Why Conservation Isn’t Cutting Santa Cruz Water Rates

Soquel Creek Water District customer Nicole Behar’s water bill went up more than 50% this year, after the agency hiked rates in March. She feels that the district may be getting “greedy.”

“It’s almost $200 a month, and we were paying $74,” Behar says. 

The trend is “super frustrating,” she adds. “I feel like it’s shady.” 

The water agency bills customers in two ways—a fixed service charge, which often sits around $40 per month—and an additional charge based on the quantity of water used. The district bills households $6.43 for each of the first six units of water, based on about 748 gallons per unit. After that, billing increases sharply, to $29.19 per unit. 

For customers with large meters or fire line connections, charges are even higher. While aimed at promoting conservation, the tiered rate system can have expensive consequences for those with large families like Behar, a stay-at-home mom of four boys. 

“I’m pretty conservative with water. I get dinged just because we have six people in my house,” she says, compared to smaller households that may use water in other ways. “People that have lavish lawns and use tons of water are actually getting a cheaper rate.” 

Rates at Soquel Creek Water District will continue to increase by 9% per year for the next four years. In a county with notoriously high costs of living, the increases could represent another way for residents to get priced out of the area, worries Soquel Creek Water customer Marty Fletscher, whose bill went up $40 per month. “I didn’t get a $40 a month raise,” he says.

There are some, however, who think the bills aren’t high enough. Retired journalist John Dickinson served for two years on Soquel Creek’s Water Rates Advisory Committee, which aimed to create a fair rate scheme for consumers and the district. 

“The problem is that water is way too cheap. We don’t charge enough, and people basically think it ought to be free,” he says. “But they’re perfectly happy to pay all sorts of prices for gasoline and perfume and whiskey.” Dickinson adds that increased rates might incentivize people to conserve more. 

Paying More For Less?

The problem is that conservation efforts by Soquel Creek Water customers in previous years are also contributing to today’s rising costs. 

“When people use less water, our costs don’t drop, so we have to charge more for the water that’s being used,” says Leslie Strohm, finance and business services manager for the district. That declining revenue stream, she says, creates a financial planning catch 22 for a district that hiked rates partly to disincentive unnecessary water use, but also to raise money for conservation and new projects.

Customers, in turn, responded by aggressively cutting their usage, not only to save water, but also to save money. That has prompted the district to keep raising rates in an effort to make up the difference, and it’s left customers paying more for less.

Soquel Creek’s tier-one revenue covers expenses like maintenance and transport costs. The second-tier revenue will fund supplemental water supply sources, namely the Pure Water Soquel project, a $90 million venture aimed at replenishing groundwater levels and preventing seawater intrusion by pumping treated wastewater back into the over-drafted groundwater basin. 

If all goes as planned, Pure Water Soquel will treat the wastewater using methods like reverse osmosis filtration, disinfection and ultraviolet light. “Once we’ve purified it to that level, you can drink it, but we won’t be doing that,” says Strohm.

At least not right away. Instead, water will be funneled into recharge wells where it will seep down and replenish the aquifer. Over time, the water will move through the aquifer and back to production wells, where it will be re-treated and delivered to residents’ homes. 

Soquel Creek is not alone in upping its rates to pay for big projects. The neighboring Santa Cruz Water District saw rates increase again last month, for the fourth time since 2016. The city has $300 million worth of improvement projects lined up over the next several years on its backbone infrastructure to address issues like antiquated technology, pipes and treatment systems. 

Since no federal or state funding is pre-allocated to help pay for these improvements, the cost burden falls primarily on ratepayers. Neither district has a program in place to assist low-income ratepayers. 

Santa Cruz Water Director Rosemary Menard says it’s almost impossible for any water district to offer bill assistance as a result of a voter-approved 1996 proposition that prohibits any ratepayer revenue from being used to assist another group of ratepayers. 

“The business model that we’re stuck in is not conducive to maintaining equity and access for people who are less able to pay,” says Menard. “That issue has been emerging all over the state.” 

Statewide, water rates went up 45% from 2007 to 2015, according to data from the American Water Works Association. With no end to increases in sight, things may have reached a tipping point as the state aims to address access issues through Assembly Bill 401. The bill, which was signed into law four years ago, established the Low-Income Water Rate Assistance Act, with the goal of establishing a statewide program for low-income ratepayers. It’s still in the research and development phase.

Menard says she’s focused on immediate solutions to try and keep costs down for Santa Cruz ratepayers. That includes grant funding, debt financing and a $25-40 million bond measure to help pay for the next wave of projects. 

“We deal with people every day who have challenges and issues, and really our toolbox isn’t very full,” she says. “We’re trying to figure out how to get some more tools in the toolbox, but we’re not all the way there yet.”

Rob Brezsny’s Astrology Sept. 4-10

Free will astrology for the week of Sept. 4, 2019

ARIES (March 21-April 19): John Muir (1838–1914) was skilled at creating and using machinery. In his twenties, he diligently expressed those aptitudes. But at age 27, while working in a carriage parts factory, he suffered an accident that blinded him. For several months, he lay in bed, hoping to recuperate. During that time, Muir decided that if his sight returned, he would thereafter devote it to exploring the beauty of the natural world. The miracle came to pass, and for the rest of his life he traveled and explored the wilds of North America, becoming an influential naturalist, author and early environmentalist. I’d love to see you respond to one of your smaller setbacks—much less dramatic than Muir’s!—with comparable panache, Aries. 

TAURUS (April 20-May 20): Of all the children on the planet, 3% live in the U.S. And yet American children are in possession of 40% of the world’s toys. In accordance with astrological omens, I hereby invite you to be like an extravagant American child in the coming weeks. You have cosmic permission to seek maximum fun and treat yourself to zesty entertainment and lose yourself in uninhibited laughter and wow yourself with beguiling games and delightful gizmos. It’s playtime!

GEMINI (May 21-June 20): The ama are Japanese women whose job it is to dive to the sea floor and fetch oysters bearing pearls. The water is usually cold, and the workers use no breathing apparatus, depending instead on specialized techniques to hold their breath. I propose we make them your inspirational role models. The next few weeks will be a favorable time, metaphorically speaking, for you to descend into the depths in quest of valuables and inspirations.

CANCER (June 21-July 22): Renowned Cancerian neurologist Oliver Sacks believed that music and gardens could be vital curative agents, as therapeutic as pharmaceuticals. My personal view is that walking in nature can be as medicinal as working and lolling in a garden. As for music, I would extend his prescription to include singing and dancing, as well as listening. I’m also surprised that Sacks didn’t give equal recognition to the healing power of touch, which can be wondrously rejuvenating, either in its erotic or non-erotic forms. I bring these thoughts to your attention because I suspect the coming weeks will be a Golden Age of non-pharmaceutical healing for you. I’m not suggesting that you stop taking the drugs you need to stay healthy; I simply mean that music, nature and touch will have an extra-sublime impact on your well-being.

LEO (July 23-Aug. 22): If you visualize what ancient Rome looked like, it’s possible you draw on memories of scenes you’ve seen portrayed in movies. The blockbuster film Gladiator, starring Russell Crowe and directed by Ridley Scott, may be one of those templates. The weird thing is that Gladiator, as well as many other such movies, were inspired by the grandiose paintings of the ancient world done by Dutch artist Lawrence Alma-Tadema (1836–1912). And in many ways, his depictions were not at all factual. I bring this to your attention, Leo, in the hope that it will prod you to question the accuracy and authenticity of your mental pictures. The coming weeks will be a favorable time to get fuzzy and incorrect memories into closer alignment with the truth, and to shed any illusions that might be distorting your understanding of reality.

VIRGO (Aug. 23-Sept. 22): I don’t know if the coming weeks will be an Anais Nin phase for you. But they could be if you want them to. It’s up to you whether you’ll dare to be as lyrical, sensual, deep, expressive, and emotionally rich as she was. In case you decide that yes, you will, here are quotes from Nin that might serve you well: 1. It is easy to love and there are so many ways to do it. 2. My mission, should I choose to accept it, is to find peace with exactly who and what I am. 3. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. 4. Life shrinks or expands in proportion to one’s courage. 5. It was while helping others to be free that I gained my own freedom.

LIBRA (Sept. 23-Oct. 22): “When you’re nailing a custard pie to the wall, and it starts to wilt, it doesn’t do any good to hammer in more nails.” So advised novelist Wallace Stegner. I hope I’m delivering his counsel in time to dissuade you from even trying to nail a custard pie to the wall—or an omelet or potato chip or taco, for that matter. What might be a better use of your energy? You could use the nails to build something that will actually be useful to you.

SCORPIO (Oct. 23-Nov. 21): “I hid my deepest feelings so well I forgot where I placed them,” wrote author Amy Tan. My Scorpio friend Audrey once made a similar confession: “I buried my secrets so completely from the prying curiosity of other people that I lost track of them myself.” If either of those descriptions apply to you, Scorpio, the coming weeks will be an excellent time to secure a remedy. You’ll have extra power and luck if you commune with and celebrate your hidden feelings and buried secrets.

SAGITTARIUS (Nov. 22-Dec. 21): “No Eden valid without serpent.” Novelist Wallace Stegner wrote that pithy riff. I think it’s a good motto for you to use in the immediate future. How do you interpret it? Here’’ what I think. As you nourish your robust vision of paradise-on-earth, and as you carry out the practical actions that enable you to manifest that vision, it’s wise to have some creative irritant in the midst of it. That bug, that question, that tantalizing mystery, is the key to keeping you honest and discerning. It gives credibility and gravitas to your idealistic striving.

CAPRICORN (Dec. 22-Jan. 19): The coco de mer is a palm tree that grows in the Seychelles. Its seed is huge, weighing as much as 40 pounds with a diameter of 19 inches. The seed takes seven years to grow into its mature form, then takes an additional two years to germinate. Everything I just said about the coco de mer seed reminds me of you, Capricorn. According to my analysis of the astrological omens, you’ve been working on ripening an awesome seed for a long time, and are now in the final phase before it sprouts. The Majestic Budding may not fully kick in until 2020, but I bet you’re already feeling the enjoyable, mysterious pressure.

AQUARIUS (Jan. 20-Feb. 18): If you throw a pool ball or a bronze Buddha statue at a window, the glass will break. In fact, the speed at which it fractures could reach 3,000 miles per hour. Metaphorically speaking, your mental blocks and emotional obstacles are typically not as crackable. You may smack them with your angry probes and bash them with your desperate pleas, yet have little or no effect. But I suspect that in the coming weeks, you’ll have much more power than usual to shatter those vexations. So I hereby invite you to hurl your strongest blasts at your mental blocks and emotional obstacles. Don’t be surprised if they collapse at unexpectedly rapid speeds.

PISCES (Feb. 19-March 20): In the 13th century, the Italian city of Bologna was serious about guarding the integrity of its cuisine. In 1250, the cheese guild issued a decree proclaiming, “If you make fake mortadella … your body will be stretched on the rack three times, you will be fined 200 gold coins, and all the food you make will be destroyed.” I appreciate such devotion to purity and authenticity and factualness. And I recommend that in the coming weeks, you commit to comparable standards in your own sphere. Don’t let your own offerings be compromised or corrupted. The same with the offerings you receive from other people. Be impeccable.

Homework: Saul Bellow wrote, “Imagination is a force of nature. Is this not enough to make a person full of ecstasy?” Do you agree? freewillastrology.com.

Kevin Nealon on SNL, Drones and New Stand-Up

If you watch a few episodes of Kevin Nealon’s YouTube show Hiking With Kevin, you’ll notice that the everyman-comedian vibe Nealon showcased for almost a decade on Saturday Night Live—especially as the anchor of “Weekend Update”—translates remarkably well into a format where he literally takes people for a hike on every show, interviewing them while they walk.

You’ll also notice that some of the hikes are pretty intensive, and both host and guest can get winded, punctuating their questions and answers with heavy breathing. So I had to ask Nealon, who brings his stand-up set to the Rio on Sunday, Sept. 15: Does he ever wish he’d done Sitting Down With Kevin?

“I have thought about that, a lot,” admits Nealon. “Most of my hikes are more flat-ground now. But I do like it. It’s a good workout.”

YouTube may seem like an odd place for Nealon to be doing a show, especially at the same time that he’s going into his fourth season of a recurring role as Matt LeBlanc’s dad on the CBS sitcom Man with a Plan. But it came about kind of by accident in 2017, and required the 65-year-old Nealon to upgrade his tech skills.

“It was a totally new world for me,” he says. “Initially, I was posting these things on Instagram. Then I found out that Howard Stern was a big fan of the show, and he thought it’d be a good idea to make them longer. So I had to learn how to start a YouTube channel, and figure out how to make thumbnails and edit and all that stuff. Now I’ve even got a drone. I’ve really created a whole kind of world for me to do this in.”

With two shows in various states of production, he doesn’t have as much time to tour as he once did. But when he does, he thinks Hiking With Kevin has actually had an effect on his stand-up.

“I think it helps me think on my feet,” he says of the show. “And it makes me a better listener, too. When I first started, if you look at the Conan interview, I was just interrupting him all the time, and you can see him getting really angry. I look back at that and think, ‘Oh man.’”

His new role as a real interviewer is a bit ironic, considering he made his name as a fake news anchor on “Weekend Update” while on SNL from 1986-1995.

“That came out of the blue for me, because I wasn’t a sketch player, or a character guy or things like that,” he says of his SNL tenure.

The “Weekend Update” slot has always been one of the most hotly debated aspects of SNL—namely, who was a good anchor, and who wasn’t. Nealon’s approach was generally deadpan, but he doesn’t think it was necessarily better or worse than other comedians who took a different or even opposite approach—like Dennis Miller, with his trademark smug snark.

“‘Weekend Update’ is very subjective, I think. You have different personalities, and people always have their favorites,” says Nealon. “I started out watching Chevy Chase, and I loved the kind of dry, real-newscaster kind of a guy. So that’s what I modeled mine after. Dennis brought more of his personality into it, and had a certain angle on it that was great, too. Everybody comes in with their own thing. But now it’s more kind of stand-up. It’s almost like people are doing stand-up up there, and commenting on the story. So it’s changed a little bit. But I don’t think I have a particular favorite way. It’s kind of nice that things change all the time.”

Now that Hiking with Kevin is a success, one thing you’d think he’d want to do is maybe hire a few people to help out. He’s taken the DIY concept to the extreme, even carrying the camera filming the episode on a selfie stick.

“I think the charm of it is it has a homegrown feel to it. It’s not a highly polished show. It’s only me, there’s nobody else. I don’t have 12 people with cameras,” he says. “Occasionally, I’ll have my son film me. He’ll have my cell phone. So that helps a lot. I do like that. And I’m teaching him how to fly the drone, so he can fly the drone, too. I am trying to delegate some authority.”

Kevin Nealon performs at 7 p.m. on Sunday, Sept. 15, at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $27/$40 gold circle. 

Life’s a Dream, the World Our Stage: Risa’s Stars Sept. 4-10

We have a Virgo stellium (three or more planets in a sign) in the heavens at this time—Juno, Mercury, Sun, Mars, and Venus. When Mars comes into play, emotions heat up, making events and interactions passionate, sizzling and quite fiery.

We experience flare-ups, anger, frustration, criticism, judgments, and power issues in relationships. With Virgo, there’s a sense no one is living up to the Virgo standards of order, organization, communication, discernment, or discrimination.

This is the situation when considering Western astrology, which follows the seasons. Sun/Mars in Virgo equals a very “testy” situation indeed!

If we follow Vedic astrology, which follows the actual constellations, the Sun/Mars is in Leo (the “I”) and people may be saying, “I am angry, irritated, fuming mad, outraged, disappointed, and impatient.” Whichever astrology we follow, Mars and the Sun are making things hot under the collar, temperatures are rising, and people are in reactive states that could prove damaging. Couple this with transits of Saturn retro (restriction, restructuring) in Capricorn, Neptune (dreamy, delusional, deluded), and Pisces (under water), and we find everyone doing their best to anchor a reality one can live with.

Even though we have detail-focused Virgo energies all around us, we can still feel surreal, myopic and in a world of make-believe. The practical response to all of this is to daydream, think delightful thoughts, be uplifting and life-affirming, letting conversations run deep while we dilly-dally the days away. We remember life’s a dream, all the world’s a stage, each of us playing our part. Let’s all enjoy the play.

ARIES: Speak carefully and harmoniously to loved ones. Realize you may be more critical, including self-criticism. Allow others the benefit of understanding. Always ask for an explanation and listen carefully. What you know is best and what you feel emotionally (frustration, anger, etc.) may be at odds. Choose the right course of action. Then your consciousness, awareness and love expand. The 12 petals of the heart open.

TAURUS: Health events occur unexpectedly and healing people are contacted, both of which influence your future. Beware of anything you or others do that steps across boundaries where uncontrolled and disrespectful power may be an issue. In all communications bring forth Right Relations within yourself, so that the Right Relations of others can be summoned. In all endeavors maintain the highest of ethics, morals, values, and intentions. How one begins a project is how it ends.

GEMINI: You find you must change or shift your values and day-to-day ways of being. You find you must reach out to friends and loved ones and speak with them from your heart. You find you must alter your habits and ways of living so that health can be regained. You find that everything must change, and all of this is good. Each day, many are supporting you on inner levels. There is great love for you from the heavens, too.

CANCER: New ideas are presented, emerging on all levels and parts of your life. Learning is occurring at an accelerated pace. It’s as if you’re in a school, but the reality is you’re concentrating on the here and now. Extra energy is also being offered to you from Mars, the planet that initiates and leads us to action. You are strong, resourceful, intuitive, and actually an excellent gardener. You will teach those who are curious.

LEO: Let us spend a few moments in recognition and praise of you. Venus has asked us to honor you a bit more. And so, you’ve become more attractive and at times magnetic. Your heart is flowing with generosity. You offer support when needed, always tending to those more vulnerable than you (you understand vulnerability). You keep secrets, love to work alone, and what is it that I see coming down the road?

VIRGO: The words given to Leo soon apply to you. The sun is shining on your gifts and creative abilities, and all you’ve wanted to do now slowly comes into manifestation. You have everything you need in terms of energy, resources and time. Whereas much has been external, notice as you begin to withdraw more and more into yourself. It will be a time of composure, contemplation and peace. For a while.

LIBRA: You feel the need to be more social and find yourself at times in groups where everyone recognizes and loves you. And then there are times when you feel out of place, the odd one, not heard, seen, listened to, or understood. During the month you will assess your self-identity, see if you’re the same person from before, and realize new important needs for love, stability and for all things orderly and practical. Tread (act, speak) carefully at work.

SCORPIO: There may be conflict and collisions with other people’s ideas. There may be difficulty communicating and/or being understood. Before speaking, think first about your choice of words, intentions and tone. Dedicate yourself to intentions for goodwill, always making situations better than they were. These are important values to uphold. Careful with travel, be cautious, and take no risks. It’s not a good time to gamble, either.

SAGITTARIUS: During the month, traveling about here and there, you consider your base of operation, what your true foundations are, and how your family heritage has given you an identity that propels you forward into unknown territory. Do not be concerned if chaos becomes a companion. Chaos is the first step toward a new harmony. Chaos harbors the seeds of creativity, provides excitement and experiences, and shreds outworn ways of being. Gather walking sticks.

CAPRICORN: Subtle shifts and changes will continue in your life, growing ever more present as the days unfold. You are being gently and quietly transformed to become the person you were meant to be. Tend to all things financial. Create a schedule for money earned and spent. You will notice a return to previous realities. Assess them, record them, and find that they were always good. Share with the family what you are writing about. True history sustains us.

AQUARIUS: You may feel that all progress is stalled, movements forward take two steps back, and previous roads walked are walked upon again. This is not failure on your part. It’s a review, assessment, revisiting, and revision that must occur. It’s also the umbrella under which you will experience the coming autumn season. It will be a time of solitude, retreat and contemplation. Did you recently make a very difficult decision?

PISCES: Something comes to rest, and perhaps a completion occurs in the coming weeks. You will then prepare for new actions and activities that define the rest of the year. Notice your thoughts, impressions, ideas, and intuitions providing subtle signs concerning your next steps. Before anything new begins, some things come to an end. A farewell may be on your lips. In all things be disciplined, kind, loving yet structured. Eliminate all that’s unnecessary. Soon it will be time to move on.

Jazz Pioneer Bennie Maupin’s Next Chapter

Bennie Maupin doesn’t want to talk about the past. It’s not that the 78-year-old reed maestro has secrets to protect. He’s just more interested in where his music is going than where it’s been.

Maupin understands that writers want to ply him with questions about his epochal recordings with Miles Davis and Herbie Hancock, but “much has already been written about Bitches Brew and Head Hunters,” he says from his home in Los Angeles. “I don’t want to be redundant. Keep it in the moment. Our trio is what’s happening now.”

Happening is one word for Options, the extraordinary new ensemble that makes its only Northern California stop on Monday, Sept. 9 at Kuumbwa. Featuring the supremely talented drummer/composer Nasheet Waits, who recorded a series of acclaimed albums with pianist Fred Hersch’s trio, and bassist/composer Eric Revis, best known for his ongoing two-decade tenure with saxophonist Branford Marsalis, Options spins open-form improvisations that unfurl like soul-bearing conversations.

Options is a confluence of Maupin’s present and his past, particularly the people in the project. Revis and Waits are longtime bandmates in the acclaimed collective combo Tarbaby (which has played Kuumbwa several times in the past decade). But Options’ roots go far deeper. Maupin came up on the Detroit scene in the late 1950s with Nasheet’s late father Freddie Waits, a widely esteemed drummer who worked with heavyweights like McCoy Tyner, Kenny Barron and Andrew Hill.

“He’s like my nephew,” Maupin says. “I’ve known him and his brother all his life. When he called me about this, I immediately said yes. It’s a nice situation for some real sensitive playing without piano or guitar, a setting that opens up a completely different area in terms of sounds and colors. It’s going to be a very exciting adventure.”

Maupin’s past is so rich, it’s hard to not talk about it. He’s one of those rare players who actually changed the sound of jazz. He established himself as a rising force on tenor saxophone in the late 1960s via albums like Horace Silver’s Serenade to a Soul Sister, Lee Morgan’s Caramba! and McCoy Tyner’s Tender Moments. He plays soprano sax and alto flute, but his most profound role was in adopting the bass clarinet after Eric Dolphy introduced the horn in the late 1950s.

Maupin made his bass clarinet recording debut on Miles Davis’s seminal 1969 album Bitches Brew, adding an essential element to the trumpeter’s lean, sinuous fusion sound. And when Davis’ concept embraced denser textures and more intricate rhythmic patterns on Jack Johnson, Big Fun and On the Corner, Maupin’s reed work stood out amidst the kinetic sonic matrix.

He joined another brilliant aural adventurer as a member of Herbie Hancock’s Mwandishi band. And when Hancock changed directions with a funk-infused sound introduced on the hugely influential 1973 album Head Hunters, one of the best-selling jazz albums ever, Maupin was the only Mwandishi player who made the transition.

In many ways, Maupin’s uncompromising path was set by his early encounters with Dolphy and Coltrane in Detroit. He met Trane first, and encountered Dolphy a few years later, when he came through town as a member of John Coltrane’s band, and was immediately inspired to start playing bass clarinet.

Dolphy was renowned for his generosity, and when Maupin introduced himself and mentioned he was starting to play the flute, “He just looked at me and extended his hand with his flute and said, ‘Play something for me,’” Maupin recalls.

“It was an open-hole flute, and I had never even held one. For the next half hour, he gave me a flute lesson right there in the club. He pointed out certain things to me—about my embouchure, how to keep the tone alive, supporting it with air. He was so patient. He kept guiding me and guiding me.”

In recent years, Maupin has embraced his role as a venerable elder of Southern California’s surging creative music scene, where he’s a faculty member at the California Institute of the Arts. When he talks about the music he’s been making lately, he’s more likely to mention a former student who invited him to record than namedrop a fellow luminary.

“There’s such a large cadre of young musicians who’ve finished their master’s doing interesting projects,” he says. “Working with these young musicians, it keeps me fresh. We need them, and they need us.” 

Bennie Maupin performs with his trio Options at 7 p.m. on Monday, Sept. 9, at Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $31.50 adv/$36.75 door. 427-2227.

Music Picks: Sept. 4-10

Santa Cruz County live entertainment picks for the week of Sept. 4

 

WEDNESDAY 9/4

ROCK

THE YAWPERS

You always know a band is gonna rock when its name is a Walt Whitman reference. The Yawpers are raucous, a little messy and thankfully not named after one of Whitman’s sex poems (they could have been named “Fruits of the Gushing Showers,” which … ew). Throughout the band’s latest album Human Question, the Colorado three-piece sounds a bit rockabilly, a bit punk and, on the maraca-rocking title track, a little bit like British post-rockers Clinic. Still, the Yawpers are very much American in spirit, roving and free enough to make Whitman proud. MIKE HUGUENOR

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $8 adv/$12 door. 479-1854.

JAZZ

THE HOT SARDINES

Like a hooch-fueled, wee-hours party that just keeps gaining steam as the sun comes up, the Hot Sardines infuses irrepressible energy and a boisterous spirit of fun into the pop songs of the 1920s and early ’30s. Co-led by French-born vocalist Elizabeth Bougerol and pianist Evan Palazzo, the New York combo has earned a huge and avid following with a theatrical approach to early jazz that avoids kitsch and naked nostalgia. Situated at the crossroads where vaudeville and Storyville collide, the New Orleans-inflected combo is touring in conjunction with its eighth release, the winningly rambunctious live album Welcome Home, Bon Voyage. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $36.75 adv/$42 door. 427-2227.

 

THURSDAY 9/5

REGGAE

YAADCORE

The roots of modern Jamaican music begin with the DJ, or the selector. Back in the ’50s and ’60, it was the DJ that was the rockstar, spinning all the latest and greatest tracks. Some DJs were so cautious not to be upstaged, they’d scratch the name off of the record so no competing DJ could steal their hot cut. The DJs may not dominate Jamaica the way they once did, but the respect for the craft is there, as is a high expectation that the selector will spin all the greatest tunes. Yaadcore is one of the island’s hottest right now, focusing on roots-reggae revival tracks. AARON CARNES

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $8 adv/$12 door. 479-1854.

INDIE

JEAN ROHE

Singer-songwriter Jean Rohe’s new song collection Sisterly is so well-produced, it’s like sweet honey for the ear. So easily digested, in fact, that one may initially miss the covert key changes, the offbeat arrangements and the biting lyrics that lie in wait—seemingly harmless, but ready to sting and leave a mark. Rohe’s album explores the power dynamics within intimacy and social structures, and the subtle shifts in her compositions mirror how acts of domination aren’t always so obvious and extreme. Sometimes they’re small, subtle maneuvers, like how a tossed cigarette can incite a forest fire. AMY BEE

INFO: 8 p.m. Lille Aeske, 13160 Hwy. 9, Boulder Creek. $20. 703-4183.

HIP-HOP

ARIES

Attention old hip-hop heads. If you rant and rave about how new rap is all garbage, you need to set aside your bias for a moment and give Aries a listen. I know you can’t stand that it’s all sing-songy, mumbled and emotional, but hear me out: those elements aren’t necessarily terrible if you hear an artist with skill do them. That’s why I suggest you set aside your deep belief that all rappers must spit like Nas, and check out Aries. He brings a complex set of emotions to the music: disaffected, tender, even a bit of braggadocio. Listen, rap has changed. These kids are turning the genre on its head. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15. 423-1338. 

 

FRIDAY 9/6

COMEDY

SARA JUNE

Sara June is currently doing the L.A. thing—which is to say, everything. Along with her own comedy, she writes and hosts shows while directing anything from short animations to other people’s music videos. It seems all that hard work has paid off. June has been featured on Indiewire, the Earwolf podcast, the CW, and SF Sketchfest. She’s even had some videos go viral, like “How to Cheat (With Your Favorite TV Shows).” She will be performing with funny man and provocateur Jake Flores, whose brand of comedy once got him raided by the U.S. government. MAT WEIR

INFO: 7 & 9 p.m. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20 adv/$25 door. 900-5123. 

R&B

KIANA LEDÉ

If you’re looking for soulful R&B that plunges the depths of personal struggle one moment, and swoops and swoons among the highest highs the next, Kiana Lede is your new obsession. Lede’s velvety smooth vocals add bounce to bubbly dance tunes too charming to resist. When things get real, Lede turns the bounce down to a low simmer for confessional takes on anxiety and past relationships. Her songs may undulate from upbeat to moody, but it’s a fun ride, and Lede maintains a core message of self-discovery and empowerment throughout the journey. AB

INFO: 9 p.m., Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 423-1338. 

Love Your Local Band: Anthony Arya

Last October, after an amazing experience performing on The Voice for three rounds, local singer-songwriter Anthony Arya returned home and performed at the Food Lounge. A packed crowd was excited to see Arya—only 15 at the time—strum some tunes on his home turf.

“A bunch of people I never met before came and packed the Food Lounge out,” says Arya. “All that Santa Cruz support was incredible.”

He had started writing music just a year earlier, steeping his sound in blues, jazz and folk, and playing wherever he could. But after his post-Voice success, he reached out to Tom Miller at Michael’s on Main and started playing as much as humanly possible. In 2019, he’s played shows with his band, as a duo with girlfriend Emily Hough (also a Voice contestant), and with his Grateful Dead tribute band Chasing Ophelia. Right after The Voice, he also recorded his debut album Going To California, which featured 11 of his pre-Voice tunes. 

The Voice was a launching pad,” Arya says. “Now I’m getting to play a lot of amazing venues that I grew up going to, like Michael’s on Main.” 

He may be doing a lot, but he prioritizes writing and performing original material above all else. Arya’s got a new album in the works of songs he’s written since his Voice experience. Like his first record, it’ll be diverse, but he also came back from The Voice having learned a few things.

The Voice band is very dynamic. I really got it in my songwriting that I wanted to make music that had dynamics, that had a flow, but also energy that built up,” Arya says. “These new tunes, you’ll hear that there’s a lot of energy to them.” 

INFO: 2 p.m., Sunday, Sept. 8. Michael’s On Main, 2591 Main St., Soquel. $10. 479-9777. 

Soif’s Upscale Happy Hour

Ah, the arancini! The mouth-watering mules!

Find those and more at The Hour unfolding at Soif each Tuesday, Wednesday and Thursday from 5-6 p.m. A sophisticated happy hour without sawdust on the floor, this hour offers a special menu with special prices that will appeal to those who crave some action before the dinner hour officially gets underway.

Clever marketing to be sure, The Hour lets Soifists sample cocktails for $9, selected wines for $7, and nibble a Caesar salad for $8 while catching up on downtown gossip. 

So Katya and I swung ‘round to see what Chef Tom McNary’s kitchen had going on last week. Priced between $7-15, The Hour’s menu tempted us with 21st-century bar food in the form of Vietnamese-style grilled quail ($11) accompanied by rosy leaf lettuce, pickled onions and slices of the best ripe tomatoes I’ve had all season.

The glazed quail was tender-chewy and wonderful, especially dipped in a tart and fiery “mignonette” sauce laced with chilis and shallots. Another choice combo we inhaled was an order of slender-cut french fries ($5), along with a substantial bowl of mussels in a broth of white wine, cream and shallots ($15). The fries were great dipped Belgian-style into the shellfish broth. 

The Hour’s menu is not written in stone, so expect it to morph along with the seasons. I was impressed with one of the special cocktails dreamed up for The Hour by bar manager Matt Barron. The Ambrosia is a tall, complex cooler of gin, grapefruit liqueur, orgeat almond liqueur (think liquid marzipan), lemon, and soda. Seriously fine, thanks to mixologist Jon Bates, and faintly creamy-tasting (that’s the orgeat), the impressive cocktail was topped with a slice of preserved lemon ($9).

Katya enjoyed a $7 glass of mineral-intensive French Domaine de Menard Colombard, Ugni Blanc blend. The citrusy white wine was from a rotating list of wines—a sparkler, a red and a white—selected by retail manager Alexis Carr. 

My favorite on the new menu was a trio of plump arancini ($7) filled with melting, oozing Gruyere and floating in a killer tomato sauce. Perfect Italianate rice balls, somehow made to go with a gin cocktail. Another highlight is an oyster shooter with tobiko ($5). Tastes like a 60-minute warm-up for whatever comes next. Terrific idea. 

Soif, 105 Walnut Ave., Santa Cruz. 423-2020, soifwine.com

Bank It

The annual Santa Cruz Chef’s Dinner will be held Sept. 12 from 6-9 p.m. at 126 High St., near downtown. Always an unforgettable chance to dine well with friends and community to benefit Second Harvest Food Bank’s award-winning Food For Children program. After the 6 p.m. champagne reception and silent auction, this year’s six-course meal starts at 7:15. The menu, paired with local wines, will be prepared by chefs Peter Henry from The Cremer House, Ella King from Ella’s at the Airport, Steve Wilson of Cafe Cruz, Brad Briske from Home, Jeffrey Wall of Alderwood, and Anthony Kresge of Chef Anthony. For prices, go to thefoodbank.org

Staff Does Wine 

Here’s a chance to sample wines and meet the winemakers at Staff of Life Natural Foods’ “Taste the Best Fest” on Sunday, Sept. 8, from 3-6 p.m. on the patio at 1266 Soquel Ave. Pouring at the event will be winemakers Ian Brand, Marty Mathis of Kathryn Kennedy Winery, John Richey of Bottle Jack Winery, and Brandon Armitage of Armitage Winery. Robby Honda will pour samples of his artisanal Tanuki Cider. All to benefit Habitat for Humanities Monterey Bay. $10 advance on Eventbrite/$18 door.

Film Review: ‘The Nightingale’

When watching a rape-revenge film, which The Nightingale often pretends it isn’t, one hopes for something with enough aesthetic sensibility to conquer the basic manipulativeness of the premise.

The problem with so many of these films is their insistence on graphic depictions of sexual violence—as if viewers couldn’t possibly imagine being overpowered and taken by force.

The sickening fact is that far too many viewers know exactly how it feels, even without—as here—the multiple shots of our heroine, Claire (Game of Thrones’ Aisling Fraciosi), experiencing an assault.

We’re also supposed believe it’s news that rape would dehumanize us to the point where we’d want bestial revenge. The first prong of this fork underestimates our sensitivity, the second prong overestimates our genteelness. It’s surprising how little rape one needs to be ready for revenge. If a movie heroine wants to barbecue a rapist’s balls, I’ll hand her a match and a bottle of KC Sauce.

It’s 1825 in Van Diemen’s Land, today’s Tasmania, during the closing of a war of extermination against the local aborigines. This genocide, as Robert Hughes writes in The Fatal Shore, ended with the last native stuffed and mounted in a vitrine. The 20-ish Claire is an Irish criminal sent to the penal colony for some unspecified misdeed. She lacks the “ticket”—the papers that’ll enable her to leave the area, and the sardonic military officer Hawkins (Sam Clafin) who still owns her, despite her marriage to the man she loves, Aidan (Michael Shaesby).

Hawkins slaps her and throws her across a table; later, she’s subjected to a cabin invasion in which she loses everything. The assaulters are traditional grindhouse thugs: Hawkins the brute leader, Ruse (Damon Herriman) the slavering follower, and one scaredy-cat (Harry Weaving, Hugo’s son) who snivels in terror. After he leaves her for dead, Hawkins seeks to cross the unpacified island overland, to get to a northern garrison town. He hopes to outrun the bad news that might cost him a promotion. He hauls his vile soldiers with him, as well as an elderly native guide and a small parcel of yokels in shapeless hats.

Claire gets her husband’s rifle and his pony and tracks her rapists. The Nightingale might have increased its appeal by going full True Grit, cutting the assault time and amping the frontier menace. Like Rooster Cogburn, the aborigine guide Billy (Baykali Ganambarr) is discovered nursing a bottle, refusing to help until he’s bribed. Like Mattie Ross, Claire shows her mettle by challenging a raging river on horseback, and like Mattie, Claire misfires her gun right when she has her quarry in her crosshairs. Kent insists on real-life consequences to this horror—that Claire’s thirst for vengeance is shallower than she thinks, and she sickens from the taste.

A plus in The Nightingale is the terrain. Shadows of lone dead trees stand against the gloaming. Claire’s dreams of the crying of a baby fade into the nocturnal shrieks of the Tasmanian devils. The juicy chortle of the currawongs mirror the loneliness of the forest. Kent chose to shoot in Academy ratio, which means aggressors can steal in from the side of the frame unnoticed, just as the pursued can jump out fast into the underbrush. During Claire’s first ordeal, there’s no room to escape. She dominates the screen in wrath or in sobbing anguish, her pale face laced with a victim’s blood.

First-time actor Ganambarr has a voice with little inflection, and there’s some bits of acting that aren’t in his range. In a mourning scene, Kent first hides his face, then goes long and wide, so his wail of grief fills the skies. The man has a gift for comedy.  Ganambarr is warm and likable, with a kind of cool stoner’s self possession. There are a few incidents of mordant humor—a farmer blasts at Billy as he tries to steal a bag of flour from his hovel; the slug hits the bag and gives Billy a slapstick dusting right in the face. 

As with an indifferent Western, something just keeps you watching this, no matter what—even in the wandering last hour, when Billy and Claire are separated and later rescued by Quaker types. The title is fraught. On one level, The Nightingale takes its name from Claire’s sweet singing of a capella Irish ballads. Likely it’s also meant to echo the legend of Philomela, the raped woman transformed into a nightingale (fussy scholars insists it was actually a swallow).

In Metamorphises, Ovid retold the primordial rape-revenge story, bridging the eons between Sophocles’ lost Tereus and Shakespeare’s ghastly Titus Andronicus. In Horace Gregory’s translation, Philomela’s outraged sister considers various methods of payback: “Cut off the genitals that injured you.” How ancient, the elements of this peculiarly basic form of entertainment. 

The Nightingale

Directed by Jennifer Kent. Starring Aisling Fraciosi, Baykali Ganambarr and Harry Weaving. R; 138 Mins.

Be Our Guest—Pivot: The Art of Fashion

1

Admit it, you don’t really go to a fashion show to see the latest in clothing trends.

You want to see the art and craft these innovative designers use to dress their models. Pivot understands this, and doesn’t hide the fact that a fashion runway is really just another art show.

You will be dazzled by the outlandish, absurd and gorgeous outfits these designers have concocted for the upcoming show at the Rio.

We could be more specific, but that would spoil the fun. This show will feature Lisa Agliano, Ellen Brook, Lisa Ford, Charlotte Kruk, the Great Morgani, and more.

INFO: 7:30 p.m., Saturday, Sept. 21, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25. Information: riotheatre.com.

WANT TO GO?

Go to santacruz.com/giveaways before 11 a.m. on Monday, Sept. 16, to find out how you could win a pair of tickets to the show.

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