Robert Hall Winery’s 2015 Zinfandel

On our way to Big Basin Redwoods State Park to stay the weekend in a rustic tent cabin, we stopped at Ben Lomond Market for take-away food and some wine.

A bottle of Robert Hall Winery 2015 Zinfandel for $18.99 turned out to be a good choice.

Meeting up with friends to share our spoils, we gathered ‘round a campfire to enjoy this full-bodied wine, its dense core of fresh raspberry and cranberry fruit intertwined with peppery spice.

With soft tannins and moderate acidity, this Zin was a winner paired with hearty sandwiches from the market and an assortment of chips and dips. The winery suggests that you can also pair it with “decadent chocolate desserts.”

Not surprisingly, this robust Paso Robles Zin won a double gold in the 2018 San Francisco Chronicle Wine Competition.

Robert Hall Winery in Paso Robles is a big operation. Hall Ranch totals 300 acres—all farmed with sustainable practices—and home to 12 different grape varietals.

While Paso Robles has long been a hot destination for wine tasting, new and exciting hotels such as the splendid Allegretto Vineyard Resort are only adding to an abundance of superb wineries to visit.

Robert Hall Winery, 3443 Mill Rd., Paso Robles. 805-239-1616, roberthallwinery.com

Hakouya Miso Dressing

At a recent Aptos Natural Foods open house, I sampled locally produced Hakouya Miso Dressing made by two ladies from Japan, Eriko Yokoyama and business partner Masumi Diaz.

Miso is a traditional Japanese fermented seasoning high in protein and probiotics, and also packed with vitamins and minerals. The savory flavor has for centuries been a culinary staple in Japan.

Today, a sprinkle of miso served with avocado on rice crackers is a tasty, nourishing and healthy snack—and it’s handy to keep some in the fridge to add a splash of flavor to various dishes. Hakouya Miso produces homemade miso (soybeans, koji and sea salt) with olive oil, rice vinegar, honey, sesame oil, ginger, and garlic. The ingredients are mostly organic, all natural, gluten free, dairy free, and good for your gut! Classes on probiotic food are also taught locally.

Visit hakouya.com for more info.

Netflix Bows to Saudi Censors, Pulls ‘Patriot Act’ Episode

One Silicon Valley giant came under fire this month when it bowed to an autocratic government’s order to silence a critic.

According to a Jan. 1 Financial Times report, the Los Gatos-based streaming service Netflix yanked an episode in Saudi Arabia of The Patriot Act over host Hasan Minhaj’s condemnation of the kingdom’s murderous monarchy.

In the show’s second installment, which first aired Oct. 28, the California-bred, Muslim-American comedian rebuked Crown Prince Mohammed bin Salman over the slaying of renowned columnist Jamal Khashoggi and the U.S.-backed, Saudi-led war in Yemen.

“It blows my mind that it took the killing of a Washington Post journalist for everyone to go, ‘Oh, I guess he’s not really a reformer,” Minhaj observed of 33-year-old bin Salman, who’s accused by the U.S. Senate and the CIA of orchestrating the gruesome killing.

Minhaj also slammed Silicon Valley for choosing money over morals. The crown prince has cozied up to a long list tech industry elites with oil-fueled Saudi making big investments in U.S companies like Uber, Twitter, Tesla, DoorDash, and Slack.

Samah Hadid, the Middle East director of Human rights group Amnesty International, called Saudi Arabia’s censorship further proof of a relentless crackdown on dissent and an assault on international norms. “Netflix is in danger of facilitating the kingdom’s zero-tolerance policy on freedom of expression and assisting the authorities in denying people’s right to freely access information,” he said in a statement to reporters.

Netflix, which is run by Santa Cruz’s Reed Hastings, downplayed its decision as banal and benign, with the company insisting that it supports “artistic freedom.”

In a tweet, Minhaj scoffed at the futility of the attempt to silence him, considering that Saudis can still find the offending episode free of charge on another popular platform.

“Clearly,” he wrote, “the best way to stop people from watching something is to ban it, make it a trend online and then leave it up on YouTube.”

Music Preview: Man Man at Catalyst

Ryan Kattner isn’t sure if anyone will come to see his band Man Man.

It’s been four years since the band has toured, and even longer since their last record, On Oni Pond. Now they hit Santa Cruz on Jan. 11 as part of a short string of West Coast dates, their first shows since 2015. They’ll be road-testing some new material for what will be a new Man Man record, which has no official release date yet. They’re also just getting a sense of who they even are as a band.

“I’m trying to tap into why I’m even doing this anymore. Music is weird right now. Especially if you’re making—are we rock music?” Kattner asks himself mid-sentence. “Hopefully there’s still an audience. Who knows anymore?”

He has reason to be nervous. His group carved out a loyal cult audience in the early 2000s with its oddball, punky, avante-pop sound. But Kattner’s last record, 2016’s Use Your Delusion, which was released as a solo record under his stage moniker Honus Honus, didn’t do as well.

“I feel like the majority of Man Man appreciators out there in the universe have no idea it even existed. They definitely didn’t come to shows. That’s okay, it’s only my life,” Kattner says. “It was just a reaffirmation of that fact that you never go solo.”

The smaller crowds on the Honus Honus tour were documented in a recently released film, also titled Use Your Delusion.

“It wavers between tragedy and comedy, my life,” Kattner says. “It turned into a feature documentary of a sad tour.”

He’s eager to tour under the name Man Man again, though he’s a little vague as to why he took a break from the band, which had toured pretty much constantly for 15 years up until its hiatus.

“Man Man was being an unruly brat, so I had to put it in the corner for a timeout. But we all know you can’t put baby in the corner,” he says.

The material on Use Your Delusion is spiritually very much in the same demented world as any other Man Man record, though in some ways it’s a bit more bonkers, which Kattner says was a result of it not being attached to the Man Man name. He dabbles heavily with synthesizers and tinkers with some unexpected genres like reggae and New Wave, creating an almost uncomfortably happy sound at times. He refers to it as an “apocalyptic L.A. pop” album.

“I wanted to go for a vibe of Leonard Cohen’s The Future, even though it’s nothing like that. But in my head that was the synths, and we had fun with it,” Kattner says.

It’s not like Man Man have ever not been weird or completely out of place. Originally formed in Philadelphia, the band’s first record, The Man in a Blue Turban with a Face, is a swath of primitive Beefheartian prog-pop, charged with youthful hysteria and a trunk of instruments that could please the hearts of a traveling medieval minstrel troupe.

By their second album Six Demon Bag, the band’s songwriting and live energy jumped a couple of notches. With each record, Man Man got just a hair more accessible.

“When I first started, I was making music to not go insane,” Kattner says. “It was supposed to be, ‘Let’s make that one super earnest, possibly unlistenable record at 23.’ Pull it off the shelf some years later and say, ‘Look what I made, kids.’ And they’ll be like, ‘You’re not my dad.’”

Whatever nervousness Kattner has about Man Man reemerging in 2019, he’s also soothed by the fact that Man Man has never been a part of a trend.

“I think the sound of two coconuts banging together is way cooler than a drenched-out reverb guitar solo,” Kattner says. “Everybody is always trying to cop a style. We just sound like us, for better or worse. It kind of Robinson Crusoes you. Then you learn to adapt.”

The world is a totally different place since Man Man last played together. It’s hard to predict how crowds will respond to the band now.

“I’ve been trying to write the perfect pop song since day one. I just don’t know how, or the audience hasn’t learned that it’s wonderful yet. My music will make sense on a melted jukebox after the fallout,” Kattner says. “Good thing our apocalyptic jams haven’t gone out of style. If anything, they’re more timely. Who would’ve thought the world could go so haywire in such quick fashion?”

Man Man plays at 9 p.m. on Friday, Jan. 11 at the Catalyst, 1011 Pacific Ave., Santa Cruz. $15. 423-1338.

No Dull Moments For Santa Cruz’s Go-To Sharpener

It’s Dec. 21, the winter solstice, and one Terry Beech’s favorite holidays. While sharpening cutlery on his solar-powered machine in the New Leaf parking lot, Beech is wearing a jester-like cap that he calls his “Santa’s helper hat” and blasting holiday music out of his van.

Beech, who sharpens knives at local markets, is the brains and brawn behind his one-man business, Sharp-Quick. He keeps track of how many knives he sharpens each day by piling up a rainbow assortment of Popsicle sticks, each representing a certain number of specific kinds of knives. He calls his method “stick books”—a play on QuickBooks’ accounting software.

A physicist by training, Beech also calculates the angle at which each knife should be sharpened, leaving every blade as sharp as possible while still ensuring that the new edge will last. A former high-tech consultant, he’s taught his sharpening technique to 26 trainees, six of them in the last year, including one apprentice from Austria. “In 2007, I decided this is way too much fun to keep to myself,” he says.

Is this machine something I could pick up at the flea market?

TERRY BEECH: No. This, brand new, is about 800 bucks. Which isn’t outrageous, but it’s not cheap, either. It’s quiet. It’s dust-free. There’s no dirt. There’s no sparks. It’s preserving the steel on your knife. It’s treating the knife steel as best it can be treated.

My girlfriend tells me that sharp knives are safer than dull knives. To what extent is that true? Because, unless I’m missing something, sharp knives are also sharper than dull ones.

The problem with dull knives is you end up pushing too hard to get something accomplished. And invariably, something slips—boom—and you ding yourself. If you have a sharp knife, everything goes nice and easy. Of course, the first time you use it, you’re so surprised how quickly it cuts through things that sometimes people will ding themselves. They’re just not used to it. People come back to me all the time with a Band-Aid on their finger: “See what I did! You sharpened my knives last week.” And they have a big smile on their face.

How much of this is a job, and how much is a hobby?

It started out as a hobby, but I made 60 grand last year. If that isn’t a job, I don’t know what is.

sharpquick.com, 345-4380.

Review: ‘8 Tens @ 8’

One of the most popular events in the Santa Cruz theater season returns as Actors’ Theatre presents its spanking new 2019 edition of the 8 Tens @ 8 festival. This annual crowd-pleasing event, now in its 24th year, features a program of eight 10-minute plays submitted by playwrights from around the country and performed and directed by members of the local theatrical community.

Festival organizers have again added a second program featuring eight more plays, with both sets—identified as Night A and Night B—playing in repertory through Feb. 3. If Night B (not yet seen by press time) is as enjoyable as Night A, audiences can look forward to lots of laughter, punctuated with moments of wistful reflection.

If I had to pick a discernible theme among the plays bundled together for Night A, it would be “time flies”—for the bereaved, missing departed spouses, for parents coping with the departure of adult children, and for young people on the brink of a new, possibly scary future. In fact, the first play of the show—and one of the best—is called Tempus Fugit. Written by Greg Atkins and directed with plenty of bounce by Cathy Warner, it’s a very funny time-travel comedy in which a sweet nerdy guy (Nat Robinson), about to propose to his girlfriend, is visited by her future self (both incarnations played with panache by Alie Mac) trying to talk him out of it.

Mafia widows straight out of Real Housewives of New Jersey convene at a funeral to take charge of a future without their variously iced and offed menfolk in Steven Capasso’s Gossip Queens, directed by Bonnie Ronzio and performed with sitcom energy. In The Dating Game, by Rod McFadden, a very different widow wisecracks her way through the pitfalls of online dating while grieving for her beloved husband. Helene Simkin Jara, heartfelt in the central role, also has a sly way with a one-liner.

A widow also figures in John Chandler’s Jello Salad, attending a family reunion with her restless daughter (Solange Marcotte), just home from her first year at college. With everybody warning her against her rascally, black-sheep uncle (Gino Danna), of course, the two of them bond, but the range of the story doesn’t quite fit the short format, and the final epiphany — while poignant — doesn’t quite feel earned.

Another mom (a droll Nicolette Nasr) insists on a ceremony when her college-bound son (Tristan Ahn) is about to flush his deceased goldfish down the loo in Elizabeth Flanagan’s Frodo Lives —an event that becomes both a wistful metaphor for leaving childhood behind, and a pep-talk for embracing future possibilities. In Morning In America, a grown daughter (Mac again) discusses media overload in the Information Age with her disgruntled dad (well-played by Marcus Cato), who starts each day with the question, “Is he still president?”

Richard Lyons Conlon’s Jackson is a middling story about corporate cubicle-mates given a brisk, funny production from director Miguel Reyna and performers Nat Robinson and Jocelyn McMahon.

And Night A concludes on a high note with The Birthday Gift, by Elizabeth Douglas, in which a daughter (McMahon) learns her freedom-relishing parents have remodeled the family home—without extra bedrooms—now that she, their youngest, has flown the coop for college. (“We’re closing down Hotel Mom and Dad!”)

So, welcome back 8 Tens @ 8, and prepare to be entertained.

The Santa Cruz County Actors Theater production of ‘8 Tens @ 8’ plays through Feb. 3 at Center Stage Theater, 1001 Center St., Santa Cruz. Call 800 838-3006, or visit sccat.org.

Opinion: January 9, 2019

EDITOR’S NOTE

I always like to start the year out feeling good about Santa Cruz, which is why I look forward to getting the final totals from Santa Cruz Gives. That number is in, and all I can say is wow. You guys outdid yourselves in generosity over the holiday season, as we raised $234,426 for local nonprofits. That’s an 18.7 percent increase over last year’s total of $197,459. It’s so exciting to see this program keep growing every year, and I can’t stress enough how big a difference the debut involvement of Community Foundation Santa Cruz County made. Next week we’ll have a more thorough wrap-up, with feedback from our partners at the Volunteer Center of Santa Cruz County, who always provide way more insight into what this all means than my low-level analysis, which is basically, “Yay Santa Cruz!”

Speaking of fresh starts, our cover story this week is about how Santa Cruz-based MDMA research may provide a whole new approach for mental-health therapy. (I know, I know, one of my resolutions for the new year is to work on my transitions.) The piece by Wallace Baine really brings home this idea of psychedelics-as-medical-science with a close-up look at one person whose life has been transformed by the work at Santa Cruz’s Multidisciplinary Association of Psychedelic Studies (MAPS).

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Growth Industry

Although spread across four pages, your “Gimme Shelter” story (GT, Jan. 2) provided little new information about Santa Cruz’s homeless situation, except to say that the city is salivating over the $10 million in new funding that’s headed our way. Yes, tending to the homeless certainly has become a growth industry here in Santa Cruz.

I thought it was interesting that the photo chosen to accompany the article was that of a young, wholesome-looking couple instead of some grungy burnout that would be more typical of our transient population. Whitewashing the face of this problem won’t do anything to help ease it.

And what about this couple? He says that he came to Santa Cruz to get away from drugs in his hometown. Was he joking, or what? This area is awash in hard drugs and their easy access and low cost is a primary reason for the influx of drifters from near and far. It’s the last place anyone would come expecting to get away from that horror-show lifestyle. This area’s sky-high rents are also well known…just where does a person with few resources expect to be living once they get here?

How long must we continue allocating funds to support those who migrate here with substance abuse issues and little motivation to change their destructive habits? Having our city spend nearly $80,000 a month to shelter a relative handful of homeless transients was pure lunacy!

Instead of passing out much of that $10 million to the abundance of local non-profits involved with the homeless, imagine spending a similar sum on additional resources focused on suppressing our illegal drug trade. Addictive street drugs will never be totally eradicated, but a full-court press on the local supply will push prices up beyond the reach of many users.  If drugs become harder to come by, or significantly more expensive, Santa Cruz might just lose some of its appeal as a transient hang out. A reduction in drug use, in addition to saving lives and reducing crime, will also slow the drain on city and county services and help ease already-strapped budgets.

Instead of throwing money at problem that’s already way out of control, why not focus on trying to keep people from wasting their lives behind drugs and becoming homeless in the first place?

James S.
Santa Cruz

Re: Council Shakeup

I’ve lived in this county since 1971 and I have to say that I’m elated that a new city council dedicated to celebrating diversity, eco-active and concerned about the welfare of the working class and poor people in this city has been elected.

The time to make change is now and, in terms of the environment alone, we must not delay. We face huge challenges with drug/alcohol and opiod addiction and with growing homelessness and yet, we are one of the richest cities, per capita, there is. We can be humanistic leaders for the future of Northern California and I fully support Mayor Martine Watkins, Justin, Drew, Cynthia, Donna and Christopher in their role as the new leaders of Santa Cruz.

Let’s make some powerful changes; keep Santa Cruz liveable and retain our wonderful idiosyncratic take on living in America!

— Rick Walker

Re: Fiberhoods

“Santa Cruz’s biggest tech stories of the year somehow ended up flying a little under the radar.”

Might have something to do with so far the only residential customers to be hooked up to fiber are in one mobile home park…and that was 3 months ago. Cruzio has yet to share any info about any other residential customers being hooked up to gigabit fiber and not wireless-backed fiber.

—  Jim


PHOTO CONTEST WINNER

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GOOD IDEA

Organizers of an upcoming event will freely distribute clone-able cuttings, or scions, from hundreds of rare, heirloom and experimental varieties of fruit. The Monterey Bay Chapter of the California Rare Fruit Growers will hold its annual winter Scion Exchange at Cabrillo College on Sunday, Jan. 13, in coordination with fruit growing enthusiasts around the state. The event will be 12-3 p.m. at the Cabrillo College Horticulture Center. Admission is free to members and 5$ to non-members. Visit mbcrfg.org for more information.


GOOD WORK

AA Safe & Security, a 65-year-old local company, has expanded, adding a brand new division that brings the business up to speed in the year 2019. With AA Security Technologies, the company is bringing its safety expertise to the market for cloud services, alarm systems and household internet devices. Collaborating with manufacturing partners, AA Safe & Security perfected solutions that will help consumers manage programs that track their wellness or energy usage, while protecting their information. For more information, visit aasafe.com.


QUOTE OF THE WEEK

“Life lived in the absence of the psychedelic experience that primordial shamanism is based on is life trivialized, life denied, life enslaved to the ego.”

-Terence McKenna

5 Things To Do In Santa Cruz: January 9-15

A weekly guide to what’s happening.

Green Fix

Rail Trail Groundbreaking

The first segment of the 32-mile rail trail bicycle/pedestrian path is set to begin construction this month, and the city of Santa Cruz is inviting the community to a celebratory groundbreaking party. The first segment will replace the existing 4-foot-wide walkway on the San Lorenzo River Railroad Trestle Bridge with a new 10-foot, multi-use trail. The ceremony will be followed by a community party, including addresses from Mayor Martine Watkins and Santa Cruz County Supervisor Ryan Coonerty, plus refreshments, commemorative giveaways and more. The event will happen rain or shine, and free parking at the Santa Cruz Beach Boardwalk River Parking Lot and bicycle valet parking will be provided.

INFO:  12:15-2:15 p.m. Thursday, Jan. 10. Western base of the San Lorenzo River Railroad Trestle Bridge, Santa Cruz Riverwalk, Santa Cruz. cityofsantacruz.com. Free.

Art Seen

MAH and Goodwill Art Popup

Back in August, Goodwill Central Coast staff reached out to the Santa Cruz Museum of Art and History (MAH) looking for a way to create something unique for their community. Together, they came up with this yearlong, bilingual pop-up exhibition inside the downtown Watsonville storefront. The pop-up includes sculptures made out of salvaged Goodwill items, historic images of Watsonville from the MAH archives, and new images taken by local graduate student Carlos Campos, who grew up in Watsonville and works at the Watsonville Digital Nest.

INFO: Show runs through June. Watsonville Goodwill, 470 Main St., Watsonville. Free.

Saturday 1/12

Sarah Hennies’ ‘Contralto’

The first installment of a series hosted by Indexical and the Radius Gallery, this show explores the intersection of video, strings and percussion that exists in between the spaces of experimental music and documentary. The term “contralto” is the the operatic term for the lowest female voice, so the show is accordingly a one-hour video compilation of transgender women practicing vocal exercises. It isn’t widely known that trans women’s voices are unaffected by higher levels of estrogen in the body, so many trans women train their voices to sound more female. The women are accompanied by a dense and varied musical score by seven musicians that includes a variety of conventional and “non-musical” approaches to sound-making.

INFO: 8 p.m. Saturday, Jan. 12. Radius Gallery, 1050 River St. #127, Santa Cruz. 706-1620. indexical.org/events. $10-$15.

Friday 1/11

Jon Nakamatsu and Jon Manasse Concert

Two of the Bay Area’s favorite musicians, pianist Jon Nakamatsu and clarinetist Jon Manasse, are coming to Santa Cruz for an evening of classical music. This concert is the fourth installment of the Distinguished Artists 2018 season. Manasse was the principal clarinetist of the Metropolitan Opera Orchestra, while San Jose native Nakamatsu has performed for the Clinton White House and has released thirteen CDs to date. Together, the duo of Jons serve as artistic directors of the Cape Cod Chamber Music Festival in Massachusetts.

INFO: 7:30 p.m. Peace United Church, 900 High St., Santa Cruz. 539-0000. distinguishedartists.org. $12.50-$35.

Friday 1/11

14th Annual Harp Festival

The harp is one of the oldest instruments in the world, so it’s only fitting that there be a festival to commemorate it. Together the Community Music School and the Museum of Art and History (MAH) will showcase different kinds of harps, and various ways to play them. There will be soloists on celtic, classical and double-strung harps, and an all-ages harp orchestra.

INFO: 5-8:30 p.m. Santa Cruz Museum of Art and History, 705 Front St., Santa Cruz. 429-1964. santacruzmah.org. Free, donations accepted.

Love Your Local Band: Blazeen and Tribe

Shoko Blazeen was at Moe’s Alley one night watching Virgin Islands-based roots reggae band Midnite when he was struck with a profound feeling: I want to play this venue.

It was in 2012, and he was still relatively new in Santa Cruz. But in no time, he’d put together a band that played primarily reggae, which he called Blazeen. Less than a year after that, the band played the same Moe’s Alley stage.

“It happened pretty quickly,” Blazeen says. “It was just my ultimate spot to perform.”

Blazeen is now in its third iteration, and goes by the name Blazeen and Tribe. Before moving to Santa Cruz, Blazeen had been playing music for quite a while. Originally from Ghana, West Africa, he grew up around a wide variety of musical genres—one of which was reggae. After relocating to Akron, Ohio, he joined a friend’s band called Rhodes Street Rudeboys.

“Of all the western influences that were in Ghana, reggae definitely was the backdrop,” Blazeen says. “When I moved to the states, I gravitated towards reggae because it was the most familiar. I got a chance to explore a lot more different artists that I hadn’t been exposed to in Ghana. It’s kind of like the door was wide open when I got to the states.”

Blazeen and Tribe isn’t a strictly reggae band, though that is the most prominent influence. There are other elements in there, like hip-hop, Afrobeat and salsa.

“It’s a combination of all my different musical influences. Also different influences of other members of the band,” Blazeen says.

This third iteration is less than a year old, but Blazeen says that the lineup really clicks well. He plans to do a lot more gigging with them in 2019.

“There’s such a chemistry between us that it’s almost like we’ve been playing together for a long period,” Blazeen says. “There’s a tribal element involved with it. We connect very well. We come from different backgrounds, but once you hear that drum, bass and skank, it just transforms us into a whole different arena.”

INFO: 9 p.m. Sunday, Jan. 13. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9 adv/$12 door. 479-1854.

Music Picks: January 9-15

Live music highlights for the week of Jan. 9, 2019.

WEDNESDAY 1/9

SINGER-SONGWRITER

PAT HULL

With a sinuously androgynous counter-tenor (think Thom Yorke or Wayne Newton) and plenty of warm, distant reverb, Hull’s music is hauntingly beautiful—just familiar enough to be evocative, while fearlessly searching out its own path. On this year’s Denmark Sessions, Hull sounds like some childhood memory playing out in another room, the shearing winds of time blowing through the hallway between. It is the aural equivalent of a billowing curtain, rising just enough to show the edges of an unknown field beyond. MIKE HUGUENOR

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

FOLK

SVER

It’s freezing outside—snow drifts across the Arctic tundra, icicles hang from eskers, and it looks like we’re gonna be snowed in here for a while. That’s probably what they’re saying in Norway right now, anyway, and SVER brings a bit of that winter wonderland to SC with high-spirited Norwegian folk music. Fiddles, accordions and soft-but-robust percussions encourage all to come inside, gather, warm yourself with a hot (and preferably spiked) beverage, and show off your snowflake-adorned sweater that’s way too heavy for our weather. SVER will showcase both their dreamy, icy soundscapes and toe-tapping, fire-fueled ditties. AMY BEE

INFO: 8:30 p.m. Flynn’s Cabaret & Steakhouse, 6275 Hwy. 9, Felton. $12 adv/$15 door. 335-2800.

 

THURSDAY 1/10

BLUES

AKI KUMAR

Aki Kumar, aka “The Only Bombay Blues Man” added fresh ingredients to the American musical melting pot with his first album, Aki Goes to Bollywood, which infused Chicago-style blues with retro Bollywood classics. His newest album, Hindi Man Blues, further asserts Kumar’s place in the blues genre, keeping the Bollywood flavor going, but adding original pieces that include political commentary and a song written by his mother. June Core and Rusty Zinn will be joining Kumar at Moe’s for some original R&B compositions, as well as assisting in spreading his blend of infectious Bollywood blues pop. AB

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10 adv/$15 door. 479-1854.

 

FRIDAY 1/11

HIP-HOP

DIGGIN’ IN THE CREPE

You know that whole thing where the Crepe Place doesn’t often feature live hip-hop? Guess what, they are personally making it up to you with a stacked lineup of regional underground rappers that will blow your socks off. The featured performer will be SF’s slinky Professa Gabel, whose latest record Ouch is a lo-fi booty shaker. Also be sure to check out some grade-A local talent like Steezy Sins (Salinas), 1AM (Gilroy) and the rising talent from Santa Cruz that is Alwa Gordon. AARON CARNES

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

JAZZ

SPECIAL EFX

At first glance this might seem like a strange booking for Kuumbwa, which doesn’t tend to pay much attention to smooth jazz. But guitarist Chieli Minucci has a long and distinguished career, and he’s lined up a strong cast of players to celebrate the 35th anniversary of Special EFX. Founded with Hungarian-born drummer George Jinda, Special EFX recorded prolifically throughout the ’80s and ’90s. Minucci has led the band himself in recent years, while also recording with pop stars like Celine Dion and Jennifer Lopez and contributing to film soundtracks including No Country For Old Men. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $31.50-$47.25. 427-2227.

 

FRIDAY & SATURDAY 1/11-12

METAL

METALACHI

For years, this meticulously fine-tuned group of Los Angeles mariachis have perfected the art of sensuously covering everyone’s favorite hair-metal tunes, from Ozzy Osbourne to Motley Crue. For those who have never experienced the hard-rocking, hilariously entertaining, soul-moving and pelvis-gyrating extravaganza that is Metalachi, I have a couple words of advice. First, don’t tell anyone, nobody needs that sort of judgement in their life. Next, make sure to pick up a ticket for one (or both!) of their Moe’s Alley shows this January. MAT WEIR

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15 adv/$20 door. 479-1854.

 

SATURDAY 1/12

AMERICANA

ECHOES & ARTIFACTS

As a songwriter, Allyson Makuch doesn’t like to dress up her music with unnecessary fluff. Her songs, which are performed passionately in acoustic splendor with multi-instrumentalist Rory Cloud, cut right to the sometime uncomfortable marrow of her deepest emotions. The name of their musical collaboration, Echoes and Artifacts, reflects the transcendental lens through which they view songs: the past echoing for an eternity, or at least as long as people take the time to listen. This duo plays their instruments with the awareness of the power they wield with their acoustic guitars, and takes no detours in expressing something authentic and heartbreaking at its core. AC

INFO: 8 p.m. Lillie Aeske, 13160 Hwy. 9, Boulder Creek. $20. 703-4183.

 

CAJUN

BLAKE MILLER & THE OLD FASHIONED ACES

Bust out the ‘gator and make space for the accordion, because Blake Miller and the Old Fashioned Aces are seasoning Santa Cruz’s new year with their cajun spices. Hailing from Lafayette, Louisiana, this trio puts the “raw” in “crawfish,” keeping their tunes as traditional as an étouffée. As a bonus treat, this same afternoon is Michael’s on Main’s “Louisiana Picnic Dance,” a 2 p.m. matinee show with a Louisiana feast (for a separate charge of $18.95). MW

INFO: 2 p.m. Michael’s on Main, 2591 Main St., Soquel. $12 adv/$15 door. 479-9777.

 

MONDAY & TUESDAY 1/14-15

PUNK

PATTI SMITH

Plenty has been written about Patti Smith’s debut Horses, though none of it adequately captures those first moments when, like a voice out of nowhere, she sings, “Jesus died for somebody’s sins, but not mine.” An indispensable part of both 20th-century feminism and rock, Smith has had her share of sins along the way, all of which she gleefully claims as her own. A renowned author as well as punk icon and poet, Smith comes to Santa Cruz for two nights at the Rio. Make your peace now with whatever sins you gotta commit to get tickets. MH

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $76.50. 423-8209.

Can Santa Cruz MDMA Research Change Mental Health?

1

On the outside, Trish Graves has everything—a devoted husband, a beautiful 4-year-old daughter and a breathtaking piece of ranchland in quiet, spacious southern San Benito County.

On the inside, though, she is shattered.

Graves is a veteran who served in the U.S. Navy in the Pacific for eight years. Since her discharge a decade ago, she has been struggling with the effects of post-traumatic stress disorder.

She says that the past 10 years have been crippling, as she has dealt with intense and unrelenting daily bouts of anxiety, depression, fear and self-loathing. She admits that she has considered suicide. The word she uses to describe her experience is “drowning.”

But over the last year, Graves has rediscovered a measure of hope that seemed unattainable before. After spending almost all of her entire adult life under the crush of past trauma, only now is she able to contemplate a future beyond the shadow.

And that hope has arrived in the form of psychedelic drugs.

The widespread public perception of PTSD when it comes to military veterans is that the condition is linked to combat or war-zone experience. That’s not the case with Graves. In 2003, while serving in the Navy, she was raped by another service member. The rape left her not only traumatized, but also pregnant, and she had an abortion while on leave on the island of Guam. She decided not to pursue a legal case against her assailant. She was 24 years old at the time.

“The abortion is what bothers me most,” Graves says. “I had to ask permission to do this from my commanding officer. It was humiliating. He wanted to know who it was, why I wasn’t pressing charges. I think you’ve heard enough about military culture to know you don’t report these kinds of things because I didn’t want to be seen as a troublemaker. I just wanted to do my job. I just wanted to do the right thing.”

Seared by shame, she soldiered on through her tour of duty after the abortion, until her body rebelled. Eventually, she was discharged from the Navy on a medical basis. In that respect, her ordeal carried three distinct traumas: the rape, the abortion and the loss of her livelihood and social identity.

“My body just stopped working,” she says. “I mean, I could tell myself, ‘Get up.’ I could say, ‘Do this, do that.’ By my body wasn’t doing it.” So she was “separated” from the Navy, and told that she would get better once away from her military surroundings.

But she didn’t get better. Living in San Juan Bautista, she felt adrift. She didn’t do much more than sit on her sofa for days and weeks on end. She tried to cope in ways healthy and otherwise: booze, pharmaceuticals, religious devotion, nutrition, even denial. She just kept drowning.

“There was a lot I didn’t know about PTSD that I know now; that it can really change your perception of reality. You can have flashbacks one moment. You can feel like you’re living in a dream. Or you can just feel very disconnected from everything around you. It’s crazy-making.”

Desperate for something—anything—to help alleviate the punishing frame of mind that had come to dominate her life, Graves began reading about promising therapies involving the powerful psychedelic agent known as ayahuasca. She heard stories about people suffering from PTSD traveling to South America to experience the organic brew that has been used in shamanic practice in the Amazon for centuries. For her purposes, ayahuasca seemed too risky and expensive.

She was eventually led to other research linking drugs such as LSD, psilocybin (found in some mushrooms) and MDMA to breakthroughs in treatment for depression, addiction, alcoholism, and PTSD. And that path finally brought Graves to the Multidisciplinary Association of Psychedelic Studies (MAPS), a Santa Cruz-based nonprofit that is conducting the country’s only clinical trials approved by the Food and Drug Administration (FDA) for otherwise-illegal psychedelic drugs in psychotherapy. MAPS, it seemed to Graves, was offering a road map to escape the shadow.

“As soon as I heard it was being developed, it gave me an anchor in the future,” she says. “I figured, ‘OK, I can hang on until this is available. And if that doesn’t work, then I can commit suicide.”

MEDICINAL REVOLUTION

The transformation of cannabis from illicit street drug to medicinal miracle—and the booming business opportunities that have come with its evolution—have opened up possibilities for eventual legalization of other drugs long relegated to the black market by prohibition. Chief among these prospects are the wide range of chemical substances labeled “psychedelic.”

Still, “psychedelic” is more a cultural term than a scientific one. It has become a catch-all that can be applied to music, art, fashion or cinema as well as drugs. For Brad Burge, director of strategic communications at MAPS, it’s part of the job to grapple with a word that could just as easily apply to either Jimi Hendrix’s version of The Star-Spangled Banner or serious medical interventions for mental illness.

“It’s definitely a challenge,” says Burge, especially since the word “psychedelic” is in the organization’s name. “That’s part of why we exist. We could have been called something else, something that doesn’t bring up a whole host of connotations that we’ve absorbed from media and TV, whether it’s Timothy Leary or fractal patterns on the computer. What we don’t want to do is avoid the term, because then all of that stigma just stays there. Instead, we use it as an education opportunity and try to unpack it.”

It can be a maddeningly imprecise label, because the drugs that are often called “psychedelic” are fundamentally different from each other. “In most cases,” says Burge, “they are just completely different chemicals. One of the reasons we’ve lumped them all together is how they’ve been historically used, as a tool for introspection, consciousness alteration, spiritual work. So, ‘psychedelic’ is more of a term on how they’re used than how they work.”

BLIND TRIAL A re-enactment of what an MDMA therapy session at Santa Cruz’s Multidisciplinary Association of Psychedelic Studies can look like. PHOTO: MAPS
BLIND TRIAL A re-enactment of what an MDMA therapy session at Santa Cruz’s Multidisciplinary Association of Psychedelic Studies can look like. PHOTO: MAPS

Though the organization has worked with other drugs, MAPS has dedicated most of its efforts to MDMA, the psychoactive agent known by the informal names Ecstasy or Molly. Burge says that much of his public relations heavy lifting has been convincing the public that the terms are not interchangeable—that what is sold on the street as Ecstasy or Molly may or may not be MDMA.

MDMA may be the most promising drug in treatment settings because it tends not to bring on visual or auditory hallucinations.

“One of the things that MDMA does,” says Burge, “is that it turns down the activity in the amygdala, the part of the brain that governs the fight-or-flight response. People with PTSD tend to have a hyperactive amygdala. That’s why psychotherapy is so hard for people with PTSD. Anything that remotely reminds them of their trauma is interpreted as happening right now, in the moment. Really, what MDMA seems to be doing is enhancing the effectiveness of psychotherapy.”

MAPS is now entering Phase 3 clinical trials, which will include a larger pool of test subjects. The organization has stated that its goal is to get FDA approval of MDMA as a psychiatric prescription drug by 2021, which may seem quite far in the indefinite future for people who suffer from PTSD like Trish Graves.

RETHINKING THERAPY

After going through the screening process with MAPS, Graves underwent three separate day-long therapy sessions in San Francisco, spaced out over several weeks, which included supervised doses of MDMA.

In her first experience, she came in with expectations, having read accounts of other people in similar therapeutic settings.

“It wasn’t what I expected at all,” Graves says. “The whole time I kept thinking, ‘I must be doing this wrong.’ From what I read, people were supposed to lay down and relax with some music playing, or eye shades or something. But all I wanted to do was talk. I was talking, talking, talking.”

In the second session, the dosage was higher and the experience was even more intense. She felt she was communicating with her long-dead grandfather who was expressing love and support to her, but at the same time was also “cutting me into pieces. But I could see that he needed to do that. I needed to disconnect from who I was, and he was putting me back together again.”

After three sessions, Graves says, she was able to separate from her pain in a way that was impossible before. Each of the experiences was unique, and she is still seeing a therapist to help her “integrate” the experiences. “It all keeps unfolding,” she says. “It’s taught my brain how to think in a new way.”

The experiences with MDMA have provided her with the kind of detachment that people involved in meditation have long talked about. “It was kind of like three long meditations,” she says. “It was able to teach me that kind of detachment, so that I can say, ‘This is happening, and it feels really bad. But it’s not you. It’s just something that washes over you. You can endure it. And you can even be curious about it.’”

Last spring, the psychiatry journal Lancet published the findings of a MAPS Phase 2 trial for MDMA therapy that included military vets, firefighters and police officers. Of those who had suffered chronic PTSD, about two-thirds reported dramatic decreases in symptoms, to the degree that they no longer met clinical criteria for a PTSD diagnosis.

PSYCHEDELIC SCIENCE Once the Phase 3 trials are over, the FDA will look at the results to decide whether MDMA should be a prescription treatment in psychotherapy. PHOTO: MAPS
PSYCHEDELIC SCIENCE Once the Phase 3 trials are over, the FDA will look at the results to decide whether MDMA should be a prescription treatment in psychotherapy. PHOTO: MAPS

Phase 3 trials are currently taking place at 15 sites across North America and in Israel to further investigate MDMA’s effectiveness in treating PTSD. MAPS is also involved in a training program for prospective therapists in the treatment, hosting training events and drafting a code of ethics for therapists who might use MDMA in their practices.

MAPS keeps its administrative headquarters on Mission Street in Santa Cruz, but it has staff and researchers stationed all over the world. “It’s been like a startup,” says Burge. “The last seven years have been an explosion. Our biggest challenge has been the organizational growth.”

If putting the word “psychedelic” in the organization’s title wasn’t enough of a public perception issue for MAPS, what about that Santa Cruz mailing address? In the big world on the other side of Highway 17, Santa Cruz is often stereotyped as a free-range habitat for hippies and acid casualties from the ’60s. A globally minded organization looking to lend scientific credibility to the study of psychoactive drugs might find that an association with Santa Cruz would undermine that credibility. That would be wrong, says Burge.

“Given that our work is being taken a lot more seriously by the mainstream now,” he says, “I wouldn’t say it’s having much of a detrimental effect. In fact, it really legitimizes MAPS in the eyes of the right people. And the people who might judge MAPS (negatively) for being in Santa Cruz don’t seem to care.”

On top of the MDMA trials and programs, MAPS is also continuing to build up its Zendo Project, which trains individuals in “psychedelic harm reduction,” mostly for people using psychedelics recreationally at events and music festivals. The project’s biggest effort remains Burning Man, where they send a couple hundred volunteers to provide 24-hour support, working with on-site law enforcement and medical staff. With Zendo, MAPS is again involved in a rebranding effort, trying to remove the stigma of Woodstock-style “trip tents,” and replacing it with a professionally staffed space for compassion and safety.

“I think psychedelic harm-reduction should be an essential part of first aid and general crisis training,” says Burge. “The principles apply not just for psychedelic states, but for any sort of difficult psychological state.”

Still, if all goes according to plan, the MDMA therapy program is likely to emerge as the organization’s biggest contribution to bringing psychedelics into the light of legal therapy. Once Phase 3 is over, the FDA will assess the data to make a judgment on whether MDMA is useful as a prescription treatment in psychotherapy. If the drug gets FDA approval, it will then be up to the agency to take MDMA off its list of Schedule 1 controlled substances deemed to have a high potential for abuse and no legitimate medical uses.

Even in the best-case scenarios for groups like MAPS, MDMA will not be the kind of drug you’ll be able to pick up at the Costco pharmacy window on your way home from work. Treatment will necessarily be under strict conditions and supervision of trained therapists. Still, the therapy has the potential to change the lives of people like Graves, who now have few options. Reflecting on her own experience, Graves feels the need to evangelize on behalf of MDMA treatment.

“I can’t wait for more people to get the relief I’ve experienced,” she says.

Before 2018, on a rotation of antidepressants, she says she felt, “like I was a robot. I wasn’t alive. And now I feel alive. That’s a big thing for me.”

The improvement in her condition has come at a crucial time for her as a parent. Her daughter is just now reaching the age where she’s discovering the world around her. “I feel such relief that I’m now able to engage with her. Before, I always felt so far away. She would talk to me and I knew I needed to answer her, but I couldn’t even open my mouth,” she says. “Now I’m laughing with her, playing with her.”

Graves is not out of danger yet. Managing PTSD is complicated, and she still has days when she’s not well, she says. “It’s not an overnight thing. But I’ve changed a lot in a very short period,” she says. “It’s really scary to say that I feel like I have a future. I don’t want to get my hopes up. It still all feels really new.”

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