Opinion

EDITOR’S NOTE

Text neck, iPosture, iHunchโ€”the names for these new physical conditions are so evocative they donโ€™t even need a description. The fact that I can feel a little twinge in my spine just reading them is a sign that Iโ€”like everybody elseโ€”have become far too accepting of how todayโ€™s technology is twisting my body into knots.
Perhaps the most radical thing Anne-Marie Harrisonโ€™s cover story on the subject suggests is that it doesnโ€™t have to be that way, even in our hyperconnected world of instant communication and blue light. Knowing we donโ€™t have to take some untenable stand against technologyโ€”that even a few small adjustments can vastly improve how our bodies relate to itโ€”is a huge revelation.
But thatโ€™s only half of how we consider the relationship between technology and biology in this Health and Fitness issue. Andrew Steingrube also takes a look at the rapidly advancing field of wearable technology. While checking in with famed Santa Cruz inventor Philippe Kahnโ€”who developed the first camera phone technology, and is now pioneering the wearables industry with his local company Fullpowerโ€”Steingrube examines some of the surprising possibilities in the technologyโ€™s future for advancements in fitness and other aspects of our lives.
Like your mom said, sit up straight while you read this weekโ€™s issue!
STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Giving In
I want to share our thanks for launching the first ever Santa Cruz Gives program in 2015. All of us here at the Coastal Watershed Council (CWC) are so grateful for your support, forward thinking and perseverance in getting this program off the ground.
And what a success! As Karen Delaney of the Volunteer Center said at the wrap-up meeting, no one thinks that when you launch a new program youโ€™ll exceed your fundraising goal by over 25 percent, but we did just thatโ€”thanks to you. CWC brought in lots of new donors big and small, and reached the top five of the young donor category, which weโ€™re very proud of.
We heard from some of our new young donors that Santa Cruz Gives was the mechanism with which they gave their first-ever philanthropic gift. They thought it was innovative and exciting and it inspired them to give not only to CWC, but to others in the community.
A big thank you to Good Times, Volunteer Center, Community Foundation and Santa Cruz County Bank for making it all happen.
Laurie Egan
Outreach and Development Manager
Coastal Watershed Council

Time to Unplug
Re: โ€œDigital Detoxโ€: I want to thank Rachel Anne Goodman for sharing this important story about her Mass Communication class assignment at Cabrillo College. She assigned her class to a four-hour fast from all digital media, books, magazines, radio, video games, Internet, and smartphones. After the assignment was completed, over half of the students โ€œlikened the urge to use media to an addiction.โ€
Recently, I was at restaurant for lunch when a family of four walked in and sat at a table near me. The waitress gave them their menus and a short time later they placed their order. At that point, as if it were synchronized, each family member pulled out their smartphone. The rest of the time they sat side-by-side, not saying one word to each other. They all stared down at their smartphones, finished their lunch, and left. It really struck me how sad it is that a family could be with each other sharing a meal and not say one word to each other. They truly missed out on some important quality time together. Our society as a whole could use some digital detox.
Sid Thompson
Santa Cruz

ONLINE COMMENTS
Re: โ€œScenes from a Moviehouseโ€
Thank you for this great piece Lisa Jensen. The Nick/Sash Mill is one of the great Santa Cruz institutions, and has been a hugely influential part of my childhood and growing up in Santa Cruz.
Nearly every Friday, my father, the poet and film critic Mort Marcus, would take my sister and I to a film, and often it was at the Sash Mill or the Nick. From the Cabinet of Dr. Caligari (1920) to Inglourious Basterds (2009)โ€”one of the last films I saw with my father before he passed away. Seeing great films on the big screen created big memories, helping to shape me as an artist and a patron of the arts, and for that I am truly grateful.
โ€” Valerie Marcus Ramshur
Re: โ€˜River Revivalโ€™
Thank you for recognizing Greg Pepping as a great leader in our community. The San Lorenzo River deserves much attention.
โ€” ย  Tina Slosberg
Re: Hot Seat
Why are Monterey Republicans like Jeff Davi endorsing Panetta, a Democrat?
โ€” ย  Sam Adams
Knowing and working with Jimmy [Panetta] before I retired, I was struck by his professionalism, dedication to see that justice was served fairly, and his dedication to the people of Monterey County.
โ€” ย  Tony Gutierrez


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

BED TIME
Under a new state law, Santa Cruz County residents can now dispose of old mattresses and box springs for free at local landfills. The law requires mattress manufacturers to create a statewide recycling program for mattresses, and the countyรขโ‚ฌโ„ขs new program helps meet a local objective to reduce illegal dumping in rural areas. The program is funded by a new state-mandated $11 surcharge on mattress purchases. Visit santacruzcountyrecycles.org for more information.


GOOD WORK

PARK AND PROVIDE
For the second year running, the city of Santa Cruz donated all of the money from its parking meters during the week before Christmas to charity. Parking for Hope raised $30,000, far exceeding last yearรขโ‚ฌโ„ขs number of $21,000. The city used to offer free holiday parking all day, but beginning in 2014, the City Council voted to instead begin collecting the revenue and donating it to Hope Services, which provides training and support to people with developmental disabilities who help keep the city clean.


QUOTE OF THE WEEK

Elegance is achieved when all that is superfluous has been discarded and the human being discovers simplicity and concentration.

-Paulo Coelho

Feeding Frenzy

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More than two years ago, Santa Cruz city officials painted 61 color-coded spaces on downtown sidewalksโ€”yellow for performers, red for vendors, and blue for bothโ€”in response to complaints from downtown business owners and shoppers.
The plan was largely seen as a compromise between locals who wanted a quieter downtown and artists who were tired of getting busted for breaking loitering laws, having not known where they were allowed to set up. Then, last year, after the Santa Cruz City Council voted to remove half of the spaces, local activist and co-founder of the international group Food Not Bombs Keith McHenry decided to protest. One night in August, he repainted the boxes that the city had removed.
โ€œI decided I would do it without hiding,โ€ McHenry says. โ€œIโ€™m publicly saying Iโ€™m against the policy. Put back the boxes and encourage more artists to flourish on Pacific Avenue.โ€
McHenry, whoโ€™s 58, is now facing charges of felony conspiracy to commit a crime and felony vandalism for his November arrest.
McHenry paid his $5,000 bail. โ€œThe main thing is that I wanted to give hope to the people on the street, that it would empower them to stand up for their rights, and I think that really happened,โ€ he says. โ€œPeople really got excited. They had been getting depressed.โ€
Two months later, while protesting with the Freedom Sleepers, a group of homeless advocates who camp out in front of city hall, McHenry was charged with offensive words and failure to obey a police officer. While serving food at the October sleepout, he says he called a city staffer โ€œchickenshitโ€โ€”something he now regrets, he says, โ€œbecause thereโ€™s really no sense in being negative.โ€ Later, he allegedly jaywalked when an officer told him not to, which he denies.
โ€œI perceived the removal of the boxes, the stay-away ordinance, and the cutting of services at the Homeless Service Center as being a widespread attack on low-income and homeless people,โ€ says McHenry, whose next hearing takes place at 10 a.m. on Jan. 26.
Assistant District Attorney Archie Webber, who could not be reached for comment, offered McHenry a plea deal that would have dropped the charges if he pleaded guilty to vandalism. The offer included two months in jail and a yearโ€™s stay away from Pacific Avenue, but McHenry isnโ€™t interested.
โ€œI wonโ€™t take a deal that interferes with my right to protest,โ€ said McHenry, who will represent himself in court.
His first hearing took place Dec. 8. Joining him was Abbi Samuels, an activist, member of FNB and his partner, who was with him during the blue box incident, although she says she did not participate. Vice Mayor Cynthia Chase attended the hearing, curious about their status.
โ€œWeโ€™re trying to create a balance downtown between free expression and downtown business. This [case] brought attention to that,โ€ Chase tells GT. She says the city managerโ€™s staff is in the process of researching how other communities find this balance, and expects a report to the council by the end of February.

Bomb-free

โ€œI live very marginally, my personal expenses are about $500 a month. To make that, I speak at colleges,โ€ McHenry says, sipping tea in the back corner of Saturn Cafe, his usual spot. โ€œAnything after $500, I donate to Food Not Bombs.โ€
McHenry has written three books, his latest, The Anarchist Cookbook, teaches people how to cook affordable group meals with the purpose of feeding the hungry.
In 1988, McHenry says, the FBI classified him as a terrorist; they also classified Food Not Bombs as a terrorist group. The FBI told him it will review his case, he says, but that it would take 45 years. He considers himself a nonviolent person who was targeted for his activism.
It all started one day when, as a college activist in 1980, McHenry noticed a poster that spoke to him and changed his life. The poster read, โ€œWouldnโ€™t it be a beautiful day if the schools had all the money they needed and the Air Force had to hold a bake sale to build a bomber?โ€ The poster would help inspire the creation of Food Not Bombs.
McHenry and eight buddies bought military uniforms from a surplus store in Boston, and held a bake-sale, acting as generals trying to buy a bomber. The money went to a friendโ€™s legal defenses, and it was largely successful. This bake sale held on May 24, 1980, is now celebrated by Food Not Bombs, which has since been recognized by Amnesty International for its work on human rights. At the time, McHenry was working at a grocery store and took the food daily to the housing projects in Boston.

Left Coastinโ€™

McHenry moved to San Francisco in 1988 to start Food Not Bombsโ€™ second chapter. He says he was arrested his first day for not having a permit for feeding people at Golden Gate Park.
He served a total of 500 days in jail between 1988 and 1995, he says, racking up 47 felony conspiracy cases. โ€œEvery time we would get arrested there would be more groups popping up,โ€ he says. โ€œIt shocked peopleโ€™s consciousness seeing and hearing about the police beating and arresting people for feeding people.โ€
Today, there are an estimated 1,000 Food Not Bombs chapters worldwide. The group has three principles that other chapters must recognize. The first is that food must be vegan or vegetarian and free to anyone drunk or sober. Second, there are no leaders or headquarters, and each chapter is autonomous, making its decisions as a collective. Third, members of the group do not consider it a charity, but rather a group dedicated to taking nonviolent action to change society.
โ€œIf you want to end hunger, rather than just feed people, itโ€™s better to change the conditions and make a world where everyone has access to food,โ€ he says.
McHenry had visited Santa Cruz as a young man, but chose to stay in 2013 during one of his tours of โ€œSquash Hunger Smash Poverty,โ€ where he met Samuels. He fell in love with Samuels and the community, deciding to make Santa Cruz home.
Samuels says she was impressed by his nonviolent creative strategies and attitude of never giving up the effort to make the world a better place. โ€œHe had this undeterred idealistic view of how much better the world could be,โ€ she says, โ€œif more money went to helping others instead of killing them.โ€
McHenry says that with his recent protest, he was just trying to support people whose voices may otherwise be forgotten along Pacific Avenue. โ€œI did water colors out there in the โ€™70s. Itโ€™s such an artist town,โ€ he says. โ€œIt seems like an effort to drive poor people out of town, and thatโ€™s where poor people make their money.โ€

Be Our Guest: Autograf

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bogWin tickets to AUTOGRAF on SantaCruz.com

Love Your Local Band: Rumble Steelskin

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โ€œWeโ€™re Rumble Steelskin. Weโ€™re here to kick your ass!โ€ exclaims guitar player and founding member Jimmy Cardarelli, with his hands in the symbolic metal horns pose.
And heโ€™s not lying. The first time I saw them was roughly two years ago at the Blue Lagoon. It struck me as surprising that there werenโ€™t many people in the audience for such a tight, rhythmic rock band. Turns out, it was one of their first gigs.
Although the five-piece power act draws from a list of influences such as Black Sabbath, AC/DC, Megadeth and other heavy hitters in the genre, each musician brings his own sense of experimentation to the table.
โ€œI love anything by Matt Pike, Buckethead or Les Claypool,โ€ says drummer Jasen Christensen.
โ€œPersonally, jazz has had a huge influence on me,โ€ explains bassist Tim Mullen.
Within the last half year, the band has solidified into a lineup of Cardarelli and Kenneth Kaschalk on guitar, Christensen on drums, Mullen on bass, and Anna Carlson on vocals. Since then, they have embarked on an ambitious, 13 song full-length albumโ€”with the working title Thrawnโ€”recorded at Carlsonโ€™s Ocean View Studios, to be released sometime early this year.
While Rumble Steelskin plays the Rock Bar in San Jose on Jan. 20, this Saturday they celebrate their Catalyst stage debut with some help from a few friends.
โ€œWeโ€™ve got Heavy Hands [from Salinas] and Still Searching [from Santa Cruz]โ€”two heavy bands from the areaโ€”opening up,โ€ says Cardarelli.
As an added bonus, comedian El Pasty Gueroโ€”the โ€œhost of the most grossโ€โ€”will emcee the event.
โ€œI havenโ€™t showered since their last gig at Bocciโ€™s [in December],โ€ El Pasty says. โ€œSo everyone will be in for a real treat.โ€


INFO: 9 p.m. Saturday, Jan. 23. Catalyst Atrium, 1011 Pacific Ave., Santa Cruz. $8. 429-4135.

Silver Mountain Vineyards

I canโ€™t say enough about Jerold Oโ€™Brien. As longtime owner and winemaker at Silver Mountain Vineyards, Oโ€™Brienโ€™s wealth of knowledge and experienceโ€”over three decades in the businessโ€”runs deep. Oโ€™Brien is also a generous soul in the community, donating copious amounts of wine to support local organizations. And when Oโ€™Brien says that he is โ€œa leader in organic and sustainable practices,โ€ he is putting it mildly. His was one of the first certified organic vineyards, long before the word organic was ubiquitous.
Having said all that, Iโ€™ll now get to his wine, especially his wonderful Pinot Noir. The 2012 Santa Cruz Mountains estate-bottled Pinot is particularly robust and complex ($42). Made from organic grapes grown on two adjacent vineyardsโ€”one owned by Silver Mountain and the other by the Nelson family, but both farmed by Silver Mountainโ€”this impressive crimson beauty is bursting with lush strawberries and cherries, with an aromatic layer of characteristic earthiness. Itโ€™s perfect to pair with veal, pork or a hearty steak.
Silver Mountain runs two tasting rooms. One is located up the Old San Jose Road, open on Saturdays, and the other is at 402 Ingalls St., Santa Cruz in the Swift Street Courtyard complex, open Fridays, Saturdays and Sundays.
Oโ€™Brien is running some good sales on his wines right now, and Feb. 13 Silver Mountain is hosting a celebration called Wine Loverโ€™s Weekend. What a good time to take your sweetheart wine tasting! Check silvermtn.com for more info.

Date Night Santa Cruz

With all of the new movies out now and the Academy Awards coming up on Feb. 28, why not take in a good flick and spend time wining and dining on the local scene? Landmark Theatres (The Nick, Del Mar Theatre and Aptos Cinemas) collaborates with 13 of Santa Cruzโ€™s favorite restaurants to offer a Dinner-and-a-Movie package Monday through Thursday. Tickets for โ€œDate Night Santa Cruzโ€ all cost $50, and include two movie tickets and up to $50 in restaurant credit. The package can be purchased at any of the partner restaurants or at the box offices. Sign up for Landmarkโ€™s Film Club Newsletter and youโ€™ll be in the know. Visit the theater box office for tickets and more info.

Film Review: “The Revenant”

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A famous stage direction in Shakespeareโ€™s The Winterโ€™s Tale reads: โ€œExit, pursued by a bear.โ€ A bear has to be introduced at this point, but itโ€™s up to the discretion of the theatrical director to figure out how to do it. In his wilderness survival/revenge movie The Revenant, filmmaker Alejandro Gonzรกlez Iรฑรกrritu takes the direct approach. A giant grizzly bear rises up out of the underbrush behind star Leonardo DiCaprio and runs straight at himโ€”and the audience. But this bear does not merely pursue; a savage mauling commences, every moment of which we get to watch in excruciating detail for many long minutes.
As a piece of filmmaking, itโ€™s an extraordinary sequence. But in dramatic terms, while the scene is as visceral and horrifying as it needs to be for the purposes of the story, itโ€™s hard for the viewer (OK, me) to quell that nagging voice in her head that wonders: how the heck did they do that? Weโ€™re caught up in the spectacle, not the drama.
And thatโ€™s just the beginning of this literally blood-soaked tale of brutality, loss and revenge. Like most of Iรฑรกrrituโ€™s films (Amores Perros; Babel; Birdman), itโ€™s a morality play, although morality is slippery in the world of rival American and French fur trappers encroaching on native lands, native tribes defending their turf from the white men and each other, unforgiving nature (and of course, that bear), in which The Revenant takes place. Itโ€™s more like a post-morality play in which greed, commerce, violence, and villainy are so deeply entrenched that no one emerges with his soul unscathed.
In the American frontier of the 1820s, a party of trappers from a distant fort are out in the wilderness collecting pelts under the command of the youthful but conscientious Captain Henry (Domhnall Gleeson). Their tracker, loner Hugh Glass (DiCaprio), lived with an Indian tribe for yearsโ€”until white soldiers burned the village and killed his native wife. Now heโ€™s been hired to lead trappers through the forest with his teenage son, Hawk (Forrest Goodluck).
When a band of Arikara (or โ€œReeโ€) warriors attack their camp, only a few men escape to their boat. Theyโ€™ve ditched the boat downriver as a decoy and are heading back to the fort on foot when Glass has his close encounter with the bear. Thereโ€™s barely enough of him left for Henry (whoโ€™s had some medical training) to stitch back together. They drag Glass along on a litter for awhile, until the captain finally makes the fateful decision to leave the dying Glass behind with two trappers to give him a decent burial.
But the designated caregivers are Fitzgerald (Tom Hardy), a shifty opportunist with a half-scalped pate whoโ€™s already had run-ins with โ€œInjun-lovinโ€ Glass, and Bridger (Will Poulter), a green youth Fitzgerald knows he can bully. The trappersโ€™ odyssey back to the fort plays out against a Ree chieftain trading their stolen pelts with the French trappers for guns and horses on his own mission of vengeance. Meanwhile, Glass claws his way back from the brink of death using all his Junior Woodchuck skills, motivated by one thing: revenge on the dastardly Fitzgerald.
Gruesome bloodletting mostly ensues. While the bear is instinctively protecting her cubs, the human animals are more vicious, according to their separate agendasโ€”and the moral decisions they (may or may not) choose to make. Still, Iรฑรกrritu handles other passages with quiet lyricism. Glassโ€™ fever dreams are beautifully staged, particularly those involving the haunting presence of his unnamed wife (Grace Dove), and a crumbling, highly symbolic Spanish mission. Landscapes are vast and uncaring, and many establishing shots of sky-scraping treetops echo his wifeโ€™s parable that โ€œA tree with strong roots will not fall.โ€
A lone Pawnee brave whose village has been massacred by the Sioux befriends Glass, and in the one moment of levity, they catch snowflakes on their tongues. This man delivers the moral of the story, that vengeance is in the hands of the Creator, although it takes a lot more killing, knifing, maiming, and bleeding before the characters and the filmmakers remember it.


THE REVENANT
**1/2 (out of four)
With Leonardo DiCaprio, Tom Hardy, and Domhnall Gleeson. Directed by Alejandro Gonzรกlez Iรฑรกrritu. Rated R. 156 minutes.

Saving Time

Not to be confused with solitude, health practitioners define loneliness as the perception of social isolationโ€”a perception that has reached epidemic proportions in the U.S. In a six-year study published in 2012, 43 percent of Americans over the age of 60 reported being lonely, according to the studyโ€™s author Carla Perissinotto, MD., assistant professor in UCSFโ€™s Division of Geriatrics.
But that number becomes even more profound when considering its impact on health: loneliness is a proven social determinant for serious health problems, including shortened lifespan.
โ€œThe lonely half of Americans have a 45 percent increased mortality at six years compared to the other half, and a 60 percent increased rate of disability, or rate of losing your activities in daily living,โ€ says Dr. Paul Tang, vice president and chief innovation and technology officer at the Palo Alto Medical Foundation.
While the U.S. spends about 18 percent of its Gross Domestic Product on medical intervention, we continue to score among the unhealthiest of OCED (Organization for Economic Co-operation and Development) countries.
โ€œWe have this real disparity between what we get versus what we pay for,โ€ says Tang. โ€œAnd one of the other factors is that all of the other countries but the U.S. spend more on social service than on medical service, and I think thatโ€™s a big part of it.โ€
โ€œOnly 10 percent of health and well-being is attributed to medical intervention,โ€ says John S. Williams, marketing communications specialist at PAMFโ€™s innovation center. The rest of health and well-being can be attributed to genetics, behavior, and the social and community aspects of a personโ€™s life.
While the desolate, empty feeling of loneliness is not something typically addressed in a doctorโ€™s visit, PAMFโ€™s innovation center identified it as a recurring theme while interviewing the elderly population. As one woman described it to Tang, โ€œYour world dies before you do.โ€
In an effort to combat loneliness as a root cause for illness, PAMF developed a program called linkAges, a multigenerational time-bank-like service-exchange program. Formed in Mountain View in 2010 under the direction of Tang, the program brings together individuals in the community who probably wouldnโ€™t have otherwise interacted.
โ€œIn American culture, which is a young culture compared to Asia or Europe, we value professional work, autonomy and mobility, and all of the things that make America great. But it also leaves us less supported as we age out of the workforce,โ€ says Tang. โ€œYou view yourself in the context of what you contribute in a professional vein, and when you retire, that sort of recognition goes away. You donโ€™t think as highly of yourself, and often feel like youโ€™re a burden to everybody, including your family, and that leads to a downward spiral.โ€
LinkAges expanded to the Bay Area in 2013, and just a few months ago took root in Santa Cruz, with partners including the Live Oak Senior Center, Cabrillo College, Santa Cruz Libraries, and Museum of Art & History, which has pledged to open up space for artistic collaborations between linkAges members. It is free and open to anyone 18 or older who passes a criminal background check. (See tagline at the end of this article for a membership code.)
โ€œOnce people join the system, they are able to post a request or offer services on the website platform,โ€ says Williams. โ€œSomebody might say โ€˜I need a ride to my doctorโ€™s appointment, I donโ€™t have a car,โ€™ and it takes them two hours round trip. That gets recorded, and then [the driver] uses that time later, likely with someone different, to play chess or learn photoshop, or any number of things.โ€
Since its inception, more than 3,000 hours have been exchanged among linkAgesโ€™ 760 members, and its potential impact in the Santa Cruz community is greatly anticipatedโ€”with 26 local members already signed up.
Patsy Gardner, a linkAges member who recently moved to Santa Cruz, looks forward to offering knitting, fiber arts and babysitting as a service to other local linkAges members. She recently attended a Tech Day at the Live Oak Senior Center. โ€œI learned how to take pictures on my iPhone and it helped me with my tablet a little bit, tooโ€ says Gardner. โ€œI think most of us get all these โ€˜toys,โ€™ and we know the basics, but I canโ€™t do everything that they do.โ€
Tang agrees with Jennifer Acher of the Stanford Business School that the three major components of happiness are meaning, connectedness, and being part of something biggerโ€” and linkAges interactions often touch on all three, says Tang.
The largest category of exchanges seen in linkAges are in what Tang calls the enrichment group, where members are sharing something they know, from ukelele playing to knitting or cooking. โ€œOne of the things as you get older is you have experiences to pass on,โ€ says Tang. For example, there was the 84-year-old retired professorโ€™s Scrabble game with a 28-year-old woman, and the woman living in a retirement home who threw her arms up in happiness when she met a dog owner at the park, fulfilling her wish to just walk a dog again.
โ€œBased on our initial experience with time bank and the stories we get back, there is a lasting effect of just feeling like you are valued or contributing. And I think as we age, the importance of that just elevates,โ€ says Tang. โ€œAmerican health care of course is reimbursed for doing things to people, and this is not one of those things, but under the Affordable Care Act, weโ€™re moving to a world where you get compensated to improve the health of the communities that you serve, so this fits in really well with that.โ€
 

MEETING AND MOVING

But thereโ€™s more for Santa Cruz to look forward to: Under the umbrella of linkAges is the Meet and Move program, a support network that links family caregivers of all kinds with other caregivers to simply walk and talkโ€”and for every hour used in the Meet and Move program, members are given one hour of time to use in the linkAges program.
With an orientation at 11 a.m.-noon on Feb. 11 at the Senior Network Services Building in Soquel, Meet and Move is also free and open to anyone who passes a background check. โ€œAnyone can come as long as they are a caregiver who is not being paid,โ€ says Cyndi Mariner, project coordinator for Meet and Move. โ€œPeople come, and they can talk if they want or just walk, they can laugh, cry, scream, and itโ€™s all fine. Whatever you gotta do, weโ€™re all about supporting each other on this journey.โ€
Mariner, who joined the program while caring for her 84-year-old mother, says that Meet and Move changed her life, giving her an outlet for support and a small block of time to exercise. Caregivers are often under a lot of stress, often forget to take care of themselves, and can also suffer from social isolation, Mariner explains.
โ€œAs a family caregiver, your time gets eaten up so quickly,โ€ says Mariner, โ€œand suddenly youโ€™ve got weeds growing over the backyard and you need help weeding the garden, or you need someone to run out and get groceries for you. The linkAges platform gives that help right to you.โ€


To sign up for the linkAges timebank, visit linkages.org, click โ€œsign upโ€ and use the membership code โ€˜goodtimes.โ€™ The next linkAges orientation is 2-3 p.m., Thursday, Feb. 18, from 2-3 pm at the Museum of Art & History. Register by emailing ti******@******es.org. For more information on Meet and Move, visit linkages.org/meetandmove.

Winning Wine

Graced with the elegant energy of three top Santa Cruz Mountains vineyards, Nicole Walshโ€™s debut Pinot Noir under her own Ser label, has got my attention. A seasoned winemaker for Bonny Doon Vineyard, and vineyard manager for Randall Grahmโ€™s San Juan Bautista estate vines, Walsh has put her signature spin on the 2012 harvest from Lester Family Vineyard in Corralitos, Byington and Lilo Vineyards. By many accounts, the 2012 harvest was one of the best in memory for our appellation, and Walshโ€™s 2012 Santa Cruz Mountains Pinot Noir underscores that opinion. From its opening nose of mint, licorice, and earth, to a central core of red fruit, this lovely Pinot Noir is completely loaded. The wine blends raciness with a balance of tannins and fruit, and the finish unfolds into cherries, orange peel and something like dark strawberries. From start to finish, the wine reflects Walshโ€™s belief that wine โ€œhas an ability to move us, to create an emotional reaction,โ€ she says.
This wine has already put the rock-star winemaker (my friend Laura Nessโ€™ apt description) on a prestigious map, taking a Double Gold at the recent Pinot Noir Shootout in San Francisco. Walsh is dedicated to preserving the true varietal character of the wines sheโ€™s begun making under her own labelโ€”ser means โ€œto beโ€ in Spanish.
The appellationโ€™s unique terroir, the essence of the grape-growing region, guides Walshโ€™s intent โ€œto allow the wine to express where it comes from,โ€ she says.
Walsh has also recently released a 2014 Coastview Vineyard Chardonnay, a 2013 Coastview Syrah and a 2013 Lilo Vineyard Pinot Noir. We found her memorable 2012 Ser Pinot Noir at New Leaf Market ($29), but I urge you to look at your favorite market or wine store. This exciting vintage from the hand of Walsh is well worth sampling. serwinery.com

Ch-ch-ch-changes

You will need to get your hot chocolate fix elsewhere (may I suggest Chocolate?) now that the highly niched Mutari Chocolate Bar has closed. Same for the longtime Chinese culinary favorite Little Shanghai on Cedar Street (now home of Mandarin Gourmet) and Taqueria Vallarta at the lower end of Pacific Avenue.
But there are also new tasting opportunities, including a new sister cafe to be opened by the Westside favorite Cafe Ivรฉta on the UCSC campus, in the Quarry Plaza location that once housed Joeโ€™s Pizza and Subs. โ€œThe space is under construction now, and we plan to open in early February,โ€ Ivรฉta owner John Bilanko told me last week. Bilanko says that the new shop will offer a breakfast and lunch โ€œsimilar to what we do here at the Westside Ivรฉta, but we will also be open in the evening.โ€ Good news for students whose appetites donโ€™t stop at 4 p.m. โ€œWeโ€™ll do a limited lunch menu of fresh items, hot entrees and burgers, too. They wanted burgers. So, itโ€™s a little different,” Bilanko says.
The new UCSC Ivรฉta will also serve beer and wine in addition to a full espresso bar. The former Chicagoans, John and Yvette (Ivรฉta) Bilanko brought their successful pastry recipes to Santa Cruz 16 years ago and opened the Delaware Avenue cafe in 2010. (Thank you, thank you.) Now, their popular blend of irresistible breakfasts and pastries, plus signature salads and outrageously delicious sandwiches will add texture and flavor diversity to the UCSC campus.

West Cliff Wines

Run out and grab a bottle of the 2012 Syrah from the hand of Andre Beauregard, now available at Shopperโ€™s Corner for $21. This is one stand-up Syrah, loaded with spice, tannic attitude, and just a joy to drink with bold-flavored foods.

Rebel Song

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Revolution is in his blood, says Mat Callahan. After all, the singer-songwriter was born on the 14th of Julyโ€”Bastille Dayโ€”the opening battle of the 1789 French Revolution. Now Callahan is in California for a 14-city tour to perform songs written by Irish labor organizer James Connolly, whose books include Socialism Made Easy and Songs of Freedom.
If the name James Connolly doesnโ€™t ring a bell it may be because his anti-Capitalist ideas didnโ€™t have much of a shelf life in American history books. But in Ireland, Connolly is widely remembered as the founder of the Irish Citizen Army (1913), a leader of the Easter Rising (1916) and a Socialist songwriter whose life ended in 1916 at the age of 48 on the receiving end of a British firing.
If you have heard of Connolly maybe you recall John Lennon quoting him on TV in the early โ€™70s: โ€œThe female worker is the slave of the slave,โ€ said Lennon, who transposed the sentiment with Yoko Ono into, โ€œWoman is the nigger of the world.โ€
GT recently spoke with Mat Callahan about Ireland, revolution and the Songs of Freedom book/CD (2013, PM Press) that Callahan helped assemble from Connollyโ€™s lost writings and lyrics.
GT: James Connolly moved to the United States in 1903 and brought revolutionary ideas with him. Why did Connolly come to this country?
Callahan: Connolly was one of the many impoverished workers who came to the U.S. looking for a means of a livelihood. That was part of the reason he came. But Connolly already had essays and articles published in the United States under the auspices of the Socialist Labor Party of America. He couldnโ€™t work in Ireland because he was too well known as a labor organizer. To support his family he came to the U.S. and was immediately embraced by the labor movement in New York. In 1905 he joined the Industrial Workers of the World (I.W.W) at its very founding.
Connolly wrote, โ€œCivilization cannot be built upon slaves, civilization cannot be secured if the producers are sinking into misery.โ€ Whatโ€™s most important to you about spreading the message of his ideas and songs?
The bottom line for me is to get people to read what he actually wrote. He was a Marxist and influenced by the Second International as well as the Wobblies (I.W.W.). Here was a guy from the lowest depths of the working class who managed to teach himself to read, to think and to articulate in an eloquent way the noblest ideals of humankind. That includes not only trying to improve the lot of the working class, but also he was a leader of the whole idea of fighting for self-determination, which was a major theme of the 20th Century.
Connolly was also a feminist, wasnโ€™t he?
Connollyโ€™s statement that John Lennon quoted on the Dick Cavett Show many years ago was, โ€œWoman is the slave of the slave.โ€ Connolly was writing about the role of women in history, but also imagining a Socialist Workers Republic of Ireland and what the role of women would be in liberating Irelandโ€™s working class.
Connolly helped to form and lead the Irish Citizen Army. Does armed resistance resonate now metaphorically or literally?
The Irish Citizen Army was organized in 1913 to defend the workers of Dublin against employers using the police to attack them. The workers did not get any of their demands but one lasting effect of the 1913 Dublin Walkout was the formation of the Irish Citizen Army (ICA). This army was originally to defend the workers but it led up to the Easter Rising. This was not an underground organization. They did march and drill openly in Dublin. This was obviously symbolic because there were not enough of them to actually take on the Brits in direct armed conflict. But they did play a pivotal role when the decision to do the Easter Rising took place. To a certain extent it was a forerunner of Vietnam, Cuba or China; people fighting for national liberation and a working class republic. Iโ€™m not advocating the formation of the Irish Citizen Army, or even think that particular form of struggle is suitable for todayโ€™s conditions, but I nonetheless support what it represented for liberation in general throughout the 20th century. We certainly have something to learn from it in terms of our current dilemma.
Connolly dedicated himself to the struggle to โ€œliberate humanity from all forms of slavery.โ€ How successful have we been in moving toward this goal?
Connolly came along at the end of a century full of revolution starting with the American, French and Haitian revolutions of the late 18th century. The 20th century had several French Revolutions and a feeling that โ€œworkers of all countries uniteโ€ really had a future. At the moment it seems like that great wave of human liberation has been turned back. But Connollyโ€™s determination was steeled in struggle itself; that the problems of the world cannot be solved through talk. It requires active engagement, whether its labor organizing or organizing a food co-op or playing in a band. Once youโ€™re engaged you see the process in a different way than if youโ€™re on the sidelines. My own optimism comes from being involved as opposed to just reading the news.


Mat Callahan and Yvonne Moore will be performing modern adaptations of Connollyโ€™s revolutionary tunes at The Poet & The Patriot at 9 p.m. on Friday, Jan. 22 and at San Joseโ€™s Caffe Frascati on Jan. 28.

Thread Count

Elizabeth McKenzieElizabeth McKenzie weaves wildly divergent stories and themes through her story of dysfunctional Silicon Valley love in โ€˜The Portable Veblen
Elizabeth McKenzieโ€™s new novel, The Portable Veblen, defies one of the first laws of bookselling: easy categorization. Instead, it comes together like a strangely compelling tapestry woven from threads that should clash, but somehow donโ€™t.
The title refers to Veblen Amundsen-Hovda, the thirtysomething namesake of famed economist Thorstein Veblen, who coined the term โ€œconspicuous consumption.โ€
Joyfully eccentric and in agreement with much of his scorn for โ€œthe leisure class,โ€ Amundsen-Hovda lives in a ramshackle bungalow on the fringe of Palo Alto, works temp jobs in Silicon Valley, translates obscure texts from Norwegian for fun, and feels a connection to the squirrel living in her attic. Sheโ€™s engaged to Paul Vreeland, an ambitious neurologist who has invented a device for treating traumatic brain injury that interests both the pharmaceutical and defense industries. He thinks the squirrel has got to go.
The two of them embody the Bay Areaโ€™s yin and yang: Veblen embracing the natural beauty and diverse path that speaks to our progressive tendencies, while Paul craves the innovative yet corruptible course that operates like a high-speed rail. As they stumble toward the altar after only three months together, theyโ€™re also attempting to break away from the grasp of their difficult families. Veblenโ€™s mother is a narcissistic hypochondriac, and Paulโ€™s parents are passive-aggressive hippies who have pushed his needs aside to care for his intellectually disabled brother. The question is, in all the turmoil, will this fledgling couple find their way back to each other?
McKenzie currently edits the Catamaran and Chicago Quarterly literary magazines. This is her third novel, and itโ€™s getting rave reviews. She lives in Santa Cruz and we talked recently about her work.
There are so many wide-ranging elements in this novel. How did you bring them together?
Elizabeth McKenzie: It took years. I just allowed myself to follow different threads of interest. I didnโ€™t know if they were going to meld or not, but I thought that would be my challenge, to make it work. I figured if theyโ€™re all in me, they must fit together somehow.
Whatโ€™s with the squirrels?
Theyโ€™re kind of emblematic of whatโ€™s left of the natural world that we come into contact with, and we donโ€™t really control them even though theyโ€™ve made a lot of sacrifices to adapt to us. Itโ€™s amazing how polarizing they are. People either love them or hate them. For Veblen, the squirrel is an emotional investment, like an imaginary friend.
The military plays a surprising role in this book. What sparked your interest?
I didnโ€™t feel like Iโ€™d been in close contact with people in the military growing up, yet my own father, stepfather and grandfather had all been in WWII. Because everyone in their generation was involved, they didnโ€™t think much about what it meant. Itโ€™s not like we all have someone in the military now. I started to realize there were things that happened to my father, who served in the Navy, that accounted for how the rest of his life unfolded. He was fired upon, injured and shell-shocked, and though it wasnโ€™t talked about as I grew up, his behavior was there, and it had a strong effect on me. I realized that veteransโ€™ issues had touched my life in a way I hadnโ€™t thought about before, and I developed a kind of obsession with them as I wrote this book, reading war memoirs and following the news about V.A. scandals. I became fascinated with current issues in the military, like clinical trials and marketing. Thereโ€™s a lot going on there that you donโ€™t see in everyday life.
I like your exploration of parenthood.
Itโ€™s a preoccupation of mine, the effect of oneโ€™s parents. Itโ€™s something I keep writing about, almost without thinking about it.
What are you working on now?
After such a long period writing a novel, Iโ€™m happily writing short stories. It feels great to finish something quickly.
What advice do you have for aspiring novelists?
Itโ€™s hard, but donโ€™t hurry the thing youโ€™re working on. Let it accrue all the depth it can.
Elizabeth McKenzie will read from her new book at 7 p.m., Wednesday, Jan. 20 at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free.


LOCAL GEM Santa Cruz novelist Elizabeth McKenzie will read from her new, critically acclaimed book โ€˜The Portable Veblenโ€™ at 7 p.m., Wednesday, Jan. 20 at Bookshop Santa Cruz.

Opinion

January 20, 2016

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Be Our Guest: Autograf

Win tickets to AUTOGRAF on SantaCruz.com Autograf is making big waves in the electronic underground, but the Chicago trio is rooted not in music, but in visual arts. Comprising Jake Carpenter, Louis Kha and Mikul Wing, Autograf was originally an outlet for visual artists. Those creative leanings remain a core part of the Autograf experience. Even...

Love Your Local Band: Rumble Steelskin

Rumble Steelskin plays Saturday, Jan. 23 at the Catalyst.

Silver Mountain Vineyards

An organic, sustainable Pinot, plus Date Night Santa Cruz

Film Review: “The Revenant”

Man vs. man vs. nature in bloody spectacle โ€˜The Revenantโ€™

Saving Time

Free time-bank program seeks to improve community health by combating social isolation

Winning Wine

Serโ€™s award-winning Pinot, plus Ivรฉtaโ€™s new sister cafe and a few goodbyes

Rebel Song

Mat Callahan brings Irish revolutionaryโ€™s lost songs to life in โ€˜Songs of Freedomโ€™

Thread Count

Elizabeth McKenzie weaves wildly divergent stories and themes through her story of dysfunctional Silicon Valley love in โ€˜The Portable Veblen
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