The Diversity Center Youth Program and Santa Cruz Teen center finished their โUnify, Decolonize, Thriveโ mural at Louden Nelson Community Center in March after months of work. The mural is the first of its kind in Santa Cruzโrepresenting past and current persecution and an idyllic future for queer youth and other underrepresented communities. Many participants said the process made them feel more included, supported and visible.
But soon after its completion, someone painted over a quote and โGo Home Trannysโ appeared in black marker under the title. In retrospect, Diversity Center Youth Program Coordinator Jamie Joy says the vandalism wasnโt surprising.
โIt wonโt be the last time that someone decides to vandalize or deface the mural,โ Joy says. โThis was always a part of the conversation from the very beginningโwe needed to make sure we set aside enough money for anti-graffiti coating.โ
The coating hasnโt been applied yetโJoy says they have been waiting for the weather to clear up.
โThe whole mural feels vulnerable to the public until it has been sealed,โ Joy says. โIโm hoping that hearing about how it has impacted people positively will change peopleโs mind, but if they are already set in their ways, Iโm not here to change their minds. My job is to uplift the people I work with.โ
For the 40 or so youth, muralists and facilitators that worked on the mural, the vandalism is far outweighed by the amount of support theyโve gotten. Since the site is so publicโright on Laurel Street across from the Santa Cruz Police Stationโit received a lot of feedback and positive reinforcement. Joy remembers passersby honking horns, stopping to compliment them, or helping paint while waiting for the bus.
When planning out the mural, local artists Emmanuel Garcia and Oliver Whitcroft helped lead workshops with youth around the county. They heard overwhelmingly that the youth wanted to broaden the scope of issues to encompass underrepresented and marginalized groups, not just LGBTQ+.
โA lot of the projects that the youth are working on arenโt coming from the self, they are coming from educational institutions,โ Joy says. โThere was a lot of ownership that young people took from the project, and that was the goal from the beginning, that engagement.โ
From start to finish, the planning and painting process took around a year. The final product is a timelapse from past to present and future that begins with WWII Japanese internment camps, Chinese indentured labor, slavery and sale of tribal landsโall of which occurred in Santa Cruz County. It then transitions from grayscale to vibrant colors, where intersectionality and equality frame the DAPL protests, a Black Lives Matter activist at the Baton Rouge protest, the Stonewall uprising, the Aids Memorial Quilt, and former Santa Cruz Mayor John Lairdโone of the first openly gay mayors in America. Amid the forest, rainbows and sunlight, the mural transitions to the future, where diversity and nature are celebrated and embraced by everyone.
But the project wasnโt at all easy. Joy remembers the biggest milestones being the funding part. Since they had never spearheaded such a mural project, they said that they really underestimated the funding.
โWith its very public placement, we recognized that it was going to create a shift in Santa Cruz culture,โ Joy says. โAs soon as we realized that, we were like โwe need more money.โโ
They were awarded a grant from the arts council, but were in need of more financial support. The group of youth, artists and coordinators went to the Santa Cruz City Arts Commission, where they presented their mural idea and intent.
โIt was intimidating because this predominantly white affluent group of people was going to decide whether our peopleโs history was going to get represented or not,โ Garcia says. โThings are changing and the voice of youth is so powerful, thatโs hard to deny when you see how passionate and aware they are.โ
When they went before the SCCAC, their project received not only approval but applause from the commissioners. They then had what Garcia remembers as a celebratory โmini dance partyโ in the parking lot.
โIt was just so validating,โ says 18-year-old Sadie Reeve, one of the presenters who has been part of the Diversity Center Youth Program on and off for the last six years. โTo say we are here, there is a reason for this mural and the fact that they said โyes, we agree,โ was so important to all of us.โ
Once the mural was complete six months later, the Diversity Center held a celebration in honor of the mural and those who made it all happen. There were hugs, laughs, rainbow tape, impressively large scissors and lots of moms crying.
โI know that our county is one of the safer places in California, but it still has its challenges and problems,โ Reeve says. โTo showcase our history in the mural, whether its countywide or countrywide, has brought forth a change in a way that people view the youth here.โ


This issue of Home & Garden is all about finding your space. If youโre a woman in Santa Cruz County who is also a crafter, maker, artist, that space just might be the Craftsmen Collective in Soquel. Founded by a floral designer, this beautifully curated space is a hotspot for the two things we obsess over in these pages: amazing design and the culture around living plants. Read Maria Grusauskasโ story on pageย 12 to get some insight into one of the most innovative and interesting maker spaces in Santa Cruz County.



















