42 Stitches Later, Rio Theatre Owner Shares Dog Bite Realities

Rio Theatre owner Laurence Bedford was buying light bulbs for a show at the Ace Hardware across the street from his Seabright Avenue music venue on Jan. 27. After paying, Bedford neared the door to leave, and a dog named Teddy Bear mauled his hand, causing a degloving injury that took 42 stitches to repair.

Teddy Bear, who has a record of similar attacks, absconded with his owner after the incident.

Bedford remembers the dog, who was dragging a leash, showing no signs of aggression before the attack, and even wagging its tail. “It was a total surprise,” he says.

Bedford reckons Teddy Bear became spooked when he got too close to the dog’s owner, who was later identified as homeless woman Hope Parks. “He got a really good bite and pulled everything off,” Bedford says.

Bedford says he harbored no ill will toward the dog, who was later euthanized after Parks surrendered him to the Santa Cruz County Animal Shelter. But Bedford wants to convince homeless people to seek services such as vaccinations for their four-legged companions. Many, he says, are reluctant to contact the animal services agency.

That was a problem for Bedford, who didn’t know whether his canine assailant was up to date on its rabies shots. That left him in limbo as authorities searched for Parks. “Homeless folks are afraid that Animal Services will take their dogs, so they are afraid to bring their animals in for care,” he says. 

Bedford hopes a talk by Santa Cruz County Animal Services officials during the upcoming Top Dog Film Festival March 13 at the Rio will help show everyone, including the homeless community, that shelter employees are there to help. “I want something good to come of this,” he says.

In receiving the bite, Bedford adds his name to a list of more than 1,000 people who need emergency care for dog bites across the U.S. every day, according to dogsbite.org. Colleen Lynn says she launched the Austin, Texas-based organization to be a clearinghouse of information for people across the U.S. to learn about the breadth of the issue. She hopes it could be a tool for lawmakers who might one day craft nationwide legislation to give teeth to local laws meant to remove dangerous dogs.

Lynn says regulating dogs—even those considered vicious—is largely a jurisdictional issue, generally left to cities and counties. The result, she says, is a confusing patchwork of rules—and it has law enforcement officials scratching their heads, leaving victims in the lurch.

California has a “strict liability jurisdiction” that places the blame for dog bites squarely on the shoulders of owners, says personal injury attorney Dave Spini, who specializes in dog bites for Santa Cruz-based Scruggs, Spini and Fulton. “There is no defense,” he says. “The owner is responsible for damages.” Liability could also fall on landlords if their tenant’s dog latches onto the mailman, Spini says. 

Lynn says being attacked thrusts victims into a system where the dog in question might get several chances to correct their behavior. “It’s a system we believe is broken and does not favor the victims,” she says.

It is also a system that can be emotionally charged, pitting friends and neighbors against each other in an argument that frequently focuses on whether certain breeds are more dangerous than others.

Dogsbite.org states that pit bulls were responsible for 66% of the 471 dog-related human deaths in the U.S. between 2005 and 2014.

Many other attacks count other animals as victims. One of those occurred in July 2019, when two loose pit bulls slaughtered five llamas at a property on Fairway Drive in Soquel. The animals were not seized or euthanized because they did not pose an immediate threat to public safety, authorities said. 

A local woman who wants to remain anonymous for fear of retaliation says she began looking into the issue years ago when a neighbor’s 5-year-old daughter was mauled. Shark attacks, she points out, prompt closures of entire beaches. Bears and mountain lions that attack people are frequently shot. They’re certainly not afforded the same protections as domestic dogs, she says. “It boggles my mind that we have these attacks, and there are people who still want to save the dogs,” she says.

In her research, the woman says that she fell “into a rabbit hole,” discovering dozens of attacks, many of which she says were from pit bulls. She says she’s lost friends and job opportunities due to her activism.

But Santa Cruz County Animal Shelter General Manager Melanie Sobel says that it’s unfair to judge a breed based on the bad behavior of a few of them, and that it is even more harmful to ban entire breeds because of such misunderstanding. 

She says the term “pit bull” is a misnomer used as a catchall to describe “bully breeds” of dogs such as bull terriers, American bulldogs and Staffordshire terriers.

Sobel points out that most dog bites are not reported, and that statistics surrounding them are unfairly skewed toward these breeds, since their bites have the propensity to do more damage.

“But that doesn’t necessarily mean that the breed is aggressive,” she says. “There are lots of factors that go into a dog’s behavior.” 

Sobel points out that Teddy Bear was a Labrador mix. “Any animal can be a dangerous animal,” she says. “You need to look for the individual behavior.”

The dog was also unleashed, which is against the law.

With few exceptions, dogs that are not confined on their property must be on a leash. Those that are not can be considered “at-large,” and as such can be impounded by animal control officers employed by the Santa Cruz County Animal Shelter. There’s a handful of places scattered throughout the county that allow off-leash dogs, including Mitchell’s Cove, the beach near West Cliff Drive and Almar Avenue.

In the aftermath of a bite, Sobel says victims should first seek medical care, at which time they will likely fill out a bite report.

That will prompt an investigation by animal control officers, who will determine whether the animal is up to date on its rabies shots. If they are not, they face a 10-day quarantine, either at the shelter or at home.

Whether the animal is removed—either taken for quarantine, or ultimately even euthanized—depends on several factors. That includes the severity of the attack and whether the dog has a history of bites. Investigators also look at how responsible the owner is, Sobel says.

Frequently, owners are given a chance to rectify the situation, which can include installing secure fencing. The animals in question are typically neutered or spayed.

But in the end, Sobel says, the key to dog behavior comes from their human companions.

“When bites take place, the dog is usually running loose not being managed by their owners,” she says. “The key is not to ban breeds; it’s responsible pet ownership.”

March 3 Voter Guide: Local Measures

Cabrillo College Trustee Adam Spickler knows that everyone has seen the good-looking buildings that line Soquel Drive, as part of the school’s arts campus.

But go uphill aways, Spickler says, and you’ll see lots of older facilities, buildings constructed as many as 60 years ago. 

“That’s the last time any of those buildings have been touched, and they’re in bad need of repair,” Spickler says. “They were built for class sizes that were imagined in 1960. Well, that’s changed here in 2020.” Small classrooms make for small class sizes. Classes end up being tough to get into, and the end result, Spickler says, is that it takes students longer to graduate.

With the election approaching March 3, Spickler is campaigning for Measure R, a $274 million facilities initiative for the community college, targeted at repairs, classroom upgrades, science labs, new wiring, and sewer line improvements. The bond would be paid via property tax bills, and it needs 55% voter approval in order to pass. A previous effort from the community college’s supporters—a $310 million measure—failed in 2016, coming within one-and-a-half percentage points of passing. Although Spickler wasn’t on the board at the time, he says everyone learned from the previous campaign. The new measure has slimmed down a little bit, with increased focus on students. Supporters have additionally gotten better at communicating the school’s needs, he says.

Measure R opponents, like Aptos resident Kris Kirby, say Santa Cruz is taxed out. 

Kirby, who also opposed the Measure H affordable housing bond in 2018, dislikes property tax measures, in general. This tax, she says, will get passed along to renters, and she thinks Cabrillo should get revenue some other way. “Rents go up. Property bills go up. I think they should get private donations instead. It worries me, the seniors and single parents that are struggling. If they’re struggling, this is going to make it that much worse. I don’t think it’s fair,” Kirby says.

Kirby says she worries about the impact the measure would have on seniors, who aren’t exempted from the measure. She and adds that if Cabrillo were focusing more on maintenance, it wouldn’t need so much money for building repairs.

Communications specialist Bill Maxfield, who’s been providing public relations support to the Measure R campaign, says state law doesn’t allow for a senior exemption on this measure. And Spickler notes that the state only provides $240,000 a year for maintenance. The college burned through almost half of that last year, all at once, when a sewer pipe burst on campus.

Opponents point out that taxpayers are still paying off two older bond measures. But Cabrillo did recently refinance old bond debt, saving taxpayers $29.5 million.

“We’re doing so much responsibly and thoughtfully as we can,” Spickler says.

MEASURES WITH NO OPPOSITION:

SAN LORENZO VALLEY

The San Lorenzo Valley has one initiative—a bond measure that also needs 55% voter approval. The $75 million Measure S would generate funds to repair and replace schools’ leaky roofs, make energy-efficient upgrades, build new science and career education facilities, and handle renovations. It would levy taxes of approximately 6 cents per $100 of assessed value. 

SANTA CRUZ

Santa Cruz has four local measures on the ballot. Measure T would continue funding Career Technical Education, science, technology, engineering, arts, counseling, library and athletic programs. This Santa Cruz City High School District measure renews an otherwise expiring parcel tax at the current $110-per-parcel annual rate, providing $3.7 million in annual school funding. Measure U supports continued funding in science, art music, library support, counseling services and small class sizes at Santa Cruz elementary and middle schools. At a rate of $208 per parcel, it would raise $3.2 million in annual school funding. Both of these parcel taxes need a two-thirds vote in order to pass. 

Measure X would transition Santa Cruz City School elections away from at-large races and down a path for district elections. The school board has already decided this is the best course of action. Voter approval would let the school district proceed, and also avoid a lawsuit from a voting rights law firm over its old election set-up.

One last Santa Cruz measure deal has nothing to do with schools at all. Measure W would allow the city of Santa Cruz greater flexibility in contracting for public works construction projects. It would allow for a city amendment to change the way the city seeks bids. According to the argument in favor of the initiative, Measure W could allow for significant savings in time and money by lowering construction costs and speeding up the timeline for projects.

SCOTTS VALLEY

Aimed at protecting Scotts Valley’s quality of life, Measure Z would raise the sales tax .5%. Without the measure, the city of Scotts Valley could face slower police emergency response times, a failure to recruit and retain experienced police officers, and reduced preparation for wildfires and other emergencies. Measure Z simply needs a majority vote in order to pass. And if it does so, Scotts Valley will have the highest sales tax in the county—at 9.5%.

MID-COUNTY

Measure V aims to maintain quality education in Soquel Union Elementary School District. The initiative levies an annual tax of $96 per parcel for six years, raising $1,500,000 annually. The funds would go toward attracting and retaining highly qualified employees and preserving academic programs. To pass, it needs two-thirds support at the polls.

WATSONVILLE

The city of Watsonville has a sales tax measure of its own on the ballot. Measure Y would extend the city’s half-cent sales tax, with the revenue going toward public safety—police officers, firefighters, paramedics, after-school youth programs and safe places to keep teens out of trouble. It needs two-thirds voter support in order to pass.

Nuz: Landlord Cash and Council Clash—Is It March 3 Yet?

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In his scathing report on a retaliatory Facebook post made by City Councilmember Drew Glover, San Jose-based investigator Timothy L. Davis clearly thought the debacle merited discussion—especially in light of Glover’s repeated violations of the city’s Respectful Workplace Conduct Policy.

“I am recommending that the council be apprised of this development for further consideration and that you conduct yourself in a manner to adhere to the spirit and letter of the policy,” investigator Davis wrote in December.

Since then, it’s been mostly radio silence from the city on this topic. Apparently, though, Vice Mayor Donna Meyers and Councilmember Martine Watkins have been trying to get a discussion about the matter on the council agenda for more than two months. The issue came up in a public way at the Feb. 11 council meeting, when public commenters talked about the Davis investigation—the existence of which has been reported by local media, including GT. After that, Meyers made a motion requesting the council agendize a discussion about the report for the next meeting. But there were four other councilmembers who wanted to instead wait until after the March election. Those four were Mayor Justin Cummings, Sandy Brown and also Glover and Chris Krohn, who are both facing a recall on the March 3 ballot.

The council ultimately voted, with Watkins and Meyers dissenting, to wait until after the election to discuss the matter. Although Watkins and Meyers had been trying to start a discussion about the Davis report since last year, Krohn accused them of merely crafting “political ploy” in light of the March election.

“You just wanted it to be before the election for a political thing, yeah,” Krohn told Meyers, laughing at her in a sneering tone, after he got his way.

Here’s the thing: Davis clearly thought Glover’s behavior was a serious matter that should be dealt with. He did not mention the need to kick the can down the road for three months, nor did he cite any reason to wait until after an election in March. But fine, let’s follow Krohn’s line of thinking for a sec. Trying to have an informed discussion about a councilmember’s poor conduct is somehow a political ploy… but protecting the same councilmember from repercussions for months on end, because of an upcoming election, isn’t?

CASHING IN

If you didn’t know what to look for while scanning the latest round of election financials, you might think the anti-recall group was gaining a bit of ground in the money game.

Stop the Recalls raised more than $7,000 this year, as of Feb. 15. That’s more than three times as much as Santa Cruz United, the group officially organizing the recall, took in over that time. Stop the Recalls has also spent more money so far this year. Here’s why that doesn’t even begin to tell the whole story: Santa Cruz United has far more cash on hand right now. And on top of that, the anti-rent control group Santa Cruz Together, which is helping to bankroll the recall, has raked in a whopping $31,000 so far this year. 

It’s worth mentioning a talking point from recall opponents that out-of-town developer interests are funding the effort. That’s mostly myth. But piles of cash are nonetheless pouring in from local landlords and property management companies. And the Santa Cruz Seaside Company, which owns the Beach Boardwalk, a couple hotels and some other properties, chipped in $3,000 to Santa Cruz Together’s coffers a month ago.

All told, Santa Cruz United and Santa Cruz Together have raised a combined $176,000 since the start of 2019.

“Damn, it feels good to be a landlord,” said the landlords.

CAR SICK

Enough with the blunt political instruments, already.

First, there was the divisive campaigning—followed by divisive City Counciling—of Chris Krohn and later Drew Glover. There was, of course, the 2018 rent control campaign, which was an extreme way to address some symptoms of the housing crisis (that effort was at least well-intentioned). Then, there was the recall, which was a mean-spirited, less-than-stellar way to turn up the heat on two mean-spirited, less-than-stellar councilmembers. And now, there’s apparently talk of circulating a ballot measure to require voter approval before building a new parking garage downtown.

Will these antics of one-upmanship ever end? Anti-growth activists already love posting up at the farmers market, handing out leaflets and yelling out half-truths. “Do you want to sign to save the farmers market and prevent it from being turned into a parking garage?” they ask passersby. These activists usually either downplay or forget to mention the fact that the farmers market would simply move one block away to a brand-spanking new permanent pavilion … and also how the city has plans to consolidate surface parking around downtown for new housing, creating demand for new spaces … and additionally that the first floor of the hypothetical mixed-use parking structure would be a library. (Liberal anti-garage activists are, by the way, the same people who complained about lying petitioners working on the recall campaign.)

Nuz honestly hates cars and definitely supports cutting carbon emissions. But the opinion from an insular group of obstructionist activists that Santa Cruz should never, ever build another parking space is the transportation equivalent of burning down your house because you’d like to get outside more. Seriously, even if you don’t like the idea of parking garages, there are ways to build a mixed-use structure with a state-of-the-art library, extra housing, retail, and maybe even way less parking. We should be thinking about the broader context, which is the future of downtown that would give so many people what they want. Good policymaking is positive-sum, not zero-sum. It gives us the best of both worlds, not the worst.

Regardless of where this possible campaign goes, the mere threat of it could be enough to tie up Santa Cruz and prevent it from fully weighing its options for building housing and creating a better downtown. What’s clear is that this pull-out-all-the-stops political gamesmanship has become commonplace among activists and special-interest groups, even when the facts aren’t on their side. You see the trend among anti-housing coalitions. You see it with the anti-harm reduction crowd. And you see it in portions of Santa Cruz’s far-left wing. They stopped caring about making this area a better place long ago

They just want their side to win.

MAH’s New Leader Isn’t Your Typical Museum Director

The 2010s were a transformative decade for the Museum of Art & History in Santa Cruz. Ten years ago, it was a traditional, if sleepy, community museum struggling for relevance and bleeding red ink. Now, the MAH is a different animal altogether, a temple of creative chaos, the anchor of a vibrant new town square, a Santa Cruz cultural crossroads that attracts close to 150,000 visitors a year.

But with a new decade comes yet another new era at the MAH. Gone, after eight years on the job, is Nina Simon, the charismatic revolutionary who envisioned and executed the museum’s remarkable makeover. In her seat as the new executive director at the MAH is 52-year-old native Minnesotan Robb Woulfe, who comes to town after nearly two decades of working to develop and nurture arts communities in such Santa Cruz-simpatico places as Park City, Utah, Breckinridge, Colorado, and Ann Arbor, Michigan.

For those holding out hope that the MAH might return to its roots as a quiet, old-school museum, Woulfe’s hiring is probably not good news.

“I said in my cover letter that I am not a traditional museum director, and I’m not,” says Woulfe, who began his tenure Feb. 10. “But it’s interesting when you start to look at the landscape nationally, and even globally, how traditional museums are starting to change their thinking, how we’re getting out of the four walls and redefining the experience of public space.”

Simon announced in the fall of 2018 that she was leaving the MAH to start up her own nonprofit called Of/By/For All. Last June, the museum turned to trustee Antonia Franco to serve as interim director while the MAH’s board of directors went through an exhaustive search for Simon’s successor.

“Nina was pretty spectacular, and unusual,” says board president Carola Barton, who headed up the board’s search committee. “We knew that we were not going to find another Nina, nor should we want to. So, we took some time to figure it out.” The 16-member board went on a retreat and did some thinking and arguing about the museum’s mission post-Simon. From an initial group of 34 candidates drawn from all over the world, the board offered the job to Woulfe.

“We wanted somebody with that same spirit of creativity,”says Barton, “and the organizational skills to pull things together, to come up with his own ideas, to ask questions about why we’re doing this or doing that. You can’t have a viable organization without questioning whether or not you should continue to do the things you’ve been doing in the same way.”

Woulfe inherits an institution with an operating budget of around $3 million, 18 full-time staffers, 11 part-timers and 26 interns. The MAH’s mission includes its formal exhibition spaces, arts programming at adjacent Abbott Square, and off-site locations including the Davenport Jail and the Evergreen Cemetery.

Woulfe says that he does not come to Santa Cruz with any kind of ambitious program or vision already in his back pocket. He says he is now learning about the community and developing relationships. “I’m taking it all in. I’m a very analytical person and I’m just learning what has worked here, what hasn’t worked, and hearing stories from a wide group of community members.”

For a decade, Woulfe served as the artistic director of the Ann Arbor Summer Festival, a three-week music, theater and arts festival co-sponsored by the city of Ann Arbor and the University of Michigan. For the past five years, he was the CEO of Breckenridge Creative Arts in Colorado and served as an advisor in the creation of an arts/cultural district in Park City, Utah, the home of the Sundance Film Festival.

“I’m the new guy in town, and the first question everyone has is, ‘Which way are you going?,’” says Woulfe. “I would say I’m in the middle.”

One thing that Woulfe strongly supports is the MAH’s tendency toward eclecticism—interactive, hands-on arts “experiences” clanging against traditional gallery shows. “It’s all very intentional. But I like that appearance that it’s a mash-up, a hodgepodge. It’s all play space. It’s all relevant and all very much about what will have meaning to our guests.”

The public space of Abbott Square is of particular interest to the former festival director. “I look at that space and think, ‘What can we do with it? How can we enliven it and activate it?’ When I interviewed here, I came in the night before and was walking around downtown. And there was such great energy in Abbott Square. How can we continue to leverage that?”

Simon’s tenure was marked by a lively, sometimes heated debate over what the MAH was supposed to be—a museum, or some kind of community center? “We’re both,” says board president Barton. “We wanted to fulfill the mission of community connection through art and history. So we’re not an either/or. We’re both, and that’s pretty special.”

On March 12, the MAH will host an event it’s calling a “Community Brainstorm,” in which the public is invited to share ideas about programs, exhibits and the future of the museum. It comes at a fortuitous time, given that the museum’s new leader—a newcomer to Santa Cruz and, as Carola Barton calls him, “a fresh pair of eyes”—is in listening mode.

“I will listen to anyone,” says Woulfe, who grew up in St. Paul, Minnesota. “It doesn’t necessarily mean I’m going to do what you tell me to do. But it does inform my thinking. I strongly believe that if you listen to enough people, certain themes come out, and that’s where you start gravitating toward.

“Balance, balance, balance. I just think it keeps coming back to that. It’s going to be a mash-up. I think that brings different people together, offers a little something for everybody, breaks down all those ideas about high art and low art and gives people real quality experiences. Sometimes those (programs and exhibits) will be homegrown. Sometimes they’ll come from the other side of the world.”

The MAH’s Community Brainstorm will be 6-8pm on Thursday, March 12, at the Museum of Art & History, 705 Front St., Santa Cruz. Free. santacruzmah.org.

What quote has always stuck with you?

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“My dad always told me the early bird catches the worm.”

Diana Feller

Santa Cruz
Insurance

“There’s no future in the past.”

Neil Pearlberg

Santa Cruz
Podcaster

“Every day may not be good, but there is something good in every day.”

Jillian Ernest

San Jose
Early Childhood Education Teacher

“Stanley Kubrick said, ‘Everything has already been done, every story has been told, every scene has been shot. It’s our job to do it one better.’”

Thomas Prehn

Boulder, Colorado
Photographer

“It’s a Marianne Williamson quote: ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us.’”

Sunny Jackson

Ashland, Oregon
Ancestral Healing

Rob Brezsny’s Astrology: Feb. 26 – March 3

Free will astrology for the week of Feb. 26, 2020

ARIES (March 21-April 19): You may sometimes reach a point where you worry that conditions are not exactly right to pursue your dreams or fulfill your holy quest. Does that describe your current situation? If so, I invite you to draw inspiration from Spanish writer Miguel de Cervantes (1547–1616), who’s regarded as one of history’s foremost novelists. Here’s how one observer described Cervantes during the time he was working on his masterpiece, the novel titled Don Quixote: “shabby, obscure, disreputable, pursued by debts, with only a noisy tenement room to work in.” Cervantes dealt with imperfect conditions just fine.

TAURUS (April 20-May 20): “True success is figuring out your life and career so you never have to be around jerks,” says Taurus filmmaker, actor, and author John Waters. I trust that you have been intensely cultivating that kind of success in the last few weeks, Taurus—and that you will climax this wondrous accomplishment with a flourish during the next few weeks. You’re on the verge of achieving a new level of mastery in the art of immersing yourself in environments that bring out the best in you.

GEMINI (May 21-June 20): I would love for you to become more powerful, Gemini—not necessarily in the sense of influencing the lives of others, but rather in the sense of managing your own affairs with relaxed confidence and crisp competence. What comes to mind when I urge you to expand your self-command and embolden your ambition? Is  there an adventure you could initiate that would bring out more of the swashbuckler in you? 

CANCER (June 21-July 22): For my Cancerian readers in the Southern Hemisphere, this oracle will be in righteous alignment with the natural flow of the seasons. That’s because February is the hottest, laziest, most spacious time of year in that part of the world—a logical moment to take a lavish break from the daily rhythm and escape on a vacation or pilgrimage designed to provide relaxation and renewal. Which is exactly what I’m advising for all of the Earth’s Cancerians, including those in the Northern Hemisphere. So for those of you above the equator, I urge you to consider thinking like those below the equator. If you can’t get away, make a blanket fort in your home and pretend. Or read a book that takes you on an imaginary journey. Or hang out at an exotic sanctuary in your hometown.

LEO (July 23-Aug. 22): Leo author Walter Scott (1771–1832) was a pioneer in the genre of the historical novel. His stories were set in various eras of the Scottish past. In those pre-telephone and pre-internet days, research was a demanding task. Scott traveled widely to gather tales from keepers of the oral tradition. In accordance with current astrological omens, Leo, I recommend that you draw inspiration from Scott’s old-fashioned approach. Seek out direct contact with the past. Put yourself in the physical presence of storytellers and elders. Get firsthand knowledge about historical events that will inspire your thoughts about the future of your life story.

VIRGO (Aug. 23-Sept. 22): Over a period of 40 years, the artist Rembrandt (1606–1663) gazed into a mirror as he created more than ninety self-portraits—about 10% of his total work. Why? Art scholars don’t have a definitive answer. Some think he did self-portraits because they sold well. Others say that because he worked so slowly, he himself was the only person he could get to model for long periods. Still others believe this was his way of cultivating self-knowledge, equivalent to an author writing an autobiography. In the coming weeks, I highly recommend that you engage in your personal equivalent of extended mirror-gazing. It’s a favorable time to understand yourself better.

LIBRA (Sept. 23-Oct. 22): From author Don DeLillo’s many literary works, I’ve gathered five quotes to serve as your guideposts in the coming weeks. These observations are all in synchronistic alignment with your current needs. 1. Sometimes a thing that’s hard is hard because you’re doing it wrong. 2. You have to break through the structure of your own stonework habit just to make yourself listen. 3. Something is always happening, even on the quietest days and deep into the night, if you stand a while and look. 4. The world is full of abandoned meanings. In the commonplace, I find unexpected themes and intensities. 5. What we are reluctant to touch often seems the very fabric of our salvation.

SCORPIO (Oct. 23-Nov. 21): “I remember a time when a cabbage could sell itself just by being a cabbage,” wrote Scorpio author Jean Giraudoux (1882–1944). “Nowadays it’s no good being a cabbage—unless you have an agent and pay him a commission.” He was making the point that for us humans, it’s not enough to simply become good at a skill and express that skill; we need to hire a publicist or marketing wizard or distributor to make sure the world knows about our offerings. Generally, I agree with Giradoux’s assessment. But I think that right now it applies to you only minimally. The coming weeks will be one of those rare times when your interestingness will shine so brightly, it will naturally attract its deserved attention. Your motto, from industrialist Henry J. Kaiser: “When your work speaks for itself, don’t interrupt.”

SAGITTARIUS (Nov. 22-Dec. 21): When he was 29 years old, Sagittarian composer Ludwig Beethoven published his “String Quartet, Op. 18, No. 4.” Most scholars believe that the piece was an assemblage of older material he had created as a young man. A similar approach might work well for you in the coming weeks, Sagittarius. I invite you to consider the possibility of repurposing tricks and ideas that weren’t quite ripe when you first used them. Recycling yourself makes good sense.

CAPRICORN (Dec. 22-Jan. 19): Are there parts of your life that seem to undermine other parts of your life? Do you wish there was greater harmony between your heart and your head, between your giving and your taking, between your past and your future? Wouldn’t it be wonderful if you could infuse your cautiousness with the wildness of your secret self? I bring these questions to your attention, Capricorn, because I suspect you’re primed to address them with a surge of innovative energy. Here’s my prediction: Healing will come as you juxtapose apparent opposites and unite elements that have previously been unconnected.

AQUARIUS (Jan. 20-Feb. 18): When he was 19, the young poet Robert Graves joined the British army to fight in World War I. Two years later, the Times of London newspaper reported that he had been killed at the Battle of the Somme in France. But it wasn’t true. Graves was very much alive, and continued to be for another 69 years. During that time, he wrote 55 books of poetry, 18 novels, and 55 other books. I’m going to be bold and predict that this story can serve as an apt metaphor for your destiny in the coming weeks and months. Some dream or situation or influence that you believed to be gone will in fact have a very long second life filled with interesting developments.

PISCES (Feb. 19-March 20): If you’re like most of us, you harbor desires for experiences that might be gratifying in some ways but draining in others. If you’re like most of us, you may on occasion get attached to situations that are mildly interesting, but divert you from situations that could be amazingly interesting and enriching. The good news, Pisces, is that you are now in a phase when you have maximum power to wean yourself from these wasteful tendencies. The coming weeks will be a favorable time to identify your two or three most important and exciting longings—and take a sacred oath to devote yourself to them above all other wishes and hopes.

Homework: Try to identify which aspect of your life needs healing more than any other aspect. freewillastrology.com

Be Our Guest: Roberto Fonseca

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Afro-Cuban music and jazz have had a long history together, and Havana-born Roberto Fonseca has kept this beautiful marriage alive his entire career.

For his ninth studio album, Yesun, he’s taking it even further, continuing to pull from traditional jazz and Afro-Cuban music, but also taking elements of electronic music, funk, reggaeton, and rap to give us a taste of where this music could go with a little bit of ingenuity and experimentation. 

7pm. Thursday, March 5, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $31.50/adv, $36.75/door. Information: kuumbwajazz.org.

WANT TO GO?

Go to santacruz.com/giveaways before 11am on Thursday, Feb. 27 to find out how you could win a pair of tickets to the show.

Cross of Ashes – Dust to Dust: Risa’s Stars Feb. 26 – March 3

Esoteric astrology as news for the week of Feb. 26

Throughout history, humanity has created rituals and celebrations that reflect the different seasons. The rituals mirror, indicate and signify the different aspects of light and dark, the seasons and the elements, allowing humanity to maintain a rhythm with nature past, present and future, with the heavens and with each other.

Lent (“lenctene” – when days lengthen), just before spring, is one of those ritual times. Lent (outward sign and external name)—beginning this Wednesday—is 40 days and 40 nights of purification, preparing us for Spring and Easter, the Resurrection festivals.

Lent always begins after Mardi Gras (Tuesday), on a Wednesday, Ash Wednesday. There is a ritual with ashes in the Catholic churches, reminding us that we are spiritual beings clothed (temporarily) in form and matter. The Ash Wednesday ritual: The priest places a cross of ashes (made from burned palms) on the forehead (Anja center, 3rd eye, place of spiritual direction) of parishioners while saying the words, “From dust thou art (you were made) and unto dust thou shalt return.” 

These words remind us that the physical body, made of elemental (the elements of) matter, returns to the Earth at death. However, within our body (within each cell) the Spirit of God dwells—the spark of life, the light of life, the Pisces light that saves the world. During Lent, preparing for the new life of spring, we cleanse, purify our bodies, we change habits, preparing to make ourselves new (again).

Our actions during Lent imitate Mars and Mercury retrograde activities. We grow in quiet reflection, contemplation, study and knowledge, enabling us to participate in the upcoming three spring festivals (Aries, Taurus, Gemini) which set the template for the rest of the year.   

 

ARIES: As you recognize the vital and initiating work you are to bring forth, you will also need to learn how to participate in groups with intelligence and heartfelt alignment. You are to construct part of the new world, culture and civilization. Is this in your awareness?  Are you conscious of what this implies and the needs of humanity? You’re called to awaken again for the times are coming when those who plan and lead boldly, take risks and assess the future, working with both heart and mind, will be summoned. Prepare.

TAURUS: The architecture of your participation in life is changing. Previously you dreamed big dreams, pondered upon many realities, not concerned if anything took shape. Now you’re behind the scenes, teaching and facilitating groups, preparing the components of the new world era. Taurus has an enlightened mind with the ability to see humanity’s present/future needs. You are aware in the breakdown phase seeds of the new must be sowed. You’re synthesizing all realities so others can understand.

GEMINI: Many forces are at work in your life. As a Gemini, you always attempt to resolve polarities—higher with lower, soul with personality. This is a vital and difficult task accomplished by the proper cultivation of the mind principle (which calms the emotions) and the right course of study that allows no illusions, confusions, untruths, unkindness, distortions or maya. Venus calls you to share the path with others, and Aquarius wants you to develop all seven levels of your mind. Will you?

CANCER: Always we feel some form of conflict. Know that this conflict (and chaos) is useful. It gives us the ability to observe tensions and to express needs, fears and anxieties. So often there is a great battle going on between the soul and personality. The soul calls us to Right Action and Right Service. The personality seeks to sleep. Many don’t know the difference between the two. There is a reorientation occurring within, new information released into your mind, especially during Mercury retrograde.

LEO: You’ve entered a time where relationships are vitally important, yet at times you feel not connected to anything or anyone. You’re in a place of balancing and choosing, an interlude state. Your inner reality concerning relationships and how you function in them is being modified so that you can display Right Relationships while still expressing your unique creativity. Hold opposing forces in balance. A greater awareness emerges. Your love then flows once more. Love is your gift from the heart of the Sun.

VIRGO: New revelations stream into your mind concerning how to structure daily life. Revelations occur during Mercury retrogrades. Changes in our daily life prepares us to function within the new dimensions and structures in the world slowly coming into our awareness. Receive all impressions with devotion and detail. Be aware if weariness occurs. You then must rest which changes your perspectives.

LIBRA: Although, under the veil of Libra’s charm, you are a strong and powerful force, a greater level of love/wisdom must begin expressing itself through you. It begins with acceptance and gratitude for everyone and everything (past and present, here and there, then and now. Begin with intention and say over and over, “Love expresses itself through me always and then wisdom follows.” Then your life and relationships proceed with protective loving healing care.

SCORPIO: You will begin to have solitary times thinking things great and small. Create an environment that nurtures in all ways—physical, emotional, mental and spiritual aspects of yourself. Be in touch with the kingdoms—soul, human, animal, plant and mineral. Make altars to them. Love combined with your great intelligence will form a foundation for a new life emerging. It begins where you live. Later you’ll be asked to teach these very things to others who are lost.

SAGITTARIUS: You should have a very good year. Especially if you blend two realities—your personality and soul.  This produces harmony for a time. Then the soul leaves and will enters, the will of God. You will be asked to harmonize your little will with the greater will. It will not be easy. Will is a fire. As your career rises and you make a big splash, in all of this never be thoughtless. Or you’ll lose much. Remember as you go about work that “wisdom is knowledge gained through experience and implemented by love.” Thoughts to ponder in this Mercury retrograde time.

CAPRICORN: Whatever it is you hope for, radiate it with love from your heart and ajna (forehead) diamond light center. Both are where love streams forth. Then new life will take root, expressed as harmony, beauty and peace (a process). Your love for those around you eases disharmony and conflict, even when it abruptly arises. You do remember that harmony comes after conflict and chaos, yes? Behind conflict and chaos, harmony waits patiently.

AQUARIUS: This year you have great energy and potential, needed as new sources of income are sought and as you seek to control impatience. Be aware of communication or you could be thought of as being harsh and thoughtless toward others. We know you’re not. Remember to be courteous and kind, show sympathy. A new self-identity continues to emerge. Be sure it includes goodness, generosity and love. We experience what we give.

PISCES: You have begun the arduous task of understanding your feelings, thoughts, aspirations, actions and vulnerabilities. Much of your life has been treading the pathway of service and sacrifice, which you know well. A new beneficent cycle has begun, expanding your courage and strength of character. This may not be acceptable to some. Maintain privacy, walk away from disharmony, don’t believe criticism. The stars are protecting you.

Duster Hits Reset After Gaining Legend Status

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Back in the late ’90s, a trio of San Jose indie rockers called Duster released two full-length records and a handful of EPs to little attention. They played dingy basement shows and never toured beyond the West Coast.

Instead of getting a bass player, they dragged an old organ to shows, where multi-instrumentalist Clay Parton would tap on the bass pedals for some added low end. The songs rarely had proper beginnings or endings. They were structure-less, fuzzed-out, bare ensembles of spacey noise—slow, dynamic and supremely lo-fi. If a song had vocals, it was treated as another instrument, not the primary focal point. But there was a beauty to the delicate chemistry and bubbling emotionality in these tunes, whether anyone knew about them or not. 

In the early 2000s, the band faded away. Their record label went defunct at the same time, making copies of their records a rare commodity.

But the existing LPs made the rounds with a new generation of indie rockers. Duster’s take on ’90s slowcore was looser and more experimental than their peers. Like a grenade, the group’s inspiration had a delayed impact on several, now successful new bands like Girlpool, (Sandy) Alex G and Hovvdy.

“We were working in pretty simple modes. ‘How simple can this be, but still be devastating?’” Parton explains. “Part of our charm is sounding a little fucked up. We don’t really write songs and then record them. We use recording as part of the writing process.”

The cult of Duster was built without their music being available on streaming platforms. Old-fashioned word of mouth and chats in obscure music forums were the key. Copies of their albums were going for hundreds of dollars on eBay. The members of Duster found out about this niche demand and wanted to eliminate the “collector only” access to their music, so they arranged with indie label Numero Group to do a proper re-release of their catalog. When it came to fruition last March, demand was high—within a day, they sold out their limited pressing of 500 3-LP colored-vinyl box sets.

By then the band—to the surprise of the Duster cult—had recently started gigging again. The members had been talking about playing again for a while, a difficult task given that Parton lives in Santa Cruz and the other two members (Jason Albertini and Canaan Dove Amber) live in Portland. But with this new interest in the group—more interest than when they were together—there was reason. They played their first show in December 2018 in Brooklyn to an exuberant crowd of mostly 20-somethings, opening for Duster superfan (Sandy) Alex G.

In December 2019, Duster surprised their fans again by releasing a record of brand-new material, which they recorded on and off for a year and a half at Parton’s house mostly on a 4-track tape recorder, just like the old days.

“[Back then] all we had was a cassette 4-track machine, and super shitty drums and super shitty everything. We didn’t mind the immediate, disheveled sound of the 4-track. When we recorded on 8-track or even the first 16-track machine we got, it was the same approach. Smudged is our thing,” Parton says. “[For the new album] we did not consider any elaborate or excessive process.”

The group has continued to tour, including one show at the Ritz in San Jose in early 2019, which ended up being one of the band’s worst shows since getting back together.

“We played like shit. There were weird vibes, something wasn’t right. And not that many people were there. Maybe San Jose crowds still don’t want to pay for shows. Maybe some things never change,” Parton says. “It was like a true ’90s Duster experience, because we played some rough shows back then, too.”

But that show was also a turning point. It convinced them that they needed to take getting back together more seriously. They’ve since gotten a booking agent and have had other people handle the business end of things, so they could focus on incredible performances. Now as they tour, it’s become clearer that this new interest in the group wasn’t a fluke. They’re meeting a lot of kids that weren’t in the scene when they recorded most of their music, but have found a lot of meaning in what they do.   

“Meeting people at shows is rewarding,” Parton says. “Sometimes a crowd of people drawn together are all bonded by that common thread of feeling not right, or isolated, alone, some variation on that theme. It’s almost like we are all taking care of each other, at least for a moment.”

Duster performs at 9pm on Friday, Feb. 28, at the Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door. 423-1338.

Music Picks: Feb. 26 – March 3

Santa Cruz County live entertainment picks for the week of Feb. 26

WEDNESDAY 2/26

ACID-JAZZ

THE GREYBOY ALLSTARS

Rarely does the term “allstar” apply as well as it does to the Greyboy Allstars. Saxophonist Karl Denson sometimes tours in his other band, the Rolling Stones. Guitarist Elgin Park scores music in Hollywood, including on the cult classic Donnie Darko. And organ player Robert Walter also plays with Phish bassist Mike Gordon. Originally formed to back up acid jazz originator DJ Greyboy, the Allstars quickly realized their grooves were far too deep and way too rare to be stuck in a backing band. Quintessentially cool, understated, and still plenty freaky, the Greyboy Allstars bring the goods. MIKE HUGUENOR

INFO: 8:30pm. Moe’s Alley, 1535 Commercial Dr., Santa Cruz. $30/adv, $35/door. 479-1854.

 

THURSDAY 2/27

AMERICANA

PETER HARPER

The Harper kids had access to a plethora of folk instruments, thanks to their grandparents’ music store Folk Music Center. They grew into some creative adults. Joel Harper now writes children’s books, while the youngest Peter became a professional visual artist. The oldest became world famous singer-songwriter Ben Harper. Recently, Peter Harper has shifted gears to music. He has two phenomenal albums under his belt that meld elements of soul music, folk and Americana. He’s already found a significant fan base in France, which always likes all the cool American stuff. Now it’s time for the rest of us to catch up. AC

INFO: 7:30pm. Michaels on Main, 2591 Main St., Soquel. $10/adv, $12/door. 479-9777.

 

LATIN-ALTERNATIVE

COMBO CHIMBITA

“Ahomale” represents ancestral wisdom, revolution, and the truth that has always been inside of you. It’s also the name of New York quartet Combo Chimbita’s new album—and the protagonist of this concept album. Musically, the group finds space for punk, cumbia, New Wave, soul and psychedelia. But the importance of the album is in the storytelling and the lyrics—Ahomale’s ancient wisdom should hopefully enlighten the masses in 2020, just as Combo Chimbita take old Latin rhythms and bring them forward to blend with new styles in some of the most cutting-edge musical mishmashes in recent history. AC

INFO: 9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 423-1338. 

 

FRIDAY 2/28

INDIE

MAITA

Can you blame a kid? On lead single “Can’t Blame a Kid,” Portland indie rockers Maita dare to say, “No, you can’t.” Looks like they’ve never heard of a little kid named “Billy the.” Smh. Historical inaccuracies aside, “Can’t Blame a Kid” condenses a huge, headbanging guitar part into a taut indie rock verse, then winds itself tighter and tighter with each palm mute. When, at the chorus, the song finally explodes into the lyric “Can’t blame a kid anymore,” it’s like the Portland equivalent of arena rock: huge, but weird. MH

INFO: 9pm. Crepe Place, 1134 Soquel Ave, Santa Cruz. $10. 429-6994.

 

FOLK 

TOM PAXTON 

Since 1960, Tom Paxton has been penning songs for the likes of Peter, Paul & Mary, Dolly Parton, Willie Nelson and more. Of course, he also has well over 50 albums of his own, and has performed in countless countries. Most recently, Paxton’s teamed up with his buddies the Don Juans (aka Don Henry and Jon Vezner) for a bluesy-folk trio that brings the 1960s Greenwich Village wherever they play. MAT WEIR

INFO: 7:30pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27. 427-2227.

 

SATURDAY 2/29

INDIE

SASAMI

We all like to get bummed out now and again. And music is the perfect vehicle to dislodge our inner sadness, so we can sit alone and cry along to said dark, depressing, hopeless lyrics. L.A. singer-songwriter Sasami will conjure up your inner sad-monster, or maybe sooth your wounded warrior. She also is a great songwriter who creates beautiful music filled with psychedelic layers of synths and gentle rock melodies. It conjures up an almost numbed out blissful feeling, with sounds that fall on your head like dying flowers in a vase. And if you take the time to learn her lyrics, you are all set for an evening of cathartic tears. AC

INFO: 8pm. Felton Music Hall, 6275 Hwy 9, Felton. $12/adv, $14/door. 704-7113. 

 

COMEDY

DAVID WAITE

Self-proclaimed comedic “oddball” David Waite has gained notoriety with his performances on Late Night With Jimmy Fallon, Last Comic Standing and as a guest on Doug Benson’s Doug Loves Movies podcast. Born in Kentucky, Waite relocated to L.A. and can currently be seen co-producing the Secret Show comedy night in Culver City. His latest album, Dead Waite, is available now, but why not go see the man in person during one of his two shows at DNA’s Comedy Lab? MW

INFO: 7 and 9:30pm. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20adv, $25/door. 900-5123. 

 

MONDAY 3/2

JAZZ

REGINA CARTER

With her ravishing tone, unabashed lyricism and quicksilver flow of ideas, Regina Carter single-handedly brought the violin back to the center of mainstream jazz in the 1990s. She’s explored widely ever since, from Motown soul to East African lullabies. But she’s never surpassed the improvisational brio of her duo with piano legend Kenny Barron (captured on 2001’s Freefall). Her new duo pairs her with the outstanding pianist Xavier Davis, a longtime member of her quintet. Davis is esteemed as a powerful accompanist, a partner ideally equipped to support and push Carter into musical terra incognita. ANDREW GILBERT

INFO: 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $42/adv, $47.25/door. 427-2227.

 

TUESDAY 3/3

FOLK

COLIN HAY

Colin Hay is a true storyteller. Between songs, the former Men at Work singer regales audiences with tales of his more than 30 years in the music industry, tales like: “When you get dropped by a record label, you usually find out from your hairdresser.” Since ’91, Hay has been performing solo, playing a mix of intimate folk songs and Men at Work classics like “Overkill” reworked as intimate folk songs. Now, 39 years after Business as Usual, Hay’s voice and songwriting prowess are as powerful as ever. MH

INFO: 7:30pm. Rio Theatre, 1205 Soquel Ave, Santa Cruz. $35. 423-8209.

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