waste from entering landfills, where it would otherwise release methane—a greenhouse gas 30-80 times more dangerous than CO2.

In order to implement the state’s carbon-reduction goals, CalRecycle has mandated that curbside collection of food waste for all California residents must be implemented by Jan. 1, 2022.

Santa Cruz County Zero Waste Programs Manager Tim Goncharoff says he expects Santa Cruz County to meet its goal. County officials have identified a compost site at the Buena Vista Landfill, about 1.5 miles from the Watsonville Airport, and are in the process of design and permitting work at the location, he says. The site would need to clear seven state and federal agencies in order to get approval.

Many areas, including Santa Cruz County, already have programs to collect food waste from businesses, as required by the state.

Today, Santa Cruz County’s food waste goes to the Monterey Regional Waste Management District for processing. Establishing a composting facility within county lines would further reduce greenhouse gas emissions by cutting down the number of miles waste is transported. It would also allow farmers and gardeners to pick up fresh batches of local fertilizer for their own use.

“The best approach,” writes Goncharoff, “is to close the loop locally by using organic waste to generate compost to re-apply to the soil, allowing farmers, gardeners, vintners and others to restore nutrients to the soil, conserve water, and sequester carbon.”

Janice Bisgaard, a spokesperson for the city of Santa Cruz’s Public Works department, told GT in December that the city was on schedule to roll out curbside pick-up for compostable food scraps by 2022, and to grow its own composting program for businesses in the meantime. The city is working on where to best locate facilities for its composting expansion. For now, the city’s sending compostable food waste to a Santa Clara facility.

Bisgaard says that a planned installation of pre-processing equipment at the city’s Dimeo Lane landfill has been pushed back from May to the fall.

DIRTY WORK

Young is pulling for the Hard-Core crew, but with the comfort of knowing that the sale of her business is in the rear-view mirror. The 2019 holidays were rough on her as she dealt with nagging injury, a constant cycle of self-doubt and the pressures of being a mom without a job.

“I really want them to succeed, to keep my dream going,” Young says. “I also want them to do their own thing.”

At the end of the day, the force motivating Wilks and the other Hard-Core owners is the same thing that drove Young: a deep passion for environmental stewardship.

With Young’s company, however, customers could request compost from her, and she would deliver it to them at the end of each month. Hard-Core is still trying to work this process out, with the team brainstorming ways to provide deliveries in the future.

“This isn’t a deal-breaker for most people,” says Wilks. “The majority of people simply don’t want to throw away their food scraps. A lot of people just like doing good for the Earth.”

For more information on Hard-Core Compost, visit compost.bike.

Mixed Messages on Future of California Death Penalty

Following Gov. Gavin Newsom’s moratorium on capital punishment via executive fiat in March, will California voters end the death penalty in 2020?

New research from the National Institute on Money in Politics indicates that, absent a robust grassroots anti-death penalty effort, it may be a tough sell.

That’s owing mostly to the power and influence of statewide unions, such as the California Correctional Peace Officers Association (CCPOA), whose small-donor efforts in 2016 helped turn the tables on a capital-punishment proposition twofer on the ballot that year. Power of unions aside, the recent findings don’t mean the death penalty is actually popular in and of itself.

Going back to the 2016 election, Proposition 62 would have ended the death penalty outright, while pro-death penalty Proposition 66 sought to limit appeals in capital cases.

The institute’s research found that even as the state was trending away from support for the death penalty, pro-death penalty committees outspent opponents $13.5 million to $9.7 million in 2016.

That year, corrections officers made up, “the overwhelming majority of small donors rallying behind the death penalty,” reports the institute’s online research portal, followthemoney.com, which adds that, “35 public sector unions collectively gave $3.3 million to the pro-death-penalty effort.” Almost half of the unions’ combined total came from contributions from CCPOA and the Peace Officers Research Association of California. Some 28,000 CCPOA members contributed $287 each to pro-death penalty committees.

Small-donor, anti-death penalty contributions were not nearly so robust. The institute reports that “more than four-fifths of the anti-death-penalty total ($7.9 million) came from just 35 donors who gave $50,000 or more.”

Contributors to the opponents’ campaign included George Soros’s Open Society Policy Center. The report further notes that Stanford professor Nick McKeown gave $1.5 million, “a 91% share of the total from education donors,” while Netflix co-founder and CEO Reed Hastings contributed $1 million of the $1.2 million that came from the TV and film industry.

Small-donor contributions from 1,700 death penalty opponents totaled $377,000, reports the institute. In the run-up to the 2016 election, opponents contributed an average of $4,750 to the committees; proponents of the death penalty contributed an average of $470.

On September 21, 2016, the Sacramento Bee reported that polling up until that point indicated that a plurality of voters supported Prop 62, while only a third of voters supported Prop 66.

Then came a CCPOA-led advertising blitz that raised public awareness of Proposition 66. “In the end, 53% of voters rejected Proposition 62 and 51% okayed Proposition 66,” notes the institute.

In making his March announcement, Newsom highlighted that the death penalty discriminates against minorities and poor people as he called the practice “ineffective, irreversible and immoral.” He pledged to give a reprieve to the 737 inmates currently on death row in California, close the death chamber at San Quentin (it was dismantled soon after his announcement), and end a years-long debate over the state’s execution protocols.

Most of the 737 condemned in California are men held in one of three death-row tiers at San Quentin. Women on death row are incarcerated at a facility in Chowchilla. The last execution in California took place 13 years ago.

As Newsom was making his announcement, Marin Assemblyman Marc Levine (D-Greenbrae) introduced a proposed constitutional amendment on the 2020 ballot that would ban the death penalty.

Opponents to Newsom’s moratorium have already ramped up the grassroots activism in light of the renewed push to end capital punishment in the state.

Families of crime victims and local district attorneys have embarked on a “Victims of Murder Justice Tour.” In April, NBC Los Angeles reported that the organization (founded by the Orange County District Attorney Todd Spitzer) would take the tour to each of the 80 Assembly and 40 Senate districts in the state.

Death Penalty Focus, a California nonprofit devoted to ending capital punishment in the state through public education and grassroots organizing, was supportive of Newsom’s March move.

District attorneys and victims’ families have accused Newsom of thwarting the 2016 will of the voters, but recent polling suggests that Californians favor life-without-parole over execution in first-degree murder cases by a 2-to-1 ratio.

A Public Policy Institute of California poll conducted two weeks after Newsom’s announcement found that 62% of voters support life in prison over the death penalty. “The survey found that only 31% of adults—38% of whom are likely voters—favored the death penalty,” reported Death Penalty Focus.

David Crawford, senior advocacy director at Death Penalty Focus, says in a statement that if death penalty advocates get involved in yet another ballot initiative, they would make adjustments to their fundraising strategies. Nonetheless, he says that, “It’s a bit premature to speculate about an initiative in 2020.”

“My organization has many priorities at the moment,” he adds, “including public education, lifting up the voices of impacted communities like victims’ families and the wrongfully convicted, fostering new alliances with other criminal justice reform movements, and advocacy efforts at the local level.”

Satan’s Goat Pardoning and an Ugly End to Ross Camp

Members of the local Satanic Temple of Santa Cruz (TSTSC) were minding their own business, staging a beachside ritual involving a goat, when they found themselves taking crap from tourists recently.

This was not an animal sacrifice. Temple members were holding their first-annual Goat Pardoning Ritual on April 27. Roughly 20 members of the Satanic Temple from around the Bay Area descended upon Seabright Beach—clad in black and armed with vegan, potluck lunches—to celebrate the life of, and help name, the Santa Cruz chapter’s latest member. Lil Baphy is a white baby goat saved by Watsonville’s Little Hill Sanctuary from imminent slaughter. LHS has set up a Facebook donation page which has raised more than $2,000 to fund the goat’s medical costs.

The scene apparently goaded onlookers (who did not ask anyone what was going on) into thinking that they were about to witness a sacrifice of Biblical proportions.

“We were all gathered around the goat pen when the lifeguard showed up,” explains Satanic Temple National Councilmember Sadie Satanas. “We showed her were just symbolically pardoning the goat and she said, ‘That’s not the call I got.’”

After a few minutes of explanation, and some tasty, animal-free food, the lifeguard saw there was no threat to the goat. “When we told her what we were doing, [the lifeguard] got really excited,” claims TSTSC chapter head Lanna Navalia. “She even said, ‘Well, we have on-leash rules for dogs, but nothing about goats in pens, so you’re fine!’”

ROSS CAMP’S UGLY END

It was just after midnight on Wednesday, May 1, when Sam Bahu saw a scuffle happening outside the Ross Camp homeless encampment just off Highway 1. With the camp set to be disbanded after a court battle, Bahu, a 30-year-old Ben Lomond native, says he was driving down the highway at around 50 miles an hour when he skidded to a stop.

“I see a group of young men, all around my height, around 6 feet, throwing everything they could possibly grab at the homeless camp,” Bahu tells Nuz. “They were going at it for at least 30 seconds in my view.”

Bahu says he also saw the group throwing rocks and other objects on the ground, so he called 911. “The first dispatcher blew me off,” he says, and a second told him that a crew would be dispatched, but that nothing was likely to come of the report.

Prior to the Ross Camp’s eviction, four camp residents also told reporters at GT that people had thrown objects, including rocks and frozen water bottles, at people in the camp. One woman who lived at the camp also recalled an incident where a homeless man’s dog was shot repeatedly with a paintball gun.

With the former residents of the Ross Camp now scattered at the city’s ever-rotating slate of encampments, Bahu says he hopes that someone—anyone—will do something to improve the situation.

“People have found a group to target,” he says. “I just want to hear some type of urgency.”

CLICK BASE

Nuz has been wondering as of late what the true point is of the app and website Nextdoor. Is it to fill us in on what’s happening in our neighborhood, or to let us know how bigoted our neighbors really are?

Option two, unfortunately, is closer to the truth, according to a new in-depth piece of explanatory journalism by Vox.

Not only is Nextdoor’s “Crime and Safety” tab a hornet’s nest for racial stereotyping, but the site feeds a vicious cycle that foments an (often) irrational fear of crime. What’s more, it also now has competitors. A rival app called Citizen is now on the scene, and Amazon has launched its own version called Ring. With this new renaissance, Santa Cruz homeowners will have more avenues to traffic in fear-oriented misinformation than ever before.

We can only imagine what they think of goat pardonings.

Rob Brezsny’s Astrology May 15-21

Free will astrology for the week of May 15, 2019

ARIES (March 21-April 19): According to humorist Dave Barry, “The method of learning Japanese recommended by experts is to be born as a Japanese baby and raised by a Japanese family, in Japan.” As you enter an intensely educational phase of your astrological cycle, I suggest you adopt a similar strategy toward learning new skills and mastering unfamiliar knowledge and absorbing fresh information. Immerse yourself in environments that will efficiently and effectively fill you with the teachings you need. A more casual, slapdash approach just won’t enable you to take thorough advantage of your current opportunities to expand your repertoire.

TAURUS (April 20-May 20): I think it’s time for a sacred celebration—a blow-out extravaganza filled with reverence and revelry, singing and dancing, sensual delights, and spiritual blessings. What is the occasion? After all these eons, your lost love has finally returned. And who exactly is your lost love? You! You are your own lost love! Having weaved and wobbled through countless adventures full of rich lessons, the missing part of you has finally wandered back. So give yourself a flurry of hugs and kisses. Start planning the jubilant hoopla. And exchange ardent vows, swearing that you’ll never be parted again.

GEMINI (May 21-June 20): The Louvre in Paris is the world’s biggest art museum. Over 35,000 works are on display, packed into 15 acres. If you wanted to see every piece, devoting just a minute to each, you would have to spend eight hours a day there for many weeks. I bring this to your attention, Gemini, because I suspect that now would be a good time for you to treat yourself to a marathon gaze-fest of art in the Louvre—or any other museum. For that matter, it’s a favorable phase to gorge yourself on any beauty anywhere that will make your soul freer and smarter and happier. You will thrive to the degree that you absorb a profusion of grace, elegance and loveliness.

CANCER (June 21-July 22): In my astrological opinion, you now have a mandate to exercise your rights to free speech with acute vigor. It’s time to articulate all the important insights you’ve been waiting for the right moment to call to everyone’s attention. It’s time to unearth the buried truths and veiled agendas and ripening mysteries. It’s time to be the catalyst that helps your allies to realize what’s real and important, what’s fake and irrelevant. I’m not saying you should be rude, but I do encourage you to be as candid as is necessary to nudge people in the direction of authenticity.

LEO (July 23-Aug. 22): During summer in the far northern land of Alaska, many days have 20 hours of sunlight. Farmers take advantage of the extra photosynthesis by growing vegetables and fruits that are bigger and sweeter than crops grown further south. During the Alaska State Fair every August, you can find prodigies like 130-pound cabbages and 65-pound cantaloupes. I suspect you’ll express a comparable fertility and productiveness during the coming weeks, Leo. You’re primed to grow and create with extra verve. So let me ask you a key question: to which part of your life do you want to dedicate that bonus power?

VIRGO (Aug. 23-Sept. 22): It’s time for you to reach higher and dig deeper. So don’t be a mere tinkerer nursing a lukewarm interest in mediocre stories and trivial games. Be a strategic adventurer in the service of exalted stories and meaningful games. In fact, I feel strongly that if you’re not prepared to go all the way, you shouldn’t go at all. Either give everything you’ve got or else keep it contained for now. Can you handle one further piece of strenuous advice, my dear? I think you will thrive as long as you don’t settle for business as usual or pleasure as usual. To claim the maximum vitality that’s available, you’ll need to make exceptions to at least some of your rules.

LIBRA (Sept. 23-Oct. 22): “All human nature vigorously resists grace because grace changes us and the change is painful,” wrote author Flannery O’Connor. I think that’s an observation worth considering. But I’ve also seen numerous exceptions to her rule. I know people who have eagerly welcomed grace into their lives even though they know that its arrival will change them forever. And amazingly, many of those people have experienced the resulting change as tonic and interesting, not primarily painful. In fact, I’ve come to believe that the act of eagerly welcoming change-inducing grace makes it more likely that the changes will be tonic and interesting. Everything I’ve just said will especially apply to you in the coming weeks.

SCORPIO (Oct. 23-Nov. 21): There’s a certain problem that has in my opinion occupied too much of your attention. It’s really rather trivial in the big picture of your life, and doesn’t deserve to suck up so much of your attention. I suspect you will soon see things my way, and take measures to move on from this energy sink. Then you’ll be free to focus on a more interesting and potentially productive dilemma—a twisty riddle that truly warrants your loving attention. As you work to solve it, you will reap rewards that will be useful and enduring.

SAGITTARIUS (Nov. 22-Dec. 21): Author Hélène Cixous articulated a poetically rigorous approach to love. I’ll tell you about it, since in my astrological opinion, you’re entering a phase when you’ll be wise to upgrade and refine your definitions of love, even as you upgrade and refine your practice of love. Here’s Cixous: “I want to love a person freely, including all her secrets. I want to love in this person someone she doesn’t know. I want to love outside the law: without judgment. Without imposed preference. Does that mean outside morality? No. Only this: without fault. Without false, without true. I want to meet her between the words, beneath language.”

CAPRICORN (Dec. 22-Jan. 19): Capricorn author Henry Miller wrote that his master plan was, “to remain what I am and to become more and more only what I am—that is, to become more miraculous.” This is an excellent strategy for your use. The coming weeks will be a favorable time to renounce any tendency you might have to compare yourself to anyone else. You’ll attract blessings as you wean yourself from imagining that you should live up to the expectations of others or follow a path that resembles theirs. So here’s my challenge: I dare you to become more and more only what you are—that is, to become more miraculous.

AQUARIUS (Jan. 20-Feb. 18): London’s British Museum holds a compendium of artifacts from the civilizations of many different eras and locations. Author Jonathan Stroud writes that it’s “home to a million antiquities, several dozen of which were legitimately come by.” Why does he say that? Because so many of the museum’s antiquities were pilfered from other cultures. In accordance with current astrological omens, I invite you to fantasize about a scenario in which the British Museum’s administrators return these treasures to their original owners. When you’re done with that imaginative exercise, move on to the next one, which is to envision scenarios in which you recover the personal treasures and goodies and powers that you have been separated from over the years.

PISCES (Feb. 19-March 20): “I hate it when people tell me that I should ‘get out of my comfort zone,’” writes Piscean blogger Rosespell. “I don’t even have a comfort zone. My discomfort zone is pretty much everywhere.” I have good news for Rosespell and all of you Pisceans who might be inclined to utter similar testimony. The coming weeks will feature conditions that make it far more likely than usual that you will locate or create a real comfort zone you can rely on. For best results, cultivate a vivid expectation that such a sweet development is indeed possible.

Homework: Describe what you’d be like if you were already the person you’ll be five years from now. Write freewillastrology.com.

Psych-Pop Act Sonny and the Sunsets Get Coiffed on New Album

Sonny Smith has been thinking about hairdressers lately.

“They’re out there saving lives,” he tells me. “Hairdressers are like a mix between a psychiatrist and a guru.”

Smith (who dates a hairdresser) says that people often come into salons in a panic, desperate for professional help. It was this observation that inspired Hairdressers From Heaven, the seventh full length by his psychedelic pop group Sonny and the Sunsets. Smith describes this album as a mixtape that’s “full of weird shit.” On its title track, he dives directly into the experience of a salon customer whose hair is just the start of their problems: “Hairdressers from Heaven / Help me to make sense of myself again,” Smith sings, in a Dylan-lite drawl over piano and drums.

The verses of “Hairdressers” tell its tale of coiffure woe against a breezy piano melody; it’s an airy piece of chamber pop comparable in composition to Belle and Sebastian or Beulah. At its chorus, Smith implores the audience to “watch me as I fall into the air,” tapping out a rising melody on the keys. The song swoons, tripping instantly into dreams as he describes himself falling “like hair onto the checkerboard.”

“If you listen to the lyrics, it’s about somebody looking for a hairdresser to save them. Help them feel good again, be themself again,” Smith explains.

Rather than musings and reflections, Smith’s lyrics often inhabit characters, who on this album come in the form of customers. In addition to the panicked salon customer, there’s the ripped-off stoner of “Ghost Days,” a Parquet Courts-like tune about a kid who got sold parsley instead of weed. On “Another Life, Another Body,” Smith channels a visitor to a psychic, someone who is mostly talked out of speaking with a dead friend by the psychic’s repeated refrain that there’s “no pressure.”

“That kind of storytelling with characters used to be more popular,” Smith says. “Ray Davies wrote so many songs about characters. Beatles had Penny Lane, or Rita the Meter Maid—they were constantly singing about characters from their neighborhood. Most songwriting I hear is usually autobiographical; it’s about how you’re feeling, it’s very anthemic.”

For Smith, this tendency to write characters isn’t about some retro songwriting style, it’s a natural outgrowth of his start as a writer. Many of his early songs emerged directly out of stories he’d written, characters lifted from the page and reanimated in song.

“In the early days of the Sunsets I was playing piano or guitar, but I still thought of myself as a writer, like I was just sort of playing music on the side, so to speak,” he says. “It’s weird looking back and realizing I was so off.”

Despite a career spanning two decades and 15 albums, Smith still doesn’t seem to take his role as singer-songwriter that seriously. Most of the bio page on the band’s website is taken up by a home video of Smith breakdancing as a child.

He continues to explore and take risks. Recently, he parted with longtime label Polyvinyl to start his own, Rock in Your Head Records, which he’ll be using to showcase the work of fellow San Francisco artists. Last year also saw the release of Rod For Your Love, a solo album that Smith recorded in Nashville with the Black Keys’ Dan Auerbach at the helm. While that experience was a career highlight (and the resulting album a strong bit of classic-rock-inspired indie pop), it was also a contrast from his usual style—a contrast which helped inspire the ramshackle nature of Hairdressers From Heaven.

“I realized that my favorite way of making records is actually kind of patchwork,” he says. “The song you made in your kitchen sounds way better than the song you made at the million-dollar recording studio. What about instead of picking the ones that are the most professionally made, why don’t we just pick the ones that are the coolest? Let that be the record.”

Sonny and the Sunsets perform at 8:30 p.m. on Friday, May 17, at Michael’s On Main, 2591 Main St., Soquel. $15 adv/$15 door. 479-9777.

Wesak—Buddha Taurus Full Moon Festival: Risa’s Stars May 15-21

Saturday, May 18, is the Wesak (Buddha) Festival, the second spring festival of the year. Since Winter Solstice, disciples around the world have been preparing for this Taurus festival. It is a momentous event. The Buddha makes an appearance as the Forces of Illumination stream into the Earth. Humanity everywhere can sense something unusual is occurring. Humanity’s aspiration for illumination increases during Taurus, and thus humanity is able to respond to the impact of this festival.

Each year during Taurus (during the full moon), the Buddha makes his yearly approach to the Earth, bringing with him a great blessing from the Father, from Shamballa, where the Will of God is known.

On the day of Wesak, in a valley hidden deep within the Himalayas, a magnetic field of prayer is created which attracts the Buddha. There, Disciples (the NGWS), Hierarchy (inner world government), Christ (Pisces and Aquarian World Teacher), all world avatars, teachers, lamas, rishis, pilgrims, and holy ones gather in prayer and meditation.

A crystal bowl along with a diamond rod/staff lies on a rock ledge in the northeast corner of the valley. The mountains are dense with trees. A half hour before the Buddha appears, the Christ and Masters perform a slow sacred dance of geometric shapes (circle, triangle, square, five-pointed star, etc.) while sounding Oms. This creates a sacred vortex through which the Buddha is able to appear and descend.

The Buddha remains within the Earth’s field for eight minutes. Disciples surround the Great Ones and receive the blessing of the Buddha, radiating that blessing to humanity, whose minds are then illumined.

During Buddha’s yearly visits, Earth is lifted up into increased frequencies; energies of great potency are released into the etheric body of the human family.

Disciples at this festival become “light bearers” and “light conductors.” The Buddha’s blessing brings hope to humanity, the hope humanity needs to overcome the present darkness.

This festival supersedes time and space. If we are quiet, perhaps we can hear the words spoken at the festival, welcoming the Buddha: “We are ready Buddha, Come!” In our imaginations, we see ourselves drinking the Wesak waters from the chalice. We see Hierarchy/Christ and Shamballa, the NGWS and humanity align. Everything is enhanced, lifted up to the Light. In preparation for this festival, we place our crystal bowls in the garden to collect the light.

ARIES: It’s good to assess if there are any needs you or work colleagues have that are unspoken, existing in a sort of mysterious process that comes to life only with conflict. This is a good question to ask in all relationships, but especially now due to all the world changes taking place. Are there legal papers or situations you must tend to? Make plans for implementation soon.

TAURUS: It will soon be time to teach others what you know. You’ve been hiding information away until the right time, and now is that time. You cannot do what you’ve been doing alone anymore for any length of time. Offer all that you have to others. You have many resources to offer. You’re entering a most spiritual time. Revelations appear, guiding your every day and night.

GEMINI: Is there difficulty with concentration, communication or making contact? Take this time to reflect upon what you value most in daily life. Should there be expectations placed upon you, explain you’re working slowly now, pondering your future plans. As you’re called to tasks not quite to your liking, remind yourself it’s an exercise in sacrifice (love at the center). Take it slow. Be the harmonizer wherever you find yourself.

CANCER: Are you tending to family these days as the world turns, changes, adjusts, and transforms? Are you sleeping enough? Are you hungry? Soon something will slip into your life creating a sense of happiness. It comes with determination and courage, and a new sense of creativity. You’ll feel inspired. Prepare for a new life to appear. It includes others. You will want to feed them, and then realize the need to be more organized.

LEO: It’s time to travel. However, should you feel you cannot leave home for whatever reason, it’s OK to remain there. The incoming energies are calling you to tend to personal issues that are of value; cleaning and clearing environments; ordering and organizing, with some time spent on research. Reach out to previous friends. Is there a misunderstanding to be explained, some care and tending to be offered?

VIRGO: Make sure you’re getting enough vitamins and minerals, especially calcium, magnesium and B complex. There can be a lessening of appetite and a change in digestion. While monetary situations continue to be favorable, you discover more and more ways to balance accounts, more ways to bring in resources. Ponder upon the nine tests Mars provides. Is something financial hidden?

LIBRA: Make sure finances are in order, assess income and expenditures carefully. Tend to your relationships with enlightened care. It’s possible you may be a bit tired, impatient, confused and holding an old hurt. What do you need to feel safe and secure? Do you offer this to others? State clearly, in adult language, your needs and wishes. So many things hidden must be brought into the light of day. Rest more.

SCORPIO: Your life assumes additional intensity (actually, that’s your middle name), which you try to hide. But you’re unable to at this time. To ease the discomfort of this concentrated power, this force and energy coursing through your daily life, maintain consistent exercise. A new state of self is developing. Set your sights on goals that serve others. Happiness follows.

SAGITTARIUS: The structure you’ve sought is finally forming, both publicly and personally. But you must discipline yourself in the right use of energy and time. Many people waste valuable time in emotional endeavors because they don’t know what to do when emotions overtake them. Stay behind the scenes. Work on your foundation and home. Plan for future endeavors or do nothing at all. You deserve rest and an affair to remember.

CAPRICORN: It’s best not to assume extra tasks, lest exhaustion undermines your immune system. You’re fully capable of holding the entire world on your shoulders, but soon this becomes unbearable and unattractive. Create a manifestation list stating hoped-for goals, wishes, needs, and priorities. This becomes a magnet. Those aspiring toward the same will appear. Delays are part of the pattern now. Tell yourself you’re flexible, adaptable and almost perfect.

AQUARIUS: Understanding humanity’s needs and sorrows, you attempt to bring forth new ideas and messages of balance and harmony, reminding everyone to also have fun. Your ability to manifest hopes, dreams and wishes is based upon having specific goals. It’s time for financial planning. Make needed contacts, then maintain and nurture them. Among many, this is your specific talent. Tend to your home.

PISCES: Piscean teachers, travelers, publishers, writers, adventurers, and religious leaders are busy with schedules, plans, travel (careful!), cultural, and/or religious endeavors – attempting to infuse harmony, change and balance into daily life. This is a tremendous amount of work. Pray for direction, guidance and no matter what, remain curious. Safety is most important. Although travel seems fun, it may be emotional. Crowds may scare you. Maintain poise.

Brunch For A Cause With Life Lab

Watching how much fun kids have digging around in the dirt, planting seeds, tending them, and watching actual living plants emerge from their handiwork—nothing beats it.

Setting up outdoor science and gardening projects for K-12 school children is what Life Lab is all about. The incredibly inspiring Life Lab program has seeded itself all over the U.S. in the decades since it started up at the UCSC Farm property. And this Sunday, May 19, from 11 a.m.- 1:30 p.m. at the Life Lab Benefit Brunch, the public is invited to see how the garden grows over at MacQuiddy Elementary in Watsonville.

You’ll enjoy a delicious brunch prepared by Ella’s at the Airport and learn all about the school’s vibrant garden during this free reception. All your questions about Life Lab successes, here and across the country, will be answered. And you might find yourself inspired enough to make a meaningful donation toward planting school gardens in your own community. Put it on your calendar and RSVP at lifelab.org/brunch.

Ridge Wine Dinner at Persephone

Even in Paris, where the wine bar is set sky high, the name “Ridge” gets respect. One of California’s most esteemed wineries, Ridge and its legendary winemaker Paul Draper set standards that still stand tall. Current winemaker Eric Baugher will be on hand to present some of the recent vintages from this outstanding winery, paired with courses created by chef Cori Goudge-Ayer of Persephone Restaurant.

The Aptos dining room will host the wines of Ridge on June 6 at a five-course winemaker dinner. Uni with favetta on crostada will be joined by an Estate Chardonnay 2017. Other dishes will include duck rillettes with honey kumquats, paired with a Ridge Geyserville Zinfandel 2016. A braised pork belly with cannellini bean puree will be joined by an Estate Cabernet Sauvignon 2014. And the finale of artisanal cheeses will join a vertical tasting of Ridge Monte Bello from 2014 and 2015 (worth the entire occasion alone!)

6:30 p.m. on Thursday, June 6. Persephone Restaurant, 7945 Soquel Drive, Aptos. $200/person, all inclusive. For tickets go to persephonerestaurant.com.

Wine Wander in Aptos

Not that you need an excuse to wander around atmospheric little Aptos Village, but if you do … then consider the June 8 Aptos Wine Wander. The concept is simple. You stop by The Mulberry Gallery at 8050 Soquel Drive to register and purchase your $40 ticket and commemorative glass. Then you continue to explore—uh, wander—and discover a favorite new wine from one of 10 Santa Cruz Mountain Wineries participating: Armitage Wines, Big Basin Vineyards,  Burrell School Vineyards and Winery, Integrity Wines, Lester Estate Wines,  Nicholson Vineyards, Regale Winery, Roudon Smith Winery, Sante Arcangeli Family Wines, Windy Oaks Estate, Wrights Station Vineyard.

Tastings will be offered at Aptos Village businesses located on Soquel Drive and Trout Gulch Road. Proceeds benefit Mar Vista, Rio del Mar and Valencia elementary schools.

Tickets ($35/adv) at scmwa.com/events/2019-aptos-wine-wander.

Carrot Cake Correx

I was dreaming when I told you a few weeks ago that the colossal GF Carrot/Walnut mini-torte (from Manresa by way of Verve) costs a mere $4. Wrong. This gossamer, spice-laced piece of heaven is big enough for two and costs, accordingly, $5.50. So pack some extra bucks when you hit your neighborhood Verve in quest of this fabulous pastry. It is a superstar in the gluten-free galaxy.

Westside Gets Vim!

Vim, the new restaurant from chef Jesikah Stolaroff, has opened at the 2238 Mission St., home of the former 831 Vietnamese. Intriguing menu, full bar—welcome to the neighborhood.

Film Review: ‘Tolkien’

When movies are made about real people—especially artist types—it’s always interesting to see what aspect of their lives the filmmakers choose to spotlight. Will the focus be on a singular event in the subject’s life? Or will the movie try to suggest in dramatic terms what inspired the subject’s work?

In the atmospheric Tolkien, a movie about the celebrated fantasy author who gave us The Hobbit and The Lord Of the Rings, these two approaches are the same thing. The movie begins in the horrific trenches of the Somme, in France, during World War I, a setting that keeps returning throughout the film. The devastation of warfare was certainly the most singular event in J. R. R. Tolkien’s life as a young man, but it also inspired him to create the epic battle between good and evil that occupies the Rings trilogy.

Directed by Dome Karukoski, from a script by David Gleeson and Stephen Beresford, Tolkien tries hard to elide the author’s experiences as a schoolboy, an Oxford student and a soldier into the larger themes of quests, courage and fellowship that would dominate his later work. The filmmakers are largely successful at this; their workmanlike approach doesn’t always create a lot of deep resonance, but it’s a satisfying look at the gestation of the creative process.

As Tolkien, a feverish young officer, stumbles through the mud, blood and corpses in the trench under German artillery fire, his backstory is told in flashbacks. Young John Ronald Tolkien (an affecting Harry Gilby) and his little brother are raised in “impecunious circumstances” by their lively mother (Laura Donnelly), who feeds them a steady diet of storybook myths and legends in which she acts out all the parts.

As a recently orphaned prep school lad, he can not only recite Chaucer from memory, he can pronounce Middle English correctly. (An early example of his lifelong affinity for languages, many of which he would invent for his books.) After some scrapes, he bonds with three other boys with arty leanings, who clown around, talk and dream at a comfy neighborhood tea shop worthy of the Hogwarts gang. They consider theirs more than a friendship; it’s an invincible alliance, a brotherhood. A fellowship.

Tolkien (now played by Nicholas Hoult) squeaks into Oxford on a scholarship, and continues an ardent friendship with Edith (Lily James), another orphan and live-in companion to Tolkien’s foster mother. He and Edith share a love of epics (when he can’t afford tickets to see a performance of Wagner’s Ring cycle, they sneak into the basement storeroom and lark about in old costumes as the music thunders down from the stage). Only to Edith and his stalwart mates does Tolkien confess his urge to write legends of his own. But all their dreams are interrupted by the outbreak of war.

This is not a portrait of the artist writing in a fever of inspiration. Instead, Tolkien is depicted as a man of very methodical, intersecting obsessions, writing stories and developing complex language systems for his own amusement. He also sketches almost constantly—fantasy landscapes, menacing figures emerging out of the shadows, dragons. (Tolkien himself provided watercolor paintings for the dust jackets and endpapers of many early editions of his work.) Years later, as an Oxford professor, he sits down to write the first page of The Hobbit in beautifully rendered, calligraphic script.

The director’s thoughtful approach may drag a little in the midsection, but his themes line up with Tolkien’s stated purpose to explore “the journeys we take to prove ourselves.” Tolkien’s journey through the hell of the Somme gives the movie its action, but his inner journey through the landscape of his imagination makes the trip worthwhile.

TOLKIEN

*** (out of four)

With Nicholas Hoult, Lily Collins, Colm Meany, and Derek Jacobi. Written by David Gleeson and Stephen Beresford. Directed by Dome Karukoski. Rated PG-13. 111 minutes.

Jewel Theatre’s ‘Explorers Club’ Channels Monty Python

Gentlemen’s clubs, colonial chauvinism and scientific rivalry are the targets of Nell Benjamin’s vigorous farce The Explorers Club, the season finale at Jewel Theater.

Directed by the crafty Art Manke—who dazzled regional audiences with one of Shakespeare Santa Cruz’s penultimate hits, Bach at Leipzig—the Jewel production sends up nothing less than the entire British Empire in its Victorian era heyday. The secret weapon here is the most extravagant set filled with expeditionary plunder ever to fill a Santa Cruz stage—zebra rugs, stuffed alligators, velvet chaise lounges, mounted gazelle heads, Turkish rugs. Kudos to designer Tom Buderwitz, and to B. Modern for costumes to match.

Stage plays can be rocket science. Most of Shakespeare. All of Samuel Beckett. Ditto Sam Shepherd. The Explorers Club isn’t, which makes it a perfect spring fling. Here’s the setup: the Explorers Club, devoted to scientific expedition, research and drinking, considers admitting a woman member. She is Phyllida Spotte-Hume (Elinor Gunn), who, having discovered a legendary Lost City, has returned to London with one of its colorful inhabitants, a blue-skinned wild man she calls Luigi (Louis Lotorto). If you’re already thinking Monty Python, you’re very, very close, because the timing, the antics, the physical humor, the outrageous puns, and the sheer inane mayhem of incidents that fill this amuse bouche massages the same funny bone worked senseless by John Cleese and company.

Benjamin’s brisk writing pits the reasonable—botanist Lucius Fretway (Tommy Beck)—against the ridiculous, including Professor Walling (Andrew Davids), whose dim-witted guinea pig Jane is imperiled by the beloved though misunderstood cobra belonging to Professor Cope (Mike Ryan). Add the histrionic archaeo-theologist Professor Sloane (Larry Paulsen), and you have a recipe for stiff upper lip pomposity and slapstick disaster. As the men weigh the option of a female club member, in dashes Harry Percy (Crash Buist), a long-lost club member freshly returned from discovering the “East Pole.” Not the brightest bulb in the chandelier, the Hemingway-esque Percy immediately eyes Phyllida Spotte-Hume, who is also fancied by botanist Walling. Rivalry for the lady explorer’s affections gears up just as we learn that the blue-skinned Luigi is to be presented to Queen Victoria.

Running jokes, sight gags and riotous wordplay rule this bubbly production. It seems the Explorers Club is known to have the worst bartender in all of London, and in his absence Luigi is pressed into service. You can imagine the results. Actually, you can’t—the cocktail antics have to be seen to be believed. No sacred cow or Anglo stereotype is left intact. Once the first act sets up the situations and introduces us to Phyllida’s twin sister, an overwrought Tibetan monk and an angry mob of Irish patriots, the pace goes ballistic.

I’ve probably seen Mike Ryan in a dozen productions, but I cannot remember ever enjoying him quite this much; e.g. his attempts to protect his beloved snake. (“They are not slimy!”) Ryan’s Cope mistakes every conversation for an imagined game of charades in which he cannot guess the correct answer. Silly and sweet, Cope/Ryan is utterly delightful. Late in the play, the wild oration by club member Beebe (Andrew Yabroff), fresh from captivity in a mountaintop monastery and clad in his orange Buddhist robes, left me limp with laughter. This cast is close to flawless, as is Manke’s direction, with some remarkable bits of gymnastic timing achieved by each. But special kudos to Lotorto as the idiot savant wildman who would have been at home in the craziest Marx Brothers routines.

The Explorers Club left opening night audiences laughing out loud, and cheering a thoroughly entertaining production.

‘The Explorers Club,’ written by Nell Benjamin, directed by Art Manke and produced by the Jewel Theatre, runs through June 2 at the Colligan Theater, 1010 River St., Santa Cruz. jeweltheatre.net.

Music Picks: May 15-21

Santa Cruz live music highlights for the week of May 15, 2019

 

WEDNESDAY 5/15

WORLD

FLOR DE TOLOACHE

Ingestion of the toloache plant is known to cause euphoria, hallucinations and even spontaneous feelings of love. Its flower—a white, five-petaled bulb—is known as the “angel’s trumpet,” an instrument whose silent tone announces a bottomless mysticism beneath. Appropriately, Flor de Toloache, NYC’s first all-female mariachi group, has chosen this flower as their namesake. The Grammy-winning and boundary-pushing Flor de Toloache puts a modern spin on an enduring art form, shedding new light both on its natural beauty and its raw mystic power. MIKE HUGUENOR

INFO: 7 p.m. Kuumbwa, 320-2 Cedar Street, Santa Cruz. $26.25 adv/$31.50 door. 427-2227.

 

THURSDAY 5/16

ELECTRONIC

JAI WOLF

Sajeeb Saha, who goes by Jai Wolf, started producing electronic tracks in 2011. Just a couple years later, he released his official debut single “Indian Summer,” which reached No. 31 on the Billboard charts. It’s a simple, uplifting song that relies more on its triumphant melody than its danceable beat to carry it. As he’s continued to release singles, many of which also charted, he’s followed this format and inserted an infectious pop sensibility into electronic music that sounds like the sun rising on a night of joyous partying. AC

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25 adv/$30 door. 423-1338.

BLUEGRASS

FRONT COUNTRY

You know that saying, “The grass is always bluer on the other side?” What? You don’t? Well, it’s a pretty recent phrase. This is it’s first time in print, in fact, but I have a feeling it will take off any day now, just like Front Country’s modernized take on bluegrass did. With a powerful main vocalist, and woodsy covers of King Crimson, tUnE-yArDs and Don Henley, Front Country stretches the borders of bluegrass into the world of pop, without sacrificing the core sensibilities of the genre. The grass really is bluer. MH

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10 adv/$15 door. 479-1854.

 

FRIDAY 5/17

INDIE

CARSIE BLANTON

Carsie Blanton is a folk artist with a feisty, brash sense of humour—a playful but genuine take on sexuality with political edginess. Musically, she’s always willing to break with genre; if she feels the country song needs some jazz riffs and a quip about masturbation, well, she’ll go ahead and follow what her strange muses have urged her. After all, as Blanton says herself, making people feel comfortable isn’t a priority for her anymore. AMY BEE

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12 adv/$14 door. 429-6994.  

JAZZ

CHAMPIAN FULTON: TRIBUTE TO DINAH WASHINGTON

In a jazz scene crowded with excellent singers who can accompany themselves, Champian Fulton ranks among the best. She recently released her 10th album, The Stylings of Champian, but for this date she’s focusing on songs from her acclaimed 2016 project After Dark, a tribute to Dinah Washington. One of jazz’s most influential singers, Washington was just as commanding singing blues, R&B and pop. Champian concentrates on the standards that the Queen remade in her inimitable style, bringing a snappy blues feel to classics like “Ain’t Misbehavin,’” “Blue Skies” and “Mad About the Boy.” ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.25 adv/$31.50 door. 427-2227.

 

SATURDAY 5/18

METAL

GRODY

Merriam-Webster defines “grody” as, “Nasty, disgusting, revolting.” Clearly, the band Grody has picked the perfect name to describe their buzzsaw-death-grind sound. On the heels of a self-titled debut, the Northern California five-piece will hit the Blue Lagoon on May 18 with local heshers Dead War and Blood Omen, along with San Jose’s Cult Graves. MAT WEIR

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

COMEDY

ELIZA SKINNER

If you don’t know the name Eliza Skinner, you’re probably familiar with her work. Not only has she written several Funny or Die skits (including the viral “Mary Poppins Quits” with Kristen Bell) and co-produced Adam Ruins Everything in 2015, she is also currently a writer for The Late Late Show With James Corden and his infamous carpool karaokes. But when she steps out from behind the scenes, Skinner is a one-woman tour de force of comedy who has no problem tackling life’s challenges one joke at a time. MW

INFO: 7:30 and 10 p.m. DNA’s Comedy Lab, 155 S River St., Santa Cruz. $20 adv/$25 door. (530) 592-5250.

 

SUNDAY 5/19

INDIE

MAC DEMARCO

Mac Demarco’s music has been called “blue wave” and “slacker rock.” He’s fond of calling it “jizz jazz,” which might be worthy of analyzing somewhere else. The most pragmatic label would be folk rock, with some Ariel Pink underpinnings and a light sprinkling of island music. DeMarco’s tunes have an acoustic feel, even when synthesizers and digital equipment are obviously in play. It’s almost like what an alien being would create to replicate what human acoustic music might sound like. The effect is nostalgic and warm, yet also cold and calculating music that’s kinda creepy-crawly, but still enjoyable—like your favorite ASMR video. AB

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $55.99 adv/$60.99 door. 423-1338.

 

TUESDAY 5/21

BLUEGRASS

CHE APALACHE

What happens if you mix traditional bluegrass with traditional Latin music? I know this sounds like a riddle, but it’s actually an apt description of Buenos Aires-based, four-piece acoustic band Che Apalache. Founded by North Carolinian Joe Troop, the group is a byproduct of his time spent teaching young Argentinian musicians how to play bluegrass. Once he and three of his best students formed a band, it was bound to take shape as a hybrid of their collective cultures and musical influences. They call it Latingrass, but you have to hear it to get a sense of this culturally complex, fascinating project. AC

INFO: 7:30 p.m. Michael’s On Main, 2591 Main St., Soquel. $20. 479-9777.

 

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Rob Brezsny’s Astrology May 15-21

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of May 15, 2019

Psych-Pop Act Sonny and the Sunsets Get Coiffed on New Album

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Wesak—Buddha Taurus Full Moon Festival: Risa’s Stars May 15-21

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Brunch For A Cause With Life Lab

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Kids' gardening nonprofit with roots at UCSC grows nationwide programs

Film Review: ‘Tolkien’

Tolkien
Fantasy author’s formative years and obsessions take center stage

Jewel Theatre’s ‘Explorers Club’ Channels Monty Python

Explorers Club
Great timing and physical comedy make for a wild time on stage

Music Picks: May 15-21

Carsie Blanton
Santa Cruz live music highlights for the week of May 15, 2019
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