Caffe Pergolesi Prepares to Close

Sad news for all of us who celebrate the only-in-Santa Cruz ambience available in a dwindling handful of local landmarks. Hang on tight: Caffe Pergolesi, home to students, lovers, and coffee aficionados for more than 25 years, is closing. Hard to take, following so close on the heels of Logos. I have spent countless hours, and conducted dozens and dozens of interviews in this rambling sanctuary of bohemian vibes. The porch with its bowers and cool summer shade. What a loss!

Maybe it’s time you asked yourself just why Santa Cruz residents look the other way as an influx of non-taxpaying street denizens drive away customers from downtown retail, food, and social centers. Are we caving in to aggressive and unpleasant pop-up occupiers? Or are baby-boom retail owners simply hitting retirement age? Food for thought.

Mark your calendar for Saturday, Aug. 26. That’s the last day that the endlessly funky, wonderful, completely unique Caffe Pergolesi will be serving coffee. Owner Karl Heiman, who also owns Mr. Toots in Capitola is calling it quits for the coffeehouse that also served as a study hall, trysting spot, and site of many a chess match and spontaneous poetry readings.

“The happiest part of my time with Pergolesi was offering a space where people could come and sit, and feel at home and have a good cup of coffee that wasn’t super expensive,” Heiman told me last week. “I wanted it to be a place for the community to enjoy. I’ve owned it for 14 years, and I wish I could keep it open,” he says, with a noticeable sadness, “but I’m being backed into a corner. The transients are out of control. My customers don’t like it, people are afraid to walk by the building now. I’ve written to the city council and to the police—but nothing has been done.”

Heiman reassured me that his Capitola outpost of bohemian coffee, Mr. Toots, is absolutely staying open. “It doesn’t have the transient problem that Pergolesi suffered,” he says.

Graced with idiosyncratic architecture of Winchester Mystery House proportions, his incarnation of Pergolesi took over the Dr. Miller House, a gingerbread Victorian built in 1886, and hosted pretty much every single person who ever lived in or passed through Santa Cruz. Deliciously mismatched furniture—including the popular church pew—and candy-colored rooms with high ceilings and ample natural light made for memorable, and lengthy visits. Great coffee, tons of attitude, and those incredible cupcakes, plus the space to simply sit, read, and meditate—Pergolesi had it all.

The original Caffe Pergolesi, which brought hip urban atmosphere to a location behind what is now Lulu Carpenter’s, was home to poets, intellectuals, and creative gadflys until the earthquake of 1989. Advertising itself as “the oldest coffeehouse in Santa Cruz,” Pergolesi was the epitome of local, and several generations of UCSC students owe their bachelor’s degrees to long hours of study in the house’s welcoming, non-judgmental ambience. More recently, alas, it had attracted droves of aggressive panhandlers setting up house along the sidewalks and architecturally intricate front porch of the sprawling old Victorian.

On the last day, Aug. 26, Heiman will be offering Pergolesi wares at 1973 prices, “prices from the old days,” as a fond farewell and “thank you” to the many who have supported the coffeehouse over the years. Get on over there and soak up the unforgettable atmosphere one last time. 418 Cedar St., Santa Cruz.

 

Senior Project 2017

Good Times Senior Project 2017 coverWhen we started Senior Project a couple of years ago, we wanted to smash the antiquated notions of what a magazine for seniors is supposed to be. We wanted to talk about how 60 is the new 40, 70 is the new 50, and 120 is the new 99 (OK, we haven’t gotten into that last one too much yet). Santa Cruz comedian and writer Richard Stockton provided what almost served as a mission statement in that first issue, with his story about why the Baby Boomer generation refuses to get old. Last issue, he wrote a very personal piece about his battle with sleep apnea. This time around, he combines the generational scope and personal feel of his past pieces for a moving and very funny story about meeting Janis Joplin, and how the Boomer generation came of age. It’s my favorite piece yet by one of Senior Project’s signature voices.

Also hitting a new high is another regular in this magazine, June Smith, whose story about the Go Game pulls back the curtain on a world of real-time senior role-play on the streets of Santa Cruz that most people don’t know is happening around them. Andrew Steingrube explores a new Zen approach to healing at Dominican Hospital, and Cheryl Huguenor considers whether we’re all really getting older and wiser … or just older. This issue of Senior Project has a lot to say about life after 55—which is possibly the new 35. We’ll check that out and get back to you.

STEVE PALOPOLI EDITOR-IN-CHIEF


Opinion August 9, 2017

EDITOR’S NOTE

To paraphrase an observation Mat Weir once made in the pages of GT about ocean lovers, another word for “Beatles fan” might be “everybody.” I mean, I get the Beatles vs. Rolling Stones thing, and I personally was too busy listening to the Velvet Underground in college to even bother to pick a side in that standoff. Still, it’s a fair bet that if someone tells you they don’t have a Beatles song they like, they’re lying. And if they claim they don’t like any bands that were influenced by the Beatles, they’re definitely lying (it would be fair, in such a case, to quote Leonard Cohen’s most brutal lyric to them: “You don’t really care for music, do you?”)

But while we all may exist on some kind of sliding scale of Beatles fandom, there are people who take it to the level of obsession. I hadn’t heard too many of the Beatles conspiracy theories outside of the (in retrospect, disappointingly boring) “Paul is Dead” thing, but in the past few weeks I have been reading up on them and … whoa. Just whoa. A remarkable amount of this glorious madness centers around the cover of Sgt. Pepper’s Lonely Hearts Club Band, and as such, it’s taken on mythic proportions in the pop-culture consciousness.

That’s why it was so disarmingly surprising to discover that Jann Haworth, one of the two people behind the assembly of that cover’s enduring image, is not some kind of inscrutable rock mystic, but rather a charming, down-to-Earth artist who looks back on the whole thing with a fair amount of amusement, and an even greater amount of skepticism. In honor of the album’s 50th anniversary, she’ll be talking about her work on the cover art this weekend on KPIG, and she was kind enough to tell me the behind-the-scenes story for this week’s issue. I found her insights both entertaining and enlightening; hope you enjoy them, as well.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Embrace The Weirdness

I have some thoughts regarding pg. 16 of the 8/2 issue (“What’s in Store”) about how the city is inviting retail expert Robert Gibbs back to take a look at downtown and see how the city can address the retail deficit.

According to the article, in 2011 he advised to make Pacific Avenue a two-way street, increase parking, and put down more signs to direct people. I think parking is definitely an issue, and I hate to try and criticize some sort of retail expert, but I don’t think we need more automobile traffic downtown if we want to increase foot traffic. To address the parking issue, we should use our pre-existing public transportation to herd people around. That way, rather than try to squeeze more parking into the already crowded downtown, we could find a location that has ample parking, and either put a free bus/shuttle/trolley route between there and downtown, or perhaps include a complimentary bus pass with their parking pass, or some other, more cost-effective incentive. To help people find it, put a sign on Highway 1 reading “Downtown Parking” that leads to it.

I hope Gibbs at least doesn’t suggest anything more to increase the automobile traffic downtown. If you want more shoppers, make downtown more aesthetically pleasing, and create an atmosphere that makes them want to visit and explore. Stepping onto Pacific Avenue should be like stepping into a different world, full of color, beauty and variation.

Fighting Santa Cruz’s culture to create this clean, high-class aesthetic the city’s going for is an exercise in futility. It ends up coming off like a McDonald’s—still dirty, but now dull and sterilized besides. Embrace its weirdness, market Santa Cruz as a one-of-a-kind, untamable phenomenon so remarkable it deserves a place on every bucket list, and the people will come.

Heather Roegiers | Santa Cruz

Fur Sure

I was delighted to see the article about fostering and adopting kittens in this week’s GT (“Kitten Flippers,” 8/2). Having done this myself, I can say that this year the “kitten season” (spring/ summer) has been especially challenging, with even more fur babies than usual needing extra TLC to thrive and find homes.

I also wanted to add another source of fostering help that’s particularly focused on the youngest of kittens: Orphaned “bottle babies” that aren’t old enough to feed themselves. Project Purr recently sponsored an orphan kitten class with the local SPCA, and created free “Kits for Kittens” to help people learn how to take care of the teeniest of kittens—which have the greatest needs, because they’re the most helpless. But, the best part of fostering these kittens is that they are very people friendly and make wonderful additions to their forever homes.

These free kits include a nursing bottle, samples of kitten formula and food, and detailed information about taking care of young kittens. The kits can be picked up at a half-dozen places around the county, from Watsonville to Ben Lomond. In Santa Cruz, two convenient spots are the Santa Cruz SPCA office on Chanticleer Avenue and Project Purr’s “Rescued Treasures” store downtown on Front Street.

For more details, contact Project Purr or the Santa Cruz SPCA.

Here’s to humans helping animals!

Barbara Booth

Santa Cruz


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GOOD IDEA

HORNING GLORY

Serious musicians should play kazoos more. Carolyn Sills Combo used the surefire gimmick on Saturday, Aug. 5, at the 25th anniversary party for Jeff “Ralph Anybody” Juliano. Sills called Juliano up to the stage to sing Johnny Cash’s “Ring of Fire,” and the band created a faux horn section at the Second Harvest Food Bank fundraiser. Juliano thanked all four acts, pretending he hadn’t earned the support. “We’ve been getting all your love and support all these years,” headliner Sherry Austin said, “so thank you, Ralph.”


GOOD WORK

HORN AGAIN

ABC’s revival of The Gong Show, which premiered over the summer, already featured one Santa Cruz County musician, ukulele player Tiki King. On Thursday, Aug. 3, it featured another in Dave Enns, a local pastor who plays something he calls “Horn Music.” Enns straps bicycle horns of various pitches all over his limbs and squeezes them, one by one, in renditions of familiar tunes. UCSC alumni Andy Samberg and Maya Rudolph watched on as guest judges, in what has turned out to be a surprisingly Santa Cruz-centric show.


QUOTE OF THE WEEK

“The thing about the Beatles–they were a damn hot little band. No matter what you hear, even stuff that we thought was really bad–it doesn’t sound so bad now. Because it’s the Beatles.”

-Paul McCartney

Why is comedy important?

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“It helps fuel my relationship and life.”

Spitfire

Heavy Equipment Operator
Santa Cruz

“Life’s too short to go through it all serious and such.”

Dawn Castello

Self Employed
Santa Cruz

“Laughter is very therapeutic and healing. It’s needed now more than ever.”

James Vergon

Comedian
Santa Cruz

“Laughing is the soul bubbling out and touching everyone with joy.”

Rami Vissell

Adventure Mom, Psychologist, Fire Fighter
Aptos

“Because without it life would be too serious.”

Christo Wortman

Mountain Biker
Santa Cruz

5 Things to Do in Santa Cruz This Week

Event highlights for the week of August 9, 2017

Green Fix:

‘Younger Lagoon Reserve’ Tour

popouts1732-greenfixThere are few places along the California coast still relatively untouched by humankind, and Santa Cruz’s Younger Lagoon Reserve is one of them. As one of only a few private wetlands in the state, the Younger Lagoon tours aren’t to be missed. The 72-acre UC natural reserve plot boasts a variety of habitats, including fresh and saltwater marshes, bluffs, and grasslands that are home to a plethora of native species. Excursions only happen twice per month and are limited to groups of 12, so early registration is a must.

Info: 2-3:30 p.m. Sunday, Aug. 13. Seymour Marine Discovery Center. Advance reservations required. Free with admission. seymourcenter.ucsc.edu.

 

Art Seen:

87th Annual California Landscapes Exhibit

popouts1732-Art-SeenThe Santa Cruz Art League is featuring a month-long juried exhibit spotlighting California landscape work ranging from oil and acrylic to watercolor, pastel and mixed media. The show will include works from 56 California artists, showcasing the seashore, desert and mountains across the state’s 840 golden miles. Artist and UCSC professor Frank Galuszka is the juror, and will grant $2,000 in awards to select artists. Following the opening, there will be a reception on Aug. 19 with snacks and a discussion on why artists paint landscapes and contemporary regional art.

Info: Show opens Friday, Aug. 11. Santa Cruz Art League, 526 Broadway, Santa Cruz. $35 members, $40 non members, $10 each additional person. 426-5787. scal.org.

 

Friday-Sunday 8/11-13

California Beer Festival

popouts1732-beer-festYou aren’t a true craft beer connoisseur until you have sampled more than 80 local brews while simultaneously playing bocci ball and eating garlic fries. (OK, maybe you don’t have to sample all of them.) Earn your craft beer stripes at this weekend’s California Beer Festival in Aptos Park. The three-day event celebrates the increasingly popular craft beer movement with more than 80 local breweries, live entertainment, and food trucks. Families are welcome to enjoy the six hours of live music on Sunday, but Friday and Saturday are reserved for beer sampling and are 21-plus.

Info: Aptos Village Park. $10-$99 admission benefits the Gen Giammanco Foundation. californiabeerfestival.com.

 

Sunday 8/13

Soif Waiter’s Race

Table-waiting is a multi-skilled profession often overlooked, so Soif aims to celebrate Santa Cruz waiters’ dedication and service skills in the fifth annual Waiter’s Race. The event puts teams of three through obstacle course hell in hopes that they won’t spill their trays. Eight talented teams will compete, but only will be crowned the winner. Last year Kianti’s Pizza and Pasta Bar took the prize, but now the Crow’s Nest, Soif, and Woodstock’s Pizza are back for redemption.

Info: Noon-3 p.m. Walnut Avenue. Free. soif.com.

 

Monday 8/14

TEDxMeritAcademy

popouts1732-TEDxMeritAc_216493771TEDx events are smaller scale independent events based on the famous TED talk concept. Coupled with Merit Academy student projects, this event brings students, faculty and the community together to showcase sustainability-based projects from the sciences and humanities. Speakers will tackle topics varying from overpopulation and climate change to racism and democracy.

Info: 7 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $15 online, $18 at the door. tedxmeritacademy.com.

Music Picks August 9 – 15

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Live music highlights for the week of August 9, 2017

 

WEDNESDAY 8/9

POST-PUNK

CHASTITY BELT

Chastity Belt is an awesome name for a four-piece, all-female indie-punk band. Also, the band has the best song titles, like “Giant Vagina” and “Pussy Weed Beer” and their 2013 album is called No Regerts (like when you realize there’s a typo in your tattoo, get it?) Let’s not forget their “awkward family portrait” style band photos, which are spectacular. But underneath all that snark is a great and very sweet band. One of their friends penned a description of their new album in which he remarked on how shocked he was when he toured with them and learned that they would take turns complimenting each other. Their truly genuine, open qualities floored him. It’s in the music too, if you look. AARON CARNES

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12. 429-6994.

WEDNESDAY 8/9

ROCK

DELTA BOMBERS

Bust out the hair wax and cuff your jeans, because the Delta Bombers are returning to get those blue suede shoes a-shakin’. Since 2008, the Las Vegas quartet has been rocking and rumbling a greased-up mix of punk and rockabilly to audiences at home and throughout the world. Between tours, the boys have managed to continue releasing material like 2014’s self-titled album and 2015’s record, Live, which captures the band’s high-octane energy as they rip through fan favorites. This year, they dropped a new single, “Good Disguise,” on seven-inch vinyl with an accompanying video that is just as hilarious as it is honky-tonkin’. This Wednesday, they play with local punks the Shoobies and the Defenders. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $10/adv, $12/door. 429-4135.

THURSDAY 8/10

ROCK

UTURN & GARY BLACKBURN

A band on a mission to get people on the dance floor, UTURN has a self-imposed stipulation that the members won’t perform a tune unless it does just that. A local five-piece that covers tunes from a wide range of styles and eras, the band comprises Tom Duncan on drums, Dan Waller on bass, Tim McNulty on rhythm guitars, and Bud Denton and celebrated singer-songwriter Gary Blackburn on lead and rhythm guitars. Thursday’s performance, which is a benefit for Compassionate Friends, an organization that provides support to families experiencing the death of a child, also features a solo set by Blackburn. CJ

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

THURSDAY 8/10

REGGAE

DEZARIE

In recent years, St. Croix, U.S. Virgin Islands has become known as a reggae hotspot, driven in large part by the international success of the band Midnite, which morphed into a group called Akae Beka. One of the standouts of the extended Midnite family is Dezarie, affectionately known as the Roots Reggae Empress. A skilled vocalist and songwriter with a focus on social justice, Dezarie made a splash with her 2003 debut, Gracious Mama Africa, and hasn’t looked back. Packing a powerful one-two punch of consciousness and a clear, strong voice, Dezarie takes on topics of poverty, racial equality, self-respect, love and humankind’s existential challenges. Also on the bill: Ancestree. CJ

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

FRIDAY 8/11

PSYCH-FOLK

HOD & THE HELPERS

Who the hell is Hod, and why does he need helpers? If that’s what you’re asking yourself, then let me ask you, what rock have you been living under for the past three decades? I guess what I’m saying is Hod is a Santa Cruz treasure. His bizarrely folksy, sort of lounge-y, semi-sarcastic songs are exactly the kind of eccentric musical hodgepodge that Santa Cruz is proud to cultivate in its art scene. Hod isn’t technically famous—up until recently he’d play solo as “And Hod,” an ode to being the “tack on” act—but he should be. Oh, by the way, this is his album release show. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

SATURDAY 8/12

PSYCH-SURF

MERMEN

Since psychedelic surf music never really caught on as any kind of trend or movement, we should all just say that the previously San Francisco based, now Santa Cruz residing group the Merman, who coined this sound, just play “Mermen-sounding music.” Honestly, who else sounds like these weirdos? Since 1989, they’ve been straddling the line between Dick Dale and Mike Oldfield to the point where it’s more like “ocean” music than “surf” or “beach” music, ’cause it sounds like you left the comfort and fun of the beach and are listening to the creepy, moody open sea. Let me tell you, the music out there is very compelling. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $12/adv, $15/door. 479-1854.

SUNDAY 8/13

RAP

2CHAINZ

Originally hitting the hip-hop scene in 1997, 2Chainz (real name Tauheed Epps), was then known as “Tity Boi,” and released an album in 2002 with the group the Playaz Circle. They began working with Atlanta rapper Ludacris, who was just breaking into the music world. After his quick rise to stardom, Luda signed the Playaz Circle to his label, Disturbing Tha Peace, where they released their 2007 album Supply & Demand. In 2011, Epps took his 2Chainz act in a more “family friendly” direction, and hasn’t looked back, solidifying his name in the Trap music world with the 2012 album Based on a T.R.U. Story. MW

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $45-$195. 429-4135.

MONDAY 8/14

JAZZ VOCALS/AFRO-CUBAN

DAYME AROCENA  

Bay Area audiences first caught sight of Daymé Arocena two years ago, when the great Canadian soprano saxophonist Jane Bunnett toured around the region with her seminal all-female Cuban jazz band Maqueque. A powerhouse vocalist steeped in Afro-Cuban chants and incantations, Arocena was on the cusp of stardom, and now at 25 she’s becoming a global force, with an impressive new album, Cubafonía (Brownswood), that convincingly blends Cuban roots music with a panoply of styles, from New Orleans R&B to power pop ballads. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

TUESDAY 8/15

UKULELE/POP

TAIMANE

Ukulele virtuoso Taimane is as much performance artist as musician. Possessing a fierce gift for the instrument and a stylistic range that stretches from Bach and Tchaikovsky to Led Zeppelin covers and the surf classic “Pipeline,” Taimane pushes the  bounds of the instrument. She also transports listeners with her hypnotic delivery and magnetic stage presence. Hailing from Hawaii, she was a regular on the island music scene and has now emerged as one to watch on the international music scene. Her current tour includes dates performances with Michael Franti and Spearhead, as well as headline dates up and down the West Coast. CJ

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.


IN THE QUEUE

KATASTRO

Rock, funk and blues out of Tempe, Arizona. Thursday at Catalyst

SKA & REGGAE DANCE PARTY

Monkey, Tingly and Fulminante. Friday at Don Quixote’s

SAMBADA & BROKEN ENGLISH

Afro-Brazilian, Samba, Cumbia and more. Friday at Moe’s Alley

JERRY CELEBRATION BAND

All-star tribute to the Grateful Dead’s Jerry Garcia. Saturday at Don Quixote’s

WILD IRIS

Santa Cruz-based acoustic duo. Saturday at Crepe Place

Giveaway: Tequila & Taco Music Festival

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The Tequila & Taco Music Festival is returning to San Lorenzo Park for two days of tequila tasting, gourmet tacos, live music, craft beer and art. Sample top-shelf tequilas straight on Saturday, or in their most popular iteration, the margarita, on Sunday during Mas Margaritas. Adelaide headlines both days, with Third Sol and Broken English on Saturday, and SambaDa on Sunday. LILY STOICHEFF

INFO: 11 a.m. to 5:30 p.m. Saturday, Aug. 26 and 11:30 a.m. to 6 p.m. Sunday, Aug. 27. San Lorenzo Park, Santa Cruz. tequilaandtacomusicfestival.com/santacruz.


WANT TO WIN? Go to santacruz.com/giveaways before 11 a.m. on Monday, Aug. 21 to find out how you could win a pair of tickets.

Love Your Local Band: Phonetic

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Life can be hard. Without a balance between work and relaxation, it can often become jumbled and messy. It’s a delicate line to walk, and one that local hip-hop lyricist, Tristan “Phonetic” McCormick, doesn’t take lightly.

“I feel like a lot of my life is about balance and self-care,” he says between sips of coffee. “I usually push myself, which can sometimes be a good or bad thing, depending on what I do.”

He decided to accumulate this area of his life into his latest, five-track EP, appropriately named The Balance. Unlike his previous releases, The Balance is a little slower and more melodic, sacrificing his “rapid fire” delivery style for a more focused delivery. But don’t mistake the changes for laziness. His latest tracks are evolved and deep, diving into subject matter often ignored in hip-hop: sobriety, finding happiness and connecting to our fellow humans with love.

“My writing has been shocking me lately,” he says. “I’m always trying to improve my schemes and it can be tiring.”

His worn-out notebook never leaves his side, because inspiration can hit at any time. The pages are filled with matrices of words that rhyme or flow together, visually representing the line “My mind is trapped in a vocabulary prison,” off the EP’s opener, “The Art of Practice.”

“That’s just how my brain works,” he laughs.

For The Balance EP release party at the Blue Lagoon, Phonetic has some local and NorCal hip-hop flavor for fans, with Optimiztiq and C-Dub coming in from Sacramento, Omen from San Jose and Santa Cruz’s own I Will and Numerous rounding out the evening.


INFO: 9 p.m. Wednesday, Aug. 16. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

At Litmus Box, Innovating How People Engage with Technology

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A robot roamed the floors of a downtown office building in Santa Cruz on a recent Friday afternoon, toting the smiling face of Carmen Palacios, a young professional.

As the sleek, white bot—which had a tablet attached to what would be its head—turned and spun into a nearby room, I jogged after it. Because everyone knows that humans can always trust anything that looks like a smartphone on steroids.

Inside the office was an open house for Litmus Box, where I was greeted by JT Mudge, the chief innovator and president for the small digital engagement company. Palacios, the company’s project manager, sat on a couch with a joystick, operating the robot, which the company uses for video conferencing. Around the room, techies and office neighbors mingled, while admiring some of Litmus Box’s displays.

The company launched 10 years ago, led by Mudge, who recently returned from a job in Silicon Valley to lead it once more. It consults with clients on digital trends, develops new tech tools and builds “experience labs” to let companies test out new design ideas.

In collaboration with a few partners, Litmus Box has its fingerprints on digital kiosks, websites and even some virtual reality features. Some of its projects are confidential. Others are prototypes.

When I come back for a tour, four large, thin monitor screens near the wall are spinning kaleidoscopic, colorful designs.

Mudge stands in front of the screen and turns the pinwheels by waving his hands in midair. When he opens and closes his hands, it switches to a different kaleidoscopic display. He isn’t sure how Litmus Box will use it yet, but it’s cool.

The essence of a tech company in the year 2017 is creative minds at play. Oftentimes, that’s exemplified by Google, where employees bicycle from work to a yoga class around the behemoth’s art-filled campus, and it’s also where workers are famously—at least, in theory—encouraged to spend about a fifth of their time working on projects outside their normal job description.

With only four employees, including Mudge and Palacios, it might sound hard for Litmus Box employees to spend any time freewheeling. But some of their projects look like an awful lot of fun.

From inside their office at the University Town Center, Mudge and Palacios gaze down at the “Surfin’ Bird” mural on Cooper Street. They bat around the idea of approaching city staffers about putting a projector in the window to cast images down on the mural—maybe for First Friday. Perhaps they can project the image of a squirrel scurrying up a tree in the picture or a UFO flying overhead.

“It’d be fun,” Mudge says.

“And it’s engaging,” Palacios says. “Maybe people aren’t physically touching it, but they’re engaged and paying attention, and that’s what it’s all about.”

Film Review: ‘Lady Macbeth’

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In no way is the intense historical drama Lady Macbeth a romance. Sure, it’s set in the Victorian era of corsets and crinolines, with a plot that hinges on female suppression, sexual awakening, forbidden passion, and revenge. But there’s nothing remotely romantic about this vividly stark tale about a woman so completely warped by a monstrous society that she becomes a monster herself.

The story is based on the 1865 novel, Lady Macbeth of Mtsensk, by Russian author Nikolai Leskov. It’s adapted for the screen by Alice Birch for director William Oldroyd; they retain the mid-Victorian setting, but relocate the action to the forbidding, windswept moors of northern England. This turns out to be an appropriately rough-and-tumble landscape against which the filmmakers present an astonishingly poised, refined, and chilling gemstone of a performance by 20-year-old Florence Pugh in the central role. Pugh is in almost every scene—the story proceeds from her viewpoint—and she’ll have you biting your nails in dread as her character evolves into something wicked, indeed.

We know nothing about young Katherine (Pugh) as the story begins on her wedding night. Attempting to converse with her sour, taciturn, middle-aged new husband Alexander (Paul Hilton), she explains that she loves the outdoors and the fresh air—just one more subject on which they don’t agree as the somewhat baffling night progresses.

It turns out that Katherine has been “bought” for Alexander by his stern, elderly, Bible-spouting grotesque of a father, Boris (Christopher Fairbank), who lives with the couple in the forbidding stone fortress of their house. We know nothing of Katherine’s life before she was sold into marriage, but the particulars of her dreary wedded life are quickly apparent: with servants to run the household, she’s expected to sit primly in the parlor all day—indoors—until she fulfills her purpose of producing an heir.

This seems increasingly unlikely as Alexander soon disappears from the scene for parts unknown—leaving Katherine to suffer the disapproving scrutiny of her father-in-law alone. But when Boris is also called away, she revels in her freedom, taking long walks and exploring the estate of which she is nominal mistress. And on one such foray, she interrupts a party of groomsmen in the stables tormenting her black maid, Anna (Naomi Ackie).

Trying to exercise the authority of her position, Katherine is shocked by the bold response of the ringleader, Sebastian (Cosmo Jarvis). Viewers start to get uncomfortable when Sebastian, despite his treatment of Anna, soon becomes Katherine’s lover, unlocking her unspent passions. Besides the improvement in her sex life, it’s clear that Katherine is even more thrilled by the audacity with which Sebastian flouts authority and dares to make his own rules—lessons she herself soon embraces.

It’s best not to reveal any more plot details, but as inferred from the title, no good can come from any of it. A conspiracy of lies and deceit, cover-ups, betrayal, and murder most gruesome—often extremely difficult to watch—are all involved. We watch in horror as Katherine sacrifices more and more of her psyche and her soul in these twisted schemes, with cold-hearted aplomb—even as her objective becomes ever more obscure.

Which is what makes this movie fascinating. It’s never about anything so prosaic as a woman fighting for the man she loves. Katherine’s steadily fragmenting relationship with Sebastian is never the point; instead, she’s fighting a suffocating social order in which she has no voice, no power, and no recourse. The grim irony is how horribly she loses herself in her desperation to claim her selfhood.

Everything about Oldroyd’s filmmaking contributes to the sense of bleak isolation, showing how completely Katherine is trapped in her world of vast, cloudy landscapes, and plain, empty interiors. Men spit out vicious invective, if they speak at all; otherwise, the silence is so profound, Oldroyd doesn’t even use a musical score—except for a few ominous chords, when things get extra dire. This is not a movie to take to your heart, but as a psychological character study, it’s both grueling and profound.


LADY MACBETH

*** (our of four)

With Florence Pugh and Cosmo Jarvis. Written by Alice Birch. From the novel Lady Macbeth of Mtsensk by Nikolai Leskov. Directed by William Oldroyd. A Roadside Attractions release. Rated R. 89 minutes.

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