Rio Del Mar HOA Blocks Path Again and Sues Coastal Commission

Disgruntled home owners put up large new fences blocking access to an embattled beachside walkway that the homeowner’s claim the public has no right to access.

The powerful, quasi-judicial California Coastal Commission says otherwise. 

“Here at the commission our goal is not to have the public climbing any fences,” said Robert Moddelmog, enforcement agent of the Coastal Commission.

The new fences come after Judge Timothy Volkmann ruled in favor of the HOA on December 22, granting them an injunction on the fines and the order to take down the fencing, while the litigation is ongoing. Penalties of $6,000 per day for each violation were paused too.

The Rio Del Mar HOA and Singh and Puri (owners of 202 Beach Dr.) sued the Coastal Commission for overstepping its jurisdiction when it levied its $5.3 million dollar fine and ordered it to remove fencing blocking the walkway.

In their argument to Judge Volkmann, the HOA holds up the judge’s 2022 decision as evidence in its favor, which established the HOA’s ownership of the walkway and ruled that the county had wrongfully torn down fencing in 2018. 

The lawyers for the HOA stress that the history of the walkway shows no evidence that the county ever paid for the upkeep of the path. 

The Coastal Commission sees the question of ownership as irrelevant, pointing to the 1980 coastal design permit (CDP) that created a right of way for the public. 

But the HOA says the CDP does not contain any language about “public access.” Thus the history of private ownership wins out.

“People get away with their violations for a long time and they think that is normal. They think they are always going to get away with it,” said Robert Moddelmog, enforcer for the Coastal Commission. 

Moddelmog said the Coastal Commission is working with the California Attorney General’s office, and is considering its options, including a counter-suit against the HOA. 

Most cases involving the Coastal Commission are settled with public access restored, according to Moddelmog. Separately, the HOA is also seeking a new permit to upgrade their revetment, a type of coastal wall, but the current revetment has been out of code for decades. 

“For the few where violators refuse to provide public access– this is one of those cases– we have a very good track record in court,” said Moddelmog. “We don’t take these cases on unless we think we can win.”

Patrick Richard of Nossaman LLP, who is representing the plaintiffs, could not be reached before publication.

As of Wednesday, February 21, green-fences at both sides of the path were installed.

Many people were nonplussed by the new fence at the southern-end of the walkway when asked their opinion by this reporter on Monday.  

A woman pushing a stroller said the HOA won its case and people must walk along the road now.

A few beach-goers pushed aside the orange roadblocks at the north. Coming from the pathway, a girl and a woman explained that the homes looked abandoned so they didn’t feel bad taking the path. Also they didn’t want to walk on the sand. 

An elderly couple expressed concern about the negligence of the property owners after several years of storms had battered the strip. 

Another woman who lives nearby but didn’t want to give her name because of the ongoing litigation said: “The best solution would be for a tsunami to wipe it out.”

Celebrating New Peaks in Digital Currency Markets

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Sponsored content by Binance

Imagine the buzz when a rare vintage wine uncorks a record-breaking price at auction. That’s the kind of excitement reverberating through the digital currency world as we witness Bitcoin’s price rally, soaring past expectations and setting new benchmarks. It’s not just about the numbers going up on a screen; it’s about the stories, the people and the dreams intertwined with each digital coin’s ascent. Today, let’s pour a glass to the latest surge and explore what’s popping the corks in the crypto scene.

A Toast to the Recent Spike in Bitcoin’s Value

There’s a distinct charm in watching values climb, not unlike the anticipation of a finely aged wine reaching its ideal maturity. When Bitcoin’s price climbs, it captures the attention of everyone from the casual observer to the seasoned investor, creating a buzz that’s hard to ignore.

These movements aren’t just numbers; they represent a tide of belief, confidence and speculation that washes over the entire digital marketplace. Just as each sip of a grand cru tells a story of its terroir, each leap in Bitcoin’s price tells a tale of market dynamics, technological advancements, and changing tides in investor sentiment.

Amidst the clinking of virtual glasses, the recent leap in Bitcoin’s value serves as a reminder of the powerful forces driving the digital economy. It’s a convergence of technological innovation, growing institutional interest and an increasing recognition of cryptocurrency as a viable investment asset.

Each stride forward in price not only marks a milestone for Bitcoin but also energizes the field, sparking conversations about the sustainability and long-term prospects of digital currencies. Indeed, as we marvel at the heights achieved, it’s also a moment to ponder the broader implications for global finance and the future of money itself.

Examining Factors Behind the Enthusiastic Surge

But what’s really behind this climb? It might feel like the random luck of finding a treasure in your grandma’s cellar, but there’s more to it. Underlying factors such as geopolitical events, adoption by mainstream finance and even endorsements by high-profile figures stir the pot.

The complexity of causes, much like the layers of flavor in a robust Bordeaux, makes the ascent all the more intriguing. While no one can predict the market with absolute certainty, examining these facets is akin to understanding what makes a particular vintage year stand out.

Comparing Historical Trends and Current Market Excitement

It’s not the first time digital currencies have been the toast of the town. Historically, the market has seen its fair share of ups and downs, resembling the ebb and flow of seasonal vintages. Yet, each rally seems to bring more people to the table, ready to partake in this modern form of tradable assets.

Seasoned connoisseurs of the market revel in drawing parallels between past and present, noting how today’s fervor is built on the foundation of yesterday’s groundwork. Persistence, much like in the fine art of winemaking, pays off in the form of matured assets that stand the test of time.

Mixing Old-World Investment Strategies With Crypto’s Innovative Twist

Just as the crisp innovation of a New World wine can refresh the palate accustomed to Old World notes, so too does the realm of digital currencies bring a new flavor to investment portfolios.

With traditional investment avenues becoming more intertwined with blockchain’s decentralized promise, it’s an exciting moment for anyone looking to diversify their assets. Moreover, as we understand more about these digital assets, we’re learning to blend time-honored investment wisdom with the flexibility and potential that cryptocurrencies have to offer.

Crafting a Future With Decentralized Currencies

The allure of cryptocurrencies lies in their ability to craft a future that’s more accessible and less constrained by traditional financial systems. Much like the global appreciation for diverse spirits and brews, digital coins offer a taste of financial freedom that spans beyond borders.

Understanding the role of peer-to-peer transactions and their impact on financial autonomy requires us to sometimes step out of our comfort zones, akin to trying an unconventional blend and discovering a new favorite. The continued growth and acceptance of these decentralized currencies signal a future rich with possibility and brimming with potential.

Cruz Hotel Approved by Planning Commission

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The Santa Cruz Planning Commission approved the first downtown hotel north of Laurel Street in Santa Cruz in over 90 years on February 15th. Two city-owned lots will be merged with three private parcels on Front Street to build the hotel. The six-story hotel will have 232 rooms, three rooftop pools, three bars and facilities for conferences. 

The commission unanimously increased the payments developer SCFS Venture will make to community groups from $15,000 to $50,000 for the Santa Cruz Hostel Society and $25,000 to $50,000 for the Santa Cruz Boys and Girls Club The hotel will also provide free wifi, a bike share program and access to conference facilities  for local nonprofits . These “voluntary conditions” are dependent on the project not being appealed to the Coastal Commission, according to the draft of the measure. 

Land-use consultant Owen Lawlor, who is a partner in SCFS Venture, the New York developer, said the hotel would contribute to the business downtown and fulfill the city’s longtime plans to integrate the river into downtown. Also the hotel would contribute two million dollars to the city under the Transient Occupancy Tax, according to Lawlor.

Lawlor’s projects surround the future site of the hotel: Anton Pacific is almost finished across the street and the Riverfront Apartments whose foundations are currently being dug will soon rise. 

“These projects that we are working on are the beginning of reconnecting the downtown to the river and that is something that for at least half a century, the community has spoken about in its general plan so it is an exciting time,” said Lawlor. 

Lawlor imagines the hotel becoming another community meeting place like Abbott Square. A public alley will connect Front St. to the river walk; People will be able to eat near the riverwalk at the restaurant, and the bars inside and outside would be open to the public. 

Unlike housing developments which are constrained by state-law, approval of hotels is governed by local ordinance. 

The Cruz Hotel proposal is possible because of the city council’s decision in October to lift height limits downtown for non-housing uses. The 50 foot height limit for non-housing was raised to the 70 foot cap allowed for housing downtown. In return, the city agreed to charge the developer five dollars a square foot for all construction over the old 50 ft limit. 

This would amount to $228,000 for the Affordable Housing Trust Fund, according to the planning commission’s report. 

The plans for the hotel come in the aftermath of the downtown expansion plan, which would expand the downtown district across the street. The plan as proposed early last year legalizes 1,600 housing units and buildings up to 12 stories high south of Laurel. However, the passage of Measure M would prevent the council from changing city zoning or increasing building height, unless taken to a vote.

Thus if Measure M passes on March 5th, the extra height would have to be overturned by the city council or challenged in court. According to the measure, the prohibition on zoning changes would be retroactive from June 1st, 2023.

During the public portion of the meeting, members of the hospitality worker’s union, Unite Here, Local 19 told the commission they were upset because the hotel will not be unionized.

“Every aspect of the hotel project seems to be meeting the bare-minimum, nothing more,” said Todo of Unite Here. The $5 fee for affordable housing should be raised too, she said. 

District 3 candidate Joy Schendledecker, said that the city should not sell the city owned lots because the “community benefits” offered by SCFS Venture are one time cash payments.

““How about we keep our public land and charge ground rent? Once we privatize our community assets, we never benefit from them again in the same way,” said Schendledecker. 

Commissioner Rachel Dann, who lives downtown, worried about the project’s lack of parking for employees. 

An underground parking garage for 214 cars with a robotic-car retrieval system is planned, but the hotel will not have parking for the roughly 130 employees. Bike-share and the new Metro Center will provide transit access, according to Lawlor.

Commissioners expressed reluctance about changing the resolution too much before the city council, considering the city is still negotiating with the developer and the Coastal Commission. 

Lead Planner Lee Butler said the biggest issue is how much will be contributed to the “low cost visitor accommodations,” which is required by the California Coastal Commission without compromising the financial viability of the project. The developer has to make money, he said.

In an email, Rainey Graeven of the Coastal Commission explained that the commission typically prefers that “lower-cost accommodations be provided onsite.” 

The project currently does not  have these rooms. Furthermore, the draft of the approval contains language that nullifies all “public benefit conditions” if it is appealed by the Coastal Commission. 

“We are coordinating with the Applicant and the City on recommended measures on this issue [low cost rooms] as well as the contribution to the City’s affordable housing trust fund,” she said.

Guitar Heroes

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Damon Danielson remembers listening to the radio, hearing another story about the arts being underfunded in school. 

“Yet a lot of studies show people with a musical background do better in math and science. So I was listening to that story and my thoughts went back to my dear friend, Terry Esau, in MInnesota,” Danielson says.

A lifetime friend and one-time commercial jingle writing partner, Esau is also the co-founder of the non-profit, Free Bikes For Kidz (FB4K). Danielson knew that since 2008 FB4K’s had already given 125,000 bikes to kids in need and is on a trajectory to reach one million by 2027. 

That’s when he heard the music. 

“I asked, ‘Terry, what about doing this for guitars?’” Danielson remembers. “He jumped on it and that’s where the whole thing sort of took off.” 

That “whole thing” is Free Guitars 4 Kids (FG4K), a non-profit that puts instruments directly in the hands of the youth. 

“Last year we gave away 1,078 guitars,” exclaims FG4K Executive Director, Ben Dudley. 

“We have plans this year to give away over 4,000 [combined] with an ultimate goal of giving away 1 million guitars within the next 10 years.” 

While that goal might seem high, the non-profit’s growth is tracking. In just under four years FG4K has partnered with over 20 different non-profits, schools, churches and event programs in 16 states along with the countries of Uganda and Jamaica. 

“I’ve never been involved with an idea that people just seem to get immediately,” Danielson says. “It’s just so wonderful to hear people get excited about things.” 

Danielson should know as he’s no stranger to entrepreneurial startups. 

Now retired, he has spent a lifetime in the tech world. A Santa Cruzan since 1996, Danielson was the co-founder of Zero motorcycles (the world’s first electric motorcycle), VuSpex (virtual inspection software) and OneMusic–the world’s first internet and CD production music library which BMG bought for a 40 times return to stockholders. 

“We’re a generosity organization,” he explains of FG4K. “If we model giving, then we hope others will understand what it means to have something given to them and pay it forward.” 

So how exactly does it work? According to Dudley, it’s pretty simple. 

“If somebody wants guitars, then we want to give them some,” he says. Dudley takes a pause before adding, “No strings attached.” 

As they open in different areas, “sounding boards” are set up as a point of contact between the organization and local kids charities in the area.

“We don’t pick the kids,” Danielson says. “We leave the selection process totally up to our partners [local organizations] because they know the kids that need help.” 

He says on average the children who receive the guitars are anywhere between the ages of 10 and 15. The non-profit also provides valuable resources for recipients and instructors alike. 

“We created a 16 week, 16 lessons over 16 videos course that we’ve uploaded to the website,” explains Dudley. “They are more geared towards instructors but anyone can use them.” 

Many of the guitars donated by the organization are themselves donations. Free Guitars 4 Kids accepts used instruments no longer being played–think grandpa’s dusty Martin sitting in the closet corner. 

However, the organization has also teamed up with guitar manufacturing companies, Gibson and Fender, as a way to get new instruments into the future shredders’ hands as well. The companies not only donate a number of  instruments, but allows the non-profit to purchase them at cost, a deal awarded to few. Dudley also creates frequent Tik Tok videos of himself going into music stores to pick out a new piece to donate. 

Donations, funding and promotion also comes from the most obvious of sources, professional musicians. 

“Artists really love working with us,” Dudley exclaims. 

Jack Johnson, Cory Wong, Grace Bowers and Charlie Worsham are just a few of the names who have collaborated with FG4K. Last year, they teamed up with Christian-pop crossover artist, Amy Grant, to give away two guitars. FG4K.org currently hosts video of one of those recipients, Obediah, busking on the streets of Minneapolis, entertaining tourists and locals with his heavy riffs.

Last December, the organization was featured on Good Morning America, when they teamed up with musician Ron Artis II. The partnership donated 200 guitars to Hawaiian students who lost their instruments in the state’s deadliest wildfires last August. Over 17,000 acres were destroyed on the island of Maui between a period of three days when not one, but four separate fires killed 100 people and destroyed an estimated $5.5 billion in damage. Dry conditions and high winds were blamed for the inferno. 

“It looked like a nuclear bomb had gone off” Danielson says. “Everything’s flattened. It’s unbelievable what these people have gone through.” 

He says when FG4K was there, 800 displaced individuals were still living out of the hotel they were staying at. That’s just one hotel to accommodate the over 10,000 people who were displaced during the disaster. According to a recent NBC News article, 4,961 people are still living in hotel rooms.

“It’s been a very difficult time for families there,” he admits. “Many of them are musical and lost all of their instruments in their houses.” 

Surprisingly, Dudley says the organization received some opposition online from people questioning why they’re donating guitars instead of food or other aid. However, he argues their mission is just as important on a deeper level. 

“That’s the beauty of music,” he says. “It transcends race, it transcends culture, it transcends politics. It’s healing. It’s a necessary part of our lives, it’s not a luxury. It’s a part of who we are as people.” 

Since its founding, FG4K has worked throughout the Bay Area and Silicon Valley, raising funds and distributing instruments to those in need. Although there are no current plans to work with local Santa Cruz organizations, Danielson says he foresees some for possibly later this year. 

“It takes leadership at the local level,” he says. “I’m in Santa Cruz but it takes the right type of team to keep things going. It’s easy to do something once, it’s harder to institutionalize it.” 

Anyone interested in helping but might not have time to spare are encouraged to go to the website and donate whatever monetary value they can. Dudley tells GT every $100 donated equals one guitar in the hands’ of the youth and even the smallest amounts add up. He also highlights the success of social media campaigns and hopes more people will like, follow and share FG4K’s accounts to spread their mission as far as possible. 

Danielson breaks it down nicely. 

“If people are interested and want to get involved we’d be delighted to talk with them,” he says.

County Wants to Save Landlines

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The Santa Cruz County Board of Supervisors on Tuesday approved a resolution denying a request from AT&T to be released from its requirements to provide landline services to Santa Cruz County.

While the resolution—which will be sent to the California Public Utilities Commission (PUC)—carries little official weight, it will likely send a strong message to the PUC, which will make the ultimate decision.

The discussion came in response to a Jan. 22 letter from AT&T to its customers, informing them that the company has submitted an application to the PUC to be removed from its obligation to provide landline services to a large portion of its service territory in California.

AT&T Vice President of External Affairs Tedi Vriheas told the supervisors that the network of traditional copper lines upon which landlines run—as well as DSL service—has gone the way of the steam engine and fax machines.

“AT&T’s copper network is coming to the end of its lifecycle, and it will soon become obsolete,” she said. “It’s very difficult to get parts, and to maintain and to get installers trained and dispatched.”

Moreover, replacement equipment is so hard to get that AT&T has resorted to buying it on websites such as eBay, Vriheas  said.

“We have manufacturers that are no longer producing parts for this network, and it is eventually going to go away,” she said.

Vriheas also pointed out that, for areas with no alternative providers—which covers roughly 1,249 residents in rural mountain communities—AT&T cannot legally end their landline service.

She also said that the move will likely take place over years, not months, to complete.

Still, the company’s announcement has worried residents of rural and mountainous regions, who rely on their landlines for communication during emergencies when their internet goes out with their power.

And AT&T has offered no viable replacement, said Supervisor Zach Friend, who pulled the item off the consent agenda to have a deeper discussion.

“It’s my personal belief that none of the backup systems exist that are adequate yet in order to meet the needs of landline users, in particular rural landline residents throughout Santa Cruz County,” Friend said.

Friend acknowledged that copper lines are a fading technology.

“But in order for it to be phased out, and for people to have the security they need in a landline service, there needs to be proof that there is an adequate and equal backup service, which has so far been shown not to be the case,” he said.

Friend also expressed frustration about the lack of notice from AT&T about their request to end landline services.

“There was no outreach to the county, there was no outreach to elected officials,” he said. “There was no outreach to the community other than the letter.”

Supervisor Manu Koenig said he has heard concerns from many of his constituents, many of whom still rely on their landlines

“Our mountainous region is a very difficult topography to maintain communications,” he said. “Maintaining our proper telephone lines system is essential to make sure that rural residents can get word out and in during these emergency events.”

The issue will return to the Board of Supervisors on Feb. 27, when they will hear an in-depth presentation by AT&T.

Juicy Truth

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The people spoke. From a place of passion. And we listened.

Paraphrasing here, but the message went something like this: “How about a little Burger Week love for Watsonville? We have some good stuff here.”

It was fair feedback. And as it turns out, two of the better burgers I took down in the last six weeks of beefy scouting (see cover story) appear at surprising places in the town once known as Apple City.

Kong’s Burger & Cafe (15 E Beach St #101, Watsonville) tucks into a little mall complex right off City Plaza. There mom and pop Soon Ja and Sang Soon Ahn do bibimbap and teriyaki plates—and an excellent kimchi breakfast burrito—but the burgers are what have earned it cult status. (Longtime locals will remember the original Kong’s Market in Santa Cruz.)

The Kong burger is $6.99, the King Kong $9.99 with a choice of bonus beef, chicken or spicy pork on top. On Soon Ja’s recommendation, I went with the spicy pork.

Paired with the works and a simple and soft bun, it’s fantastic and draws people from as far off as San Jose.

The other stunner also pairs beef and pork, and feels unexpected because it’s a special at a taco shop. The Al Pastor Burger at Tacos Al Fuego (45 Aviation Way, Watsonville)—ground beef with al pastor pork topped with grilled onions, grilled jalapeños, a slice of pineapple, iceberg lettuce, mozzarella, drizzled with secret avocado salsa, salsa roja and a side of fries, $15”—provided spicy, dynamic and textural satisfaction.

So add those to the list, burger believers. Combined with the index in this issue, we’re now up to 61 singular burgers to try.

ADVANCE TO GO

Cavalletta (9067 Soquel Drive, Aptos) has finally opened. Bring on all the local produce, seafood and meats, filtered through an Italian lens, and the big, custom, wood-fired oven and the imported pasta maker. Things to prioritize include Italian chop salads, oven-roasted cauliflower, rock shrimp risotto, and sausage-potato-bechamel pizza, though the menu changes constantly with the seasons. cavallettarestaurant.com

MOSS = BOSS

Let’s officially adopt Moss Landing as a member of the Santa Cruz County family. It’s less than 10 miles from the border and now has a most exciting Monterey Bay fishing development in early planning stages. Dave’s Gourmet Seafood of Watsonville (159 Westridge Drive, Watsonville) is proposing a working cannery right there on the water, next to Sea Harvest Fish Market & Restaurant, in a government building that’s been empty for a half decade. In the meantime Dave’s is doing dynamite canned albacore, salmon, crab, shrimp, sardines, smoked albacore and smoked salmon, available to order online (and pick up or have delivered) and the Aptos Farmers Market at Cabrillo College every Saturday 8am-noon. davesgourmetseafood.com

NIBS AND NUGS

Chaminade Resort and Spa (1 Chaminade Lane, Santa Cruz) in the hills just outside town hosts live music six nights a week, which means tunes plus scenic landscapes plus seasonal cuisine plus drinks from The View, which happens to be participating in Burger Week.…The USDA has OK’d New Leaf Community Markets’ use of EBT SNAP benefits for same day delivery and pickup via Instacart, a win for healthy food access…EcoFarm 2025 is set for Jan. 21-25. More urgently, organizers want to hear from us on what type of workshops the organic farming congregation wants to attend, ecofarm.org…Matisyahu’s appearance at Felton Music Hall (see music story) has me dreaming of in-town options pre-show: The Grove? Empire Grille (another Burger Week participant)? Trout Farm Inn? Casa Nostra? Lots of flavorful choices await.

Steamer Lane Supply

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Fran Grayson says she aspired to own a restaurant from a young age. After working her way through college cooking, her life path took a left turn for a while: she became an iron worker, welder and heavy equipment operator, then founded an industrial arts trade school in Oakland.

Her culinary career got back on track when she moved to Santa Cruz, became a farmer and opened a food truck. After a food event on Westcliff, she was inspired to have a permanent spot there and inquired about some unused space at Lighthouse Field.

She built the restaurant herself eight years ago. Stand-outs include the Dillas, a “pressed flat crispy burrito,” with non-traditional fillings, as well as bowls like salmon poke and sandwiches like Vietnamese-style pulled pork. Tacos, tamales, hot dogs, and grass-fed smash burgers round out the menu, and specialty non-alcoholic beverages like aguas frescas and Turkish coffee.

Open every day from 8am-5:30pm.

Tell me more about your background?

FRAN GRAYSON: It was a long and winding road with many different pursuits of passion. From the cooking to the farming, to operating heavy equipment and working in various trades, I’ve mastered many skills. Steamer Lane Supply is a culmination of these varied endeavors in my life, they all come together here synergistically. It was all a gestation to giving birth to my business baby. As the baby has grown, it’s become part of a family that consists of my incredibly close-knit and devoted team, as well as my customers and the community.

How does your location inspire the business?

FG: Since we are located in a California State Park in a public space adjacent to a world-famous surf break, this drives the business’ ethos and purpose. In terms of the menu, I want the food to be very accessible and approachable, and have something for everyone. It’s of paramount importance to me to keep our food of the utmost quality and consistency, while also keeping it affordable.

698 Westcliff Drive, Santa Cruz, 831-316-5240; steamerlanesc.com

Movin’ It

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All good things come to an end, or so thought Mike S., the 65-year-old surfer whose years of repetitive motion rendered his favorite hobby no longer accessible. Then his wife suggested he try something most of us haven’t yet heard of, at least here in Santa Cruz.  The GYROTONIC® Method is the unusual name given to a form of restorative fitness developed by an athlete in one of the most injury-prone practices known to (wo)man, professional ballet.

 A former principal dancer for the Houston ballet, Romanian-born Juliu Horvath applied his knowledge of the dynamics of motion to designing a routine almost anyone could perform regardless of age or health. Now, more than 40 years later, there are over 3,500 studios offering his trademarked Gyrotonic and Gyrokinesis classes.

Arriving at the studio, I was intrigued by what seemed to resemble Pilates equipment. The word that came up for me was rigid. In truth, I don’t gravitate toward that workout style, but having struggled with my own repetitive motion issues, I stayed open minded. And when I stepped into the cozy space for a session, I soon understood the difference.

Studio owner Aliyah Fragen’s yoga training began in college, and she went on to study Pilates and meditation, working with pioneers like Deepak Chopra, before eventually recognizing the ways training at an advanced level isn’t sustainable. She wanted to offer a method for maintaining fitness without getting hurt.

After discovering Gyrotonic, Aliyah’s passion for this method grew from the piece she saw missing in other disciplines, a three dimensional, spiraling movement method that mimics the natural range of motion.  Gyrotonic exercise focuses on moving the whole body at all times (like dancing), to maintain a mobile spine and pelvis using dynamic breathing patterns.

After earning multiple certifications in the method and running a successful studio in LA for 12 years, she founded her Capitola business in 2022, first borrowing space for her equipment from like-minded neighbors, before expanding to accommodate growing demand.

At closer glance, the rotational discs and weighted pulleys on the Gyrotonic machines are different than the standard Pilates reformer, and I soon learned the experience is anything but rigid. Instead of group work or classes, this training is done individually, and as a result, unique structural imbalances can be detected and corrected.

I watched while Aliyah gracefully demonstrated the linear nature of how most of us move. We sit clutching the wheel as we drive or hunched over our laptops. We bend down and up, and visually driven as we are, walk, run and generally move forward. Yet the body is designed to move on more than one plain. Gyrotonic exercise, as the name would suggest, is based on three dimensional versus linear movement designed to mobilize everything meant to move a body..

Whether from years of poor seated posture, undirected fitness training or using one hand on the driving range, imbalanced use patterns generally catch up with us. This is where Gyrotonic exercise works wonders. Aliyah’s regulars range from a 18-year-old varsity basketball player to a 93-year-old golfer.

And it works! I was happy to hear surfer Mike is back in the water and doing better than he was five years ago.  I loved the balance of fluidity and structure Gyrotonic movement seems to offer. It didn’t feel rigid or tedious, in fact I was surprised at how quickly the time flew by. And I left feeling taller and lighter.

The official Gyrotonic recommendation is two weekly sessions of 55 minutes. This may seem like a splurge, but for those seeking realignment after bad patterning or injury, or for those seeking a more holistic, personal workout it’s both a pleasant experience and a valuable investment.

Learn more at aliyahstudio.com/movement

Robert Fripp and David Singleton Talk Music

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David Singleton is a composer, sound engineer, producer, author and co-founder – with guitarist Robert Fripp – of the record label Discipline Global Mobile (DGM).

Since 2015 Singleton has “reluctantly managed” the innovative band King Crimson and produced numerous projects.

Fripp has collaborated with many artists including Peter Gabriel, Brain Eno, David Bowie, Talking Heads and his wife, singer Toyah Willcox. His own Frippertronics looped-guitar performances were groundbreaking. Singleton and Fripp are now touring as “Englishmen Abroad” speaking about their decades of creativity.

JM: When I heard Robert Fripp was coming to town and not playing guitar I thought, “That’s not fair.” But watching some videos of your speaking engagements together I realized, “This is quite interesting.”

David Singleton: The intensity with which Robert approaches a music concert, you couldn’t add in the talking properly. He used to come out before King Crimson shows to say something but he didn’t engage in difficult questions. He said, “If I go there, that puts my head into that space. And I can’t turn around and be ready for the performance.” So, if you want the Robert Fripp that will tell you stories about the creative world better than anyone, sadly he has to leave the guitar at home.

I love the questions that come out from left field because it’s slightly terrifying! Somebody walks up to the microphone and you have no idea what they’re going to say. In New York someone asked us to talk about the role of silence. I learned very quickly that Robert has a game when there’s a question to which there isn’t an obvious answer, he turns to me and says, “David, what do you think?” So, while I’m making a fool of myself, he has time to think of the perfect answer! Oddly enough, it’s the unlikely questions that produce the most memorable answers! It’s an evening of improvisation.

David Singleton, left, with Robert Fripp

JM: Tell me about your relationship with Robert Fripp.

David Singleton: I first worked with Robert when he sacked his sound engineer halfway through a League of Crafty Guitarists tour. (1989) I was producing a record in a studio that Robert used a lot. He phoned up Tony Arnold who owned that studio, “Do you know anyone who could step in at short notice to help out on the tour?” Tony looked at me and said, “What are you doing in two weeks? Are you free?” I said “Yes.” Knowing nothing about Robert Fripp or King Crimson I flew out and did that tour. Since then, I’ve done just about everything Robert’s done. We got on well.

JM: I was blown away the first time I heard No Pussyfooting (1973) by Robert Fripp and Brian Eno.

David Singleton: The first time I heard No Pussyfooting I told Robert, “This sounds like something someone threw together in an afternoon.” Robert laughed and said, “Actually, it only took us forty-five minutes!” Despite everything, I think our tastes are very similar. Therefore, I’ve found working with Robert very simple.

JM: The music industry is infamously exploitative. And it seems like it’s gotten worse.

David Singleton: Artists and major corporations are often not a happy fit. Obviously, the industry wants a reliable, repeatable product. But that’s not usually what artists want. People often quote Peter Gabriel when he did the solo album with monstrous hits like “Sledgehammer” and the major labels wanted him to do another album that’s going to sell the same. And that really isn’t how artists work. Not true artists.

JM: Robert has said the two of you established DGM in 1992 as, “a solution to inequities of the music industry.”

David Singleton: In DGM, we believe that you have to do the art first and worry about the consequences later. We think, “This is the right album to do” and we keep going until we’ve done whatever this album needs. Generally, we’ve discovered that if you take that approach, the world will support you. You may not get fabulously rich, but generally your fans know when you’ve produced a proper album, made with love. And enough of them will buy it to support you.

After we made the album Thrakattack we were having a meeting with our accountants and they turned to me and said, “What market research did you do before putting out the album Thrakattak?” I’ve always thought it’s a perfect demonstration of the difference between the two approaches. The answer was “None. We made Thrakattak because we both thought it was a fun idea.” (The 1996 album featured a compilation of live improvisations.)

JM: How are you and Robert faring in the digital world? People seem to listen online to single songs and not albums. And musicians tell me they earn .00 something per listen.

David Singleton: We were very, very late comers to Spotify because the model doesn’t make sense financially for artists. Initially we thought, “We refuse to be on Spotify!” And then the gamebook point where I said, “Actually, we need to be on Spotify.” Not for financial reasons. But for King Crimson music to exist for a new generation, it needs to be on Spotify. So, we went there despite the business model.

It used to be that if people would buy even 10,000 or 20,000 CDs, you could make a good living. Now you can have a million listens on Spotify, and not even earn enough to pay back the cost of recording. So, we’ve now flipped to a world where musicians earn their music by playing live. If musicians are relying just on the streaming world, there simply isn’t enough money. On the other hand, I love that you can now access a huge, great music library of most of the recorded music that’s ever existed!

JM: How did your journey in the music world begin?

David Singleton: My voyage is still horribly incomplete! It’s one of the other things we speak about at these Englishmen Abroad talks. I’m probably a very helpful person for frustrated artists in the audience because hiding within me is a very frustrated artist! Really, I’m a composer and songwriter. My earliest memories are when I was about 7 literally having a manuscript paper under my sheets and writing music. I was writing purely piano or classical pieces. And then The Beatles happened in my mid-teens. I’ve dedicated my life to songwriting. That isn’t how I’ve earned my money, hence the frustrated artist. But if you asked me what it is that I get out of bed and want to do: compose! What was I doing just before this call? Arranging a song!

JM: Tell me about your project about the unscrupulous music industry, The Vicar Chronicles

David Singleton: We were working late one night and my inbox was being filled by yet more grotesque happenings in the music industry, some of them involving us. I turned to Robert and said, “Why hasn’t anybody written a who-done-it about the music industry?” Because you don’t have to make the stories up! Robert leaned forward and said, “Because you haven’t written it yet, David.” I took this as a challenge. The project includes a blog, album and three novels about a fictional record producer called The Vicar. The second graphic novel is soon to be released.

JM: What’s most important to you about music?

David Singleton: What fascinates me is the question; what is it about music that makes it so central to so many people’s lives? We’re doing this interview because music has obviously touched you deeply. I think that’s fascinating. I’m always exploring; Where does music come from? How do we bring it into the world? Why does it touch us? And everybody who comes to these talks is probably there because music has touched them very deeply in the core of their existence.

See them at 7:30pm Feb 23 at Kuumbwa Jazz Center, Kuumbwajazz.org.

Listen to this interview with David Singleton on Thursday at noon on Transformation Highway with John Malkin on KZSC 88.1 FM kzsc.org.

Otoboke Beaver an Unhinged Experience

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In the age of instant access, fast streaming and the option to have any style of music from around the globe playing at one’s fingertips, nothing’s shocking. Been there, done that. Seen it all in the 21st Century.

Then comes along a band like Otoboke Beaver, the wild, all-woman, Japanese quartet that combines garage, punk, surf, pop and pure, unadulterated controlled chaos. The result? An intense cacophony that sounds like it should fall apart before it even begins. Instead, Otoboke Beaver creates tightly wound songs that blast through genres and time signatures like a tweaker shuffling Spotify. 

And this Sunday, Feb. 25,  they are bringing their savage sound and stage show to the Catalyst with openers, South Korean punk band Drinking Boys and Girls Choir and Pity Party, a two-piece from Los Angeles.

 Otoboke Beaver’s music draws from manzai, a form of irreverent Japanese comedy, known for its fast-paced jokes, off-beat timing, double-talk and puns.

The evidence is sprinkled throughout their songs and live show.

Tracks like “Leave me alone! No, Stay With Me!”, “What Do You Mean You Have to Talk To Me At This Late Date?” and “Dirty Old Fart Is Waiting For My Reaction” start, stop and flow through a cornucopia of screams, distortion, pop beats, and cute, clean singing in just under a couple minutes.

“Acco brings the band with a phrase, and all members will start to add to it and we work together on it to build up over months of trial and effort,” says guitarist YoYoYoshie.

“Sometimes something isn’t working or is missing, so we leave it to work on another song and come back to it. We may add or take away elements as it evolves. Unused ideas may flow into other songs or elements from another song might be combined into this song. It takes a lot of time and practice.”

Originally founded in Kyoto in 2009, Otoboke Beaver was birthed out of the love for rock ‘n roll by singer Accorinrin and YoYoYoshie. The two met in a rock club while attending Ritsumeikan University, a private–and one of the most prestigious–schools in Japan.

“We played together and at first we leaned to more pop-sounding and catchy beats,” writes YoYoYoshie. “But as we played more we found that we liked it when we played faster and harder.”

Their debut EP dropped in 2011 but it wasn’t until 2016 after they signed to their current label, the British indie Damnably, that they released their first–technical–full-length, Okoshiyasu!! Otoboke Beaver, a compilation of previously released material.

In 2013 bassist, Hirochan, joined after their original bassist left and the current line-up was solidified in 2018 with the inclusion of drummer, Kahokiss.

Two years ago, the mad women dropped their first full-length of new, previously unreleased material, Super Champion. Or, as they lovingly refer to it as, “Season 2,” their first album after quitting their day jobs so they could focus exclusively on music.

Yet, as hardcore as their albums are, Otoboke Beaver’s live show is–somehow–even more deranged. YoYoYoshie’s unhinged onstage antics and stage-diving has landed the band several, temporary, social media bans.

Along with being praised by NPR, Stereogum and The Fader, Rolling Stone called their 2023 South By Southwest (SXSW) performance “both a goddamn riot and tight as hell.”

Still not sold? Then maybe take some advice from Mr. Rock himself, Dave Grohl.

“It’ll blow your mind,” the former Nirvana drummer and current Foo Fighter told Vulture–New York magazine’s entertainment site–in 2021 about Otoboke Beaver’s live show. “It’s the most fucking intense shit you’ve ever seen.”

Otoboke Beaver, punk rock from Kyoto, Japan

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