Things To Do In Santa Cruz

THURSDAY

METAL

RED MESA Albuquerqueโ€™s Red Mesa calls their sludgy, sometimes psychedelic brand of metal โ€œdesert rock.โ€ I can hear it. Itโ€™s easy to imagine the three-piece out among the burning sands trippinโ€™ on peyote while paying homage to early rock gods like Black Sabbath and Deep Purpleโ€”but with the vocal fry of a long-parched larynx. Theirs is a massively hard sound that harkens to the era of heavy metal before double kick bass drums and trying to break speed records with every jam. Maybe itโ€™s too hot in NM to be playing so goddamn fast all the time? Local psychedelic rockers Doors To No Where open. KEITH LOWELL JENSEN
INFO
: 8:30pm, Catalyst, 1101 Pacific Ave., Santa Cruz. $19.26. 713-5492.

FRIDAY

PUNK

DI Legendary punk band DI has been through so many lineups that the founder, front person and only constant, Casey Royer, must need a cheat sheet to introduce his bandmates. I canโ€™t help but admire his until-the-wheels-fall-off determination to keep this thing going. Their first EP was in constant rotation from boom boxes at skate spots in the mid โ€™80s, with the track โ€œRichard Hung Himselfโ€ included on any quality mixtape. Formed by Royer after Adolescents fell apart, DI has influenced tons of bands that have gone on to be better known than them. It does my old punk-rock heart good to hear that Royer is still storming stages all these decades later. KLJ

INFO: 8pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $20. 423-7117.

SOUL

FAY HALLAM The music of Fay Hallam defies easy categorization. Her rich and soulful melodies are drawn from soul music, but her work also has healthy doses of psychedelia, garage rock and dynamic โ€™70s action soundtrack sounds. A deft Hammond organist and powerful vocalist, Hallam combines the best qualities of Brian Auger and Julie Driscoll, making her a kind of one-woman Trinity. Her classic-meets-modern sensibility is wedded to danceable, high-energy music. Hallam has five albums to her credit; 2021โ€™s Modulations is her latest. This year, she also released a collaborative single with the Syphons called โ€œSleight of Hand.โ€ BILL KOPP

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

EXPERIMENTAL

SHAPES & SOUNDS OF FREEDOM Artists Yayah and Thomas Sage Pedersen have been incubating Shapes and Sounds of Freedom during their month-long residency at Indexicalโ€™s Tannery Arts Space. The performance incorporates music, film, and live dancing from Micha Scott. The topic is simple yet challenging to encapsulate in any medium: freedom wholly. The audience is tasked withโ€”or perhaps more accurately, graced withโ€”an immediate membership to the movement for collective liberation. The idea is that the art that fills the space will create a sort of emancipation of the soul for all who experience it, worth the price of admission! JESSICA IRISH

INFO: 8:30pm, Indexical, 1050 River St. #119, Santa Cruz. $5-$20. 627-9491.

SATURDAY

AMERICANA

TIM FLANNERY Ever sit on the back porch watching the rain while sipping a hot cup of coffee? Tim Flannery and the Lunatic Fringe provide the perfect music for that sort of morning. Their chill yet energetic take on country, bluegrass, and Americana music offers a refreshing beat to kickstart the day (or evening). Every song is a short story from Timโ€™s life and experiences, making each performance deeply personal and as invigorating as the smell of early morning rain. The passion of Tim Flannery and the Lunatic Fringe comes through every note they playโ€”truly just a group of friends doing what they love with who they love. ISABELLA MARIE SANGALINE

INFO: 7:30pm, Kuumbwa Jazz Center, 320 Cedar St., Santa Cruz. $30-$45. 427-2227.

SUNDAY

COUNTRY

BASTARD SONS OF JOHNNY CASH For 29 years, the Bastard Sons of Johnny Cash have kept the sounds of true country alive and well. Hailing from Austin, Texas, the band was formed by Mark Stuart, who got the blessing of the Man in Black himself to use the name. Johnny Cash believed in the Bastard Sons so much that he invited Stuart to his home in Hendersonville, Tennessee, before his death to record some songs with him. They boast the recognition of having performed with every significant Americana and Country recording artist and were supported early in their career by Willie Nelson and the late Merle Haggard. This Sunday, it doesnโ€™t get any more country than working-class, salt-of-the-earth tunes in the heart of Corralitos. MAT WEIR

INFO: 4pm, El Vaquero Winery, 2901 Freedom Blvd., Corralitos. $10. 608-8118.

TUESDAY

COUNTRY

DAVID LUNING Country-blues artist David Luning believes variety is the spice of life. While studying film scoring at the Berklee College of Music, a friend turned him onto John Prine, which forever changed Luningโ€™s life trajectory. While his songs are musically as smooth as a fine bourbon, Luningโ€™s lyrics are chock-full of grit with stories, lessons and anecdotes about lifeโ€™s trials, tribulations and triumphs. Several Hollywood movies and television shows have featured Luningโ€™s music, and heโ€™s performed with staples in the genre like Rodney Crowell, Kate Bush and Elvin Bishop. Joining him is Boulder Creekโ€™s versatile Chris Jones, who fronts Wolf Jett when heโ€™s not singing solo. MW

INFO: 8pm, Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

FOLK

BRITTANY & NATALIE HAAS & LENA JONSSON String instruments are known for creating sounds that appeal to the emotional part of the brain, so three string instruments together are powerful. Celebrated musicians Brittany Haas, Natalie Haas, and Lena Jonsson join forces to wreak havoc on the human soul via their four-stringed instruments: two fiddles and a cello. Brittany Haas has fiddled alongside Dave Rawlings Machine and Steve Martinโ€™s band, while Natalie Haas keeps winning awards for her Scottish traditional music. Then thereโ€™s Lena Jonsson, winner of the Swedish Grammy (delightfully called Grammis). Together, their sound is a jig-inducing delightโ€”with a hint of occasional, delicious melancholy. JI

INFO: 7pm, Community Music School, 612 Ocean St., Santa Cruz. $25/adv, $30/door. 471-5184.

WEDNESDAY

AUTHOR EVENT

LINDSAY ELLIS Hugo Award finalist and New York Times bestselling author of Axiomโ€™s End, Lindsay Ellis returns with Apostles of Mercy, the third installment in her Noumena sci-fi series. Itโ€™s a tale of first contact that doesnโ€™t unfold as Earthlings had hoped, and the novel pits humanity against Superorganism. Thereโ€™s a political subtext to the story that makes it even more engrossing and relevant. Ellisโ€™ film and television production background informs her evocative, expertly paced and richly textured storytelling style. Signed Apostles of Mercy copies will be available at this event. BK

INFO: 7pm, Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free. 423-0900.

A Date to Debate

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A rancorous and hilarious presidential debate is coming to the Corralitos Cultural Center Backyard stage on Saturday. The last performance of the year by musical commedia dellโ€™arte performers behind Karen with a Kโ€”A Musical Temper Tantrum, the evening pits a red-state Karen against a blue-state Karen.

Built around the Karen meme of middle-aged white women who have become infamous online for their displays of entitlement and white privilege, this ever-evolving satire has Karen portrayed by three actresses who portray combative, disagreeable women stumbling through a very bad day, each showing a different side of the anti-hero. Producer/writer Laura Strange says that people tell her it feels like a mashup of Beach Blanket Babylon and Rocky Horror Picture Show that might have been performed by the Tubes.

At the Aug. 31 show, the ensemble gives us a gritty clash between two opposing Karens that offers plenty of rancor, from ironic observations to knock-down gut blows. One Karen is a Marjorie Taylor Greene wannabe (Judy Appleby) and the blue-state Karen (Stephanie Madrigal) is a sanctimonious, tree hugging, yoga-pants-strutting, pussy-hat-wearing, Iโ€™m-better-than-you Karen. The third Karen (Bonny June) moderates the debate.

Performing in operetta format, the band and singers can rock hard or turn doo-wop sweet. The seasoned musicians maintain a booty-shaking beat that drives the laugh-your-ass-off satirical lyrics. This presidential debate version of Karen with a K debuted on April 28 at Kuumbwa Jazz Center. I watched a video of it and saw it lampoon the culture wars that have dominated our news and social media for the last eight years.

The band sings a rocker, โ€œItโ€™s Going to Be a Shitty Day,โ€ and the red-state Karen (June Appleby) brings out a poster of her hero, Marjorie Taylor Greene. The audience screams.

The band performs โ€œHail to the Chiefโ€ on kazoos and we get the campaign song from the Trump-loving-Karen that we eagerly dread.

Drill baby drill!

Iโ€™m mad as hell!

Iโ€™m outraged!

Weโ€™ve become weak!

Iโ€™m disgusted to see poop in the street

Iโ€™m angry.

The band sings, โ€œShe will be angry for you! She will be angry for you!โ€ Karen goes into a weeping, ranting meltdown, screaming her victimhood, but finally rising like a phoenix to shout, โ€œSend your contributions, I am your retribution!โ€

Then the lights turn blue, and out comes the liberal candidate. The music changes to a slow, steamy R&B song and self-absorbed, privileged, liberal Karen grinds her hips out to the mic and sings โ€œIโ€™m Better Than You.โ€

I drive electric, I reuse plastic

I sponsor poor children, in faraway lands

So grateful to me for my kind helping hands

My carbon footprint is minuscule, Iโ€™m better than you.

As โ€œIโ€™m Better Than Youโ€ ends, drummer Scott Kail and guitarist Jack Hanson play one of the more psychedelic pieces of the show, a warped Spike Jonesian version of a presidential march.

The show is about having fun from start to finish. Strange says, โ€œIt happens to have gotten popular, but Iโ€™m entertaining myself, for Godโ€™s sake.โ€

Laura Strange plays rhythm guitar and sings back-up vocals in the band Strange Bedfellows, which also features savory lead guitar from Jack Hanson, funking bass by Jo Jo Fox, and drums from musical arranger Scott Kail. They perform in their pajamas, and guests get a $5 discount if they wear pajamas as well. The palindrome-sporting narrator is Orbrad Darbro.

The whole thing is a brilliant, satirical cartoon, brought to life by funky songs from a band that keeps it in the pocket. It is timely, it is in your face, it dares you to step closer to the edge.

Karen with a K: A Musical Temper Tantrum begins at 3pm on Sat., Aug. 31 at Corralitos Cultural Center, 127 Hames Road, Watsonville. corralitosculturalcenter.org.

Making a Bow

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NextStage Productions is a nonprofit, all-volunteer organization that connects 50-and-up adults to their community through the performing arts. Marking its 10th anniversary this year, NextStage helps older adults find their performance groove through singing, dancing and theater.

And NextStage continues to devise new ways of providing lift to those trying to spread their creative wings.

It includes a six-week series of classes, The Artistโ€™s Way, that provides tools to stimulate creativity. The next series starts in October.

NextStage also has begun sessions to teach storytelling in the Moth radio hour format, in which students learn to write and perform a story about a time when they experienced โ€œmagic.โ€ Their work will be presented Aug. 31 at Santa Cruz Actorsโ€™ Theater.

ย President Kathryn Adkins says, โ€œWeโ€™ll be auditioning for our musical holiday show in September.โ€

Adkins says that isolation and depression is a leading health concern, and NextStage has three wheels of participation: Performance, Education, and Health and Wellness. The Health and Wellness branch hosts programs such as Taiko Drumming classes for those living with Parkinsonโ€™s.

โ€œEach week the comradery and joy are evident, and what they say about the health benefits of music and movement is true. There is very little shuffling in the feet on the way out of the room,โ€ she says.

A nonprofit, NextStage has no brick-and-mortar home. Performers and players visit senior centers, civic groups and other venues. To learn more visit nextstagesantacruz.org.

Storytelling: Encounters With Magic will be staged Aug. 31 at 2 and 7pm at Santa Cruz Actorsโ€™ Theater, 1001 Center St. Admission is $20.

Street Talk

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In Fantasy or Sci-Fi, whatโ€™s your favorite movie?

ELEVEN

Iโ€™m a Rocky Horror Picture Show kinda gal. I do the shadow shows at the Del Mar, and I’ve probably seen the movie upward of 100 times. It’s a perfect blend of comedy and sci-fi, you know? It’s so much fun. ย 
Eleven Turoff, 20, UCSC Theater Major


ALEX

Star Wars is my favorite franchise, especially the original Trilogy. It’s not really science fiction, more like fantasy. It taps into The Hero’s Journey, based around Kurosawa movies, like Hidden Fortress.
Alex Hubbard, 34, Games Expert, Level Up Video Games


JULIA

Star Wars, I love the plot. I grew up watching Star Wars, so itโ€™s kind of a nostalgia movie for me โ€”and my favorite character is Padmรฉ.
Julia Gompertz, 20, UCSC Education/Politics Major


GAVIN

I always like fantasy. The Lord of the Rings Trilogy I really like. Is it my favorite? Itโ€™s the one I watch the most, at least. The cinematography is great but also the background and how expansive the movies end up being.
Gavin Stillwell, 21, UCSC Anthropology Major


BELLA

The Hunger Games. I read all the books growing up. My mom wouldnโ€™t let me watch the movies until I had read the books. I remember specifically the first book made me cry.
Bella Orlando, UCSC Legal Studies/Politics Major, Barista @Luluโ€™s on Pacific


KIERNAN

The original Alien. I like science fiction horror, and I like the atmosphere, the style and the design of Alien.
Kiernan Stillwell, 17, Student


Free Will Astrology

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ARIES March 21-April 19

Some centenarians testify they have lived more than a century because they smoked many cigarettes, drank a lot of booze and ate a steady diet of junk food. Should the rest of us adapt their habits? Of course not. The likelihood of remaining healthy while following such an unsound regimen is infinitesimal. Just because a few lucky people miraculously thrived like that is not a sound argument for imitating them. I bring this to your attention, Aries, because the coming weeks will be an excellent time to upgrade your commitment to healthy habits. If youโ€™ve been waiting for the right time to love your body better, this is it.

TAURUS April 20-May 20

Taurus stage magician Doug Henning had lavish ambitions. They served him well as he became a star performer in theater and on TV. โ€œIf I produce a 450-pound Bengal tiger,โ€ he said, โ€œitโ€™s going to create a lot more wonder than if I produce a rabbit.โ€ Thatโ€™s the spirit I invite you to embrace in the coming weeks, Taurus. The cosmos is authorizing you to expand your understanding of what you can accomplishโ€”and then accomplish it. Dream bigger dreams than you have previously dared.

GEMINI May 21-June 20

The color of planet Earth is predominantly blue with green, brown and white mixed in. And for people all over the world, blue is more often their favorite color than any other. Why? In part because blue typically evokes peace, tranquility, security and stability. Itโ€™s often used in therapeutic environments, since it makes us feel more at ease about expressing our feelings. I bring these thoughts to your attention, Gemini, because you are entering a blue phase of your cycle. It will be a favorable time to harvest the benefits of relaxing and slowing down. You are more likely to feel at home with yourself and accept yourself just as you are.

CANCER June 21-July 22

Harvard Business School professor Gerald Zaltman, born under the sign of Cancer, says that 95 percent of our buying choices originate in our subconscious minds. Behavioral psychologist Susan Weinschenk believes 90 percent of all our decision-making is unconscious. But I propose that in the coming weeks, you increase the amount of conscious awareness you bring to sorting out your options. Cosmic energies will conspire in your favor if you do. You will receive unexpected boosts and generate creative enhancements if you resolve to rouse more lucid analysis and careful thoughtfulness.

LEO July 23-Aug. 22

A wealthy hedge fund manager named Raj Rajaratnam paid Leo singer Kenny Rogers $4 million to perform at his epic birthday party. But the night turned nightmarish for Rogers when Rajaratnam insisted that he sing his hit song โ€œThe Gamblerโ€ over and over again. Finally, after 12 repetitions, Rogers refused to do more. I wonder if you, too, might soon have to deal with a situation thatโ€™s too much of a good thing. My advice: Make sure all agreements between you and others are clear and firm. Get a guarantee that you will receive exactly what you want, and donโ€™t do more than you have promised.

VIRGO Aug. 23-Sept. 22

Now and then, zoologists decide that their classifications of species need to be revised and refined. For example, three subspecies of soft-furred, teardrop-shaped hedgehogs in Southeast Asia were recently elevated to distinct species of their own. They are no longer considered to be subspecies of Hylomys suillusbut, but are now named H. dorsalis, H. maxi and H. peguensis. I bring this to your attention, Virgo, because I suspect that you, too, are ready for an upgrade to a new category all your own. Itโ€™s time for you to claim greater sovereignty. You will be wise to define how distinctive and unique you are, to distinguish yourself from influences that are superficially like you.

LIBRA Sept. 23-Oct. 22

When mega-famous artist Pablo Picasso was asked how he felt about NASA landing people on the moon in 1969, he said, โ€œIt means nothing to me. I have no opinion about it, and I donโ€™t care.โ€ I invite you to use his statement as one of your power mottoes in the coming weeks. Now is an excellent time to identify the experiences, influences, events and people about which you have absolutely zero interest. Once you do that, I predict you will have a rush of clear revelations about the most interesting experiences, influences, events and people you want in your future.

SCORPIO Oct. 23-Nov. 21

The ancient Chinese philosopher Lao Tzu made an observation that could serve as your watchword in the coming months. โ€œBeing deeply loved by someone gives you strength,โ€ he wrote, โ€œwhile loving someone deeply gives you courage.โ€ In my astrological opinion, Scorpio, you are now primed to embody and express these states with unique intensity. If you embrace the inspiring challenge of loving deeply and being loved deeply, you will reach new heights of strength and courage.

SAGITTARIUS Nov. 22-Dec. 21

Many musical instruments must be constantly adjusted to ensure they stay in tune. This usually means that the note A above middle C vibrates at 440 cycles per secondโ€”with all other notes tuned in relation to it. Having sung in bands for years, I have seen how guitarists, bass players, violinists and even drummers have to continually attend to their tuning during performances. Imagine the diligent finesse it takes to keep an entire orchestra of many instruments in tune with each other. I suspect that one of your jobs in the coming weeks, Sagittarius, will have similarities to this kind of management and coordination.

CAPRICORN Dec. 22-Jan. 19

Dancing is always good for you, but it will be extra healthy and energizing in the next four weeks. I hope you will be inspired to dance as often as possible, even if you just do it alone in your kitchen or bedroom while listening to music that moves you. Do you need rational explanations for why this is a good idea? OK, here are the hard facts: Dancing reduces stress, raises serotonin levels, enhances well-being and is excellent physical exercise. Hereโ€™s another motivational reason: Dancing literally makes you smarter. Scientific research clearly says so (tinyurl.com/SmartDancing). Furthermore: In the near future, you will be in a playful, sexy, exuberant phase of your astrological cycle.

AQUARIUS Jan. 20-Feb. 18

Quo signo nata es? is the Latin expression for โ€œWhatโ€™s your sign?โ€ Did anyone in ancient Rome ever say that? Probably not, since itโ€™s a modern idiom. However, astrology was very popular in that society and era. According to scholar Rhianna Padman in her essay โ€œAstrology in Ancient Rome,โ€ Romans โ€œbelieved that the specific positions of celestial bodies at the moment of a personโ€™s birth could greatly impact their life and character.โ€ Back then, Thrasyllus of Mendes was a prominent astrologer who became a key advisor to Emperor Tiberius. Anyway, Aquarius, I bring Quo signo nata es? to your attention so as to inspire the following assignment: Update all your old favorite things. Put new spins on symbols and ideas that have served you for a long time. Take the best parts of your traditions and transplant them into the future.

PISCES Feb. 19-March 20

The coming weeks will be an excellent time to declare amnesty about all matters affecting your close alliances. Dissolve grudges, please. Tussle less, play more. Relax your demands and expectationsโ€”and nicely ask your companions to relax their demands and expectations. If possible, forgive others and yourself for everything; failing that, forgive as much of everything as feels right. You might even convene a ritual in which you and your intimate collaborators chant the following affirmation: โ€œWe are gleefully free to reimagine and reinvent the ways we fit together!โ€

Homework: What ideas are you allergic to? What feelings make you sick? Can you immunize yourself against them? Newsletter.FreeWillAstrology.com

ยฉ Copyright 2024 Rob Brezsny

Ohana Vibes

When Suzanne Pidcock moved to the San Lorenzo Valley in 2003, the born-and-raised Hawaiian knew she had found her home away from home. She fell not only for the area but especially the way the tight-knit community looked out for each other like family.

This sense of togetherness and collectivism was galvanized during the areaโ€™s natural disasters over the last several years. On a personal level, Pidcock recounts how the community rallied around her after she was almost crushed to death while working on her car.

She became an employee at Masoodโ€™s Liquor and Deli on Highway 9 in Ben Lomond three years ago; originally a customer who loved the business, she eventually asked to work there. A one-stop shop with a customer-driven ethos, this grocery store and market stocks many hard-to-find items and raved-about deli offerings.

The tri-tip sandwich is the hands-down headliner, and other between-bread bests include the club, chicken pesto, pastrami and chicken salad. (The latter is Pidcockโ€™s favorite, with โ€œpeas that pop in your mouth.โ€) Marianneโ€™s ice cream and Ferrellโ€™s donuts fill out the sweeter side.

Describe your passion for the community.

SUZANNE PIDCOCK: Coming from Honolulu, Hawaii, people are all very close there. We welcome everybody and support each other, and itโ€™s the same here, and feeding other people is how we show love. I really enjoy the customer service aspect and going above and beyond, and my favorite parts of my job are my co-workers and customers. They are all so amazing and I consider them my family. I feel like I won a million dollars being able to work here.

Tell me more about that tri-tip sandwich.

I like it because itโ€™s different; we use a teriyaki sauce instead of barbecue sauce. In Hawaii, we use a lot of teriyaki, so the sandwich reminds me of home. Customers tell us all the time that itโ€™s the best tri-tip sandwich theyโ€™ve ever had. The meat is cut very thin and we barbecue it on-site, then sauce it to order. Itโ€™s messy and juicy and requires a lot of napkins, but itโ€™s so good.

Hours are 10amโ€“8pm daily. 7970 Highway 9, Ben Lomond, 831-336-2555.

Pajaro Middle School Reopens After Devastating Flood

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A day before the new school year started, with more than 16,000 students returning to class throughout Pajaro Valley Unified School District, Pajaro Middle School celebrated the reopening of the campus following major flood repairs.

When the Pajaro River Levee broke during heavy winter rains in March 2023, floodwaters rushed into the town of Pajaro, displacing hundreds of residents, businesses and drenching much of the school.

The flood and consequent repair list forced district officials to channel all 421 students off to three different schools for the rest of the year.

โ€œThe displacement of the students, the displacement of the families was heart-wrenching news to follow, even from a distance,โ€ Pajaro Valley Unified School District superintendent Heather Contreras said. โ€œBut one thing that was very heartwarming was to watch how this community came together to celebrate this community, to help this community to do everything that was needed and was necessary in a very short order to help the families, the teachers and the students.โ€

The cleanup wrapped up in June, and cost $11 million, most of which was covered by FEMA. Several of the classrooms, the gymnasium and the library got new floors and numerous upgrades. Work included extracting mud and other debris, removing damaged sheetrock and flooring, redoing landscaping, and adding new cabinets and lighting.

โ€œWelcome home,โ€ said incoming new principal, Nicole (Marsh) Killian, a third-generation resident of Watsonville. โ€œAs we start this new year it is my heart and desire that students know what it means to live with Pajaro Panther pride. It is so important that we are here every day to build, to connect, communicate, learn and to grow.โ€

To help open the school, officials invited returning students Kaleah Alanis and Sara Sosa to cut the ribbon.

โ€œWe are glad to be returning to our campus because it is much smaller and less crowded,โ€ Sosa said. โ€œThank you to our community members for helping us to come back to our home here at Pajaro Middle School.โ€

Alanis said she is happy to know that she is going to end her eighth-grade year at the school where she started.

โ€œI am very emotional to see all the changes at the school after the devastation,โ€ she said.

The upbeat ceremony also included Monterey County Supervisors Glen Church and Luis Alejo, Santa Cruz County Supervisor Felipe Hernandez, Pajaro Valley Unified School District board trustees Kim De Serpa, Jennifer Holm, Oscar Soto, Adam Scow and others. On behalf of Assemblyman Robert Rivas, Dominic Dursa presented a framed statement to the district commemorating the achievement.

Itโ€™s a Funny Country

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Mighty Mike Schermer returns to town, playing Aug. 22 at Kuumbwa with guitarist Kid Andersen and vocalist Lisa โ€œLittle Babyโ€ Andersen. All three are dropping new albums that night, and Schermerโ€™s is a solid departure from the blues.

This time around, find the renowned ax man wandering through noisy, dusty honky-tonks and putting forth a country-western album, titled The Legend of Michael Ray Pickens and His Old Man Country Band.

Back in 1984โ€”not yet Mighty, nor yet a world-known bluesmanโ€”Mike Schermer walked into the nascent Kuumbwa Jazz Center and heard the jazz/soul of Jimmy Smith. โ€œThe stage faced the other direction, and they didnโ€™t have chairs,โ€ says Schermer from his home in northern Nevada. โ€œSomebody had donated some pews, and watching Jimmy Smith was like being in church.โ€

Schermer was a disenchanted music major at UCSC who was leaning toward jazz but getting swept up in rock โ€™nโ€™ roll. So of course he ended up with an American history degree. โ€œIt allowed me to focus on the history of the blues,โ€ Schermer remembers. โ€œWhen I started in Santa Cruz it was still a sleepy little hippie town, where Deadheads hung out between tours.โ€

It wasnโ€™t so mellow for Schermer. He hated his custodial work at UCSC, cleaning up frat-boys puke. Life looked bleak, until he got a phone call. โ€œI had gone home for lunch. I got a message from Andy Santana that he needed a guitar player at the Seabright Brewery Happy Hour at 4:30. If I went back to work, I would have to stay until 5. I did the gig instead,โ€ Schermer says.

Not long after, The Soul Drivers were working five nights a week. Schermer was making $50 a night back when Santa Cruz rent was just $220 a month. โ€œThat was the last day job I ever had. You never know. That one phone call. That one gig. It could change your life,โ€ Schermer says.

From there, Mighty Mike was born. โ€œI was playing all around the Bay Area. I was touring with Elvin Bishop, and Maria Muldaur before that. The great soul singer Howard Tate had assembled a band, and we ended up being in his touring band and going to Europe and Japan, quite a few times,โ€ Schermer says.

Which brings us to The Legend of Michael Ray Pickens and his Old Man Country Band. Schermer doesnโ€™t see it as a departure from his roots. โ€œIโ€™ve listened to old country music for as long as Iโ€™ve been listening to all blues music. To me they are branches of the same tree, in the same orchard. Iโ€™ve been listening to George Jones and Willie Nelson and Merle Haggard and Loretta Lynn records for as long as I can remember,โ€ Schermer says.

Schermer is a fan of Nashvilleโ€™s golden era, the late 1950s and early 1960s. โ€œThere was a Grand Old Opry movement from the late โ€™30s on. But it was really in the 1950s when it took off,โ€ Schermer says. โ€œIn the 1970s a lot of those same artists started saying, โ€˜Well, Iโ€™m tired of Nashville telling me what to look like, and what to do, and giving me these songs to record.โ€™ And that was the basis of the outlaw movement. Which was Jerry Jeff Walker, Willie Nelson, Waylon Jennings and Kris Kristofferson. I canโ€™t avoid listening to guys like Guy Clark and John Prine.โ€

Thereโ€™s a long tradition of married couples singing country-western duets, notably Johnny Cash and June Carter Cash, as well as Waylon Jennings and Jessi Colter. And now we have to add Mighty Mike Schermer and Kimmy Pickens to the list.

Unfortunately, we wonโ€™t get to see the duo onstage. โ€œKimmy will be on the tour with me, but she doesnโ€™t play live with me that often. Sheโ€™s more comfortable in a studio. At home she can sing like Dolly Parton, but she just doesnโ€™t have any desire to have the spotlight on her. We started singing together during the lockdown, just trying to raise peopleโ€™s spirits. We both connected over that. And thatโ€™s all Iโ€™m trying to do every night. With the way the worldโ€™s going, and the way the world always has been, everyone can use a little joy.โ€

See Mighty Mike and Friends at the Kuumbwa Jazz Center, 320-2 Cedar St, Santa Cruz on Aug 22 at 7pm. Tickets are $18.50โ€“$36.75.

Rowdy Mystic

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The coolest question that I could get asked is to describe the change that happens to the music when certain perches get ascended to,โ€ says Rushadicus, aka the Cello Goblin.

โ€œUm, like metaphorical perches?โ€

โ€œNo,โ€ he says, calmly. โ€œI mean literal physical perches, like the way it feels to play on top of a tower, or on top of a tree, or up on some railing, or hanging upside down off something, because it changes my feeling, and the music becomes exciting โ€ฆ which I guess becomes metaphorically relevant to the type of the music.โ€

There are multiple videos on IG and TikTok of  the Cello Goblin, or Rushad Eggleston, ascending to many perches, while playing both cello and a kazoo, singing and pattering. Thatโ€™s right: Rushadicus climbs on tables, flagpoles, chairs, beams, even the cello itself, so that his musicโ€”which for lack of a better term Iโ€™d call elven speed-metalโ€”can reach new heights.

The show defies genre. Itโ€™s not fair to Egglestonโ€™s musical talent to call it performance art, though he creates quite a spectacle in colorful costumes, making odd noises and luring the audience into the momentโ€”whether that involves deep discomfort or profound joy.

His strange and wonderful musical storytelling is entirely improvised, which allows Rushadicus to pull from his extensive personal lore created from years of live performance and online videos. That lore is a rotating menagerie of archetypesโ€”with a cackling, joyous goblin at the centerโ€”but there are also tree sprites, rabbits, jesters, clowns, fairies, a very sweet little boy, and a lot of hilarious impressions of โ€œnormalโ€ people that Iโ€™m not sure he realizes are hilarious. Eggleston insists he is not a comedian, but rather a โ€œrowdy mystic.โ€

His current tour is an evolution of all the music that has come before. Eggleston grew up in Monterey, where he learned guitar and improvisation, then went on to study classical cello on a full scholarship at Berklee College of Music and delved into the folk genre. But he got bored, and discovered metal. At some point, each type of music that he mastered felt stale and he had the devilish desire to subvert and transcend it.

Thus began the formal phase of what Rushadicus calls โ€œgoblinity,โ€ though, he acknowledges, โ€œIโ€™ve always been a goblin. Iโ€™ve always been weird. Iโ€™ve always made up words.โ€

One such word is โ€œjick,โ€ which, from what I can tell, is a type of goblin prana or chi. A โ€œvejickmentโ€ is a show, and his followersโ€”both online and at his showsโ€”seem to know all about it, making comments like: โ€œnice jick.โ€

And itโ€™s not like the vejickment is suckitudinal. No, this guy is talented, and could honestly be playing anything anywhere. His manager, Ryan Masters of Heroic Dose, calls him a โ€œlegit musical genius.โ€ Rushadicus manages to evoke sounds from a cello and a kazoo that I would have never thought possibleโ€”he really does sound metal AF, but also weirdly classical, jazzy, not to mention somewhat feral, and always full of surprises, which are part of the art.

โ€œWhen people are in disbelief, they get to leave the mundaneness of life and go into an alternative chaotic goblin reality, which is sometimes kind of happy.โ€

That happiness spreads to fans, one of which gave him some of his most treasured feedback: โ€œYouโ€™re doing what I wish I could do, but I canโ€™t, so thank you for doing it.โ€

The Cello Goblin will be interviewed Aug. 20 on Off the Lip Radio Show (offthelipradio.com) and will perform Aug. 23 at Felton Music Hall, 6275 Hwy. 9, Felton. Tickets: $17; feltonmusichall.com.

Traveling Treasures

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Bernard Lumpkin and his husband, Carmine Boccuzzi, have been collecting art since 2010, primarily young and emerging artists of African descent, in addition to established names like Mark Bradford, Henry Taylor and Kara Walker, the painter and printmaker famous for her trademark black, cut-paper silhouettes.

Their 400-and-growing works inspired the book Young, Gifted and Black: A New Generation of Artists, edited by Antwaun Sargentโ€”the title an obvious nod to author Lorraine Hansberry, as well as Aretha Franklin and Nina Simoneโ€”which then led to a traveling exhibit of the same name. For the first time, viewers can absorb Lumpkin and Boccuzziโ€™s private collection outside of their New York home.

The organizers chose university museums and small art venues so that their treasures can attract as wide an audience as possible. Launched in 2019 on the East Coast, the traveling show, โ€œYoung, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art,โ€ makes its latest stop at the Santa Cruz Museum of Art & History.

A painting called "Split" of a black woman and man standing on the street in front of a brick wall, a typical L.A. scene.
GENDER DIVIDE Henry Taylorโ€™s โ€˜Splitโ€™ is part of a traveling exhibit at MAH. Photo: Courtesy of the Lumpkin-Boccuzzi Family Collection of Contemporary Art

โ€œBernard and Carmine to their credit as art patrons have really localized institutions,โ€ says Sargent, whoโ€™s the exhibit co-curator along with Matt Wycoff. โ€œItโ€™s making sure that communities have the fullest expression of whatโ€™s contemporary art. Itโ€™s a commitment to bring this work to places that are different. Cities and institutions that are not always a part of the conversation. These institutions are very important to the idea of art being able to reach everybodyโ€”and ultimately to the artists who want to make sure that they engage with many different types of publics, and not just one kind of public. It allows the audience to encounter this work, so itโ€™s a win-win, because audiences and artists need each other.โ€

The paintings, photographs, sculpture, embroidery and mixed media by 50 artists explore race, politics, history, family, gender and sexuality. In โ€œUntitled (Peopleโ€™s World),โ€ for example, Sadie Barnette takes pages from a 500-page file the FBI kept on her father, Rodney Barnette, a prominent Black Panther Party member in Oakland. Barnette, one of the some half-dozen California artists in the display, alters and personalizes the papers with blotches of paint and sparkly fuschia spray paint.

Dโ€™Angelo Lovell Williams adds a modern twist to Belgian artist Rene Magritteโ€™s 1928 โ€œThe Lovers.โ€ In that painting, a couple is kissing while their faces are covered in white cloth. In Williamsโ€™ print, also called โ€œThe Lovers,โ€ two black men are kissing while their faces are covered in black do-rags, worn backwards. Williams is not only subverting the classics but also making a statement about black queer love in modern art and in the black community.

โ€œItโ€™s a contemporary take on that original image,โ€ Sargent says. โ€œHeโ€™s using do-rags to flip the gender and to make you sort of accept same-sex love.โ€

CONFLICTED In โ€˜The Great Wall,โ€™ Derrick Adams explores the duality of Mike Tysonโ€™s fame. Photo: Courtesy of the Lumpkin-Boccuzzi Family Collection of Contemporary Art

โ€œThe Great Wall,โ€ by Derrick Adamsโ€”whose paintings have been seen in TV hits like Insecure and Empireโ€”features Mike Tyson standing behind a row of bricks. Undoubtedly one of the biggest black icons in the world, the famous athlete is also a convicted rapist. Adams addresses the duality of his fame and asks whether that wall of bricks protects or imprisons him.

โ€œItโ€™s not just about Mike Tyson, the icon and celebrity,โ€ Sargent says, โ€œbut this notion of icons and black figures and the way they operate in popular culture.โ€

One of the most celebrated artists in the exhibit, Henry Taylor has been the subject of many solo shows and retrospectives, including a recent 2022 survey at L.A.โ€™s MOCA. He also collaborated with Pharrell Williams for last yearโ€™s Louis Vuitton collection. In โ€œSplit,โ€ he paints a man and a woman standing on the street in front of a brick wall, a typical L.A. scene from the L.A. born Taylor.

โ€œHe comes from a long tradition of artists and people who are thinking about Los Angeles on their own terms,โ€ Sargent says. โ€œHis painting is just another perspective on California and visualization of California culture.โ€

MAH is the last scheduled date on the tour, though Lumpkin and Bocucci plan to keep the display running for several more years.

โ€œThe audience makes the art,โ€ Sargent says. โ€œMy hope for any exhibit I do is that the audience has a rich engagement, whatever that might mean to them. They might be taken by the way Kerry James Marshall renders a portrait, or they might be taken by the way Eric N. Mack uses fabric to think about materiality and history. But I really do think that sort of question is left up to the viewer.โ€

Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art runs Aug. 23โ€“Dec. 29 at MAH, 705 Front St., Santa Cruz. The museum is open Thursday-Sunday; $8-$10.

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Rowdy Mystic

Rushadicus manages to evoke sounds from a cello and a kazoo that I would have never thought possibleโ€”he really does sound metal AF, but also weirdly classical, jazzy, not to mention somewhat feral.

Traveling Treasures

โ€œYoung, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art,โ€ makes its latest stop at the Santa Cruz Museum of Art & History.
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