Nina Simon Stepping Down as Director of the MAH

The Nina Simon era at the Museum of Art and History in Santa Cruz is coming to an end.

Simon and the MAH’s board of directors announced this week that she will leave her position as the museum’s executive director in 2019, and the board will begin the search for a replacement in December. Simon will become the director of a new nonprofit, in association with the MAH, to help cultural organizations around the world pursue innovations in developing their communities. She and her family will remain residents of Santa Cruz County.

Simon radically transformed the MAH during her eight-year tenure as its leader. Before she assumed the job in 2011, the MAH was a traditional, if unremarkable, community museum with a twin mission of preserving local history and promoting fine art through periodic exhibitions. Today, it’s the vortex of a wide range of community activities from socio-politically oriented exhibitions to celebratory fire festivals. Simon’s leadership also includes the $5 million Abbott Square project, which transformed the small plaza adjacent to the museum into a bustling urban community space in the spirit of San Pedro Square in San Jose and the Grand Central Market in Los Angeles. Attendance has grown more than eight-fold, from 17,000 in 2010 to 148,000 in 2017, according to the MAH’s statistics.

Once a successor is hired, Simon will spearhead a new organization called OF/BY/FOR ALL, which will seek to take the lessons from the transformation of the MAH and create a framework for other community-focused organizations to emulate—including not only other museums, but parks, libraries and media organizations.

Simon is quick to correct the notion that she’ll take on the role of a consultant. “We’re really seeing this as a movement,” she says. “The MAH is a beautiful place and it is perceived as a leader and an incubator of these kinds of approaches. This is about putting more fuel into sharing that energy and these opportunities globally.”

The new effort has been in the planning stages for about a year, and the specific relationship between the MAH and the new organization has yet to be determined. “The idea,” says Simon, “is to have strong separate entities—the MAH doing great local work, and OF/BY/FOR ALL sharing the secret sauce and the framework [of the MAH] that we see being adaptable in many different contexts.”

The move is a natural extension of Simon’s career as a kind of agent for bold democratization of historically elitist museum culture. She laid the groundwork of her vision in her ongoing blog “Museum 2.0,” which began in 2006, and the publication of her book The Participatory Museum in 2010. Her mission, she says, is to break down the barriers that have prevented full participation of communities in their local institutions, not only as audiences but as creators and decision-makers, an approach reflected in her new organization’s Lincoln-esque use of the prepositions “of,” “by,” and “for.”

Though she’s ready to take the MAH model global, Simon says that leaving her position was “a very hard decision to make.” Of her successor, she says, “I honestly think this is the best executive director job in the world. [Whoever is hired] is going to be one of the luckiest people in the world.”

Sagittarius—A Beam of Directed Light: Risa’s Star’s Nov. 28-Dec. 4

Every month, the light distributed to Earth from each sign (Spiritual Hierarchies) is different, holding different tasks for humanity’s evolution. Each sign also describes the connection between the Soul and personality.

Each year, within each human, the light grows from Aries to Pisces, from a “dim point of light within the circle of life seeking where it can be used for divine expression” (Aries) to a light that “saves the world” (Pisces). In Pisces, the light “reveals the Light of Life itself and ends forever the darkness of matter.”

The light of each sign (Aries to Pisces) describes the Soul in relationship to the personality. Eventually the Soul, which is light itself, completely encompasses the personality, becoming its director, its shield, and its protector. The Soul then “uses” the personality as a vehicle to bring light to matter, which in religious terms means the “redemption” (upliftment into the Light) of matter. From dark to light.

Sagittarius is a beam of directed, focused light, revealing a greater light (the Soul, then Spirit) ahead (toward Capricorn) and illumining the pathway to the Center of the Light. Always, Sag is on a quest following the “beam of light revealing the greater light ahead.” That is why the “archers” are great travelers, wanderers, philosophers, teachers, professors, truth-tellers, publishers—all armed with goals, aims and self-realized inner truths. The wandering and wanderlust of Sagittarius is the outer manifestation of the inner spiritual seeking of ever-pushing Sagittarius, like an arrow, onward and upward. Outer pilgrimages bring into awareness the inner subjective worlds of truth, light, love and the cosmic music of the spheres.

ARIES: Finances and resources, personal and with others, are highlighted. Careful attention is needed, along with concentration, efficiency, economy and strength. Accomplish these each day in a slow, consistent rhythm. You may uncover more resources. So many things are hidden during retrogrades. Remember others who have much less. Tithing creates great abundance.

TAURUS: You want to move consistently into the future with new ideas and plans, but there are so few who understand, few with your illumined vision, and even fewer with your force of will and stamina. Always you strive for poise during transition times while sending prayerful requests for able, intelligent and financial assistance in order to manifest all that is new into form and matter. Your prayers prepare the field. Maintain a winter garden.

GEMINI: Deep feelings emerging from early life at home may be playing out in present relationships. Because of this, be careful with thoughts, actions and communication. Careful that you don’t become part of the difficulty or project onto others your pain. Don’t hide your vulnerability, because everyone else will be vulnerable, too. Showing yours eases barriers, allowing heartfelt communication and contact. You want love. Love comes from intentional contact.

CANCER: You may experience stress and overwork as constant change occurs to everyone everywhere in your life. These daily changes reflect the pulse of humanity playing through your body. You need stabilization, an immediate sense of purpose and remaining within the safety of home. Make changes in small ways. When viewing the big picture stand with compassion and dispassion. Children bring both blessings and hard work.

LEO: It seems you need a retreat to bring forth creative freedom. This week should bring heightened sense of feeling separated from others, which you may enhance should your communication be harsh. You are able to be very intuitive, so observe your thoughts carefully. Is daily life feeling like a transformation is about to occur? Are financial needs being served? A sudden revelation occurs which expands you into other worlds. Take us with you.

VIRGO: Small changes occur in your personal life, which in turn create big changes. Money may feel restricted, communication may be hidden (from whom, why, where?), there’s a desire to run away from home and a need for regeneration. It feels like seeds of the future, life-changing, are breaking through. You’re restless for emotional independence. Moving forward is slow. Allow inner spiritual intentions to hold you. Transformation arrives for a long visit.

LIBRA: You’re called to a past situation and then to a present-future one. The past holds and keeps you for a while in order for it to be liberated. The present-future creates optimism. However, there are two sides working within you. One contains judgment, the other love. Both are risky. One keeps you spiritually lonely. The other shifts you into a loving community. Can you identify the two sides and where you’re positioned? All the past needs to be forgiven. Forgiveness is alchemical.

SCORPIO: For about a year, you will participate in changes behind the scenes, internal changes that create your coming future. Change comes with a revelatory impact. Since you live within this field constantly, be aware of a need to serve others. Be aware of growing compassion and becoming a model for others. As Scorpio is the warrior of the zodiac, you’re prepared for the coming times where the death of the old finally occurs. Strength and courage will be needed.

SAGITTARIUS: You’re restless, yet duty-bound, responsible yet rebellious, seeking security yet craving freedom, pleased yet dissatisfied and stimulated within conflicts. You’re a paradox once again. Allow contradictions to work psychologically within. They create new insight, revelations. Don’t push them aside. They are the Harmony Through Conflict process Sag works through to bring new consciousness forth, a natural trajectory into the future.

CAPRICORN: Do you feel pulled between self needs and responsibility to family, relationship and work? Are you seeking freedom? Are your needs upsetting home, family and relationships? Are you able to communicate clearly what your needs are? Do you need new communication skills for others’ understanding? You are definitely on the “cross” of change. It’s imperative you learn how to communicate to others so they can understand. Study and learn Compassionate Communication techniques (nonviolent communication).

AQUARIUS: Some Aquarians are experiencing great success. Some will be traveling the world soon seeking community. Even more are experiencing love, honor and popularity, expanded social and work reputations, tending to financial responsibilities, developing new business or life plans. They’re climbing the ladder of success as they define it (some don’t), and doing more than they thought capable. Keep going.

PISCES: You need flexibility in great amounts as interruptions and unexpected events occur in all parts of your life, geographically and in terms of your self-identity. You cannot prepare for what will happen. You can only soothe yourself with knowledge that what occurs is redesigning your life in ways you could never have designed yourself. You’re capable, sensitive, sensible and smart. And being looked after in all ways. Something great just occurred.

Preview: Blockhead to Play the Catalyst

Producer Blockhead has never worked with Justin Bieber, but he kind of wants to, despite building his entire career on collaborating with some of the most respected names in underground hip-hop.

“If Justin Bieber wanted to do a beat that I made, as is, then he could have that beat,” says Blockhead aka Tony Simon. “I’d be curious to know what he does with it, to be honest with you.”

For many pop music fans, the name Blockhead doesn’t ring a bell. But for a generation of hardcore hip-hop heads, he’s right up there with RZA, Pharrell and Dr. Dre as one of the greatest producers to ever do it. His brilliance isn’t as overt as some of the household beatmakers. There’s a moody atmospheric quality and subtle complexity to his beats.

As a young artist, he didn’t really know what he wanted to do. In the mid-90s, the young Manhattanite enrolled at Boston University, a stone’s throw from Harvard and MIT. Less than a year later, he dropped out.

His college career was a nonstarter, but one good thing came out of it: he met a fellow New Yorker on campus, a lanky guy named Ian Bavitz with a similar taste in rap. The two got along immediately. The rap world would soon know Bavitz by his stage name: Aesop Rock.

“Back in that era, you knew what kind of music people listened to by how they dressed,” Simon says over the phone. “You just see someone and you’re like, ‘That’s gonna be my friend. I know that person is into what I’m into.’”

Soon after meeting, the two began to collaborate. When Aesop Rock signed to tastemaking label Def Jux (founded by El-P, of Run the Jewels), Simon produced the lion’s share of the album, a production job that drew praise from Pitchfork for his “remarkably lush, cinematic spread of subtly weaving beats.”

“I made my beats on a cassette back then,” Simon remembers. “I’d just play them, and he’d be like, ‘I want that one, I want that one, I want that one.’ Then he’d write, and we’d make the song. It was a very simple time.”

During the Def Jux era, Simon made many of the label’s rappers’ best beats. Since then, he’s worked with a wide array of the underground’s finest: Open Mike Eagle, Murs, Billy Woods, and Cannibal Ox’s Vordul Mega.

By the mid-2000s, Simon had developed a taste for producing his own instrumental hip-hop music—a niche taste for sure, but a place where his subtle beat-making gifts shine. He crafts songs which trace a strange and invisible architecture, curling along the faultlines of their own internal logic.

“I find instrumental music in general to be pretty predictable and boring, so I purposefully make mine not that,” Simon says, describing his Frankensteinian process of beats chopped and sutured.

The process can be particularly complicated, but the results when done right are a disorienting kaleidoscope of sounds.

“I’m taking two or three beats that weren’t originally made together and kind of fusing them,” he says. “That leads to the whole song style that I’ve been doing the last four or five albums, where it starts at point A and ends at part C, instead of just A, B, A, B.”

The seven-minute “Festival Paramedics” from 2017’s Funeral Balloons opens with a piano melody straight out of Halloween, transforms into a pulsing mutant disco, and then settles into an odd lounge/juke hybrid complete with wood flute, soul horns, and an unfurling harp. Elements arise and disappear only to reappear at unexpected times, creating the odd contiguity of a cryptid skeleton. Live, things only get stranger.

“I have all the parts separated, then I sequence and mix and match. It’s like putting all my songs in a blender,” Simon says. “I add on vocals from other things—some of it’s kind of quirky, some of it’s kind of funny. It goes all over the place.”

It’s also a chance to see the producer in his element: sampling; mixing; pulling elements out of the ether and fusing them into alchemical combinations. He may not be working with mainstream pop stars anytime soon, but after 20 years in the game, Blockhead remains one of the strongest, most enduring undercurrents in hip-hop. Bieber take note.

Blockhead performs at 9 p.m. on Tuesday, Dec. 5, at the Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

Mountain Community Theater Presents ‘Miracle on 34th Street’

After a couple of years of playing Kris Kringle, Peter Gelblum has traded in his Santa cap for a director’s hat.

Maybe he’s looking to change things up, or maybe it’s that he hasn’t quite gone gray enough yet. Regardless, his new role suits him, and Mountain Community Theater’s new Santa Claus, Jackson Wolffe, fills Gelbum’s boots ably.

MCT is rounding out their 36th season with Miracle on 34th Street, a tried and true original classic not only as a film, but also for the theater. Now in their 10th installment of the show, Miracle on 34th Street was MCT’s first show ever after opening its doors in 1982.

The founders and original cast members wrote a new version of the play adapted from the 1947 black-and-white film starring Maureen O’Hara and Edmund Gwenn. MCT’s latest production has its own modern twists, of course, including cell phones and online holiday shopping.

No, Miracle on 34th Street never goes out of style. Despite having probably seen the film’s heartwarming ending, the thought of committing Santa Claus to a mental institution is enough to keep children and adults alike on the edge of their seats. Still, Miracle seems particularly important this holiday season. In a year filled with so much sadness and anger, particularly in the aftermath of disasters across California, I had a little extra appreciation for Gelblum and the cast’s determination to bring the holiday spirit to the stage.

In fact, the very existence of MCT’s Miracle is somewhat of a miracle in its own right. After losing the rights to produce and publish the play 10 years ago, Gelblum, also an attorney, sought to regain them from 20th Century Fox. Gelblum’s brother represented Fox, and they were able to make a deal to insure that MCT could continue their Miracle legacy.

This time of year, it’s easy to get caught up in the details, the prices and the planning of the holidays. Some of us are already on the edge of panic over Christmas presents and party planning, and there’s still Thanksgiving turkey in the fridge.

Too many holiday shows leave cast members and audiences alike drowning in red bows and holiday lights, or on the contrary, throw a fat man in a red suit and expect it to just “work.”

It’s no easy feat to put on a successful holiday show, particularly one rooted in so much history and tradition. MCT’s Miracle promised extra laughter and warmth, and delivered both.

This Miracle is a gentle reminder that though the holidays are drawing near, there’s no need to stress, because they are about more than planning and presents. It’s silly and goofy, with a good amount of holiday carolling for a hefty two-and-a-half-hour production (including intermission), and the heart of it all is community.

There’s nothing particularly profound or provocative about Miracle—but then again, there doesn’t need to be. I don’t know if it was the holiday lights, the extra-convincing Santa Claus or the trio of young, somewhat clumsy unionized elves—but I left feeling like there’s enough enchantment to breathe a little magic into the most shriveled holiday hearts. To the Santa Claus naysayers and holiday pessimists: I believe the front seats are reserved for you.

MCT’s ‘Miracle on 34th Street’ runs Friday-Sunday at 2 and 8 p.m. through Sunday, Dec. 9. 9400 Mill St., Ben Lomond. 336-4777. mctshows.org. $10-$20.

Film Review: ‘Boy Erased’

Talk about the politics of fear. What kind of demonic cult would subject its own impressionable children to shame and torment in order to force them into its own rigid code of behavior?

If you’re thinking Jim Jones or Charles Manson, think again. The culprits are a fear-mongering group of Baptist church elders convinced they’re doing the lord’s work in Boy Erased, a harrowing look inside the practice of so-called “gay conversion therapy” in small-town America.

Written and directed by co-star Joel Edgerton (who gives himself one of the juiciest supporting roles), the movie is adapted from the book Boy Erased: A Memoir of Identity, Faith and Family, by Garrard Conley. Disturbing as only a true story can be, it recounts the experiences of a teenaged college freshman still trying to figure out his own identity who’s forced into a draconian program to drive the “sin” out of him. Besides exposing the wrong-headed horrors of the program itself, the story delivers a tutorial for resistance in the way the young protagonist manages to find his own moral compass—at last—and stick to it, in spite of daunting pressure to conform.

    Lucas Hedges stars as Jared, only son of folksy-seeming but strict Baptist pastor Marshall Eamons (Russell Crowe), at a small-town Arkansas church. Jared’s mom Nancy (Nicole Kidman) is the perfectly coiffed and manicured pastor’s wife; she loves her son to pieces, but is in all ways obedient to her husband.

They’re a close, loving family until Jared’s first semester at college, where he has a brutal encounter with an upperclassman. Fleeing for the security of home, he’s shocked to learn his parents have been told he was involved in some sort of scandalous liaison. Seeking advice from the church elders, his father enrolls him in a program called Love In Action. His mom drives him to the center where the program takes place in another town, and rents a hotel room nearby. It’s supposed to last 12 days.

First, they isolate the kids from their families; no phone calls or texts are allowed during the day, and the inmates are forbidden to discuss what goes on in the program with outsiders—especially their parents. Herded around by burly henchmen, the kids are subjected to the psychological abuse of chief interrogator Victor Sykes (Edgerton), a bullying martinet under a facade of reasonableness who insists that homosexuality is a “choice,” forces them to always refer to it as a “sin,” and declares, “God can’t love you the way you are now.”

Budding writer Jared’s notebook is confiscated upon entry, and scrutinized for any dubious content. When it’s returned to him, half of his stories have been ripped out. Yet, when it’s his turn to get up and read the confession everyone in the program is required to write, describing the nature of their sins, Jared’s isn’t salacious enough for Sykes, who keeps probing him for more lurid details.

The irony is that Jared is so inexperienced, he can’t even make up the kind of stuff his interrogators want to hear. The private mantra whispered among the inmates —“Fake it ’til you make it”— takes on a more sinister meaning; not to achieve heterosexuality, but survive the program. (Some don’t, as punishments shift from psychological bullying to the corporeal.) Ever-dutiful Jared tries to ignore the red flags and “get better”—until Sykes starts pressuring him to ditch college and spend a year imprisoned in the program instead.

It’s the insider’s view of this predatory “therapy” that gives the movie its infuriating power. Jared isn’t an envelope-pushing rebel, he’s just trying to be a good kid, at a most vulnerable time in his life when he’s still trying to understand who he is. The zealous way the adults in charge try to to snuff out (or erase) what they fear in him is chilling. His solitary journey to trust his own judgment and determine right from wrong is heroic.

BOY ERASED

*** (out of for)

With Lucas Hedges, Nicole Kidman, Russell Crowe, and Joel Edgerton. Written and directed by Joel Edgerton. From the book by Garrard Conley. A Focus Features release. Rated R. 114 minutes.

2018 Holiday Gift Guide

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I love that when I look over the dozens of local gift ideas featured in this year’s Holiday Gift Guide, I see so many old friends—businesses that have graced these pages for many years.

May there never be a GT Holiday Gift Guide that doesn’t feature something from the Homeless Garden Project, for instance.

But there are so many new and exciting businesses to support in here, too—some of them so unconventional we had to change the format of the magazine just to describe them! A makerspace membership from Idea Fab Labs? A shirt made by youth from Barrios Unidos’ employment program? A gazillion different options for CBD? It’s all here!

And I want to make a pitch, as I always do, for giving the gift of our Santa Cruz Gives program. Go to santacruzgives.com through Dec. 31 to give to one of the many participating local nonprofits doing great things for our community.

STEVE PALOPOLI | EDITOR

Updated: Cummings, Meyers, Glover Elected to Santa Cruz City Council

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Update, Nov. 27, 5:30 p.m. – This story was updated with additional information, including new results, which were posted Tuesday, Nov. 27.

Original story:

With the vast majority of the ballots counted, environmental educator Justin Cummings is the top vote-getter in the Santa Cruz City Council race. Community organizer Drew Glover, who ran on a slate with Cummings, is third in the race for three seats, which would be good enough for a majority for the council’s far-left wing, currently led by councilmembers Chris Krohn and Sandy Brown. Environmental consultant Donna Meyers is in second.

Cummings remembers feeling overwhelmed and “pretty shaken” the day after the election—he was in second place in the early ballot counting, and it was starting to sink in that the hard work on his campaign had truly paid off. The more Cummings had time to recuperate from the campaign trail, the more excited he became. “I’m just trying to figure out how I’m gonna organize my time,” says Cummings, who already works long hours at his day job.

Customarily, the top two vote getters each serve one year as mayor, although the decision is ultimately left up to the council. There are a few thousand provisional ballots left for election workers to research and count, but Meyers is currently 1,300 votes ahead of Glover for second place.

Before deciding how he would approach his year as mayor, Cummings says he wants to get to know city staff, and continue thinking about the issues. If selected to serve a term as mayor, Meyers says she would focus on homelessness issues, climate readiness and housing affordability—especially in light of the affordable housing bond failing to earn a two-thirds majority at the polls.

Glover and Cummings have been steadily rising in the vote count since results first started coming in. And in the tally announced the Tuesday, Nov. 20, Glover finally inched ahead of Larson, who wrote on Facebook shortly after that it looked unlikely that he would surpass Glover.

Although optimistic about the returns, Glover hasn’t announced victory. “I try not to focus on things that are totally out of my control,” he says.

Assuming the results hold, Cummings and Glover will be the first two black men to serve on the Santa Cruz City Council, where they’ll join Vice Mayor Martine Watkins, who became the first African American ever elected to the body two years ago.

Incumbent Councilmember Richelle Noroyan is currently in fifth place, 180 votes behind Larson. Psychotherapist Cynthia Hawthorne is sixth.

Going forward, the arrival of a new majority would call into question several important projects, including the future of a mixed-use parking garage and library, as well as solutions to the housing crisis. (Krohn cast the lone dissenting vote this past summer against a robust housing plan initially kick-started by Councilmember Cynthia Chase’s outreach as mayor.)

There is talk of passing a rent control ordinance, now that the rent control ballot measure, which Cummings and Glover supported, failed at the polls. That initiative, Measure M, earned 40 percent of the vote, according to the most recent tally. “Rent control by ordinance, here we come!” local activist James Weller wrote Tuesday in a Facebook in post, in which he tagged both Cummings and Glover.

Glover says that if the council chooses to pass a rent control ordinance, he believes it would want to tone down some of the more controversial elements of Measure M to address concerns from opponents.

People are sure dissect the election looking for takeaways, and one lesson may be that fundraising isn’t everything. Glover set a surprisingly low fundraising limit for himself of about $10,000. He ended up raising $12,800, as of Oct. 31, according to reporting forms submitted to the city of Santa Cruz.

Glover feels that voter response to his candidacy sends a powerful message. “It’s more in the connections you make in the world than the money you raise in the campaign,” says Glover, who grew up in Santa Cruz.

Glover wouldn’t recommend his strategy to everyone, however. He says that a candidate needs deep roots in the community in order to pull it off.

In Larson’s campaign effort, the city management consultant went in the opposite direction. Larson broke the voluntary campaign spending limit of $39,900, after initially signing on to it when kicking off his campaign. City Council candidates have yet to submit their final round of paperwork, but Larson says he ended up spending more than $50,000.

Larson says he felt he needed to raise lots of money to make up for his late start in the campaign, which he launched in August, shortly before the filing deadline. He believes that if he had launched his campaign earlier, he would have had a different result on election day, but says that he wasn’t able to announce sooner because of business and personal reasons. Although the field looked crowded on paper, Larson felt at the time that there were only a few serious candidates, and he believed that was good enough to provide an opening for him. He says he didn’t expect any other candidates to drop out after he threw his hat in, and that the fact that he got so close has him considering another run  in 2020 or 2022.

Splinter Effect

There may be lessons in the race’s crowded field, too. The election had 10 candidates vying for just three seats. Other than Cummings and Glover, all of the candidates were either relatively moderate or right-leaning.

Supporters of the public safety group Take Back Santa Cruz, which doesn’t make endorsements, had their eyes on four candidates, all of whom were active and popular on the group’s Facebook page: Larson, Noroyan, Ashley Scontriano and Paige Concannon, the race’s only Republican. All of them came up short.

Those four were also the only candidates that the local public safety blog Santa Mierda—which covers crime and complains about progressive politics—wrote about favorably in its election guide.

Even aside from that core group, there was still disagreement and confusion about who the strongest public safety candidates were. Meyers, for example, wasn’t typically lumped into that group, but did earn endorsements from the Police Officers’ Association, the local firefighters’ union and the Police Management Association.

“They splintered each other,” Glover says. “There was infighting going on. There was combativeness that was made public. There were all of these obstacles that they basically put up themselves. The question I would pose to voters is, ‘What kind of leaders are you looking for? Do you want leaders who would lift each other up and work together or rip each other down in a conquest of power?’”

Former Mayor Mike Rotkin endorsed three of race’s centrists: Meyers, Larson and Noroyan. He gives credit to Cummings and Glover for running on a united front.

Rotkin, a Marxist UCSC lecturer, says both Cummings and Glover were popular on campus, and he figured that the two candidates would do well with voters who chose same-day registration at their polling places, he says. In late returns, which included same-day registration ballots, both Cummings and Glover made major gains.

“Those guys were united, they were the only candidates who supported M,” Rotkin says.

Rotkin agrees that Larson, who he called the most qualified candidate in the race, probably should have entered the race earlier. If he had, Rotkin says, Larson’s presence may have dissuaded other candidates from jumping in. In hindsight, Rotkin suggests that instead of declaring late, maybe Larson should have just sat the election out.

“You run seven or eight candidates for three seats,” he says, “you’re gonna get your butt kicked.”

Update 11/26/18: A previous version of this story mis-reported Mike Rotkin’s position at UCSC.

Tass Vineyards Teams Up at Blended Winemaker’s Studio

“You have to try this,” said one of the staffers at Deer Park Wine & Spirits when he saw me scratching around for some interesting wine. “It’s quite new and local.”

He was talking about Tass Vineyards’ red-wine blend of 44 percent Grenache, 33 percent Syrah and 23 percent Mourvedre. Tass is part of a threesome of winemakers that share a space together in Gilroy, so when you head to Tass to try their wines, you’ll also be able to taste from two other wineries—Medeiros Family Wines and La Vie Dansante Wines—in a “rustic but charming tasting room.” The trio calls their partnership Blended—A Winemaker’s Studio.

Winemaker Ron Mosley says “Tass is a name that encompasses my experience over 30 seasons working the vineyard and sharing a part in the mysterious transformation of grapes into wine.” His red blend ($30 in Deer Park Wine & Spirits) is bursting with aromas of dark fruits, earth and spices, rounded out by chewy flavors of pepper, jam and a smidgeon of licorice. Bold and vivacious, it’s a well-made wine that is very quaffable.

Blended–A Winemaker’s Studio is at 3200-A Dryden Ave., Gilroy. 408-852-0779, blendedwinestudio.com.

Vintage Press

My husband and I spent three days in Visalia recently, and headed to the Vintage Press restaurant on a friend’s recommendation.

This memorabilia-filled restaurant has been in the Vartanian family for more than five decades, and it’s well worth a visit. One of the listed wines in the restaurant is Hafner Vineyard Chardonnay—a wine sold mostly to restaurants and “patrons.” Hafner (based in Napa) has no tasting room, but they offer tours and tastings at 2 p.m. on the first and third Friday of each month.

Visit hafnervineyard.com for reservations and more info. Vintage Press 216 N Willis St., Visalia, 559-733-3033. thevintagepress.com.

California Lavash

California Lavash is a fairly new company based in Gilroy. Their lavash flatbreads can be used to make wraps, panini, or just to eat in place of bread. They are vegan, non-GMO, low fat, cholesterol free, low sodium, and there’s no added sugar.

californialavash.com.

Opinion: November 21, 2018

EDITOR’S NOTE

Around here, we argue over who gets to do stories about Tandy Beal.

If you’ve talked to her for even a few minutes—and really, everyone should—you understand why. She has a way of thinking about things that’s not like anyone else; even the sound of her voice, the way she floats words into a room with a whisper-y, musical lilt, is unique. I’ve written in-depth about her a couple of times, and there are things she said to me years ago that I still think about regularly.

But I don’t think any of the pieces we’ve run before are quite like the cover story Christina Waters has written about Beal this week. She’s known her longer than any of us, and it comes across not only in the words themselves, but also between the lines. Even though the story is primarily about Beal’s newest show, I’ve never read anything about her that radiates such familiarity, and provides so much insight into Beal’s old-soul artistic genius.

Just as Beal’s shows should be a part of every Santa Cruz holiday, so should Santa Cruz Gives. Be sure to read our story in the news section this week about Community Foundation Santa Cruz County—their new sponsorship of SCG is only one of the ways they’re expanding their philanthropic universe. And go to santacruzgives.org to give to one (or more!) of the participating local nonprofits. We are off to an incredible start—thanks to your generosity, SCG has already raised $130,000 for these amazing local groups. Keep the giving revolution rolling!

STEVE PALOPOLI | EDITOR-IN-CHIEF


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Read the latest letters to the editor here.

WILL WE MAKE IT?

Will we make it this year? Had a close call last week for fires in our area. With no rain the past months, the whole area is so dry. Good thing we have not had the big dry winds that have hit north and south of us, with thousands of homes lost. Something needs to be done soon and fast in the Santa Cruz area. The CAL Fire Forest Division has got to start doing large fire breaks around the cities of Felton, Bonny Doon, Ben Lomond, Brookdale, Boulder Creek and Scotts Valley now! PG&E sends Davey Tree trucks out everyday and they do the least amount of tree trimming around wires, etc. Time to bring in the bulldozers and clear a safe path and take out dead dry trees that help a fire spread. Don’t let our great Santa Cruz Mountains area go up in smoke because of bad forest management.

Terry Monohan
Felton

Re: Jaron Lanier

I am not addicted to social media, but I feel I must participate in some ways as a person involved in ecommerce. I actually abhor Facebook for the most part, but do like to interact with my high-school friends and family; mostly I have to have a FB account to use Instagram. I’m a photographer and have two Instagram feeds; one to promote an eBook I wrote to publicize Jamaican music (it’s a book for tourists and visitors there) and the other to share about health, cancer and self-realization. I’m working with network marketing, so interacting online we find people that are looking for what we have to offer. For example, I plan to share about nitric oxide and why it’s good to prevent heart attacks.

When I comment on blogs like this or on YouTube, I find lots of people that are supportive and empathetic. I skip over the hater people, they are not usually commenting on the content I appreciate and seek. I have a label of stage four terminal breast cancer, and I have found tons of resources and people on the internet to support my healing, don’t know why Jaron and his wife had difficulty.

I am paying attention to what Lanier says about fake news and bots, because I did not realize the fake people, etc. were so extensive. I’m not a big Twitter person and probably never will be. I do think there is danger of internet police, but how are we to create community if we become isolated again by our physical locations?

As an artist, not so known as Lanier (LOL) I think the internet and social media is one of the greatest ways to get exposure, make new relationships and gain inspiration. I’d like to get paid for my “data,” but how is that going to work?

I think this is much more complex than Lanier makes it out to be; I’d like to hear more solutions such as encrypted browsers or networks, and how we can minimize the spying. I think with his knowledge, perhaps he could share about specific methods to combat the coming challenges to internet “freedom.”

— Dona

Re: Housing Measures

“Measure H is what we all agreed upon,” Singleton says. No, he must be working in an echo chamber. Despite outspending opponents 100 to 1, Measure H lost by well over 10%.

If Singleton had read your story in August, he’d know that proponents got this on the ballot even though two polls showed that it would fail. Our county must pay the cost of hundreds of thousands of dollars for a doomed election. What a hasty waste of public funds by the Board of Supervisors.

The precinct-by-precinct returns show that Measure H got closest to 2/3 in the City of Santa Cruz. Since Pogonip Park is closed as of yesterday, why not put a $140 million affordable housing project at the end of Golf Club Drive? And call it Keeley Lane. It could house the same folks living there already.

— Bruce Holloway


PHOTO CONTEST WINNER

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GOOD IDEA

Allterra Solar is donating solar systems to four local nonprofits for its first-ever Power Positive campaign. The systems each have a $20,000 value and will be 100 percent free to the winners. Allterra hopes to help the organizations cut their electricity costs and carbon footprints. Nominations are open through Dec. 31. “We really want to give back to those who give,” Allterra CEO James Allen said in a promotional video. For more information, visit allterrasolar.com.


GOOD WORK

Students from Gault Elementary School have been making the one-mile trek to Seabright Beach to pull the invasive ice plant and replace it with native alternatives. Once thought to help stabilize cliffs, the ice plant has since been shown to actually increase coastal erosion. The students’ work has been successful enough that threatened animals like the snowy plover and burrowing owl have returned to these dune ecosystems to nest.


QUOTE OF THE WEEK

“Sometimes your joy is the source of your smile, but sometimes your smile can be the source of your joy.”

-Thich Nhat Hanh

Music Picks: Nov. 21-27

Live music highlights for the week of Nov. 21, 2018

WEDNESDAY 11/21

JAM BAND

SHADY GROOVE

As they near the 20-year mark, Shady Groove is a local institution. If you’re a fan, you’ve probably witnessed long stretches of improvisational jams that are once-in-a-lifetime experiences. This is true for the assortment of covers they play, as well as for the originals which pull from rock, jazz, New Orleans, reggae, gospel, R&B and just an overall Haight Street “dance band” vibe. Just don’t lose your shirt as you try to catch the colorful flashing lights with your hands. AARON CARNES

INFO: 9 p.m. Flynn’s Cabaret & Steakhouse, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.

GARAGE ROCK

THE MYSTERY LIGHTS

A modern proto-punk band, the New York-by-way-of-Salinas group the Mystery Lights sound like a lost contemporary of the Sonics or the Seeds, all swagger and wailing treble. Their self-titled debut was released in 2016 by Daptone subsidiary Wick Records, a welcome expansion of Daptone’s all-things-’60s catalog. Live, the Lights have an ability to find the spaces where punk and drone overlap, creating thick waves of psychedelic noise between high energy blasts of a howling thing called rock ’n’ roll. MIKE HUGUENOR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $14/door. 429-4135.

 

FRIDAY 11/23

POST-PUNK

FIRE NUNS

Portland’s Fire Nuns don’t know if they want to be a fuzzed-out garage-rock Burger Records band, or if they’d rather be razor-focused math rock nerds. They somehow manage to encapsulate the wild abandon of garage-rock and the technical prowess of math rock, and meld it together in a way that stays true to the contradictory ethos of both. The band has been releasing a steady stream of albums since 2013; their latest, Band on Holiday, is a messy, straightforward rocker with guts, heart and robotic precision. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

COUNTRY

JESSE DANIEL

Jesse Daniel is a bit of a rockabilly rebel, but his songs are full on honky-tonk revelry. He twangs his pithy, anecdotal stories with all the swagger of a bad guy gone good (but still a little bad, in all the right ways) and turns his troubled backstory into rollicking one-liners which manage to give everyone in the audience a vicarious shit-eating grin. ’Cause we’ve all known trouble of some sort, haven’t we? Daniel makes light of our silly, fragile human egos, but still somehow comes off as a major badass in the end. Swoon. AMY BEE

INFO: 9 p.m., Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854

METAL

BLASPHEMOUS CREATION

Reno’s Blasphemous Creation are celebrating a dozen years of blast beats, thrashing riffs and mayhem. This diabolical power trio is for pure metal lovers only; their tunes harken back to the good-ol-days of Kreator, Morbid Angel and Death. Not only will they share the stage with black metal trio Sledge and Santa Cruz’s own Blood Omen, but Blasphemous Creation will also be releasing their long-awaited fourth album, Forsaken Dynasty. Don’t say you weren’t warned. MAT WEIR

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

 

SATURDAY 11/24

INDIE-FOLK

SMOKESHOW

Some of Smokeshow’s songs sound like acoustic versions of classic rock ballads, like Led Zeppelin if those dudes had sweet, sweet lady harmonies. Other take on a melancholic vaudevillian vibe, with modest mandolin riffs accompanying gritty-sweet vocals lamenting, “Oh fire/Mighty agent of change/ But stick around too long it’ll make you deranged.” Sometimes the indie folk duo will do a sing-out, call-back style with their lyrical stanzas, resulting in a powerful cascade of imagery, like two Robert Plants fighting over the same narrative vocal structure. Which voice will win? Who knows! AB

INFO: 9 p.m., Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

 

SUNDAY, NOV 25

JAM BAND

MOONALICE

With one of the strangest pedigrees in jam music, Moonalice boasts members of Hot Tuna, Jefferson Starship, Phil Lesh and Friends, and … a venture capitalist? In addition to penning “It’s 4:20 Somewhere,” singer Roger McNamee was an early investor in Facebook, worked at T. Rowe Price in the ’90s, and is dead certain that “music and technology have converged.” In the past, Moonalice has included both G.E. Smith and Jack Casady, but when they come to Moe’s Alley they’ll be bringing Grateful Dead alum Big Steve Parish in the role of “road scholar.” MH

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Drive, Santa Cruz. $10/adv, $15/door. 479-1854.

 

MONDAY 11/26

JAZZ

RAY BROWN QUINTET WITH EDDIE MENDENHALL

Longtime Cabrillo College professor Ray Brown returns to Kuumbwa with his new quintet, a stellar band featuring some of the region’s top improvisers. Trading his horn for the vibraphone, Brown gives top billing to Pacific Grove pianist Eddie Mendenhall. His daughter, the Juilliard-trained bassist Kanoa Mendenhall, is home from New York for the holidays long enough to add a vivifying jolt of youth to the ensemble, while the brilliant drummer Alan Hall is worth the price of admission himself. Rounding out the band is Erik Jekabson, an essential creative catalyst on the Bay Area jazz scene. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.50/adv, $31.50/door. 427-2227.

 

TUESDAY 11/27

ROCK

AUGUST SUN

By blending funk, rock, blues, soul and everything between, August Sun creates an original sound that is as full as it is expansive, not to mention kick-ass. This Santa Cruz Mountains-based quintet is the brainchild of fiery singer-songwriter Christian Walsh, perfect for fans of the Grateful Dead, Chris Robinson Brotherhood, Rolling Stones or just good old-fashioned rock ’n’ roll. MW

INFO: 8 p.m. Crow’s Nest, 2218 E Cliff Drive, Santa Cruz. $5. 476-4560.

Nina Simon Stepping Down as Director of the MAH

Nina Simon with book
In leaving the Museum of Art and History, Simon aims to serve as an ambassador to a new movement

Sagittarius—A Beam of Directed Light: Risa’s Star’s Nov. 28-Dec. 4

risa's stars
Esoteric Astrology as news for the week of Nov. 28, 2018

Preview: Blockhead to Play the Catalyst

blockhead
The producer is a hip-hop poet’s best friend—but he saves some of the best beats for himself

Mountain Community Theater Presents ‘Miracle on 34th Street’

mountain theatre
MCT’s 10th ‘Miracle on 34th Street’ puts the holidays in perspective

Film Review: ‘Boy Erased’

Boy Erased
Gay ‘conversion therapy’ outed in harrowing ‘Boy Erased’

2018 Holiday Gift Guide

gift guide 18
The ultimate guide to local holiday shopping

Updated: Cummings, Meyers, Glover Elected to Santa Cruz City Council

Justin Cummings
What a far-left wing majority means for rent control and the city's trajectory

Tass Vineyards Teams Up at Blended Winemaker’s Studio

red wine-1847
A bold and vivacious Red Blend 2015 from Tass

Opinion: November 21, 2018

Plus letters to the editor

Music Picks: Nov. 21-27

Fire Nuns
Live music highlights for the week of Nov. 21, 2018
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