Opinion: September 11, 2019

EDITOR’S NOTE

We were saddened here at GT to hear of the passing of longtime friend of the paper Angelo Grova in July. With his groundbreaking FashionArt shows, Angelo obviously had a huge impact on Santa Cruz culture. But he changed how we wrote about fashion here in the alternative press here, too. Back in the day, the annual “fashion issue” was a joke. We always seemed to end up writing some variation on the tired cliché about how Santa Cruz had no fashion. I’m sure it was as much of a drag for readers as it was for us.

But Angelo changed all that with FashionArt. Suddenly, there was something exciting to write about in the world of Santa Cruz fashion. There were bold, eye-grabbing photos of pieces by local designers and artists. That talent may always have been here, but Angelo gave it a showcase.

You can see Angelo’s legacy in this week’s cover story by Susan Landry on Pivot: The Art of Fashion. Rose Sellery and Tina Brown, who both worked with Angelo on FashionArt before starting Pivot, have long been two of the most innovative fashion mavens in this area. And they are fostering new talent, like 18-year-old designer Josie Harris, whose “American Gothic” in this year’s show is both a wearable art piece and a political statement on gun violence. That Santa Cruz can now have something as edgy and challenging as her work in its largest fashion show is a testament to what Angelo started here, and this fashion issue is dedicated to his memory.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Louie, Louie

Louie, Louie, Louie, thank you so much for going where no one has gone before (with such LGBT glamour) in the history of the Ville. YouTube!

Some may question the need for a video on how to dance at quinceañeras, but you filled a need long empty in our social knowledge. As a retired teacher who has been invited to many quinceañeras, I often struggled to decide how I should dance at this occasion. Do I bust a move, or behave as society deems appropriate in the role of teacher?

Best wishes to you from a 66-year-old gay Latino admirer from the Ville. I do believe you were at Pajaro Pride in August at the YWCA. 

We look forward to your comedy routines on YouTube and elsewhere. 

Thank you for your courage and the ganas to be who you are. You are helping to end homophobia in Watsonville. 

Steve Trujillo
Watsonville

Compromised By Anonymity

Name Withheld By Request’s letter (GT, 9/4) makes some interesting points about local government, but their argument, complete with apocalyptic sign-off, is fatally compromised by their anonymity. Good Times should require public identification of such writers or not publish their letters. Democratic discourse depends on accountability, and Name Withheld, like Antifa vandals and Klansmen under their hoods, should come out and make their case openly, not hide behind a cowardly disguise. The same goes for any replies.  

Stephen Kessler
Santa Cruz

Courage, Not Cowardice

No wonder the anonymous letter writer from last week refused to be identified. I too would be embarrassed to put my name to such a letter. This person obviously feels passion for the cause, whatever it is, but is too cowardly to let others know that they subscribe to these beliefs. 

As someone who has received hate mail and lost business because of the letters I have written, I understand why someone might not want to publicize their beliefs, but I have never asked for a newspaper to publish my letters without attribution. I believe that this newspaper erred in publishing a letter without  disclosing the author. I think that we should know who writes these letters. Is it from a disgruntled city employee? Could it be from one of the councilmen who is subject to the recall petition? Perhaps it is from an escapee from a psychiatric ward. Don’t you think the readers should know?

As far as the content of the letter, it is hard for me to comment without knowing the expertise and knowledge of the writer. On it’s face, it seems to be an off-the-wall ranting of someone who has some knowledge of democracy and city government and a lot of anger that they are not getting their way, but maybe there is something to the allegations. Context would help.

Democracy needs people of courage who are not afraid to take a stand. Someone who criticizes public officials anonymously falls far short of this.  

I strongly urge the Good Times not to publish letters without identifying the writer. The phrase “Consider the source” is appropriate here. 

Gil Stein
Aptos


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GOOD IDEA

Ah, at long last, how we have waited for this moment! We now bid adieu to the days when readers of the Santa Cruz Sentinel’s online edition used to lose their voices screaming at their computer screens. That’s because the local daily announced on Thursday, Sept. 5, that it was finally doing away with its online comment section, at least for now. In an editorial, the paper argued that it did not have the resources to make a staffer sit on the page full-time to “babysit” forums rife with bigotry and name-calling.


GOOD WORK

Speaking of local media, the new upstart media company Santa Cruz Local finished its first-ever membership drive on Wednesday, Sept. 4. Launched by two Sentinel alumni this year, the group has been releasing free podcasts, with extra perks available to those who join. Santa Cruz Local has now reached 150 members, and the company hopes to reach 350 members by Dec. 31. Memberships range from $9 per month to $1,000 a year. For more information, visit santacruzlocal.org.


QUOTE OF THE WEEK

“In difficult times, fashion is always outrageous.”

-Elsa Schiaparelli

5 Things To Do In Santa Cruz: Sept. 11-17

A weekly guide to what’s happening

Green Fix

Shop on Your Bike Workshop 

It’s a true luxury that here in Santa Cruz, many of us can do our grocery shopping on bikes. In anticipation of bike to work day on Oct. 3 (mark your calendar for free breakfast on the way to work at Aptos and Westside New Leaf locations), the new Aptos New Leaf Community Market is hosting a free workshop with Matt Miller, program specialist at Ecology Action and cycling enthusiast, that will cover all of the basics of how to efficiently grocery shop on a bike. Basket or panniers? How do you pack supplies and distribute weight? How much is too much? Meet in the parking lot. 

INFO: 6-7:30 p.m. Tuesday, Sept. 17. Aptos New Leaf Community Market, 161 Aptos Village Way, Aptos. 685-8500, newleaf.com. Free, online registration recommended.

Art Seen 

Nancy Lynn Jarvis Reading

Pumpkins and Halloween decor are starting to pop up around town, and nights are also getting longer, which means it’s a great time to settle in with a new mystery novel. Santa Cruz’s queen of mystery Nancy Lynn Jarvis will be reading and signing her latest book The Glass House, a haunted mystery story about a librarian who gets a lot more than she bargained for at a glass-forming class. Who knew glass forming and murder go hand-in-hand? 

INFO: 1-3 p.m. Saturday, Sept. 21. Kelly’s Books, 1838 Main St., Watsonville. 728-4139. Free. 

Friday 9/13-Thursday 10/10

‘Each Beach’

Two years ago, local artist Erika Perloff decided to paint each and every beach between Santa Cruz Main Beach and Pigeon Point to document the beauty of this stretch of coastline and highlight the need to protect it. She has painted over 50 views of our beloved beaches, working from life and from her plein-air sketches. A selection of the paintings will be on display all month at Hotel Paradox. All work is for sale, and Perloff will donate proceeds from art sales to Save Our Shores to support work in ocean education and stewardship. 

INFO: Artist reception 6-9 p.m on Friday, Sept. 13. Hotel Paradox, 611 Ocean St., Santa Cruz. Free.

Thursday 9/19 

Gravity Water Presentation 

Danny Wright grew up in Santa Cruz living the outdoor life surfing, hiking and fishing, all while gaining a deep appreciation for water in all its forms. After receiving a B.A. in environmental studies and a master’s degree in international water management, he created a nonprofit that has since won recognition from National Geographic and MIT. His organization Gravity Water aims to bring clean drinking water to over 25 communities in Nepal, Vietnam, Indonesia, Puerto Rico, and Costa Rica. Folks from Gravity Water will be explaining and presenting their efforts in providing EPA-rated safe water to over 10,000 children every day with a system that can be built, managed and maintained 100% by local community members. 

INFO: 7 p.m. Live Oak Grange, 1900 17th Ave., Santa Cruz. 476-6424. Free.

Wednesday 9/11- Saturday 9/14 

Santa Cruz Follies’ ‘Fascinatin’ Rhythms’

Similar to the Ziegfeld Follies, the Santa Cruz Follies are a group of seniors who combine the Broadway show with a more elaborate, high-class Vaudeville show. Like the Ziegfeld Follies, they have their own beautiful dancing girls and fantastic singers, with everyone decked out in fancy-dancy costumes. Celebrating their 64th birthday this year, the Follies presents Fascinatin’ Rhythms, a collection of American popular music through the ages as directed by Jo Luttringer. 

INFO: 1 p.m. Wednesday, Sept. 11- Saturday, Sept. 14. 7:30 p.m. show on Friday, Sept. 13.  Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. 423-6640, santacruztickets.com. $22 general.

Pivot’s Runway For Political Protest

For 18-year-old designer Josie Harris, a gun is a far more apt symbol of the state of American culture than a pitchfork.

That’s why she made her wearable art piece “American Gothic” entirely out of shotgun shells, bullet casings and string. 

The Santa Cruz High graduate hopes her work will spark a conversation about the reality of gun violence. “I want to bring attention to how scary it is to be in school, and how scary it is to go to church, or a nightclub, or a garlic festival, or anything like that, because you’re not safe,” she says. 

Harris was compelled to create the piece after hearing about the mass shooting at the Tree of Life Synagogue in Pittsburg. “It was such a violent attack on such a peaceful community,” she says. “I don’t always have the ability to stand up and talk for myself, so I tried to make an art piece to show my opposition against this horrible, horrible violence that has been corrupting our country.” 

“American Gothic” will be one of the pieces showcased in this year’s Pivot: The Art of Fashion show on Saturday, Sept. 21, at the Rio Theater. It’s her second time at Pivot, but the young designer has participated in Santa Cruz’s FashionTEENS since the sixth grade. 

While this is her first political piece, Harris is far from conventional. Almost all of her work is made with non-traditional materials like tea bags, coffee filters and even old soy milk containers. This year, she collected the shotgun shells and bullet casings from a friend’s father. 

‘American Gothic’ by artist Josie Harris.
‘American Gothic’ by artist Josie Harris.

Pivot is known for its fun, extravagant and other-worldly designs, but founders Rose Sellery and Tina Brown say deeper messages are part of what makes the show so special. 

“The thing that’s really different about our show is it’s not just fashion,” says Brown. “The wearable art pieces are usually one of a kind, and they tend to run from a serious social piece to a tongue-in-cheek piece. People think fashion can be surface, right? But we really dive a little bit deeper than that.” 

The duo founded Pivot in 2015 to sew their love of fashion to their dedication to supporting local artists and designers. “We’re giving them a platform, a space to do what they do best,” says Brown. “That’s why we created the show.” 

Harris will join three other youth artists at Pivot this year. For Sellery and Brown, who will be taking over FashionTEENS this year, working with youth is how they give back to the community. “It is fantastic to see these young people who have created something wear it on the runway,” says Sellery. “They just beam.” 

While not always known for its fashion-forward thinking, Brown says Santa Cruz’s will to be weird and embrace the unexpected make it the perfect location for their avant-garde event. 

“It’s not a typical runway show,” says Sellery. “We like to mix it up and make it as dramatic as we can.” 

Pivot’s eye-popping designs and dynamic performances will be presented at the Rio this year. The aisles will become runways, and performers will pop out from all across the auditorium. One of them is the accordion-playing Great Morgani, who’s teaming up with local jazz singer Lori Rivera for a duet. 

“The audience isn’t going to know when any of that is going to happen,” says Brown.

Sellery and Brown revel in keeping the audience on its toes and making the element of surprise a central tenet of the show—even for themselves. “There’s like 100 people backstage, and you’re trying to wrangle them all in, but you just have to let it all go when the show starts,” says Brown. “What happens out there happens.”

‘Loopholes’ by artist the Great Morgani. Photo: Jana Marcus
‘Loopholes’ by artist the Great Morgani. Photo: Jana Marcus

The two say it helps to expect the unexpected when dealing with wearable art, which is often so ornate that it can present real logistical challenges, like, “It’s gonna take four people to lift that up and get it on her—do you think she’ll be able to walk?” says Sellery.

Brown says that’s what keeps the show exciting. “We love the ones that are like, ‘So you think you could manage stairs in that? How are we gonna get that on stage?’ That’s the kind of problem solving we like to do.” 

Practicality is what helps distinguish this year’s 16 artists from 12 featured designers. While art pieces in their own right, the designers’ work represents things people can wear on the street, or in day-to-day life. “You can actually sit in them and relax,” says Brown. “That’s sort of the line in my head. But really, we do like to blur those lines.” 

Helping to blur them is Pivot veteran Ellen Brook, who says her line of hand-painted silks is an attempt to mix elegance and ease. “I’m creating very wearable pieces,” says the 55-year-old designer. “My line is under this tagline of luxuriously down to earth.” This year, Brook’s six-piece collection, dubbed “Super Californialicious,” will pair her hand-painted silks with leathers, linen and denim to emphasize wearability and honor the laid-back California lifestyle. 

“I believe what we wear can be a vital form of personal and soulful expression,” says Brook. “If it takes one piece that’s a killer, unusual, exciting statement that helps people step out in the world with a little more flair and confidence, I just love that.” 

On the opposite end of this year’s wearability spectrum sits Haute Trash, a nonprofit designer collective that upcycles trash into extravagant wearable art pieces, including this year’s featured “Wired For Sound,” a dress crocheted entirely from colorful phone wires and speakers. 

Executive Director Kathan Griffins says the purpose is to “educate people about sustainability in a fun manner.” The collective will feature 12 designs this year in an ode to “slow fashion,” which Sellery and Brown say is “pivotal” to their event. 

“It’s different than going to a department store and buying a T-shirt for $6, where a week later the threads come out,” says Sellery. “The nuances are professional and elegant, not mass-produced and slammed out the door and then into the dump.” 

Designer: IBBayo Model: Danay Weldega Hair/make up: The Cosmo Factory Photo: Jana Marcus
Designer: IBBayo; Model: Danay Weldega; Hair/make up: The Cosmo Factory; Photo: Jana Marcus

This year’s show will see the return of several seasoned Pivot artists and designers, including IB Bayo, Charlotte Kruk, and Sellery herself, but there will also be a palpable absence in the room. Angelo Grova, founder of the pioneering FashionART event that Sellery and Brown worked on for years before starting Pivot, died in July. 

“Without Angelo, we wouldn’t have gotten started, and I wouldn’t have had an avenue to continue to explore wearable garments,” says Sellery. “He had this great, upbeat, ‘Let’s do it’ energy. He was a wonderful man.” 

Inspired by his memory, the two say they hope to keep pushing forward, supporting their community of artists and having a great time while doing it. 

“We’re thinking about what’s going to be fun, what are they going to enjoy?” says Sellery. “Damn, we love it.” 

Now, with the artists finalized, venue booked, and show only weeks away, only one question remains: “What are you going to wear?”

At 7:30 p.m. on Sept. 21, ‘Pivot: The Art of Fashion’ returns to the Rio Theatre,1205 Soquel Ave., Santa Cruz. pivot-artfashion.com. $25 general/$60 Gold Circle. 

Santa Cruz Dub’n Plans Second Annual Environmental Fundraiser

Jeremy Leonard says with a laugh that his own personal story with Volkswagens goes “all the way back.” 

In 1973, Leonard’s mom was standing in her driveway, eight-and-a-half months pregnant, when she realized she’d forgotten to set the emergency break on her VW Bus, which started rolling down the hill. When she jumped in to stop it, she started feeling contractions immediately. Leonard was born the next day. 

Now the 46-year-old entrepreneur is combining his love for all things VW with his flair for Santa Cruz surf style to put on the second-annual Santa Cruz Dub’n festival this Saturday. The free event transforms the county government building’s Ocean Street parking lot into a street-fair-style celebration, featuring almost 200 vibrantly painted and restored VW Buses, Bugs and Ghias. This year’s festival is a fundraiser for the Coastal Watershed Council.

For Leonard, the festival is a chance to celebrate Santa Cruz’s counterculture and surf-town roots. “Although it’s totally changed now, Santa Cruz has this aura of being a VW place,” he says. “You think of Santa Cruz, and you think of hippies; you think of Volkswagen Buses cruising around. It lends itself naturally to a Volkswagen show.”

He sees the shifting culture here in Santa Cruz as similar to what’s happening in VW bus culture. In the realm of Volkswagens, new money has created less opportunity for ordinary enthusiasts to buy an old van and get involved in the fix-it-up hobby of making a car their own. 

“Now, they’re this rare vehicle, commodity sort of thing. Not every hippie can drive one around anymore,” Leonard says, “I was kind of dumbfounded—this car I bought for a hundred bucks is now worth $20,000. I honestly thought people were joking.”

For Leonard and fellow co-founders Andres Burgueno, Mike Krakowiak and Randy Widera, Dub’n is a way to push back against this trend by creating a space where everyone can participate in and enjoy the quirky VW culture. 

“Unique and creative people are all around, and it’s a way to share that and to hear people’s stories,” says Widera. 

Burgueno says they do it “for the love, for the passion and for the kids.”

In addition to the VWs, the event will feature gear swaps, vendors, raffle ticket sales, and food stands—including from Burgueno, whose family will serve up tacos at their cart Tacos Freestyle. A live music stage will feature local bands, including the headlining Hoopty Funk, which plays a mix of dance and modern jazz music. 

 

JUST COASTING

Santa Cruz’s Coastal Watershed Council, the beneficiary of this year’s event, is a nonprofit aimed at restoring the San Lorenzo River watershed, which provides drinking water to nearly 100,000 Santa Cruzans. 

The Watershed Council does water quality monitoring and habitat enhancement for endangered and threatened species, and community events.The Watershed Rangers, the nonprofit’s youth environmental education program, also works with 2,500 elementary and middle-school students each year. The project shows kids how to help to take care of the river through field trips, after-school programs, summer camps, spring-break programs, and in-class lessons. 

“Ultimately, we’re helping to empower kids to learn that, no matter their age, no matter if they’re in kindergarten or 7th grade, they can make a difference for their river today,” says the nonprofit’s Programs Director Laurie Egan. 

Since Watershed Rangers is completely free for schools and students, Egan says the Santa Cruz Dub’n funds will help the program reach more students and lead to more field trips to the river. 

Widera worked in outdoor education for years, even founding his own outdoor school, the Web of Life Field School, out of his VW Bus at age 25. That kind of long-standing passion for empowering youth made donating to the Coastal Watershed Council a natural choice. 

“The river is a place we’ve kind of been turning our backs on, and their passion and leadership has really transformed the river,” says Widera. “I know we’re supporting a great organization; we’re supporting great stuff, and we’re supporting great leaders. To me, it’s just everything I could want.” 

Leonard, who has a background in outdoor education himself, likes to joke that donating to an environmental organization helps offset the carbon footprint of his hobby of working on Volkswagen Buses, which have notoriously low gas mileage.

Leonard adds, though, that there are several ways to increase the efficiency of a VW Bus, including a popular movement among VW owners to convert their vehicles to run on electricity. This year, car show participants can enter to win a rebuilt, zero-mileage engine. 

Last year, with around 700 attendees, the group raised $3,000 for the O’Neill Sea Odyssey, a Santa Cruz non-profit dedicated to ocean education. This year, they’re hoping to raise more for the Coastal Watershed Council.

Krakowiak, a U.S. Navy veteran and 911 dispatcher, says that the logistics of the event can be challenging, but that it’s worth it. 

“When it all comes together,” he says, “it’s magic.” 

Santa Cruz Dub’N is Saturday, Sept. 14, from 9-5 p.m. at 701 Ocean St. Free.

Bad Animal’s New Sunday Lineup

Santa Cruz newcomer debuts brunch, Southern-style supper

Last Sunday, a casually sophisticated adventure began over at Bad Animal on Cedar Street. Something very Bohemian Left Bank in the form of a new Sunday brunch. The brunch menu will be on offer from 11 a.m.-2 p.m. every Sunday at the enlightened home of louche literature, seasoned philosophy and soul-changing poetry. The emphasis will still be on California-French cuisine, says co-host Andrew Sivak, which means we can look for dishes like duck rillette hash, soufflé omelette, Croque Madame (can you say “Cafe de Flore?”), plus house-made yogurt and granola. With brunch comes a new wine list; I’m guessing something chilled with bubbles. 

On Sunday evenings, chef Todd Parker will inflect Bad Animal’s dinner menu with a Southern accent. Sunday supper will include Southern culinary staples like red beans and rice (Andouille sausage, ham hocks, bacon), and even boiled peanuts (with creole spice). I’ve learned to expect delicious surprises from Bad Animal, and the new Sunday brunch should put a definite “voila” in your attitude.  

Bad Animal, 1011 Cedar St., Santa Cruz. badanimalbooks.com.

Vine Whisperer

Queen of the vineyards and local viticulturist Prudy Foxx coaxes agricultural miracles and flavor complexity out of grapes with names like Syrah, Pinot Noir and Chardonnay. Grown men (and women) genuflect when she comes around their vineyards to check bud break, shading, pruning, sugar numbers, and readiness for harvest. A celebrated genius with regional grape planting, growing and management, Foxx never met a vineyard she couldn’t improve, and chances are if you’ve ever tasted a wine from the Santa Cruz Mountains appellation, you’ve tasted Foxx’s handiwork. Since the mid-80s, Foxx has helped winemakers express the finest from their vines. She’s also a lot of fun to talk to and taste wines with, which is why you want to score a reservation at the sensory tasting experience with Prudy Foxx at Soif Wine Bar & Merchants on Saturday, Sept. 21, from 2-4 p.m. 

Foxx will hold forth at this classroom-style tasting in the restaurant. Admission—$50 general, or $35 for Soif wine club members—includes cheese and charcuterie, along with the following wines: I. Brand Bates Ranch Cabernet Franc 2016; Lester Estate Rose Syrah 2018; Lester Estate Pinot Noir 2016; Beauregard Winery Bald Mountain Chardonnay 2017; Sante Arcangeli “Integrato” Chardonnay 2017; and Margins Wine Zayante Barbera 2018. What Prudy Foxx doesn’t know about grapes, wine and winemaking probably isn’t worth knowing. Come to this tasting and find out. 

Party Animal

You know about this legendary gardner’s new book, Fruit Trees for Every Garden, don’t you?

Well now you do. And to help Orin Martin of UCSC’s Alan Chadwick Garden celebrate, there’s a book launch party at the UCSC Hay Barn on Sunday, Sept. 15 from 4-6 p.m. This free event is open to the public, and Orin will be reading and signing his books, which will be on display and for sale, beautifully illustrated with color etchings by Stephanie Martin.  Refreshments will be available, plus a pie potluck! Bring your favorite fruit pie to wow the public and impress Orin. casfs.ucsc.edu. 

Wine of the Week 

Stirm Wine Co. Riesling 2017, made by Ryan Stirm with old-vine grapes from Wirz Vineyard, Cienega Valley. Rounded, dry but loaded with dreamy flavors, this is a stunning creation. Flavors of pear and ripe lemon, aromas of lychee, with a whisper of olive. Like green taffeta. This bold-yet-delicate Riesling boasts 13.5% alcohol, still light but with gravitas enough to deliver memorable richness. Produced and bottled in Watsonville, this wine confirms a growing tide of acclaim for this winemaker. $28. stirmwine.com.

Beneficial and Dreamy: Risa’s Stars Sept. 11-17

Jupiter (in Sagittarius–the Archer) is moving towards a square with Neptune (in Pisces–the Savior). The two, Jupiter and Neptune, are in their home signs. The last time this occurred was the mid-19th century (1852-53)—a time of rapid expansion, spiritualism, and tension over slavery and the abolitionist movement. Uncle Tom’s Cabin was published, and limiting ideas and beliefs were being transcended. We are experiencing this same influence again (’til Sept. 21).

Jupiter is always beneficial and Neptune’s dreamy. With Neptune, there’s a sense of things hidden, veiled and dissolving. We could find ourselves and others in a trance. With squares, challenges arise. We must move in a different direction while anchoring something new. Squares snap us to attention—especially if Neptune is involved.

Neptune can make us feel quite confused, even deluded. Illusions are common. Jupiter, on the other hand, is always bountiful. Sometimes too much to handle. With Neptune, we can experience disorganization and disillusion. With Jupiter, we experience extravagance and exaggeration. It’s best to follow routines at this time.

On a higher level with Jupiter/Neptune, we can have spiritual impressions, intuitions, guidance. The Virgo planets (Sun, Mercury and Mars) will square Jupiter and Neptune (creating a potent T-square). Virgo and Pisces are the two signs of health. And Sagittarius is the sign of sometimes overeating. This week, it’s best to eat lightly, not consume heavy foods.

The full moon/Virgo solar festival occurs Friday and Saturday. We align personality, soul and spirit (a triangle) within ourselves. We contemplate both practical matters and matters of Spirit, seek new ways of thinking and feel at times the need to escape, all the while dreaming big and contemplating a prolonged spiritual journey.

ARIES: Those who are around you seek your mentorship and direction. You’re the structure and light needed that lights their way. This is not a compliment. It’s a responsibility of leadership, direction and love. It’s important to maintain health and a simple diet. Possibly you need more calcium/magnesium for calmness. With all relationships and interactions, be kind.

TAURUS: The work and responsibilities continue to arrive. Health issues, too. You tend to everything needed, forging ahead with the help of Vulcan (soul ruler). Vulcan fashions gold out of iron, creates a forward momentum, allows for hope and optimism, and drives you toward future goals. On your mind is always how to create, build and sustain community. It takes more than a village. It takes a new dawn.

GEMINI: Home continues to matter more and more. How to live with comfort and ease, tending all the while to perfect health and fitness. Daily life rhythms will sustain you. Is movement forward still an issue? Continue to ask for what you need, always speak with compassion and humor. You’re to live and serve with a wise heart. Venus is your companion. She greets you with a pale golden light. Soon she’ll be the evening star.

CANCER: Home and family become increasingly filled with responsibilities and work. You attempt to pass on family traditions. However, so many tasks interfere. Be practical with how much you’re doing for others, or exhaustion arises. An acupuncture treatment is most likely needed, and chiropractic, too. You’re the one at home needing tender loving care. Sit a while.

LEO: Are you finding yourself going out and about, creating deeper relationships with neighbors, siblings and close friends? Leos often tend only to themselves, and this creates loneliness. Wherever there’s a sense of imbalance with others, ask questions, listen, assess, and speak from the heart. Saturn, the Dweller on the Threshold (of divinity), is asking everyone to review past beliefs before a new mental attitude can form. The Angel of the Presence is watching.

VIRGO: In your daily life, have the intention to focus on facts and not on fictions, fantasies, or wishful thinking. Facts are the foundation of a clear, focused thinker and later, a good leader. Facts help uplift emotional disturbances, disappointments, changes, and confusions. Saturn, asking that you consider what is of value to you, provides both emotional and intellectual inspiration. Relax into a moving transformation.

LIBRA: You seek a sense of belonging. Assessing your talents and gifts, you wonder when the feeling of belonging will appear, and when there will be less stress and fewer limitations. Eventually, a new story will appear, a new life narrative. Then a change of appearance, along with new confidence and a desire for more harmony. You are a bit mysterious now. Careful with too much exercise. Careful with bones and ligaments. Ponder upon forgiveness.

SCORPIO: Notice your concern with how others see, and assess you and your skills. Notice a change of values occurring, too. It’s the right time for making new friends, contacting with old ones, creating professional opportunities with groups and on social media. A community or group needs your writing and research abilities. The present work situation may shift about. This will pass. Maintain composure.

SAGITTARIUS: Work should be pretty good, especially as you’re well-liked. At times you may feel restricted, constrained and controlled by someone in one or more groups of people. It will be important to make yourself more productive in terms of creating harmony. Go against all limitations; create a happy, positive, light-filled aura. The outcome will be more than expected. Work on the honor system—your honor.

CAPRICORN: Your communication always creates harmony and happiness. It’s good to dream a bit about big impossible things, be in the forest, consider God and the heavens, devas and stars. It’s good to consider what magic would allow all problems to disappear. Spread your wings a bit more, and seriously consider any visions you may have. Something lets you soar above the world and everyday life. You’ll return to Earth when your questions are answered.

AQUARIUS: Your focus on money is correct in terms of the future. Assess it, gather it, safeguard it, and put it away for later use. Offer your gifts in exchange for what you need, and realize the value of your potential. Daily routines will change and be rearranged. Your vitality (life force) is in fast-forward. A bit of slowdown is needed for equilibrium. You’re a good-to-excellent sport! Ask the devas for all that you need.

PISCES: Walking along the precipice of reality, not remembering yesterday, not seeing tomorrow, you summon the faith that there is indeed a path to walk upon, although you know it’s invisible. Some Pisces may receive spiritual messages. Some will enter a business partnership. There will be a need to move forward soon (after years of un-knowing). The forest becomes the trees of opportunity. Keep dreaming, Pisces.

Rob Brezsny’s Astrology Sept. 11-17

Free will astrology for the week of Sept. 11, 2019

ARIES (March 21-April 19): Hi, I’m your sales representative for UnTherapy, a free program designed to provide healing strategies for people who are trying too hard. Forgive me for being blunt, but I think you could benefit from our services. I don’t have space here to reveal all the secrets of UnTherapy, but here;s an essential hint: every now and then, the smartest way to outwit a problem is to stop worrying, let it alone and allow it to solve itself.

TAURUS (April 20-May 20): People in Northeast India weave long, strong suspension bridges out of the living roots of fig trees. The structures can measure up to 150 feet and bear the weight of hundreds of people. In accordance with astrological omens, let’s make these marvels your metaphors of power for the coming weeks. To stimulate your meditations, ask yourself the following questions: 1. How can you harness nature to help you get where you need to go? 2. How might you transform instinctual energy so that it better serves your practical needs? 3. How could you channel wildness so that it becomes eminently useful to you?

GEMINI (May 21-June 20): If you climb to the top of Mt. Everest, you’re standing on land that was once on the floor of a shallow tropical sea; 400-million-year-old fossils of marine life still abide there in the rock. Over the course of eons, through the magic of plate tectonics, that low, flat land got folded and pushed upwards more than 5 miles. I suspect you Geminis will have the power to accomplish a less spectacular but still amazing transformation during the next 10 months. To get started, identify what you would like that transformation to be.

CANCER (June 21-July 22): In 1996, when Gary Kasparov was rated the world’s best chess player, he engaged in a series of matches with a chess-playing computer named Deep Blue. Early on in the first game, Deep Blue tried a move that confused Kasparov. Rattled, he began to wonder if the machine was smarter than him. Ultimately, his play suffered, and he lost the game. Later, it was revealed that Deep Blue’s puzzling move was the result of a bug in its code. I’ll encourage you to cultivate a benevolent bug in your own code during the coming weeks, Cancerian. I bet it will be the key to you scoring a tricky victory.

LEO (July 23-Aug. 22): American hero Harriet Tubman escaped slavery as a young woman. She ran away from the wealthy “master” who claimed to “own” her, and reached sanctuary. But rather than simply enjoy her freedom, she dedicated herself to liberating other slaves. Nineteen times she returned to enemy territory and risked her life, ultimately leading 300 people out of hellish captivity. Later she served as a scout, spy and nurse in the Union Army during the Civil War, where her actions saved another 700 people. In 1874, the U.S. Congress considered, but then ultimately rejected, a bill to pay her $2,000 for her numerous courageous acts. Don’t you dare be like Congress in the coming weeks, Leo. It’s crucial that you give tangible acknowledgment and practical rewards to those who have helped, guided and supported you.

VIRGO (Aug. 23-Sept. 22): Novelist Wallace Stegner wrote, “Some are born in their place, some find it, some realize after long searching that the place they left is the one they have been searching for.” I hope that in the last nine months, Virgo, you have resolved which of those three options is true for you. I also trust that you have been taking the necessary actions to claim and own that special place—to acknowledge it and treasure it as the power spot where you feel most at home in the world. If you have not yet fully finished what I’m describing here, do it now.

LIBRA (Sept. 23-Oct. 22): Earth’s species are going extinct at a rate unmatched since the dinosaurs died out 65 million years ago. Among the creatures on the verge of being lost forever are birds like the cryptic treehunter and spix’s macaw, as well as the northern white rhino and the vaquita, a type of porpoise. So why don’t we clone the last few individuals of those beleaguered species? Here are the answers: 1. Cloned animals typically aren’t healthy. 2. A species needs a sizable population to retain genetic diversity; a few individuals aren’t sufficient. 3. Humans have decimated the homes of the threatened species, making it hard for them to thrive. Conclusion: Cloning is an inadequate stopgap action. Is there a better way to address the problem? Yes, by preserving the habitats of wild creatures. Inspired by this principle, Libra, I ask you to avoid trying halfway fixes for the dilemmas in your personal sphere. Summon full measures that can really work.

SCORPIO (Oct. 23-Nov. 21): Though patched together and incomplete, the 2,200-year-old marble sculpture known as the Winged Victory of Samothrace is prominently displayed at Paris’s Louvre Museum. It’s a glorious depiction of Nike, the winged goddess of victory, and is regarded as one of ancient Greece’s great masterpieces. For hundreds of years it was missing. Then, in 1863, an archaeologist discovered it, although it was broken into more than a hundred pieces. Eventually, it was rebuilt, and much of its beauty was resurrected. I see the coming weeks as a time when you, too, could recover the fragments of an old treasure and begin reassembling it to make a pretty good restoration.

SAGITTARIUS (Nov. 22-Dec. 21): “I’ve learned that I must find positive outlets for anger or it will destroy me,” said actor Sidney Poitier. That can be a dynamic meditation for you during the next three weeks. I think you will derive substantial power from putting it into action. If you’re ingenious and diligent about finding those positive outlets, your anger will generate constructive and transformative results.

CAPRICORN (Dec. 22-Jan. 19): In 1905, at the age of 30, Lucy Maud Montgomery wrote the novel Anne of Green Gables. It was a tale about an orphan girl growing up on Prince Edward Island. She sent the manuscript to several publishers, all of whom rejected it. Discouraged, she put it away in a hatbox and stored it in a closet. But two years later, her ambitions reignited when she re-read the story. Again she mailed it to prospective publishers, and this time one liked it enough to turn it into a book. It soon became a bestseller. Since then it has sold over 50 million copies and been translated into 36 languages. I figure you Capricorns are at a point in your own unfolding that’s equivalent to where Anne was shortly before she rediscovered the manuscript she’d put away in the hatbox.

AQUARIUS (Jan. 20-Feb. 18): The Toxorhynchites are species of large mosquitoes that don’t buzz around our heads while we’re trying to sleep and will never bite our skin or suck our blood. In fact, they’re our benefactors. Their larvae feast on the larvae of the mosquitoes that are bothersome to us. In accordance with astrological omens, I propose that you be alert for a metaphorically comparable influence in your own life: a helper or ally that might be in disguise, or may just superficially seem to be like an adversary.

PISCES (Feb. 19-March 20): Audre Lord identified herself as a black writer, lesbian, librarian, mother, feminist, civil rights activist, and many other descriptors. But as ardent as she was in working for the political causes she was passionate about, she didn’t want to be pigeonholed into a single identity. One of her central teachings was to celebrate all the different parts of herself. “Only by learning to live in harmony with your contradictions can you keep it all afloat,” she testified. These approaches should be especially fun and extra meaningful for you in the coming weeks, Pisces. I encourage you to throw a big Unity Party for all the different people you are.

Homework: “We have been raised to fear the yes within ourselves, our deepest cravings,” wrote Audre Lourde. True for you? freewillastrology.com.

Ben Morrison Reawakens After Brothers Comatose

In 2016, Ben Morrison’s five-piece San Francisco bluegrass band Brothers Comatose sold out the Fillmore. Last year, it nearly happened again. It was a culmination of the 120-day-a-year touring schedule the members had maintained for over a decade in their push to carve out sustained indie success.

Then, early last year, two of the members—the mandolin player and the bassist—told Morrison they were quitting the band. He didn’t know what was going to happen next.

“I put all of my energy into that band. It’s like, ‘My dreams are coming true.’ It was shocking to have two guys leave the band, and all of the sudden not know the future. It was heartbreaking,” Morrison says. “I’m not mad at those guys. You’ve got to choose your own path in life.”

The remaining members of the group decided to take time off to reassess everything, and to see if they even wanted to continue as a touring band. But Morrison didn’t slow down. He had been toying with the idea of recording a solo album for a while, and it suddenly seemed like the opportune moment.

“As much as I love that band, there’s a few songs I wrote that didn’t work for Brothers Comatose. It needs drums. It needs electric guitar,” Morrison says. “That’s the good thing about music. It doesn’t have to be a monogamous relationship. You can do something on the side, and then you can come back and probably be a stronger musician because of it.”

The new record, Old Technology, shows a whole different side of Morrison. There are no finger-picking string jamborees. These are bittersweet, singer-songwriter-style Americana tunes in the vein of Kris Kristofferson and the Band.

“It was pretty trying for me. I put my head down and focused on this project,” Morrison says. “I’m going to funnel it into this thing.”

He first recorded “25 Miles” late in 2018. It’s an older song he’d written for Brothers a few years back. He tried, but could never make it work. As a solo artist, he was able to give it the country-rock feel it needed, with hand-picked musician friends to bring it to life. It’s a fitting anthem for this time in his life; he sings about the joy and sadness of being on the road with friends, about to run out of gas.

The song has racked up more than 350,000 Spotify plays so far, which shocked him. He’s watched other friends in successful bands put out overlooked side projects.

“Whatever you’re trying to do, there are no shortcuts. If you’re super famous, that can help. But I’m not super famous,” Morrison says. “It was awesome. Something can exist outside of the band scenario.”

The success of the song gave him confidence to pursue a full-length in the same Americana style. The tone of the record expressed the upheaval in his life.

None of the songs directly deal with band dynamics, but they do express Morrison’s complex emotional state. Some of the specific back stories of the songs are odd, like the country weeper “I Hope You’re Not Sorry.” In it, he sings about a woman who stalked him for a while. It got so bad he filed a restraining order. Then, one day, she disappeared, and he kind of missed her.

“Things got really strange for a while. Then she stopped coming to shows. I was bummed,” Morrison says. “It’s kind of a love song—love you never wanted, but as soon as it’s not there, you’re depressed about it.”

Morrison has already done some touring as the Ben Morrison Band, which has gone well. Brothers Comatose found new members, and they’ve been up and running as of March this year.

“I want to have these projects coexist, and be able to record an album with Brothers, and tour behind that. Go record an album with my band, too, and then tour on that,” Morrison says. “I want to get out there and play music for people. It’s the best job I could ever have. I’m trying to do it before I get old and bust my hip. Might as well go for it.”

The Ben Morrison Band performs at 9 p.m. on Friday, Sept. 13, at Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15 adv/$20 door. 479-1854.

Theater Review: ‘Moon for the Misbegotten’

Opening the Jewel Theater’s 15th season, Eugene O’Neill’s challenging A Moon for the Misbegotten takes its audience for a turbulent ride through the deep-seated desires of three flamboyant characters.

In this, his final play, the Nobel laureate returned to the autobiographical family haunted by lies, regrets and alcohol he sketched vividly in Long Day’s Journey Into Night. O’Neill’s work is so embedded in American culture that even though today’s audiences rarely see his plays, they know the titles as vivid metaphors for family troubles on an epic scale.

And that’s just what A Moon for the Misbegotten delivers, thanks to O’Neill’s unflinching dialogue and the visceral interactions between tenant farmer Phil Hogan (Howard Swain) and his sharp-tongued daughter Josie (Diana Torres Koss), as they enter into a delusional pact to trick their Connecticut landlord James Tyrone (Rolf Saxon), who’s returned to the countryside to settle his mother’s estate.

An effective farmhouse set—kudos to scenic and lighting designer Kent Dorsey—serves as the central hearth around which the characters will warm their needs, anger and self-deceptive recollections. This play is a marathon of frisky dialogue, hence a feast for actors. Everything occurs in a single evening, one in which moonlight offers the excuse for romantic dalliance between Josie and Tyrone, the man she’s always fancied. They are the play’s “misbegotten” figures—a large, unlovely yokel, and a hopeless alcoholic. Koss uses her physical power and vocal ingenuity to create a convincing portrait of the town’s reputed trollop. Her Josie is strong, clever and tough. The relentless fighting between the father and daughter quickly leads to the hatching of a wild plan to keep their rented land. Broad Irish accents of the father and daughter are written into the play, and however disconcerting they are at the onset, it pays off for the audience to ride out the vocal work until it settles down.

Through a complex negotiation of lies and blarney, Josie and epic boozer Tyrone agree to a midnight date. The evening under the moon is to be a romantic tryst between the rough young woman and a man in deep existential drift, drinking his way to oblivion with only a few stops left before the end. He wants it to be a “night different than any other” with Josie. What he means by that is misinterpreted by each character, but results in the unnerving plot twist designed to give the play a redemptive close.

Without spoiling the ending, let’s just say that no one’s story is what we believe it to be. This is Eugene O’Neill, not Walt Disney. And the playwright is hell-bent on taking the viewer into dark basements of buried memories and destroyed dreams. As James Tyrone tells Josie, “there is no present or future—only the past, happening over and over again—now.”

To make all this Sophoclean psychodrama work, the actors must construct characters whose joys and sorrows the audience can embrace. The play’s structural problems can be overcome only if we care enough to squint at plot weaknesses and dated dialogue.

The opening night performance stood squarely on the confident performance of Koss, who convinced us of Josie’s vulnerability embedded within haughty self-sufficiency, the equal of any man in the poor Connecticut landscape where she works as farmhand, cook, foreman, and housekeeper to her bad-tempered drunken father.

More chemistry is needed between Koss and Saxon in order for the long night of moonlight confessions to approach full conviction. Their timing can be tuned as the performances develop. Everything in the compelling last half-hour depends on our believing that alcohol has permeated James Tyrone’s heart, soul and voice. Yet somehow, the urban suit and the moustache muffled his character’s bourbon-soaked agony.

This ambitious play asks much of its players and much of the audience. Opening night’s crowd was on board, and gave the players a well-earned ovation. Full of moonshine, sly social criticism and some brooding, poetic lines, A Moon for the Misbegotten reveals an underbelly of American class conflict, as well as personal angst still echoing through today’s social fabric—a well-turned lesson in theater history.

‘A Moon for the Misbegotten’ by Eugene O’Neill runs through Sept. 29 at the Colligan Theater.

Love Your Local Band: Birdo

Heavy-blues stoner rockers Birdo play loud. So loud, in fact, that they provide ear plugs at their shows for the audience.

This ear plug generosity isn’t just a show of mind-bending volume intensity; the band cares about the audience’s health and well-being.

“We like to play loud, but we’re not Sunn O))). We’re not trying to split your ear drums. We want people to be protected,” says bassist Ben Carter. “We go to a lot of metal shows, and wear ear plugs all the time. I want to be very cognizant. I see people at concerts not protecting their ears. They should be.”

The group might have been even louder (and thus needed more ear plugs), had it stuck to an initial vision of being a no-holds-barred death metal band. When Carter and guitarist Stephen Foster first started jamming in late 2015, that was the idea. But the songs came out more like dynamic doom-metal jams, with more nuance and melody than expected. The following year, the duo enlisted drummer Jon Auman, who worships at the altar of Led Zeppelin. That sort of sealed the deal. They would forgo their death-metal fantasies. 

“We wanted to be more on the extreme side,” says Carter. “John is absolutely not a metalhead. He grounded us and brought us back to reality.”

The group has one EP on Bandcamp called Admittance. They currently have enough material for a full length, and hope to get that recorded this fall.

9 p.m. Wednesday, Sept. 18, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

Opinion: September 11, 2019

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Free will astrology for the week of Sept. 11, 2019 ARIES (March 21-April 19): Hi, I’m your sales representative for UnTherapy, a free program designed to provide healing strategies for people who are trying too hard. Forgive me for being blunt, but I think you could benefit from our services. I don’t have space here to reveal all the secrets...

Ben Morrison Reawakens After Brothers Comatose

Ben Morrison
San Francisco bluegrass favorite plays solo at Moe's Alley on Friday, Sept. 13

Theater Review: ‘Moon for the Misbegotten’

Moon for the Misbegotten
Eugene O’Neill’s final play is packed with psychodrama in Jewel production

Love Your Local Band: Birdo

Birdo
Birdo plays Blue Lagoon on Wednesday, Sept. 18
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