Film Review: ‘Frankie’

The historic town of Sintra, in Portugal, looks like a splendid spot for a vacation. Ancient stone buildings, castle-like villas, cobbled streets and lushly forested walkways abut a rugged seacoast and wide, white sandy beaches. It provides a very inviting setting for a bittersweet family reunion in director Ira Sachs’ Frankie, a wistful fugue in a very minor key about life in transition and the impermanence of now.

Sachs made a thoughtful tone poem of the coming-of-age story Little Men a few years ago. But despite its good and game cast, led by a regal Isabelle Huppert, Marisa Tomei and the great Brendan Gleeson, Frankie never comes together in quite the same way. The mood is increasingly elegiac as events gradually play out, to the point that much screen time is devoted to characters gazing in silence out into the middle distance, lost in their own reveries—which too often invites the viewer to do the same.

Francoise, nicknamed Frankie (Huppert) is a renowned French film actress taking stock of her life. She is gathering friends and family for what is apparently a one-day pow-wow in Sintra. Her devoted second husband, Jimmy, is an Irishman she met on a film set. (It’s an oddly tamped-down and reactive role for Gleeson, who is usually capable of making such a vibrant connection with the audience.) Also invited is her ex Michel (Pascal Greggory) and his boyfriend. Michel’s coming-out ended their marriage, but he and Frankie and Jimmy remain on friendly terms.

Frankie and Michel’s footloose grown son Paul (Jeremie Renier) has not quite gotten his life together to his mother’s satisfaction. Jimmy’s daughter Sylvia (Vinette Robinson) is having issues with her husband, Ian (Ariyon Bakare), creating friction with their teenage daughter, Maya (Sennia Nanua). Also high on the guest list is Ilene (a warm, earthy Marisa Tomei), a film hair stylist who has become one of Frankie’s closest friends. Frankie shamelessly hopes to pair up Ilene with Paul; unfortunately, Ilene arrives with her boyfriend Gary (Greg Kinnear), a movie cameraman trying to make the leap into directing.

It’s interesting that there are no scenes where this entire group convenes. Instead, the story is told in small, random encounters between various characters wandering around the grounds or in town, a series of little sides in search of an entrée. From these snippets, we piece together why Frankie has gathered them all (not that it’s ever much of a secret), a point brought home in the movie’s long, lingering, poetic closing shot of the setting sun gradually staining the sea with a shaft of gold as the characters look on from the bluff.

Frankie is full of these small moments, but the big picture often escapes Sachs. In the middle of it all, there’s an odd scene of an 80th birthday party for a buoyant and lively woman we never see again, surrounded by a group of laughing friends. Frankie is right there by her side, smiling wanly, distractedly, as the celebration fizzes all around her. The honoree’s exuberant monologue illuminates an aspect of Frankie’s own situation, but as simple storytelling, it’s confusing. Who is this woman, and why is Frankie there on the one day she’s supposed to be spending time with her gathered family?

The movie is so naturalistic in tone, the conversations so organic, so attuned to the way real people talk to each other, that it doesn’t feel scripted. But that’s not necessarily a good thing in this case, in that the narrative lacks dramatic momentum. There are moments when we understand that deeply felt emotions are being conveyed, but Sachs keeps everything so subdued, at such a stubbornly low-key register, that we don’t feel them as deeply as we should. Instead of the quiet epiphanies we hope for, the movie more often fosters an unfortunate sense of ennui. 

FRANKIE

** (out of four)

With Isabelle Huppert, Brendan Gleason and Marisa Tomei. Written by Ira Sachs and Mauricio Zacharias. Directed by Ira Sachs. A Sony Pictures Classics release. Rated PG-13. 100 minutes. 

Vote Now: Best Of Santa Cruz 2020

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It’s that time again.

Tell us—and the rest of Santa Cruz County—all about your favorite local restaurants, bars, shops and service providers with GT’s annual “Best Of” awards. The Best Of Santa Cruz 2020 will be published online and in an issue of the paper in March.

Click here to access the free online ballot.

REMEMBER: VOTE FOR A MINIMUM OF 25 CATEGORIES TO HAVE YOUR BALLOT COUNTED.

VOTING ENDS AT MIDNIGHT ON FRIDAY, JAN. 31, 2020. 


SOME GUIDELINES:

1. We appreciate the creativity of local, independent business, and these are the businesses that Best Of celebrates. Therefore, we consider Think Local First guidelines when selecting winners: businesses that have majority ownership based in the counties of Santa Cruz, Monterey, Santa Clara or San Benito. We make an exception for chain stores that were founded in Santa Cruz County, and are proud to include them.

2. Votes for businesses with multiple locations are divided among the total number of locations.

3. There are a few categories in the food section that are so popular we offer a vote by city. Voters don’t always know where city lines are drawn, so we place the total votes according to where voters tend to ascribe them. For example, Pleasure Point winners are included in Capitola because most voters associate Pleasure Point with Capitola (it’s in Santa Cruz).

4. We reserve the right to eliminate a category with so few votes that it’s imprudent to assign “best” status.

It’s a privilege and an honor, this voting thing. And remember, you only get to vote once.The results for the Best Of Santa Cruz 2020 will be announced in March in our Best of Santa Cruz County issue. Thanks for playing!

2019 Holiday Gift Guide

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Could the original creators of the GT Gift Guide way back when have any idea that in 2019, their successors would be writing about a completely legal Cosmic Berry Crunch THC Chocolate Bar?

Or CBD for cats? Or a farming kit from a store devoted entirely to mushrooms? (Not that kind of mushrooms, but still!) Kosher wine? No, there’s no way they could have predicted this new Golden Age of gifts. A beach blanket from a store devoted exclusively to tie-dye? Hello, most Santa Cruz thing ever!

There are dozens of similarly unique, local and downright awesome gifts in these pages. Happy gifting, and happy holidays!

STEVE PALOPOLI | EDITOR

SC Mountain Vineyards’ Zesty Grenache

“Grenache is really making a comeback in California,” says Jeff Emery, proprietor and winemaker of Santa Cruz Mountain Vineyard

And Grenache has the pizzazz to work with exotic, spicy foods. It also goes well with roast turkey or ham. “It can be a very versatile wine that will go with foods that you may not normally drink wine with, such as Indian, Mexican or Asian food,” Emery adds. 

Grapes from Hook Vineyard in the Santa Lucia Highlands make this classic old-style Grenache. “When you put Grenache in this climate, you get bright fruit along with some zippy spicy elements,” says Emery. Raspberries and white pepper aromas with fruit and spices in the finish make this an easy-pairing wine. “There is a brightness and tartness that allows it to fit with less hearty fare as well,” says Emery.

This zesty Grenache ($24) is ideal to to serve with holiday fare. Emery also makes a Grenache Rosé, which he says is totally dry with crisp acidity, very complex with guava, strawberry, floral elements, and spice.

Santa Cruz Mountain Vineyard, 334A Ingalls St., Santa Cruz. 426-6209, santacruzmountainvineyard.com.

Verve Merch and Instant Coffee

That hectic time of year is here again when we have to think about Christmas and stocking stuffers. For coffee lovers, the perfect gift would be Verve Coffee’s cool new merchandise: coffee mugs and tumblers, stylish hats, scented soy candles, tote bags, shirts, hoodies, and more! But the real lifesavers are Verve’s Dripkits and Streetlevel Instant Craft Coffee. 

My husband and I took some of Verve’s instant coffee with us on a trip to China in October. On a recent camping trip, it was so easy to boil water and pour it over Streetlevel coffee. Voila! You can get all this stuff from the terrific local Verve Coffee, which started right here in Santa Cruz in 2007 and now has stores on the Westside, downtown, mid-town and Pleasure Point. 

vervecoffee.com.

Opinion: December 11, 2019

EDITOR’S NOTE

How many times have all of us thought of something we really wanted to do, perhaps some piece of art we have always wanted to create, and thought, “Well, not now, but I’ll get around to it eventually?”

Wallace Baine’s cover story this week considers what happens when fate calls our bluff, and we’re faced with the possibility that there might not be an “eventually.” Do we slink back and say, “Never mind, I guess I didn’t really want to do it, anyway?”

Santa Cruz artist Jory Post didn’t. After he was faced with a devastating diagnosis that suggested he might not have much time left, he instead threw himself into a creative overdrive, holding nothing back. His story is a moving and inspiring look at how we’re all capable of making this the day we stop saying “eventually.”

Two other things to mention this week: first, with 20 days left to go in Santa Cruz Gives, we are about $40,000 away from our goal. That means we have to raise $2,000 a day for our local groups to make it happen. I know we can! Read Alisha Green’s story this week on a big change in the works for SCG participant the Homeless Garden Project, and go to santacruzgives.org to donate to our groups.

And lastly, we’re officially opening the voting for our Best of Santa Cruz 2020 awards. Go to goodtimes.sc and vote early to give your favorite local people, places and things a head start!


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Radical Eating

Thank you for publishing Jordy Hyman’s article “Unreal Meats” (GT, 10/30). I appreciate you providing information about the toll animal agriculture takes on our environment. Given the incredible success of these products, including Beyond Meat’s IPO being the largest in history, it is important for our community to be informed about alternatives to the rainforest destruction, mass extinctions, and greenhouse gases associated with raising beef. I hope your readers will take note of the statistics Hyman included, such as an 89% reduction in greenhouse gases compared to beef.

Somehow, the main point I made when Hyman interviewed me was lost. We are in the midst of the greatest threat to life on Earth that humanity has ever faced. The IPCC has said we must reduce greenhouse gas emissions drastically by 2030, or risk entering complete climate chaos, a point beyond which no human intervention will stabilize the climate. Many scientists think this prediction is overly optimistic.

We must make wide-ranging changes in human activities or we are not going to make it. Once we hit runaway global warming, it is possible that the cascading feedback loops will render the earth too hot for all life.

Meat alternatives exists within this context. We need to reduce greenhouse gases in as many ways as possible, and that includes radically reducing emissions from animal agriculture, one of the main sources of emissions. According to Drawdown, “if cattle were their own nation, they would be the world’s third largest emitter of greenhouse gases.” Each time someone eats a burger made from “unreal meats” instead of meat, they are decreasing their greenhouse gas contribution. Of course, Hyman’s suggestion to “eat your vegetables” works as well!

Beth Love | Founder, Eat for the Earth

Call It Sewage

The Board of Directors and personnel of the Soquel Creek Water District are engaged in a project to combat the intrusion of salt water into the Purisima Aquifer, currently our almost exclusive source of drinking water. There are a number of questionable aspects related to this project, in which they have already invested a substantial amount of money.

I am referring to the Clean Water Soquel project, which will produce treated water to inject into the aquifer to halt the intrusion of ocean water. The source of this water is highly questionable, as it is to come from the treatment of sewage—a word they seldom use when discussing the project in which they will be producing water that is anything but clean.

It has long been known that it is impossible for sewage treatment to remove all the contaminants people flush down their toilets, particularly prescribed and other drugs. A recent study at the University of Southern California found that sewage treatment plants produce an antibiotic DNA fluid that could negate the effectiveness of certain drugs, unquestionably a dangerous situation. Surely we have learned a lesson from the problem in Flint, Michigan.

It is difficult for me to understand the motivation of these folks. To begin with, we do not own the aquifer. And we are not the only ones who depend on it for their water supply. How can they think they have the right to contaminate it?

When the district notified us of their intent to raise rates, they referred several times to the need to develop a supplemental water supply. They mentioned Pure Water Soquel project, but nowhere the word “sewage.” They required 50%+1 of us to object, in writing, to stop the project (which is unnecessary, as there is plenty of water available without it).

I believe that requirement to be upside-down. To be fair, they should be required to get 50%+1 of everyone using the aquifer to approve of their shenanigans, making it more like Government of the People, By the People, and For the People.

Thomas Stumbaugh
Aptos


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

The Seymour Marine Discovery Center will host its annual Art and Craft Festival on Sunday, Dec. 15. Local artists and craftspeople will be offering ocean-inspired and other nature-conscious creations that make great gifts, and the proceeds support marine education. There will also be live music, apple cider and children’s activities. You can’t get to the ocean every day, so grab a piece made by a local artist from the annual art and craft festival at the Seymour Center. Noon-5:30pm. Seymour Marine Discovery Center, 100 McAllister Way, Santa Cruz. 459-3800, seymourcenter.ucsc.edu. $7 adults/$5 seniors, students, children/free for children under 2.


GOOD WORK

The 4th Annual Christmas Dinner at the MAH will take place on Wednesday, Dec. 25, from noon-3 pm. This event will bring a hot meal, warm clothing and gifts to the less fortunate. Volunteers can sign up by emailing ch***************@gm***.com. Warm clothing and gifts may be dropped off at the UN Store at 903 Pacific Ave, Santa Cruz. Monetary donations may be made online, and checks can be sent to Veterans For Peace, P.O. Box 865, Santa Cruz, CA 95061. For more information, visit santacruzmah.org/events.


QUOTE OF THE WEEK

“Art and love are the same thing: It’s the process of seeing yourself in things that are not you.”

-Chuck Klosterman

5 Things To Do in Santa Cruz: Dec. 11-17

A weekly guide to what’s happening

Green Fix

Gary Griggs Book Signing 

A Santa Cruz favorite, geologist, scientist, ocean lover, award winner, Sentinel columnist, house renovator, people person, Earth mascot, professor, and all-around everything-er, Gary Griggs knows what’s going on in our ocean backyard. Griggs’ new book Our Ocean Backyard: Collected Essays, Volume 2 is a compilation of 106 previously published articles from his popular column for the Santa Cruz Sentinel. Written for anyone with an interest in the oceans, the essays draw upon our rich history of ocean exploration and discovery, shedding light on our past history and what we can expect in the years and decades to come.

INFO: 6pm. Wednesday, Dec. 18. Seymour Marine Discovery Center, 100 McAllister Way, Santa Cruz. 459-3800, seymourcenter.ucsc.edu. Free. 

 

Art Seen

‘The Nutcracker’

There’s no better way to get into the holiday spirit than to overload on the “Dance of the Sugar Plum Fairy.” Santa Cruz City Ballet Artistic Director, choreographer and Juilliard Alumnae Shannon Chipman began the Nutcracker tradition in Santa Cruz as the first Snow Queen at Cabrillo’s theater in 1988, and it’s still going strong today. The Nut is celebrating its 10th year at Cabrillo this season with a full-length performance by the Santa Cruz City Ballet at International Academy of Dance. There will be local talent and principal dancers from the Oregon Ballet Theater, as well as guest dancers from the Bay Area and Krazy George (Sunday only), inventor of the Wave as Mother Ginger. 

INFO: 1 and 4:30pm. Saturday, Dec. 14, and Sunday, Dec. 15. Santa Cruz Civic Auditorium. cabrillovapa.com. $28-40. 

 

Saturday 12/14 

‘Wowie-Zowie with Jeff Raz’

As part of this year’s ArtSmart Family Concert Series, Tandy Beal & Company is hosting Joy! favorite Jeff Raz. During this magical hour, experience the hilarity, wonder and dazzlement of physical theater and musical juggling with one of the preeminent circus performers of the West Coast. Raz has made a juggling act out of life: he toured as a soloist in Cirque du Soleil and spent nine years with the legendary Pickle Family Circus. An expert at clowning around, Raz will bring volunteers to perform feats of balance, to make people gasp in awe and delight, and to uplift our hearts and spirits! 

INFO: 11am. Saturday, Dec. 14. Veterans Memorial Building, 846 Front St., Santa Cruz. tandybeal.com. $15 adults/$10 children.

 

Saturday 12/14 

‘Ayurvedic Cooking During the Holidays’

Fall and winter are full of family gatherings, holidays and food galore. While this is a time to celebrate, it can also lead to digestive issues for many people. In this workshop, experts will go over how to combine Ayurvedic cooking with favorite holiday foods. The class will go over ways to digest and assimilate holiday foods better, how to eat in a balanced way, and ways to feel satiated longer. Lunch is included in the ticket price. 

INFO: 10am. New Leaf Community Markets, 1101 Fair Ave., Santa Cruz. newleaf.com. $47. 

 

Friday 12/14 

Harmony for the Homeless 

When it comes to homelessness in our community, many people want to help but don’t know exactly how to. Join the 418 Project in an opportunity to take action in a way that builds solidarity and raises a voice around the challenges that impact the Santa Cruz community. Local artists are initiating a conversation around homelessness to inspire people through song and poetry, to search for creative solutions rather than turning cheeks or feeling overwhelmed and powerless. Proceeds will go to support Downtown Streets Team, a nonprofit providing homeless and low-income folks with the resources they need to rebuild their lives. Please also bring non-perishable food donations if you can, which will be donated to Second Harvest Food Bank.

INFO: 7pm. The 418 Project. 418 Front St., Santa Cruz. 466-9770, the418project.org. $25. 

 

Sunday 12/15 

Diversity Center Community Holiday Party 

When the going gets tough, the tough get together. Celebrate the beginning of the winter holidays with the Diversity Center’s annual holiday party. Bring nutritious canned or boxed food donations for the annual Santa Cruz Aids Project holiday drive. Raffle tickets will be offered for chances to win all kinds of local wellness, adventure and dining prizes. Celebrate the end of one year with friends in the local community.

INFO: 4pm. 126 Pacheco Ave., Santa Cruz. 425-5422, diversitycenter.org. $10-100. 

Jory Post’s Best Worst Year

The phone call came, ominously, at 7am. It was the morning after a CT scan and Jory Post, swallowing a growing dread, sensed bad news.

He sensed right.

“I’m sorry to hit you with this nuclear bomb,” said the doctor on the other end. Post had a large malignant tumor on his pancreas, wrapped around an artery. Pancreatic cancer is one of the deadliest forms of cancer—difficult to detect early, often resistant to treatment and infamous for its low survival rate.

Post and his wife Karen cried a lot that morning. “But it didn’t completely wipe me out,” he says months later, reflecting on the moment at his Santa Cruz home. “I know it’s the worst cancer in the world. I know I have a 7.5% chance of survival. But I’m a poker player. I’ve won a lot of poker tournaments at worse odds than that. Mostly, though, I’m a pragmatist. I know what’s coming and how to plan for it. So, I got to work.”

This is not a story of a man facing a life-threatening diagnosis. Tragically, such a thing is so common these days that it’s hardly newsworthy. Neither is it a story of a man beating cancer. He has kept it at arm’s length, and he has stubbornly pushed through it, but he hasn’t beaten anything.

This is a story of a respected community artist, writer and teacher living through a year that has been paradoxically both the worst year of his life, and the best. Pancreatic cancer has informed every waking moment of Jory Post’s 2019, from bouts of pain and exhaustion to chemo treatments to the psycho-spiritual labor of confronting death. Yet, at the same time, he has never been more in command of his artistic powers, attaining improbable professional goals while finding a wellspring of creativity in a newly discovered art form.

Amidst an epic struggle to survive, he’s somehow living his best life.

In February, about three months after his diagnosis, Post, 69, joined a writing group for poetry under the direction of Danusha Laméris, Santa Cruz County’s reigning Poet Laureate. (He already belonged to two other writing groups for fiction and playwriting).

After a frustrating start wrestling with traditional poetry, he happened upon prose poetry. What sounds like an oxymoron is actually poetry without the line breaks on the page, written in undifferentiated paragraphs. Santa Cruz has a rich history in this literary niche, thanks mostly to two men who devoted their writing careers to the prose poem—the late poet, teacher and critic Morton Marcus, and UCSC printer and poet Gary Young, whom Post refers to as “my poetry guru.”

Since adopting the prose-poetry form, Post has been on fire artistically. He has written close to 300 prose poems this year, many of which were published in his first book of poetry poignantly titled The Extra Year, released in September by Anaphora Literary Press. His work has also been published in The Sun, one of the country’s most prominent literary journals, as well as 82 Review and Red Wheelbarrow. And just last week came the cherry on top of an amazing year: He was informed that a short story he had published in Rumble Fish Quarterly was nominated for a Pushcart Prize, which honors the best work from small presses across the country.

He was also the subject of a celebratory book launch party that was one of highlights of the Santa Cruz literary community’s year, and held court at both a writers salon at Gabriella Café and a Lit Chat hosted by the Santa Cruz literary journal Catamaran. This month, he even traveled to Chicago, where he was invited to read his work at the 25th anniversary party of the Chicago Quarterly Review, which also published his poems.

The prose poems that have fueled this run of productivity often come to him in the middle of the night. Even in the midst of bouts of nausea and cramps, reactions to chemo, and the anxieties and worries that accompany serious illness, often he’ll be up at 3am, recording ideas or polishing them into poems in his journal.

“Something has upped my game,” he says. “I don’t personally take credit for it. I like to believe something takes over your pen, that you are writing through some other medium. I lucked into something I don’t completely understand.”

The literary output is accompanied by a similar flowering in his other art form of choice. For years, Post and his wife, book artist Karen Wallace, have run JoKa Press, their in-house art workshop that features her handmade journals and his found-art collage boxes, inspired by the work of assemblage artist Joseph Cornell. Post’s creations are often humorous or whimsical settings built into the drawers of old dressers and featuring everything from Scrabble tiles to star charts to 45-rpm records. Their Santa Cruz home has been a hot spot on the annual Open Studios tour for several years. Last October’s tour attracted more than 300 people to the Posts’ home, with sales of items triple what they’ve been in past years.

“I’ve never seen someone who has had this kind of creative arc before,” says Laméris, a veteran workshop leader and teacher. “It’s like seeing someone emerge from a chrysalis.”

“He’s experiencing his life and his art coming together in a really remarkable and inspiring way,” says friend and fellow writer Kathryn Chetkovich. “He’s been constantly shuttling back and forth between these physical objects he’s making and the poems. You get a sense when you’re over there that something is getting made all the time, in a very cool way.”

Novelist and former UCSC lit prof Paul Skenazy was moved by Post’s story enough to write an essay about his friend for the online journal Brevity. “He took his diagnosis as a challenge,” Skenazy wrote, “and answered it with his stern will, adventurous spirit, and imagination. We do make our own miracles sometimes, but not always, or often.”

Friends and colleagues stress that the timing of Post’s cancer diagnosis and his astonishing artistic output are not coincidental—that the former served as a catalyst for the latter. Whether it was his intention or not, the poetry has been a path that allowed Post to escape being defined by his condition.

“He remains,” says Chetkovich, “a person much bigger than this thing that has happened to him.”

Unexpected Angles

Jory Post has lived in Santa Cruz most of his life. He moved to town in 1962 at the age of 12 with his family, living just steps away from the Santa Cruz Beach Boardwalk. His first summer in his new home was a rush of pinball machines and crabbing at the Wharf. He’s a product of Mission Hill Junior High, Soquel High, Cabrillo College—where he first encountered poets and role models Morton Marcus and Joe Stroud—and UCSC.

He spent most of his career in the classroom, first as an aide, then a part-time and finally a full-time teacher at Happy Valley School. He had a particular interest in technology, and was a pioneer in the early 1980s in bringing computers into an education setting. In the 1990s, he received a fellowship—named for Christa McAuliffe, the teacher who died in the 1986 Challenger explosion—to design computer-aided “virtual” field trips.

In 2000, his educational career took an unexpected turn when he was hired by Apple to help design an online environment for teachers and students, though his association with the world’s most famous computer company didn’t last as long as he had hoped. “It became apparent it was not the mecca I thought it was,” he says.

Jory Post

The last couple of decades Post has dedicated to his creative work, as well as to establishing relationships in Santa Cruz’s artistic communities. In 2011, he co-founded phren-Z, an online literary journal devoted to Santa Cruz County writers. He served as a formal and informal editor of the writings of friends and colleagues.

“He’s now bearing the profits of all those years of community service, connections with people who care about him, things he’s done for other people,” says Paul Skenazy.

Santa Cruz novelist Elizabeth McKenzie, another long-time friend, says that, “I really depend on him as a reader and as a literary critic.”

Filmmaker Jon Silver has known Post for years, going back to the days when both were involved in Santa Cruz educational circles. In September, Silver released a short film he had made titled Along for the Ride, inspired by the prose poems of The Extra Year. “It’s kind of amazing,” he says. “It’s been a creative explosion, and there’s something about those prose poems that capture the realness and rawness of (what he’s been going through).”

The poems in The Extra Year forthrightly address the exhausting rituals of having cancer in the contemporary world, from losing hair to grappling with doctors. The book is rife with gallows humor that walks the knife-edge of tragedy, such as contemplating with his wife the music to play at his memorial (“‘Another One Bites the Dust’ is first,” he writes). There’s a heartbreaking story about a long-lost sister who died as an infant. He names names, and expresses himself openly about the meaningful people in his life, as if coyness disappeared with his hair.

“I find his writing to be original and mysterious,” says McKenzie. “It always comes at you from an unexpected angle.”

Laméris has noticed the way Post knits together darkness and levity.

“There’s a real kind of unflappable coolness of tone that comes through,” she says. “And that really contrasts with the (inherently) hot emotional material and offsets it, making it more powerful. The poems really move between pathos and dark humor. They hit all the notes.”

But perhaps above all, the poems are deeply relatable.

“What I experience,” says Chetkovich, “is that it feels like he has opened his own road for other people to walk with him in a way that I find moving and really generous.”

Bluffs and Calls

The bifurcation between Post’s old-line Santa Cruz life and his not-so-old life as a literary lion is nicely symbolized by poker. He hosts two semi-regular poker games. One includes friends that go back to his high-school days; that game has been going on for more than 50 years. The other game is populated mostly by writers and poets.

For Post, poker is more than idle entertainment. The poker games at his house take place on a regulation table. He has been an accomplished player for years. In 2005, he walked away with $45,000 in winnings from a World Series of Poker event at Lake Tahoe.

He’s been entranced with the challenges of “beating the house” in poker since he was 17, when he won $100 at Harvey’s on Tahoe’s south shore. The same man who is now a prose-poet and visual artist said, “I’m really a numbers guy. Literature and writing were not my strong suit on the SAT. But I was 99th-percentile in math.”

His grounding in math (and cards) has given him a fuller understanding of probabilities, which is useful in avoiding both denial and self-pity when it comes to facing a life-threatening illness.

In November, a year after his original diagnosis, Post endured another CT scan. What followed wasn’t exactly bad news. But it wasn’t good news, either. The tumor was essentially unchanged after months of chemotherapy, still clinging to a crucial artery. He was disappointed, but the doctor told him that, with pancreatic cancer, “stability equals success.” He will return for another scan in three months. “So I’m going to be around another three months,” he says. “The doctor told me that maybe we’ll just keep doing this for a year or two, which made me happy.”

Meanwhile, the urge to create continues, only a tad less intensely. To get out of the house, he’s rented an office in downtown Santa Cruz, where he goes for the express purpose to write without distraction. In the last month alone, aside from the continued production of prose poems, he’s written two 10-minute plays and started a new novel, of which he’s logged more than 20,000 words.

He’s also revising a novel that he initially finished before his diagnosis in 2018. It’s about death and dying. “I had several people read the manuscript,” he says, “and many of them came back pointing to one particular character,  that ‘She was a little flat.’ Well, then I got my diagnosis, and it struck me that my experience wasn’t anywhere in that book. So I looked at that character, and it was, ‘Congratulations Louise, you now have pancreatic cancer.’”

At the center of Jory Post’s creative life is his daily journal. Inside it, he brings order to his creative restlessness by the use of icons, most notably a yellow light bulb. The light bulb represents a germ of an idea, often one or two words, a fragment from a dream, a beguiling phrase.

He had the journal with him last summer when he watched a two-hour documentary on the late novelist Toni Morrison at the Nickelodeon. “I just sat there with my pen the whole time. I think I got 25 to 30 light bulbs that day.”

He keeps the journal in the zippered pocket of his Patagonia jacket, which he wears everywhere he goes. He carries the journal when he walks to his downtown office, a ray of light in the enveloping darkness of his health.

“The role of the poet,” he says, “is to look at everything and figure out how, say, looking at bunnies in the backyard has a connection to not only what’s going on in my life, but in all our lives as a universal. I want to hit everything head-on. And because I don’t know how much time I have left to do that, I’m always (referencing) the list of these light bulbs. There’s no ennui at all. The only times that I’ve really been slowed down have been related to my nausea or stomach issues. Otherwise, no. I don’t know what ennui is.”

“As an observer and a teacher,” says Laméris, “what I see is that he’s always had this in him. And because he’s under the gun of mortality in a more obvious way than most of us, he’s really stepped into more of himself. It turns out, this is who he was all along.”

Sex, Booze and Downtown Streets Team’s Toxic Culture

As with many Downtown Streets Team staff functions, attendees say the liquor flowed freely during a 2014 holiday party at the nonprofit’s San Jose headquarters.

 A young female staffer hired a month prior recalls mingling with colleagues by the receptionist’s desk when Eileen Richardson, the homeless services provider’s CEO, walked up to join her. “Out of nowhere,” the employee recalls, Richardson asked, “So, you’re a lesbian?” 

“We were standing at the front desk chatting, tipsy on wine, and talking about how I liked the job so far,” the newcomer, who requested anonymity to protect future job prospects, later wrote about the encounter. The woman says she laughed at the prying question but answered affirmatively. Richardson then inquired about her relationship status and physical preferences before waxing poetic about feminine beauty, the ex-employee says.

“OK, so what’s your type?” she says she asked Richardson, who “suddenly got serious and sultry-eyed, leaned in and said, ‘Well, you are.’”

The night grew “increasingly strange” as guests helped themselves to boxed wine and spiked fruit punch, did keg stands—that is, a handstand on a keg to guzzle as much beer as possible—and took swigs of hard liquor, according to the woman, who says she drank so much that she threw up in the office toilet. All the while, the employee says, an “incredibly drunk” Richardson followed her around and “had her arm around me and kept telling my friends to go ahead and leave.” The staffer says her employer began “brushing my hair back from my face, snuggling her head into my neck” as onlookers shot worried looks at the pair. 

Those same concerned coworkers eventually laid her down on the floor in the office of Richardson’s son, Director of Program Operations Chris Richardson, where the employee remembers waking up at one point to see her boss lying beside her “staring lovingly at me.”

 One of the colleagues who witnessed the evening’s uncomfortably intimate conclusion checked in often during the next few weeks over Richardson’s “obvious coming on to me,” the employee says.

 Others found humor in the escapade.

 “Several other staff joked about Eileen having a crush on me, and there was a rumor that she’d kissed me,” the employee says. “If she did that night, I don’t recall.”

A couple months later, the employee says she attended a Super Bowl party at Chris Richardson’s home, at which Eileen invited her to have a beer and view a photo album at her adjacent residence, where she followed her and “kissed me in the doorway of the bathroom.”

‘A Frat House’ 

As Silicon Valley’s homeless population ballooned amid an unprecedented affordability crisis over the past decade, Downtown Streets Team (DST) emerged as one of the most prominent Bay Area organizations trying to lift people out of poverty. By 2012, it counted Palo Alto’s top cop as a board member and received nearly $400,000, about 40% of its budget, from direct government support. In 2013, the nonprofit expanded into the North Bay, landing contracts with the cities of San Rafael and Novato; four years later, it launched a team in Santa Cruz.

On the Central Coast, the group’s model of employing people experiencing homelessness to clean up Santa Cruz’s downtown had been floated over the years as one possible tool to address a large local chronically homeless population. Chip, the one-name, then-executive-director of the Downtown Association, threw a fundraiser for the nonprofit in the winter of 2017. A few months later, the nonprofit earned the blessing of a Santa Cruz City Council committee studying homelessness. Rock & Roll Hall of Fame Inductee Joan Baez spoke at the ribbon-cutting ceremony that October. Over the next two years, DST expanded, with crews now servicing Harvey West, downtown, the San Lorenzo Riverwalk, Cowell Beach, Main Beach, and even North County beaches. (A Santa Cruz program manager referred us to public relations in San Jose for comment.) 

Behind the do-good mission of employing the unhoused, however, a toxic workplace culture festered for years, according to a dozen former staffers.

In letters prepared by attorneys and echoed in reviews on job-rating platform Glassdoor.com, ex-employees accuse both Eileen, 58, and her son Chris, 33, of sexual harassment, making lewd comments, paying women less than men for similar work, and promoting a culture of heavy drinking. Employees have described the workplace as “toxic,” “a frat house,” “full of nepotism and favoritism,” and “a joke.” Multiple people compared working at DST to being in an abusive relationship. 

Yet reporting misconduct proved difficult because of close friendships between the Richardsons, their strategically appointed board of directors and other managers, including Chief Operating Officer Elfedra Strydom, who until earlier this year fielded all personnel concerns. 

In all, more than a dozen former employees allege harassment, sexual assault and discrimination at DST. Two of those ex-staffers are coming forward publicly with their claims for the first time.

“Things got really, really bad,” says 34-year-old Zia MacWilliams, a former DST program manager who left the nonprofit in 2017 after four progressively stressful years on the job. “I honestly believe in the mission and loved working with my clients, but internally it was just out of control.”

Both MacWilliams and Michelle Fox Wiles, 29, accuse DST of perpetuating a pay gap that privileged their male counterparts.

After she left DST, MacWilliams teamed up with Wiles and nine of their ex-colleagues to pursue legal recourse. The nonprofit Community Legal Services in East Palo Alto (CLSEPA) took the case and offered the DST board a chance to resolve the allegations out of court. (At this point, the Santa Cruz branch was only a few months old.)

It took a year and a month before the DST board agreed to hire a law firm to investigate the allegations.

The probe, which commenced in late 2018 and concluded this past July, “substantiated a culture of drinking and inappropriate joking in the workplace,” according to an Aug. 28 letter from CLSEPA lawyer Jennifer Smith to the 11 claimants. “The board seems to be genuinely concerned about the work environment that was described,” she wrote, though, “they believe that things are better now than they were three to five years ago.”

While the board insists that the investigation found no evidence of a gender-based pay disparity, Smith said in her letter that trustees expressed a desire to “see changes made.” One of the most significant changes, Smith wrote, is that DST ramped up its reporting system by allowing employees to complain to the board directly and created a human resources position for the first time in the organization’s 14-year history. The board also conceded that alcohol “has been an issue,” Smith said, and instituted a “total prohibition.”

Richardson says she never read any of the Glassdoor reviews and is only vaguely aware of the CLSEPA negotiation. But she denies there were ever any problems with DST’s work environment. “Those claims,” she says, “were unfounded.”

 A Bold Vision

A successful venture capitalist who gained global notoriety on the cusp of the 21st century as the CEO of the groundbreaking but controversial music-file-sharing platform Napster, Richardson brought her change-the-world ethos to the charitable sector. 

Under the DST model, local governments and business associations hire a team of homeless people to clean up streets in exchange for gift cards and case management. 

DST’s “win-win-win” system of hiring the homeless, cleaning up trash and benefiting the broader community garnered renewed acclaim for the elder Richardson. Since its inception, DST has blossomed from a cash-strapped experiment in Palo Alto to a burgeoning enterprise spanning a dozen cities in two states with an $8 million annual budget. 

Richardson—who makes upward of $200,000 in base pay as president and CEO of DST and an affiliated nonprofit clinic called Peninsula Healthcare Connection—has since racked up accolades. The San Francisco Chronicle named her a recipient of the Visionary Award earlier this year thanks to nominations from, among other dignitaries, San Jose Mayor Sam Liccardo and his counterpart in Oakland, Mayor Libby Schaaf. “The honor salutes leaders who strive to make the world a better place,” the Chron wrote about the distinction. 

The New York Times gave her a similar honor a year prior. Also in 2018, the League of California Cities and the California State Association of Counties’ Joint Homeless Task Force recognized DST’s model as a “best practice” for supporting homeless people. 

In a blog post a few years back, Richardson credited her success for running her charitable enterprise the only way she knows how: “like a high-tech startup rather than a social service—action-oriented versus service-oriented.” To that end, she said, “We improvised, tried new ideas and constantly corrected our course.”

That constant course-correction may guide the nonprofit’s growth-focused public mission, but sources tell Metro that it elided internal mismanagement, which exposed employees to workplace abuses and, at times, put vulnerable clients at risk.

Wine and Dine

When one of DST’s original clients reconnected with his estranged daughter, two case managers wanted to celebrate his success by taking the pair out to dinner at a white-tablecloth restaurant in Mountain View. Since the client had struggled for years with alcohol abuse, the case managers told Richardson they planned to keep it a dry affair.

“By the time I showed up with the client, Richardson already had a bottle of wine at the table and was obviously a few drinks in,” one of the case managers wrote in a play-by-play of the occasion to the DST board a few years later. “We all kind of side-eyed one another. It was super awkward and completely inappropriate.”

The case manager, who asked to withhold her name, added that Richardson got more and more intoxicated during the uncomfortable dinner and repeatedly offered the client alcohol.

The client abstained, according to the two case managers. But Richardson drank enough that she began slurring her speech, they say, and one of the staffers felt the need to drive her home. “On the way out of the restaurant, Eileen asked [the client] if he needed her to buy him a couple of beers at 7/11 to tide him over, and he declined,” the case manager-turned-chauffeur wrote in the same summary. “I had to help Eileen walk to my car. On the way to my car, she accosted two strangers in the middle of their conversation. It was like she was leaving a concert venue or a New Year’s party; she was far too intoxicated to be the CEO of a company that just left a business-related dinner.”

After the case manager got home, she called her co-worker to ask whether she should continue working for a boss who offered booze to a client trying to get sober. 

At holiday parties, former employees recall, it was common for managers and staffers alike to bring sleeping bags so they could crash at the office after drinking enough to pass out.

Erstwhile employees say one high-ranking director who was known for heavily imbibing while dressed up as Santa Claus at annual functions made it something of a tradition for attendees to sit in his lap before they could claim a gift from under the Christmas tree. A photo of holiday office party in 2015 shows him in his red-and-white St. Nick finery rubbing an oversized dildo on his face while Eileen Richardson apparently tries not to laugh. Another from that same event depicts the Santa cosplayer pouring a bag of white wine straight into the mouth of Chris Richardson, who kneels on the floor with his right fist thrust victoriously in the air.

Like mother, like son.

“Eileen had a history of getting extremely inappropriate at office functions,” one former staffer wrote in a review of her multi-year tenure at DST. “Some of these moments were kind of funny, even to me, such as the time she twerked upside down at the office Christmas party. However, similarly to Chris, Eileen did not know when to rein it in.”

Then there were the weekly Costco runs for booze, staff meetings where managers would partake and frequent klatches at Wine Affairs and other restaurants and bars near the office. Richardson didn’t respond to Metro’s query about whether the nonprofit footed the bill for any of the alcohol purchases.

One manager complained that not only were these outings inappropriate, but also that staffers often felt uncomfortable sitting them out because they were a place where conversations about promotions often happened.

MacWilliams says she felt the same way about the lushy overnights, which included annual trips to wine country where, “everyone gets belligerently intoxicated.” On one Napa excursion in late August 2016, she recounts how a manager asked Chris about having sex with a former co-worker. “Did you fuck her in the ass?” the manager allegedly asked. “Chris laughed and went on to describe their sexual relationship,” MacWilliams says.

One could technically opt out of the management trips, she adds, “but it is pretty well known that you won’t have a chance at a promotion if you don’t participate.”

 MacWilliams says she’s concerned that public agencies continue to grant DST millions of dollars a year in taxpayer money without demanding more from the nonprofit’s leadership. 

She hoped the investigation would lead to some sort of leadership change, compensation for the women she felt were underpaid, and an apology.

“Years later, none of this has happened,” she says. “Although I have come to peace with this, I truly believe that DST should not have access to public funds until those responsible for irrevocably hurting so many people have been held responsible.”

Homeless Garden Project’s New Home

Adam Marshall remembers fondly the time he spent as a kid on his grandfather’s ranch in Watsonville.

That’s where he learned how much he enjoyed labor-intensive work. He dreamed of carrying on his grandfather’s commitment to helping others in need without an expectation of anything in return—as Marshall recently explained to a riveted audience at DNA’s Comedy Lab.

Earlier this year, Marshall had been out of jail for two months and was living out of his car when he realized that he could use some help putting his life back together. He discovered the Homeless Garden Project, where he joined a group of fellow trainees building skills and growing their support networks while transitioning out of homelessness. 

Marshall was sharing his story at a celebration of the Homeless Garden Project and its impact on the lives of trainees like Marshall. 

“The farm has changed my life in so many ways,” Marshall told the audience. “It has given me hope. It has given me a willingness to live and to better myself. If there is a cure for homelessness, it is through community outreach programs like the Homeless Garden Project.”  

Now, the Homeless Garden Project is working on more than doubling its size. Once it expands, the nonprofit will be able to help even more people like Marshall who are experiencing homelessness. The group, founded in 1990, has achieved remarkable results with its current 3.5-acre farm near Natural Bridges State Beach. In 2018, 100% of the group’s trainee graduates obtained stable employment and housing. The farm generated 30,000 pounds of organic produce, including about 7,000 pounds that were donated to community members, providing ingredients for some 40 products sold at the group’s shops in downtown Santa Cruz and Capitola. 

The Homeless Garden Project is participating in this year’s Santa Cruz Gives campaign. And the project is raising money for a long-planned move to a 9-acre site in Pogonip. The move has been in the works for more than 20 years, with the acreage originally allocated in the city’s 1998 master plan. The group wanted to make sure it was effective and well-run and then think about expanding, says Darrie Ganzhorn, executive director of the Homeless Garden Project. 

It will be the first time the nonprofit can make a long-term farm plan and add an orchard. Site plans also include a greenhouse and barn, and will bring electricity, internet and bathrooms instead of portable toilets. The new farm would allow the group to work with up to 50 trainees at a time, too, and for more community visits. 

“We want to see the project be a destination for people to come see a model for how a community can both really promote sustainable agriculture and also solutions to homelessness,” Ganzhorn says. 

But progress hit an unexpected hurdle this year, when the group found remnants of clay pigeons in the dirt of the Pogonip site. Newspaper articles from the 1930s seem to confirm that the site formerly hosted skeet shooting, and the clay pigeons used for the activity apparently contained lead and other contaminants that are now in the soil. 

While the levels are not unsafe for activities like hiking in the park, based on initial soil studies, they could be unsafe for farming, says Tony Elliot, director of Parks and Recreation for the city of Santa Cruz. “It was a surprise to all of us, so we wanted to work expeditiously with them to figure out what’s going on and resolve it as quickly as possible,” Elliot says. 

A grant from the state covered most of the cost of additional assessment and evaluation of the soil, the results of which are expected by May. At that point, the city and the HGP team hope to understand the scope of the contamination and what remediation is needed. It’s not clear at this time how much the remediation might cost. 

“We want to make sure it can be a sustainable operation and a healthy operation both for the people working there and for the people consuming the food grown there,” Elliot says. 

In the meantime, Elliot says, the city is working closely with the Homeless Garden Project to figure out what steps they can take toward completing the move, such as obtaining tree permits and putting in a water line to the property. 

The group currently plans to prepare the soil and take other basic steps starting in May, then farm at the Pogonip site starting in the 2021 growing season, Ganzhorn says. 

“It’s just such a long-held dream for the project and for our community,” she says. “It’s a complicated project, and it’s worth it. It stands to have so much community impact.”

For Marshall, being a trainee at the farm gave him a drive and determination he didn’t know he had before, he told the audience at the HGP event. His speech was met with a standing ovation from everyone in the theater. 

“The Homeless Garden Project is my home … It’s a magical place,” he said. “It saved my life.”

Visit santacruzgives.org to donate to HGP or any of this year’s participating nonprofits.

Nuz: Why We Can’t Have Nice Things, Library Edition

1

PLAYING BOOKIE

We’ll soon have more answers about the upgrade options for Santa Cruz’s downtown library—possibly more information than we ever really needed.

As of last year, the plan was to build a brand new library combined with parking and affordable housing. Evidence showed that the alternative, a remodel, would have given library users far less bang for the city’s buck. However, city leaders opted to ask around. That’s why a council committee had consultant Abe Jayson present on how much of a remodel the town could get for $27 million. The plan isn’t perfect, but his renderings showed big windows with lots of natural light. So pretty!

Of course, because Santa Cruz leaders are better at asking for more information than making decisions, they’re having Jayson go back to the drawing board to sketch out plans to build a brand new library from the ground up, also on a $27 million budget. In the meantime, Jayson will give a finalized presentation on a remodeled downtown library at the current downtown library Friday, Dec. 13 at 4pm.

Just as a reminder, it was nine months ago that the City Council closed the book on the library-planning process because of the parking concerns. And it was six weeks ago that Jayson said that construction costs have been going up 8-10% per year and that the “good news” was that those will drop to 5-6% a year. Delays are expensive. So while Capitola will soon have its very own beautiful new library with its cut of the funds, Santa Cruz is tripping over itself in fights over how to spend its stash, which is scheduled to expire in a few years. So much for “Time is money!”

This is why we can’t have nice things.

IT REALLY SINKS

Repairs to a sinkhole on Soquel Avenue in Santa Cruz have closed the right-hand turn lane at the intersection of Soquel and Ocean streets. Work began on Wednesday, Dec. 4, and it may take another week for the city of Santa Cruz Public Works to finish the roadwork.

Sinkholes are essentially hollowed-out depressions in the earth. They develop when water erodes away a form of soluble bedrock, like limestone—a sedimentary rock common in Santa Cruz County’s underbelly. It’s best to deal with sinkholes before they grow out of control, although when they do widen and ultimately collapse, often without warning, they make for quite a story. Last week, a Southern California woman settled her suit with the Los Angeles City Council for $4 million dollars for driving into a sinkhole in 2017. She suffered a traumatic brain injury, PTSD, a hand injury, and sight problems after her SUV fell 20 feet and landed on its roof into a flowing river of raw sewage.

Anyway, drive safe!

Update 12/13/2019 9:30am: A previous version of this story misreported the time of Jayson’s upcoming presentation and the content.

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