What do you think about the current situation with the COVID-19 virus?

“My thoughts are to take common sense precautions and wash your hands.”

Cameron Chiechi

Santa Cruz
Cook

“It’s a big hype and people are paranoid.”

Carol Seilenbinder

Ben Lomond
In-Home Support Service Provider

“It’s pretty gnarly, like some kids are wearing gloves at my school and a couple teachers didn’t think that we were going to get out of school, and now they’re scrambling to get our work to us. ”

Drew Baker

Construction/High School Student

“I am a person who has had surgery relatively recently, and I shouldn’t be out here. So, not paranoid, but trying to be careful.”

Sandy Lawton

Santa Cruz
Retired

“I think there is a lot of drama and panic going on, but I also think it’s important to keep in mind that we will continue to move forward and there will definitely be a light at the end of this tunnel. ”

Sarah Herzer

Santa Cruz
Student

Why DNA’s Comedy Lab Was Ahead of the Curve on Temporarily Closing

Last Thursday morning, DNA’s Comedy Lab became the first arts venue in Santa Cruz County to temporarily close due to concerns about COVID-19.

Many have since followed suit, including the Catalyst, Moe’s Alley, the Museum of Art and History, and more, even before county health officials issued a shelter-in-place order for residents. Co-owner DNA spoke to Good Times about how he and his partners came to that decision, and the potential ramifications for the venue and the community of artists who perform there.

Now a lot of entertainment venues have temporarily closed, but it’s always hard to be the first. How did you come to that decision?

DNA: I’ve been talking about it for a little while. My wife works at UCSC, so she’s been seeing what’s happening on campuses and was one of the first people to say this might have to happen. But we have four owners, and it was hard to get everybody on board. We just had one of the biggest weekends we’ve had. We sold out Doug Benson, we sold out the Irish Comedy Tour. And it was like, “Let’s keep this going.” But like we released in our statement, we care more about the health of our staff and our community and our traveling artists than anything else. I watch the news all the time, and this is uncharted territory. March 22 is our one-year anniversary, so it’s really bad timing for a worldwide pandemic.

What financial risks did you have to consider?

We have a huge overhead. So financially, how does this play out for us? We close for two weeks, but what happens in two weeks? Do we close for another two weeks? How are we going to survive? A major part of the money we get is from rentals, and a lot of our rentals have postponed or pulled out. So it’s not just that we’re cancelling the comedy shows; we’re losing the rental money, as well.

Is there anything that can ease the strain a little bit in the meantime?

For the last several months, I’ve been working to get us a nonprofit fiscal receiver, which I did. I originally went to the Santa Cruz Arts Council and they were full, they couldn’t accept us as a client. So they recommended a place called Fractured Atlas, and we got approved, so we can accept nonprofit donations now. We can hopefully find some deep pockets in town that can help us maintain this important community center.

How have you seen the arts closures, including the Lab, affecting artists?

Next weekend we had Kellen Urskine, who’s a comedian buddy of mine. He just had all of his gigs cancel. So he’s like, “How am I going to pay rent?” So it hurts the artists. How does the artist survive in a time when nobody will book them? We don’t know how it’s going to play out, but we’re already putting creative ideas into action. We’re setting up the experimental theater as a place where we can film and do livestreaming, and I’m pulling together a tech crew. On the creative side, we have a million ideas, but I’ve found a bunch of people who want to help us launch a livestreaming platform.

For comedy performances that are still going on, what changes do you think still need to be made?

What about the safety of the comedians? My thing was we need to stop using microphones. It may seem silly, but you have this instrument that’s three inches from your face that is covered in spit, and it’s not safe. So the way that comedy continues I think will have to go through some changes, as well.

We know you’re a germophobe. What has this COVID-19 scare been like for you personally?

Am I a germophobe, or am I Nostradamus? It’s like when you’re crazy, and then everyone else is crazy, and you’re like, “Welcome to my world.” I’m ahead of the curve.

What will have to happen for you to reopen?

Yeah, we did announce first, but everyone else announced that they’re done through March and we said March 22. We just picked a date, but that’s a floating date. It could certainly be longer than that. Our motto is “Building community through laughter.” So we’re not going to reopen until it’s safe for everyone. We’re really counting on Tom Hanks. I want to see what happens with him. When Tom Hanks is like, “It’s safe,” I think that’s when we’ll know.

To donate to DNA’s Comedy Lab, go to fundraising.fracturedatlas.org/dna-s-comedy-lab.


Coronavirus Coverage

For continuing in-depth coverage of the new coronavirus and its effects locally, visit goodtimes.sc/category/santa-cruz-news/coronavirus.

To learn about action you can take now, whether you’re seeking assistance or want to find ways of supporting the community, visit goodtimes.sc/santa-cruz-coronavirus-resources.

Rob Brezsny’s Astrology: March 18-24

We interrupt your regularly-scheduled horoscopes to offer insights about the virus-driven turning point that the whole world is now experiencing.

As you’ve probably guessed, all of us are being invited to re-evaluate everything we think we know about what it means to be human. I refer to this unprecedented juncture as The Tumultuous Upgrade or The Disruptive Cure. It’s fraught with danger and potential opportunities; crisis and possible breakthroughs.

And while the coronavirus is the main driving force, it won’t be the only factor. We must be ready for more rough, tough healings disguised as bumpy challenges in the coming months.

Here’s the astrological lowdown: Throughout 2020, there’s a rare confluence of three planets in Capricorn: Pluto, Saturn, and Jupiter. They are synergizing each other’s impacts in ways that confound us and rattle us. In the best-case scenario, they’ll also energize us to initiate brave transformations in our own personal lives as well as in our communities.

Below is a profile of each planet’s meaning.

When we are in intense and intimate relationship with Pluto—as we are now—we’re invited to dive down deeper: to see life from the soul’s perspective rather than from the ego’s; to seek wealth and meaning not as they’re defined by the material world but as they’re understood by the part of us that’s eternal. Descending into the mysterious Plutonian depths can be disruptive to our conscious beliefs and intentions, but may ultimately be profoundly regenerative.

When we are in an intense and intimate relationship with Saturn, we’re invited to get more serious and focused; to register the fact that we don’t have unlimited time and energy, but must firmly decide what’s important and what’s not. We’re asked to be ruthlessly honest about the roles that are most likely to bring out the best in us.

When we are in an intense and intimate relationship with Jupiter, we’re invited to risk growth and expansion; to take proactive responsibility for seeking the rich experiences that our souls long for; to aggressively enhance our lust for life.

Now I invite you to meditate on the potent mix of Plutonian, Saturnian, and Jupiterian energies. I encourage you to respond to the convulsion by deepening your understanding of how profoundly interconnected we all are and upgrading the way you take care of yourself, the people you love, and our natural world.

In the horoscopes below, I suggest personal shifts that will be available to you during this once-in-a-lifetime blend of planetary energies.

ARIES (March 21-April 19): Possible crises in the coming months: 1. Your power spot may be challenged or compromised. 2. Your master plan might unravel. 3. There could be disruptions in your ability to wield your influence. Potential opportunities: 1. You’ll be motivated to find an even more suitable power spot. 2. A revised master plan will coalesce. 3. You’ll be resourceful as you discover novel ways to wield your influence.

TAURUS (April 20-May 20): Possible crises in the coming months: 1. Your vision of the big picture of your life may dissipate. 2. Old reliable approaches to learning crucial lessons and expanding your mind could lose their effectiveness. Potential opportunities: 1. You’ll be inspired to develop an updated vision of the big picture of your life. 2. Creative new strategies for learning and expanding your mind will invigorate your personal growth.

GEMINI (May 21-June 20): Possible crises in the coming months: 1. There may be breakdowns in communication with people you care about. 2. Contracts and agreements could fray. 3. Sexual challenges might complicate love. Potential opportunities: 1. You’ll be inspired to reinvent the ways you communicate and connect. 2. Your willingness to revise agreements and contracts could make them work better for all concerned. 3. Sexual healing will be available.

CANCER (June 21-July 22): Possible crises in the coming months: 1. Friends and associates could change in ways that are uncomfortable for you. 2. Images and expectations that people have of you may not match your own images and expectations. Potential opportunities: 1. If you’re intelligent and compassionate as you deal with the transformations in your friends and associates, your relationships could be rejuvenated. 2. You might become braver and more forceful in expressing who you are and what you want.

LEO (July 23-Aug. 22): Possible crises in the coming months: 1. Your job may not suit you as well as you wish. 2. A health issue could demand more of your attention than you’d like. Potential opportunities: 1. You’ll take innovative action to make your job work better for you. 2. In your efforts to solve a specific health issue, you’ll upgrade your entire approach to staying healthy long-term.

VIRGO (Aug. 23-Sept. 22): Possible crises in the coming months: 1. Love may feel confusing or unpredictable. 2. You may come up against a block to your creativity. Potential opportunities: 1. You’ll be energized to generate new understandings about how to ensure that love works well for you. 2. Your frustration with a creative block will motivate you to uncover previously hidden keys to accessing creative inspiration.

LIBRA (Sept. 23-Oct. 22): Possible crises in the coming months: 1. You may experience disturbances in your relationships with home and family. 2. You may falter in your ability to maintain a strong foundation. Potential opportunities: 1. Domestic disorder could inspire you to reinvent your approach to home and family, changing your life for the better. 2. Responding to a downturn in your stability and security, you’ll build a much stronger foundation.

SCORPIO (Oct. 23-Nov. 21): Possible crises in the coming months: 1. There may be carelessness or a lack of skill in the ways you and your associates communicate and cultivate connectivity. 2. You may have problems blending elements that really need to be blended. Potential opportunities: 1. You’ll resolve to communicate and cultivate connectivity with a renewed panache and vigor. 2. You’ll dream up fresh approaches to blending elements that need to be blended.

SAGITTARIUS (Nov. 22-Dec. 21): Possible crises in the coming months: 1. Money may be problematic. 2. Your personal integrity might undergo a challenge. 3. You could get lax about translating your noble ideas into practical actions. Potential opportunities: 1. You’ll find inventive solutions for boosting your wealth. 2. You’ll take steps to ensure your ethical code is impeccable. 3. You’ll renew your commitment to translating your noble ideals into practical action.

CAPRICORN (Dec. 22-Jan. 19): Possible predicament during the coming months: You may have an identity crisis. Who are you, anyway? What do you really want? What are your true intentions? Potential opportunity: You’ll purge self-doubts and fuzzy self-images. You’ll rise up with a fierce determination to define yourself with clarity and intensity and creativity.

AQUARIUS (Jan. 20-Feb. 18): Possible crises in the coming months: 1. You’ll be at risk for botched endings. 2. You may be tempted to avoid solving long-term problems whose time is up. Potential opportunities: 1. You’ll make sure all endings are as graceful and complete as possible. 2. You’ll dive in and finally resolve long-term problems whose time is up.

PISCES (Feb. 19-March 20): Possible crises in the coming months: 1. Due to worries about your self-worth, you may not accept the help and support that are available. 2. Due to worries about your self-worth, you might fail to bravely take advantage of chances to reach a new level of success. Potential opportunities: 1. You’ll take dramatic action to enhance your sense of self-worth, empowering you to welcome the help and support you’re offered and take advantage of chances to reach a new level of success.

For more on The Tumultuous Upgrade, go to freewillastrology.com.

Funk-Soulster Fantastic Negrito’s New Alter Ego

Xavier Amin Dphrepaulezz talks a mile a minute when on the topic of his alter ego, Fantastic Negrito.

In 2015, he shot up from obscurity as the 2015 winner of NPR’s Tiny Desk contest. Now with two full-lengths and two Grammy wins, his talent was clear in that initial single-take video he shot in an Oakland industrial elevator. The song harkened back to old blues and gospel but jumbled together with modern funk and soul until it was nearly impossible to pinpoint any single genre influence—a conglomeration of hundreds of years of Black American music, done with a lot of groove.

Now we’ve switched gears to talk about his new alter ego, Shigamabu—the first time he’s mentioned said alter ego in the press, he tells me. Shigamabu is a character people are likely to become better acquainted with on his new album, Have You Lost Your Mind Yet?, which should be out later this year.

“This is an exclusive,” he tells me. “Shigamabu is a colorful character I created. He’s an anti-hero, because Fantastic Negrito is a hero to me. Shigamabu is funky. He’s got soul. He wants to have a good time. He’s my Ziggy Star Black. I don’t know if I can trust him yet.”

It’s unclear what role Shigamabu plays on Have You Lost Your Mind Yet?, but he will at least appear on a tune Dphrepaulezz did with legendary Bay Area rapper E-40, who resurrected his character Captain Save A Hoe to play therapist to Shigamabu.

“Men in bands, they say, ‘She’s a hoe.’ I say men are the hoes,” Dphrepaulezz says. “Shigamabu is confessing to being a hoe. He needs Captain Save A Hoe to come save him. It’s pretty funky.”

It’ll still be a Fantastic Negrito record, but Dphrepaulezz is constantly looking to change things up and reinvent himself. He always has. Back in the ’90s, he was just known as Xavier. He had a major label deal, but lost it—along with three years of his life—to a coma after a serious car accident. Music went on the backburner. He didn’t even want to do the NPR Tiny Desk Contest video that relaunched his career—his friends talked him into it.

“I didn’t feel a part of things that were mainstream,” Dphrepaulezz says. “I felt on the outside, like I didn’t fit in. I think once I embraced that I was a little different. Then it really started to work for me.”

He went into recording his debut full-length as Fantastic Negrito already in his late 40s, trying to carve out a music career. But he didn’t let it stress him out.

“I just feel like, ‘Who cares?’ Nobody cared anyway. I’m this guy that is middle-aged playing in the streets,” Dphrepaulezz says. “The pressure is on rappers. The pressure is on pop stars. I don’t feel any pressure. I think when you live as long as I have, it’s an opportunity to just speak the truth.”

On his second album, Please Don’t Be Dead, he featured a photo of himself after the accident in the hospital, a move the marketing department at the label didn’t care for. He talks about his own struggles and redemption, but much of the album addressed the nation and our crumbling democracy, greedy corporations and gun lobbyists.

With the new album, he turned his gaze on the people around him, his friends and neighbors, and tried to understand why they—and he himself—are going crazy.

“I was looking at everything big and broad. I thought it would be great to make an album to hold our feet to the fire,” Dphrepaulezz says. “I’m talking about my friends, who I see suffering from some form of undiagnosed mental illness. I’m talking about myself. Writing like that was extremely difficult.”

The first video from the album should come out soon. It’s a collaboration with Tank and the Bangas, who won NPR’s Tiny Desk contest in 2017.

“I’m now announcing it to the press for the first time. Two Tiny Desk winners collaborate on a record—it’s never happened before in the history of our planet,” Dphrepaulezz says. “I’ve won two Grammys. Tank is nominated. That’s the power of the Tiny Desk. I owe so much to them. They’re amazing. And they believe in people.”

Suspended Liminal Time: Risa’s Stars March 18-24

Esoteric astrology as news for the week of March 18, 2020

Between this suspended time of anguish, fear, and hope, a new reality is forming.

Astrologically, the three rays–Ray 1 (purpose, creation, destruction), Ray 2 (love/wisdom), Ray 3 (creative intelligence), or Pluto (1), Jupiter (2) and Saturn (3)–are disrupting the status quo. In the sign of Capricorn, they are “shining on the mountaintop.” Their work is to transform (Pluto) and intelligently restructure (Saturn) the world (economy, civilization, under Capricorn) under the law of love and wisdom (Ray 2, Jupiter). In turn, humanity is to restore and re-invent itself.

Everything is as it should be. This moment in time had to arrive (quickly–Uranus). It is a Ray 4 time–time for a new harmony to emerge from the chaos. A new creativity. Humanity thrives within chaos, and amazing things occur during times of crisis. We are in this chaotic (creative) period of time now. It is a liminal, in-between time, when old shadows fall away and a new clear light begins to be seen.

Within this liminal space we are called to develop, in quiet and solitude, new patterns, new rhythms, new ways of being, the new art of living. To grow a new garden. In the midst of everything “going dark,” gardening has not been cancelled.

Each sign has a task to perform, especially in times of change.

Aries: Initiator—Aries is to introduce and offer new ideas and new realities to the world. Aries does not implement these ideas or complete them. That is not their job description. Aries is to create the new ideas that become new ideals that form the future for humanity. This is the first fire, the first endeavor. What would you initiate, Aries? You are to ponder upon this.

Taurus: Stabilizer and comforter—Taurus takes the new ideas Aries initiates and anchors them into the world, establishing, securing and stabilizing them. Taurus prepares these new ideas of Aries for the next seven generations. The stability of Taurus brings comfort, surcease from sorrow, anxiety and fear. Taurus is the “great Comforter and great preparer.” What will you stabilize, Taurus?

Gemini: Humorist and butterfly—Gemini is to gather the newest information, identify facts and truths, disseminating them so humanity can begin to understand reality. Gemini, the two brothers, displays two sides of an issue, so humanity can identify the truth of the matter via comparison and contrast. Gemini is the two pillars of masonry; the love underlying world suffering. Gemini gathers the golden apples of the sun.

Cancer: Nourisher and nurturer—Cancer is to nourish the “little ones,” those who do not yet understand and those who do. An example of Cancer is Chez Panisse creator Alice Waters. When the ’60s revolution occurred in Berkeley, at the end of the day, the protestors were hungry. It was Alice who fed them. From these early nurturing origins, cookbooks and the famous and successful restaurants Chez Panisse and Fanny came forth. Cancer, under her shell and in secret, “nourishes” the world. 

Leo: Leader, lion and lover—Leo is to lead. All leaders are placed in leadership roles in order to learn to lead. It is their initiation, their test. True leaders love their people, are kind and understanding. Yet they wield a sword of justice, like King Solomon. True Leo leaders have a heart of gold. Leos are the lion-hearted, the kings and queens of the sun. The brave ones.

Virgo: Order and Organization—In times of change, order and organization, purity and cleanliness, directions and instructions must be established to maintain the health of the people. These are Virgo’s realms. When we follow health instructions—guidelines of cleanliness and purity—when we pray, when we follow the rhythm of the sun, we create order and organization, feeling empowered and in control. Anxiety, fear and chaos cease. Healing then begins.

Libra: Grace, beauty and relatedness—In times of crisis, balance is needed. Libra enters into the lives of humanity during times of transition. Libra works with Venus to bring about harmony and balance. The beauty of Librans, their smile and touch, soothes fear and anxiety. Libra tells us to create love and peace in the world. We begin with intentions for goodwill, which creates right relations, creating the balance and harmony humanity seeks.

Scorpio: Disciple, researcher—The world is at present in a state of transformation, transmutation and reorientation, from old ways to the new. It is a phoenix-like state, wherein the old is placed in the fires so a new era can be forged. Scorpio understands these things. This is their everyday life. Scorpio is the researcher. They delve deep into the dark underbelly of the world, emerging later with the light of truth. Scorpio teaches us dark to light, death to immortality.

Sagittarius: Professor—Teaching justice, leading the journey with music. Humanity needs music during times of conflict and chaos. Sagittarius is the musician who works with the Gandharvas (music of the spheres, the flutes and lutes of Krishna). Music for the journey from the old to the new.  

Capricorn: Initiate in the world—Capricorn looks around and says, “What an auspicious opportune time we are in!” Capricorn works in the world of men (thinkers), participating in all the seed groups, within all the endeavors of humanity. Capricorn creates the new structures for the new world order, under the new laws and principles. Standing in the light of the sun, Capricorn hears humanity’s suffering and walks down the mountain to meet it, gathering servers along the way.

Aquarius: Server and friend to everyone—You break up the old ways, break down the bureaucracy, eliminate obstacles and all that obstructs humanity from building the new era. You summon from the future, the new world filled with ideas and ideals of community, the keynote of the Aquarian Age. You define, explain and actually live the Aquarian new laws and principles so everyone can understand. You are a friend to everyone.

Pisces: Healer and world savior—Pisces understands isolation, crucifixion, darkness, quiet, retreat, solitude, and tells us we can endure the darkness if we remain quiet and in retreat. After withstanding this darkness, the dark will begin to become light again. Pisces calls all disciples to stand in the light and radiate the light. When radiating this light to the world, we turn the darkness into day, walking in sunshine.

Restaurants Heighten Safety Practices Amid Coronavirus

Things have changed, and our local restaurants are doing their best to pivot. Fast.

Below are some interviews with restaurant and coffeehouse owners who outlined what steps they took to ramp up best practices before the restriction on social gathering. The new paradigm, for those who can make the switch, involves take-away foods to be picked up curbside. Check in with your favorite restaurants about their curbside pickup options.  I’ll be reviewing a few of these strategies next week. Think about all the food service workers currently struggling. Order out and pick up!

Here’s the new normal from Patrice Boyle, owner of La Posta and Soif: “Both Soif Wine Bar and La Posta closed on the weekend. We expect to reopen at a safe time, which we hope is before too long. Like so many local restaurants, we closed because we care for our families and coworkers, the supplying farmers and producers, and the entire community. The path forward is about helping to flatten the curve.” Boyle underscores the obvious: “As hard as this is on the businesses—and it is—this is really, really hard on employees. So please, keep them in your hearts and be generous with your tips if you find yourself at a food counter or takeout spot. Be generous with delivery drivers. And be generous with everyone else, too. Support local producers.” Boyle plans to begin takeout at La Posta and at Soif, with curbside pickup, “probably on Wednesday.”

Many of our local dining spots are being proactive, getting ahead of patron concerns by implementing new procedures or tightening up ones already in place. Cafe Sparrow in Aptos and Avanti on the Westside now offer their menus for curbside pick-up. Ristorante Italiano offers take-out via DoorDash. Paul Cocking of Gabriella emailed to say that Gabriella Cafe is updating its menu every few days for “to go orders only. You can call us at 457-1677 and we will have it ready for you. Or you can use Uber Eats and DoorDash.” Cocking will make menu orders available “out front here—a bank check would be easiest.” 

Bad Animal in downtown Santa Cruz was among the first to initiate curbside delivery of simple, family-style dinners. It was easy to work their online ordering service, even though the menu was small—beef stew with vegetables and rice (or vegetable stew) and one of the excellent house salads, and a dessert. Even a bottle of wine, and the inclusion of a place to leave a tip. It was thoughtful and appetizing. Looking forward to my first foray.

Here are some best practices for when eating places can reopen for on-site service:

Kelly Sanchez of Kelly’s: “We have always had a strict hygiene policy, but we have certainly increased the vigilance since the news of this COVID-19 virus has been dominating the media.

Employees use tongs, or gloves, or tissue to retrieve any food items.” One interesting part of this issue, Sanchez realizes, involves handling money. “We still must touch money, and of course the common cash register now is a screen shared both by the cashier and the customer. The customer must sign with their finger on the screen if it is a credit card charge. The customer is able to swipe their own charge card so that our employee does not have to touch the card, but still, the shared screen experience is one of the weak spots in cross contamination.” So Kelly’s staff are wiping down the screen with a sanitizing solution between transactions. “This being said, there is still the issue of handing a customer an extra cup or a utensil after touching the screen or money. Our staff is instructed to wash their hands before performing a task that would require touching anything else after touching money or the screen. This of course slows down the ordering process, but not by much.”

“I don’t know how this whole thing will evolve, but I do think it an excellent result that suddenly the public—not just food service and medical-related employees—are discovering that hand-washing is a very good idea.”

Sanchez posts notices regularly “to keep all of our employees constantly reminded and informed about the need to be aware of excellent hygiene and sanitation practices. It is a continuous part of the job of owning and operating a food service establishment, even without a new threat. The most important thing is that if anyone is sick that they stay home, whether it is an employee or a customer. All in all, we are doing everything we can.”

John N. Bilanko of Iveta: “Our position is to not panic or overreact when so little is known about the extent or severity of the virus. Iveta continues to monitor the situation, and will take “whatever actions are recommended by public health authorities.” Iveta reduced its opening hours last week to 8am – 1pm. Now for pick-up only.

Louisa Beers of Gayle’s Bakery listed focus areas as part of prevention awareness. These measure include reminding staff not to come to work if sick and directing managers to be actively looking for symptoms. “All high touch areas are disinfected hourly, and hand sanitizers and tissues are placed in key locations.” Beers underscores all the sanitation practices with this proviso: “We are meeting several times a day to update these practices as information becomes available.”

Patrice Boyle on best practices for when the restaurants can reopen: “We are drilling the staff about hand-washing and their own health. We are adding sick days to everyone’s existing paid time off, so they feel less pressure to come to work if they don’t feel well. We are enhancing our surface cleaning/disinfecting practices with more frequent cleanings (mid-shift wiping the doors, for example). We’ve added hand sanitizing dispensers to the restrooms, retail shop and server areas.” Boyle says her chefs and managers are “as serious about this as I am. At Soif, the restroom lavs have a motion sensor faucet and towel dispenser, at la Posta, the plumber is supposed to be in this week to install a new faucet. And, we’re thinking about other new ways to stay clean and safe. And everyone washes their hands all the time!” Boyle says she’s “trying to put a delivery/takeout program together in the event peeps don’t want to venture out. On the whole, though, my restaurants already operate on the premise that health and safety are the biggest issue, so, we’re just dialing everything up.” Boyle also notes that “the way this seems to be rolling out highlights the need for healthcare for all, and mandates for better sick-leave policies.”


Coronavirus Coverage

For continuing in-depth coverage of the new coronavirus and its effects locally, visit goodtimes.sc/category/santa-cruz-news/coronavirus.

To learn about action you can take now, whether you’re seeking assistance or want to find ways of supporting the community, visit goodtimes.sc/santa-cruz-coronavirus-resources.

Love Your Local Band: Wide Eyed

For nearly a decade, Brett Nickel wrote highly personal songs while struggling with depression and addiction. But other than the occasional open mic, it was a private affair. That changed in 2017, when Nickel lost his dad to suicide. The loss was devastating.

“The place I was at in life, I needed a voice at that time,” Nickel says. “My dad was my best friend. He’s who I got the love for music from. He raised me on all the classics: The Stones, Zeppelin, Floyd, Beatles, Tom Petty, Neil Young.”

Previously, Nickel had played drums in several bands (St. Geme, Sugar Sauce, Invoke), but he never fronted a band playing his own music before. That same year he lost his dad, he put together the first version of the band, called Nickel Trio, with his stepbrother Leo MacDonald on bass, and a drummer, who was soon replaced by one and then another. The band later changed its name to Nickel Experience and finally to Wide Eyed. They played their first show as a trio at the Blue Lagoon in September 2017. They later added lead guitarist Paul Chronopolous, which gave the songs a fuller twin guitar sound.

The various elements of mid-tempo classic rock, arena level choruses, emotive guitar solos, and introspective lyrics came together. But it was the intense emotionality of the tunes that were their anchor more than anything. The songs had a spontaneous component to them. The songs in Wide Eyed’s set range across the past decade that Nickel has been writing music, but they all capture a spontaneous moment of emotion in the time they were penned. They were always written in a day or two, as inspiration hit.

As Wide Eyed played live, the songs came together. Since Nickel wrote most of them in the privacy of his home, getting the feedback from audiences—particularly which sections were emotionally impactful—helped immensely.

“I definitely become more comfortable in my voice,” Nickel says. “It really keeps me inspired. It keeps me writing new stuff. There’s a lot of songs you don’t know how they’ll impact people until you play them in front of a crowd. And then a person comes up to you afterwards and says, ‘Hey you know, that one really got me.’”

The group released its debut EP Alternate Reality at Abbott Square in July 2019. (It was released online in early 2020). For this album, Nickel recorded the drums, guitar and vocals himself. MacDonald played bass and Chronopolous added some lead guitar part. It’s a guitar-driven rock record that tells a complete story, beginning to end. The opening song deals with the idea that there are different dimensions, and the possibility that what we perceive as reality may be a dream, just like everything else.

“I look at music as something that comes from a higher place. I am open to letting it flow through me and delivering that light and message to the people who choose to listen and need it to heal. If I can do that, my life is more fulfilling,” Nickel says. “Music had a huge role in saving my life by giving me a way to release pain I couldn’t otherwise.”

Since recording the EP, they’ve added a sax player and have a keyboardist who plays with them on occasion. For future recordings, Nickel wants to capture the full band energy that they’ve fostered at gigs, and definitely get those sweet keyboard and sax parts on there to really broaden the sound.

“I’m actually finding that the more musicians the better. I like the way it sounds. It’s pretty exciting,” Nickel says.

Film Review: ‘Wendy’

Benh Zeitlin has very specific ideas about how a movie should look and feel, and what kind of story it tells. His first movie, the dreamy, impressionistic Beasts of the Southern Wild, explored themes of childhood resilience, the power of nature, adult frailties, and community. All of those ideas resurface in his sophomore effort Wendy.

As the title might imply, Wendy is the filmmaker’s nod to the Peter Pan legend. It’s a modern remix of the story of children who refuse to grow up, relocated to an uncharted island off the southern wild of America (it was shot largely in and around Louisiana bayou country), and told not from the viewpoint of Peter but from that of the little girl who, along with her two brothers, is caught up in his dream of eternal childhood.

Written by Zeitlin and his sister Eliza Zeitlin, the movie stays grounded as much as possible in everyday reality—the kids’ mom runs a diner at a whistle-stop on a freight train route; they hop a slow-moving train to “fly” away—kissed with a dash of magic realism. Their take on familiar Peter Pan tropes is often deftly done, from the fate of Lost Boys who outgrow Peter’s tribe, to an eerie, unsettling origin story for Captain Hook.

The movie’s dark, moody look—with close-ups of poignant childrens’ faces by night, plunges underwater into murky depths—is interspersed with glorious vistas of pearly beaches, riotous tropical vegetation, and a steaming volcano. (Exteriors were filmed in Mexico, and on the Caribbean islands of Antigua and Montserrat.) But how well the story works may depend on whether or not you think the idea of never growing up is a good thing.

Young Wendy (Devin France) and her twin brothers Douglas (Gage Naquin) and James (Gavin Naquin) have grown up in the diner run by their mama (Shay Walker). The train rattles by every night, and when they see a giggling figure scampering over the boxcar roofs one night, luring them to come away, they clamber on board. He is Peter (Yashua Mack, a native of Antigua with a head of bouncy rasta dreads), who leads them to a mysterious volcanic island far out below the train trestle where he and his tribe of unsupervised children play all day long and never age.

Nonstop play is the main attraction, but there are rules. Respect is due to “The Mother,” an underwater entity lurking beneath the bay (half-glimpsed reptilian hide, sentient eyes, and swarms of sparkling lights) that protects the children, and thrills them with the steaming volcano and random geysers bursting out of the earth. But the minute any child starts doubting the magic (Peter is always exhorting them to “Just believe in yourself and jump!”—into lagoons, off cliffs, etc.), the doubting child starts growing up.

The folly of aging is exemplified by a colony of elderly former lost boys (and girls) relegated to a miserable tent city on a rocky shore of the island. They seem to age directly from children into silver-haired seniority the minute they stop believing in Peter’s magic. These bleak and dispirited oldsters resent the children as much as the kids condemn them for the crime of growing up. It’s the eternal conflict between sedate age and reckless youth, given an environmental edge here when the grown-ups’ clueless pursuit of their own agenda endangers the “Mother”—which may be a bit more metaphor than this fanciful little movie can bear.

Zeitlin’s non-professional cast feels very authentic. But with tyrannical, unrestrained kids and cranky elders as the only role models, it’s hard for viewers to embrace either camp. The Zeitlins’ coda attempting to both celebrate the mysterious adventure of growing up and bewail the pathos of lost youth feels a bit halfhearted and unresolved. The movie rackets along on odd bits of beauty, weirdness, exuberance and regret, but the story tends to meander, and it never feels like it quite gets anywhere.

WENDY

**1/2 (out of four)

With Devin France, Yashua Mack, Gage Naquin, and Gavin Naquin. Written by Benh Zeitlin and Eliza Zeitlin. Directed by Benh Zeitlin. A Fox Searchlight release. Rated PG-13. 112 minutes.

How Coronavirus is Affecting Santa Cruz Artists and Organizers

As COVID-19 began spreading through California,  Event Santa Cruz owner Matthew Swinnerton says he was initially loath to postpone the 11th annual NEXTies, an awards show celebrating Santa Cruz’s best and brightest that was originally scheduled for this upcoming Friday. 

But over the past few weeks, health officials began releasing stricter and stricter guidelines in light of a growing number of COVID-19 cases. It became quickly apparent, Swinnerton says, that rescheduling the event was the right thing to do—even if it wasn’t easy.

“Oh man, it hurt!” says Swinnerton, whose business model is built around bringing together crowds of people for events like the NEXTies. “We were gonna keep on going, until we thought there would be more of an actual outbreak in Santa Cruz, but then we heard there were two people, and then three and then four [infected], and what really clinched it is when the health agencies recommended canceling events of 50 people or more. At that point, we felt the seriousness of it.”

The Santa Cruz County Health Services Agency (HSA) has been recommending that no one host gatherings of 50 or more people through March 22. Last week, a wave of cancellations and postponements started sweeping through the region. 

It’s also been the trend nationwide. The NBA suspended the rest of its season indefinitely, prompting the other major sports leagues to follow suit. Not long after came the suspended seasons of development-league basketball teams, like the Santa Cruz Warriors. 

In Santa Cruz on Monday, the HSA issued a shelter-in-place order asking county residents to limit all trips to “essential” activities, like trips to the grocery store. The Beach Boardwalk is closed through March 27. The county’s K-12 schools are closed all this week (although they’re still offering limited services, including free meals to some students). UCSC and Cabrillo College have suspended all but a few in-person classes, offering online instruction wherever possible. UCSC also postponed most of its Alumni Weekend events indefinitely. The city of Santa Cruz is limiting non-essential travel and in-person meetings and classes, even temporarily shuttering the city’s library system. 

The wave of cancellations hit the arts first—and hard.

Venues like the Catalyst, the Rio Theatre, Felton Music Hall, Michael’s on Main and DNA’s Comedy Lab have all cancelled or postponed shows. The Santa Cruz Museum of Art and History is also closed through this Sunday. The Santa Cruz Symphony has cancelled two concerts at the end of the month. The Watsonville Film Festival has been postponed. The Motion Pacific dance studio is closed through March 20. Landmark Theatres, owner of the Nickelodeon and Del Mar Theatres, announced it is temporarily closing all of its cinemas, as did the Regal chain, owner of the Santa Cruz Cinema 9.

It’s anyone’s guess when this event hiatus will end. 

According to the most recent announcements from health officials on Monday, the county has confirmed nine cases of COVID-19. County Health Officer Gail Newell doesn’t know when it will be safe again to hold events of 50 or more people. If the virus peters out in the spring, that will be welcome news—for event organizers and for everyone else. But if it doesn’t, the wait could go on much longer.

“We can anticipate that this disease will be with us for the next few weeks at least, possibly months,” Newell says. “We’re hoping this virus behaves like a flu virus, where it wanes during warmer months and that it will be seasonal. A vaccine will not be available until a year from now—April of 2021.”

RESPONSIBLE PARTIES

Social distancing and isolation are behaviors recommended to slow the spread of disease. 

Even if these methods cannot stop disease spread altogether, they can at least make it so that the rate of illnesses doesn’t spike quickly, a phenomenon that would place a huge strain on the nation’s healthcare system.

Last week, the HSA announced that the virus appears to be spreading within the community, and the agency has shifted its strategy away from containment toward one of mitigation. Social distancing measures are still in place.

Do-It-Ourselves Fest organizers did not take lightly their decision to cancel the eighth annual celebration of music and community in Boulder Creek. Drew Fisher, one of the festival’s co-directors, is scrambling to adapt, but he says it’s all probably for the best.

“We try not to subscribe to fear-based decision making,” he says, “but it became really clear that it’s more than that. It actually makes a lot of sense to slow the spread of a virus, to not overwhelm our hospital facilities.”

Fisher understands that the concertgoers might not have been at much risk from COVID-19, but he knows that large gatherings can pose a threat to other members of the broader community.

County spokesperson Jason Hoppin says healthy people can carry and spread the virus to more vulnerable people around them, even without presenting any symptoms. “The risk to them is almost nonexistent; it’s probably going to be a mild cold, but it can be extremely dangerous if you give that to your grandfather,” he says.

The impacts of the virus also extend far beyond public health and safety. COVID-19 has begun stoking fears of a potentially slowing economy, and Fisher says artists are already hurting.

“I think artists are hungry right now,” Fisher says. “I’m obviously out of work now; all my artist friends are out of work.”

In lieu of a festival, Do-It-Ourselves organizers are brainstorming new ways to promote the artists and contributors. Fisher says they may consider livestreaming concerts.

Similar brainstorming efforts stretch far and wide. An international coalition of artists have created an online resource page for creatives who rely on freelance work at covid19freelanceartistresource.wordpress.com. Brown Paper Tickets, a vendor for many Santa Cruz events, recently sent an email to its entire mailing list asking them to support the arts by buying a ticket for a future event, in light of widespread postponements and cancellations. 

Hoppin says county leaders are not taking the community members’ life adjustments, big and small, for granted. 

“We have been very pleased so far with the cooperation of the community, heartened and amazed, actually, at the number of people that have made real sacrifices,” he says.

EMERGENT CARE

Of course, not all events are arts-related. COVID-19 could prove disruptive to political movements as well. 

Organizers of a planned signature-gathering campaign to try and block a parking garage from getting built downtown have put their plans on indefinite hold, in light of disease risk. 

The climate action group Extinction Rebellion Santa Cruz has felt the impacts of the epidemic, as well. The group typically organizes public protests, like the “Civil Disco-bedience” action it hosted outside the Chase bank on Ocean street on Feb. 28, when five protesters were arrested. It had a climate forum planned for this Friday, featuring bestselling author Jonathan Franzen. 

However, the coronavirus left organizers like Peter Melton with an uncomfortable choice, as they tried to weigh the existential threat that is climate change against a looming public health crisis. Extinction Rebellion’s Santa Cruz branch decided to postpone its discussion. 

As they reflect on that difficult decision, activists are starting to think about different ways of mobilizing going forward. 

“It instantly cut through the strategy of getting people together so that we could try to raise awareness,” Melton says. “So we’ve got to look at new ways; the strategy has to adapt. How do we do this online? How do we utilize this lesson while taking all the precautions we need to take?” 

If there’s any good news, Melton says it’s that the new coronavirus may offer climate activists like himself a new dimension to their work. Generally speaking, civil disobedience, he explains, is an attempt to disrupt business as usual, hopefully forcing everyday people to stop and rethink everything in their lives. 

Pretty soon, COVID-19 may start doing that work for them.

“I’m holding onto the silver lining that this is perhaps the right size of emergency,” Melton says, “that might wake up our culture to the grander emergency that lurks right behind it.”

Jacob Pierce contributed to this report.


Coronavirus Coverage

For continuing in-depth coverage of the new coronavirus and its effects locally, visit goodtimes.sc/category/santa-cruz-news/coronavirus.

To learn about action you can take now, whether you’re seeking assistance or want to find ways of supporting the community, visit goodtimes.sc/santa-cruz-coronavirus-resources.

A Tempting Tempranillo From Sonnet Wine Cellars

Tony Craig has been turning out superb wines for some time. But his career in the wine business was a twist of fate. As a Shakespearean actor (hence the name Sonnet on his label) from England hoping to make it in Hollywood, things didn’t pan out as planned. Answering an ad for a cellar worker at the reputable David Bruce Winery in 1991 paved the way for Craig’s career in winemaking.

Now, as winemaker at the prestigious Savannah-Chanelle Vineyards in Saratoga, he also crafts wine for Silver Mountain Vineyards and others.

Craig is perhaps better known for his fine Pinot Noirs, but a Santa Cruz Mountains Gali Vineyards 2016 Tempranillo I tasted ($35) is very impressive. Smooth and appealing, this well-made wine has lush flavors of cherry, plum and fig, with touches of leather and clove. It’s a perfect-pairing wine with tapas (the Tempranillo grape hails from Spain, after all) and Mexican food.

Sonnet wines can be found all over, including Deer Park Wine and Spirits in Aptos and at the Silver Mountain Vineyards tasting room in the Swift Street Courtyard on the Westside.  

sonnetwinecellars.com.

High Time for Tea and Fashion

The Aptos Chamber of Commerce is putting on a tea and fashion show to benefit Jacob’s Heart Children’s Cancer Services. It will include local stores showcasing their spring lines, a delicious buffet with tea sandwiches and desserts, an array of trunk-show vendors, and a wonderful auction. Cost is $60 per person; add $25 for bottomless mimosas. The event is 11:30am-2pm on Sunday, March 15, at Seascape Beach Resort. Visit aptoschamber.com for tickets and info.

Sheep to Shawl at Live Earth Farm

Experience and participate in the process of bringing wool from the sheep to the shawl. Guided hands-on steps will help you turn wool into clothing, toys and accessories. The event is 10am-2pm on Saturday, March 21, at Live Earth Farm, 1275 Green Valley Road in Watsonville. 

728-2032. liveearthfarm.net.

Sausage at Chocolate

Chocolate the Restaurant will feature house-made sausage specials March 11-18. 

chocolatesantacruz.com.

What do you think about the current situation with the COVID-19 virus?

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Love Your Local Band: Wide Eyed

Local rockers connect to audiences with deeply personal songs

Film Review: ‘Wendy’

It’s children vs. grown-ups in this Peter Pan remix

How Coronavirus is Affecting Santa Cruz Artists and Organizers

With widespread cancellations, no one can say when events will be safe again

A Tempting Tempranillo From Sonnet Wine Cellars

Gali Vineyards turns out an impressive Tempranillo. PHOTO: COURTESY OF SONNET WINE CELLARS
This smooth wine is a perfect pairing with tapas
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