Paychecks Shrinking At 90% of Silicon Valley Jobs, UCSC Finds

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Sometimes one region can have such a big impact on our collective consciousness that its name starts taking on new meanings. Thatโ€™s essentially what happened with Hollywood, which went from being a location in the middle of Los Angeles to a concept that represents movies, fame and fortune.

Something similar is happening around Silicon Valley, an idea quickly becoming synonymous with technological innovation and a strike-it-rich ethos extending well beyond the region itself.

And so with a critical eye toward wealth inequality, UCSCโ€™s Chris Benner set out to study how the idea of Silicon Valley operates within the region of Silicon Valley. Benner, a professor of sociology and environmental studies, found that nine out of 10 jobs in the region pay less in real wages than they did 20 years ago.

More than ever, companies in the booming tech industry maintain low operating costs, Benner says, and that means theyโ€™re able to pull in exorbitant profits that funnel mostly into the checking accounts of CEOs, investors and venture capitalists.

All this tech money distorts the economy in a number of ways, including in the housing market, where the vast majority of workers are finding rent unaffordable.

A new report, co-authored by Benner, makes a few suggestions, including:

  • Ensuring that workers have a voice and the freedom to stand together and negotiate a fair return on their work
  • Setting responsible contracting standards to ensure subcontracted service and supply chain workers in tech are paid livable wages and have critical benefits, like affordable health care and paid leave
  • Working with surrounding communities for companies to address the consequences of growth, especially sky-high housing costs, and pay their fair share to fund essential public services

One idea, Benner says, would be to reintroduce the inheritance tax and use it to fund affordable housing. Another would be property tax reform. We talked to Benner about some of his findings and proposals.

What role do tech companies have in the wages of workers in other sectors over in Santa Clara County?

CHRIS BENNER: There are a number of ways to look at that. One is just recognizing the dominant role of high-tech industries in the overall economic output of Silicon Valley. Itโ€™s about 25 to 30 percent of direct employment and about 40 percent of total output in the valley, so itโ€™s obviously the main economic driver, and that has all types of multiplier effects. For every tech job, thereโ€™s gonna be a certain number of additional retail jobs, restaurant jobs.

They have outsourced work that used to be in the high-tech industry. Janitors, cafeteria workers, landscapers, in the past, were much more frequently direct employees of the firms, and over the last 20 years, thereโ€™s been a process of that being outsourced to building services firms, food service firms, security firms, and we have very clear evidence that those wages are lower.

The high cost of living is linked to both the rapid economic growthโ€”the boom, due to the tech wages being paid. And we just know that housing markets respond much more slowly than labor markets for a variety of different reasons, but essentially itโ€™s easier to hire someone than to build a new housing units.

I imagine tech leaders, government officials and economic experts have all contributed to this problem. What groups or individuals are most responsible for creating that and also for fixing it in the future?

Thereโ€™s a bunch of different actors in how the economy is structured. One thing we found comforting is that we can see the impact of higher minimum-wage policies. Wages at the very lowest level of the labor market did not decline as much as the middle of the labor market. We think thatโ€™s partly due to us having a higher-than-average minimum wage. San Jose has a higher than state-level minimum wage as well, so we can see that in the data.

Thereโ€™s a variety of ways in which investors and owners of companies get rewards and labor doesnโ€™t, or at least the revenue is disconnected from the labor input.

Letโ€™s go really big-picture. President Donald Trump has bragged about stock market gains in recent months, while wages have mostly stagnating. More than ever, many on the left are questioning whether Wall Streetโ€™s a good indicator of a strong economy. But, with all its inequality, is Silicon Valley a strong economy?

Thereโ€™s no question that Silicon Valley is growing, jobs are being created, thereโ€™s wealth being produced. But California and the Bay Area, once you adjust for cost of living, have the highest level of poverty in the country. The levels of homelessness now make it particularly visible. I donโ€™t think we can call that a successful economy, if we think about an economy as the sustenance that provides livelihoods for the vast majority of people in society.

Silicon Valley is a progressive area in a solidly Democratic state. However, many tech leaders lean left and write big checks to their electeds. Even with a new Democrat probably moving in to the Governorโ€™s Mansion in January and big legislative majorities, will liberals have the political will to do much about these wealth gaps?

Thereโ€™s no question that the state and local officials have made important steps in recent years. Higher wages are important. Cap-and-trade revenues being invested in disadvantaged communities is another really important step. There are things we can celebrate. Early childhood education is nearly universal in the state. Weโ€™ve been strong supporters of trying to expand access to health care and insurance. I think thereโ€™s a lot to celebrate.

There are some more fundamental issues that weโ€™ve not been able to address yet. It does come around to this issue of wealth accumulation and how do we address the incredible wealth thatโ€™s being concentrated at the very top half of one percent and extending down to the top 10 percent?

Santa Cruzโ€™s tech scene is growing, if not booming. What can other communities, like Santa Cruz, learn from what happened in Silicon Valley?

Be wary. [Laughs] No, I think itโ€™s great that weโ€™re getting more tech companies in Santa Cruz, but we have to be thinking carefully about how we collaborate and coordinate with cities in the Bay Area and around the Monterey Bay to ensure that Santa Cruz is building its fair share of affordable housing units, that weโ€™re trying to figure out how to preserve the existing housing units that we have.

How do we invest in transportation systems so that people donโ€™t have to spend so much time in their cars? And I donโ€™t want to get into the Measure M debate in this context, but we do need to be thinking about how to protect renters.

Map Shows Creep of Gentrification in Santa Cruz

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A report released last month from the Urban Displacement Project shows a startling trend of low-income families being priced out of entire neighborhoods.

UC Berkeley worked with the California Housing Partnership to create the Urban Displacement Project (UDP) and draft the study, which was released last month. It examines the far reaches of the greater Bay Area, from Watsonville to Sacramento.

With Affordable Housing Week kicking off on Saturday, Oct. 13, a look at a map from the UDP shows sobering levels of displacement across the county.

The map indicates two areas with advanced gentrification locallyโ€”in the lower Westside census tract, stretching from Lighthouse Field to Mission and Swift streets, and in the heart of Live Oak.

Nearly every swath surveyed was either too expensive for low-income families or is at risk of becoming that way.

Areas that were already higher-income to start with are showing especially high rates of displacement and exclusionโ€”particularly in Scotts Valley, Prospect Heights and northern Live Oak.

Managing Editor Leaves the โ€˜Sentinelโ€™

Outgoing Santa Cruz Sentinel Managing Editor Kara Meyberg Guzman penned a heartfelt farewell to the paper on Thursday, Oct. 4, her last day at the 162-year-old daily, which she led for 10 months.

Guzman thanked the paperโ€™s hard-working reporters, photographers and editors in challenging times. โ€œNobody here is complacent,โ€ she said. Guzman also cited differences with management. The Sentinel is part of NorCal Community Media, run by Digital First Media, which is owned by the hedge fund Alden Global Capital.

Last December, Guzman was optimistic when she took over the Sentinel in place of then-Editor Don Miller, who was stepping down. Miller was decidedly less cheery at the time, although he believed in Guzman, who he said would need that positive spirit โ€œto survive the headwinds that are rocking the newspaper industry.โ€

Guzman, who said she would rather not discuss the reasons for her departure, would love to keep doing journalism, but only if it involves staying in Santa Cruz.ย 

5 Things to Do in Santa Cruz Oct. 10-16

A weekly guide to whatโ€™s happening.

Green Fix

โ€˜Evolution of Organicโ€™ Screening

Organic farming and food wasnโ€™t always mainstream. The documentary The Evolution of Organic is a time warp back to the late โ€™60s, when it was an act of rebellion to reject chemical farming and explore organic alternatives. The film tells the story of the earliest Alan Chadwick Garden farmers at UCSC, and their goal of making organic and sustainable agriculture and food accessible to everyone.

INFO: 7-9:30 p.m. Thursday, Oct. 11. Appleton Grill, 410 Rodriguez St., Watsonville. 724-5555. evolutionoforganic.com. Free.

Art Seen

New Music Works 40th Season Opener

Happy 40th birthday to New Music Works! Theyโ€™re kicking off their 40th season with a series of four concerts from October to June. This first show includes Bob Hughes, founder of the Cabrillo Festival of Contemporary Music and former student of Lou Harrison. Make no mistake, this isnโ€™t just any concert. It includes electric guitar interplays, greek tragedy allusions and a world premier of a co-composed woodwind quartet by Hughes and Harrison.

INFO: Saturday, Oct. 13. UCSC Music Recital Hall, 402 McHenry Rd., Santa Cruz. newmusicworks.org. $25/$30 general, $12/$15 student.

Saturday 10/13

Voter Participation Festival

With the midterm elections quickly approaching, now is the time to register to vote and learn more about your local and state candidates. Those who are already registered will be able to verify their registration and polling location. This festival is the first of its kind and features local speakers Daniel Paul Nelson, Sara Nelson and Michael Levy. There will be complementary food and live music.

INFO: Noon-5 pm. Laurel Park, 301 Center St., Santa Cruz. 239-1955. poorpeoplescampaign.org. Free.

Friday 10/12

Seventh Annual Imagine Disability Short Film Festival

Local nonprofit Imagine Supported Living Services hosts their annual Film Festival event to both empower people with disabilities and raise awareness about them in our community. Individuals with disabilities donโ€™t often get the opportunity to share their story through art and are commonly misrepresented in popular media and films. All of the films included feature those with developmental disabilities in some way, whether itโ€™s the actors or directors, and the films will be a mix of documentary and fiction, professional and amateur.

INFO: 5:30-9 p.m. Colligan Theater at the Tannery Arts Center, 1010 River St., Santa Cruz. imaginesls.org/imagine-short-film-festival. 464-8355 ext 212. $20.

Friday 10/12-Saturday 10/13

David Swanson Lectures

Just a month out from Armistice Day on Nov. 11, join the Resource Center for Nonviolence (RCNV) in a two-day event with Peace Activist David Swanson. David Swanson is a journalist and author who frequently speaks about issues of war and nonviolence. He received the 2018 Peace Prize and is a three-time Nobel Peace prize nominee. Friday evening events include music and book signings, and Saturday includes lunch and a workshop. Nov. 11 will be the 100th anniversary of Armistice Day; look out for updates on the RCNV celebration.

INFO: 7-9 p.m. Friday. 10 a.m.-Noon Saturday. Resource Center For Nonviolence, 612 Ocean St., Santa Cruz. 423-1626. rcnv.org. Friday $15 suggested donation, Saturday $25.

Be Our Guest: Alkaline Trio

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Emo-punk was big in the late โ€™90s and early 2000s. Alkaline Trio wasnโ€™t the biggest band to emerge from that era, but theyโ€™ve had much more longevity than some of their peers. The groupโ€™s debut album, Goddamnit, is a classic drunken โ€œbroken heartโ€ punk record, and the band continued to release albums that were both aggressive and emotional. Now itโ€™s 2018, and as so many bands have found, itโ€™s hard to separate the personal and political in the Trump era. On their lastest, Is This Thing Cursed, they sing about depression, the 2016 election and looking forward to the future.

INFO: 8 p.m. Catalyst, Thursday, Oct. 18, Catalyst, 1011 Pacific Ave., Santa Cruz. $28/adv, $32. Information: catalystclub.com.

WANT TO GO?

Go to santacruz.com/giveaways before 11 a.m. on Friday, Oct. 12 to find out how you could win a pair of tickets to the show.

Music Picks: Oct. 10-16

Live music highlights for the week of Oct. 10, 2018.

WEDNESDAY 10/10

ALT-ROCK

MONKS OF DOOM

Monks of Doom, an offshoot of Santa Cruz darlings Camper Van Beethoven, debuted The Brontรซ Pin this year, their first collection of all-new material in 25 years. Most songs are instrumental and improvisational; the heavy bass guitar is reminiscent of โ€™90s rock, artfully keeping things deep and dark, while King Crimson-esque drums flirt with psychedelia and guitars play coy with prog rock. Thereโ€™s enough familiarity to make each jam sound almost like your favorite song from decades past. AMY BEE

INFO: 8:30 p.m., Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $12/adv, $15/door. 479-1854.

THURSDAY 10/11

PSYCHEDELIC

KIKAGAKU MOYO

Kikagaku Moyoโ€™s music pierces illusions, goes straight for your innermost being, and expands it. That psychedelic expansiveness is baked into every moment of the bandโ€™s four albums. Songs morph organically from ethereal sitar ragas to propulsive krautrock to extended tone passages. In an interview with Itโ€™s Psychedelic Baby, drummer Go Kurosawa describes his view of music as separate from art, seeing it as โ€œsomething more primitive and impulsive, something that brings pleasure to the body and soul.โ€ MIKE HUGUENOR

INFO: 8:30 p.m. Flynnโ€™s Cabaret & Steakhouse, 6275 Hwy. 9, Felton. $15/adv, $20/door. 335-2800

THURSDAY 10/11

JAZZ

ETHAN IVERSONโ€”MARK TURNER DUO

Pianist/composer Ethan Iverson continues his post-Bad Plus reinvention with his only California date featuring his duo collaboration with tenor saxophonist Mark Turner. Known for spinning long, captivating lines that dart and twist in unexpected directions, Turner is one of the pervasively influential saxophonists of the past quarter-century, a supremely inventive player who has developed a sound and harmonic vocabulary deeply informed by the tradition but unlike any player before him. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.25/adv, $31.50/door. 427-2227.

FRIDAY 10/12

POP

BASIA

Did you know Polish singer Basia has an impressive three-octave vocal range? Basia who, you say? Oh, you remember that singer. She had a string of easy-listening, Latin-grooving, jazz vocaling, New Age-y pop hits in the late โ€™80s and early โ€™90s (โ€œNew Day For You,โ€ โ€œCruising For Bruising,โ€ โ€œDrunk on Loveโ€). The hits dried up stateside in the mid-โ€™90s, but sheโ€™s continued to chart in Poland, including the 2018 hit โ€œMatteo,โ€ which made it to No. 20. But is she still churning out feel-good, romantic earworms, you ask? You better believe it. AARON CARNES

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $45. 423-8209

SATURDAY 10/13

METAL

TERROR Cร“SMICO

This two-piece melodic doom metal band has been sending listeners into the depths of warped-out audio intensity since 2012. On Oct. 13, long-haired heshers have the special pleasure of not only seeing the duo in a room as intimate as the Blue Lagoon, but Terror Cรณsmico will have some new tunes for hungry ears. Their newest album, III, was recently released in May and contains a myriad of twists and turns to delight any metalhead who enjoys an epic adventure told through heavy riffs and thunderous drums. MAT WEIR

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz, $8/door. 423-7117.

SATURDAY 10/13

POP

ADA VOX

Ada Vox broke into the mainstream when she made it to the Top 10 of American Idol this season. What many donโ€™t know is she originally was featured on season 12, appearing as her born personality Adam Sanders. With fabulous style, bouffant hair and the pipes of an angel, Vox charmed audience and judges alike. She will be performing at Hotel Paradox for the Diversity Centerโ€™s Moulin Rouge-themed 2018 Gala After Party. The Gala is the Diversity Centerโ€™s annual fundraiser for LGBTQ+ programs, and the After Party will also include a drag show, dance floor and performances by Pussycat Doll and Carmit Bachar. MW

INFO: 8:30 p.m. Paradox Hotel, 611 Ocean St., Santa Cruz, $45/adv. 425-7100.

SUNDAY 10/14

FUNK/BIG BAND

ORCHESTRA GOLD

African pop music in the โ€™60s was a revelatory mix of funk, soul, pop, and psychedelia. Modern Bay Area band Orchestra Gold, led by Malian singer Mariam Diakite, aims to keep this tradition alive, bringing the revolutionary sounds of electric Africa to modern audiences. Orchestra Gold revives the big-band movement from Mali, a time when rock instruments mingled with saxophones, wood flutes and shekeres, vocalizing the sound of a recently liberated nation. OG keep the politics of liberation at the heart of its sound, and this debut performance by the groups is sure to be a stunning one. MH

INFO: 8:30 p.m. Moeโ€™s Alley, 1535 Commercial Drive, Santa Cruz. $8/adv, $12/door. 479-1854

MONDAY 10/15

ALT-HIP-HOP

HOBO JOHNSON & THE LOVEMAKERS

โ€œI love the thought of being with you/Or maybe itโ€™s the thought of not being so alone,โ€ screams Frank Lopes (aka Hobo Johnson) with every ounce of his emotions on full display. This line from his now-viral โ€œPeach Sconeโ€ falls somewhere between spoken-word, rap, emo and stumbling folk-punk. Before shooting the video in his friendโ€™s backyard for the NPR Tiny Desk contest this year, maybe a handful of people outside of Sacramento knew who he was. But the success of this one video literally created his career. Now heโ€™s toured the world and sold out everywhere heโ€™s gone. His approach to rap or folk or indie-rock or whatever the hell he does is extremely creative and more emotionally honest than anything else youโ€™re listening to right now. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $22/door. 423-1338

MONDAY 10/15

INDIE ROCK

MADELINE KENNEY

Let go of harsh reality and immerse yourself in Madeline Kenneyโ€™s fuzzy, buzzy, synthy dreamscapes. Her songs are thick with sonic layers building upon themselves in a kind of structured experimentation. Kenneyโ€™s high-pitched, keening vocals cut through the dreamy haze with melodic clear-sightedness, finding secret crevices of wounds and healing them with lyrics imbued with the salve of sweet reflection. Kinney deftly turns the hard, sharp turns of adulthood into the softer beauty of the ethereal. AB

INFO: 9 p.m., Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

Love Your Local Band: Lindsie Feathers

In August, Lindsie Feathers relocated to Santa Cruz from Portland, where she lived for over a decade and played many gigs. She even recorded a self-titled album with her band Neon Renaissance.

She didnโ€™t come here to play music, but a friend who found out that Feathers would be living here invited her to open a show at the Crepe Place. Right around the same time, Feathers met Santa Cruz legend Patti Maxine, and asked if sheโ€™d sit in for this show. Just like that, Feathers was part of the local scene.

โ€œI was like wow, Santa Cruz is really opening their arms to me in this really wonderful way. In a short amount of time, I felt really welcomed here,โ€ Feathers says. โ€œEvery time I say, โ€˜Music, Iโ€™m leaving you,โ€™ itโ€™s like, โ€˜No, youโ€™re not.โ€™ It comes back creeping in. And I welcome it lovingly.โ€

Feathersโ€™ roots go back to Illinois, where she grew up, and Chicago, where she cut her teeth playing live music. Sheโ€™s gone from playing rock โ€™nโ€™ roll to psychedelic to psychedelic-country to roots-Americana-influenced music.

โ€œThe roots and the Americana, the singer-songwriter style, it really resonates with me. My voice is really good in that style,โ€ Feathers says. โ€œIโ€™m going through a personal transformation. My writing is shifting, my performances are different. Thatโ€™s both scary and exciting.โ€

INFO: 9 p.m., Friday, Oct. 12. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

Opinion: October 10, 2018

EDITOR’S NOTE

When we started Santa Cruz Restaurant Week 10 years ago, it was a very different time. The city was right in the thick of the Great Recession, and in some ways SCRW was more of a necessity than a luxury. It gave restaurants a way to bring in locals who were not going out as much, and it gave those same locals an affordable way to get back out to their favorite spots, or discover something new. It felt like different parts of the community helping to pull each other up in a difficult time. And it was a really fun way to do it.

Ten years later, the economic situation has changed, and Santa Cruz Restaurant Week is twice as big as it was back then, but I still love the same things about it. Itโ€™s still a great way for the community to come together, it still guarantees a lot of great meals, and itโ€™s more fun than ever. I love to go out to the restaurants that are part of SCRW and see how busy they are over the next seven days. You can find everything you need to plan your own Restaurant Week adventures in this issue. Thanks to Lily Stoicheff for talking to every chef, restaurant owner and manager who would give her the time of day about their Restaurant Week memories and their menus for this year. Take a look, and then get out and eat! See you there!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Re: โ€œNight and Dayโ€ (GT, 9/26):

Every single day when I leave my home in Watsonville, I see addicts walking the street aimlessly, almost getting mowed down by traffic. On Main Street from Rodriguez Street all the way to the Crossroads Shopping Center, there may be as many as a hundred addicts walking around, emerging from the bushes where they live. I happen to recognize many of these individuals, who also frequent the mental health county clinics and services. And every single day I have the same thought: these people need help. But by looking at the sheer numbers in my daily environment that help just does not seem to be arriving.

I know thereโ€™s an opioid crisis in this country because itโ€™s parading in front of my door. Maybe if youโ€™re not living near the areas where these addicts are living and sleeping, you might conclude we donโ€™t have much of a problem here. But Iโ€™m telling you, we do. What are we doing here in Santa Cruz County to help these people? Have we become so jaded that they are part of the landscape?

More than 115 people in the United States die every day after overdosing on opioids, according to the National Institute on Drug Abuse. The misuse of and addiction to opioids (heroin, prescription painkillers and fentanyl) also costs the country $78.5 billion annually, according to the Centers for Disease Control and Prevention. And 80 percent of people using heroin started their habit by first using prescription opioids, according to the National Institute of Health.

So far in 2018, Santa Cruz County ranks 16th among 58 California counties for its high opioid overdose death rate. High housing costs, homelessness, income disparity and inadequate access to treatment all contribute to this local epidemic.

I talked to several counselors at Se Si Puede who said there are a couple of things the ordinary citizen can do. For starters, we can advocate for affordable housing. Secondly, we can help educate people about the challenges of addiction. Maybe most important is training ourselves not to prejudge addicts and make them feel invisible; they already feel out of place.

Some years back there was an assigned county mobile unit, which would provide basic curbside medical and/or mental health screening, basic hygiene items, and when appropriate, referral services for addicts, homeless, and people with mental health needs. This mobile unit would focus on specific crisis areas of the community in Watsonville. Iโ€™m not sure where the mobile unit has gone, but we need it now more than ever before.

Treatment is one-third the cost of incarceration. More than 90 percent of Santa Cruz County residents who need treatment for substance use disorder do not receive it, according to my friend who works at Janus.

The impacts of this unaddressed epidemic are profound. The local justice system reports that 60 percent of all bookings in 2015 were related to drugs or alcohol. I bet that number is even higher today. It is estimated that substance use disorders and treatment cost Santa Cruz County about $207 million per year. So please, can we all come together to help our neighbors?

Jaime Molina | Watsonville

Re: William McCarthy

We were lucky enough to see Billy play an intimate pop-up gig in a village pub in Yorkshire (U.K.) around two months ago. Having seen him play with Augustines more than a dozen times between 2012 and 2016, it was a night of complete and utter joy to witness him, sitting right in front of just 30 of us, singing his heart out as though performing in front of 3,000. He is, as the band was, the best live act we will ever see, and we cannot wait to see the film.

โ€” Phil Dodsworth


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

Local voters may now cast their ballot in the upcoming Nov. 6 general election at the County Elections Department, located at 701 Ocean St., Room 310 in Santa Cruz, and in the Watsonville City Clerkโ€™s Office, located at 275 Main St. in Watsonville on the fourth floor, Monday through Friday, 8 a.m. to 5 p.m. Voters must complete an application for a ballot, and will receive a vote-by-mail ballot, which they may cast there or take home.


GOOD WORK

Wage growth over the hill has been slow and stagnant, according to a new UCSC report. Nine out of 10 Silicon Valley jobs pay less than they did 20 years ago, as reported by Chris Benner, professor of sociology and environmental studies. Benner found that most of the regionโ€™s workers are scraping by on their salaries, while venture capitalists eat up the gains. The findings implore techies to give the tenets of their new economy another look.


QUOTE OF THE WEEK

โ€œSharp knives, of course are the secret of a successful restaurant.โ€

-George Orwell

Theater Review: โ€˜Redโ€™

Armed with the Tony-award-winning play Red, director Wilma Marcus Chandler has injected her considerable dramatic savvy into an intense theater experience.

An actorโ€™s feast, the two-man exploration of the psychology and genius of painter Mark Rothko gives the audience a crash course in modern art history. Admittedly, viewers with a background in the rich ego-driven debates of Abstract Expressionism will be most captivated. Those for whom the names Jackson Pollock, Willem de Kooning, and Roy Lichtenstein are rather vague might find the name-dropping texture of Red a bit more of an art history lesson than a living drama.

The play by John Logan depends entirely upon the push and pull between visionary, hard-drinking, angst-ridden Rothko (played to the hilt by Martin Sampad Kachuck) and his young, overwhelmed studio assistant Ken (played with earnest fervor by Robert Gerbode). Their dynamic doesnโ€™t merely drive the play, it is the play. And for a brisk hour and a half, the master and assistant represent not only the Dionysian and Apollonian archetypes of chaos and order, but also the Old Guard reluctant to give way to the Next Wave in visual culture. Freud on steroids!

The show belongs to Rothko and from the start, as we first see the painter smoking in his studio, transfixed by his latest work, Kachuck hits the stage running. Energy surges from his body, his face, and his impressive vocal rangeโ€”the actor is one with his character. And one suspects he also believes in the primal vision of Rothko, considered one of the mystic giants of modern art. Defying any genre labelโ€”although Abstract Expressionism eventually stuckโ€”Rothko railed against the cheap popularity of some of his colleagues, and lamented even more the pop art celebrity of Warhol and Rauschenberg pushing his own fame to the sidelines.

During the period covered by Loganโ€™s scriptโ€”the very late โ€™50sโ€”Rothko has become the cranky deity of pure abstraction. Agonizing over the creation of each large canvasโ€”โ€œ10 percent is putting paint on the canvas, the rest is waitingโ€โ€”Rothko begins an intellectual struggle to indoctrinate his new assistant into the inner mysteries of painting. What ensues is a master class in 20th century psychoanalysis, 19th century philosophy, and an often very funny verbal exploration about the nature of paintings. โ€œThey move, they change, they pulseโ€”thereโ€™s tragedy in every brushstroke,โ€ Rothko insists to his perplexed assistant. The playโ€™s juicy love letter to Matisseโ€™s Red Studioย is breathtaking.

The play moves forward in time briskly. Rothko and Ken seem to work smoothly together, yet their back and forth dialectic grows louder, and digs deeper, eventually teasing out a personal tragedy buried in Kenโ€™s unconscious (one of the playwrightโ€™s missteps). Essentially, the play is a one-man drama, with the assistant an externalization of Rothkoโ€™s own pedantic persona, as well as Greek chorus and devilโ€™s advocate. The two final scenes focus on Rothkoโ€™s ambivalence toward an infamous commission he has accepted, to paint a series of murals for the Four Seasons restaurant in New Yorkโ€™s Seagram Building. Rothkoโ€™s love for these paintings, their vulnerability, and his fatherly despair about their well-being, are all revealed in Loganโ€™s poetry. And yet the playwright seems unclear as to where and when the play should end. Opening nightโ€™s final scene felt more like an addendum, rather than the denouement of the emotional arc.

Nonetheless, Redโ€™s writing is so kinetic and rich, so illuminating of the artistic processโ€”certainly Rothkoโ€™sโ€”that we can practically chew on the lines cut, hewn, and shaped by the eminently watchable and listenable Kachuck.

Anyone who paints, or grasps the ambivalence of authentic artistic creation will be enthralled by the scripted pyrotechnics. Kudos to Chandler, who understands how to move her actors around the stage, and through the scriptโ€”and then step back and let them work. And praise for evocative lighting by Carina Swanberg and the spot-on set design by Skip Epperson, who has created a complete studio in which any painter would feel at home.

Red will whet the viewerโ€™s appetite for Rothkoโ€™s work and his eccentric grand vision, all the more compelling in a non-visionary 21st century. Itโ€™s a crisp, challenging bit of theater.

โ€˜Redโ€™ by John Logan, will be presented by Santa Cruz Actorsโ€™ Theatre at the Center Stage Theater, 1001 Center St., Santa Cruz through Oct. 21. sccat.org.

Is This Santa Cruzโ€™s Best-Kept Taco Secret?

Iโ€™ve never felt more conflicted about covering a culinary business in this town than I do about Tacos El Chuy.

After eating dozens of Jesus Falconโ€™s tacos over many months, it still wasnโ€™t an easy decision to write about them. Because, hereโ€™s the thingโ€”Tacos El Chuy are the best. Theyโ€™re so good that I want to keep them all to myself.

Approach his operation at a local brewery, and youโ€™ll be confronted with a white-board menu of half a dozen options for fillings ranging from $2.50 to $3. I always order the al pastor. The marinated pork, topped with a whole pineapple, roasts nearby on a vertical spit, and as Falcon prepares the tacos he slices off bits of the caramelized meat, tosses it on a griddled tortilla and finishes it with a warm, juicy slice of pineapple, finely diced onions, cilantro and grilled onions.

Itโ€™s incredible as is, but if youโ€™re not afraid of a little spice, the flavors are enhanced by the nearby house-made condiments. I add one or two of Falconโ€™s green and red salsas and a generous sprinkling of escabeche, but be carefulโ€”the slivers of orange in the pickled onion mixture are habanero pepper. Too much of a good thing can lead to an eye-watering, mouth-numbing experience.

Falconโ€™s tacos are the kind of good that makes you close your eyes and feel the stress of the day leave your shoulders. I eat them every week instead of going to yoga, and I swear I have reached the same meditative state.

Falcon learned how to make them in his home state of Querรฉtaro, Mexico, where he says โ€œEach and every person has their own recipe and way to make them.โ€

When he arrived in the U.S. two years ago, he tried different recipes and eventually decided to use his own. On their journey, says Falcon, he met two โ€œangels,โ€ Pepe Palacios and Emily Thomas, a brewer and the owner of Santa Cruz Mountain Brewing, which hosts Tacos El Chuy every Tuesday and Saturday night. โ€œThey gave me the opportunity to really bring up my business,โ€ he says.

Falcon will soon be upgrading Tacos El Chuy from a pop-up to a food truck.

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Is This Santa Cruzโ€™s Best-Kept Taco Secret?

Jesus Falcon
First rule of Tacos El Chuy: do not talk about Tacos El Chuy
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