For over 50 years, Senior Legal Services (SLS) has provided free legal services to defend the rights of the elderly to quality housing, government benefits and protection from exploitation and discrimination. And after 30 years of battling with a very steep driveway, we are proud to boast new office space right in front of Hindquarter Bar & Grille at 317 Soquel Ave.
SLS also recently moved our Hollister satellite office into the new Epicenter at 440 San Benito St. With the help of staff members Robert Hernandez and Buffy Almendares, they upgraded their small office inside the Watsonville Senior Center.
SLS was founded in 1972 by a senior activist group, believing the elderly deserved accessible legal aid services and programs designed to meet their particular needs. Our new Supervising Attorneys, Emily Trexel and Rosalina Nunez, now lead a team of staff attorneys, paralegals and intern advocates to provide Santa Cruz and San Benito County seniors with legal assistance and representation at no cost to our clients.
We are a safety-net organization that frequently works closely with the courthouse, adult protective services and community partners to offer critical services to one of the most vulnerable groups. In partnership with the Superior Court and Conflict Resolution Center, SLS staffs a housing advocate daily at the law library to provide self-help services to landlords and tenants and funds free housing mediation services through Conflict Resolution Center.
The demand for legal services has skyrocketed. We experienced a significant increase in the number of seniors requesting services during Covid’s onset, resulting in a 47% increase in services in 2021 and 22% in 2022.
Senior Legal Services is 100% funded through community donations and institutional funders. SLS’s charity gala, 50 Years of Justice, on May 5, at the Santa Cruz Boardwalk’s Cocoanut Grove, will help fund recently hired and invest in more human and technological resources as demand grows.
Santa Cruz County Supervisor and former California Secretary of State Bruce A. McPherson will receive a special award. Ellen Pirie and Terry Hancock will be honored for their longtime support. Capitola Mayor Sam Storey and Community Foundation of Santa Cruz County’s Susan True will be honored for their work and ongoing generosity.
We are thrilled to welcome California State Assemblyperson, 28th District, Gail Pellerin, as our keynote speaker. Visit seniorlegal.org for more info or tinyurl.com/slsgala for the 50 Years of Justice charity gala.
Tanya Harmony Ridino, Esq. | Executive Director, Senior Legal Services of Santa Cruz and San Benito Counties
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NICKY DAWIDOFF IN CONVERSATION WITH JONATHAN FRANZEN Pulitzer Prize finalist and Art for Justice Fellow Nicky Dawidoff has penned five books, including The Catcher Was a Spy and In the Country of a Country. His latest, 2022’s The Other Side of Prospect: A Story of Violence, Injustice, and the American City, couldn’t be more relevant. The book is described as a “sweeping account of how the injustices of racism and inequality reverberate through the generations, and a portrait of American city life told through a group of unforgettable people and their intertwined experiences.” Santa Cruz’s own—and one of the country’s greatest contemporary writers—Jonathan Franzen, will lead what will be a stimulating discussion with Dawidoff. Free (registration required). Thursday, April 27, 9pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com/dawidoff-franzen
THE SKATALITES WITH MONKEY AND DJ ARCHIVE 65 “We hope you will enjoy listening to our music as much as we enjoy performing it for you,” the Skatalites say. 2023 marks the 59th Anniversary of the Skatalites. The original members played on hundreds of recording sessions before forming the band in 1964. Backing most of the vocalists in Jamaica then, including Bob Marley, Toots and the Maytals, Jimmy Cliff, Alton Ellis, Ken Boothe and many more, the Skatalites secured their place in musical history early on. After disbanding in 1965, the individual members continued playing in various groups as the music evolved from ska to rocksteady to reggae. Meanwhile, Money has four full-length albums and has been featured on over 25 compilations, video games and film soundtracks, including Pervert the Movie, a tribute to the legendary director of Faster Pussy Cat Kill Kill, Russ Meyer. The quintet’s high-energy ska-reggae outfit’s live shows are packed with rocksteady, organ-driven rhythms impossible not to dance to. $25/$30 plus fees. Thursday, April 27, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com
THE CHINA CATS Matt Hartle (lead guitar and vocals), Scott Cooper (rhythm guitar and vocals), Steve Sofranko (keyboards and vocals), Rockin’ Roger (bass and vocals) and Michael Owens (drums) have been doing what they do with the same lineup for a dozen years. Enjoy the show from the all-ages dance floor or the 21-and-up mezzanine. There’s even a courtyard with enough room for twirling and tall windows that allow the Dead’s timeless music to drift through the night air as if it was meant to be. As I say to anyone who asks, the Santa Cruz band is not a Dead tribute band or a cover act; they’re great musicians who happen to dig the Grateful Dead—a lot. Yes, they play the music of the Dead, but not note for note. That would go against the Dead’s mission. Whether it’s the raunchy Pigpen-saturated “Viola Lee Blues,” Jerry’s visceral San Francisco lament “Wharf Rat” or the psychedelic rabbit hole that is “Dark Star,” the China Cats capture the soul of the Dead’s music, allowing the songs to guide them. $20. Friday, April 28, 8pm. Veterans Memorial Hall, 846 Front St., Santa Cruz. mountainmusicproductions.com
‘HEAP IS FULL’ A “viscerally immersive exhibition offering alternative orientations to our mediated worlds,” “Heap is Full” features the work of Ian Costello, Nicki Duval, Carl Erez, Angela Fan, Rose Klein, Livia Perez, Patrick Stephenson and Rory Willats. All eight artists will present new works of media art “developed through concentrated inquiry over two years.” Curated by Yolande Harris, in collaboration with the artists of the DANM (Digital Arts and New Media) 2023 cohort, the exhibition features an open-source game engine tool for modeling forest dynamics; an audiovisual performance on queer temporality in baseball; a media theater performance on bureaucracy surrounding the CZU forest fires; a virtual reality installation of Applied Cuteness Research, a series of performance experiments on the manipulation of masculinity in virtual communities and more. It sounds like a convoluted premise without a throughline, but these creative collaborations and experiments completely reorientate thinking and looking toward the future. Free. Friday, April 28 and Saturday, April 29, noon-4pm. UCSC Digital Arts Research Center, 1156 High St., Santa Cruz. danmmfa.ucsc.edu
BILLY CHILDS QUARTET WITH SEAN JONES Jazz pianist/composer Billy Childs remains one of the most diversely prolific and acclaimed artists working in music today. Childs’ originals and arrangements earned a 2013 Doris Duke Performing Artist Award, a Guggenheim Fellowship (2009), a composers award from the American Academy of Arts and Letters (2015) and two Chamber Music America grants. Childs has had sixteen Grammy nominations, and five Grammy awards, most recently for Best Jazz Instrumental Album (Rebirth). He won Best Arrangement, Instrumental & Vocal (featuring Renée Fleming and Yo-Yo Ma) in 2015 for “New York Tendaberry,” from his acclaimed Map to the Treasure: Reimagining Laura Nyro. Other Grammy wins include Best Instrumental Composition for “The Path Among the Trees” (2011) and “Into The Light” (2005), from his much-heralded jazz/chamber releases, Autumn: In Moving Pictures and Lyric. “Childs’ jazz/chamber group has taken the jazz-meets-classical format to a new summit,” Downbeat magazine wrote. The Billy Childs Quartet on this concert date will also feature bassist Hans Glawischnig, drummer Christian Euman and notable guest trumpeter Sean Jones. $42/$47.25; $23.50/students. Monday, May 1, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org
‘DOSED: THE TRIP OF A LIFETIME’ The Oscar-qualifying theatrical tour of DOSED: The Trip of a Lifetime is coming to Santa Cruz for a special event screening and Q&A led by Dr. Sandra Dreisbach with Dr. Lisa Black, William “Mycelium” Goss and special guests. Come early to meet with members of the local psychedelic organizations. The film features Dr. Gabor Maté, Paul Stamets, Dennis McKenna, Dave Phillips, Sharan Sidhu, Ben Lightburn, Dr. Reg Peters, Chino Julian, Garyth Moxey, Dr. Rob Sealey, Dana Larsen, Tyler Chandler, Nicholas Meyers and Laurie and Glenn Brooks. $12.55. Saturday, April 29, 7pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com
COMMUNITY
KIDS DAY DOWNTOWN The Downtown Association of Santa Cruz is excited to present the return of Kids Day Downtown in partnership with Growing Up In Santa Cruz and the Santa Cruz MAH. Kids Day Downtown is a festival of activities, events and entertainment for families and kids. Meet an array of community groups with excellent youth programming. Exhibitors will include education, sports, arts, science, dance and other youth groups. There will also be performances by Santa Cruz youth organizations and in-store activities and specials at your favorite downtown businesses. Performances and demonstrations by Be Natural Music, the Climbing Trees, CYT Santa Cruz, Circus Family on the Road, Joe Ferrara and the International Academy of Dance. Free. Saturday, April 29, noon-4pm, Cooper Street and Pacific Ave., Santa Cruz. downtownsantacruz.com
A few weeks after the National Parks released their fifth full-length album, 8th Wonder, in March 2023, a sellout crowd of 2,500 was already singing to every word of the Salt Lake City folk rockers’ new tunes.
“It was one of those shows where you kind of soak it in and step back and appreciate it because it felt special,” frontman Brady Parks says. “That’s a show I think we’ll hold onto forever.”
Their upcoming show in Santa Cruz will mark the Parks’ first time performing in the area, which almost seems criminal given the band’s ethos.
“We’re very inspired by nature, being from Utah, surrounded by so much natural beauty,” Parks, a Colorado native, says. “Our music fits really well within the Pacific Northwest [music] scene.”
Before the band began writing the songs for 8th Wonder, they decided to lean into the nature theme even more.
“I think it differs from our previous albums quite a bit, but it’s also very true to who we are,” Parks notes. “We try to blend the folk and pop worlds.”
The writing process yielded 30 songs, whittled down to 11. The objective was undoubtedly accomplished: Some tracks capture a Lumineers-esque feel, while others unleash fast-paced, pop-infused sounds accompanied by outwardly positive lyrics. As a whole, 8th Wonder packs an energetic punch, ala the Head and the Heart, and delivers an aura of pensive sensitivity.
The opener, “Angels,” starts with keyboardist Sydney Macfarlane’s poppy synth backed by drummer Cam Brannelly and Parks’ muted guitar strums. When Parks’ vocals cut in, the synth fades.
“We were swaying in the firelight to the sound of coyote calls/ Our silhouette like giants on Zion’s canyon walls,” Parks croons.
The synth returns for the pre-chorus, building momentum, coming together as Parks belts the hook: “Ima tell our kids about this someday.”
The group’s brand of folk-rock is rounded out by extraordinary fiddle talent, Megan Taylor Parks, who connects harmonically with John Hancock’s bass.
Meanwhile, 8th Wonder’s single, “Trouble,” has been trending heavily on social media. Each bandmember has posted a photo montage portraying them playing their respective instruments over the song’s chorus, “I knew you were trouble from the start.”
Their social media posts show their passion for the craft and how they’ve developed their sound since they began about a decade ago. The music video for “Trouble” features the band performing in snow-clad mountains in Utah.
“I describe [8th Wonder] as a road trip album,” Parks says. “It’s got a spirit about it that’s full of life. It’s meant to be a companion to people, a soundtrack to their adventures.”
It’s been gratifying for the band to see fans naturally make those associations since the record came out.
“We’ve been holding on to it for so long, and we have all these connections personally with different songs,” Parks says. “Having it out in the world and seeing the fan base react to it is really the coolest experience to see what their favorite songs are and what memories they are already making with certain songs.”
Family has also become an unexpected key to the National Parks’ music and touring life. When the group formed, Brady and Megan were just friends. Now, they are married and have a one-year-old son. Parks says his son has visited 32 states with the band as they tour. As they push on, from city to city, the group hopes to continue to bring more fans along on their sonic ride.
“Hopefully, we can connect with people that haven’t seen us play before,” Parks says.
That shouldn’t be too difficult. If there’s one thing the National Parks are known for, it’s the hypnotic intensity and spirit of their live shows.
“We’ve put in a lot of work into becoming a band that’s fun to watch live,” Parks says. “The shows are at a different level than the album is.”
$22/$25; $67/VIP. The National Parks with Andrea Von Kampen perform Saturday, April 29 at 9pm at the Catalyst Atrium, 1101 Pacific Ave., Santa Cruz.catalystclub.com
It’s a scene I love any time I pick up my daughters from school. I pull off Capitola Road into the Live Oak Elementary parking lot and hurry over to the gate where my first-grader and second-grader will soon come bouncing out. One by one, other parents arrive; some speak Spanish, some English. I look around and see posters, like one announcing “Dia del Niño,” that is, Day of the Child, with promises of “Almuerzo BBQ” and “musica para disfrutar.”
Great, who doesn’t like barbecue and music to enjoy? Then, finally, comes the familiar tinkling jingle of the bell announcing the end of the school day, and the kids file out, teachers alertly matching them with their parents. I hear a mix of Spanish and English—a chorus that touches the soul. The afternoon California sun is filtering down on us, a little community pulled together by a shared vision of making it a priority to try to raise children who can talk to other people, including people from different backgrounds.
DOUBLE TALK
The Live Oak Elementary dual-immersion program is part of a broad movement in California and nationally toward bilingual education as a fundamental building block for educating young people to have life skills. Teachers must receive extra training to teach in such programs, so they’re only involved if they believe in the effort. The scene at school pick-up reminds me how lucky I am that we live in a community where such a program is offered. My kids can learn from motivated, committed teachers energized by their passion for immersing students in Spanish and English.
Last week, second-grade teacher Maria Isabel LeBlanc stood near the school’s front gate after the bell sounded. She spoke in English about her love of teaching while offering friendly instructions to one student and her father in Spanish—she’s entirely bilingual. “This is my first year at Live Oak,” LeBlanc says. “There’s a good spirit here. I feel like it’s a little sunny spot here, a little happy place. The kids are so sweet to each other.”
Live Oak Elementary School’s Two-Way Immersion Program is ideal for Coco Kettmann since she grew up speaking German and English. PHOTO: Tarmo Hannula
Interestingly, that’s an oft-touted benefit of dual-immersion programs; students get along better with fewer disciplinary issues. Live Oak Elementary is three years into offering dual-immersion instruction in Spanish and English, starting students off in kindergarten with 90% Spanish and 10% English, moving on to 80-20 in first grade, 70-30 in second, and so on.
“At Live Oak Elementary, our mission is to inspire a lifelong love of learning and promote the development of bilingualism, biliteracy, academic achievement and cross-cultural competencies in all of our students,” the school’s website explains. “Not only are students immersed in the language, but they are exposed to important aspects of cultures from around the world. Through the dual immersion program, students will discover their voice in not one but two languages. Students will better understand the world around them and their unique place within it.”
So far, the program is off to a strong start, based on numerous interviews and my own observations. “It’s been amazing; it’s been phenomenal,” says Live Oak School District Superintendent Daisy Morales, who oversees Live Oak Elementary and four other schools. “We just did our two information nights. We’re almost at fifty applicants wanting to come in next year. Parents feel a lot more included.”
For both families and children, it’s empowering. “They share it as bilingualism is your superpower,” Dr. Morales says. “You’re going to learn to manage two languages in your head. Not everybody can do that.”
New signups are critical since each year, kindergarten classes are added. The new program began with two kindergarten glasses of kids, most of whom are now in second grade at Live Oak, headed for third grade next year, knowing most of the other children in the program. They’ve all been on quite a journey together. The first year was primarily conducted via Zoom because of the pandemic, an added challenge for a brand-new program. “It was definitely a learning year,” Jessica Mata, a kindergarten teacher that year, told me. “Everyone was just trying to figure it out and survive and get some learning in when it was possible.”
Mata has a point, as I know as a parent. Our older daughter, Coco, was one of those kids we’d have to pull in from playing outside at home to sit at a computer screen, looking at little postage-stamp-sized rectangles with a fellow kindergartner’s face in each one, trying to connect, trying to learn. It all worked better than it felt like it should have. I credit that to the fantastic dedication and talent of teachers like Mata and Karla Atencio (and, later, LeBlanc), who show some awe-inspiring ability to give of themselves and find joy in the hard, draining work of trying to be alert to the individual needs of every child.
EXPANDING HORIZONS
The United States is the outlier when it comes to language education, and it’s basically a national scandal, so far as I’m concerned, that so many school districts under-prepare their students for a 21st-century economy in which knowledge of other languages—and cultures—is often a key factor. Consider this jarring fact, as reported last year by U.S. News and World Report: “While roughly half the global population speaks at least two languages, only about 20% of U.S. residents can say the same.”
All but seven U.S. states now offer some dual-immersion elementary-school education, but the majority are in California, Texas, New York, North Carolina or Utah. More information is available at duallanguageschools.org.
I happened to be on the phone recently with Congressman Ruben Gallego of Arizona, a candidate for the United States Senate next year and a national Latino leader on the rise. Gallego’s six-year-old son is in a dual-immersion school. In another two or three cycles, I could see him as a strong candidate for Vice President or President.
“It’s not just a language, it’s part of my family’s culture, and we want to make sure that he has the ability to connect to his family and his culture always,” Gallego told me. “Even though I speak Spanish, it’s harder than you think to teach your kid Spanish. That’s why I try to reinforce it with a school that does it.”
That’s the beauty of the concept: It’s good for families that speak primarily Spanish at home, families that speak both Spanish and English or families that speak mostly English—and even for the random family that speaks, say, English and German at home (my family).
My wife and I had actually been planning to have our daughters attend the school assigned to us, Santa Cruz Gardens Elementary, and I, for one, was looking forward to—how cool is this? —walking to school on a trail high on the forested slopes of Arana Gulch, a twenty-minute stroll from where we live. Instead, Coco and her younger sister Anaïs have gone on a different sort of journey to school, toward the undiscovered country of fluency in an additional language.
The great part for us was that this was partly Coco’s choice. My wife and I heard about the Two-Way Immersion Program at DeLaveaga Elementary and mentioned it casually to Coco, then five. I thought she would forget all about it, but instead, she brought it up later—more than once.
An example of second grader Coco Kettmann’s recent language assignment entailed explaining a drawing using English and Spanish. PHOTO: Tarmo Hannula
Our girls have spoken German and English from their first words, so adding another language naturally appealed to us. I can remember early conversations with Coco pointing out the obvious fact that the more languages you speak, the more friends you might be able to make.
I know many parents worry about such programs—and their potential to slow down their children in some ways. If they are immigrant families, they often want their children to focus on English to gain every advantage in their studies—and on tests. Dr. Morales, the Superintendent, makes a compelling case that, while understandable, those concerns do not square with the data.
“Research tells us that kids can easily handle six to seven languages simultaneously,” she says. “It’s more about the parents’ concern. Will they be a little behind at first? Maybe. It takes five to seven years. Give your child those five to seven years to show they’re completely bilingual because once they hit that threshold, they outperform English-only kids every time.”
It’s a question of looking at short-term concerns, like growing pains, versus seeing a child’s education in a broader context. I care most about equipping my children to face an uncertain future, where the more people they can talk to from different countries and communities, the better their chance of continuing to develop. The U.S. is a country of immigrants, and California continues to show the cultural and economic power of embracing immigrants.
Strikingly, the rise of dual-immersion programs around the country has led to a surge in book sales, leading to “Book Publishing’s Bilingual Boom,” as Publisher’s Weekly recently reported.
“The U.S. market for Spanish-language titles is largely being driven by bilingual families, schools that offer dual-language classes and libraries that service communities with large numbers of Spanish speakers,” PW writes.
“With more than 40 million Spanish-speaking readers and language learners, according to the Census Bureau, the U.S. has the fourth-largest Spanish-speaking population in the world, after Mexico, Spain and Argentina. What’s more, if demographic trends continue, the Instituto Cervantes estimates that by 2060, 27.5% of the U.S. population will speak Spanish, which would make it the second-largest Spanish-speaking country in the world after Mexico.”
BUILDING COMMUNITY
These trends have personal resonance as well. My great-great-grandfather Gerhard Kettmann was a 49er. He left Germany in 1849, came to America, found some gold in California and settled in the San Jose area. My mother’s family comes from Mexico and Spain. My dad wanted me to take Spanish in junior high, so I took French to annoy him, and I do love French, but unfortunately, I’ve never been able to speak the language naturally.
I lived in Central America for half a year in the late 1980s and did the whole Antigua Guatemala immersion thing and can muddle around in Spanish after much flailing. I think of myself as someone with a talent for learning languages badly, always having the feeling of playing catch up. I believe actual, deep knowledge of a second language—and third and beyond—is a precious building block.
I have a lot of friends who thought they would raise their kids bilingually, but along the way, it just didn’t happen. Maria Isabel LeBlanc is an excellent example of someone whose parents insisted she learned multiple languages fluently. Her Cuban-born father and Colombian-born mother raised her, first in New Orleans, then in Texas, then in Saudi Arabia and finally in the U.K., with a firm grounding in English and Spanish.
“Being bilingual has helped me all my life,” she told me, “being able to travel all over, and professionally, and being more accepting.”
Here she calls out a quick, musical torrent of Spanish.
“The kids don’t just learn Spanish; they learn to be more accepting,” she says. “It feels like once they have it, they have it.”
LeBlanc raised her daughter, Sofía, bilingually, and guess what? “She wants to become a dual-language immersion teacher. What she noticed, visiting my class, was how everybody gets along.”
Dr. Morales and Live Oak Elementary principal Greg Stein, who lived and taught in Spain for years, emphasized that the deeper goal of dual-immersion education has to extend far beyond the classroom and beyond language acquisition to building communities. It makes sense, right? It’s one thing to learn “bailar” as a vocabulary word and another to be invited into another family’s home, with roots in Mexico, for a social occasion where people are dancing.
“We’re exploring this right now,” Stein says. “There’s the academic experience, but we also need to make it more of a cultural experience—for the kids and for the families. We’re working on that.”
Stein is a model educator. I see him smile most every day our paths cross when picking up my daughters, and I’ve watched him handle the occasional tricky situation with aplomb. He loves what he’s doing. He’s on a mission to encourage everyone at the school to treat each other with respect and dignity, whatever job they hold, and to show the power of bilingual education.
“I’ve been in bilingual education for years, and it’s a miracle how kids just pick up languages,” Stein says. “It’s unbelievable. I think it opens the door to relationships. Being able to speak the language at a level these kids will probably be able to speak, opens the door to deep relationships—both to people and to cultures. That’s a catalyst for empathy.”
I’ve been thinking about bilingual education and its more profound value since at least the 1980s. My sister Janette Kettmann Klingner was a public school teacher in San Jose and Santa Cruz. She then returned to school to earn her Ph.D. and became a nationally recognized expert on Spanish-language education. She emphasized in her work how education works best when family members—and communities—are engaged.
“There are many misconceptions about the involvement of parents and families of English language learners in their children’s education,” she wrote, with co-authors Alfredo J. Artiles and Kathleen King, in a chapter on Bilingual Special Education in the 2008 Encyclopedia of Bilingual Education.
“However, research from the National Center for Education Statistics in 1995 shows similar patterns for minority and nonminority parents’ involvement in their eighth-grade students’ education. Educators must be aware of and challenge the biases that shape the interpretation of different levels and types of parental and family involvement in their children’s education. A useful principle is to consider that different communities and families have different norms about family involvement in the school setting.”
Another helpful principle is to acknowledge that norms change, they shift over time, and the power of dual-immersion education is its potential to bring communities more into contact with one another. Parents, teachers and administrators go out of their way to hold different events to unite people—and more is on the way.
“Our English-speaking parents want to connect with our Spanish-speaking parents,” Dr. Morales says. “So next year, we’re looking at doing something formally or informally, where they can meet up and have buddy dates.
We’ve been talking about:“How do we make this happen? How do we provide those spaces for the parents to come together?” We’re trying to build it so it feels more like a community, so the classrooms don’t get so much divided into Spanish speakers and English speakers. We want to see how we can provide a basis to bring the community together and be truly a bilingual community.”
On Monday afternoon, a call came over the police radio that emergency workers had become familiar with. A man had overdosed on Fentanyl and was unconscious.
Watsonville police found the man in a shopping center parking lot. They quickly administered Narcan, a drug used to reverse the effects of opiates.
Within minutes, the man revived and was conscious and talking. Such incidents are common for paramedics, law enforcement officials and others whose careers put them close to drug addicts.
On Saturday, a group of local healthcare workers distributed an estimated 500 boxes of Narcan to citizens, giving them a tool in case they find someone suffering an opioid overdose.
Steve Henderson says his son Tom completed a drug addiction rehabilitation program in 2019 and worked at Kirkwood Mountain Resort when he injured his knee.
Doctors gave him painkillers, which triggered a relapse.
“Then, when he ran out, he started buying off the street,” Henderson says.
Tom’s mother found him unresponsive one morning, and Tom died before paramedics arrived.
Henderson was one of the hundreds of people who came to Cabrillo College on Saturday to get free doses of Naloxone, also known as Narcan. Given nasally, the drug reverses the effects of opiates in people overdosing.
“I’ve been meaning to get some for a while, just in case I ever run into someone who overdosed,” he says. “You never know when you might need it.”
SafeRx Santa Cruz County (SafeRx), Health Improvement Partnership (HIP) and the Santa Cruz County Office of Education sponsored the drive-thru giveaway event.
County Superintendent of Schools Faris Sabbah says that people began lining up at 10am for the noon start time.
With increasing numbers of overdoses primarily caused by the painkiller Fentanyl, distributing the Narcan dispensers is a crucial step to stop potential overdose deaths, Sabbah says.
SCCOE has already distributed the dispensers to schools countywide.
“We recognize that the opioid epidemic is something that is hitting close to home here in Santa Cruz County,” he says. “The risks to our youth and our community are very high, and we feel like this is one step we can take.”
HIP Senior Program Coordinator Ali Hayes says it is vital to get Narcan into the hands of teens, who could encounter someone overdosing at a party or other social event.
“Teens are definitely going to be part of the solution in addressing the opioid crisis,” she says.
Hayes says that drug dealers are increasingly mixing Fentanyl—a powerful and relatively inexpensive painkiller—into drugs like Adderall, Xanax, cocaine and even black-market marijuana to increase their potency and addictiveness and maximize profits.
With dealers sending out drug “menus” to their customers through social media platforms such as Instagram and Snapchat, it is relatively easy for teens to get their hands on tainted drugs, Hayes says.
With such pervasiveness, parents must monitor their kids’ social media accounts and talk to their teens about drug abuse. Hayes says anyone considering experimenting with black-market drugs should never do so alone and keep a dose of Narcan handy. And avoid pills and powder.
“Because Fentanyl is in there,” she adds.
“Teens who are thinking about experimenting who might purchase something on the internet might not realize it has Fentanyl, and a friend could overdose right in front of them,” Hayes says. “If they have Narcan, they might be able to save a life.”
The U.S. Food and Drug Administration recently approved Narcan for over-the-counter sales.
That comes as a mixed blessing since it is easier to get, but insurance companies do not typically cover over-the-counter drugs, which can run as much as $50 for a box of two, says Dr. Jen Hastings, a consulting physician for HIP and Safe Rx.
Untangling that predicament, she says, will require advocacy at the state level.
And making the drug available to everyone is vital, as overdose deaths in California have tripled over the past two years, Hastings says.
“This is going to make a difference,” she said. “This is going to save lives.”
Hayes says she hopes to host more Narcan distribution events in the future but adds it will take additional funding for the nonprofit to be able to do it.
A steady stream of vehicles came through the line to receive their boxes after getting a short primer on how to use the devices.
“I hope I never have to use it,” says Aptos resident Trevor Strudley. “We know this is a problem in the community.”
Strudley says he has not had experience with drug addiction. However, many who came have had personal experiences.
“I have family that has passed away from overdoses, so I’m pretty close to it,” says Rosie Cervantes of Watsonville, who was in tears as she spoke. “I want to be ready and have the resources to help others to be ready.”
Kristen O’Connor, an outpatient addiction nurse with Santa Cruz Community Health, says it is also important to combat the stigma of drug addiction.
Many addicts, she says, still face judgment from the public and shame for themselves, which can be a barrier to seeking help.
“We’re really trying to combat that fear, shame, stigma,” she said. “I think that’s partly on us for not making them feel like their lives are worth as much as somebody with a chronic medical condition.”
Foam clouds and Tibetan prayer flags hang above. A psychedelic liquid light show is projected behind Santa Cruz jam band Superblume. Frontman Nate Smith sports a tie-dye onesie and smiles. The music grows and bounces from genre to genre—the crowd screams over a country rock tune while clapping in rhythm. A friendly mosh pit starts. Younger concertgoers look out for some of the older attendees. The camaraderie is evident.
Dancers gyrate as Smith croons, “Put on your dancing shoes/ We just want to be with you.”
The singer tells the crowd that they canceled a show at Felton Music Hall to play the Liminal Space Collective at the Circle Church. Santa Cruz is changing, and Superblume reiterates their commitment to protecting spaces like the one they’re performing at.
SURVIVAL OF THE ARTISTS
Over several months, two hundred artists produced a creative heartbeat of art and community at the Impermanence Festival.
“This is really important,” Smith says. “Everyone in this room is important.”
Several years after the Circle Church was sold in 2017, the Circle of Friends Cooperative housing group gave it to Liminal Space, which grew and now has 60 members. Events will continue through the end of May until the church’s planned demolition.
The demolition is to make way for 12 single-family homes after the Circle of Friends bought the property in 2017, Brett Packer, liaison for the housing project, says. He adds that up to 20 families could live there if lot owners also built accessory dwelling units.
Packer says spaces of any kind continue to become more expensive in Santa Cruz, making it difficult for artists and community-driven groups to stick around.
“It’s harder and harder to find an affordable space for art and community to happen,” he says. “Space is at a premium in Santa Cruz. An artist coop in midtown was active for 10-15 years and just closed after the landlord kicked them out.”
Liminal Space hopes to carve out a niche for creativity and community amid Santa Cruz’s high cost of living—the now-empty Logos building is one possible space—but it isn’t going to be easy, notes Weston Mossman, Liminal Space founder, creative director and artist.
“We’re going to need as much support as we can get,” he says. “We’re looking at places downtown, particularly Logos, a historic space in an area kind of in need, where lots of people have fond memories and friendships.”
CREATIVE SPACES
TheLiminal Space Collective began in December 2021 at 11th Hour Coffee. The group made art weekly via Art Meetup Santa Cruz at Sunny Cove in Live Oak.
“Every week, we came together to make art easy, fundamental and part of our existence. It gave me permission to make a mess and realize it was beautiful,” Mossman says. “It also provided me with a beautiful community. We’ve always had things to say and wanted to be together since we believe creativity and expression matter.”
Michael Leeds, whose Santa Cruz Ironworks is near the 11th Hour, expressed interest in Mossman’s idea and connected him with the Circle of Friends cooperative. A little over a month later, the group held their Northern Lights event, which pays tribute to liminal spaces—places in transition, between one destination and the next—between light and dark: hence, Northern Lights.
“It was a space in transition, liminal,” Mossman says. “We’re in transition, our art, our soul and community are, and that was something that resonated with lots of people.”
Leading up to Liminal’s Impermanence event, Mossman’s partner, Tiffany Thisner, invited neighbors to a town hall where they could voice any concerns. There, they met a neighbor who volunteered to be a fiscal sponsor. Any neighbors who attended received a discount rate.
“Since Covid, everyone feels disconnected from each other and their passions, and we aim to change that,” Mossman explains. “Liminal Space is where people can come together over shared goals of expression, interaction and immersion to connect, share skills, collaborate and turn their dreams into reality.”
There are some similar spaces for expression throughout the area. Vision Sanctuary on Cedar Street provides visual art, and Idea Fab Labs provides a space for fabrication and partners with Liminal Space. There are talks of Vision Sanctuary combining its studio and gallery with Liminal soon.
Trellis is another small gallery and art space across the street from Idea Fab Labs and opens during Fab Labs’ events. Meanwhile, 17th Avenue Studios is another collective of artists that share space and create art together in Live Oak.
Santa Cruz County officially encourages these spaces. County spokesperson Mark Hoppin says a public art ordinance requires calls-for-art for significant developments.
COME TOGETHER
Behind colorful boxes spelling out “Impermanence,” everyone lies on the floor in the main room. Psychedelic art surrounds a note-filled mandala, and calming synth music faintly fills the space.
Fire spinners and dancers twirl on a metal circle in a gym-sized room. Through an endless series of rooms, up a jellyfish staircase, there’s an ethereal area with a crawl-through chrome entrance.
Green, purple and orange messages like “You’re beautiful” and “Be Here Now” emerge from sculpted, magical trees in Wendy Frances’ room, who created the space over many months with friends, including Jes Cardenas, who crafted the entry.
“I love the blending of ideas and communication of artists,” Cardenas says. “It flows like the ocean and the water, especially Liminal Space.”
“It looks so good,” attendees said. “I can’t believe they built this up here.”
As Frances walks up the stairs, she says another show inspired her.
“I went to an exhibit in San Jose, ‘Subzero,’ which had writing like this,” she says. “My dreamscapes were like this, too. I was amazed by the participants’ love. I was telling people to write their darkest dreams and fucked up secrets; I got nothing but love in there.”
Shirin Ketab, who painted a mushroom mural, says, “This is one of the coolest things I’ve been a part of. All the art was made by 20- and 30-year-olds with their own money.”
Around the corner, Stan Land has a line out the door for most of the evening. Participants sit in a boat cart pulled through Stan’s “River of De Nile,” a portal into his mind—you look out of his eyes, kind of like Being John Malkovich. Then, you find a mirror in the “Tunnel of Acceptance” where you find yourself.
Creator Katie Gentile often works overtime; sometimes, she chooses art over sleep.
“My favorite part was the calm the day before,” Gentile says. “Everyone was tranquil finishing up installations. I walked into others’ spaces and heard their processes, how they learned about themselves by putting all this time and energy into expression.”
FUTURE SPACES
The group wants to use its momentum to grow further and use Logos to connect with the former bookstore’s history, adventure and community.
“It’s been vacant for years,” Mossman says. “We’re interested in connecting with those stories. It was expensive. We’re looking into assistance and need government and community support. We would appreciate people connecting with us—donors, real estate agents, nonprofits or people who can help.”
The group is also putting on a new series of events called Liminal Space Perseverance. While the church is planned to be demolished, attendees will be able to see updated installations, new experiences, a lounge and hear live music. The grand opening is on May’s First Friday and every Thursday and Saturday evening until demolition. Coffee and elixirs will be available for purchase at the 11th Hour.
Mossman says the events will be significant for anyone who missed the festival or loves it so much they want more.
“If anybody wants to see a new, more directed modality for the installations and a community space in the gallery, these events will be up their alley,” he says. “Please help keep community interactive art a staple in Santa Cruz.”
ARIES (March 21-April 19): According to a study by Newsweek magazine, 58 percent of us yearn to experience spiritual growth; 33 percent report having had a mystical or spiritual experience; 20 percent of us say we have had a revelation from God in the last year and 13 percent have been in the presence of an angel. Given the astrological omens currently in play for you Aries, I suspect you will exceed all those percentages in the coming weeks. I hope you will make excellent use of your sacred encounters. What two areas of your life could most benefit from a dose of divine assistance or intervention? There’s never been a better time than now to seek a Deus ex machina. (More info: tinyurl.com/GodIntercession)
TAURUS (April 20-May 20): After the fall of the Roman Empire, political cohesion in its old territories was scarce for hundreds of years. Then a leader named Charlemagne (747–814) came along and united much of what we now call Western Europe. He was unusual in many respects. For example, he sought to master the arts of reading and writing. Most other rulers of his time regarded those as paltry skills that were beneath their dignity. I mention this fact, Taurus, because I suspect it’s a propitious time to consider learning things you have previously regarded as unnecessary or irrelevant or outside your purview. What might these abilities be?
GEMINI (May 21-June 20): I’m turning this horoscope over to Nigerian poet Ijeoma Umebinyuo. She has three messages that are just what you need to hear right now. 1. “Start now. Start where you are. Start with fear. Start with pain. Start with doubt. Start with hands shaking. Start with voice trembling but start. Start and don’t stop. Start where you are, with what you have.” 2. “You must let the pain visit. You must allow it to teach you. But you must not allow it to overstay.” 3. “Write a poem for your 14-year-old self. Forgive her. Heal her. Free her.”
CANCER (June 21-July 22): Historical records tell us that Chinese Emperor Hungwu (1328–1398) periodically dealt with overwhelming amounts of decision-making. During one ten-day phase of his reign, for example, he was called on to approve 1,660 documents concerning 3,391 separate issues. Based on my interpretation of the planetary omens, I suspect you may soon be called on to deal with a similar outpouring. This might tempt you toward over-stressed reactions like irritation and self-medication. But I hope you’ll strive to handle it all with dignity and grace. In fact, that’s what I predict you will do. In my estimation, you will be able to summon the extra poise and patience to manage the intensity.
LEO (July 23-Aug. 22): Is it even possible for us humans to live without fear—if even for short grace periods? Could you or I or anyone else somehow manage to celebrate, say, 72 hours of freedom from all worries and anxieties and trepidations? I suspect the answer is no. We may aspire to declare our independence from dread, but 200,000 years of evolution ensures that our brains are hard-wired to be ever-alert for danger. Having provided that perspective, however, I will speculate that if anyone could approach a state of utter dauntlessness, it will be you Leos in the next three weeks. This may be as close as you will ever come to an extended phase of bold, plucky audacity.
VIRGO (Aug. 23-Sept. 22): “Dear Sunny Bright Cheery Upbeat Astrologer: You give us too many sunny, bright, cheery, upbeat predictions. They lift my mood when I first read them, but later I’m like, ‘What the hell?’ Because yeah, they come true, but they usually cause some complications I didn’t foresee. Maybe you should try offering predictions that bum me out, since then I won’t have to deal with making such big adjustments. —Virgo Who is Weary of Rosy Hopeful Chirpy Horoscopes.” Dear Virgo: You have alluded to a key truth about reality: Good changes often require as much modification and adaptation as challenging changes. Another truth: One of my specialties is helping my readers manage those good changes. And by the way: I predict the next two weeks will deliver a wealth of interesting and buoyant changes.
LIBRA (Sept. 23-Oct. 22): Poet Pablo Neruda wrote, “Let us look for secret things somewhere in the world on the blue shores of silence.” That might serve as a good motto for you in the coming weeks. By my astrological reckoning, you’ll be wise to go in quest for what’s secret, concealed and buried. You will generate fortuitous karma by smoking out hidden agendas and investigating the rest of the story beneath the apparent story. Be politely pushy, Libra. Charmingly but aggressively find the missing information and the shrouded rationales. Dig as deep as you need to go to explore the truth’s roots.
SCORPIO (Oct. 23-Nov. 21): We’ve all done things that make perfect sense to us, though they might look nonsensical or inexplicable to an outside observer. Keep this fact in your awareness during the next two weeks, Scorpio. Just as you wouldn’t want to be judged by uninformed people who don’t know the context of your actions, you should extend this same courtesy to others, especially now. At least some of what may appear nonsensical or inexplicable will be serving a valuable purpose. Be slow to judge. Be inclined to offer the benefit of the doubt.
SAGITTARIUS (Nov. 22-Dec. 21): I completely understand if you feel some outrage about the lack of passion and excellence you see in the world around you. You have a right to be impatient with the laziness and carelessness of others. But I hope you will find ways to express your disapproval constructively. The best approach will be to keep criticism to a minimum and instead focus on generating improvements. For the sake of your mental health, I suggest you transmute your anger into creativity. You now have an enhanced power to reshape the environments and situations you are part of so they work better for everyone.
CAPRICORN (Dec. 22-Jan. 19): In the 17th century, renowned Capricorn church leader James Ussher announced he had discovered when the world had been created. It was at 6pm on October 22 in the year 4004 BCE. From this spectacularly wrong extrapolation, we might conclude that not all Capricorns are paragons of logic and sound analysis 100 percent of the time. I say we regard this as a liberating thought for you in the coming weeks. According to my analysis, it will be a favorable time to indulge in wild dreams, outlandish fantasies and imaginative speculations. Have fun, dear Capricorn, as you wander out in the places that singer Tom Petty referred to as “The Great Wide Open.”
AQUARIUS (Jan. 20-Feb. 18): We often evaluate prospects quantitatively: how big a portion do we get, how much does something cost, how many social media friends can we add? Quantity does matter in some cases, but on other occasions may be trumped by quality. A few close, trustworthy friends may matter more than hundreds of Instagram friends we barely know. A potential house may be spacious and affordable, but be in a location we wouldn’t enjoy living in. Your project in the coming weeks, Aquarius, is to examine areas of your life that you evaluate quantitatively and determine whether there are qualitative aspects neglected in your calculations.
PISCES (Feb. 19-March 20): “Dear Dr. Astrology: Help! I want to know which way to go. Should I do the good thing or the right thing? Should I be kind and sympathetic at the risk of ignoring my selfish needs? Or should I be a pushy stickler for what’s fair and true, even if I look like a preachy grouch? Why is it so arduous to have integrity? —Pinched Pisces.” Dear Pisces: Can you figure out how to be half-good and half-right? Half-self-interested and half-generous? I suspect that will generate the most gracious, constructive results.
Sleek and spacious, Alderwood Pacific offers a pared-down, casual take on its signature menu. Think playful hands-on rather than a palace of high dining. The extensive bar and high ceiling look great, with natural light pouring in from two directions.
Generously spaced tables ensure everybody can spread out amid the indigo walls and dramatic botanicals. The clientele runs the gamut from families with Patagonia-clad children to single students nursing cocktails and inhaling fries to the migratory flock of flagship Alderwood patrons who come to sample the short menu and long list of cocktails. Many burgers and assorted fried appetizers populate the central core of the menu.
Racks of golden featherlight tempura-fried onion rings were being dropped off at many tables. These gossamer creations are a bona fide signature of the Alderwood approach—American diner classics whipped up with costly ingredients and elaborate kitchen prep.
My companion went for the blockbuster Inside/Outside Burger ($18), while I decided to see what designer ingredients could do for a Smoked Beets & Baby Kale Salad ($18) plus a side of grilled Bavette steak for $21 more.
But first, let me praise the house Barolo Negroni, a soul-nourishing crimson elixir that arrived with a plump ice cube and a twist of orange ($15). Almost nothing in the world can’t be improved by adding Campari and gin.
But the astute addition of Barolo Chinato upped the game for two of my favorite liquids (the Campari, as mentioned earlier, and gin). The distinctive Chinato added a luxurious and full-bodied center filled with notes of bitter orange, gentian and cardamom (and probably more herbal aromatics). This cocktail was a study in savory bittersweetness—refreshing with a bold flavor landscape. In a word, yum.
My dinner partner ordered a well-made Rhône-style GSM red from Santa Barbara’s Land of Saints, a generous pour for $15. But I could tell he wanted my drink. So, I shared.
Bypassing the many fried appetizers on the menu, we were content with two main courses. The burger was a layering of smashed ground beef, well-done, plus onion jam, cheddar cheese, sweet pickles, Thousand Island and LTO corralled between two perfect hemispheres of sesame seed brioche bun.
Indeed, an opera of condiments, yet the anticipated juicy beef centerpiece failed to arrive. The two flat slabs of beef had been cooked into the next time zone. However, my perfectly cooked rare to medium rare grilled Bavette steak smothered the beets and greens with meaty juiciness.
A rococo dish, very intensely flavored—thanks to the nutty, sweet tahini and the assertive fried shallots—and loaded with smoked beets so good I couldn’t put my fork down. However, the overall effect of smoked, sticky-sweet and fried began to tire my palate halfway through. And while the salad offered plenty of crisp romaine and red radicchio, there was little in the way of baby kale.
The succulent beef was tasty, like meaty butter or buttery meat. And the portion that arrived as a “side” was enormous.
By the time we left to keep a movie date, the Patagonia kids had eaten everything on their plates, and the tech quartet in the front window was working on their second bottle of Windy Oaks Chardonnay. On to the next gig.
A trip to Carmel means lots of opportunities for wine tasting. Both Carmel-by-the-Sea and Carmel Valley are overflowing with beautiful wineries and tasting rooms.
We always stay at the Hofsas House on Ocean Avenue and San Carlos. A welcoming atmosphere awaits you in this family-owned inn, along with a tasty breakfast of pastries, fruit and yogurt served in the lobby. There’s plenty of parking, and it’s an easy walk into the center of town—making tasting rooms and restaurants very accessible. On a chilly day, lighting a fire in our room with the provided logs was marvelous. Opening a bottle of Bernardus Pinot Noir and enjoying a glass in our cozy room was perfect.
Bernardus Winery produces superb wines, and it’s a beautiful drive from the Hofsas House to their location in Carmel Valley. The 2021 Santa Lucia Highlands Pinot Noir ($22) is a lush mouthful of rich and expressive vino with intense red fruit flavors and aromatic spice notes—ripe cherry, plum and strawberry aromas round out this outstanding wine.
Bernardus is well worth visiting—pair tastings with savory appetizers such as a cheese and charcuterie plate for $20.
Bernardus Winery, 5 West Carmel Valley Road, Carmel Valley, 831-298-8021. bernardus.com
MEZZALUNA PASTERIA
One of our favorite restaurants is Mezzaluna; our recent dinner there was outstanding. Chef Soerke Peters excels at preparing his famous mozzarella and various exceptional pasta. His flavorful gelatos are excellent, and the house-made bread is the best. Co-owned by Peters and Amy Stouffer, no stone is left unturned to ensure customers have a superb dining experience with perfectly prepared cuisine. Mezzaluna’s food simply dazzles!
For Daniel Castagnola, buying a local deli was an opportunity that kept “biting at his ankles.” He took the plunge even though he had no experience in restaurants or food service. But he felt he had a good business background and fell in love with the beachside location, describing it as his destiny. The menu is deli fare with an emphasis on quality and affordability—everything on the menu is under $10.
One signature grab-and-go offering for kids is the Beach Bucket Meal Deal, complete with pale, shovel, P.B.&J. or grilled cheese, juice box, cookie and chips. Other hits include the chicken apple brie sandwich and the clam chowder in a buttered garlic top bread bowl. Breakfast favorites include avocado toast, breakfast sandwiches and steel-cut oats. Desserts like banana bread and baklava round out the menu.
The shop is open 8am-6pm daily (closed Tuesdays) with indoor and outdoor seating. GT asked Castagnola about the deli’s mission and the moment he knew it was meant to be.
What moved you about the location?
DANIEL CASTAGNOLA: I fell in love with the vibe and energy of the space, as well as the ocean view from the front stoop. And right when I got the keys, and we started painting inside, my grandpa pointed across the street and told me that was where he met my grandma. It gave me chills and the confirmation I was doing the right thing and fulfilling my calling. It all just felt so right.
What’s your motto?
Fresh, fast and friendly. And that we have something for everyone. We always say, “You dream it; we make it.” We have a great variety and are happy to customize; guests often order off-menu items and combinations. We’ve always listened intently to customer feedback and constantly strive to dial in our menu to local tastes and preferences. And we always try to be consistent and affordable.