Santa Cruz City Workers Strike for the First Time Ever

More than 300 workers for the City of Santa Cruz on Monday morning amassed in front of City Hall, the Santa Cruz Wharf, the wastewater treatment facility and the Corporation Yard, marking the first time in the city’s history its workers have gone on strike.

The unfair-labor-practices strike means that garbage will not be collected in the city. Parking services are stalled and the landfill and city recycling centers are closed. Additionally, all libraries are shuttered except for the Capitola and Scotts Valley branches. Most city services were closed Monday, as were many city parks. Essential services such as police, fire, water and sewer continue.

Contract negotiations have been ongoing since early this year.

Santa Cruz City Manager Matt Huffaker said on Monday that the City and Service Employees International Union (SEIU) Local 521 had agreed to use a state mediator, and a meeting was scheduled for later in the day. 

“The City is eager to continue working towards an agreement as soon as possible,” he said. 

The workers—represented by SEIU—on Oct. 4 rejected the City’s offer last week of a 12% raise over three years and a one-time $1,100 payment, saying it did not address the rising cost of living.

“We’re asking for fairness, that’s all,” said parking services worker Gabriella Salinas-Holz. “For them to deal with us fairly.”

The union says that the proposed level of pay does not attract new employees, or retain current ones, meaning the offer would not improve numerous vacancies or unsafe working conditions.

No union members would say what specific amount they would consider a fair offer from the city.

Jonna Hubling, who works in parking services, accused the city of a hardline approach during contract talks.

“They don’t negotiate,” she said. “They pay for high-priced lawyers to come in and say, ‘This is it.’”  

The workers also accuse the city of union-busting, saying that they were not allowed to wear pro-union clothes or put informational signs in their work areas. 

Huffaker said that is not true.

“The city respects the union’s right to self-expression, including their right to strike,” he said in a prepared statement. 

The city allows employees to post union signs in their workplace as well as on their uniforms, Huffaker added, although posting of any non-city signage on vehicles is prohibited.

Rob Brezsny’s Astrology: Oct. 19-25

ARIES (March 21-April 19): “We must be willing to let go of the life we planned so as to have the life that is waiting for us.” Aries mythologist Joseph Campbell said that, and now I’m passing it on to you just in time for the Sacred Surrender Phase of your astrological cycle. Make sage use of Campbell’s wisdom, Aries! You will generate good fortune for yourself as you work to release expectations that may be interfering with the arrival of new stories and adventures. Be brave, my dear, as you relinquish outdated attachments and shed defunct hopes.

TAURUS (April 20-May 20): Plastic bags are used for an average of 12 minutes before being discarded. Then they languish in our soil or oceans, degrading slowly as they cause mayhem for animals and ecosystems. In alignment with current cosmic rhythms, I’m encouraging you to be extra discerning in your relationship with plastic bags—as well as with all other unproductive, impractical, wasteful things and people. In the coming weeks, you will thrive by focusing on what will serve you with high integrity for a long time.

GEMINI (May 21-June 20): Achilleas Frangakis is a professor of electron microscopy. He studies the biochemistry of cells. In one of his research projects, he investigated how cells interact with the outside world. He didn’t learn much about that question, but as he experimented, he inadvertently uncovered fascinating new information about another subject: how cells interact with each other when they heal a wound. His “successful failure” was an example of what scientists sometimes do: They miss what they looked for, but find unexpected data and make serendipitous discoveries. I suspect you will experience comparable luck sometime soon, Gemini. Be alert for goodies you weren’t in quest of.

CANCER (June 21-July 22): Renowned Brazilian novelist Osman Lins was born under the sign of Cancer the Crab. He wrote, “I will now live my life with the inventiveness of an engineer who drives his locomotive off the tracks. No more beaten paths: improvisation is the rule.” In the coming weeks, I am all in favor of you, my fellow Cancerian, being an inventive adventurer who improvises liberally and departs from well-worn routes. However, I don’t recommend you do the equivalent of running your train off the tracks. Let’s instead imagine you as piloting a four-wheel-drive, all-terrain vehicle. Go off-road to explore. Improvise enthusiastically as you reconnoiter the unknown. But do so with scrupulous attention to what’s healthy and inspiring.

LEO (July 23-Aug. 22): In recent years, art historians have recovered numerous masterpieces that had been missing for years. They include a sculpture by Bernini, a sketch by Picasso, a drawing by Albrecht Dürer and a painting by Titian. I’m a big fan of efforts like these: searching for and finding lost treasures. And I think you should make that a fun project in the coming weeks. Are there any beautiful creations that have been lost or forgotten? Useful resources that have been neglected? Wild truths that have been buried or underestimated? In accordance with astrological potentials, I hope you will explore such possibilities. 

VIRGO (Aug. 23-Sept. 22): The most important experience for you to seek in the coming months is to be seen and respected for who you really are. Who are the allies best able to give you that blessing? Make vigorous efforts to keep them close and treat them well. To inspire your mission, I offer you three quotes. 1. Franz Kafka said, “All the love in the world is useless if there is a total lack of understanding.” 2. Anais Nin wrote, “I don’t want worship. I want understanding.” 3. George Orwell: “Perhaps one did not want to be loved so much as to be understood.”

LIBRA (Sept. 23-Oct. 22): Libra poet Wallace Stevens said that the great poems of heaven and hell have already been written, and now it is time to generate the great poems of earth. I’d love to invite all Libras, including non-writers, to apply that perspective in their own sphere. Just forget about heaven and hell for now. Turn your attention away from perfection and fantasylands and lofty heights. Disregard pathologies and muck and misery. Instead, explore and celebrate the precious mysteries of the world as it is. Be a connoisseur of the beauty and small miracles embedded in life’s little details. Find glory in the routine.

SCORPIO (Oct. 23-Nov. 21): Here are two top Scorpio pastimes: 1. exploring and deploying your intense, fertile creativity; 2. spiraling gleefully down into deep dark voids in pursuit of deep dark riches. Sometimes those two hobbies dovetail quite well; you can satisfy both pursuits simultaneously. One of my favorite variations on this scenario is when the deep dark void you leap into turns out to actually be a lush wonderland that stimulates your intense, fertile creativity. According to my analysis of the astrological omens, that’s likely to happen soon.

SAGITTARIUS (Nov. 22-Dec. 21): “I don’t want to be made pacified or made comfortable. I like stuff that gets your adrenaline going.” Sagittarian filmmaker Kathryn Bigelow said that. With the help of this attitude, she became the first woman ever to win an Academy Award for Best Director. Her film was The Hurt Locker, about American soldiers in Iraq who dispose of unexploded bombs while being harassed by enemies. Anyway, Bigelow’s approach is usually too hard-ass for me. I’m a sensitive Cancer the Crab, not a bold Sagittarius the Centaur like Bigelow and you. But I don’t want to assume you’re in the mood for her approach. If you are, though, the coming weeks will be a favorable time to deploy it. Some marvelous epiphanies and healing changes will be available if you forswear stuff that makes you pacified or comfortable.

CAPRICORN (Dec. 22-Jan. 19): Author Jan Richardson tells us we can’t return home by taking the same route we used when we departed. This will be wise advice for you to keep in mind during the next nine months. I expect you will be attempting at least two kinds of homecomings. For best results, plan to travel by different routes than those that might seem natural and obvious. The most direct path—the successful passage—may be circuitous.

AQUARIUS (Jan. 20-Feb. 18): In the coming days, maintain strict boundaries between yourself and anyone or anything that’s not healthy for you. Be ultra-discerning as you decide which influences you will allow to affect you and which you won’t. And rather than getting sour and tense as you do this, I recommend you proceed with wicked humor and sly irony. Here are three saucy self-protective statements you can use to ward off threats and remain inviolable. 1. “The current ambiance does not align sweetly with my vital soul energy; I must go track down some more harmonious karma.” 2. “This atmosphere is out of sync with my deep precious selfness; I am compelled to take my deep precious selfness elsewhere.” 3. “The undertones here are agitating my undercurrents; it behooves me to track down groovier overtones.”

PISCES (Feb. 19-March 20): While asleep, have you ever dreamt of discovering new rooms in a house or other building you know well? I bet you will have at least one such dream soon. What does it mean? It suggests you want and need to get in touch with parts of yourself that have been dormant or unavailable. You may uncover evocative secrets about your past and present that had been unknown to you. You will learn about new resources you can access and provocative possibilities you had never imagined. 

Homework: What do you do pretty well that you could ultimately learn to do with brilliance and mastery? Newsletter.FreeWillAstrology.com

Tassajara’s 2020 Pinot Noir Scores Big

Produced and bottled by Tassajara in Greenfield, Monterey County, this affordable Pinot Noir is about $15 per bottle. Sustainably certified and estate grown, the Pinot has rich black cherry flavors and a smooth, silky finish. 

The 2020 Pinot is 100% estate grown and then aged 10-14 months in a combination of new and neutral French oak barrels. Fruit for the Pinot comes from the well-known Scheid Family Vineyards, which has been growing grapes in Monterey County since 1972. Tassajara is a partner winery of Vino Del Sol, where intermediaries are cut out from some of the labels to deliver exceptional quality at an incredible value. This food-friendly Pinot garnered 91 points from Wine Enthusiast.

“In the past three years, this is one of just six Pinots under $15 we have deemed worthy of an email offer,” says the Scheid company. “We’re putting our hugest stamp of approval on this baby!” scheidvineyards.com.

Kathie Lee Gifford Gifft Rosé

More and more celebs are infiltrating the wine biz; everyone from fashion designer Isaac Mizrahi to Cameron Diaz to NBA all-star James Harden have their own brands. But longtime television personality Kathie Lee Gifford’s line of Gifft wines is produced and bottled in Monterey County. This lovely vino is also affordable—a bottle of Rosé runs about $30. Deep pink and delicious, the Rosé has fragrant notes of freshly picked summer berries and rose petals, while “raspberry, strawberry and nectarine sweep the palate, rounded with bright acidity and a crisp, refreshing finish.” It comes with a screw cap and is widely available. Gifft makes Pinot Grigio and Cabernet Sauvignon as well, also available in holiday gift packs of three bottles for around $45. “The world speeds by at a dizzying pace, so fast that we may forget to stop and recognize our blessings,” Gifford’s label reads. “Family, friendship, laughter, love. Enjoy this moment. It’s a Gifft.”

Venus Pie Trap Delivers Sweet and Savory Bliss

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Sol Lopez first developed a fondness for Rio Del Mar years ago while watching her dad paint Café Rio. She eventually met the owner and started working there. Three years later, she took a job next door at the Flats Bistro, where she spent four years. When local restaurateur Sean Venus bought the place and opened Venus Pie Trap, the previous owner recommended Lopez. Venus made her a manager, and Lopez helped open his latest venture on Sept. 1. Venus Pie Trap offers a chill space with ocean views and a modern aesthetic. In addition to quiche and local coffee, the beachfront joint is all about pie.
Along with hand pies, which are similar to empanadas—spinach and goat cheese is the most popular—the flagship is their New Haven-style pizza, known for its thin and crispy crust. Lopez says that using minimal ingredients helps the flavors pop. Her favorite is the sausage and fennel; they also serve a classic tomato pie and a clam and garlic option. There’s a rotating assortment of sweet pies, including coconut cream.
Hours are Tuesday-Sunday, 7am-3pm. Lopez took some time to talk about her affinity for Rio Del Mar and Venus’ first month.

Why do you love Rio Del Mar?

SOL LOPEZ: It’s very community-forward down here. You have a lot of the same people coming in, so making those personal connections and building those relationships has been rewarding. We get many tourists too, and they’re easy to spot because they are the ones determined to have their beach day even when it’s foggy and cold. It’s just a very calm and relaxing space, especially compared to other local beaches. I feel blessed to know that I work so close to the ocean; I can literally see it from work.

How is business going?

It’s been pretty busy. I never really thought people would want so much pie, but they really do, and they just keep coming back for more. Our pizzas have been a big hit; we sell more than I expected, especially on the weekends. We’ve been getting good feedback, but obviously, it’s a learning curve, and there are still things going into our second month that we will dial in.

Venus Pie Trap, 113 Esplanade, Aptos, 831-661-5763; venuspietrap.com.

The Dazzling Pizzazz of Iveta 545

Sophisticated as jazz, vibrant as a sunset on the beach, Iveta 545 is busy tiptoeing into its place as Santa Cruz’s new dining hotspot.

Perched at the point where the downtown ends and the Boardwalk begins, the newest Iveta mirrors the footprint of its next-door neighbor, Big Basin Vineyard Tasting Room. Both spaces have smart and spacious outdoor terraces that practically join in a fringe of banana trees. In fact, Big Basin winery founder Bradley Brown and his family were taking their seats on Iveta’s patio as we arrived for our debut meal.

Savvy decor gives this new dining spot instant appeal. Lavish greenery in all the right spots, a neo-Cubist diptych holding down one wall, black marble-topped tables, very Italian-Brazilian moderne. The entire effect oozes confidence and restaurant savvy—just what we’d expect from the Bilanko family, who also bring warm proprietorship and restaurant expertise to Iveta Cafe on Delaware, as well as a store on the UCSC campus.

We began with crab cakes ($18) of local Dungeness crab with dijon mustard and lemon zest, sided by a tart sauce of dill yogurt, topped with capers and a fan of fresh fennel bulb. This appetizer was close to perfect; crab-intensive without bready filler, and designed for sharing. Fresh from the grill, the two crab cakes went beautifully with the tangy sauce and crisp slices of fennel. No wonder it’s already the most popular order in the house.

The crab cakes were doing a brisk business when we dined last weekend, as were other very patron-friendly items—a burger and fries, and a fried chicken app. The expertly honed menu includes a rib eye, seafood linguine and mushroom risotto entrees, as well as charcuterie, burrata with figs and flatbread appetizers. Everything’s organic and/or grass fed, and locally sourced when available. The entire vibe here is confident and upbeat, like the sensuous house playlist of classic bossa nova, including Sergio Mendes’s Brazil 66 and Chet Baker’s cool jazz. We loved settling into this sparkling new dining room, enjoying the sun’s glowing benediction.

At the last minute, our kitchen informed us that ahi would substitute for the menu’s sea bass that evening. A felicitous choice. The beautifully cooked piece of fish, arriving on a small bed of diced squashed and garbanzo beans, lemon butter cream and topped with a sheaf of plump perfectly cooked asparagus ($27), was glamorous to see, delicious to consume.

We also shared a plate piled high with organic Brussels sprouts ($15), lightly fried and tossed with bits of apple, lean bacon and toasted almonds, all bronzed in a soy honey glaze. Yes, glazed sprouts are still having a moment, and these were terrific.

Through our meal, we explored the inventive wine list. An appealing and eccentric Vermentino from the playfully named Aslan family-run vineyard in Italy featured a Narnian lion on the label ($11). A generous pour of  Elyse C’est Si Bon, Napa red blend ($14) was equally engaging, with a well-balanced blend of grenache and syrah plus assorted other red grapes. Full-bodied, yet not heavy. All the house wines reflect the experienced taste of Iveta’s wine director Darlene De La Cerna, who was happy to provide us the colorful backstory on each wine. The entire staff here at the affordably upmarket Iveta 545 is friendly and knowledgeable. Dessert of vanilla panna cotta ($7) arrived in a glass goblet topped with utterly ripe strawberries and shaves of dark chocolate. The perfect finish for a great evening. Can’t wait to go back.

Iveta 545, 545 Pacific Ave., Santa Cruz. Open for lunch and dinner, 11am-8pm.

Jimmy Dutra Denies Sexual Assault Allegations

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Santa Cruz County Supervisor candidate Jimmy Dutra told a group of reporters and roughly two-dozen supporters that allegations of sexual abuse made against him last week are “completely false and untrue,” and stem from a dispute with his late father’s ex-wife over his estate.

Dutra held a brief press conference in front of Watsonville Main Library to address the allegations on Thursday. 

A white Toyota pickup pulled up, and Dutra stepped out to the cheers of several supporters, who were wearing his campaign buttons. He declined to answer questions after reading his prepared statement—referring further inquiries to his attorney—before getting back in the truck and leaving. 

The accusations came to light on Oct. 5, when Stephen Siefke, 29, filed a lawsuit in Santa Cruz County Superior Court, claiming that he was 12 when Dutra fondled him during a family visit to Dutra’s Los Angeles residence.

In addition to denying the claims, Dutra questions the timing, coming on the cusp of early voting.  

“I find this timing not only troubling, but really telling of the bigger picture of what is going on,” he said. 

Dutra said that Siefke’s number-one witness is his father’s ex-girlfriend Susie McBride, with whom Dutra recently got out of a contentious six-year legal battle over his father’s estate.

“So, let’s be clear on what this case is about,” he said. “This case is about money, and it’s about revenge. I am confident that once all the evidence is presented that justice and truth will prevail.”

The accusations, Dutra said, have taken the place of the community’s real issues.

“The fact that this election has recently become this false story, rather than talking about the issues, has been quite disrespectful to our community,” he said. “Let’s not rush to judgment. Let’s create space for the courts to do what they are supposed to do and let us get back to discussing these issues that we are facing here in our valley.”

Spokeswoman Alicia Jimenez confirmed that Dutra, who had been a teacher for Pajaro Valley Unified School District, is no longer working for the district. A board member said that he has stepped down from his position on the Board of Directors of Pajaro Valley Prevention and Student Assistance.

The outcome of the probate case to which Dutra referred was unclear Thursday. 

Siefke’s attorney Dana Scruggs did not return a call.

Dutra is running for the 4th District seat on the Board of Supervisors against former Watsonville City Councilman Felipe Hernandez. 

South County Questions Firing of Fairgrounds CEO

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Santa Cruz County Fair Board President Don Dietrich has taken over as CEO in the wake of the Oct. 4 dismissal of Dave Kegebein, and says he’ll stay at the helm as the Board recruits a replacement.

It is unclear how long that could take, Dietrich says, but added that the picture will likely be clearer after the next Fair Board meeting on Oct. 25. If the process seems likely to drag out more than a few months, his seat on the nine-member Board will likely be filled.

In the meantime, he says that things are running “seamlessly” at the fairgrounds, thanks to the staff and workers tasked with day-to-day operations.

“They are taking care of business like they always have, and always will,” he says.

Kegebein was fired after an audit from the California Department of Food and Agriculture showed that more than $100,000 was charged to a state-issued credit card, most of which was for fuel and maintenance for his truck. At issue was whether the charges were legitimate, and that the receipts were not duly submitted to the State.

Kegebein acknowledged that he should have done so, but said that some of the charges came because he used his truck for fairground business, putting more than 200,000 miles on it by his estimation. He said in a text message Tuesday that he will release a detailed response to the audit soon.

Dietrich says he plans to run the fair until a replacement is found. He rejects assertions that Kegebein’s termination was an attempt to take over the Fairgrounds.

“As far as taking over, I don’t know that I would say that,” he says. “I’m just there to make decisions that are above (staff’s) comfort level to make. But they know what they are doing.”

In addition to the financial allegations—which include more than $5,000 for “unallowable” purchases such as birthday celebrations, employee lunches and holiday dinners—the audit also looked at the fairgrounds as a whole, criticizing the institution for not forging an agreement with the Fairgrounds Foundation—the fair’s fundraising arm. It also states that the Fairgrounds failed to pay overtime to employees and didn’t keep track of who used an onsite fuel tank.

Dietrich says he doesn’t want to “point fingers” at the all-volunteer board in regard to those allegations, but acknowledged that some of the items in the audit need to be addressed.

“We probably should have done some of this stuff years ago,” he says. “When it comes to light like this, it just means you need to do it now before you get past it and the memories fade. There is a lot of policy work that has to be done to make sure we put up guard rails and checks and balances to make sure this doesn’t happen again.”

Realtor and fair volunteer John Skinner says the decision caught many people off guard, particularly since the Fairgrounds are in good shape, both physically and financially.

It boasts revenues of $4 million last year, and a $1.75 million reserve, by Kegebein’s estimation. That’s a monumental change from a decade earlier, when revenues were less than half that, and there was nothing in reserve. 

“We have a Fairgrounds which has moved from insolvency to a very well run cornerstone of our community largely due to the efforts of one man, who has literally thrown everything he had into the transformation,” Skinner wrote in a letter to the community.

Skinner says he trusts Kegebein “implicitly” after knowing him for 30 years.

“…And based on the managers who preceded him, I would say there is no chance of replacing him with anyone nearly as effective,” Skinner says.

He added that anyone currently involved with the Fairgrounds should stick with it, despite the current situation. 

“While our first reaction may be to walk away from the Fairgrounds, we should remember that this is Dave’s legacy and a very important part of our community,” he says.

Watsonville Realtor Chuck Allen, who managed the fair for five years in the 1960s, says his involvement began long before that, when he entered a poultry project as a 10-year-old 4-H member.

It is experiences like his, he says, that makes it vital the Fairgrounds remains.

“It is contributing significantly to the foundation of those individuals,” he says. “The fair and the fairgrounds and all that it represents is a big part of who we are.”

Managing a state-run institution such as a fairground can be frustrating, Allen says, with both the CDFA and Fair Board watching.

Even with that level of scrutiny, the CDFA didn’t perform an audit during a 10-year stretch before the most recent one came out. But it was this that the Board used as justification for Kegebein’s termination.

“What was unorthodox is that they used a prelim audit, but didn’t have any opportunity to answer,” Allen says. “They just used it as a means to a goal—which was to get rid of David. And he still hasn’t had a chance to respond.”

What is important now, Allen says, is to maintain the levels of participation, and to watch what happens next with the Fairgrounds.

“It’s a time when we all have to come together as a community and really continue to be engaged as much or more than we’ve ever been,” he says.

Cabrillo College Putting On Bilingual ‘Romeo and Julieta’

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When tasked with choosing a production for Cabrillo College Theater Arts Department’s Fall 2022 season, Abel Cornejo knew he wanted to find something that celebrated Hispanic culture.

After a long search, however, Cornejo still hadn’t found just the right play. That’s when he had the idea of a Shakespeare adaptation.

“Coming out of the pandemic, I wanted something that could be fun to do, a celebration,” he says. “I thought about Romeo and Juliet. It celebrates the power of love.”

Opening Oct. 28 at Cabrillo in Aptos, Romeo and Julieta is a bilingual retelling of the classic William Shakespeare play, set in 1910 in Mexico City, on the eve of Día de los Muertos. The story is told through narration by José Guadalupe Posada—a real life, highly acclaimed Mexican illustrator.

Cornejo has rewritten the script to contemporary language, which he says not only makes it more accessible to modern audiences, but also helped in the translation of lines to Spanish.

Then, after the show was cast, Cornejo invited the actors to get involved in the adaptation process. 

“They gave feedback about how they and their character would phrase things,” he says. “We adapted and edited together. That’s great for them because they’re not just actors, they’re creators.”

Angel Camarena, who plays Julieta alongside Eiji Mori as Romeo, says that the experience was very fulfilling. 

“Theater is always a labor of love, but this process in particular has been really unique and involved,” Camarena says. “We’re so lucky to have a diverse and amazingly talented cast and crew working together to bring this story to life.”

Julieta is Camarena’s first-ever lead role, calling it an honor to be able to represent and celebrate their heritage in such a way.

“It’s indescribably gratifying as a proud Mexican-American to be able to connect with my character on a deeper level and be part of telling this powerful and profound story,” Camarena says.

While Cornejo had always planned to make the show bilingual, it was at first mostly in English. But encouragement from two actors prompted him to write more Spanish lines.

“They said, Abel, you’re going to have a lot of the audience that are primarily Spanish speaking,” he says, “so you need to add more!”

Romeo and Julieta is Cornejo’s first production at Cabrillo, but he has taught for three years at UCSC and before that, worked for 15 years at colleges and universities in Florida.

Since the pandemic, Cornejo says he’s noticed that casts and crews alike are more motivated than ever.

“The pandemic was a terrible thing that happened to us, but it came with some blessings,” he says. “People really appreciate culture and the arts. The students are so eager, open minded to try new things. This cast and crew is amazing. I’m so blessed to have the opportunity to create a new work and that everyone has been so willing to participate.”

Cornejo says he thinks audiences will be surprised at the amount of historical and cultural references in the adaptation.

“It’s already a good story, but it’s been adapted to this time period, with a very socially conscious message,” he says. “This can provide an opportunity to open up further discussion about the things that make each culture unique.”

Camarena agrees. 

“I hope [the show] impacts the audience to think more about the themes and values explored onstage, particularly love, unity, power, and anti-oppressive ideology,” Camarena says. “This production is so incredibly rich, culturally, historically, and artistically, and I really hope it helps the audience to nurture and deepen a love, respect and appreciation for Mexican culture as well.”

Romeo and Julieta opens Oct. 28 and runs most Fridays, Saturdays and Sundays through Nov. 13. The show will be held at the Black Box Theater, located inside the Crocker Theater on lower campus. To purchase tickets, visit bit.ly/3eubGez.

Faultline Brewing Company Opens in Scotts Valley

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As the fog began to envelop the coastal areas of Santa Cruz County Tuesday evening, the sun beamed, uninterrupted, on a building up the hill that, from a distance, looked like there could be aircraft stationed inside.

A remote-controlled copter buzzed about the open field next to it, swooping this way and that. Someone swept the patio outside. Someone else wiped glass panels along the edge.

It’s been a long road to the opening date for Faultline Brewing Company’s Scotts Valley location, in a building designed to look like an airplane hangar. Its form reflects the history of the airstrip once located out the front window, a greenspace that still serves as a touchdown point for medical evacuations.

But the Sunnyvale brewer’s Santa Cruz County expansion date had finally arrived, and the excitement in the air was palpable—particularly given the seemingly endless construction delays due to pandemic challenges and supply chain bottlenecks.

“We just kept getting pushed back and pushed back,” says Sam Ghadiri, the 38-year-old who owns the business with partner Joe Jean. “It’s frustrating when you order something in September 2021 and you receive it in March 2022.”

He’s thinking about the hood for the kitchen, for one, a key component they needed in place before many of the other puzzle pieces could be assembled.

“All of these things are made to order,” Ghadiri says. “It was a little frustrating. But now, when you see the light at the end of the tunnel, all is forgotten. All the hardships, the aches and pains, they go away when you’re on the precipice of opening.”

From updating the layout to comply with Americans with Disabilities Act requirements to heading to auctions to source equipment when Plan A got jammed in logistics snarls, the developers behind the restaurant say it certainly wasn’t easy to get here.

“It just becomes a joke,” says Corbett Wright, of CW Land Consultants, Inc., noting the team wanted the facility to be as sustainable as it was sparkling. “It just takes a lot of time, energy and money—lots of money.”

But as front-of-house staff cleared the dust from outdoor tables and checked the orientation of disc golf and apparel merchandise by the front door, the pain of the coronavirus era could almost be forgotten.

And it seems the community can’t wait to get in on the action, either.

When Faultline opened reservations for the soft opening, Saturday, they were flooded with 70 reservations of over 200 people.

Kurt Hoerzing, the 51-year-old general manager from Boulder Creek, has been trying to ensure employees get up to speed.

“We let everyone try our food and they’re super excited about it,” says the service industry veteran with 30 years of experience, most recently at an Applebee’s. “Overall, our menu’s just unique and different. It’s not like everyone else has.”

Mike Ward, the head chef—who locals may recognize from his days at Malone’s Grille—says he appreciates being allowed to continue the experimentation he started in his last job, over the past three years.

“I want to start bringing back childhood classics, but with an elevated fine-dining twist,” he says, adding he’s blending comfort food with healthy fare for the gastropub. “We care deeply about how the food pairs with the beer.”

So, along with the Louisiana-style or bourbon BBQ “Faultline Wings” ($15) and pretzel sticks with hefeweizen beer cheese ($11), Ward’s planned roasted portabella ($18) and an elote with a citrus vinaigrette ($16) for the initial pared-down slate.

He’s particularly excited about the cheese skirt burger, which features two quarter-pound patties and a mound of sharp cheddar cheese, dressed around a stainless steel lid for a unique effect.

“Your cheese is going to be that crispy cheese that everyone’s going to love,” he says. 

Andrew Pederson, 31, has been tapped as assistant general manager.

“We want to be that all-inclusive spot in Scotts Valley for everyone to lay their hats down and relax,” says Pederson, who grew up in Santa Cruz. “Our mission statement, so to speak, is ‘Food, Beer and Community.’”

Not only do lights spell that play on the brewer’s initials (F.B.C.) out on the main floor, but upstairs, neon lights proclaim “CHEERS” in different shades and translations.

“We didn’t get every language, of course, but I don’t see why we can’t add more things on as we go,” he says. “Everyone’s welcome. And no matter what, we’ll ‘Cheers!’ you at the bar.”

Ghadiri says it was important for him to weave a sense of continuity into the establishment.

He worked with Scotts Valley historian Jay Topping to design a series of vignettes posted on the walls.

“I said, ‘Tell me the history here; tell me what happened,’” he recalls.

Topping regaled Ghadiri with the stories of the post-WWII period when California Highway Patrol-sanctioned hot rod races occurred on the property next door. This became one of the first panels visitors will see upon entry.

Lesa Jackson, the sous chef, says she’s excited to see how Faultline can continue the city’s storyline into the future.

“I think it’s something that Scotts Valley really needs,” the Felton resident says. “I think they can expect to build community here. It’s more than what’s on the sign. Everyone here has this air of hospitality.”

The soft opening was set for Oct. 12, with the official ribbon-cutting ceremony scheduled for Oct. 20. For information about Faultline Brewing Company, visit faultlinebrewing.com

Santa Cruz Worker Strike Looms—Again

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Workers for the City of Santa Cruz are set to strike beginning Monday after rejecting a tentative agreement between their union and the city made Oct. 2.

Roughly 84% of the workers represented by Service Employees International Union Local 521—whose jobs range from trash collection to water systems to parking facilities—said no to a 12% increase over three years and a one-time payment of $1,100.

Negotiations have been ongoing since early this year. Four of the City’s six employee groups have agreed to similar offers, City officials say.

SEIU told the City the strike would begin Oct. 17, and last through Oct. 21.  

Chapter President Ken Bare said the workers want the City to improve working conditions.

“When my coworkers spoke out about our dangerous working conditions, the City responded with intimidation and retaliation,” he said. “These are the main reasons we are going on an (Unfair Labor Practices) strike—our members voted down the City’s deal for a long-term resolution to the City’s 14% vacancy rate, unsafe working conditions and workers living in poverty.”

Santa Cruz City Manager Matt Huffaker said the strike will result in “significant reductions in City services.” 

All essential services, including police, fire, water, and sewer, will continue uninterrupted. However, there will be no trash collection and both the City’s landfill and recycling center will be closed. In addition, most libraries and City parks will be closed, and many recreation programs will be canceled.

“The City has worked hard to negotiate an agreement with SEIU,” Huffaker stated in a press release. “Our employees are hardworking and dedicated to their community. It’s unfortunate that the impacts of a strike will hit city residents hardest.” 

The City made an identical announcement of an impending strike on Oct. 2, only to have the expected action canceled when both parties reached a tentative agreement.

It was unclear why the union rejected it. SEIU representatives did not immediately return a request for comment.

For information, visit cityofsantacruz.com/serviceimpacts.  

Santa Cruz City Workers Strike for the First Time Ever

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