Federal immigration agents arrested 27 people from Santa Clara and San Francisco counties last week as part of a national four-day operation targeting so-called “sanctuary cities,” according to theU.S. Immigration and Customs Enforcement (ICE).
“Operation Safe City,” which wrapped on Wednesday, Sept. 27, focused on cities and regions with policies that prevent local police from being deputized to enforce immigration laws. In Santa Clara County, the Sheriff’s Office refuses to detain inmates for ICE and several cities prohibit their police from coordinating with immigration officials. Meanwhile, a bill that would make California the first “sanctuary state” isa signature away from becoming law.
The heavy-handed enforcement campaign was similar in scope to those in years past, says Northern California ICE spokesman James Schwab, but it was unprecedented in that the agency has never launched operations in response to city and regional policies.
More than a cautionary reminder of the federal government’s enormous resources and hard immigration stance, the operation was a clear shot at communities that don’t fall into line with ICE’s policies or the campaign promises made last year by President Donald Trump.
“Sanctuary jurisdictions that do not honor detainers or allow us access to jails and prisons are shielding criminal aliens from immigration enforcement and creating a magnet for illegal immigration,” acting ICE Director Tom Homan said in a press release, ignoring the fact that courts have repeatedly ruled it unconstitutional for local police to comply with ICE detainer requests without probable cause. “As a result, ICE is forced to dedicate more resources to conduct at-large arrests in these communities.”
Nationwide, the operation swept up 498 people from 42 countries for suspected immigration violations, ICE officials announced. As with past raids, immigration authorities framed the action as an effort to protect the public, saying they zeroed in on immigrants with criminal records. However, many of the detainees’ crimes were nonviolent and a quarter of them were for driving under the influence. About a third of those arrested had no criminal record at all.
None of last week’s raids happened in Santa Cruz County, which was shaken by an ICE operation in February, when local officers, including those from the Santa Cruz Police Department (SCPD), participated in an anti-gang operation that was later revealed to additionally target undocumented immigrants. Then-SCPD Chief Kevin Vogel claimed the department had been blindsided by the revelation. Santa Cruz is also a sanctuary city. Congressmember Jimmy Panetta (D-Carmel Valley) requested a report from ICE director Thomas Homan. Panetta’s press secretary was unable to confirm by deadline if the freshman congressmember has received the report.
Santa Cruz Mayor Cynthia Chase admits that it’s now an open question whether or not declaring sanctuary status makes a community any safer for immigrants, seeing as the feds are willing to go out of their way to target certain areas. “But from a philosophical standpoint, it’s vital that communities like us—and soon to be California—stand up for our values,” she explains. Chase adds that local law enforcement shouldn’t have trusted ICE and cooperated with the agency earlier this year and that SCPD won’t work with agents in the future.
Santa Clara County accounted for 21 of the detainees in last week’s raids, with arrests made in Mountain View, San Jose and Morgan Hill. All but a few had prior criminal convictions and four had been previously deported, Schwab says. The agency declined to identify the Northern California detainees by name.
According to ICE, the agency’s operation relied on help from its National Criminal Analysis and Targeting Center and its Pacific Enforcement Response Center, which was founded in 2015 to find undocumented immigrants who end up in local jails. However, the ICE data centers rely on a fingerprint database that the American Civil Liberties Union calls antiquated and erroneous 30 percent of the time.
Some of the people arrested during the operation will face prosecution in federal court for illegal entry and reentry, according to ICE. Others will be processed administratively for deportation, but will still be held on bail.
No recipients of the Deferred Action for Childhood Arrivals (DACA) program were targeted, Schwab says.
San Jose Mayor Sam Liccardo says he’s “extremely concerned” that ICE cast too wide a net with its arrests. He also assures that San Jose police played no part in the raids.
“This longstanding policy keeps us safer by focusing our limited police resources on preventing and responding to serious crimes, and ensuring that no resident will hesitate from calling 9-1-1 or otherwise assisting the police due to fear of deportation,” he says.
Rosa De Leon, an organizer for the nonprofit Sacred Heart Community Service, says ICE pushes a message about the criminality of immigrants to justify its actions and to sow fear and mistrust in the community.But studies show that immigrants—undocumented or otherwise—are far less likely to commit crimes than native-born citizens, she adds. Studies have also shown that sanctuary jurisdictions tend to be safer and enjoy stronger economies than non-sanctuary counterparts.
“The narrative that ICE has created about immigrants is hurting our community, and they often misrepresent information,” says De Leon, who works with families affected by the crackdown.
She points out that ICE routinely violates people’s constitutional rights, uses deceptive tactics such as posing as local cops, and disseminates propaganda to turn public sentiment against immigrants. She says it’s important to keep in mind that ICE and related enforcement agencies tear families apart, separate parents from children and remove people from their communities.
In light of the recent raids, local activists and immigrant advocates are raising awareness about a hotline for people to report suspected ICE presence.
De Leon says the South Bay hotline was activated nine times this past Sunday through Wednesday. Yazdan Panah, an attorney coordinator for the Northern California Rapid Response Network, says such hotlines could prevent deportations.
“It is critical for community members to report ICE activity as soon as it takes place in order for local networks and attorneys to respond effectively,” Panah says. “Time is of the essence in these cases and early reporting can potentially mean the difference between deportation and due process.”
Autumn (known as “midnight” in esoteric sciences; winter solstice is the “dawn”) is a season of transition, between summer’s golden green and winter’s bare darkness. In trees and shrubs, we see a subtle shift of color, from greens to oranges, reds and browns—the browning of the Earth. This is the very thing that shocked Ceres after her daughter, Persephone, was captured and taken to the underworld. The color, hues, shades and position of the light hints at new seasons unfolding, from autumn’s crispness to winter’s shadows. There is a simultaneous feeling of loss and also of hope. We sense the possibilities of light appearing in the darkness.
During autumn, we seek simplicity and warmth with a hint of the festive. Autumn soon becomes dry, windy, rainy, erratic, subtle, cool and clear. The element air predominates, the subtle prana (breath), the essential life principle. Following Ayurvedic principles, we learn that autumn is a Vata (one of the Doshas—basic energies in nature, of which there are three, Vata, Pitta, Katha).
Vata is air, the etheric subtle unseen. Vata governs movement and communication; it is light, cold, dry, rough, mobile, subtle, and clear. The focus here is the seasons. Within the four seasons there is a rhythm to be followed. When we follow the seasonal rhythms, our body becomes balanced and harmonized, the tasks of Libra.
Libra begins the autumn season each year. Seasonal living, following the circadian rhythms, rhythms of the Sun and Moon, the new and full moons, the light at dawn, noon, dusk and midnight—all of these astrology follows, too. (To be continued next week.)
ARIES: You burn yourself often in the fire of risk taking. Then you feel a drop of rain and the fire is extinguished. You rise up from the flames, creating always a new self within. This is due to Mars, the life-giving energies propelling you in new directions, often unknown. There are snakes like jewels around your neck. They protect you. Think of these as your spiritual talisman and amulets.
TAURUS: Often you battle with the serpent of time. Always having the sense there isn’t enough time. Feeling so often pressured by time, it’s good to have a talk with Saturn, god of time. He enters into our lives when we need to learn patience and right timing. Saturn in Sagittarius takes us on an adventure and journey into Time. Saturn invites you to walk with him. Converse with him on time, in time.
GEMINI: Venus expresses its essence in your life through beauty and harmony. Venus removes hindrances that keep you from knowing the truth. Venus then offers you the understanding concerning all life experiences. The great Vedic seers tell us of vanquishing the dragon of ignorance. We do this by lifting up the lower to the higher, to the realms of Soul light. You then gain the wisdom you seek. Then you help others.
CANCER: It is good to build an enclosure around your garden, construct an indoor altar of stones, icons, water and prayers and construct an outside fire altar. All of these focus the mind and heart. At each new and full moon standing at our altars, reflecting upon the days, weeks and months, we sense the rhythm of essential beingness. Constructing enclosures with altars for ritual creates a new well-lit house to live within.
LEO: It’s important to polish your personality into a gem of light. Then the angularities and irregularities within your personality become a perfect diamond. You are to work on yourself so the Master Builders (Hierarchy) can use you to build the template of Goodness in everyone. When your necessary work has been completed you will be called to the Temple of Beauty and Usefulness.
VIRGO: Consecrate the lands around you to the Angel of Rituals. This is an ancient activity that alchemists performed. They tended and tilled the land with sanctifying mantras: invoking the Angel of the Plough and the Angel of the Earth. Invoking the Sun, moon and stars to fertilize the land with magnetic energies. Allow your place (home) to be attuned and aligned with the Spirit. Then pure Goodness expresses itself through you.
LIBRA: Creation occurs according to Law. Libras know intuitively about the laws of life. Use mantras each day to invoke the Spirit of the Day so that on inner and outer levels you are aided and nourished in all ways. You are to clear the thistles (harshness, unforgiveness, anger, hatred) from your life so that equality, balance and beauty can come forth. Otherwise you will remain in the Kurukshetra (Sanskrit for “great and ancient battle”).
SCORPIO: In Wisdom teachings, “the body (personality) is called the field of cultivation.” It is also seeking “level ground” (the Soul). Link the inner (Soul) and outer (personality) selves so they become one. See yourself as a Great Ritualistic Bird, the Great Eagle. Stand on two triangles, arms outstretched, forming a cross. Then you work with heaven (north) and earth (south), and side to side (east/west). You become centered on the Tree of Life in the world of men (thinking ones).
SAGITTARIUS: In the Masonic Lodges, the Centaur (half animal/half man) represents the dual nature of all of us. Sagittarius is given the gifts of high nobility, generosity and a self-control that leads to freedom. There is often a restlessness with Sag, seeking, at times, high worldly positions. At other times hiding away in the woods as hunter and archer. You fight for the rights of others. Removing the blindfold from Lady Justice.
CAPRICORN: So often you are thoughtful, reserved, serious, prudent and cautious—the born diplomat. You understand authority. You also understand negotiation and peace-keeping. Goodwill propels you to the top of the mountain very quickly. Careful when climbing (and running), with thighs, and later, with knees. After a long arduous climb to the top of the mountain, you become the unicorn. The Light meets you there.
AQUARIUS: You are an interesting character. And with Uranus ruling you, quite a character you are! You are also a humanitarian (a giver) while also needing scientific verification of all things. You are intelligent beyond your years (and beyond most others). You are the “man/woman” of the zodiac. You are the “waters of life” in many cases “for thirsty humanity.” You are the friend to everyone. You are the wavy lines of the Aquarius glyph. The lines of electricity!
PISCES: Greatly influenced by all environments you find yourself in, it’s most important that they be beautiful, harmonious, filled with color, subtle hues and the sound of flowing waters. Deep within your heart longs for peace on earth. Sometimes you’re dreamy and romantic. Mysteries call to you. Sometimes you’re sad, restless and discontented. You are the two fishes united by a silken cord. You want to break that cord at times. And be free. Pray for this.
Free Will astrology for the week of October 4, 2017.
ARIES (March 21-April 19): You wouldn’t expect a five-year-old child to paint a facsimile of Picasso’s Guernica or sing Puccini’s opera, La Boheme. Similarly, you shouldn’t fault your companions and you for not being perfect masters of the art of intimate relationships. In fact, most of us are amateurs. We may have taken countless classes in math, science, literature, and history, but have never had a single lesson from teachers whose area of expertise is the hard work required to create a healthy partnership. I mention this, Aries, because the next seven weeks will be an excellent time for you to remedy this deficiency. Homework assignments: What can you do to build your emotional intelligence? How can you learn more about the art of creating vigorous togetherness?
TAURUS (April 20-May 20): In accordance with the astrological omens, I invite you to slow down and create a wealth of spacious serenity. Use an unhurried, step-by-step approach to soothe yourself. With a glint in your eye and a lilt in your voice, say sweet things to yourself. In a spirit of play and amusement, pet and pamper yourself as you would a beloved animal. Can you handle that much self-love, Taurus? I think you can. It’s high time for you to be a genius of relaxation, attending tenderly to all the little details that make you feel at ease and in love with the world.
GEMINI (May 21-June 20): “If an angel were to tell us something of his philosophies, I do believe some of his propositions would sound like 2 x 2 = 13.” So said the German scientist Georg Christoph Lichtenberg (1742-1799). Now maybe you don’t believe in the existence of angels, and so you imagine his idea doesn’t apply to you. But I’m here to tell you that an influence equivalent to an angel will soon appear in your vicinity. Maybe it’ll be a numinous figure in your dreams, or a charismatic person you admire, or a vivid memory resurrected in an unexpected form, or a bright fantasy springing to life. And that “angel” will present a proposition that sounds like 2 x 2 = 13.
CANCER (June 21-July 22): Unless you have an off-road vehicle, you can’t drive directly from North America to South America. The Pan-American Highway stretches from Prudhoe Bay in northern Alaska to Ushuaia, Argentina—a distance of about 19,000 miles—except for a 100-mile patch of swampy rainforest in Panama. I’d like to call your attention to a comparable break in continuity that affects your own inner terrain, Cancerian—a grey area where two important areas of your life remain unlinked. The coming weeks will be a favorable time to close the gap.
LEO (July 23-Aug. 22): Based in Korea, Samsung is a world leader in selling smartphones and other information technology. But it didn’t start out that way. In its original form, back in 1938, it primarily sold noodles and dried fish. By 1954, it had expanded into wool manufacturing. More than three decades after its launch as a company, it further diversified, adding electronics to its repertoire. According to my reading of the astrological omens, the next ten months should be an excellent time for you to do the equivalent of branching out from noodles and dried fish to electronics. And the coming six weeks will be quite favorable for formulating your plans and planting your seeds.
VIRGO (Aug. 23-Sept. 22): In my opinion, you’re not quite ready to launch full-tilt into the rebuilding phase. You still have a bit more work to do on tearing down the old stuff that’s in the way of where the new stuff will go. So I recommend that you put an “Under Construction” sign outside your door, preferably with flashing yellow lights. This should provide you with protection from those who don’t understand the complexity of the process you’re engaged in.
LIBRA (Sept. 23-Oct. 22): You’re a good candidate for the following roles: 1. a skeptical optimist who is both discerning and open-minded; 2. a robust truth-teller who specializes in interesting truths; 3. a charming extremist who’s capable of solving stubborn riddles; 4. a smooth operator who keeps everyone calm even as you initiate big changes; 5. an enlightened game-player who reforms or avoids games that abuse beauty’s power.
SCORPIO (Oct. 23-Nov. 21): Actress and author Carrie Fisher wrote three autobiographies. Speed skating Olympics star Apolo Anton Ohno published his autobiography at age 20. The rascal occultist Aleister Crowley produced an “autohagiography.” To understand that odd term, keep in mind that “hagiography” is an account of the life of a saint, so adding “auto” means it’s the biography of a saint penned by the saint himself. I’m bringing up these fun facts in hope of encouraging you to ruminate at length on your life story. If you don’t have time to write a whole book, please take a few hours to remember in detail the gloriously twisty path you have trod from birth until now. According to my reading of the astrological omens, the best way to heal what needs to be healed is to steep yourself in a detailed meditation on the history of your mysterious destiny.
SAGITTARIUS (Nov. 22-Dec. 21): If you go to the Historical Museum of the Palatinate in Germany, you will see a jug of wine that was bottled in 1687. In accordance with astrological omens, Sagittarius, I suggest that you find a metaphorical version of this vintage beverage—and then metaphorically drink it! In my opinion, it’s time for you to partake of a pleasure that has been patiently waiting for you to enjoy it. The moment is ripe for you to try an experience you’ve postponed, to call in favors that have been owed to you, to finally do fun things you’ve been saving for the right occasion.
CAPRICORN (Dec. 22-Jan. 19): If a late-night TV talk show called and asked me to be a guest, I’d say no. If People magazine wanted to do a story on me, I’d decline. What good is fame like that? It might briefly puff up my ego, but it wouldn’t enhance my ability to create useful oracles for you. The notoriety that would come my way might even distract me from doing what I love to do. So I prefer to remain an anonymous celebrity, as I am now, addressing your deep self with my deep self. My messages are more valuable to you if I remain an enigmatic ally instead of just another cartoony media personality. By the way, I suspect you’ll soon face a comparable question. Your choice will be between what’s flashy and what’s authentic; between feeding your ego and feeding your soul.
AQUARIUS (Jan. 20-Feb. 18): A Canadian guy named Harold Hackett likes to put messages in bottles that he throws out into the Atlantic Ocean from his home on Prince Edward island. Since he started in 1996, he has dispatched over 5,000 missives into the unknown, asking the strangers who might find them to write back to him. To his delight, he has received more than 3,000 responses from as far away as Russia, Scotland, and West Africa. I suspect that if you launch a comparable mission sometime soon, Aquarius, your success rate wouldn’t be quite that high, but still good. What long-range inquiries or invitations might you send out in the direction of the frontier?
PISCES (Feb. 19-March 20): “Intensify” is one of your words of power these days. So are “fortify,” “reinforce,” and “buttress.” Anything you do to intensify your devotion and focus will be rewarded by an intensification of life’s gifts to you. As you take steps to fortify your sense of security and stability, you will activate dormant reserves of resilience. If you reinforce your connections with reliable allies, you will set in motion forces that will ultimately bring you help you didn’t even know you needed. If you buttress the bridge that links your past and future, you will ensure that your old way of making magic will energize your new way.
Francis Ford Coppola’s Apocalypse Now is widely considered to be one of the best films of all time. An epic adaptation of Joseph Conrad’s Heart of Darkness disguised as a sprawling, surreal Vietnam War movie, its filming went millions of dollars over budget and six weeks behind schedule—driving its director to the brink of bankruptcy and landing its star Martin Sheen in the hospital after a heart attack—before it came out in 1979.
Subsequently, the director’s wife, Eleanor Coppola, released the behind-the-scenes documentary Hearts of Darkness: A Filmmaker’s Apocalypse. Produced at a microscopic fraction of Apocalypse Now’s budget, it came about simply because she realized she ought to pick up a camera and capture what turned out to be one of the most insane shoots in movie history.
Today, there are people who consider Hearts of Darkness to be a more compelling film than Apocalypse Now. Both made it into Steven Schneider’s film-canon bible, 1001 Movies You Must See Before You Die.
“It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror … Horror has a face … and you must make a friend of horror.”
— Marlon Brando, ‘Apocalypse Now’
“I swallowed a bug.”
– Marlon Brando, ‘Hearts of Darkness’
That a guerilla-style, behind-the-scenes documentary could equal and even eclipse the blockbuster film it set out to document shows the potential power of making films about films. There are dozens of other outstanding examples, both documentary and narrative: 1994’s Ed Wood and 2013’s Saving Mr. Banks fictionalized the quirky stories of filmmakers beating the odds; the rescued histories of 2002’s Lost in La Mancha and 2013’s Jodorowsky’s Dune showed what happens when filmmakers can’t beat the odds; 2009’s Best Worst Movie revealed how Troll 2 developed a passionate cult following despite being terrible in every way; 2002’s Adaptation was both the film version of a book and a brilliant study of just how hard it is to create a film version of a book; and 1982’s Burden of Dreams told the story of how Werner Herzog’s Fitzcarraldo got made, with the end result managing—like Hearts of Darkness—to be arguably as fascinating and original as the movie it celebrates.
What all of these very different films have in common is that, when broken down to their most elemental level, they’re all asking the same question: why are films worth making?
This year’s Santa Cruz Film Festival, which returns to the Tannery Arts Center for a second year Oct. 11-15, is spotlighting two movies that go about answering that question in very different ways. One is the opening night film on Wednesday, Oct. 11, the Cannes-award-winning documentary from India The Cinema Travellers, about the world’s last traveling movie shows that bring cinema to remote villages.
The other is a film that flips the approach of in-the-moment making-of movies like Hearts of Darkness and Burden of Dreams, and chases the legacy of a culture-shifting blockbuster 25 years after its release.
“I don’t remember ever feeling this awake.”
– Susan Sarandon, ‘Thelma and Louise’
[dropcap]T[/dropcap]he documentary Catching Sight of Thelma and Louise had its origins back in 1991, when director Jennifer Townsend saw the then-newly-released Thelma and Louise, directed by Ridley Scott and written by Callie Khouri, a complete badass who wrote the script in longhand while working a production assistant job, won an Oscar for it, and reportedly responded to critics of the film’s feminist messages by telling them to “kiss my ass.”
Townsend was deeply affected by the film. “It blew me away,” she told me in a phone interview last week. “The very next morning after I saw Thelma and Louise, I woke up and decided to change my name.”
‘Legacy: Tom Scribner and the Santa Cruz Saw Festival’ is a new documentary short about the legendary Santa Cruz musician and activist.
Up until then, Townsend had been holding on to her married name, Pierce, despite the fact that she had been divorced for many years. Inspired by the film, “I just picked a name out of the air,” she says.
She also started to wonder if other people were being inspired by Thelma and Louise in such a profound way. So she planned a research project, though she had absolutely no background in doing so.
“I wanted to find out ‘Are other people having this kind of reaction?’” remembers Townsend. “So I made up the name of a company and I put out a press release.”
She sent the release to a number of newspapers and film-themed magazines. It explained that she was seeking respondents for a research project about Thelma and Louise, and that interested readers could write her to receive a questionnaire, which contained five simple questions about their reactions to it, like “Who did you identify with in the film?” Some of the publications she sent the press release to did run something about her project, and printed her address.
“I got all these postcards saying, ‘Please send me a questionnaire,’” she says. “Some people just answered the questions, but some people sent me two, three, five page letters.’”
All of this took a while, however, in the pre-internet era, and by the time she had received all of these submissions, Thelma and Louise’s moment in the spotlight had come and gone. She boxed up the responses, with the intent of writing an article about the whole thing one day.
But years later, when she finally took the submissions out of their boxes, she felt like only a film could really convey the feelings so many had expressed.
“I realized, ‘I have to find these people,’” she says. Of course, that was easier said than done, but when she tracked down 20 of the people who had responded back then, and had interesting reflections on how the movie had affected them, she knew she had enough material to make a film that could coincide with Thelma and Louise’s 25th anniversary in 2016. She didn’t realize that she would end up being a central voice in her own movie, as well.
‘Song of Granite’ find an innovative way to tell the story of Irish folk singer Joe Heane.
“I had no intention of being in the movie,” she says. “But then I realized it’s my story, it grew out of something I did, I would have to explain where the original letters had come from.”
Catching Sight of Thelma and Louise takes a unique approach to filmmaking about filmmaking, with the subjects in the film reflecting 25 years later on their reactions to the film when it came out. It also features a couple of the male actors from the film talking about the misguided masculinity of the roles they played. Townsend, who will be at the festival screening to talk about her documentary, hopes it answers that question of “why are films worth making?” in a way that captures a cultural moment.
“I think [the audience] will discover why there was such a phenomenal reaction to Thelma and Louise when it came out,” she says. “Why it created such a stir.”
One of the purposes of film festivals in general and the SCFF in particular is to take a closer look at our love of cinema in this way, says the festival’s director Catherine Segurson. These questions about the nature of movies and why we watch them are questions she is always asking herself when she’s considering films for the festival.
“So maybe I’m a little more biased toward those types of films that are exploring that,” she admits. “But I think other people will find it fascinating also, because sometimes we don’t even realize why we’re watching movies or attracted to watching movies. I like the films that are kind of meta in a way, exploring the whole purpose behind creating films—it’s the art, but it’s also what it does to the people watching films. That’s what the Catching Sight film explores, and that’s what Cinema Travellers explores.”
“The realization that we are all related is truly profound,”
— Frans Lanting, ‘Frans Lanting: The Evolution of Life’
[dropcap]W[/dropcap]hat’s interesting, says festival programmer Logan Walker, is that the SCFF does an open call for films, but themes invariably do pop up.
“We did notice that we were seeing some really great films that were self-reflective, that were about filmmaking, and I think more broadly were about the arts,” says Walker. “On Thursday especially, we have a lot of those films lined up that are about artists, their struggles and their vulnerabilities, and the creation of works.”
A lecturer in San Jose State University’s Film and Theatre Department, Walker says these themes are of special interest to him, too.
“If nothing else, I’m a film lover, and then the next stage is kind of reflecting on that. Once you see the story, you want to know what and who is behind that story,” he says. “And being at the Tannery, we’re surrounded by art studios and artists. So it kind of feels natural to have films that are about the creation of art.”
Also among those films this year are:
Between Worlds, a documentary about the collaboration between a beach artist who prides himself on the fleeting nature of his work with sand, and a photographer who attempts to give it permanency;
Frans Lanting: The Evolution of Life, a documentary short showing with Between Worlds that captured acclaimed Santa Cruz nature photographer Frans Lanting’s ambitious ‘Life’ exhibit—Lanting, his wife and professional partner Christine Eckstrom and the film’s director Steven Kochones will all be in attendance;
Bigly Yellow, which follows the ups and downs in the life of Australian jazz musician Simon Kent over 15 years, and is one of Walker’s favorites this year—“the entire film has this sort of abstract quality where you feel like you’re in the music and you’re in his head. It’s absolutely beautiful and has this amazing jazz music. It made me love jazz anew,” he says;
Legacy: Tom Scribner and the Santa Cruz Saw Festival, a documentary short about the legendary saw player immortalized in bronze on Pacific Avenue, narrated by Bruce Bratton;
Rain the Color Blue With a Little Red in It, a Nigerian remake of Purple Rain featuring Mdou Moctar in the role originated by Prince. It is the first feature film shot entirely in the Tuareg language, and as the translation of the title makes clear, they don’t have a word for purple;
Song of Granite, an unusual biopic about Irish folk singer Joe Heaney that mixes documentary footage with a dramatized recreation of his life’s path, to poetic effect;
Bobbi Jean, a documentary about an American dancer who gives up a successful career in Israel to return to the U.S. and pursue her dream of creating truly experimental dance;
Behind the Curtain: Todrick Hall, a portrait of the eponymous artist, who turns his life story of growing up black and gay in a small Texas town into the big-time musical Straight Outta Oz.
This month also brings the Watsonville Film Festival, which is Oct. 5-8 at the Mello Center and other Watsonville locations. Interestingly enough, the WFF is also featuring some films about the arts. One with particular local interest is War of the Limelight, produced by young people in Monterey County’s after-school film program. The film follows high schools comprised of Latino students and white students as they compete in a filmmaking competition—bringing questions around race and power into the discussion of why and how films get made.
“It talks about issues that are very relevant right now,” says Consuelo Alba, the festival’s director and cofounder.
Another film in the WFF that examines the nature of art is Mele Murals, about the power of modern graffiti art. And Chavela examines the life of the mysterious and sometime controversial Mexican singer Chavela Vargas.
“A lot of people might not know her, but she’s an iconic Mexican singer,” says Alba. “She broke all the rules and was a true artist in the deepest sense of the word. She was as incredibly gifted as Billie Holiday, and her story is incredible.
“Can we talk about something other than Hollywood for a change? We’re educated people.”
— Tim Robbins, ‘The Player’
[dropcap]I[/dropcap]n the context of the two film festivals coming up this month, the question of why we make films invites yet another layer of examination: why do we make film festivals?
Since taking over SCFF last year, Segurson, who also edits the literary journal Catamaran, has learned a lot about the answer to that question.
“It really opened my eyes doing the Q&As with directors at the films,” she says. “I started to learn how hard they work, and how difficult it is to get discovered. Because you watch this beautiful movie and they get up and say ‘yeah, we’ve been working on this 10 years.’ And it’s these film festivals that are on the front line—just like the literary magazines, where that’s the first channel they ever get to show their work to the public. It’s a validation of their work, and it brings attention to their work, and it’s really important.”
For Alba, it is also about the festival’s role in the community. “It’s about creating that space where people can see themselves reflected in the stories they’re seeing on the big screen,” she says. “That creates an energy that is very hard to describe.”
And who knows, one of these movies at the SCFF or WFF could have a movie made about it someday.
“There are many stories of films being discovered in these independent film festivals. Moonlight won Best Picture, and it was an independent film screening at film festivals,” says Segurson. “You never know what you’re going to discover. So it’s important for these festivals to exist and keep going and be providing this.”
Let the games begin! Artists must gather and photograph examples of their work. They must apply, pay an entry fee, and if accepted, pay an even larger fee to participate. Yet everybody agrees that being part of the Open Studios Art Tour is an exciting, oft stressful, enjoyable, and invariably monetizing experience. As one of the many thousands who enjoy this annual pilgrimage to the very heart of art and craft-making in Santa Cruz County, I admit that the chance to step inside the studios and workshops of the many talented participants is at least half the charm.
When Open Studios began three decades ago, it was such a fresh kick to peek inside an artist’s workspace. We got to watch potters at their wheels and jewelry-makers linking together silver and gold pieces. There was the renowned Kitty Wallis sitting at an enormous easel drawing her oversized, brilliantly-hued floral pieces. Watching the hands of a watercolorist like Marie Gabrielle is as mesmerizing as a shamanic ritual. From nothing, suddenly something beautiful appears.
And that has been the point of artmaking since the mythic cave folk drew ochre and charcoal bison. But in those early Open Studio years, those of us curious about the artistic process had to pay to play. Access to those artists and the locations of their studios required a purchased guidebook. But no more. Now we can all go visit—take the tour of studios—simply by getting off our couches and hitting the Open Studios trail.
Here’s how it works: Pick up the Open Studios Art Tour 2017 guide or get the 2017 Open Studios App, free on iTunes, and scope out the participating artists. For three weekends in October, studios will be open to the public from 11 a.m. until 5 p.m.: Oct 7-8 North County; Oct 12-15 South County; and Oct 21-22 countywide.
Not much is as inspiring as seeing an artist’s studio, asking them about their process (artists love to talk about their work), seeing how they do what they do, and yes, having a chance to purchase something you like. It’s always tempting to visit the studios of people you know, who make work you already admire. Do it!
But Open Studios is also an invitation to check out the work of someone you don’t know, and to expand your own understanding of a new craft. Open Studios features the work of newcomers and of veteran exhibitors alike. Expect hands-on excitement from Peter Vizzusi, a perennial Open Studios favorite, as he demonstrates classic glass-blowing techniques in his labyrinthine studio. Painter/conceptual artist Hildy Bernstein has been on the circuit for at least 15 years, and admits that each tour motivates her to get new work ready for exhibit (expect some wild surprises from her this season!). Many veterans of the annual event, like printmaker Bridget Henry, painter James Aschbacher, and jewelry maker Ann Wasserman, say they find that the tour can yield robust sales as well as vibrant social interaction. And if you do it right, you can roam the entire length of the county collecting perfect bits of one-of-a-kind eye candy. Printmaker Kit Eastman’s studio in Watsonville can lead you to the La Selva Beach painting shops of Charles Prentiss and Marie Massey. A two-for-one experience awaits at the huge Soquel studio of glass artist Heather Matthews and her photographer husband Tim Matthews. The handmade tiles of Steve Baranowski and ceramic fancies of Beth Sherman reward tour visitors to Davenport. The photography by local legend r.r. jones, one-of-a-kind wearable fiber creations of Mary Hammond, and haunting wildlife etchings by Stephanie Martin can be seen in the heart of Santa Cruz. But you’ll find your favorites among the 302 artists showing their work. Open Studios is an interactive party involving you, the artists, and their work. Literally, something for everyone.
In the film Back to the Future, Marty McFly picks up an electric guitar at the school dance and blows the minds of the teenagers who haven’t yet heard rock ’n’ roll. After a blistering version of Chuck Berry’s “Johnny B. Goode,” McFly looks up to find the audience just staring at him. “I guess you guys aren’t ready for that yet,” he tells them. “But your kids are gonna love it.”
Leaving the audience behind is not the best approach to making music, but flatpick guitarist Jon Stickley and his band have to make a conscious effort not to do it. Defying easy categorization, the Jon Stickley Trio is at once a progressive bluegrass outfit, an improv-loving jam band, an acoustic jazz group, an avant-garde band and a rootsy Americana trio.
Comprised of Stickley, Lyndsay Pruett on violin and Patrick Armitage on drums, the band takes an experimental approach to originals and covers, stretching out in songs to discover hidden pockets of musical potential.
“We like to do off-rhythm and weird time signatures and things like that, but we always try to keep the music as accessible as possible,” says Stickley. “We don’t want it to go totally out there. We want it to be something you can move to and connect with. It’s easy to see when the crowd gets lost,” he adds with a laugh. “‘Yep, we lost ‘em.’”
Despite playing fast and loose with genres, the trio has what the New York Times described as a “hardy cohesion among the players.” In today’s streaming-heavy music industry, bands are forced to decide whether they’re bluegrass, country, jazz, rock or blues. This can be disconcerting to a band that’s all of the above and none of the above.
In the early years, the trio members felt pressure to define their sound for easy categorization—“progressive bluegrass” was a common descriptor—but now they have enough traction and experience to let their sound and fanbase speak for themselves.
“We feel like we could fit in anywhere, and we want to play for different crowds,” says Stickley. “We can be the one slightly more bluegrass band at an avant-garde music festival, or we can be the weird band at a traditional bluegrass festival. We’re so weird and unique that you can’t really compare the band to that many other things.”
Stickley describes the project as a “bit of a rebellion from the acoustic Americana world,” with its “blanket sound you hear with almost every band.”
“I’m not trying to hate,” he says, “but we all have a bit of a punk ethos when it comes to not wanting to be mainstream or like everything else.”
Stickley’s musical background stretches back to childhood bands with his neighborhood friends. When he was introduced to bluegrass in high school, it changed his life, he explains. After attending his first bluegrass jam, he knew he wanted to dive in.
“It was so inclusive and encouraging,” he says. “In the indie rock scene, you didn’t get together and play with other bands. But in this world, these people don’t even know each other and they’re getting together and playing.”
The Jon Stickley Trio emerged organically out of the rich Asheville, North Carolina music scene. Stickley was playing upright bass in a bluegrass band, but after two years of that, the guitarist kicked him out, telling him, “There’s a million bass players out there. No one plays guitar like you. You’ve got to go do it.”
The trio is known for respectfully deconstructing and reconstructing traditional bluegrass and fiddle tunes. The goal is to rework songs in a way that honors the original and stays true to the musical foundation, but pushes the melody, rhythm and instrumentation into new territory. The band pushes against the strict parameters of bluegrass, while also honoring what makes those songs great.
“If you’re going to mess around with a bluegrass song, you’d better be doing it right,” Stickley says. “You need to be able to do the traditional version really well before you mess with it. We make sure we’ve mastered the original. Then we take it to a new level with a new idea, while still really holding that piece in a highly-respected manner.”
Jon Stickley will perform at 7:30 p.m. on Tuesday, Oct. 10. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.
The heat wave a few months ago left all of us moaning for air conditioning. It also left Santa Cruz Mountain winegrowers from Woodside to Watsonville faced with a crazy, uneven vintage—some grapes purring along nicely, others fried into too-early maturity and burned skins. I checked in with some of our brave viticulturists to find out what was cooking (sorry). Richard Alfaro, whose Corralitos vines lie directly in the heat belt, admitted that while there was “lots of excellent fruit,” he did lose much “to sunburn, mostly in the vineyards that get lots of sun on warm-weather grapes. We like to expose these grapes so they ripen well,” Alfaro says. “Unfortunately, this year they turned to raisins.” But there was some good news, too: “We did have a huge crop of Syrah,” says Alfaro, “so even losing 40 to 50 percent of it, we will still have some.”
On the other hand, Alfaro’s Albariño was “a total loss” this year. As was 40 percent of his beloved Lindsay Paige Pinot Noir.
Up in Bonny Doon, Ryan Beauregard didn’t mince words. “If harvest was like this every year, I would not have anything remotely to do with this job. The heat wave was miserable,” he says. Beauregard’s Coast Grade Pinot Noir was ripening right on target. “When the heat wave hit, I knew we needed to act fast,” he says. Thanks to his longtime contacts, Beauregard had a picking crew lined up quickly. “We went for it under that damned sun,” he says. The picked fruit was so hot the winemaker had to spend “a few thousand dollars on dry ice, which we pumped over in the fermenters to get it to 55 degrees Fahrenheit before we moved it into the cellar,” he says.
Beauregard and his entire team worked 14-hour days in 110-degree sun. “My staff did not balk—we had to do what we had to do,” he says. “We all kept running the hose over our heads and worked with wet clothing all day for four days. The heat was bad, but I was mainly concerned about the Pinot Noir. The Chardonnay is tougher when it comes to weather.”
Mary Lindsay of Muns Vineyard near the summit of Loma Prieta told us that “crop loads this year were very good, I think for pretty much everyone. 2015 and 2016 were very low yield. This year was shaping up to be another really good year in terms of yield, but ultimately it depends on how the individual vineyards fared getting through that heat wave. It especially impacted the early ripening fruit like Pinot Noir and Chardonnay,” she says.
Lindsay admitted to being alarmed when the heat began. “On September first, we picked in 100-degree temperatures. It was closing in on 90 degrees when we started at 4 a.m.” With plenty of cold water for the picking crew, and a wet shirt over her head, Lindsay recalls, “We brought in almost seven tons. I’m glad we picked that day, because it was even hotter the next day!”
Muns Vineyard came through that heat wave “just fine,” says Lindsay. “We had been irrigating, even with all the 80 inches of rain we got last winter, because we had a lot of new vines. Then, when we knew temps were going to heat up, we irrigated as much as we could. The irrigation helps the vines and the fruit ride through the heat.”
With the recent heat came special concern for Pinot Noir grapes—perhaps the specialty of our winegrowing region. You can get an in-depth understanding of this complex Burgundian grape at the upcoming SCMWA Pinot Noir Technical Session, 9 a.m.-noon on Saturday, Oct. 14, at the Scotts Valley Hilton. Geologists, historians, and winemakers plus leading viticulturist Prudy Foxx’s expert review of the climate’s impact on our vineyards. $45. scmwa.com.
If you’re a new student arriving at UCSC this week, first of all, welcome! A glance at our cover this week may inspire a lot of questions, like “Oh no, I just got here, why does everyone in Santa Cruz hate me?” and “How did things get so bad between the city and the university?”
On the first one, don’t worry. Nobody here hates you personally, and chances are, like thousands of us before you, you will end up loving Santa Cruz, deciding to stay here, and eventually complaining about how the students are ruining the housing market—just like a native!
The second question is more complicated. Considering the long history of locals resenting UCSC’s impact on the city, it might be just as valid to ask “How did things get so good between the city and the university?” As Georgia Johnson’s cover story explains, they’ve actually rebounded from an all-time low in the mid-2000s, and at least they are communicating with each other over the all-too-real issues that we all have to find a way to navigate together. Read the story and you’ll understand the history, and also why this is a critical moment in the future of those relations.
After that, find our Dilated Pupil student guide around town for a comprehensive look at your new ecosystem and to feel a lot better about your choice of schools.
One more plug: I interviewed directors Valerie Faris and Jonathan Dayton about their new movie Battle of the Sexes this week, and on Thursday I’m going to be leading the Q&A with them after the 7 p.m. screening of the film at the Del Mar. They have a lot of great insights into Billie Jean King, Bobby Riggs, the making of the film, the breakout success of their first movie, Little Miss Sunshine, and more that I didn’t have room to include, so I hope you’ll come out and hear them talk about it.
I was greatly saddened to learn of the hatred being promoted by KSCO’s correspondent Georgia Beardslee (GT, 9/13, 9/20). I performed with a live music act on KSCO only a few weeks before this issue was brought to light. I (perhaps naively) assumed that a performance on a local radio show would not lead to me participating in an organization that promoted beliefs harmful to myself, my family and my loved ones. I am racially mixed, but white-passing. In several instances prior to this one, people have shared with me shockingly racist and bigoted sentiments, not knowing that they are including myself and my family in the groups that they so despise. Though Beardslee’s rhetoric toes right behind the line that is legally “hate speech,” it is important to realize that holding and publicly sharing such opinions is not harmless; it creates an echo chamber which validates hateful behavior. I hope that anyone who is of the belief that some persons ought to be denied humanity, based solely on the color of their skin or their country of origin, also considers that everyone who they condemn is someone’s mother, someone’s child, someone’s brother or sister. Some of you probably have a friend of mixed heritage, whether you realize it or not. Do you really want hatred to define the America that your children grow up in?
Taylor Krilanovich
Santa Cruz
Listen Without Criticism
While I cringed reading T. Legan’s letter (GT, 9/20) denying climate change is caused by humans, I also cringed reading the editorial response to the letter. I believe dismissing the author’s letter as neither “nuanced” nor “interesting” shows an intolerance of a point of view that some people hold. While I find Legan’s views alarming because I staunchly believe that global warming is directly caused by humans, I also value hearing his perspective, one I rarely hear in Santa Cruz. Listening without criticism can be the start of understanding and is often a more effective approach to launching a persuasive counter argument. (I make an exception for hate speech.) As a country, we’ve witnessed a backlash against free speech, the loss of the art of debate, governmental gridlock and the rage that results from demeaning labels (think “deplorables”). I’d rather not see this behavior reflected in Good Times. Thank you for printing the letter.
Karen Kefauver
Santa Cruz
Obvious Course
The United States may be the only place on Earth where an elected official can publicly deny the existence of man-made climate change, or where a climate change denier can write a completely ludicrous letter to his local weekly paper. Luckily for Planet Earth, the rest of the world has already moved on to addressing climate change. Examples abound from countries phasing out fossil fuel powered vehicles (Britain, India, France), to China leading the world in renewable energy production, to a carbon tax in British Columbia. If America is going to at least make an attempt at being great again, then the obvious course of action is to start implementing climate change solutions. It is only fair to add that there is some good news in this country, too—the bi-partisan Climate Solutions Caucus in the U.S. House of Representatives is adding new members every month.
Alex Yasbek
Santa Cruz
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GOOD IDEA
WE WOULD BE HONORED IF YOU WOULD JOIN US
The Santa Cruz Parks and Recreation Department has announced the last food truck event of the season will happen Friday, Sept. 29, and the theme will be Star Wars. There will be a contest for best costume, as well as for the best Chewbacca sound. The fanatical 501st Legion Golden Gate Garrison troopers will be there. Parks and Rec is officially telling people, “May the forks be with you”—pretty cheesy! We like it.
GOOD WORK
STRAWBERRY SHORT TAKE
Strawberries remain Santa Cruz County’s top crop, with an estimated value of $229,107,000 on just over 3,000 acres, according to the county’s 2016 crop report. Berries account for 70 percent of the total gross production value for all county crops. Overall crop values were up 1.9 percent in 2016. Apples, once the agricultural king, had a horrendous year in 2015, before bouncing back and doubling in value.
QUOTE OF THE WEEK
“When you oppress people either by gender, by race, by sexual orientation—when you do that and the doors become ajar, they will fly open.”
What will cities look like when sea-levels rise another 50 feet? Kim Stanley Robinson—an award-winning science-fiction author focusing on ecological and environmental impacts of climate change—imagines post-global warming New York in his newest book, New York 2140. Sure, commuters use boats instead of cars, but climate change will have more large-scale implications beyond just traffic. But don’t worry, it’s just fiction, right?
INFO: Monday, Oct. 2. 7 p.m. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com.
Art Seen
‘NEW THREADS’ OPENS AT CABRILLO
Cabrillo’s “New Threads” exhibit showcases fiber and textiles as a medium for contemporary issues and ideas. Ranging from film and horsehair sculptures to crochet and lace doilies, the show proves that textile art goes far beyond grandma’s knitting.
It’s time to break out the knit sweaters and pumpkin-spice everything, if you’re into that. Speaking of pumpkins, UCSC farm showcases their organically raised pumpkins at the open farm harvest festival, where they will also have a pie-baking contest, apple cider and every other fall activity you can imagine. Yes, bobbing for apples, too.
INFO: 11 a.m.-5 p.m. UCSC Farm, Hagar Drive and Village Road, Santa Cruz. casfs.ucsc.edu. Students and children are free, general admission is $5.
It’s officially Fall, but at the Santa Cruz Surf Film Festival, it’s an endless summer. Two days of surfing films and shorts from Australia, Hawaii, Ireland, and more—each with their own unique narrative, and of course monster waves. There are even a few Jack O’Neill cameos to really tug at your heartstrings.
INFO: The Rio Theatre, 1205 Soquel Ave., Santa Cruz. General admission $16, all-screening pass: $50. A portion of all proceeds benefit Save Our Shores.
Sunday 10/1
Distinguished Artists Series
The first of a six-program concert series, pianist Alon Goldstein and cellist Inbal Segev each boast an impressive list of concerts and venues across the world. This event will feature work of Scarlatti, Brahms, Tsintsadze and others, and includes an interactive talk between artists and the audience.
INFO: 4 p.m. Peace United Church, 900 High St., Santa Cruz. distinguishedartists.org. General admission $35.
“I think taking the knee is one of the best ways you could protest. You’re not getting in anyone’s face, you’re not disrupting anyone’s day, you’re doing what you feel.”
Torin Buholtz
Boulder Creek
Retired Sound Engineer
“Speaking as a former veteran, I find it to be highly disrespectful. However, that is a First Amendment right. ”
Wayne Koh
Santa Cruz
Retired
“Yes, I think it is. It shows solidarity with all of the team members. ”
Laid Back Lenny
Santa Cruz
Retired
“I personally think it’s a bit disrespectful to kneel during the national anthem. Regardless of what the president is saying, you should always respect the flag.”
Brian Ramler
Santa Cruz
Financial Analyst
“Yes. There is a history of protest by athletes, from Tommie Smith and John Carlos’ Black Power salute on the podium in the 1968 Olympics to Kobe Bryant and Lebron James wearing “I Can’t Breathe” shirts in 2014. ”