Every rock is intentional, event and facility manager Jose Reyes-Olivas assures me, peering down at the stage from above the Greek-style rows of seating in UCSC’s Quarry Amphitheater. Even that big-ass one jutting up through the floor. Having overseen months of renovations, Olivas has something to prove.
“This is the best way to show off what the hell we’ve got, we need to do a big show right out of the gate,” Olivas says.
The Quarry is a historical site, having been a center of Vietnam War protests and the Tiananmen Square Vigil. It’s hosted Cesar Chavez, Joan Baez, Ravi Shankar, countless graduation ceremonies, and a nude psychology class or two. But it fell into disrepair through the years, eventually closing in 2006 after safety and stabilization became a concern.
Nearly 10 years later, Alison Galloway, former executive vice chancellor, rolled up—literally. She drove a backhoe into the groundbreaking ceremony of the Quarry Amphitheater in 2014, with the goal of restoring the venue to its rightful place as the epicenter of the campus.
“My hope is to see this place being used as a creative outlet,” Olivas says. “This can and should be a bridge builder for the city of Santa Cruz. The campus has had such a big impact on the city, why shouldn’t the campus have events here, too?”
Nearly one year and $8 million later, the newest and largest music venue in Santa Cruz is complete. In celebration, UCSC booked Chicano Batman, a popular Los Angeles-based four-piece, to christen the restored Quarry last weekend. Chicano Batman’s newest album, Freedom is Free, is an eclectic mashup of jazz, rock and Latin influences—think James Brown meets Tropicália Joe Bataan. Olivas says that with a large percentage of UCSC students hailing from Latino backgrounds—and in the wake of the Deferred Action for Childhood Arrivals (DACA) repeal and anxiety over AB540—the band is really a perfect fit.
It’s no surprise that with the popularity of the band, and a student body of more than 18,000, demand for the free concert on Saturday was above and beyond what was expected. Tickets were raffled off, leaving more than a few disappointed students. I had a Willy Wonka-esque moment as one of the lucky few ticket holders, despite not being a student or a die-hard Chicano Batman fan.
There was security everywhere, which was both reassuring and good for a bit of conversation between sets. Why are there video cameras here? When I asked the UCSC Chief of Police Nader Oweis why there were so many security guards and police officers there, he explained that though the event security was planned before the Las Vegas tragedy, it did have an impact.
“There definitely was a greater sense of awareness after Las Vegas, but it didn’t necessarily change our numbers,” he says.
When I wasn’t chatting it up with security, I was admiring the venue. It was hard not to, as a stunning green hue illuminated the underside of the trees and bounced off of the limestone face, and a thick haze of smoke swirled up from the stage and front row. I was getting emotional seeing the amphitheater come back to life—until I would glance down at the empty rows of seating.
Maybe people didn’t turn up, or something happened with tickets? No, it turned out, the organizers had simply underestimated how many people the Quarry could hold. The sheer enormity of the space dwarfed the 1,800 people spread across the aisles and packed into the standing room. The amphitheater seemed only about halfway full. Though the fire marshall will have the final say, the possibilities were visibly exciting to Olivas, who, when not pacing back and forth between aisles, stood in the back mingling.
“Now we know how many more it can hold,” he says, craning his neck and voice over the shrill keyboard of Chicano Batman’s opening set. “This is the next chapter.”
For more information about the Quarry Amphitheater or for upcoming events, visit deanofstudents.ucsc.edu.
Live music highlights for the week of October 18, 2017.
THURSDAY 10/19
PSYCH-ROCK
LUKE SWEENEY
Drawing inspiration from Marc Bolan of glam-rock band T. Rex, as well as indie-rock pioneers Pavement and legendary soul artist Al Green, Luke Sweeney swirls the disparate influences around into a psychedelic, listener-friendly sound. The San Francisco-based poet, composer and guitarist was dubbed a “pillar of San Francisco’s garage-psych community” by the Bay Bridged, and is celebrated for his “handcrafted” sound, soulful feel and irreverent humor. His stories explore romance, urban life, spirituality and more. CJ
Eligh, Scarub, Amp Live—on their own, each of these underground hip-hop artists is a force to be reckoned with and can sell out a venue. But now, the master lyricists and producers join forces for one night of hard-hitting hip-hop. Adding to the excitement, Pure Powers and Eliquate will be repping Santa Cruz in an evening that’s easily one of the best nights this year for underground hip-hop. MAT WEIR
Anyone that digs the funk—and everyone should dig the funk—needs to put aside whatever they were planning on doing Thursday and join George Clinton, as he tears the roof off the motherfucker. His groups Funkadelic and Parliament transformed funk in the ’70s into something fun, crazy and totally bizarre. Or, as he himself put it: “Ain’t nothing but a party, y’all.” Alice Cooper and KISS may be seen as the dominating forces of over-the-top theatrics in the ’70s, but Clinton created a sci-fi spectacle that reveled in its own absurdity, while simultaneously claiming a new black identity. Now a bazillion years old, Clinton is still a force to be reckoned with. AC
Hailing from New Orleans, Dragon Smoke is a super-group of artists who have helped define the contemporary Crescent City sound. Comprising Ivan Neville from the legendary Neville Brothers on vocals and keys; Stanton Moore—who was born and raised in New Orleans and was a founding member of Galactic—on drums; funk, blues and roots rock standout Eric Lindell on guitar and vocals; and lean, mean bassist Robert Mercurio from Galactic, Dragon Smoke was formed with a goal of bringing a diverse group of artists together to see what happens. On Friday, the crew brings the blue-eyed soul, funk and groove to Moe’s. CJ
An invasion of hippies is usually not big news in Santa Cruz; it might just mean it’s summertime. But this Invasion of the Hippies is something different altogether. This one is hosted by Ukulele Dick and Snazzy Productions, and features a roundup of local artists, dancers and musicians aiming to celebrate—and, in a way, recreate—the Summer of Love. Among the featured acts are Zun Zun, Alan Heit, Simone Cox, the Skifflebeats, Ken Bewick, David Graham, Neal Hellman, Richard Stockton, Wallace Baine and the Bainiac Trio, and many more. Scare up your beads and bell bottoms and prepare to be transported. CJ
INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25. 423-8209.
SATURDAY 10/21
PUNK
THE VIBRATORS
When it comes to punk rock, there’s a cornucopia of bands who never really got the credit they deserved, and the Vibrators are definitely in that category. The band’s 1977 debut, Pure Mania, is filled with killer tracks, gave Stiff Little Fingers its name, and helped spawn power-pop punk. Reportedly, this will be their final tour ever—after 41 years of dancing to the music, the Vibrators will be sailing into the future with a new sweet, sweet heart. MW
Let me paint a picture of the saddest thing on the planet: a teary-eyed clown crooning David Bowie’s “Space Oddity.” If you aren’t already bawling just imagining this in your mind, you have no soul. For the rest of us, there’s Puddles Pity Party, which is what this weep fest of a musical act is called. Puddles has been uploading dismal originals and heartbroken covers to YouTube for several years now. He rose to sort-of-mainstream prominence earlier this year after competing on America’s Got Talent. Now you can see him live! AC
INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30. 423-8209.
MONDAY 10/23
JAZZ
MARQUIS HILL BLACKTET
The first order of achievement for a jazz musician is attaining a personal sound on his or her instrument. With his thick, rounded tone, Chicago trumpeter Marquis Hill has carved out his own identity on the horn, but he’s also taken the next step in honing a beautifully calibrated group sound with his vibraphone-centric Blacktet. Already a formidable player before winning the 2014 Thelonious Monk International Trumpet Competition, he introduced a rising generation of Windy City players with the release of his 2016 The Way We Play, a set of standards set to a diverse array of grooves. With several of his longtime sidemen now rising bandleaders in their own right, he’s touring with the latest incarnation of his Blacktet, featuring the brilliant young drummer Jonathan Pinson, alto saxophonist Joshua Johnson, bassist Jeremiah Hunt, and vibraphonist Joel Ross. ANDREW GILBERT
INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.
MONDAY 10/23
POWER-POP
PAUL COLLINS
Ever wonder why the English Beat is known simply as the Beat in England? It’s because in the U.S. there was another band already called the Beat. Eventually, the lead singer of this group, Paul Collins, started playing shows under his own name. Paul Collins’ Beat was an underrated power-pop group with killer hooks and mid-tempo guitar-based New Wave riffage. Collins most famous song, “Hanging on the Telephone,” was a hit—not for the Beat, but for Blondie, who famously covered it. In other words, Collins has always been a more culty kind of thing. But he’s consistently released music his whole life, and fed a core audience wonderful rock ’n’ roll tunes. AC
A Beats Antique performance is less of a concert and more of a full-body, multi-media experience that relies on the audience to bring it all to life. Imagine people dressed like animals, carnival ringleaders, mythological creatures and cabaret characters dancing to gypsy-influenced violin melodies that slowly build to a crescendo before a cross-cultural, worry-consuming beat drops, turning the whole thing into a rhythmic collective of bouncing, swaying bodies. A decade in, Beats Antique has inspired a generation of world-fusion artists and beatmakers, and established themselves as one of the enduring bands of the Bay Area electronica movement. On Halloween, the band brings the party to the Catalyst.
INFO: 9 p.m. Tuesday, Oct. 31. Catalyst, 1011 Pacific Ave., Santa Cruz. $30/adv, $35/door. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, Oct. 25 to find out how you could win a pair of tickets to the show.
There isn’t a great story behind the name Bananarchy—turns out it was simply the only name everyone in the band could agree on. However, Bananarchy’s genre of choice, “hangar rock,” has an interesting story.
What makes it hangar rock? Well, technically the band plays garage rock, but they practice in an airplane hangar in Watsonville, so why not?
“It’s oddly specific,” guitarist/lead singer Matt Ruiz says, laughing.
You see, Ruiz partially owns this hangar. He was getting airplane lessons, but has kind of stopped.
“Paying for recording studios was getting expensive, and finding houses to practice at in Santa Cruz is difficult without pissing off neighbors or police.”
Ruiz believes Bananarchy turned out to be a fitting name for the group, which plays aggressive rock songs with sad lyrics, and adds a whole bunch of silliness when they play live.
“It’s kind of funny, but also slightly angsty. So, it was a match,” Ruiz adds.
Just how sad are the lyrics? Well, don’t sit down and read a book of Ruiz’s words without the heavy guitar-bass-drums blast of the band behind him unless you want to get bummed out.
“If you sat down and read the lyrics, it would just look like sad poetry,” Ruiz says. “People have fun at the shows. We’ll be cracking jokes between every song to make sure everyone knows that we’re not trying to take ourselves too seriously. Our presence and our performance is usually pretty silly.”
INFO: 9 p.m. Sunday, Oct. 24. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.
What do most people know about the East Bay punk scene? Green Day, certainly, and Rancid, too. Possibly Rancid forerunners Operation Ivy and Crimpshine, and maybe the Berkeley punk playhouse that brought up those bands, 924 Gilman.
If you want a clue about how deep the new documentary Turn It Around: The Story of East Bay Punk—which is showing for one night only on Wednesday, Oct. 18, at the Del Mar in Santa Cruz—dives into this long-underappreciated punk history, consider that it doesn’t even get around to Gilman Street and Op Ivy until an hour into its two-and-half-hour running time. A less ambitious documentary on East Bay punk might very well start there, but with its zeal to chart the complete lineage of the scene, Turn It Around is truly exhaustive.
But not exhausting. In fact, it moves along at such a rapid-fire pace for most of its running time that it probably requires more than one viewing to truly wrap one’s mind around everything it has to offer. How can you not get behind a documentary that within literally two-and-a-half minutes of mentioning “punk rock” for the first time, has already referenced the Ramones, Sex Pistols, Patti Smith, Dead Kennedys, Avengers, X, the Cramps, the Clash, Lou Reed, Angry Samoans, Fastbacks, Blondie, Flipper, the Buzzcocks, the Pretenders, Tuxedomoon, Blondie, the Stooges, David Bowie, the Dils and Devo—and that doesn’t even include the bands I didn’t think I recognized as they flashed by on the screen. That’s how fast this thing moves sometimes.
Those who come to it most interested in the scene’s breakout success stories might be surprised at how absorbing the pre-Lookout Records material is, and that’s partially thanks to some brilliant structural work by director/writer Corbett Redford and his co-writer Anthony Marchitiello. For instance, the film starts with a crude DIY-style animation sequence set to Crimpshine’s “Another Day,” then jumps back to footage of Vietnam War protests in Berkeley, with Country Joe and the Fish’s “Feel Like I’m Fixin To Die Rag” playing on the soundtrack. There’s a lot of mirroring going on here: both of those songs are by Berkeley bands, who released them exactly 20 years apart, in 1987 and 1967. The former approaches social commentary on a personal level, while the latter attacks it from a political one, setting a template for the themes of personal and political transformation that are at the heart of Turn It Around.
The long list of musicians, artists, activists and other members of the scene featured in Turn It Around runs from the expected (Lookout’s Larry Livermore, Dr. Frank of Mr. T Experience—whose “At Gilman Street” is sort of the movie’s unofficial theme—and the members of Green Day, Op Ivy, Crimpshine, Rancid, Neurosis, and pretty much every band from the last four decades of the scene) to the unexpected (Miranda July, Metallica’s Kirk Hammett, Guns N Roses’ Duff McKagen, Primus’ Larry LaLonde, Angry Samoans’ “Metal” Mike Saunders) to the simply delightful (the Yeastie Girlz, Pansy Division’s Jon Ginoli, Michael Franti, Tre Cool’s parents). Iggy Pop’s narration is just as gruff and quirky as you would hope it would be.
The highlights, to me, are the most offbeat bits, like Tim Armstrong suddenly breaking into Op Ivy’s “Hedgecore” on an acoustic guitar during his interview, Billie Joe Armstrong explaining how Pinole is different from the rest of the East Bay, the story about the Yeastie Girlz somehow performing Black Sabbath’s “Iron Man” on tampons, Franti remembering his band the Beatnigs driving their van directly from playing Gilman Street to opening for U2 in Yankee Stadium (and Bono admonishing him for accidentally calling the Irish superband’s guitar player “Ed”), and the tense tale of what happened when Nazi skinheads invaded Gilman.
The bottom line is that no matter how well you think you know the story of this music, you’re going to learn something from this film—probably a lot—and it’s a fun ride down the East Bay streets that drove this community to find each other and make some of the best underground music of all time.
‘Turn It Around: The Story of East Bay Punk’ plays Wed., Oct. 18, at 7 p.m. at the Del Mar in Santa Cruz.
Event highlights for the week of October 18, 2017.
Green Fix
The Missing Arm
When things go missing around Waddell Creek, you can blame family, your memory, or the dog, but it’s really Benjamin Basin’s larcenous severed arm that’s taking your stuff. His arm was cut from his body nearly 150 years ago and buried in a meadow, but legend has it that it still haunts the Big Basin redwoods today. To hear the rest of the story, join Big Basin State Park rangers for a nighttime tour around the redwood loop, complete with music and marshmallow and apple roasting. Bring a flashlight and a friend for protection from the tenacious phantom arm.
INFO: Registration opens at 6:30 p.m., tour at 7 p.m. Saturday, Oct. 21. Big Basin Redwoods State Park, 21600 Big Basin Way, Boulder Creek. thatsmypark.org. $10 per vehicle.
From Sherlock Holmes to The Godfather, all of the best stories (and movies) come from mystery novels. But what goes into the hair-raising suspense mystery novels? The norcal chapter of Mystery Writers of America brings a panel discussion on “what is suspense?” to answer that question. The panel includes New York Times bestselling author Laurie King and USA Today bestselling author Gigi Pandian, plus many more mystery specialists. The discussion is open to mystery enthusiasts of all ages.
INFO: 6-7:30 p.m. Thursday, Oct. 19. Santa Cruz Downtown Public Library, 224 Church St, Santa Cruz. mwanorcal.org. Free.
Saturday 10/21
Heritage Harvest Festival
Travel back to the early 1900s Wilder Ranch for some old-timey square dancing, wool spinning and pumpkin decorating. In celebration of the harvest season, the state park hosts the annual event, complete with tours of the ranch’s Victorian house, live music, and Heritage apple tasting. This historical recreation may be your only chance to see an antique tractor or blacksmith shop. Carpooling is encouraged, since parking spaces are limited.
In the age of fake news, NPR has led the way in both national radio coverage and localized dialogue. There are few things better than lounging about listening to NPR’s weekend edition, but one is seeing NPR correspondent Richard Harris live. Harris is a UCSC alum and reporter focusing primarily on environmental issues, science and medicine and has travelled pretty much anywhere you can think of, or damn near close to it. He will be talking about his new book and the issues he’s seen during his career as a science journalist. This free event was relocated to a larger venue after receiving tremendous interest—meaning you should probably show up early for a good seat.
INFO: 7 p.m. Rio Theatre, 1205 Soquel Ave, Santa Cruz. riotheatre.com. Free.
You make it, they glaze it. Join Good Life ceramics in making your very own slab vase while sipping a glass of wine. Sculpt your vase, attach the bottom by slip-and-scoring, chose your glaze, then pick up the finished piece a few weeks later. This is the ideal workshop for creating a one-of-a-kind holiday gift with all of the tools and materials provided. Quinta Cruz winemakers will be pouring wine, and snacks will be included.
An epiphany struck Brayden Estby as he sat in a coffeehouse near Pinecrest Lake four years ago: he realized that, despite the fact that he had never roasted coffee before, he wanted to open a coffeehouse of his own.
“It wasn’t actually the coffee that got me into it—the coffee at this place was pretty horrible, actually—but the design was beautiful and the aesthetic, the passion of the people that worked there and the overall environment inspired me.”
Estby bought 200 pounds of green coffee and a home roaster, and began teaching himself to roast in earnest when he returned to Aptos. After working for a short time at Verve, he and his brother Joel Estby established 11th Hour Coffee, Santa Cruz County’s newest coffee roasting company, earlier this year. The fledgling business managed to snag a spot at the new farmers market in Willow Glen last winter, and shortly after began selling at the downtown Santa Cruz farmers market, where they were an instant hit.
My friend adores 11th Hour’s handcrafted, whole bean coffee so much that she brought me a bag of an Ethiopian called the Origin to try. The next morning, as I inhaled the robust aroma and took my first sips, I could see why she had fallen in love with the bright, fruity, well-rounded brew.
11th Hour eschews the three overarching coffee categories of light, medium and dark, and instead roasts every bean to whatever degree brings out its best natural attributes. “When people ask, we like to say ‘it’s roasted until it’s roasted,’” says Joel. Their dynamic, single-origin coffees from Costa Rica, Guatemala, Kenya and Ethiopia can be brewed a variety of different ways, including as espresso.
If the enticing aromas wafting through the farmers market don’t draw you in, their gorgeous, hand-made coffee cart decorated with swirling river stones and succulents might. Joel explains that even their design is meant to enhance their customers’ coffee experience: “We want every detail taken into consideration to provide a custom craft experience that puts you into a mindset of imagination, creativity, and passion that can be taken with you into the rest of your day.”
11th Hour is available at the downtown Santa Cruz farmers market, Staff of Life and Deluxe Foods of Aptos. eleventhhourcoffee.com.
We took our bottle of Muns Syrah to friends who had invited us for dinner. Turns out their favorite wine is Syrah, and they even planted a vineyard of Syrah grapes a few years ago.
Produced by Ed Muns and partner Mary Lindsay, the 2011 estate-grown Syrah ($25) is rich, well-balanced and complex, with intense aromas and flavors of dark fruits, licorice, earth and herbs. It paired well with our hearty split-pea soup.
Muns Vineyard does not open very often to the public, but 11 a.m. to 3 p.m. Sunday, Oct. 22 is their next open house and vineyard tour. Please contact Lindsay at ma**@**********rd.com for reservations and directions. Muns says on his website, “Muns Vineyard brushes the sky on the Loma Prieta ridge top at 2,600 feet above Monterey Bay,” so, if it’s delicious wine and a grand view you’re looking for, then you’ll find it at Muns. They will also be participating in Passport Day on Nov. 18 (visit scmwa.com for info on that), and will be pouring for Winemaker Wednesday at Shadowbrook in Capitola on Dec. 13—when you can join them for some holiday cheer.
Dining at Hyatt Carmel Highlands
After a hectic week walking all over Washington D.C. in the summer heat, we were glad to get back to the clement weather of the Monterey Bay. Then to re-charge our batteries, we headed to one of our favorite spots for lunch, the Hyatt Carmel Highlands, where an unrushed meal is as soothing as a visit to a spa. The hotel is celebrating its 100th anniversary this year, so check their website for special planned events at highlandsinn.hyatt.com or call 620-1234. A sumptuous dinner on Nov. 9 featuring the wines of Bernardus Winery will be one of the highlights. The event starts at 6 p.m. and tickets are $120 inclusive.
Two new restaurants have opened in Aptos—Akira Sushi at 105D Post Office Drive (next to Armitage Wines tasting room and Starbucks); and Parish Publick House at 8017 Soquel Drive (in the space that was the Britannia Arms and then Kauboi). Welcome additions to the transformation of Aptos Village.
As I walked among the embers of what was the Coffey Park neighborhood in Santa Rosa Monday morning, my eyes burning from the smoke as I watched weeping residents gazing at where their homes once stood, I was shocked not only by the devastation, but by the fact that a wildfire could reach so far into the city. I thought wildfires were supposed to stay in wild lands, not move into subdivisions with busy intersections, schools and restaurants. Of course, fires don’t follow any such rules, but if this neighborhood could fall victim to a wildfire raging down the hills like a flood, what neighborhood is safe?
Indeed, Coffey Park was outside of the city’s “very severe” hazard zone. As the Los Angeles Times reported Sunday, that meant homes were exempt from regulations to make them more fire-resistant. It’s not clear how such precautions would have protected the neighborhood from the early-morning firestorm. More than 1,200 homes were incinerated in a matter of minutes.
I don’t see this as city or state negligence, but as a chilling testament to the fact that we live in a different era of fire danger. The climate has changed, and so have the risks. This is the terrifying new normal.
Poised for Catastrophes
Sparking PG&E power lines may have pulled the trigger on last week’s catastrophic fires, but evidence shows that climate change built the weapon and aimed it right at the North Bay. And we remain under the gun.
The devastated landscape of Santa Rosa captured last week as fires continued to burn. PHOTO: STETT HOLBROOK
As this issue went to press, a 125-acre blaze that started Monday night northeast of Boulder Creek in the Santa Cruz Mountains had injured five firefighters and destroyed at least four homes, and was threatening 150 more.
From the most destructive hurricane season on record to the devastating fires still burning in the North Bay, the reality is becoming devastatingly clear: the climate has changed and the conditions for fires like the ones burning in Northern California will intensify. It was just two years ago that that the Valley fireexploded in the parched hills of Lake, Napa and northern Sonoma counties, burning 76,000 acres and 1,350 homes and killing three. Northern California’s 15 concurrent fires have scorched 220,000 acres, burned an estimated 5,700 structures and caused at least 40 deaths, making them the deadliest and most destructive wildfires in California history.
“That’s the way it is with a warming climate, dry weather and reduced moisture,” said Gov. Jerry Brown in a press conference last week. “These kinds of catastrophes have happened, and they are going to continue to happen.”
Wildfires in California are a fact of life. Fire plays an important ecological role in the chaparral and conifer forest ecosystems of the North Bay. Problems arise when people choose to live in those fire-prone environments. The California Department of Forestry and Fire Protection and local fire departments mandate property owners carve out a ring of defensible space to help defend against wildfires. But there was little chance of fending off wind-whipped fires of such intensity and speed.
“We know that Northern California’s climate has changed,” says Noah Diffenbaugh, a climate scientist at Stanford University, “and we’re in a climate that’s different than when a lot of what we have on the landscape was designed and built.”
Climate plays an important role in wildfire risk, but it’s not the only influence, says Diffenbaugh. Human elements such as forest management and where and how we build also play a role, he says. Then again, climate change is the biggest human element of all.
“Climate sets the stage, and we have strong evidence that the global warming that’s already happened has increased wildfire risk in the western United States through the effects of temperature drying the landscape,” he says.
“For this particular event, we can really see the impacts of heat. We had record hot conditions during the drought. We had record high temperatures that coincided with record low precipitation that created the most severe drought on record that killed tens of millions of trees. Those record drought conditions were followed by extremely wet conditions this winter that were again followed by record hot conditions.”
In short, climate change primed the landscape for a vicious wildfire.
Fueling the Fires
Rising temperatures also lead to less snowfall in the Sierra and earlier melting of that snow, he says, meaning there is less runoff available during the hot, dry days of fall.
Hundreds of homes and businesses were destroyed in the fires in Santa Rosa, which were fueled by Diablo winds that reached hurricane strength at higher elevations. PHOTO: STETT HOLBROOK
In California, Diffenbaugh says, low precipitation levels are twice as likely to produce drought if they coincide with warm conditions. “Overall, we’ve seen a doubling in frequency of drought in California in recent decades.”
The east-to-west Diablo winds that fanned the flames, reaching hurricane strength at higher elevations, may also be pegged to climate change, Diffenbaugh says.
Richard Heinberg, a fellow at the Post Carbon Institute, a nonprofit think tank focused on climate change and sustainability issues, lives in Santa Rosa and was evacuated the first night of the fire. His house was spared. While the links between climate change and wildfires can be indirect, he says the impacts of a warming climate on California are clear. Heinberg says research shows that increased CO2 in the atmosphere leads to rapid but less viable plant growth—more fuel for fire.
“It’s almost like we’re growing junk food with more CO2 in the atmosphere,” he says.
On a larger scale, he says data shows that California is moving into a hotter and drier climate.
“The 20th century was a wet spell for California,” he says.
City officials say Santa Rosa will rebuild and will be “better than before.” But better in what way? Better prepared for future wildfires? Better built to reduce the CO2 emissions that contributed to the perilous state we’re in? Or will better just mean bigger? While Gov. Jerry Brown admirably sounds the climate change alarm, the sentiments are not keeping pace with the explosive conditions on the ground.
Urgent Action
In an essay on the North Bay fires called the “The Devil in Wine Country” to be published in the London Review of Books, Mike Davis, author of Ecology of Fear: Los Angeles and the Imaginations of Disaster,admits he’s “an elderly prophet of doom” as he laments “the hopelessness of rational planning in a society based on real estate capitalism.”
“We’ll continue to send sprawl into our fire-dependent ecosystems with the expectation that firefighters will risk their lives to defend each new McMansion,” he writes, “and an insurance system that spreads costs across all homeowners will promptly replace whatever is lost.”
Santa Rosa Mayor Chris Coursey says he’s thought about how the city might rebuild to be more resilient, but with the fire still blazing and people’s lives at risk, now is not the time for that. “I’m not there yet,” he told me after a press briefing at the Sonoma County Fairgrounds.
Ann Hancock, executive director of Santa Rosa’s Center for Climate Protection, says that when the time is right, she hopes the conversation centers on reducing the impacts of climate change.
“It’s not too early to start thinking about that, so long as the people who are suffering are taken care of,” she says.
As a trained public health professional, Hancock is a strong advocate for prevention: “Prevention is where we have the best opportunity for impact with the lowest cost.”
Local measures such as better forest management and more defensible space are worthy, but her organization is focusing on bringing down the greenhouse gas emissions that helped get us into this crisis.
“It is a wholesale systemic change and that’s overwhelming for most people to think about, and yet we have to,” she says.
When the North Bay rebuilds, Heinberg calls for building great resiliency into local infrastructure—redundant electric and water systems, larger inventories of food and supplies—that can better withstand future disasters. Knowing that climate change is exacerbating the risks, he says the region should deepen its investment in mass transit, zero-energy buildings and clean energy.
“Ultimately, though, what all this suggests is we need to build differently, change our patterns of living and build a lot more resilience into our whole society, because we unquestionably have more disasters on the way of different kinds, not just wildfires,” he says. “We in California have the opportunity to see the handwriting on the wall and make some changes.”
Those looking to help with relief efforts may donate to the Rebuild Sonoma Fund, which supports the nonprofits on the front lines of the Sonoma and Napa areas. For more information, visit rebuildsonomafund.org.
Naturalist John Muir once said that when we try to pick out anything by itself, we find it attached to everything else in the universe. He was probably talking about studying trees or glaciers, but he might as well have been talking about the affordable housing crisis in Santa Cruz.
“It’s important to understand that when we talk about affordable housing, we aren’t just talking about units built,” says Santa Cruz Housing and Community Development Manager Carol Berg. “We’re talking about parking, density, the height of buildings, what our town is going to look like in 30 years. Ultimately, it’s about our values as a town.”
With Santa Cruz Affordable Housing Week kicking off Thursday, Oct. 19, event organizers aim to increase public awareness and participation to find solutions that have broad community benefit.
The housing crisis isn’t unique to Santa Cruz. Gov. Jerry Brown recently signed a bundle of bills aimed at increasing low-income housing statewide, including one placing a $4 billion affordable-housing measure on the ballot. Even if that bond passes, the state measures will make only a small dent in California’s problem. And locally, given the pressures from university students living in town, the proximity of Silicon Valley and the increasing number of units being rented to overnight tourists, even working professionals struggle to find housing.
Similar struggles are unfolding around the country.
“Everyone who lives in a desirable location is fighting the same battle,” says Todd Brown, a town councilmember for Telluride, Colorado, a high-end resort town with a median household income similar to Santa Cruz. “We’re all trying to maintain a thriving local community in the midst of skyrocketing housing and land costs.”
In Telluride, city leaders have been working for two decades to make sure everyone from dishwashers to teachers to mid-level shop managers can afford to live there. Fifty percent of the town’s workforce lives in deed-restricted affordable housing. “But it’s nowhere near enough,” Brown says.
Efforts to provide affordable housing in Santa Cruz go back to the 1979 passage of Measure O, an ordinance that called for 15 percent of all units built in the city to be made available for low- and moderate-income residents. Thirty-seven years later, only 7 percent of our housing stock is deed-restricted. And the City Council is poised to cut the current requirement in half.
When housing construction slowed, the city began allowing developers to opt out of actually building the less profitable lower-income units, hoping to encourage the creation of more housing. Developers were allowed to pay an in-lieu fee, and funds went into an Affordable Housing Trust Fund.
How much money has the city collected from in-lieu fees? How many affordable units were built with contributions from the Affordable Housing Trust Fund? No one at Santa Cruz City Hall seems to know the answers to these questions.
The city hired financial consultant Kathe Head, of Keyser Marston Associates, to help them get a grip on the issue. She concluded that requiring builders to make 15 percent of their units affordable would result in no new construction. “She told us it wasn’t financially feasible,” says Berg. “It just won’t pencil out for a developer.”
According to local affordable housing advocate Sibley Simon, investors want to see a 20 percent return in order for a project to “pencil out.”
“Development is really risky and expensive here in California,” Simon explains. “Hundreds of thousands of dollars are sunk into projects that never get built.”
Currently, Simon sees mostly high-end housing getting built in Santa Cruz, with a few affordable units. In an effort to provide housing for the vast population in between, he’s approached foundations and nonprofits for funding for new projects. “These groups are willing to accept lower returns, like 5 or 6 percent, in exchange for having a positive social impact,” says Simon, who’s working on building a complex of small units near the Homeless Services Center.
Meanwhile, the Santa Cruz City Council is considering dropping its affordability requirement from 15 percent down to 7.5 percent, in an effort to appeal to developers and spur new housing construction.
In the coming months, the council will also be hearing a plan to rezone Lower Pacific Avenue for up to six floors. Lee Butler, the city’s new director of Planning and Community Development says current height restrictions were a “roadblock” for developers.
With few vacant sites left in the city, finding a place to locate any new units poses a significant challenge. “The city is pretty much built out, so infill housing is the way we need to develop in the future,” says Berg. Infill could involve subdividing large lots with one unit into multiple lots with single-family homes, building taller high-density developments or allowing mixed-use developments. But every time a developer is allowed to opt out of actually building affordable units, there’s less available land where any low-income housing can be built in the future.
Many city leaders fear imposing conditions that might make developers walk away from the table. “What if we pass something really well-intentioned, and it results in developers not being able to build anything?” asks City Councilmember Richelle Noroyan.
Butler insists that market realities guide Santa Cruz’s development. “We need to consider the market implications of whatever program we put forth,” he says.
Every town has to take market forces into account, but not every town lets developers dictate the terms. In Telluride, for example, city leaders’ commitment to building affordable housing is stronger than their allegiance to the free market.
“We recognized that if we let the free market dictate housing construction, our workforce wouldn’t have anywhere to live. If we can’t provide housing and parking for our working class, we won’t have a community left,” Councilmember Todd Brown says. “So the town government stepped in and decided to let carefully crafted policy guide housing construction, not market realities.”
The city of Telluride, with just 3,000 residents, actually hires contractors to build affordable housing. Less than six months ago, they completed an eight-unit project in town. Right now, the city has 18 more apartments under construction, three tiny homes and an experimental 44-bunk rooming house that can be converted back to apartments if the effort doesn’t pan out as planned.
In Santa Cruz, a town with 60,000 residents, there are currently six affordable housing units under construction. Two are being built with assistance from Habitat for Humanity, and another two are accessory dwelling or in-law units.
In Colorado, sales tax is only 2.9 percent, compared to 7.25 percent in California. The town of Telluride has chosen to take on some of the financial burden of providing workforce housing themselves.
Some of the funding for Telluride’s projects comes from a 1 percent sales tax devoted to affordable housing. Some of it comes from fees. In Telluride, any development project, including a single-family home or significant reconstruction, must pay fees to the town’s affordable housing fund. While the calculation for in-lieu fees is complex in Santa Cruz, in Telluride it’s a simple formula involving percentages and square feet.
When the proposed project is larger than about 3,800 square feet, the developer can no longer opt out of building affordable units by paying a fee. They need to build an affordable unit, either on-site or at another location within the city limits. Or, the developer can purchase a free market unit and hand it over to the housing authority as a deed-restricted unit. Developers have a variety of options, but every time a large project gets built in Telluride, the town gets more affordable housing.
“When developers say ‘that won’t pencil out,’ we say ‘that’s your problem,’” says Brown. “We know there’s always another developer in line behind them.”
Affordable Housing Week runs Thursday, Oct. 19 through Saturday, Oct. 29, with a total of 17 events, including discussion forums, legal clinics and government meetings. For more information, visit santacruzcommunitycalendar.org.