Breaking Barriers

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An inevitable force of nature. Thatโ€™s the best way to describe Los Angelesโ€“based four-piece garage psych band Frankie and the Witch Fingers, who play Moeโ€™s Alley the night before Halloween. Formed in 2013, this band consciously breaks down all barriers, playing whatever they please across genres, instruments and emotions. Sometimes even within the same song.

But itโ€™s more than just musical genres theyโ€™re playing with. Itโ€™s the idea of music itself.

โ€œAs for influences, Iโ€™m digging stuff that isnโ€™t strictly music these days,โ€ lead vocalist, rhythm guitar player and co-founder Dylan Sizemore writes in an email.

โ€œI find myself more inspired by the aesthetic of certain environments or scenes from films. Iโ€™m more tuned in to textures, sounds and emotions that push me to want to communicate through what we do as a band. Lately, Iโ€™ve got this thing for trashy, run-down placesโ€”like, I step into some grimy gas station bathroom, and my brain starts filtering all that chaos into something creative and entertaining.โ€

And yet through their destruction Frankie and the Witch Fingers builds something wild, monstrous and beautiful. Their live shows are manic displays of endurance, with the four-piece blasting through their songs, often connecting multiple tracks through intense jam sessions that leave the audience clamoring for more.

โ€œJosh [Menashe] is definitely the jammer leader,โ€ writes bassist Nicole โ€œNikki Pickleโ€ Smith. โ€œNick throws in some fun vamps and Dylan and I like to also mess around with fun additions to the jams, but weโ€™re always following Joshโ€™s lead, for sure!โ€

Along with Sizemore, the band was founded by lead guitarist, synth player and vocalist Josh Menashe. While theyโ€™ve undergone several lineup changes over the last decade, the current roster of Sizemore, Menashe, Smith and drummer Nick Aguilar formed in 2022.

Thatโ€™s when they first appeared on my radar, after spotting their irresistible name on a flier. However, it wasnโ€™t until the end of last year that I saw them live. Needless to say, I havenโ€™t been the same since. Their incredible energy had the entire venue moving, dancing and even moshing. It was a genuine moment of pure happiness experienced by everyone in the room, including the band, who were clearly in their element, thriving on the vibes.

By the end of the show, one is left begging the question, โ€œAm I on drugs or just listening to Frankie and the Witch Fingers?โ€

โ€œProbably both,โ€ writes Aguilar.

The quartet creates layers of sounds between each other that are unbelievable until seenโ€”and heard. Their recorded material is equally multifaceted, blazing through funky riffs to headbanging thrashers with white-knuckling ease.

Take their latest single, โ€œI-Candy,โ€ with its B-side, โ€œBonehead.โ€ While โ€œBoneheadโ€ has a dirty rock โ€™nโ€™ roll feel, โ€œI-Candyโ€ combines elements of new wave with sci-fi garage rock that channels Oingo Boingo and Devo.

โ€œDanny Elfman is a huge influence for me,โ€ admits Menashe. โ€œ I love anyone who can create and expand upon an entire universe with just music.โ€

Which is fitting as Frankie and the Witch Fingers often write albums with a recurring theme. For their seventh studio full-lengthโ€”last yearโ€™s Data Doomโ€”issues of technology, digital dystopia and the future flowed throughout, carried on a river of garage rock, psych, Afrobeat, Zamrock and avant-garde jazz.

Inspired by the band and album, Los Angelesโ€“based cannabis company MOTA asked to collaborate with the band for their own strain of weed called โ€œDoom Bloom.โ€ For the strain, the band was invited to pick the flavor profiles, variant of highness and cross strains to breed from.

โ€œAnd MOTA told us that they play Frankie for the plants as they grow,โ€ Smith writes. โ€œI think you can really taste it in the flavorโ€”tastes funky.โ€

Despite Data Doom being only a year old, members say they already have the next album recorded and in the bag. While the name and release date have already been chosen, the band is keeping that info under proverbial lock and key.

However, there is some info Sizemore can disclose.

โ€œI was really into the book Naked Lunch and bugs while making this record, and that definitely crawled its way in.โ€

So be prepared, because thereโ€™s a mind-melting storm aโ€™coming.

Frankie and the Witch Fingers with Spoonbenders play at 8pm on Wed., Oct. 31 at Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $25. 831-479-1854.

Raising the Dead

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Halloween originated from the ancient Celtic festival of Samhain, the end of the harvest season. The Gaels believed that on Oct. 31 the boundary between the worlds of the living and the dead becomes blurry.

At 7pm on Saturday, Oct. 26, Bonny June and her band Bonfire will cross that boundary to musically bring the dead to life at the Kuumbwa Jazz Center, along with the undead and the not-quite-yet dead. I ask Bonny June to explain her Halloween romp and she says: โ€œItโ€™s Americana meets vaudeville. Itโ€™s a music concert with theater.โ€

The four principal characters are Countess June (Bonny June) and her husband of one thousand years, Count Kraftula (Ken Kraft), along with Batman Owens (Craig Owens) and their naughty assistant, Devil Maycare (Cheryl Henson). June plays ukulele, Kraft is on guitar and Owens plays bass, but their musical signature is their harmony singing. Two years ago, singer Henson joined the troupe and became Devil in the Blue Dress, also the name of one of the cover songs performed in the show.

June says, โ€œ90 percent of what we do is original music. I like to write songs that have hooks where the audience can sing along.โ€ These will include songs about sea monsters, zombies, werewolves, demons, pirates, vampires, Edgar Allen Poe, and a new song this year called โ€œJuju Doll.โ€ She says, โ€œIโ€™m inspired by mythology and lore.โ€

When people come to Kuumbwa, itโ€™s going to be dark with candles lit everywhere, Halloween decor. At the break there will be a costume contest judged by the judge-iest judge of all, Karen, played by Judy Appleby (from the locally created hit Karen with a K). June says, โ€œYou can dress up as anything you want, real or imaginary. Or just come in your sweats.โ€

The show will start with an animated film by Xavier Ortega, about Juneโ€™s song โ€œAlligator,โ€ which is on the Monsters and Mystics album.

With his deep voice, Ken Kraft plays the alligator. June says, โ€œItโ€™s about a little frog whoโ€™s a heroine because thereโ€™s this serial killer in the swamp, the Alligator. He kills all the swamp folk and then heโ€™s vanquished by this little frog. Itโ€™s done in an old jazz style, with scatting and horns.โ€

Bonny June says the show is about having as much fun as legally possible.

โ€œI want the audience feeling uplifted and fulfilled, and to leave saying, โ€˜That was the most fun Iโ€™ve had in a long time.โ€™โ€

Bonny June & Bonfire Halloween Show takes place Oct 26 at Kuumbwa Jazz Center. Doors open at 6:15pm and the show runs 7โ€“10pm with a costume contest during the break. Tickets: $32/Gold Circle $42. Visit FiddlingCricket.com or KuumbwaJazz.org, or call 408-499-9441.

Batman Returns

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In 2017, the Quarry Amphitheater on the UC Santa Cruz campus reopened after being shuttered for 13 years. Its first event was a soft opening, a concert for students, donors, basically anyone who was involved in fundraising for the restoration and reopening of the venue.

The headliner that night? Chicano Batman, the Los Angeles-based Latin psychedelic rock act. Now, as the band possibly winds down its careerโ€”having announced an indefinite hiatus upon completion of its current tourโ€”it returns to Santa Cruz and the Quarry Amphitheater Oct. 26 as the venue is set to embark upon a new era.

BACK TO SCHOOL Chicano Batman returns to UCSC, headlining a four-band lineup at the Quarry Amphitheater. Photo: Josue Rivas

โ€œItโ€™s just mind-blowing. I kind of feel like weโ€™ve grown together,โ€ says Jose Reyes-Olivas, general manager of the Amphitheater, citing Chicano Batmanโ€™s sold-out show at Los Angelesโ€™ Kia Forum this summer. โ€œIt was a big deal for us, and to do it all over again feels that much more meaningful. โ€ฆ I canโ€™t wait to host them again.โ€

Reyes-Olivas recounts a story from that first show, where one of the members of the band called the Quarry the โ€œzenithโ€ of outdoor live music. Which must have been an incredible feeling for Reyes-Olivas to experience on opening night, given that heโ€™s been involved with the venue going back decades.

โ€œI love the Quarry Amphitheater and was fortunate enough to help with some great events prior to the closure of it,โ€ says Olivas-Reyes, whoโ€™s been a university employee all this time, but also had a side hustle working in the live-concert industry for more than 20 years. Heโ€™s helped put on Michael Frantiโ€™s Power to the Peaceful Festival and Outside Lands. โ€œI had a lot of production experience I learned outside of the university, and brought some of that understanding, experience, and network with me to my new position.โ€

Reyes-Olivas was involved in the project even when it was just a twinkle in a university bureaucratโ€™s eye. Now, as general manager, heโ€™s shaping how the future looks for the Quarry. Chicano Batman will be the first major concert during the academic year, setting a precedent.

Indeed, the plans ahead are big, with Reyes-Olivas calling it the mini Red Rocks of the West, a reference to the famously picturesque Colorado concert venue. Perhaps an even more apt comparison might be Berkeleyโ€™s Hearst Greek Amphitheatre, which has hosted everything from famous free-speech protests to the biggest musicians from the Grateful Dead and Joni Mitchell with B.B. King to Radiohead. Itโ€™s viewed as something of a sister venue given that it also resides on a UC campus.

โ€œWeโ€™re trying to replicate calendering that they do at the Greek at UC Berkeley,โ€ Reyes-Olivas says. โ€œItโ€™s important for us to think outside the box, and itโ€™s a great opportunity for the campus.โ€

But letโ€™s be clear and not pigeonhole the venue to one type of event, or as even just a facility. The Quarry holds non-concert events, including a popular Dia de los Muertos gathering and the Deep Read, an annual salon focused around one piece of literature or academia hosted by the universityโ€™s Humanities Institute. Moreover, the venue acts as a lab for students as part of the Quarry Theater Production Academy.

โ€œWe know that we have a lot of constituents and communities that we want to serve,โ€ says Olivas-Reyes. โ€œI think thatโ€™s the beauty of the Quarry. Itโ€™s intimate enough, but at 2,600 capacity itโ€™s the largest outdoor amphitheater in Santa Cruz County. So we can wear a lot of hats and serve a lot of different communities. We want to continue bridging the campus with the community. Thatโ€™s been my personal goal, making those connections where the community feels really welcomed and excited about coming up to our campus.โ€

The San Franciscoโ€“based promoter Noise Pop has been instrumental in helping to get the venueโ€™s name out as a destination for touring musicians. But thereโ€™s no exclusive agreement, leaving options open.

Chicano Batman will be supported by Thee Sinseers, The Altons and Tropa Magica, a bill full of strong Chicano roots and influences. Thee Sinseers are a full-stop soul throwback, having seen a huge rise in popularity releasing a number of singles since 2019 and, especially, their debut LP, Sinseerly Yours, earlier this year.

The Altons, currently in the middle of a global trek, bring a similar soulful sound with a bit of psychedelic influence. And Tropa Magica completes the well-themed program, a band that might be equally at home time traveling back to the โ€™70s or performing a modern-day residency at a border-town dive bar.

Chicano Batman with Thee Sineers, The Altons and Tropa Magica play starting at 7pm on Oct. 26 at the Quarry Amphitheater, 1156 High St., Santa Cruz. Tickets are $48, $90 VIP.

South County Resource Center Opens For Residents In Power Shutoff Area

Pacific Gas & Electric (PG&E) has opened a Community Resource Center for south Santa Cruz County residents affected by the public safety power shutoffs that began across the state today, according to a county press release.

The center is providing power and free wifi to anyone affected in the area and is located at the Unitarian Universalist Fellowship in Aptos at 6401 Freedom Blvd.

For summit-area residents near Highway 17, a CRC has been opened in in Los Gatos at Faith Lutheran Church, 16548 Ferris Ave., Los Gatos.

More than 32,000 people are reportedly without power across California as the public safety power shutoffs are being implemented due to a Red Flag fire warning indicating dangerous dry and windy conditions. Wind gusts in areas of the county can reach up to 40 MPH and the warning is in effect until 6pm Saturday.

Santa Cruz Sugar Tax Faces Fight

Santa Cruzโ€™s sugar-sweetened beverage (SSB) tax measure is shaping up to be not only a battle over potentially higher soda prices, but also over a state law that bans cities from proposing measures like it at all. 

City officials say Measure Z would promote a healthier community and a healthier democracy, while the opposition says it amounts to a regressive tax on consumers already struggling to get by.

Measure Z was put on the Nov. 5 ballot by the Santa Cruz City Council and seeks to create an additional $1.3 million in annual revenue for the city by adding a 2-cent per ounce tax on sugary drinks. These include soda, energy drinks, sweetened coffee and tea. Beverages with less than 40 calories for every 12 ounces are exempt, as are essentials like baby formula and those for medical purposes. Dairy products, diet soda, fruit juice, meal replacement drinks and alcohol would also be exempt from the proposed tax.

The tax revenue would be placed in a general fund, but officials say the money will go towards improving parks, beaches and open spaces, as well as supporting health initiatives. A community oversight panel would also be created to make recommendations on how to spend the cash.

The measure also includes an exemption for small businesses making under $500,000 a year, which would protect various local restaurants and shops. While the tax is meant to hit at the points of distribution, in the past, corporations have opted to pass the tax down by increasing prices. That eventually trickles down to the consumer.

The opposition moved swiftly after the Santa Cruz City Council voted to approve placing the measure on the November ballot in late June. The Campaign for an Affordable Santa Cruz filed papers with the Fair Political Practices Commission on July 22, naming the American Beverage Association as the committeeโ€™s sponsor. The ABA has led the fight against similar sugar tax measures in cities across the state.

But local restaurateurs, liquor store owners and young consumers have also shown support for the โ€œNoโ€ campaign.

Since then, a barrage of TV and print ads โ€” as well as an extensive mailer campaignโ€” has inundated the area with No on Z messaging. Most of it is targeted at Gen Z, with one particularly ubiquitous TV and social media ad featuring a group of young locals in front of an area liquor store.

According to the latest campaign finance reporting, the No on Z camp has amassed over $1.2 million in contributions from Keurig Dr Pepper, the Coca-Cola Company, Pepsico Inc. and Red Bull North America. The campaign had spent $655,064 as of Sep. 21, according to the filings.

By comparison, the pro-Measure Z Committee for a Healthier Santa Cruz had raised only $15,693 by the same time frame. City Council members have been canvassing their districts to raise support. 

Santa Cruz City District 3 Council Member Shebreh Kalantari-Johnson, who is campaigning in support of Measure Z, acknowledged they are fighting uphill against big corporations.

โ€œOne of our challenges is that we cannot match, in terms of dollars, what our opponents have been doing, because they’re funded by the beverage corporations,โ€  Kalantari-Johnson said in a phone interview. โ€œI guess I didn’t anticipate that they would be spending already almost a million dollars, and we’re not even at the end of the campaign.โ€

Steve Maviglio, spokesperson for the No on Z campaign, said the city is misleading voters with this measure.

โ€œIt’s a tax increase masquerading as a health initiative,โ€ he said. โ€œThere’s not a dime in there that’s guaranteed to go to anything to do with public health. It’s going into the general fund. And with a multi-million dollar deficit, there are going to be priorities for the city, and it’s not going to be starting new programs.โ€  

A Healthier Santa Cruz

Supporters of Measure Z argue that the sugar tax will steer Santa Cruzans into making healthier choices. Laura Marcus, CEO of Dientes Community Dental believes there is a correlation between sugar consumption and obesity 

โ€œStudies have shown a marked reduction in consumption of sugar-sweetened beverages and rates of obesity in cities around the world that have implemented a measure like this,โ€ Marcus said. She added that in cities such as Oakland, which adopted an SSB tax in 2017, the consumption rate has decreased.

Oakland voters passed a one-cent per ounce SSB tax in November 2016. Between 2015 and 2019, sugar-sweetened drink consumption dropped by 26.8% compared to nearby Richmond, according to a 2023 study by UCLAโ€™s Center for Health Policy Research. San Francisco. Berkeley and Albany have implemented soda taxes. In the fight for Berkeleyโ€™s 2014 Measure D, the ABA poured $3.3 million to beat it at the polls. However, its efforts fell short and the measure passed.

But in Santa Cruz, the No on Z campaign has support from a local social justice activist, who said there are better ways to make the city healthier. Ayo Banjo, a former UC Santa Cruz student body president and organizer with Santa Cruz Black, said consumers should not be penalized to make healthier choices.

โ€œThe conversation should really be about what are ways that we are trying to make healthy foods more accessible, and are we doing our best to put out PSAs and culture campaigns and social media and community engagement,โ€™โ€™ Banjo said.

The No on Z campaign cites a 2023 UC Davis study in which it found that โ€œSSB taxes in Oakland and San Francisco were both largely ineffective in reducing SSB purchases and regressive in their incidence,โ€ according to the report. It went on to say the increased revenue was โ€œdisproportionately paid by lower income households.โ€ 

โ€œIt’s hard work to try to shift a culture of habits. But if that really is the intention, if the intention truly, really is to make our communities healthier, I think we should be doing everything in our power to think about all the different ways we can be influencing a healthier community, not just taxing consumers that then go to a general fund,โ€ Banjo added.

Kalantari-Johnson said the soda tax compares to the taxes on cigarettes that have helped curb smoking.

โ€œIt has decreased tremendously, significantly, cigarette smoking, and has funded education campaigns, […] the beverage industry is using the same exact tactic as the tobacco industry, ” Kalantari-Johnson said.

Despite the Yes on Z efforts, she still worries that voters will fall for the oppositionโ€™s money and tactics.

The No on Z campaign has employed numerous political consultants and marketing firms to tailor its message to young voters โ€” and it might be working.

 Cabrillo student Libby Hidahl, 26, of Santa Cruz, said the solution is more education about the health effects of sugary drinks, not a tax. Even so, she sees it as a step in the right direction.

โ€œI think it’s an attempt,โ€ said the dental hygiene major. โ€œI don’t know if it will be successful.โ€

Home Rule

While Santa Cruz voters are seeing the battle play out between local officials and outside money, the larger struggle is at the state level. In 2018, after San Francisco passed its soda tax, then-governor Jerry Brown signed the Keep Groceries Affordable Act, which banned local governments and charter cities from levying new taxes on groceries, including SSBโ€™s. The bill was a compromise between the state and beverage companies backing an initiative to amend the state constitution to make it harder for cities to raise taxes. 

That same year, Santa Cruz City Council Member Martine Watkins and Fresno-based nonprofit Cultiva La Salud sued the state arguing that penalizing cities for raising taxes was unconstitutional and encroached on โ€œhome ruleโ€ doctrine.

After the state appealed, in 2023 the court of appeals sided with the Watkins and the nonprofit. Now, Santa Cruz officials see Measure Z as the last step towards enshrining the rights of charter cities to decide on what they tax.

Santa Cruz County Bans Filtered Cigarettes

The Santa Cruz County Board of Supervisors Tuesday unanimously approved an ordinance that will, in a little more than two years, ban the sale of filtered cigarettes in unincorporated areas of the county.

The Supervisors will hear a second reading and final adoption on Oct. 29.

Santa Cruz-based Save Our Shores says that volunteers picked up more than a half-million cigarette butts in the Monterey Bay area over the past decade, a problem made more pervasive by the toxic chemicals in the plastic filters. Worse, they remain in the environment for years.

โ€œThis is a momentous day that builds on the work our community has been doing for generations to protect our environment and establish Santa Cruz County as a global leader in the environmental movement,โ€ Board Chair Justin Cummings said. โ€œWhile the County is the first to take this step, by no means will we be the last. We look forward to working with local cities and other jurisdictions to protect our coast, our environment and our people.โ€ 

The ordinance was developed by the Boardโ€™s Tobacco Waste Ad Hoc Subcommittee and supported by a broad coalition of environmental, health, educational and other groups and stakeholders. 

Once implemented, the ordinance would prohibit the sale of filtered cigarettes. It will not affect the sale of unfiltered cigarettes or cigars, loose-leaf and chewing tobacco, unflavored vape pens or other tobacco products. The ordinance will go into effect Jan. 1, 2027 or when two other local jurisdictions pass similar prohibitions, whichever is later. 

โ€œCigarette butts are the most littered item on the planet, they provide absolutely no health benefit to smokers, and they are poisonous to the environment. Letโ€™s ban this toxic trash,โ€ Supervisor Manu Koenig said. โ€œThis is a day for all Santa Cruz County residents to celebrate, and our hope is that this will be a catalyst for change throughout California and the rest of the country.โ€ 

While many members of the public spoke in favor of the new rule during the hour-long public comment period, some retailers expressed alarm at the unintended consequences.

Felix Blanco, who owns two businesses, proposed solutions such as adding disposal stations at beaches and supporting wider cleanup efforts. But he said that the new rule will affect a broad swath of different businesses.

โ€œAll the retailers, weโ€™re not going to be able to adjust like youโ€™re saying,โ€ he said. โ€œSome of us are going to go out of businessโ€

Sherry Dang, who owns 7-Eleven stores in Watsonville and Santa Cruz, said customers will go to other businesses for their filtered cigarettes.

The proposed ordinance is not the first time the county has taken steps to reduce its environmental footprint. It was one of the first counties in the nation to implement curbside recycling to local ordinances banning single-use plastic bags, prohibit the use of polystyrene to-go containers, ban single-use plastic shampoo bottles in visitor accommodations and require to-go cups and single-use food service wares be certified compostable, among other things.

Former Santa Cruz County Supervisor Mark Stone, who also sat on the California Assembly, said that state lawmakers tried four times unsuccessfully to enact a similar law, but they all died in committee each time.

Street Talk

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Describe your favorite costume
or a dream costume.

PAULA

My dream costume is like a dress from the 1800s, in England or Franceโ€”a romantic, fully ruffled dress with petticoats and crinolines, and I would wear my hair up high.

Paula Benet-Caballero, 22, UCSC Geology / Environmental Science Major


SAMUEL

Definitely one of the best costumes Iโ€™ve seen so far was a person dressed totally in blood. Butโ€”the blood was bedazzled, and it was amazing.

Samuel Long, 15, Student at Santa Cruz City School


MADELINE

My dream costume would probably be Uma Thurman from Kill Bill. The Bride. I think the yellow jumpsuit would be cool, and I feel like it would be recognizable too.

Madeline Rasmussen, 20, Student at Cabrillo College


IAIN

My dream costume is one of the Cenobites from the Hellraiser series. Iโ€™d probably choose a different one for each year. I donโ€™t have a favorite, but I really like the designs and the visual aesthetics.

Iain Van Kleeck, 19, UCSC Environmental Science Major


ADDIE

My favorite is when Charlie and I were Mulder and Scully from X-Files. We wore FBI badges and โ€™90s-style suits with shoulder pads. Lately Iโ€™ve been different mushrooms. Last year I was amanita, and maybe this year Iโ€™ll be a morel.

Addie Baxter, 33, Journalist at Alaska Public Media


CHARLIE

I went as Joaquin Phoenix when he was doing his whole rapper phase. I just wore a suit, and I didnโ€™t talk to anybody that night because I was really playing the part in character. One person got it, and that made the night.

Charlie Kidd, 31, Attorney


Twisted Tale

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It was a dark and stormy night … and according to the fertile imagination of Santa Cruz playwright John Chandler, all is not well in a certain isolated farmhouse. Chandler has conjured up one devil of a tasty and twisted tale called Lucky Time, a two-act psychological puzzle produced by Actors Theatre.

โ€œYes, Iโ€™d call it a ghost story,โ€ the playwright admits, โ€œin the sense that we all harbor ghosts weโ€™re trying to come to grips with.โ€ Chandler recalls a recurring dream from his teenage years in which he had killed someone, buried the body, and could not remember where heโ€™d buried it. โ€œI could not rid my waking self of the suspicion that it had actually happened. And I think that ominous note of reality floating above appearance prevails in this play.โ€

Chandlerโ€™s play is in good hands. His wifeโ€™s! โ€œHer direction animates the play in ways I hadnโ€™t been able to visualize,โ€ the playwright says of his director spouse.

The play opens on the front porch of a ramshackle farmhouse in rural Central California. We see two men, one an urban type in a jacket and tie, the other in T-shirt and blue jeans, engaged in casual conversation. Jeremy (Martin Sampad Kachuck) is thanking farmhouse owner Luke (Andrew Davids) for helping to change his flat tire. โ€œYou were in luck,โ€ Luke tells him. And suddenly the pace quickens.

Director Wilma Marcus Chandler is having fun with this assignment. โ€œItโ€™s a complete joy to be working on Johnโ€™s play. His writing and the depths of his thoughts have always inspired me, and I feel grateful that he has trusted me and my wonderful cast and crew with this script.โ€ Acknowledging that the Actorsโ€™ Theatre has a tradition of โ€œoffering a mystery play in harmony with the season,โ€ the director describes Lucky Time as โ€œa psychological drama that slowly unfolds secrets, fears and dreams of what in life is truly of value.โ€

We asked each of the five actors centrally involved for their thoughts about preparing for a role, working with renowned director Chandler, and collaborating in such an intimate psycho-drama.

Steve Capasso (The Father)

โ€œPreparing for my role in Lucky Time or any role for that matter involves mining the script for clues about the character. In Lucky Time, I have four lines to show what a lousy father I was. I grew up in New Jersey where there was no shortage of a–holes so I have a plethora of examples to draw from. Plus, I love playing bad guys. Who doesnโ€™t love to hate a bad guy?

โ€œWilma and I have known each other for years, but this is the first time we are working together on the same production. As director, Wilma will say that sheโ€™s โ€˜winging it,โ€™ but actually she knows exactly what she wants and knows how to get it from actors. She can be firm, disciplined and on task, but is very open to suggestions and trying ideas.โ€

Ann McCormick (The Wife)

โ€œFrom the first read-through of the play I was intrigued. I find the characters to be complex, and the story itself to be compelling and creepy. My process in preparing for a role starts with studying the script to look for any hints regarding my character, as well as asking myself how she might be feeling and why as I read her scenes. I then build a backstory for the character. I also draw from previous character studies, both formal and informal, and my own life experiences.

โ€œWorking with a director with Wilmaโ€™s experience and talent has been a true pleasure. She seems to have a basic vision of what she wants and hones it throughout the rehearsal process. Sheโ€™s adept at getting the results that she wants from her actors and is also open to our input.โ€

Helene Simkin Jara (Mrs. Grady)

โ€œItโ€™s been quite a journey for me in that I never go to scary movies, so I canโ€™t use personal experience to lean on. As far as preparing for the part, I have done what I ask actors to do when Iโ€™m directing and make up a back story of who she is, why she is living in this remote area and what her relationship is with her husband.

โ€œI enjoy working with Wilma. Her style of directing allows the play to evolve organically and have a certain rhythm.โ€

Evan Hunt (Mr. Grady)

โ€œMy part in the play is such a small one … Iโ€™m just a memory, mostly seen in the background. But I love working with Wilma, whoโ€™s been a mentor of mine for many years. I direct plays too, and I learn every time I watch her work, see what sheโ€™s noting and how she approaches a story.โ€

Martin Sampad Kachuck (Jeremy)

โ€œThe play is certainly a challenging psychological thriller filled with ambiguities, clues and mounting tensions. The play also is character driven. Building a character takes time and patience; intensive study of the script. I try to tune into my own gut and life experience that parallels the characterโ€™s own flurries.

โ€œMost discovery happens in rehearsal. It is in the interactions with folks onstage and with our director Wilmaโ€™s expert guidance that the depth of the character is shaped and revealed. Iโ€™m truly treasuring the time being spent with Wilma and this engaged cast. We are building that trust that needs to happen between intimate performers even if the playโ€™s situation between our characters is tense and ominous. All of us in the cast share this commitment to try our best to make this show come to life in its full twisted brilliance.

โ€œWilma is a godsendโ€”she is whip smart, insightful, creative, demanding, loving, hilarious, generous beyond normal lines and incredibly patient. I consider myself beyond lucky indeed to have done some shows with her, and certainly to have this opportunity to play together.โ€

Andrew Davids (Luke)

โ€œMartin and I have some large speeches as well as rapid-fire dialogue that requires us to talk on top of each otherโ€™s lines. This takes a lot of attention and trust. I practice on my own every day, but it really comes alive when we can see and hear each other. This is a story that takes place in a remote cabin, on a rainy night, within the span of about 15 hours. Although itโ€™s mostly about the two men, the other characters are woven into the play so intimately that the audience always feels their presence. The cast is fantastic and every actor is finding ways to fill out their role in such a way that you believe you know them, you identify with them, you ache for them.

โ€œIโ€™ve known Wilma for a long time; sheโ€™s a hero in the theater community. She puts the โ€˜directโ€™ into directing. If youโ€™re playing it too safe sheโ€™ll say something like, โ€˜Iโ€™m already bored to tears,โ€™ but when you get to the heart of a character or scene, sheโ€™ll fold her hands together, smile, and say, โ€˜that gave me chills.โ€™ Itโ€™s very gratifying. If she senses youโ€™re stretching into authentic creative territory, sheโ€™ll coax you to push through the discomfort to find something real and meaningful.โ€

Runs Oct. 17โ€“27 at Actorsโ€™ Theatre, 1001 Center St, Santa Cruz; 831-431-8666. Shows Thu.โ€“Sat. 8pm and Sun. 2pm. $35 general, $32 students and seniors. santacruzactorstheatre.org

TEAM SPIRIT Martin Sampad Kachuck plays opposite Andrew Davids, who says the โ€œrapid-fire dialogue that requires us to talk on top of each otherโ€™s lines โ€ฆ takes a lot of attention and trust.โ€ Photo: Tarmo Hannula

Party Like Itโ€™s 2005

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This weekend local music promotion company PinUp Productions marks 20 years of booking showsโ€”punk, hardcore, metal, hip hop and everything in betweenโ€”in Santa Cruz and throughout the Bay Area and California.

To celebrate, theyโ€™re putting on an all-out, 18-band extravaganza in the main room at the downtown Santa Cruz Vets Hall on Oct. 19. But for anyone trying to buy a ticket, secondhand is the only option as the show sold out in less than a week.

โ€œItโ€™s insane,โ€ PinUp co-owner Joel Haston says. โ€œI feel like we really built a special lineup because we have new and old bands primarily from the 40831 [San Jose and Santa Cruz] but also the greater Bay Area and beyond.โ€

Wait, new and old bands?

Be prepared to take plenty of ibuprofen because PinUp was able to reunite not just one but three favorites that were a huge part of local metalcore scene in the early to mid 2000s: So Help Me God, Redfall, and the original Arsonists Get All The Girls (AGATG) lineup.

โ€œYou never know with these comebacks if people will be interested,โ€ AGATG guitarist Arthur Alvarez comments. Having the show sell out โ€œwas really surprising.โ€

The night ends with a set by Orange Countyโ€™s quintessential metalcore group, Bleeding Through.

โ€œTheyโ€™re one of my top three metalcore bands of all time,โ€ Haston admits. โ€œPlus theyโ€™ll be playing a record that also recently celebrated its 20th anniversary [2003โ€™s seminal This Is Love, This Is Murderous].โ€

โ€œArsonists even played a show with Bleeding Through at the Vets Hall a long time ago, so this is a full-circle moment,โ€ Alvarez states.

LET IT BLEED

Although the first incarnation of AGATG lasted only eight years from 2005 to 2013, the Santa Cruz band had a huge impact on the metalcore scene. During that time they released five albums and toured with some of the biggest names in the genreโ€”Bleeding Through, Normal Jean and more. During their height of popularity, fans could buy their shirts from Hot Topic in malls across the country.

โ€œ[AGATG] are one of the three bands why Iโ€™m into music,โ€ Nick Crivelli admits over the phone. One of PinUp Productions current stage managers for events all over the Bay, 27-year-old Crivelli  grew up in the local punk scene.

He started going to local shows in 2011. His first show? Arsonists Get All The Girls at the Catalyst Atrium.

โ€œI canโ€™t believe I finally get to see them again,โ€ he laughs. โ€œAnd now Iโ€™m super old!โ€

Crivelli joined PinUp Productions in 2019 when prog group Polyphia played the Catalyst.

โ€œI was very curious about it and hungry to learn,โ€ he remembers. โ€œSo I bothered this one [PinUp Productions] employee forever until he said, โ€˜Fine! Fine!โ€™โ€

OLD SCHOOL PinUp was able to reunite three favorites from the local metalcore scene, including Arsonists Get All The Girls.

Itโ€™s this loyalty and dedication to the community that sets PinUp apart from their competition.

โ€œI do whatever I can to put the scene first,โ€ Haston decisively states.

Despite being the face of his company, Haston almost never was a part of PinUp Productions. Longtime local scene kids of all ages might remember his original company, Arsenic Productions.

โ€œSanta Cruz was a unique spot during the MySpace boom of metalcore,โ€ he says. โ€œA lot of bands that wanted to tour the world got their first West Coast show, or first time playing out of their hometowns, here.โ€

In those days Arsenic Productions booked bands and venues throughout Santa Cruz and Monterey counties, while a different version of PinUp booked shows in Santa Clara County. The two entities began collaborating with each other at the end of  2006 after a misunderstanding between headliners and openers led to both of them accidentally booking the same Horse The Band tour.

โ€œThe two companiesโ€”I donโ€™t even want to call them companiesโ€”the two families of people merged and we kept the PinUp name,โ€ Haston recalls.

โ€œHorse The Band was one of [AGATG] top three influences,โ€ Alvarez says. โ€œThat Nintendocore sound was pretty much what we wanted to do: incorporate keyboards with our love for video games and make weird sounds.โ€

RECONNECTION

Today, PinUp Productions is a testament to the power of the DIY mentality. Along with owners Haston, Erik Jones, Casey Gerlach and David Forster, PinUp employees 20 dedicated employees that bookโ€”and runโ€”shows from throughout the state.

While the show will be a celebration of the local scene, it will also be an important time to remember and reflect on the past and loved ones who are no longer with us.

In 2007 bassist and AGATG founding member Patrick Masonโ€”who also came up with the bandโ€™s nameโ€”died of alcohol poisoning the day after his 21st birthday. Growing up in a small community, Alvarez, Haston and Mason were all high school friends and Masonโ€™s death ripped open a wound that will never fully heal.

Haston and Alvarez both believe the upcoming PinUp Productions 20th Anniversary show will be a way to reconnect with the spirit of their friend, especially considering the concert is only days before his birthday.

โ€œWeโ€™re gonna do an honor to him,โ€ Haston says. โ€œYou only have one life. Live it the way you want and donโ€™t let anyoneโ€”the government or societyโ€”tell you who to be.โ€

Info: Saturday, Oct. 19, 2pm, Vets Hall, 846 Front St., Santa Cruz. 831-454-0478.

โ€œSanta Cruz was a unique spot during the MySpace boom of metalcore.โ€ โ€”Joel Haston

โ€œSanta Cruz was a unique spot during the MySpace boom of metalcore. A lot of bands that wanted to tour the world got their first West Coast show, or first time playing out of their hometowns, here.โ€  โ€”Joel Haston

Free Will Astrology

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ARIES March 21-April 19

As a young adult, I lived in a shack in the North Carolina woods. I was too indigent to buy a car or bicycle, so I walked everywhere I needed to go. Out of necessity, I discovered the practical power of psychic protection. I envisioned myself being surrounded by an impenetrable violet force field and accompanied by the guardian spirits of a panther, wolf and bear. This playful mystical practice kept me safe. Though I was regularly approached by growling dogs and drunk thugs in pickup trucks, I was never attacked. Now would be an excellent time for you to do what I did: put strong psychic protection in place. Youโ€™re not in physical danger, but now is a good time to start shielding yourself better against peopleโ€™s manipulative gambits, bad moods, emotional immaturity and careless violations.

TAURUS April 20-May 20

โ€œDear Rob: I once heard you say that the best method for solving any dilemma is to sit silently, calm my mind and listen for the โ€˜still, small voice of the teacher within me.โ€™ I have tried your advice, but I have never detected this voice. What am I doing wrong? โ€” Deprived Taurus.โ€ Dear Taurus: Hereโ€™s how to become available for guidance from the still, small voice of your inner teacher. 1. Go someplace quiet, either in nature or a beloved sanctuary. 2. Shed all your ideas and theories about the nature of your dilemma. 3. Tenderly ask your mind to be empty and serene as you await an intuition. 4. Feel sweet gratitude for each breath as you inhale and exhale. 5. Visualize your inner teacher smiling. 6. Make yourself expectant to receive an insightful blessing.

GEMINI May 21-June 20

In the parlance of people who love to trek in natural places, a โ€œcobbknockerโ€ refers to a hiker who precedes you and knocks down the spider webs crossing the trail. I would love for you to procure a similar service for all your adventures in the coming weeks, not just hiking. See if you can coax or hire helpers to clear a path for you in everything you do. I want you to be able to concentrate on the essentials and not get bogged down or distracted by trivial obstructions. You need spaciousness and ease.

CANCER June 21-July 22

When you are at your Cancerian best, you nurture others but donโ€™t smother them with excessive care. You give your gifts without undermining your own interests. You are deeply receptive and sensitive without opening yourself to be abused or wounded. In my astrological estimation, you are currently expressing these qualities with maximum grace and precision. Congratulations on your ever-ripening emotional intelligence! I trust you will be rewarded with grateful favors.

LEO July 23-Aug. 22

Hereโ€™s the deal that life is offering: You temporarily suspend your drive to possess crystalline certainty, and you agree to love and thrive on ambiguity and paradox. In return, you will be given help in identifying unconscious and hidden factors at work in your destiny. You will be empowered to make confident decisions without needing them to be perfect. And you will learn more about the wise art of feeling appreciative reverence for great mysteries.

VIRGO Aug. 23-Sept. 22

I once had a Virgo girlfriend. She was talented, hardworking, meticulous, organized, health-conscious and resourceful. She also hated it if I neglected to put the jar of honey back in the cupboard immediately after using it. She would get upset if I neglected to remove my shoes as soon as I entered the house. Her fussy perfectionism wasnโ€™t the reason we ultimately broke up, but it did take a toll on me. I bring this to your attention because I hope you will mostly keep fussy perfectionism to yourself in the coming weeks. Itโ€™s fine if you want to indulge it while alone and doing your own work, but donโ€™t demand that others be equally fastidious. Providing this leeway now will serve you well in the long run. You can earn slack and generate good will that comes in handy when you least expect it.

LIBRA Sept. 23-Oct. 22

Your bulboid corpuscles are specialized nerve cells in your skin that can experience intense tactile pleasureโ€”more so than any other nerve cells. They are located in your lips, tongue and genitals. According to my analysis of your astrological potentials, these ultra-sensitive receptors will be turned on extra high in the coming weeks. So will their metaphysical and metaphorical equivalents. Thatโ€™s why I predict you will gather in more bliss than you have in a long time. Please give yourself permission to exceed your usual quota.

SCORPIO Oct. 23-Nov. 21

Once upon a time, you were more hazardous to yourself than you are now. Iโ€™m pleased about the progress you have made to treat yourself with greater care and compassion. It hasnโ€™t been easy. You had to learn mysterious secrets about dealing with your inner troublemaker. You had to figure out how to channel its efforts into generating benevolent and healing trouble. Thereโ€™s still more work to be done, though. Your inner troublemaker isnโ€™t completely redeemed and reformed. But you now have a chance to bring it more fully into its destined role as your ally and helper.

SAGITTARIUS Nov. 22-Dec. 21

I predict that your past will soon transform. You may discover new details about old events. Stories you have told and told about your history will acquire new meanings. You will be wise to reinterpret certain plot twists you thought you had figured out long ago. There may not be anything as radical as uncovering wild secrets about your true originsโ€”although I wouldnโ€™t discount that possibility. So expect a surprise or two, Sagittarius. But I suspect you will ultimately be pleased to revise your theories about how you came to be the resilient soul you are now.

CAPRICORN Dec. 22-Jan. 19

Of all the astrological signs, Capricorns are least likely to consult horoscopes. There are many skeptical people among your tribe who say, โ€œAstrology is irrational and illogical. It canโ€™t be precise and accurate, so itโ€™s not even real.โ€ My personal research also suggests, however, that a surprising percentage of Capricorns pretend not to be drawn to astrology even though they actually are. They may even hide their interest from others. How do I feel about all this? It doesnโ€™t affect me as I compose your oracles. I love you as much as the other signs, and I always give you my best effort. Now I suggest that in the coming weeks, you do what I do: Give your utmost in every situation, even if some people are resistant to or doubtful of your contributions. Be confident as you offer your excellence.

AQUARIUS Jan. 20-Feb. 18

You are ready to graduate to a higher octave of maturity and wisdom about everything related to love, romance and sex. It will be instructive to meditate on your previous experiences. So I invite you to ruminate on the following questions. 1. What important lessons have you learned about the kind of togetherness you want? 2. What important lessons have you learned about the kind of togetherness you donโ€™t want? 3. What important lessons have you learned about how to keep yourself emotionally healthy while in an intimate relationship?

PISCES Feb. 19-March 20

Are you longing to feel safe, cozy and unperturbable? Are you fantasizing about how perfect life would be if you could seal yourself inside your comfort zone and avoid novelty and change for a while? I hope not, Pisces! By my astrological reckoning, you are due for a phase of experimentation and expansion. You will thrive on the challenges of big riddles and intriguing teases. Please take full advantage of this fun opportunity to hone your intuition and move way beyond random guesswork. For extra credit: Prove the theory that itโ€™s very possible to cultivate and attract good luck.

Homework: Is it time to rest in one area of your life as you work harder in another area? Newsletter.FreeWillAstrology.com

ยฉ Copyright 2024 Rob Brezsny

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Party Like Itโ€™s 2005

This weekend local music promotion company PinUp Productions marks 20 years of booking showsโ€”punk, hardcore, metal, hip hop and everything in between.

Free Will Astrology

Astrology, Horoscope, Stars, Zodiac Signs
Week of October 17
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