Will Local Police Departments be the Next to Sign Ring Camera Deals?

By Nicholas Chan

A man in a gray hoodie and flannel pajama pants strolls casually along the walkway. As he nears a mother and her young daughter, he lunges, snatching the woman’s purse, pulling her and the girl down a stairwell to the concrete.

In a flash, he disappears from the frame.

Using old-fashioned methods, tracking down a suspect like this one is an ordeal. In this case, San Jose police canvass the area surrounding the two-story office complex off of Towers Lane on the East Side. Using private security camera footage, investigators reconstruct the crime and identify the suspect’s getaway vehicle, a black Lexus sedan. Detectives ultimately match the purse-snatcher to a string of similar incidents, and five days later the police have their suspect.

On May 11, San Jose police arrested 26-year-old Pablo Cabrera Jr. at his home in San Jose. A search of the premises turned up evidence connecting Cabrera to similar robberies of Asian women carrying pricey purses. He was booked at Elmwood jail on suspicion of robbery and violating a burglary conviction parole. The video footage proved crucial to cracking the case, which recently went to trial.

Security camera footage often helps cops track down other possible criminals, including suspected murderers, like 24-year-old Carlos Arevalo-Carranza, accused of murdering San Jose resident Bambi Larson last year.

“We have solved homicides, sexual assaults and shootings with the use of surveillance cameras that are privately-owned,” SJPD Police Chief Eddie Garcia says. “In the Bambi Larson murder, if it weren’t for stitching those neighborhood camera videos together, I don’t know where that investigation would be.”

To obtain video evidence, officers go door to door, asking for permission from individual camera owners or obtaining a search warrant from a judge. Had SJPD obtained the footage of Cabrera, or Arevalo-Carranza sooner, they might have avoided days of searching for suspects.

But now, some law enforcement agencies have a shortcut. Over in Silicon Valley, San Jose, Santa Clara and Milpitas police departments recently became the first agencies in the South Bay to use a new virtual tool, one that allows detectives to easily obtain privately-owned security video.

The Neighbors App, created by the Amazon-owned networked doorbell and home security camera maker Ring, connects users to security videos of suspicious or criminal activity in the surrounding community. The service is billed as “The New Neighborhood Watch” in ads.

The Amazon subsidiary has also created a “Law Enforcement Portal” that allows investigators to request home-security videos from residents through the app. Over the past year, however, Ring has faced mounting scrutiny, including a negligence suit over hacked cameras. Earlier this month, Amazon announced in an email to five concerned U.S. Democratic senators that it fired four employees who abused internal access and spied on customers.

Since launching its Law Enforcement Portal for the Neighbors App in the spring of 2018, nonetheless, the digital doorbell company has teamed up with more than 400 police departments across the United States.

The partnerships between local law enforcement and Ring raise concerns about privacy—and the creeping corporate sway on public policy. Civil liberties advocates sound alarms about Ring’s terms of service with police, warning that local law enforcement has become a promoter of an ecommerce monopolist that already has huge stockpiles of personal data, including groceries purchased, shows watched, books read, music enjoyed. Some police departments even let Amazon, which has offices in downtown Santa Cruz, control aspects of their messaging. It sets a dangerous precedent, critics argue, for law enforcement agencies to grant leverage over their messaging to one of the world’s most powerful companies.

“The company is looking out for their bottom line,” says Matthew Guariglia, policy analyst at the Electronic Frontier Foundation, a digital rights advocacy group. “So when they get the machine of government working for their benefit, you don’t know as a citizen if the police department in your town is looking out for your best interest or Amazon’s interest.”

CORPORATE PR

Here in Santa Cruz County, no local law enforcement departments have deals with Ring, although Scotts Valley began looking into the program last year.

Capitola has used footage submitted by citizens to assist with investigations, although it doesn’t have any access on the back end of the portal.

And the Santa Cruz County Sheriff’s Office, for its part, has its own neighborhood video partnership that residents may sign up for. In November after the murder and kidnapping of Tushar Atre from his Pleasure Point Home, the sheriff’s office released survellience footage from a nearby home of the suspects walking through the neighborhood, carrying a duffle bag and a rifle. 

In Watsonville, Police Department spokesperson Michelle Pulido tells GT in an email, that her employer doesn’t have plans to make sort of any agreement with Ring. “If we were to partner with the company in the future, we would first need to ensure the benefits for our residents outweigh any possible concerns,” she writes. 

Over in Silicon Valley, it’s a different story. Ring—under its agreements with San Jose and Santa Clara—can control the content of press releases about the police departments’ partnerships with Ring. The company also expects to approve any Ring-related public service announcements from Santa Clara PD. Even SJPD’s social media posts are scripted by Ring.

“It’s very concerning when an enormous corporation is writing the press releases for the government. People think their police department is speaking, when, in fact, it’s Amazon that’s speaking,” American Civil Liberties Union (ACLU) attorney Jacob Snow says. “It’s using police departments as the mouthpiece for a giant corporation.”

A trail of records illustrates the nature of partnerships between local agencies and the doorbell-surveillance company. In one of those documents, Angela Kang, who manages public agency partnerships for Ring, wrote in an email to Santa Clara PD that all press release drafts must be submitted in advance to me***@ri**.com.”

Kang sent the department four attachments of press release materials—a “Press Release Template,” “Sample Social Media Posts,” “Talking Points and Reactive Q&A Sheet,” and “Neighbors App Logo and Imagery.”

When this news organization asked Santa Clara police to include those attachments, they denied the request without offering any justification. According to Dave Snyder, executive director of the San Rafael-based free-speech non-profit First Amendment Coalition, that’s a clear violation of the California Public Records Act (CPRA), which requires the government to disclose public records upon request and cite specific exemptions to the law in order to deny requests for information. A Santa Clara County Civil Grand Jury slammed the city for the same offense earlier this summer.

Per the terms of their contracts with Ring, neither police San Jose nor Santa Clara can disclose the terms of their video surveillance program with Ring. San Jose’s agreement with the company does include a provision, though, for complying with requests for certain documents made under the CPRA.

Such language about the CPRA is missing from Santa Clara’s memo.

According to Snyder, that’s a problem. “It gives broad discretion to Ring to designate records as confidential,” he explains. “It appears to give a private entity the final say about what’s public and what’s not. That’s improper. The Public Records Act makes clear that a government agency has an independent obligation to provide records and cannot put the public rights of access in the hands of a private company.”

San Jose police proved more forthcoming than their counterparts in Santa Clara. Records obtained from SJPD show that Ring sent the department talking points and fill-in-the-blank templates for its social media announcements on Facebook, Nextdoor and Twitter.

And according to a review of the messaging, SJPD’s social media posts have largely mirrored Ring’s templates.

A Ring representative, who asked to be identified only as a spokesperson for the company, wrote in an email that “Ring requests to look at press releases and any messaging prior to distribution to ensure our company and our products and services are accurately represented.” The Ring official wrote that police departments can use Ring’s social media templates at their discretion.

Andrew Ferguson, author of The Rise of Big Data Policing, says everyone should be leery of Ring’s reach.

“We should pause when a private company is demanding editorial oversight of public press releases about public safety,” Ferguson says. “That is an unusual move and seems to infringe on the question of who the city is working for and with.”

For his part, SJPD Chief Garcia insists that he has the final stamp of approval when it comes to his department’s messaging. If Ring disagrees with his press releases and ultimately wishes to end its partnership, then so be it—he says he’ll severe ties with the company.

But another point of concern for privacy advocates is the lack of public oversight inherent in these kinds of contracts. “People in town have no say about the existence of the partnership,” says the Electronic Frontier Foundation’s Guariglia. “It’s not being discussed in city council.”

PUBLIC AND PRIVATE

Critics worried about Ring aiding and abetting Big Brother are overreacting, California Police Chief Association President Ronald Lawrence says.

After all, this app simply expedites surveillance video requests for police departments. “ACLU and their advocacy groups tend to spin this,” he argues. “Police agencies have no desire to be in the 24/7 surveillance arena. Furthermore, we don’t even have the resources. There’s no infrastructure.”

To those concerned about corporate overreach, Lawrence says that private companies have long done business with police departments. For example, Axon, the manufacturer of the Taser, is also one of the largest vendors of police body cameras; gun manufacturers Sig Sauer and Glock are major suppliers of firearms; telecom giant Motorola owns a large share of the radio infrastructure for police and fire departments across the nation.

As technology has evolved rapidly over the last decade, Lawrence says it’s prudent for police departments to partner with technology companies to upgrade their tools. The Neighborhood App is just the latest example in a long line of public and private policing partnerships.

Civil liberties groups have a history of thwarting the efforts of law enforcement to adopt modern technology, Lawrence says, and Police Chief Association leaders are getting worried. Ring isn’t their first target, he notes. Civil liberties advocates successfully backed a bill to temporarily ban facial recognition in police body cams.

“We faced the same [problem] when Tasers first emerged. People said, ‘Oh my god, you can’t have that.’ Well the reality is, the use of police baton—a far more blunt instrument—decreased significantly,” Lawrence says. “We need to embrace technology.”

NEW NORMAL

Privacy advocates say these kinds of privately penned, publicly adopted policies are becoming the new status quo. As Ring continues to expand its partnerships, Ferguson warns that Amazon is gaining unfettered access to people’s daily lives.

Supporters of surveillance technology’s growing reach argue that the potentially chilling effect of crime overshadows any concerns about personal privacy and government transparency. “Anyone that is against using cameras to deter crime and convict criminals has to reassess their values,” SAFER San Jose President Issa Ajlouny says. “People are sick and tired of the crime that’s going on a daily basis.”

All over the world, consumers have voluntarily adopted smart speakers with always-on microphones, like the Amazon Echo and Google Home. (Google also owns the wifi camera and smart thermostat maker Nest.) Our phones, watches and even our appliances are increasingly collecting information from sensors and beaming it to the cloud, where the data is stored and can potentially be correlated with personal profiles.

“Amazon is selling surveillance as a service,” Ferguson says. “They are building more and more information about all of us. We are normalizing ordinary surveillance, building networks of surveillance in certain neighborhoods that will have a chilling effect for people going about their business.”

The Ongoing Grade Standoff Between UCSC and Striking Grad Students

It’s nearly 1pm outside UCSC’s Kerr Hall on Thursday, Jan. 9, and the hour-long rally of at least a couple hundred protesters is louder than ever.

Grad students organized this rally in the quad in front of UCSC’s main administrative building, as part of their strike calling for a “cost of living adjustment,” one that would amount to an extra $1,412 per month to help cover the cost of housing. Many teacher’s assistants and graduate student instructors went on strike over those demands, and they refused to turn in fall quarter grades, which were due nearly a month ago.

As a loudspeaker is passed around at the rally, speeches cover a range of topics. They include calls for increased protection for undocumented immigrants and support for students who don’t have the money to cover basic needs.

As the rally wraps up, students explain that they often can’t afford to eat. The organizers announce a plan to occupy the Porter Dining Hall when. Then they start marching.

History of Consciousness grad student Will Parrish lags a couple hundred yards behind the marching coalition while he talks to me about the strike and housing affordability. I ask him why grad students are focusing so much on UCSC when leaders at the city, county, and state levels have done so little to reverse the crippling housing crisis that makes rent so expensive in the first place. He says students wouldn’t be able to get their demands met by going to other government officials, at least not in a timely fashion.

“In short, we don’t have much leverage there,” Parrish says. “Our power’s really here at the university. Hopefully, legislators will respond to what we’re doing, and I could see a point where we focus more energy there.”

Parish isn’t teaching this year, so he didn’t have any grades this past quarter. But if he did, he says that he definitely would have participated in the grading strike.

As they took control of the dining hall for the afternoon, marchers said it was important for the grad students to get a square meal at a time when the university was failing to provide for their basic needs and leaving them no choice but to take from the university what they felt was rightfully theirs.

UCSC spokesperson Scott Hernandez-Jason says, however, that the student dining budget is separate from the rest of the school. The operations, he says, aren’t funded by state money, but rather by students who have meal plans and from anyone who comes in to pay for meals throughout the year. That means that any losses come directly out of the services meant to serve paying students, not university coffers, he says.

The UCSC administrators’ message for the past month is that they are sympathetic, but they won’t sit down with the coalition of striking students until they turn in their grades.

“There’s a subset of grad students withholding grades, which students worked hard for and deserve to know,” he says. “We told grad students on numerous occasions that we’re ready to support them, and we want them to succeed and afford to live in Santa Cruz. But until grades are turned in, we won’t be able to sit down and talk through what ideas we have in mind for providing them with additional support.”

Hernandez-Jason says that, because the grad students called the action, they should end it, so that everyone can move forward with a productive dialogue. The Santa Cruz Sentinel reported last week that 12,000 grades from last quarter are missing.

Film and digital media grad student Yulia Gilichinskaya, who’s participating in the strike by withholding grades from class she taught this past fall, says the coalition of students will wait for the university to say what its offer is before calling off a strike. “Once the university gives an offer, we will take a vote,” she says.

The stand-off began before the deadline for grades. Going back to November, the tension was palpable in an email chain between the grad student coalition and Interim Campus Provost Lori Kletzer about getting together to negotiate. In their emails, some students signed off using phrases like “with hostility” and “with hatred.”

Now at the start of a brand new winter quarter, education grad student Kylie Kenner told her students that she will be grading all of their work. She added, however, that she won’t submit grades at the end of the quarter if the strike is still ongoing. “I would so hope that this would be resolved before then,” she says.

The grad students generally view themselves in solidarity with other on-campus groups, including skilled craft AFSCME workers, who started picketing at the base of campus this month.

ACTIVE RESPONSE

Up on campus after taking over the Porter Dining Hall, the protest keeps moving. What’s left of the group keeps marching to go occupy another dining hall. In a Porter College plaza nearby, Parrish says he believes the university has the latitude to make decisions to improve the welfare of the student body. He often sees news stories that make him question the university’s priorities. There was the coverage two years ago of a University of California audit, which found that the school system was hiding cash, Parrish says. That same year, then-UC president Janet Napolitano even put pressure on UCSC and other campuses to change their responses to questions from the auditor.

UCSC, Parish stresses, is a political institution. And in general, the strikers don’t imagine school administrators as a bunch of passive decision makers given money by state, he explains, with certain dollar amounts locked in for every item. “We see them as having a lot more latitude than they let on with everything that they do,” he adds, before catching up with the protest march en route to its next stop at Rachel Carson Dining Hall. “The responsibility really lies with them. If they’re going to run a university, they need to do the basic things that it takes to have a health university environment for people.”

Capitola Wharf Reopened, More Repairs Needed

Quick engineering work and a bit of luck allowed the Wharf House Restaurant and Capitola Boat and Bait to reopen on Jan. 9, just a week after heavy winter surf destroyed two pilings that support the small boat hoist.

The New Year’s Day damage on the Capitola Wharf prompted immediate temporary fixes, including installation of a steel beam and braided cables that are currently holding up the damaged portion.

But even as hungry customers returned to the eatery, the boat business is hobbled without its hoist, which is the cornerstone of its business and out of commission until permanent repairs can be made.

“This is about 10 tons of concrete, and a small boat hoist that sits there, causing it to sag,” says Capitola Public Works Director Steve Jessberg

Jessberg says he saw the area under the hoist sink six inches when he visited on Jan. 2, and another two inches a few hours later. It was the first time such settling has occurred, he says.

“It was moving quickly, and we determined that we needed to take immediate action to stop the hoist from falling into the ocean,” he says. 

The Capitola City Council on Thursday unanimously approved the repair work, which so far has cost $25,000.

Engineers are now evaluating two options, the less desirable of which would require bringing in a pile driver to replace the broken pilings to the tune of $100,000.

Jessberg says the city is scheduling a team of divers who would evaluate the parts of the broken pilings that remain underwater, so that fiberglass-concrete pilings might be installed on top. That would cost about $50,000, Jessberg says, and is the option he recommended to the council.

In either case, the damaged wharf must be raised back into place. The work could include removal and reinstallation of the heavy hoist.

All the repair work comes from Measure F, the quarter-cent sales tax approved by voters in 2014 and again in 2016 to fund city services. 

The fund currently has $1.2 million, which is earmarked for flume, jetty, and wharf improvements. 

The City Council will approve the final project.

“I think we got really lucky,” Councilmember Ed Bottorff says. “Looking at that I think the fact that the hoist didn’t fall into the bay really was fortunate for us.”

Santa Cruz Gives Sees Record Donations

In its fifth year, GT’s Santa Cruz Gives 2019 holiday giving campaign saw a record increase in donations over previous campaigns, and far exceeded its goal of raising $300,000 for local nonprofits, with a final tally of $410,048.

That total represents a 74% increase over last year’s $235,041 result.

As broken down by the Volunteer Center of Santa Cruz County, which has partnered with GT since the program’s inception in 2015, there were similarly remarkable jumps in several aspects of the 2019 campaign. Individual donations were up 81%, while matching/incentive funds rose a staggering 91 percent. The program crossed the 1,000 mark for individual donors for the first time, with a total of 1,022. The largest individual donation was $20,000.

In all, 37 nonprofits were selected to participate in this year’s Gives. The most money was raised by the Santa Cruz County Animal Shelter Foundation; a total of $49,942. The SCCASF also had the most individual donors, with 317. For each of those accomplishments, they’ll receive $1,000 awards; a third $1,000 award for Most Innovative project will go to the Bird School Project, which focused their campaign on “Creating Leaders for the Environment.” All three awards are made possible by Oswald.

Despite the groups’ individual accomplishments, Santa Cruz Gives founder Jeanne Howard says that a review of this year’s results revealed how the campaign’s structure allowed the participating nonprofits to build on each other’s successes.

“Very few donors gave exclusively or even predominantly to one or two organizations,” says Howard. “Top donors consistently gave to five or ten or more organizations. This is exactly what we hope to inspire. It is also rare to see donors give only to environmental groups or only to youth groups or any single category. Most donors support nonprofits across the spectrum of needs.”

Besides the Volunteer Center and Oswald, GT has also drawn on the support of its other partners in Santa Cruz Gives—Community Foundation Santa Cruz County, Santa Cruz County Bank and Wynn Capital Management—in finding its breakout success this year. A last-minute donation of $10,000 from the Community Foundation’s Applewood Fund put the campaign solidly over $400,000, which had been considered its “OMG goal.”

The Community Foundation is proud to tip our hat and give thanks to the many generous people who helped break records in this year’s Gives campaign,” says the Community Foundation’s CEO Susan True. “We sponsor Gives because it’s exactly what we like to do most of all: bring people, resources and ideas together to inspire philanthropy and accomplish great things.”

‘Topics of Conversation’ Explores Power in Popular Culture

The first buzzed-about novel of the 2020s has no overt Santa Cruz themes or references. But the subtext? That’s a different story.

Miranda Popkey’s newly released Topics of Conversation is a debut novel composed of a series of fictional encounters between an unnamed narrator and several other women over the course of 17 years. And those conversations and anecdotes always seem to lead, whether obliquely or explicitly, to themes of female desire, infidelity, violence, and victimization at the hands of predatory men. Whether it was meant to or not, the book will be seen as an uncomfortable if bracingly honest documentation of #MeToo disclosure.

The book is set, in part, in California—but in Los Angeles, Santa Barbara, San Francisco, and Fresno. There are no references to Boardwalk rides or banana slugs.

The subtext comes from the 32-year-old novelist herself. Though she claims no one would ever guess it, Popkey is Santa Cruz County born-and-raised. And if her new book has any sense of restless spiritual dislocation to it, that may have started in her childhood.

“I think I had a feeling growing up that I was emotionally out of sync with Santa Cruz,” she says. “There is an easygoing vibe that the city has. But I’ve always been a little tighter-wound than your average Santa Cruz resident. I don’t surf. I don’t like to go to the beach. A lot of my adolescence was spent trying to figure out how I felt in relation to the place I grew up.”

Popkey, who now lives in Massachusetts, grew up in a series of homes with one divorced parent or the other, mostly in Ben Lomond and Bonny Doon. She graduated from Pacific Collegiate School in 2005. And at the age of 18, she left Santa Cruz for good.

Of the San Lorenzo Valley in particular, she says, “It’s a magical place. But there’s light magic, and then there’s dark magic.”

Popkey comes to Bookshop Santa Cruz on Jan. 16 to celebrate the release of Topics. If her attitude toward her hometown is ambivalent, her feelings toward Bookshop are much less complicated. “It’s incredible honor to read at Bookshop, which was one of my favorite places to spend time growing up.”

Regardless of her complex relationship with Santa Cruz, her return is triumphant, thanks to the new book, which has been well-received in media reviews across the country. There have been interviews on NPR, and recommendations from Time magazine, the Boston Globe, the New York Times, and other outlets.

The themes of the book—most vividly, how women are socialized to adapt to the demands of men—have been percolating with Popkey for most of her adult life. But she was just beginning to write some of the short stories that eventually became Topics when the revelations about predatory Hollywood producer Harvey Weinstein first came to light in 2017.

“That was a big moment in unlocking what I wanted to write about, thinking about the kind of people who have been in control of our popular culture,” she says. “I thought about how far-reaching that really was, most horrifically for the women who were assaulted and raped, and whose life trajectories were changed by the fact that they had a single interaction with a man who had a great deal more power than they did—but also in the way that the women who watched the movies he produced were changed in smaller but not insignificant ways.”

Topics is notable not only for its themes, but also its narrative style. It is written in a kind of hyper-realistic adherence to the way people really speak, complete with conversational misdirections, weaponized bluntness, and the shorthand of intimacy.

“I wanted it to sound like people talk,” she says.

She credits listening to a lot of first-hand podcasts, particularly one from psychotherapist Esther Perel, for helping her internalize the natural rhythms of her prose.

Popkey says that growing up, her inclination as a writer was not toward fiction, but instead toward analytical writing. But she has found in fiction a basis for self-discovery.

“I always thought that if I ever wrote a novel, it would be embarrassingly autobiographical. The truth is every single feeling that is in this novel is a feeling that I have had, but nothing in the novel actually happened to me or anyone I know in the way [described in the novel].”

Her fish-out-of-water state of mind growing up may have sharpened her writer’s sense of empathy and self-awareness. But that sense of dislocation is part of her life still. In fact, she began writing the novel while staying at her mother’s house in Santa Cruz County.

“California is the place I’m from,” she says, “and it is part of my identity. It’s this problem that I’ve been trying to solve: I’m from California, but I don’t really seem like I am. But the older I get, the more the California comes out in me.”

Miranda Popkey will read from and discuss ‘Topics of Conversation’ at 7pm on Thursday, Jan. 16, at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free. bookshopsantacruz.com.

What’s more important, security or privacy?

0

“Without security, privacy doesn’t mean very much.”

Melissa Brint

Walnut Creek
Retired

“I think that privacy is more important, because if you have a private place, you feel secure.”

Mikel Campbell

Santa Cruz
Artist

“You can’t have privacy without security. So I would say security is more important.”

Ralph Tunstell The 2nd

Santa Cruz
Writer/Musician

“Security first, then you can implement privacy.”

Robert Duffner

Santa Cruz
Product Marketer

“Well, don’t you want security for your privacy? And don’t you need privacy for your security? They are both the same thing.”

Aaliyah Wilson

Santa Cruz
Baker

Show Highlights Composer Jon Scoville’s Adventurous Career

The world of music is riven with rabbit holes into which composers, musicians and even fans often fall, never to emerge again. Veteran Santa Cruz composer Jon Scoville has not exactly avoided those holes—he’s just been able to find his way to the surface again.

Scoville’s astonishingly adventurous career as a composer is the centerpiece of a concert at Cabrillo College’s Crocker Theatre on Jan. 18 and 19, playfully titled “Scoville Units,” after the scale for determining the heat level of chili peppers. The show will feature more than a dozen Scoville originals, showcasing his embrace of styles from Balinese to tango to Brazilian, jazz and ballroom—and even a piece that touches on hip-hop, which he eventually labels simply as “urban.”

At the heart of the show, however, is Scoville’s decades-long work as the house composer for Tandy Beal & Company, which is run by his collaborator, muse, and spouse Tandy Beal.

Beal, one of the most prominent performing artists in Santa Cruz County for the last 40 years, is eager to bring Scoville into the spotlight.

“(This concert) is Tandy dragging me out of my nice little hideaway, where I can make music without any disturbances, and saying, ‘People need to hear what you’ve been doing for 40 years,’” says Scoville.

Joining the couple in celebrating Scoville’s restless musical spirit will be pianist Ivan Rosenblum, clarinetist Jeff Gallagher, the Premiere Saxophone Quartet, and dancers such as Rita Rivera, Mischa Scott, Molly Katzman, Paula Bliss, and many more.

“When we first started talking about this,” says Beal, who will perform a solo piece in the show, “it took about two years to convince him to come out of the background and say okay to it.”

Beal says the celebration of Scoville’s music will continue later this year with a new piece for theater and dance, and in 2021 with a re-staging of Tandy Beal & Co.’s signature work, the mesmerizing afterlife show Here After Here.

Growing up in Connecticut as the son of a Presbyterian minister, Scoville sang in the church choir from a young age, internalizing the stately tone of traditional Protestant hymns. But, as a budding composer, he quickly wandered farther afield.

“My sister, my mother, and my grandmother all played piano,” he says. “And I’d be upstairs listening to Duke Ellington, ’40s and ’50s jazz on the radio. I would turn off the radio and my sister would be playing a Bach partita. I was between these two poles of beautiful music. Early on, I got a taste for the wide world of sound, and I was not very judgmental about it. I listened to all of it.”

Scoville and Beal met in 1963 and moved together to California three years later. “I wanted to hear what all the noise was about,” he says.

They planned to land in San Francisco, but came first to Santa Cruz and never left. (Scoville was, in fact, the first employee hired at the new Bookshop Santa Cruz). He and Beal have lived together in the same house near Felton for more than 40 years.

At the time that they arrived, Santa Cruz was developing as a haven for new, adventurous, even avant-garde forms of music as the site of the Cabrillo Music Festival, and later New Music Works, and particularly as the home of internationally prominent composer Lou Harrison. Scoville and his insistent eclecticism come out of that culture.

“Lou was not a strict musical influence on my life,” Scoville says. “But he was a spiritual influence on my life. His sense of freedom to dive into other cultures and find what he liked in them set a standard for me.”

Another thing that Harrison and Scoville had in common was instrument building; Scoville even published a book on making instruments. But mostly, he buttered his bread with composing. For 40 years, he served on the faculty at the University of Utah, where he lived for four months out of the year. The rest of the year was spent in Santa Cruz, often collaborating with Beal and her dance troupe.

“Mostly, it’s Tandy,” says Scoville when asked about his productivity. “Having your muse in the next room is an advantage. If she likes what she hears, she slips a chocolate bar under the door.” 

‘Scoville Units’ will be presented by Tandy Beal & Co. on Jan. 18 at 7:30pm, and Jan. 19 at 2 pm at Crocker Theatre on the Cabrillo College campus, Aptos. Tickets are $25-$50. tandybeal.com.

Rob Brezsny’s Astrology Jan. 15-21

ARIES (March 21-April 19): Comedian John Cleese has an insight I hope you’ll consider. He says, “It’s easier to do trivial things that are urgent than it is to do important things that are not urgent. It’s also easier to do little things we know we can do than to start on big things that we’re not so sure about.” I hope you’ll make this advice a priority in the coming weeks. You’ll be wise to prioritize important tasks, even those that aren’t urgent, as you de-emphasize trivial matters that tempt you to think they’re crucial. Focus on big things that are challenging, rather than on little things that are a snap.

TAURUS (April 20-May 20): Author Honoré Balzac (1799–1850) was born with sun and Mercury in Taurus and in the tenth house. Astrologers might hypothesize from these placements that he was ambitious, productive, tenacious, diligent, realistic, and willful. The evidence supporting this theory is strong. Balzac wrote over 80 novels that displayed a profound and nuanced understanding of the human comedy. I predict that 2020 will be a year when you could make dramatic progress in cultivating a Balzac-like approach in your own sphere. But here’s a caveat: Balzac didn’t take good care of his body. He drank far too much coffee and had a careless approach to eating and sleeping. My hope is that as you hone your drive for success, you’ll be impeccable in tending to your health.

GEMINI (May 21-June 20): Before he was 21 years old, William Shakespeare and his wife had birthed three kids. When he was 25, while the brood was still young, he started churning out literary masterpieces. By the time Will became a grandfather at age 43, he had written many of the works that ultimately made him one of history’s most illustrious authors. From this evidence, we might speculate that being a parent and husband heightened his creative flow. I bring this to your attention because I want to ask you: What role will commitment and duty and devotion play in your life during the coming months? (I suspect it’ll be a good one.)

CANCER (June 21-July 22): Cancerian-born painter Stanley Spencer (1891–1959) didn’t align himself with any artistic movement. Early on, his work was an odd blend of French Post-Impressionism and 14th-century Italian painting. I appreciate his stylistic independence and suggest you draw inspiration from it in 2020. Another unique aspect of Spencer’s art was its mix of eroticism and religiosity. I think you’ll enjoy exploring that blend yourself in the coming months. Your spiritual and sexual longings could be quite synergistic. There’s one part of Spencer’s quirky nature I don’t recommend you imitate, however. He often wore pajamas beneath his clothes, even to formal occasions. Doing that wouldn’t serve your interests. (But it will be healthy for you to be *somewhat* indifferent to people’s opinions.)

LEO (July 23-Aug. 22): Johannes Gutenberg invented the printing press in the 1440s. In subsequent decades, millions of mass-produced books became available for the first time, making their contents available to a far wider audience than ever before. The printing press caused other changes, too—some not as positive. For instance, people who worked as scribes found it harder to get work. In our era, big culture-wide shifts are impacting our personal lives. Climate change, the internet, smart phones, automation, and human-like robots are just a few examples. What are doing to adjust to the many innovations? And what will you do in the future? Now is an excellent time to meditate on these issues.

VIRGO (Aug. 23-Sept. 22): You’re skilled at the art of self-editing. When bright new ideas well up in you, you understand they are not yet ready for prime time, but will need to be honed and finessed. When your creativity overflows, tantalizing you with fresh perspectives and novel approaches, you know that you’’ll have to harness the raw surge. However, it’s also true that sometimes you go too far in your efforts to refine your imagination’s breakthroughs; you over-think and over-polish. But I have a good feeling about the coming weeks, Virgo. I suspect you’ll find the sweet spot, self-editing with just the right touch.

LIBRA (Sept. 23-Oct. 22): Thomas Love Peacock was a Libran author whose specialty was writing satirical novels that featured people sitting around tables arguing about opinions and ideas. He was not renowned for cheerful optimism. And yet he did appreciate sheer beauty. “There is nothing perfect in this world,” he said, “except Mozart.” So much did Peacock love Mozart’s music that during one several-month stretch he attended six performances of the genius’ opera *Don Giovanni*. In this spirit, Libra, and in accordance with astrological indicators, I encourage you to make a list of your own perfect things—and spend extra time communing with them in the coming weeks.

SCORPIO (Oct. 23-Nov. 21): Jean-Michel Basquiat started his career as a graffiti artist. When he evolved into being a full-time painter, he incorporated words amidst his images. On many occasions, he’d draw lines through the words. Why? “I cross out words so you will see them more,” he said. “The fact that they are obscured makes you want to read them.” In the coming weeks, you might benefit from discreetly using this strategy in your own life. In other words, draw attention to the things you want to emphasize by downplaying them or being mysterious about them or suggesting they are secret. Reverse psychology can be an asset for you.

SAGITTARIUS (Nov. 22-Dec. 21): Because of the onslaught of the internet and social media, lots of people no longer read books. But in 2020, I highly recommend that you *not* be one of that crowd. In my astrological opinion, you need more of the slow, deep wisdom that comes from reading books. You will also benefit from other acts of rebellion against the Short Attention Span Era. Crucial blessings will flow in your direction as you honor the gradual, incremental approach to everything.

CAPRICORN (Dec. 22-Jan. 19): “I love to be surprised by something I have never thought of,” declares Capricorn actor Ralph Fiennes. According to my analysis of the astrological aspects, you’ll be wise to make that one of your top mottos in 2020. Why? First, life is likely to bring to your attention a steady stream of things you’ve never imagined. And second, your ability to make good use of surprises will be at an all-time high. Here’s further advice to help ensure that the vast majority of your surprises will be welcome, even fun: Set aside as many of your dogmas and expectations as possible, so that you can be abundantly receptive to things you’ve never thought of.

AQUARIUS (Jan. 20-Feb. 18): “I love fools’ experiments. I am always making them.” So said one of the most famous and influential scientists who ever lived, Aquarian-born naturalist Charles Darwin. In accordance with upcoming astrological factors, I invite you to draw inspiration from his approach. Allow yourself to explore playfully as you conduct fun research. Just assume that you have a mandate to drum up educational experiences, and that a good way to do that is to amuse yourself with improvisational adventures.

PISCES (Feb. 19-March 20): “How do you get your main pleasure in life?” That question was posed to Scorpio author Evelyn Waugh and Piscean social reformer William Beveridge. Waugh said, “I get mine spreading alarm and despondency.” Beveridge said, “I get mine trying to leave the world a better place than I found it.” I hope you will favor Beveridge’s approach over Waugh’s in 2020, Pisces—for two reasons. First, the world already has plenty of alarm and despondency; it doesn’t need even a tiny bit more. Second, aspiring to be like Beveridge will be the best possible strategy for fostering your mental and physical health.

Homework: How will you create the story of your life in 2020? RealAstrology.com. 

Music Picks: Jan. 15-21

WEDNESDAY 1/15

FOLK

SVER

If you like your folk from way back—and I’m talking way back—look no further than Nordic folk quintet Sver. Presented by the Celtic Society of Monterey, Sver brings the crisp flavors of the Scandinavians across space and time while keeping the traditional music alive. More than spirited followers of the music, they are all fantastic musicians, as evidenced by their latest album, Reverie, “recorded live…completely free of chopping” as they put it on their Bandcamp. MAT WEIR

7:30pm Michaels on Main, 2591 Main St., Soquel. $18/adv, $20/door. 479-9777.

 

THURSDAY 1/16

BLUEGRASS

GRATEFUL BLUEGRASS BOYS

Are you tired of hearing all your favorites songs not as bluegrass? Good thing the Grateful Bluegrass Boys are hitting the Michaels stage, banjos intact. I know you’re thinking that this is clearly a Grateful Dead cover band—and yes, they do bluegrass-ify some Dead tunes—but that’s only the tip of the iceberg. Prepare yourself for an onslaught of tunes by Paul Simon, Led Zeppelin, Dire Straits, the Cars, Neil Young, Johnny Cash and Ray Charles—done in the most bluegrass-iest of ways. With the GBB, you’ll never have to suffer through another rock beat again! AC

7:30 pm Michaels on Main, 2591 Main St., Soquel. $10. 479-9777. 

 

ALT HIP HOP

SAGE FRANCIS

It’s been almost 20 years since Sage Francis dropped his era-defining Personal Journals, but he hasn’t slowed down. Averaging about four albums a decade (not counting mixtapes), the Providence rapper still sounds just as nimble (and tormented) as he did around Y2K. Last May, he released This Was Supposed to Be Fun, the debut full length for his new project Epic Beard Men, a collaboration with rapper B. Dolan, whose unrushed delivery is a nice counterpoint to Francis’s KRS-One-style spit. Coheadlining on Thursday is the incandescent Sa-Roc, one of the best MCs on Rhymesayers. MIKE HUGUENOR

9pm Moe’s Alley, 1535 Commercial Dr., Santa Cruz. $20/adv, $25/door. 479-1854.

 

FRIDAY 1/17

INDIE

AVIVA LE FEY

Aviva le Fey’s brand of Americana love songs aren’t the kind of slow-burning heartthrobs or giddy, marveling-at-first-love odes meant to be shared with your one and only. They’re the songs you sing along with alone, sobbing your way home from a break-up. They’re the ones you sing late at night, staring at the ceiling, trying to puzzle what when wrong, and when. Full of romantic yearning and aching introspection, Aviva’s piercing vocals lead you through the haunted fields of fallen lovers and unrequited attraction, searching for answers yet finding yourself forever lost, ever lovesick. AMY BEE

8pm Lille Aeske, 13160 Hwy 9, Boulder Creek. $20. 703-4183. 

 

SOCAL ROCK

ALL SOULS

L.A. hard rockers All Souls say their biggest influence is the Pixies, but on recent single “Silence” there’s another ‘80s/’90s act they sound more like: Ozzy Osbourne. From the demented verse riff and creepily crooning melody (both of which sounds like they came straight of a haunted manor), to the Randy Rhoades-style guitar solo, “Silence” could be a page Ozz forgot to write in his Diary of a Madman. When All Souls come to Blue Lagoon, they play with San Jose’s Kook, who sound like Black Sabbath’s phantom limb. MH

8pm Blue Lagoon, 923 Pacific Ave, Santa Cruz. $5. 423-7117.

 

SATURDAY 1/18

SOUL

PAWN SHOP SOUL

When Pawn Shop Soul started nearly a decade ago, they distinguished themselves from the other crate-digging retro soul tribute bands by placing their dynamic horn section up front and keeping the songs strictly instrumental. Now the group is releasing its first ever CD, and half the songs will feature locally revered vocalist Simone Cox providing actual singing. Unfortunately, Cox is leaving the area, but in the future, expect more vocal performances with with Angela Porter. Catch this show as one of the final opportunities to hear Cox sing the songs from the album. AC

8pm Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $12/adv, $15/door. 427-2227. 

 

COMEDY

STEPH TOLEV

Pause for a moment and go check out the Steph and Deb three-episode mini-series on Comedy Central. Done? Great. Now that you’ve familiarized yourself with Steph Tolev’s brassy sketch comedy, you’re ready to check out her even brassier stand up. Her sets are full of all kinds of boorish little absurdisms that somehow end up charming and personable rather than full-on gross (although you may want to hurl a smidge during her cabbage soup diet bit). Relatable, respectably raunchy, and funny as hell, Steph Tolev will definitely make you pee a little, and laugh a lot. AB

7 & 9:30pm DNA’s Comedy Lab, 155 S River St., Santa Cruz. $20/adv, $25/door. 900-5123.

 

PSYCH-ROCK

SUPERNAUT

It’s 2020, so have your third eye open for some clear-minded foresight, starting with local psychedelic riders Supernaut. Since 2014, these guys have been delivering the heavy, fuzzed-out sounds of their twisted minds, but don’t start to freak out. You just arrived! Or so they say on the opening track of their killer new album, The Green,  which dropped last November and is filled with apocalyptic, head-banging, smoke-sesh tracks. MW

9pm Crepe Place, 1134 Soquel Ave., Santa Cruz. $6. 429-6994.

 

MONDAY 1/20

A CAPPELLA

SWEET HONEY IN THE ROCK

Born in the waning days of the civil rights movement, Sweet Honey In the Rock was founded and directed by activist, vocalist and educator Bernice Johnson Reagon, a powerhouse singer deeply versed in an array of sacred and secular African-American musical idioms. She was such a potent presence that it was an open question whether the Grammy-winning all-women a cappella ensemble would continue to thrive after her retirement in 2004, but rapturous harmonies still flow from Sweet Honey. The group’s 45th anniversary tour brings the ensemble with a multi-generational cast. ANDREW GILBERT

7:30pm Rio Theatre, 1205 Soquel Ave., Santa Cruz. $42. 423-8209.

Avatar of Freedom and Liberty: Risa’s Stars Jan. 15-21

Mercury enters Aquarius this week; it’s the fourth quarter moon, our last week of Capricorn, and Monday is Martin Luther King Jr.’s Remembrance Day. “I have a dream,” he said. “I’ve been to the mountaintop, and I’ve seen the future.” Like Moses, MLK saw the Promised Land but was unable to enter there. Martin Luther King, Jr. was a Capricorn, an upstanding disciple who possessed the courage, vision, insight and steadfast devotion needed to fulfil his task of freeing his people.

Behind all of his thoughts, writings, speeches and actions was a will and power, active intelligence and the love and wisdom needed to accomplish the Avataric tasks given to him. His Capricorn Sun gave him honor and dignity, will and magnetism and charismatic leadership displayed to the public. He was charming (Venus in Pisces, which made him a sacrifice and a savior), always seeking to unify people. MLK also had Mercury in Aquarius – a sign of a free thinker with a swift, quick, efficient mind. Important to his character was progress, originality and reform.

King was a fighter (Mars and Scorpio) for civil rights (Sag), and a peacemaker. Like the Christ, King “came with a sword,” a warrior for humanity’s freedom. King is most likely, like Lincoln, an “Avatar,” one who responds to and fulfills the spiritual hopes, wishes and needs of the people (Pluto in Cancer). Both Lincoln and King (martyrs) sought liberty for humanity. The New Group of World Servers today has taken up the banner both King and Lincoln held for humanity. 

ARIES: You are bold, adventurous and know all about beginnings. We see everything scattered about you, waiting for Taurus to step in with stabilization and anchoring of your ideas. You’re able to accomplish great things if allowed freedom and non-judgment. You surprise everyone. Your desires and aspirations take you on journeys over mountains and plains. One day you sit down and begin to study. It builds your new mind. Love happens.

TAURUS: Your companion is Vulcan, husband of Venus. Many see you as the consistent, un-complex one, driven to care for others, sustaining them unto infinity. However, there’s another side. In the fires of Vulcan, in your service work, you are shaped into gold star of Venus. So often your response to new things is a firm “No”! Many think you’re stubborn, unable to change. What they don’t know is that you’re thinking, assessing, seeking mental illumination before really responding. Aldebaran and Alcyone are your companions.

GEMINI: Gemini (mutable), Virgo (mutable) and Aquarius (fixed) are the “people” of the zodiac. You, Gemini, are the twin, Virgo, the mother, and Aquarius pouring the “heavenly waters for thirsty humanity.” You provide the original matrix of learning, offer the fact of duality, the good and bad, the personality and soul, matter and spirit. You create a dialogue, a mystery often, one side (personality) of you dims while the other (soul) brightens. Your Egyptian god is Thoth. You carry messages. You’re the Magus.

CANCER: You are tide-like, moody, different each time we encounter you. You’re protected, shielded and walk crab-like around an object in order to ascertain safety. You’re intuitive, but often feelings are so deep they’re unable to be understood. You cook and nurture; find water where others can’t; the moon is your sister; and you remember the past with precision. You want to be close, but can’t unlock your shield. Try again.

LEO: You are the Solar Lord, no longer lunar. Your contact with the sun allows a light to be revealed on Earth, a light that humanity seeks and thirsts for. You’re aware of this and not aware of this. The Christ cannot reappear until a certain percentage of the world is illumined. You’re able to radiate light through Right Governing, Right Relations and coming always from the heart. Your work is to, like the Hierarchy, love more.

VIRGO: Sometimes you suffer from nervousness, the brilliance of your thinking overflowing with ideas that hardly any brain can hold. Your mind constantly changes, too, and then you feel unsure of ideas becoming ideals, and you think sometimes you need a new reality of self, one that contains a different level of confidence. Your constellation always hovers over the Bethlehem stable scene. You are holy. You are One.

LIBRA: Perhaps there’s something you need to discuss with another? Are you shifting priorities? Are the choices and decisions made months ago, changing again? Relationships are primary working tools for Libra. One day, having learned so much, you live alone for a while. Have you upheld fairness in the past years? So many times, the ideal in your mind cannot meet the reality on Earth. Do you then turn away? Venus loves you.

SCORPIO: So often, as fiery water, you can obsess about something or someone. So often you feel you’re dying. And so, you are, though not physically. Instead, experiencing the “burning grounds,” you’re tested nine times, everyone leaves you, and hardly anyone matches your passions. Surrender is a task Scorpios need to learn. Often you cannot hear others, listening as you do to your own emotions. Try. Pluto is your brother.

SAGITTARIUS: You think of yourself as free and easy, but really, you’re traditional, kind-hearted, often hurting since you’re best friends with Chiron, the centaur who was wounded and couldn’t die. Sometimes you feel this way, too. Let me tell you about Sag. Esoterically, you hold an arrow. Its point is a beam of light. It shows the way to the mountain of Initiation. You’re on a white horse. You hold the reins. Situations occur in your life that stop you in your tracks so you can find your way back to the light again. You’re often happy. Jupiter loves you.

CAPRICORN: Many think of you in one way, but deep down there’s another person that some only sense. You act like a traditionalist, but are actually a bit of a rebel. You may not show up in person for the revolution, but you’re with them in heart, mind, soul and spirit. You’re an old and ancient sign. You’re the gate through which people can gain spiritual access. You don’t know this. Sometimes people turn away from you. They can’t enter through your gate yet. You understand. Heart to heart.

AQUARIUS: Some Aquarians act like the traditional Capricorns and some act like “no-saying” Taurus. Some Aquarians are from the future. They came here on a star ship and feel lost, alien, interested, curious and wondering when they can go home. The spiritual Aquarian holds a water pot. In that pot are the stars of astrology, the emerging symbols and sounds of creation, the new physics, and the “waters of life the Aquarian pours forth for thirsty humanity.” Aquarians need community. Where is it, they ask? You’re to create it.

PISCES: Well, you realize that when you read other people’s interpretation of you (Pisces) it often misses the mark, saying things like Neptune rules you (what does that mean?) and you’re either drunk, confused, illusioned or in despair. But you know life as a Pisces is different. You live in the etheric folds of the universe where the very templates of life are created, filled with starry light beings. You’re one yourself, visiting here for a while. Sorrow you understand—and Light, too. Light of the World. Savior.

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Rob Brezsny’s Astrology Jan. 15-21

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Jan. 15

Music Picks: Jan. 15-21

Sweet Honey in the Rocks
Live music in Santa Cruz County for the week of Jan. 15, 2020

Avatar of Freedom and Liberty: Risa’s Stars Jan. 15-21

risa's stars
Esoteric Astrology as news for the week of Jan. 15, 2020
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