Opinion March 29, 2017

EDITOR’S NOTE

There are some things that seem like they must always have been true about Santa Cruz, but some of GTโ€™s cover stories lately have taken a closer look at our assumptions. For instance, Mat Weirโ€™s piece a few weeks back about the police raid on a birthing center in the 1970s let the air out of the simplistic notion that Santa Cruz has always been a bastion of reproductive rights and womenโ€™s liberation.

This weekโ€™s cover story by Geoff Drake is startling in a similar wayโ€”doesnโ€™t it seem like a progressive mountain bike advocacy group must have existed in Santa Cruz before 1997? And yet, as Mountain Bikers of Santa Cruz celebrates its 20th anniversary, Drakeโ€™s story lays out all the ways that the group was indeed revolutionary in its vision for promoting both the sport and the local trail system. The MBoSC battle to reclaim Heroin Hill is one of those Santa Cruz stories that should be widely known. As usual, behind the popular notion that Santa Cruz is a bikerโ€™s paradise is a more interesting real story of cyclist activists in Santa Cruzโ€”lovers of the sport and the local landscape who have dedicated themselves to building and increasing access to trailsโ€”who made it that way.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Down the Memory Hole

In Mr. Kettmannโ€™s article (GT, 3/1) comparing George Orwellโ€™s dystopian novel 1984 to the arrival of the Trump presidency, he paints Mr. Trump as the new โ€œBig Brother,โ€ and as a petty, petulant, totalitarian bigot, woman-hating, life-hating (thatโ€™s a new one), reality TV curiosity (not as someone who worked his ass off for decades to build a multi-billion dollar business empire), and a liar (despite keeping all his campaign promises) whose presidency is an โ€œassault on decency.โ€ Of course, in his very emotional and slanderous picture of the president, he brings absolutely zero quotations or documentary evidence to back up his assertions of blind hatred for a man he has never met.

He implies that we all woke up on Nov. 9 to the reality of a full-surveillance-style police state; however, that has been a reality for Americans and others around the world for quite some time now. The Edward Snowden revelations about unchecked NSA surveillance of everybody occurred during the โ€œBig Brotherโ€ Obama administration.

He also seems to have overlooked the historical fact that in 1948, Orwell was warning us about the dystopian world of left-wing communist-Marxist totalitarianism (INGSOC), i.e. he was warning us about the modern intolerant, totalitarian, and violent โ€œregressive left.โ€

Kettman writes of the two closely related phenomena of โ€œthought controlโ€ and โ€œthe distortions of language,โ€ which in fact we now find in the โ€œcultural Marxistโ€ world of the modern โ€œnewspeakโ€ movement, i.e. the modern cult of political correctness championed by the New Left.

Regarding the Orwellian news โ€œmemory holeโ€ and โ€œdoublethink,โ€ does he remember back in 2014 when the people of Crimea held a peaceful national referendum on whether or not to rejoin the Republic of Russia (the โ€œYesโ€ vote was 95.5 percent) after the Obama administration orchestrated a Neo-Nazi-led coup dโ€™รฉtat against the democratically elected government of Ukraine, costing U.S. taxpayers $6 billion for the whole operation? Iโ€™ll bet that he is completely unaware of this historical fact and actually believes that Crimea is now part of Russia due to โ€œRussian military aggression,โ€ a thoroughly debunked myth which the corporate fake news media still refuses to admit was a total lie. They dropped the facts down the โ€œmemory holeโ€ to prop up their false narrative of โ€œRussian aggressionโ€ in order to support the warmongering neoconservativesโ€™ plan for World War III against Russia, which the current president is trying to avoid by peacefully normalizing U.S.-Russia relations. When he (and all life on Earth) does not die of radiation poisoning in the next six months, he might want to send the president a little thank you note.

E. Campbell

Santa Cruz

Steve Kettman responds: I would like to thank J.E. Campbell for his letter, the publication of which does demonstrate that we live in a society which allows for wide, wide latitude of expression, unlike in Orwellโ€™s fictional โ€˜1984.โ€™ That said, I am no less alarmed now than when I wrote the original piece by the daily assault on honesty and reality by Trump and his crowd. One day, his gimlet-eyed spokesman is blaming the British for a fantasy โ€œwiretapโ€ of Trump, the next day Trump is startling the visiting German Chancellor by claiming he and Frau Merkel have โ€œsomething in commonโ€ in both being wiretapped by the Obama administration. This is not doublethink. This is beyond doublethink.

 

CORRECTION

Last weekโ€™s cover story (โ€œWarming Trend,โ€ 3/22), reported that the Homeless Services Center shuttered its shelters in July 2015, but not that they re-opened two weeks later. We regret the error.


PHOTO CONTEST WINNER

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GOOD IDEA

CHIEF CONCERNS
The Santa Cruz Police Department (SCPD) has taken a step that it hopes will increase transparency and community trust: Deputy Chief Rick Martinez announced last week that the agency is reinstating its Santa Cruz Police Chiefรขโ‚ฌโ„ขs Advisory Committee. The group will give input into the departmentรขโ‚ฌโ„ขs policies, strategies, and priorities. The 14-member body has members representing a variety of perspectives, including public safety, diversity, homelessness, mental health, education, faith communities, and social services.


GOOD WORK

LOOP THINK
Construction on the Branciforte Creek bicycle and pedestrian bridge project finally began earlier this week. The last piece in Santa Cruzรขโ‚ฌโ„ขs five-mile river walk, the linkage will go under the Soquel Avenue Bridge and over Branciforte Creek. City leaders first conceived the plan 30 years ago, but continued to put it off while they looked for funds. A Caltrans Active Transportation Program grant is funding $1.8 million in construction, with another $600,000 coming from local gas taxes.


QUOTE OF THE WEEK

รขโ‚ฌล“Get a bicycle. You will not regret it, if you live.รขโ‚ฌย

-Mark Twain

4 Things to Do in Santa Cruz This Week

 

Green Fix

Cleanup Cowell’s

popouts1713-Green-FixAll rains lead to the ocean, which is why itโ€™s especially important to clean our Monterey Bay National Marine Sanctuary beaches during and following rain storms. Join Save Our Shores in its bi-monthly Cleanup Cowells Project, the brainchild of Sanctuary Steward extraordinaire Haley Mander. Volunteers must be over 18 years of age or be accompanied by an adult. Wear layers and sun protection, bring a reusable water bottle, and start your Sunday off right by helping to protect marine life from plastic debris, cigarette butts and whatever else may have been flushed down the pipes.

INFO: 9-11 a.m., Sunday, April 2. 21 Municipal Wharf, Santa Cruz. (In front of public bathrooms at Cowell Beach. Questions, contact cl*****@***********es.org. Free.

 

Art Seen

Jewish Film Festival

Celebrating Jewish history and culture in film, the Santa Cruz Jewish Film Festival opens on Saturday, April 1. A catered opening reception will include a raffle, mouth-watering bites, and writer/director/filmmaker Aaron Wolf in-house. Saturdayโ€™s films, beginning at 7 p.m., include the documentary El Hara, about the Tunisian-Jewish born writer and essayist Albert Memmi, and Wolfโ€™s Restoring Tomorrow, which tells the story of a treasured local temple near demise in Los Angeles, and rediscovered faith. A Q&A with Wolf, who wrote and directed, will follow.

INFO: 6 p.m. Saturday, April 1, Jewish Community Center, Temple Beth El, 3055 Porter Gulch Road, Aptos. The film festival continues on Monday, April 3 and Wednesday, April 5 at the Del Mar. Visit santacruzjewishfilmfestival.com for full schedule. Suggested donations $20/person, $35/couple.

 

Saturday 4/1

First Saturday Arboretum Tours

popouts1713-arboretum-toursOn this and every first-Saturday of the month, UCSCโ€™s Arboretum offers a chance to circumnavigate the world through the amazing plant life of its Mediterranean climates. Bask in the sunshine of our own Mediterranean-temperate spring, as you follow a docent from New Zealand to South Africa to Australia and back to Californiaโ€”all in less than 90 minutes. Youโ€™ll learn about rare and endangered plant species, as well as about bees, butterflies, aromas and succulents in the arboretumโ€™s specialty gardens, and check in on which trees are blooming in the Rare Fruit Garden, and whatโ€™s new at the developing World Conifer Collection. Bring a camera, and/or notebook for garden notes.

INFO: Tour leaves at 11 a.m. from Norrieโ€™s Gift Shop, UCSC Arboretum, 1156 High St., Santa Cruz. 502-2998. Tour is free with admission; $5/adults, $2/Children ages 6-18, and free for members.


Tuesday 4/4

Nationwide Screening of โ€˜1984โ€™

popouts1713-1984Does art imitate life or life imitate art? Or, do some artists and thinkers simply possess an uncanny capacity for prophetic works? George Orwellโ€™s book 1984 has undergone a resurgence in post-election popularity, and remains a rich platform for community conversations around our society under the new administration. On Tuesday, April 4, independent movie theaters in more than 80 cities across 35 states will be showing the film based on Orwellโ€™s novel, in a stand for free speech, respect for human rights and promulgation of factual news. In solidarity with these fundamental rights, Scotts Valley Library joins the nation-wide screening, choosing 1984 as the first film in a five-month series called Movies that Matter. Come watch, talk and learn. Rated R.

INFO: 5-7 p.m. Scotts Valley Branch Library, 251 Kings Village Road, Scotts Valley. 427-7700. Free.

Is taller, high-density development a good thing for Santa Cruz?

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“Itรขโ‚ฌโ„ขs going to make our traffic situation worse than it already is.”

Art Shields

Capitola
Graphic Designer

“Itรขโ‚ฌโ„ขs necessary to house more people. Portland is a good example of expanding to give people places to live and affordable housing.”

Terry Boyd

General Contractor
Santa Cruz

“It would attract more yuppies and take away what Santa Cruz is all about.”

Cayenne Heron

Santa Cruz
Mom/Volunteer

“It might lower the price ranges for housing in Santa Cruz. ”

Kristine Beck

Santa Cruz
Medical Assistant

“They should do what they do in Kauai: make the buildings only as high as the palm trees.”

Michael Hand

Santa Cruz
Attorney

Santa Cruz Music Picks Mar 29โ€”Apr 4

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WEDNESDAY 3/29

INDIE-FOLK

DEER

If thereโ€™s a band that fully embodies Austin, Texasโ€™ eclectic ethos, itโ€™s Deer, who are touring on their transcendent third album, Tempest & Rapture. Austin, as we all know, is where all the southern weirdos go to make crazy music and eat breakfast tacos. Deer uses roots-folk-country as its jumping-off point, but mixes elements of star-gazing psychedelic rock and spiritual dream-pop. Somehow the group never loses its boot-stomping edge while drifting out in the nether-regions of the universe, creating beautifully strange music. AARON CARNES

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

 

THURSDAY 3/30

REGGAE

KING SCHASCHA

Whether itโ€™s reggae artists like UB40 and Sister Nancy, or ska bands like the English Beat, or punkier groups like the Interrupters, King Schascha can share a bill with them. Hailing from San Diego, he crosses genres with his blend of reggae, jazz, soul and calypso, and is known for authentic songs about real-life trials and tribulations. His live shows are known for the booty-shaking beats dropped by his seven-piece Irusalem Band, and a One Love vibe. MAT WEIR

INFO: 9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $8/adv, $12/door. 479-1854.

 

THURSDAY 3/30

ROOTS

MANDOLIN ORANGE

From the first licks of the opening song on the new Mandolin Orange album, Blindfaller, itโ€™s clear that the duo is something special. Hailing from Chapel Hill, North Carolina, Orange Mandolin plays the kind of acoustic music that sets your heart leaping and your mind opening. Rooted in folk and bluegrass, the duo, comprising Andrew Marlin on vocals, mandolin, guitar and banjo, and Emily Frantz on vocals, violin and guitar, weaves intricate melody lines, understated harmonies, contemplative storytelling and sweet, back-porch grooves to create a sound that grabs you and doesnโ€™t let go. Keep your eyes (and ears) on this rising star of the folk scene. CAT JOHNSON

INFO: 8 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $20/adv, $25/door. 335-2800.

 

FRIDAY 3/31

SOUL

CON BRIO

Con Brio started out from a dream that lead singer Ziek McCarter describes as โ€œone of the most spiritual moments of his life.โ€ McCarter was left with a powerful urge: to make music that was uplifting, and bring compassion and serenity to whomever the group played for. Con Brio has done that with infectious, funky, psychedelic grooves. At times, the band rocks out pretty hard, but everything is toe-tappingly soulful and feel goods in your heart. AC

INFO: 9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $12/adv, $15/door. 479-1854.

 

FRIDAY 3/31

INSTRUMENTAL ROCK

TAUK

An instrumental group that seamlessly incorporates hip-hop, funk, prog rock and jazz, TAUK is a beacon of collective chemistry and creativity. Hailing from Oyster Bay, New York, the four-pieceโ€”guitarist Matt Jalbert, bassist Charlie Dolan, keyboardist/organist Alric โ€œA.C.โ€ Carter, and drummer Isaac Teelโ€”creates musical soundscapes that transport listeners with rich textures, unexpected melodic meanderings, and consuming jams. From its hypnotic, ambient grooves to mind-bending improvisations, TAUK is one of the most innovative and exciting bands around. If you love a tripped-out groove, but donโ€™t want to watch someone twiddle a laptop all night, check these guys out. CJ

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $15/door. 423-1338.

 

SATURDAY 4/1

COUNTRY

ANTSY MCCLAIN & THE TRAILER PARK TROUBADOURS

Antsy McClain regales crowds with homespun stories and humorous tunes about growing up in a trailer park in small-town rural America. Part of the appeal is that he doesnโ€™t take himself all that seriously, yet his music is a sincere love letter to the best rural American living has to offer. AC

INFO: 8 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $$20/adv, $25/door. 335-2800.

 

SUNDAY 4/2

FOLK/COUNTRY

EILEN JEWELL

Idaho, at first blush, does not strike one as a musical hotbed. But the gem state, as itโ€™s affectionately known, has produced its fair share of musical treasures, including folk legend Rosalie Sorrels, indie-rock royalty Built to Spill, and impeccably dressed classic rock outfit Paul Revere & the Raiders. Idaho is also the stomping grounds of Eilen Jewell, one of the most extraordinary artists on the contemporary roots scene. With her clear, stunning voice and easy stroll through country-noir, folk, alt-country and Americana, Jewell brings listeners into a quiet, thoughtful, era-transcending world that encompasses much of whatโ€™s great about American roots music. CJ

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/gen, $40/gold. 427-2227.

 

MONDAY 4/3

JAZZ

ROBERT TURNER & EDDIE GUTIERREZ

Los Angeles pianist Robert Turner is a soul-steeped improviser who can summon the deep blues of Gene Harris, the ebullient two-handed swing of Erroll Garner, and the rhapsodic flights of Keith Jarrett. His gospel roots in the Baptist church remain close to the surface, and heโ€™s worked with some an array of artists, including Chico Debarge, Stevie Wonder, and Ronnie Laws. Sharing the double bill is Monterey guitarist Eddie Gutierrez, a formidable player and singer/songwriter. ANDREW GILBERT

INFO: 7:30 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $10. 335-2526.

 

TUESDAY 4/4

BLUES

SCOTT H. BIRAM

What do you get when you cross a Texan ex-truck driver with a distorted guitar, Biblical guilt and a love for punk and Motorhead? The one and only Scott H. Biramโ€”whoโ€™s merch boldly proclaims โ€œThe H. stand for โ€˜F*$ck You!โ€™โ€ Once known as a one-man band, Biram has slowly integrated other artists into his work, but remains a Catalyst favorite. Touring on his most recent release, The Bad Testament, Biram is a wrecking ball of sound for fans of Waylon Jennings, punk rock, fuzzed-out blues guitar riffs and a hell of a lot of whiskey. MW

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $14/door. 429-4135.


IN THE QUEUE

STRFKR

Indie rock out of Portland. Thursday at Catalyst

SANTA CRUZ WOMEN OF JAZZ

Tribute to Ella Fitzgerald. Thursday at Kuumbwa

RED

Nashville-based American rock band. Saturday at Catalyst

ROY ROGERS

Contemporary blues master. Sunday at Moeโ€™s Alley

BLACK BROTHERS

Siblings from Irelandโ€™s renowned musical group, the Black Family. Sunday at Don Quixoteโ€™s

Giveaway: Juan de Marcos Gonzalez & the Afro-Cuban All-Stars

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In 1997, the wildly popular Buena Vista Social Club album was released to global acclaim. Featuring legendary Cuban musicians like Rubรฉn Gonzรกlez, Omara Portuondo, Orlando โ€œCachaรญtoโ€ Lรณpez and Ibrahim Ferrer, the project was spearheaded by bandleader and artist Juan de Marcos Gonzalez and American guitarist Ry Cooder. The album, which was part of a series of Buena Vista Social Club recordings, launched a resurgence of interest in Afro-Cuban music driven, in large part, by Gonzalez. On April 17, Gonzalez brings his Afro-Cuban All-Stars to the Kuumbwa for what promises to be an unforgettable evening.


INFO: 7 & 9 p.m. Monday, April 17. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35/adv, $45/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, April 10 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Manorlady

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Manorlady formed in Virginia in 2009, then relocated to Santa Cruz in 2013. But it wasnโ€™t until the group released the Barely Not Dead EP last fall that the band popped up on peopleโ€™s radars. Live, fans can hear a lean, mean trioโ€”Melissa Bailey on bass/vocals, Aaron Bailey on guitar/vocals and Conor Kelly on drumsโ€”ripping through the fuzzed-out, moody, multi-layered post-punk tunes. But the EP was recorded prior to Kelly joining the group, using a drum machine.

โ€œEveryone thinks itโ€™s an actual drummer, but my brother-in-law actually programmed those,โ€ Melissa says.

Drum machines are nothing new for the group, as Kelly is the first live drummer to play in Manorlady. Previously, Aaron had programmed the drum machine while playing the guitar. While in Virginia, they had a third member who provided keys.

The first couple years in Santa Cruz, Manorlady wasnโ€™t that active. Kelly joined the band last summer, shortly after Barely Not Dead was recorded, but before it was released. Not only has he made these songs work live, but the trio has also written an entire full-length album, which is already demoed and ready to be properly recorded. They hope to release it later this year.

โ€œWe love having a drummer. Aaron can just focus on his guitars, and not have to do all that drum machine stuff,โ€ Melissa says. โ€œItโ€™s been an adjustment for me. I learned to play with a drum machine. With a drummer, itโ€™s more dynamic. Weโ€™re not stuck on the beat that the drum machine is doing. I feel like we have more range. Weโ€™re experimenting a little bit more.โ€


INFO: 9 p.m. Thursday, March 30. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8/adv, $10/door. 429-6994.

Mr. Goodie, Antique Lover, Retires from Pacific Avenue

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As the 1989 Loma Prieta Earthquake violently shook Santa Cruz County with magnitude-6.9 force, a Champagne bottle in Mr. Goodieโ€™s Antiques and Collectibles on Pacific Avenue rattled alongside dozens of fragile relics, each dancing inside their glass enclosures. While many buildings crumbled or faced such irreparable harm that they would later be torn down, the one-story Mr. Goodieโ€™s buildingโ€”a newer and stronger design than surrounding structuresโ€”did not fail.

โ€œWe were saving that bottle to celebrate our opening,โ€ remembers co-owner Kurt Haveman, also known as โ€œMr. Goodie,โ€ who runs the shop with his wife and business partner, Kit. โ€œIt survived!โ€ he happily shouts from behind the shop counter, where tribal masks and vintage clocks surround him. โ€œWe still have it in the back.โ€

At the end of March, the Havemans will close up their one-of-a-kind antique shop after 28 years of business in downtown Santa Cruz.

โ€œIโ€™m happy for Kit and Kurt, because itโ€™s time for them to retire and move on,โ€ says Richard Hoffman, a longtime customer and friend of the Havemans who often visits the shop in search of Native American memorabilia. โ€œBut the thought of moving all this stuff,โ€ says Hoffman, his voice quieting as his eyes widen and scan the storeโ€™s many glass cases. โ€œItโ€™s a little overwhelming.โ€

When customers walk through Mr. Goodieโ€™s doors, they find items from just about any eraโ€”from Napoleonic helmets to 1950s potato mashers. The Havemans have a long history in dealing antiques. Before becoming โ€œMr. and Mrs. Goodie,โ€ they ran a business designing and implementing themes for restaurants with old-fashioned decor. But hauling antiques and five children across the country proved exhausting, so, in 1974, the family settled in Santa Cruz, where they moved into and began revamping their downtown Victorian.

A decade later, they began a 27-person collective of antique dealers, called Moderne Life, just five doors down from their current storefront. But the couple wanted to sell items that were older than Moderne Lifeโ€™s scope, which focused on mid-century items. So they opened Mr. Goodieโ€™s in 1989 with Ed Doran and Rocky Wagers (who both later retired in 2009). The earthquake came 17 days later, destroying the Moderne Life building, yet leaving Mr. Goodieโ€™s intact.

Haveman sent his nine-year-old daughter outside with a sign made of sandwich board telling everyone they were still open. Business was slow to return, as he remembers, after the quake decimated downtown. To make ends meet, Kit took a side job waitressing at Ristorante Avanti. It took several years before their customer base returned.

The Havemans say theyโ€™re closing their doors only because theyโ€™re eager to enjoy their next adventureโ€”namely, traveling across the country to see family, friends and, of course, more antiques.

Meanwhile, many antique stores around the world have closed in recent years for financial reasons.

โ€œAntique stores canโ€™t just rely on people walking in the door,โ€ says pop culture memorabilia appraiser Leila Dunbar, who has appraised items for the Antique Roadshow. โ€œThey have to be aggressive in marketing through the internet,โ€ she adds.

Some observers think the antique industry faces other obstacles, as well. An article in the Economist from 2015 offered that buyers are simply less interested in the sometimes fickle world of antiques than they were even a decade ago. The magazine also suggestedโ€”as some experts also haveโ€”that, while higher-end antiques continue to perform well, everyday vintage goods generally have not.

Haveman says that the real value in an antique lies in a sense of nostalgia. โ€œPeople want things from their childhood they couldnโ€™t afford,โ€ he says.

Thatโ€™s certainly what Bonnie Belcher, promoter of the Downtown Antique Faire, was trying to tap into when she first began collecting more than 35 years ago.

โ€œIt all started when I wanted to replace things I remembered from my childhood,โ€ she says. โ€œTo find something from that time or something my grandmother had owned, itโ€™s a great feeling.โ€

Beyond reliving the past, collectors like the Havemans can use their love of old items to share something with the people they meet every day.

Haveman loves to tell stories, and when a young woman brings a cast-iron pot to the counter and asks the price, he recounts how cross-country truckers would leave these same potsโ€”uncooked meals enclosedโ€”in their hot engine bays. At the end of their shift, says Haveman, a warm meal waited under the hood.

Across the nation, as an uncertain future looms for antiques, enthusiasts in Santa Cruz see reason to remain optimistic. โ€œI donโ€™t see the love or want of antiques going anywhere for a long time,โ€ says Belcher.

Attendance at the Downtown Antique Faire is strong, she notes, and Santa Cruz is one of few California cities to host such a monthly fairโ€”on the second Sunday of each month.

โ€œI really hope we continue having people who enjoy antiques and collectibles here,โ€ she says, โ€œpeople who keep things for another generation that, hopefully, they can enjoy.โ€

Rising Interest in Spikeball, AKA Roundnet

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Onstage in front of a few hundred people at the NEXTies on Friday night, Event Santa Cruz honored one of the greats.

Taking home the NEXTieโ€”an engraved glass mugโ€”for โ€œbest athleteโ€ at the Rio Theatre on Friday, March 24 was Ryan Navaroli, a nationally ranked rising star in a little-known sport called Spikeball.

โ€œItโ€™s like beach volleyball, except itโ€™s a 360-degree game with no boundaries, so basically you can imagine youโ€™re diving all over the place,โ€ Navaroli said at the NEXTies podium, award mug in front of him. โ€œWhen I first started playing, I was having body parts sore that I didnโ€™t even know existed.โ€

So either Spikeball is extremely competitive, or Navaroli is just lousy at anatomy. Either way, after quickly getting the hang of it, Navaroliโ€”who played baseball at Santa Cruz High School and Cal State University San Bernardinoโ€”found it both a surprisingly rigorous workout and a lot of fun. Two teams of two surround a circular, trampoline-like surface, bouncing the ball off of the net below, and players lunge into the sand, trying to keep the play alive.

As he finishes up his masterโ€™s program at San Jose State University, Navaroli, 25, has been noticing that many kids have also taken to the sport. He even helped convince Shoreline Middle School to add Spikeballโ€”also known by its generic name, roundnetโ€”to its physical education curriculum.

โ€œEverything has just spiraled into Spikeball and roundnet going crazy, and itโ€™s awesome that itโ€™s picking up,โ€ he tells GT.

In competitions around the state, Navaroli plays alongside teammate and fellow Santa Cruz native Will Potter, and the Santa Cruz Roundnet club that he started has 4,000 followers on Instagram.

Navaroli has also held three local tournaments, the last one in December. Heโ€™s currently rallying to create the fourthโ€”the second annual Santa Cruz Summer Showdown, scheduled for July 8 at Seabright Beach.

โ€œIโ€™ve already got 13 teams for that, and Iโ€™ve only been promoting it for two days, so Iโ€™m curious how big thatโ€™s going to get,โ€ he says.

This yearโ€™s NEXTies received 1,000 nominations, says Matthew Swinnerton, founder of Event Santa Cruz. A committee of eightโ€”including past honoreesโ€”voted on winners for the 17 categories, which stretched from mentors to businesses that are involved in the community.

This was the most winners the event has had in its eight years, and it was the second year that the awards were divided into separate categories. โ€œWeโ€™ll keep it at that number,โ€ Swinnerton says. โ€œWe canโ€™t do anymore, or weโ€™ll be there all night.โ€

The awards went 45 minutes over schedule anyway, and next year, he plans to have the house band cut off speakers who go on too long.


PRESSING GAUZE

In what quickly turned into a crummy pre-dawn morning, veteran Paul Damon got stabbed after getting robbed in his home in January, as GT reported last month (โ€œWill to Heal,โ€ 2/17). He and his friend Adam Binckley chased down the guy who had ripped the two men off.

But what Damon and Binckley, a fellow vet, didnโ€™t realize until later was that the knife that went deep into Damonโ€™s thigh didnโ€™t actually belong to the criminal. Rather, it turns out that when Damon attempted to hip-throw the alleged thief, he accidentally thrust his own body into a knife that Binckley was running with.

โ€œA friendly stabbing,โ€ says Damon, who heads the nonprofit Holistic Veterans.

Damon has fully recovered, and says he cut his recovery time by using Eastern healing practices and focusing on a healthy diet. Since the incident, he has spotted more of his veteran friends out in the neighborhood, keeping an eye on their streets. โ€œI noticed everyone walking with their chests out,โ€ he explains. โ€œI think it inspired everyone.โ€

Alternate moral of this story: Donโ€™t run with a knife.

Film Review: โ€˜Personal Shopperโ€™

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The new drama from French filmmaker Olivier Assayas, Personal Shopper, has an identity crisis. It seems to be going in a lot of interesting directions, scrupulously building up elements of mystery, horror, philosophical pondering, character study, and psychological thriller. But like so many modern multi-taskers, in its zeal to be and do everything, it never quite does any one thing well.

Assayas has a reputation for thoughtful, nuanced contemporary stories. His Summer Hours, about three siblings deciding how to disperse their late motherโ€™s art collection, dealt with family and cultural heritage. More recently, his femme-centric Clouds of Sils Maria, involving three women at various stages of life in the theatrical community, explored female issues of aging and image.

The milieu is still upscale in Personal Shopper, although the eponymous protagonist does not exactly belong to that rarefied world. Maureen (Kristen Stewart) is an American adrift in Paris. She works as a personal shopper for a wealthy socialite/philanthropist who is constantly in the papers at charity events and has to look fabulous, but is too busy to shop on her own. Itโ€™s Maureenโ€™s job to bomb around Paris on her motorbike, pop into Chanel, Dior, and Cartier to select items, and deliver them to her client.

Maureen is not a fashionista herself, in her grungy sweaters and jeans. Sheโ€™s also coping with the recent death of her twin brother, Lewis, due to an abnormality of the heart, a condition she also shares. Her friend and sister-in-law, Lara (Sigrid Bouaziz), has moved into an apartment and is selling the house she and Lewis shared in Paris. But Maureen spends a few nights there alone in hopes of making contact with Lewisโ€™ spirit.

As Maureen matter-of-factly tells everyone, sheโ€™s a medium, and so was Lewis; they once made a pact that whichever one of them died first would contact the other twin from the other side. She doesnโ€™t do anything overt, like hold a seance; she just wanders around in the dark โ€œwaitingโ€โ€”not only to hear from Lewis, we soon realize, but to figure out a way to escape โ€œa job I hate,โ€ and move on with her life.

There are lots of interesting themes and possibilities hereโ€”the colliding worlds of glitz and glam with spirituality, the process of grief, the nature of identity, and the human need for connection in an increasingly alienating world. This last comes to the forefront when the midsection of the movie becomes a kind of stalker melodrama, as Maureen starts receiving a series of insinuating texts. Freaked out at first, she turns to these messages from an unknown texter, and her own responses, as a kind of therapy.

Itโ€™s not that these elements never add up (they do, sort of, depending on how you choose to perceive them). The problem is the accumulation of intrigues never quite gains the resonance it should. Whether or not you think you โ€œgetโ€ a story, a viewer wants to embrace something about a movieโ€”its cleverness or its profundity or its jazzy style. But this one rarely elicits a strong or satisfying reaction.

Stewartโ€™s angsty face fills just about every frame, but neither she nor the script can make us understand her characterโ€™s profound sense of disconnection from life. There are a couple of intensely spooky and eerie paranormal visuals, but also a lot of screen time frittered away in endless shots of Maureen racing through traffic on her bike, or with the camera peering over her shoulder at her tiny phone display screen.

One interesting factoid Assayas tosses into the mix is the story of real-life Swedish artist Hilma af Klint, whose geometric, abstract work at the beginning of the 20th Century anticipated better-known work by artists like Kandinsky by some 20 years. Hilma af Klint claimed spirits were guiding her hand when she painted, so we see snippets of a documentary about her Maureen watches on her phone.

But the artistโ€™s story doesnโ€™t really have anything to do with Maureenโ€™s story. Itโ€™s just another potentially interesting ingredient that doesnโ€™t help gel the movie into a meaningful whole.


PERSONAL SHOPPER

**1/2 (out of four)

With Kristen Stewart. Written and directed by Olivier Assayas. An IFC Films release. Rated R. 105 minutes.

Downtown Businesses Skeptical of Parking Garage

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As customers hunched over a wooden counter sip craft beers and ciders, Noelle Antolin, co-owner at Lรบpulo, gazes out of the windows and across Cathcart Street, to where the sun plays on trees in the parking lot.

She and husband Stuyvie Bearns havenโ€™t taken a stance on the parking structureโ€”with a public library on the first floorโ€”proposed for the lot across from their spot on Cathcart and Cedar streets. She admits that certain examples of parking garages that consultant firm Group 4 showed at a Santa Cruz City Council meeting in December were surprisingly artisticโ€”some immersed in vines and greenery or bejeweled with a rainbow of bright pastel lights. Another was designed to resemble a row of classic novels, including Catch-22. ย 

Antolin isnโ€™t sure what to make of it all.

โ€œIt would change the dynamics of the street. Weโ€™re in the land of blue skies and old trees. But at the same time, it might bring more foot traffic,โ€ says Antolin, who has been going to meetings to learn more about rough sketches for the possible garage. Others have stronger feelings about the possible 70-foot-tall structure.

โ€œThere are so many ways to travel now,โ€ says Wade Hall, who owns Spokesman Bicycles next door to Lรบpulo. โ€œElectric bikes. Electric skateboards. Rail to trail. All these things are just coming online.โ€ He insists that in a few decades, giant parking structures will look as outdated as an old barn does now.

So while the possible garage wends its way through the city process, some neighboring businesses have joined environmental activists in opposing the plan.

And although most downtown business leaders havenโ€™t exactly been resistant to the idea, neither have they embraced it.

โ€œNot enough business members are tuned in to this issue yet. People donโ€™t know about it, and the people who do know havenโ€™t decided yet,โ€ says Santa Cruz Downtown Commissioner Robert Singleton, also a policy analyst for the Santa Cruz County Business Council.

With all of the money they already spend toward parking deficiency fees, some business owners are wary of a garage estimated to cost around $35 million, until they know where the moneyโ€™s going to come from.

The Downtown Commission heard about the garage at its March 23 meeting, while looking at the cityโ€™s Capital Improvement Program (CIP). Transportation Manager Jim Burr suggested the commission give the City Council direction on how to spend CIP money, especially when it came to a possible $2.3 million allotment city staff would use to design the garage if the project moves forward. Thatโ€™s a chunk of change the commission declined to either endorse or oppose for the council. Or, as Singleton put it, โ€œItโ€™s your bed, you have to make it.โ€

If the council stays the course, the combination parking structure and library would come back for more robust public hearings, with more notices going out to people who live and work nearby. By then, a downtown parking study will have come out, and the commission should have a better sense of how they would fund the garage, and the city managerโ€™s office should have an idea of how to preserve the downtown farmers market, which currently calls that lot home. Library leaders, who are spending money from the June 2016 election, might then have a clearer sense of what their timeline isโ€”as well as how well it lines up with the garage.

Singleton suggests this may also give the city more time to study the transportation demand alternatives that many activists are clamoring for.

The plan could also shift in shape or size, partly because Christophe Bellito, who owns Toadal Fitness, doesnโ€™t want to run a gym in the shadow of a parking structureยญโ€”especially one that would block his rooftop solar panels. He says heโ€™s open to selling the parcel and moving somewhere nearby.

In explaining the demand for parking downtown, City Manager Martรญn Bernal has stressed that the city could lose parking in a couple lots, as two are sites for possible developments, including Owen Lawlorโ€™s possible Lower Pacific Avenue housing project. Lawlor tells GT that once the city passes its Downtown Recovery Plan amendments, heโ€™ll submit his plans.

A much larger parking lot belongs to the Calvary Episcopal Church. Its fate is difficult to pin down, but the parish has talked about putting housing there before, and it always listens to offers.

โ€œProperty owners are getting more and more pressure if you have a property thatโ€™s vacant or basically vacant,โ€ says parishioner Scott Galloway, who serves on a church committee. โ€œAnd I can safely say that a single-story parking lot isnโ€™t the best use for the city.โ€

But even if the church does pick a project, Galloway says it would be at least a couple of years before it would break ground.

The church gets $80,000 per year from the city to lease the lot, Galloway says, which helps maintain their 157-year-old building. A housing project might provide a little more money, while also helping people in need, but developments like those often come with risk.

Calvary finds itself constantly weighing the desires of different parishioners, most of whom enjoy having a free place to park on Sundays.

Walking through the redwood church, Galloway points out the colorful, south-facing stained glass windows. Those could end up in the shade if the parish erected a towering apartment complex next door.

โ€œWe want those to have sun,โ€ he says.


Update 4/5/2017 9:45a.m.: Hula’s Island Grill was incorrectly said to oppose the parking structure. The restaurant is still exploring how it feels about the project.

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