New Mural Takes a Stand for Queer Youth and Underrepresented Communities

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The Diversity Center Youth Program and Santa Cruz Teen center finished their โ€œUnify, Decolonize, Thriveโ€ mural at Louden Nelson Community Center in March after months of work. The mural is the first of its kind in Santa Cruzโ€”representing past and current persecution and an idyllic future for queer youth and other underrepresented communities. Many participants said the process made them feel more included, supported and visible.

But soon after its completion, someone painted over a quote and โ€œGo Home Trannysโ€ appeared in black marker under the title. In retrospect, Diversity Center Youth Program Coordinator Jamie Joy says the vandalism wasnโ€™t surprising.

โ€œIt wonโ€™t be the last time that someone decides to vandalize or deface the mural,โ€ Joy says. โ€œThis was always a part of the conversation from the very beginningโ€”we needed to make sure we set aside enough money for anti-graffiti coating.โ€

The coating hasnโ€™t been applied yetโ€”Joy says they have been waiting for the weather to clear up.

โ€œThe whole mural feels vulnerable to the public until it has been sealed,โ€ Joy says. โ€œIโ€™m hoping that hearing about how it has impacted people positively will change peopleโ€™s mind, but if they are already set in their ways, Iโ€™m not here to change their minds. My job is to uplift the people I work with.โ€

For the 40 or so youth, muralists and facilitators that worked on the mural, the vandalism is far outweighed by the amount of support theyโ€™ve gotten. Since the site is so publicโ€”right on Laurel Street across from the Santa Cruz Police Stationโ€”it received a lot of feedback and positive reinforcement. Joy remembers passersby honking horns, stopping to compliment them, or helping paint while waiting for the bus.

When planning out the mural, local artists Emmanuel Garcia and Oliver Whitcroft helped lead workshops with youth around the county. They heard overwhelmingly that the youth wanted to broaden the scope of issues to encompass underrepresented and marginalized groups, not just LGBTQ+.

โ€œA lot of the projects that the youth are working on arenโ€™t coming from the self, they are coming from educational institutions,โ€ Joy says. โ€œThere was a lot of ownership that young people took from the project, and that was the goal from the beginning, that engagement.โ€

From start to finish, the planning and painting process took around a year. The final product is a timelapse from past to present and future that begins with WWII Japanese internment camps, Chinese indentured labor, slavery and sale of tribal landsโ€”all of which occurred in Santa Cruz County. It then transitions from grayscale to vibrant colors, where intersectionality and equality frame the DAPL protests, a Black Lives Matter activist at the Baton Rouge protest, the Stonewall uprising, the Aids Memorial Quilt, and former Santa Cruz Mayor John Lairdโ€”one of the first openly gay mayors in America. Amid the forest, rainbows and sunlight, the mural transitions to the future, where diversity and nature are celebrated and embraced by everyone.

But the project wasnโ€™t at all easy. Joy remembers the biggest milestones being the funding part. Since they had never spearheaded such a mural project, they said that they really underestimated the funding.

โ€œWith its very public placement, we recognized that it was going to create a shift in Santa Cruz culture,โ€ Joy says. โ€œAs soon as we realized that, we were like โ€˜we need more money.โ€™โ€

They were awarded a grant from the arts council, but were in need of more financial support. The group of youth, artists and coordinators went to the Santa Cruz City Arts Commission, where they presented their mural idea and intent.

โ€œIt was intimidating because this predominantly white affluent group of people was going to decide whether our peopleโ€™s history was going to get represented or not,โ€ Garcia says. โ€œThings are changing and the voice of youth is so powerful, thatโ€™s hard to deny when you see how passionate and aware they are.โ€

When they went before the SCCAC, their project received not only approval but applause from the commissioners. They then had what Garcia remembers as a celebratory โ€œmini dance partyโ€ in the parking lot.

โ€œIt was just so validating,โ€ says 18-year-old Sadie Reeve, one of the presenters who has been part of the Diversity Center Youth Program on and off for the last six years. โ€œTo say we are here, there is a reason for this mural and the fact that they said โ€˜yes, we agree,โ€™ was so important to all of us.โ€

Once the mural was complete six months later, the Diversity Center held a celebration in honor of the mural and those who made it all happen. There were hugs, laughs, rainbow tape, impressively large scissors and lots of moms crying.

โ€œI know that our county is one of the safer places in California, but it still has its challenges and problems,โ€ Reeve says. โ€œTo showcase our history in the mural, whether its countywide or countrywide, has brought forth a change in a way that people view the youth here.โ€

 

Preview: Weird Al to Play Golden State Theatre

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โ€œWeird Alโ€ Yankovic is best known for his parody songs, but theyโ€™re only half the story of his career. In fact, since he first started putting out his records in the 1980s, theyโ€™ve all contained a roughly equal number of parodies and original songs.

The parodies made his careerโ€”hell, his two Michael Jackson spoofs โ€œEat Itโ€ and โ€œFatโ€ won him Grammys. Meanwhile, his originals were critically scorned, especially in the beginning. It wasnโ€™t until seven albums into his career, after 1992โ€™s Off the Deep End, that rock critics were willing to concede, as Christopher Thelen did in a 1999 review, โ€œitโ€™s strange to admit, but the originals on Off The Deep End actually are, at times, stronger than the parodies.โ€

But is it really so strange? In recent years, Yankovic originals like the Devo-inspired โ€œDare to Be Stupidโ€ and the doo-wop deconstruction โ€œOne More Minuteโ€ have proven to be among his most enduring songs. In 2013, Erik Adams of the AV Club wrote that Yankovicโ€™s best originals โ€œweather the passing years better than most of [his] direct parodies.โ€ And I think most They Might Be Giants fans will agree at this point that Yankovicโ€™s โ€œEverything You Know is Wrongโ€ is the best song TMBG John Linnell never wrote.

Itโ€™s about time his originals got their due. When I bought my first Weird Al album as a pre-teen, I wasnโ€™t cool enough to know that โ€œMr. Popeilโ€ was a take-off of the B-52sโ€”I didnโ€™t even know who Ron Popeil wasโ€”but I still thought it was hilarious. I had never read the Weekly World News, but I loved โ€œMidnight Star,โ€ his song celebrating the weirdness of โ€œThe Incredible Frog Boy is On the Loose Againโ€-type tabloids. I still think his original, Talking Heads-inspired โ€œDog Eat Dogโ€ (โ€œSometimes I tell myself, โ€˜This is not my beautiful stapler!โ€™/Sometimes I tell myself, โ€˜This is not my beautiful chair!โ€™โ€) might be the best song he ever wrote.

Yankovic has noticed this shift, too, but, surprisingly, he doesnโ€™t see the new appreciation of his originals as some new validation of their quality.

โ€œI donโ€™t know when the turning point was, maybe 10 years ago or so,โ€ Yankovic tells me. โ€œFor the first couple decades of my career, I think people just kept waiting for me to go away. Like โ€˜Oh, Weird Al, heโ€™s back. Arenโ€™t his 15 minutes up yet?โ€™ Just waiting for me to leave. Now that Iโ€™ve passed a certain mark, I think the nostalgia factor has kicked in. Like โ€˜Oh, I grew up with Weird Alโ€™ or โ€˜he defined my childhood,โ€™ or whatever people are saying. Now Iโ€™ve become such a part of their lives that a lot of my stuff gets looked on more fondly, I think.โ€

In true Weird Al style, heโ€™s turned this phenomenon on its head with a stripped-down tour that features sets filled with his original songsโ€”some of which heโ€™s never played at shows beforeโ€”and a few parodies, billing the whole thing as the โ€œRidiculously Self-Indulgent, Ill-Advised Vanity Tour.โ€ The very funny promos for the tour promise โ€œNo costumes! No props! No video screens! Performing a bunch of obscure songs you barely remember. Nobody thought this was a good idea. But heโ€™s doing it anyway.โ€

In reality, however, the idea for the tour came not out of self-indulgence, but from the realization that he has been playing his parody-heavy sets, dominated by stage design and costumes that often recreate the look of his music videos, for decades now.

โ€œI knew that the parodies were sort of the main draw, so I would always give the people what they want and do an audience-pleasing show. But it occurred to me that Iโ€™ve been doing that for 30 years, and the shows have been getting bigger and bigger, and the audiences have been getting bigger and bigger,โ€ says Yankovic. โ€œAnd I thought โ€˜you know, we just need a change of pace for the bandโ€™s mental health. We just wanted to do one tour where we go the opposite direction and do a very scaled-down tour without any of the theatrics, and just go out there as musicians and do the songs. And not even do the hitsโ€”just do songs that the hardcore fans would be familiar with, stuff weโ€™ve never done live before.โ€

He emphasizes that this is not some kind of new direction for his music. โ€œWe wanted to do a possibly once-in-a-lifetime thing where weโ€™re doing these deep cuts and doing it in a very intimate setting,โ€ he says.

Weird Al Yankovic performs Thursday, May 17, at 8 p.m. at the Golden State Theatre in Monterey. For more info and to buy tickets, go to weirdal.com.

Consistently Delicious Breakfast and Lunch at River Cafe

A cozy, homey destination, River Cafe has long been famed for fresh-baked breakfast pastries and fragrant lunch specialties. Recently challenged on all sidesโ€”it canโ€™t help that the foot traffic from Oasis has come to a halt, and so has the traffic on River Street, thanks to endless road workโ€”the plucky little terrace eatery continues to hold forth. Organic items line the blackboard listing of lunch and breakfast, e.g. half panini plus a side will run you $12. I decided on a ham, apple, cheddar and Dijon panino plus a side of gorgeous spring salad of gigante beans, paper-thin sliced radishes and baby spinach, and then I turned my eyes toward the Eden that is River Cafeโ€™s pastry display. Farmhouse Apple Cake ($4.5 for a generous slab) nestled prettily in its cast iron skillet. Muffins, seasonal fruit crisps, each in individual white baking bowls, tempted me. Scones with fat strawberries looked, you guessed it, good enough to eat. And I almost caved at the sight of a fresh rhubarb galette ($6). In the end I chose the apple cake, very eggy and custardy, laced with the farmhouse aroma of warm sliced apples. Next time, I promised myself, ย Iโ€™ll try the grilled cheese with pesto panino.

Everything about River Cafe feels like someoneโ€™s grandmotherโ€™s kitchen. Small in footprint, the tiny space looks out onto the world that wraps around itโ€”Hive & Hum, Patagonia, and the now-defunct Oasis. I always love sitting in the sunny window over coffee and a scone at the high wooden counter that lines two of the cafeโ€™s miniature walls. I enjoy perusing the line of elegant olives, hot sauces and exotic honeys on the wall opposite the main counter.

When I got my lunch order home, we tore into the panini and enjoyed the flavor contrasts of warm ham and green apple, nestling in a blanket of melted cheese and baby lettuces. The attractive salad of beans and radishes proved mysteriously free of flavor, and needed salting and peppering. Another side dish, of roasted Brussels sprouts and walnuts had been infused with a distinct hint of honeyโ€”a nice touch that brought out the faint bitterness of the cruciform. The apple cake was also under flavored, very delicate, almost invisible in terms of spicing, making me wonder whether the kitchen is neglecting to taste before presenting their wares in the showcases. Still, itโ€™s a sweet spot for coffees, breakfasts and lunch made with fresh organic ingredients. River Cafe, 415 River St., Santa Cruz. Open daily 7 a.m.-4 p.m.

 

Mega Sale on the Hill

You might wait all week for Friday happy hour, but serious gardeners in our area wait all year for the UCSC Farm & Gardenโ€™s annual Spring Plant Sale, which sets a broad table with the regionโ€™s largest offering of organically grown everything! Veggies, herbs, and flower starts, as well as favorite landscaping plants. Check it outโ€”more than two dozen tomato varietiesโ€”heirloom, canning and slicingโ€”a wide range of specialty peppers from colorful to hot, lots of lettuces including green and red butter, romaine, and specialty types, Asian greens, broccoli, cabbage, cauliflower, summer and winter squashes, pumpkins, leeks, cucumbers, kale, and you have the picture. If itโ€™s a vegetable, youโ€™ll find it at this giant botanical event.

The Spring Plant Sale happens Saturday and Sun, April 28 and 29, in the Barn Theater parking lot at the base of the UC Santa Cruz campus, corner of Bay and High streets. Members can arrive one hour early each day, but for the rest of us this incredible plant sale runs from 10 a.m.-3 p.m. on Saturday, and 10 a.m.-2 p.m on Sunday.

 

Home & Garden Magazine 2018

Home and Garden magazine Good Times 2018This issue of Home & Garden is all about finding your space. If youโ€™re a woman in Santa Cruz County who is also a crafter, maker, artist, that space just might be the Craftsmen Collective in Soquel. Founded by a floral designer, this beautifully curated space is a hotspot for the two things we obsess over in these pages: amazing design and the culture around living plants. Read Maria Grusauskasโ€™ story on pageย 12 to get some insight into one of the most innovative and interesting maker spaces in Santa Cruz County.

 

 

If youโ€™re thinking of joining the many people who have joined the Tiny House movementโ€”which is thriving in this area thanks to a number of factors, from environmental consciousness to the high cost of housingโ€”then Richard Stocktonโ€™s story about how he converted an Airstream trailer into a happy little home might help you find your space. Think of it as Extreme Makeover: Tiny House Edition. Itโ€™s funny stuff, and worth a read even if youโ€™re only really interested in gigantic, towering homes.

If youโ€™re looking for something different in your gardening life, Dig Gardens may be the space for you. Our story in this issue explains how Cara and Will Meyers built their business into the place in Santa Cruz for succulents and other gardening fixations.

Speaking of succulents, Christina Waters is ready to tell you how they can change your lifeโ€”as in actually shake up how you see the world. Just turn to page 16. And Lily Stoicheff has some suggestions for those who want to combine their love of gardening and fermenting. Iโ€™m telling you, this issue is a dilly of a pickle.

STEVE PALOPOLI | EDITOR


Home & Garden Events Calendar 2018

 

Opinion April 18, 2018

EDITOR’S NOTE

The idea of a โ€œprogressive splitโ€ on local issues is nothing newโ€”certainly the Santa Cruz political landscape is proof that progressives arenโ€™t in the kind of philosophical lock-step theyโ€™re often imagined to share.

The debate over the direction of post-earthquake downtown Santa Cruz in the early โ€™90s could get pretty viciousโ€”especially when it came to issues like chain stores and the sleeping ban. The desalinization issue was divisive a few years ago. But the way the question of what to do with the rail trail has polarized environmentalists somehow seems even more rancorous. The heated battle between those who want to see a cyclist-friendly trail-only solution and those who want โ€œrail and trailโ€ has spun off in many directions, and this week Jacob Pierce delivers the first in a series of stories about the issues involved. The amount of time heโ€™s spent out in the field (as in, literal fields) with activists from both sides is remarkable, and the story reflects that depth of research.

I also want to take a minute to acknowledge the GT staffers, including Pierce, who were announced last weekend as the winners of 2017 California Journalism Awards. He won third place in the Coverage of Local Government category for his story on housing issues, โ€œBuilding Material.โ€ Georgia Johnson was a finalist in the same category for her article on the defunding of womenโ€™s self-defense classes, โ€œDefense Spending.โ€ Lily Stoicheff won a second-place award in the Enterprise News Story category for her cover story โ€œSanta Cruzโ€™s Restaurant Crisis.โ€ And I won second place in the Profile Story category for my cover story on the Santa Cruz Symphony, โ€œMaestro on a Mission.โ€ Congratulations to all!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Festival Woes

Thank you for your article on the Santa Cruz American Music Festival, with the sad news that it may no longer be happening, and the fascinating memories and insights of Phil Lewis. This well-organized festival, in its lovely location, will be sorely missed if it is unable to return. The community will have lost a great way to welcome summer, especially lovers of live-music in outdoor venuesโ€”not to mention the many businesses that benefited from the Festival directly or indirectly.

The challenges of running a small music festival are well delineated in the article, clearly demonstrating how difficult it is to make a go of it. Those of us working on the Redwood Mountain Faire understand this, since we are facing many of the same challenges of ever-increasing costs. Only the fact that it is a fundraiser for more than 20 local community organizations ($300,000 in the first eight years) helps us deal with thatโ€”because that helps motivate over 300 volunteers to help run the Faire, and encourages many businesses to provide discounts and sponsorships.

Also helping are the many local fine arts and crafts vendors, the many childrenโ€™s activities, and the low cost that make it both a great music festival and a fun family event. We hope that those missing their annual Memorial Day music festival will find that the Redwood Mountain Faire on June 2 and 3, at Roaring Camp in Felton, may help to fill the gap in their lives since weโ€™ve all lost the SCAMF for this year and possibly longer. Thanks to Phil Lewis and the others who made it such a great event.

NANCY MACY | STEERING COMMITTEE, REDWOOD MOUNTAIN FAIRE

Class of โ€™65

I am a proud member of the first class ever to attend UC Santa Cruz when it opened in 1965. While all UCSC alumni care about their campus, those in my class, the โ€œpioneerโ€ class, have a special affection and sense of responsibility for this unique and beautiful California treasure.

For this reason, we and others were deeply dismayed to learn that UCSCโ€™s administration had agreed to a hastily developed, ill-advised plan to build new student housing on inappropriate, historic, ecologically sensitive East Meadow of the UCSC campus (GT, 3/28). That meadow has been set aside for preservation from the beginning, in every one of UCSCโ€™s Long Range Development Plans.

Accordingly, on March 25, I wrote to Chancellor George Blumenthal to inform him of a national petition to oppose the East Meadow development plan. The petition today has 51,980 signatures from concerned alumni, former employees, local citizens, parents, and grandparents.

Opposition to this ill-conceived plan is spreading rapidly, especially following the March 27 release of a 600-page Draft Environmental Impact Review (DEIR). This preliminary analysis happily identifies several options that are viable and desirable alternatives to destroying East Meadow.

The Chancellorโ€™s response thus far, while explaining the campus process for the plan, unfortunately has not indicated willingness to consider a more thoughtful and deliberative process, offered how irreparable damage can be avoided, or how to address the concerns of these 51,980 people.

Today, therefore, I have written to the Chancellor again to tell him that all signers have been asked to request an extension of the public comment period so there will be time to consider alternative, less destructive sites for development.

Michael M. Gerber, Ph.D. | Professor (Emeritus), UC Santa Barbara


PHOTO CONTEST WINNER

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GOOD IDEA

CONSTRUCTIVE INPUT
Weโ€™ve all seen the signs in front of road construction that say โ€œYour tax dollars at work.โ€ Santa Cruz Countyโ€™s taxpayers now have an opportunity to get involved in overseeing such work, as the Regional Transportation Commission is accepting applications from community members looking to serve on the Measure D Taxpayer Oversight Committee. The independent body will review how funds generated by the transportation sales tax are being spent. Measure D passed in November of 2016 with more than 67 percent of voters supporting it.


GOOD WORK

WINGING IT
Young families should know not to play in the street, but apparently not everyone has gotten the memo. A mama duck and her nine ducklings were spotted crossing Highway 1 on Friday evening and causing a minor traffic buildup in the process. Mary Racioppi told KION that the mama stopped in the median, looked both ways and kept on walking. The news website also shared a photo of the adorably nerve-racking incident, and reported that the feathered family made it across the highway safely.


QUOTE OF THE WEEK

There is always a multitude of reasons both in favor of doing a thing and against doing it. The art of debate lies in presenting them; the art of life lies in neglecting ninety-nine hundredths of them.

-Hale White

Steeped Coffee Introduces a Simplified Approach to Coffee

I drink coffee every day, but I donโ€™t identify as a โ€œcoffee person.โ€ I remain devoted to dark roasts and think that brewing contraptions, thermometers and precise measurements are far too much to ask of someone before theyโ€™ve caffeinated with the coffee theyโ€™re trying to brew. While I can appreciate a great cup of coffee, I can also happily drink mug after mug of burnt sludge at the local diner on a weekend morning. Which is to say: Iโ€™m not fussy.

Iโ€™m wary of trends that might over complicate something that I enjoy as a simple pleasure, so I wasnโ€™t sure how much I would enjoy Steeped Coffee, a local company that sells coffee in a tea-bag-like single serving. It turns out we are on the same page as far as keeping things easy.

As I tore open their fully compostable packaging, the smell of freshly ground coffee filled my noseโ€”the nitro-sealed bag keeps the coffee, which is roasted and packaged locally, as fresh as if it was ground moments ago. Normally when I grind my coffee, the noise triggers my catโ€™s โ€œfight or flightโ€ response and she sprints from the kitchen in terror, but not today. Already, itโ€™s Steeped Coffee: 1, conventional: 0.

I slipped the little bag of coffee into a mug and poured hot water over it, dunking it a few times as a crema formed in the bag. Five minutes later, I took a sip and tasted a delicious, fresh, aromatic cup of coffee. No mess to clean up, no fancy glass carafe to wash by hand and maybe break in the sink.

How could such a simple concept be so cutting edge, I wondered. According to CEO and Founder Josh Wilbur, โ€œSome of the simplest ideas are the most difficult to achieve. The more you try to simplify something, the more effort goes into it.โ€ Everything from the quality of the coffee to the filter that lets flavor out but keeps grounds in, to the proportion of coffee to water, has been painstakingly perfected and Specialty Coffee Association-approved. โ€œIs this good enough for coffee snobs? Absolutely. Is it as good as going into a coffee shop? Yes,โ€ asserts Wilbur.

While other single-serving options can be highly wasteful, Steeped Coffee is a B-Corp certified business. โ€œWeโ€™re legally allowed to worry about purpose and not just profit as a company and do things different,โ€ says Wilbur. โ€œWeโ€™re trying to do business without compromise.โ€

steepedcoffee.com.

Is polarization real or a state of mind?

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“The more you make it your state of mind, the more it becomes a reality. People are always going to have differing opinions.”

Brandon Bailey

Santa Cruz
Bike Messenger/Business Owner

“Your state of mind is influenced by reality, so I think itโ€™s a bit of both.”

Jacob Davis

Santa Cruz
QA Engineer

“Polarization is real. Yin and yang.”

Cliff Hacker

Bonny Doon
Contractor

“Itโ€™s certainly a state of mind. I think that if we donโ€™t feel connected to each other, itโ€™s from an ancient wound we havenโ€™t healed. It really doesnโ€™t matter what the subject is.”

Kitty Lions

Santa Cruz
Badass Skier/Artist/Mountain Biker/Surfer Girl

“We get separated over issues, but the reality of the situation is that we are all one people.ย ”

Jamie Nickerson

Santa Cruz
Mom

Chardonnays from Wrights Station Vineyard & Winery

If youโ€™re a lover of Chardonnay, then Wrights Station is the place to go. Right now, they carry three different Chardonnays, including their superb 2014 Chardonnay Estate No. 9 – Santa Cruz Mountains. Owner and winemaker Dan Lokteff takes great care of his lush vineyards, and the result is voluptuous fruit and excellent wines.

The 2014 Estate Chardonnay ($30) is exceptional, with aromas of tropical fruit and touches of apple and lemon. The flavors bring out yet more tropical fruitโ€”banana and pineapple particularlyโ€”and nuances of toast, hazelnut and aromatic vanilla. But if you prefer a completely unoaked Chardonnay, then the 2015 Santa Cruz Mountains ($25) is for you.

Wrights Station tasting room is in the original 1947 farmhouse, now completely remodeled, and thereโ€™s a beautiful patio area to sit and relax. Lokteff calls his estate his โ€œdream property.โ€ Youโ€™ll see why when you go there for a tastingโ€”and donโ€™t miss Lokteffโ€™s impressive Pinots.

Wrights Station, 24250 Loma Prieta Ave., Los Gatos, 408-560-9343. wrightsstation.com. Open 11 a.m. to 5 p.m. Friday-Sunday.

 

Passport Dayโ€”April 21

Passport Day is a great time to go wine tasting in the Santa Cruz Mountains. Tasting is complimentary if you have a Passport, and itโ€™s also an opportunity to taste at wineries not usually open to the public. Passports are valid for one year and can be used all year round during winery hours. They can be purchased for $65 from the Santa Cruz Mountains Winegrowers Association (SCMWA) and at most participating wineries. The next Passport event is noon to 5 p.m. Saturday, April 21. There is more information on SCMWAโ€™s website regarding Passport, local wineries, and upcoming events. Visit scmwa.com. Wrights Station participates in Passport events.

 

Dinner at Burrell School Vineyards

Burrell School is doing special events now and again, including holding dinners in their tasting room and historic school house. A wine and food soiree I attended recently came with a marvelous dinner prepared by Nicole Fischer of Depaysement Supper Club. Fischer, who hails from Canada, made four delicious coursesโ€”all paired with Burrell Schoolโ€™s outstanding wines. Visit her on Instagram at @depaysement.sc or email de*******************@***il.com for info.

Film Review: โ€˜Finding Your Feetโ€™

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Aging actresses donโ€™t fade away in the British film industryโ€”they just keep getting better parts. Case in point is Finding Your Feet, a comedy in which a woman of a certain age is slapped upside the head by Fate, and has to try to reinvent herself, with the help of her estranged, Bohemian sister and her plucky friends. Plot-wise, it all sounds terribly formulaic, but a terrific cast of veteran players, some genuine laughs and moments of unexpected poignancy turn it into a surprisingly effective crowd-pleaser.

Written by Meg Leonard (racking up her first screenplay credit after years as a producer and casting director) and Nick Moorcroft, the movie was directed by Richard Loncraine (My One and Only). The story begins at a lavish party at a stately English country home presided over by perfect wife Sandra (Imelda Staunton), to celebrate the retirement of Mike (John Sessions), her politician husband of 35 years. But her own plans for their idyllic new life together out of the public eye are dashed when Mike is discovered in an anteroom canoodling with his longtime mistress.

Furious, Sandra storms off unannounced to the cluttered London flat of her older sister, Bif (Celia Imrie), an artsy type given to progressive political causes. The sisters havenโ€™t seen each other in 10 years, but Bif is ready to provide moral support for her distraught sibโ€”even though Sandra insults her friends, her messy flat, and her working-class neighborhood, and insists on being addressed as Lady Abbott. โ€œShe used to be fun,โ€ Bif laments to her friend, Charlie (Timothy Spall).

You donโ€™t need GPS to tell you where we go from here. Bif (so named from a childhood mispronunciation of the name โ€œElizabethโ€) is determined to thaw her uptight sister and put Sandra back in touch with her fun, youthful self. Inspired by an old home movie of the child Sandra in a ballroom dancing competition, Bif persuaded her reluctant sister to come to the seniors dance class she attends every week.

There, Sandra meets Bifโ€™s pals, including shy, sweet Ted (David Hayman), and much-married Jackieโ€”a part tailor-made for the great Joanna Lumley, tossing off wisecracks with her usual aplomb. (Her last marriage ended because of โ€œreligious reasons,โ€ Jackie says. โ€œHe thought he was God. I didnโ€™t.โ€) Sandra does start to loosen up, although her grandiose airs have made a particularly bad impression on Charlie, a handyman who makes house calls in his dilapidated van, and lives on a barge at the edge of the river.

Yes, the story is predictable, but these veteran players provide unexpected emotional depth in even the simplest encounters. Imrie and Staunton (whoโ€™s played everything from sympathetic abortionist Vera Drake to an evil headmistress in the Harry Potter series to one of Sleeping Beautyโ€™s fairies) revel in playing grown-ups with a long history of life lived; theyโ€™ve earned every wrinkle in their faces, and the camera dotes on them. And Spall (last seen as the befuddled, errant husband in The Party), that most unlikely of romantic heroes with his shambling gait and weary good cheer, infuses Charlie with soulful presence as he quietly endures his own unfolding tragedy.

There are some suspect plot choices, particularly a crucial bit of information that Charlie chooses to withhold from Sandra (although the viewer is led to believe she already knows about it). And while itโ€™s very moving when Bif relates a tale of her own early, lost love, the effect she claims itโ€™s had on her life ever since is so contrary to the way her life-embracing character has been developed, it just feels like a plot device. Invited to perform onstage at a dance fest in Rome, the classโ€™s humble street routine acquires an almost silly degree of Vegas polish (although the shout-out to โ€œSistersโ€ from White Christmas is fun).

Still, this is a frisky charmer of a movie, with a stunning final image that will leave you cheering.

FINDING YOUR FEET

*** (out of four)

With Imelda Staunton, Celia Imrie, Timothy Spall, and Joanna Lumley. Written by Meg Leonard and Nick Moorcroft. Directed by Richard Loncraine. A Roadside Attractions release. Rated PG-13. 110 minutes.

Consequences of Judge Aaron Perskyโ€™s Possible Reckoning

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Propelled by one of the most high-profile sexual assault cases in California history and the momentum of the #MeToo juggernaut, the campaign to recall Santa Clara County Superior Court Judge Aaron Persky has become a well-funded referendum on sexual misconduct in modern society.

Whether thatโ€™s fairโ€”not to mention whether voters actually understand how the June 5 election process worksโ€”is a much bigger question with implications for courts both inside and outside the area.

โ€œItโ€™s going to have a profound effect,โ€ says Margaret Russell, a law professor at Santa Clara University and one of Perskyโ€™s supporters. โ€œThis is a campaign that is being talked about nationwide.โ€

Whether to recall Persky is just one of two questions voters will decide this spring. On the same ballot, Santa Clara County residents will be asked to pick a successor in the event that Persky is recalledโ€”a vote that will count whether or not voters support the recall.

If successful, it would mark the first recall of a California judge in 86 years.

The campaign to depose Persky is rooted in the backlash to the penalty he imposed in the 2016 sexual assault trial of Brock Turner, a former Stanford swimmer convicted of three felony charges after two graduate students discovered Turner using his fingers to penetrate an unconscious woman near a dumpster after a frat party on campus. He faced up to a decade in state prison for the assault, but prosecutors asked for six years.

Instead, Persky went with a probation officerโ€™s recommendation and sentenced then-20-year-old Turner to a six-month stay in county jail, three years of supervised release and lifetime registration as a sex offender.

The outrage was immediate, but it was too late to prevent an unopposed Persky from coasting to re-election five days after the sentencing hearing.

Still, everything changed for Persky. That summer, at least 10 prospective jurors refused to take part in a misdemeanor theft trial because of his ruling in the Turner case. A week later, Santa Clara County District Attorney Jeff Rosen, in what he called โ€œa rare and carefully considered stepโ€ for his office, pulled the embattled judge off a sexual assault case. Finally, at Perskyโ€™s request, the courts reassigned him to the civil division.

Turner, for his part, walked out of San Joseโ€™s Main Jail after serving half his time for good behavior.

The recall campaign has since devolved into a war of tweets, TV jabs and general campaign warfare. In some instances, the vitriol has turned into physical intimidation, like when the pro-recall campaign in February received an envelope of white powder, or when armed protesters periodically gathered outside Turnerโ€™s Ohio family home.

Through it all, Persky himself has issued just one public comment. Last summer, before the recall measure qualified for the ballot with more than 100,000 petition signatures in January, the judge submitted a statement to the county defending his recordโ€”saying that he โ€œfought vigorously for victimsโ€ as a prosecutor and that, as a judge, he has been โ€œrequired to consider both sides.โ€

At the forefront of the campaign to channel outrage about the Turner verdict into a successful recall is Stanford law professor Michele Landis Dauber, who now chairs the Committee to Recall Judge Persky. The committee has raked in more than $800,000 from Silicon Valley tech executives, womenโ€™s rights advocates and other donors in both the Bay Area and big cities like New York and Boston, Dauber says.

Among those to endorse the recall campaign are national figures like Anita Hill and U.S. Sen. Kirsten Gillibrand of New York. Adding to the momentum, Dauber says, was a letter from the victim in the Turner case that went viral just months before the #MeToo movement exploded following allegations of rampant rape and sexual assault in the entertainment industry.

The parallel to broader backlash against sexual assault doesnโ€™t square, however, for some critics of the recall effort, who contend that kicking Persky off the bench for unpopular sentences would amount to judicial intimidation and represents an existential threat to independent courts.

โ€œTheyโ€™d rather have judges that respond to the mob,โ€ says former Santa Clara County Superior Court Judge LaDoris Cordell, who retired from the bench in 2001 and is now one of Perskyโ€™s most vocal supporters.

As of the latest campaign filing deadline at the end of 2017, the anti-recall committee formally had raised more than $450,000. The donor list is a whoโ€™s who of the local legal community and judiciary.

โ€œThe fact that judges are more or less aligned behind their colleague is a powerful incentive for lawyers,โ€ Dauber says. โ€œItโ€™s not surprising, but it is disappointing. I think the message that it is sending to women in particular is extremely tone-deaf.โ€

The furor over the future of the countyโ€™s judicial bench comes amid a wave of criminal justice changes positioned as ways to combat disparities in how poor people and people of color interact with cops and courts.

Now, Cordell says, the question is whether recalling Persky would encourage judges to dole out harsher sentences across the board, negating any sentencing or bail reforms that could help minority defendants in particular.

โ€œThe term โ€˜Perskyโ€™dโ€™ is now being used by judges,โ€ she says. As in, if a judge approves a potentially controversial plea deal or shows what could be perceived as leniency toward any type of defendant, that judge, too, could be subject to recall. Recall supporters argue that such political calculus is already part of the drill in a system where judges are elected by the public, but Cordell says the precedent would erode insulation judges are historically granted compared with other elected officials such as mayors or city council members.

One complicating factor is that both sides see themselves as progressive.

Dauber contends that the justice system is not โ€œzero-sum,โ€ and that mass incarceration can be overhauled while also increasing penalties for sex offenders.

Though Cordell told CBS News at the time of the Turner verdict that sentencing language deferential to the defendant was โ€œbasically code for white privilege,โ€ she says the recall goes too far and that campaigners have distorted Perskyโ€™s record.

โ€œEspecially to women who think this is about #MeToo and white privilege; itโ€™s not,โ€ Cordell says. โ€œIt has been co-opted.โ€

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