Duster Hits Reset After Gaining Legend Status

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Back in the late ’90s, a trio of San Jose indie rockers called Duster released two full-length records and a handful of EPs to little attention. They played dingy basement shows and never toured beyond the West Coast.

Instead of getting a bass player, they dragged an old organ to shows, where multi-instrumentalist Clay Parton would tap on the bass pedals for some added low end. The songs rarely had proper beginnings or endings. They were structure-less, fuzzed-out, bare ensembles of spacey noise—slow, dynamic and supremely lo-fi. If a song had vocals, it was treated as another instrument, not the primary focal point. But there was a beauty to the delicate chemistry and bubbling emotionality in these tunes, whether anyone knew about them or not. 

In the early 2000s, the band faded away. Their record label went defunct at the same time, making copies of their records a rare commodity.

But the existing LPs made the rounds with a new generation of indie rockers. Duster’s take on ’90s slowcore was looser and more experimental than their peers. Like a grenade, the group’s inspiration had a delayed impact on several, now successful new bands like Girlpool, (Sandy) Alex G and Hovvdy.

“We were working in pretty simple modes. ‘How simple can this be, but still be devastating?’” Parton explains. “Part of our charm is sounding a little fucked up. We don’t really write songs and then record them. We use recording as part of the writing process.”

The cult of Duster was built without their music being available on streaming platforms. Old-fashioned word of mouth and chats in obscure music forums were the key. Copies of their albums were going for hundreds of dollars on eBay. The members of Duster found out about this niche demand and wanted to eliminate the “collector only” access to their music, so they arranged with indie label Numero Group to do a proper re-release of their catalog. When it came to fruition last March, demand was high—within a day, they sold out their limited pressing of 500 3-LP colored-vinyl box sets.

By then the band—to the surprise of the Duster cult—had recently started gigging again. The members had been talking about playing again for a while, a difficult task given that Parton lives in Santa Cruz and the other two members (Jason Albertini and Canaan Dove Amber) live in Portland. But with this new interest in the group—more interest than when they were together—there was reason. They played their first show in December 2018 in Brooklyn to an exuberant crowd of mostly 20-somethings, opening for Duster superfan (Sandy) Alex G.

In December 2019, Duster surprised their fans again by releasing a record of brand-new material, which they recorded on and off for a year and a half at Parton’s house mostly on a 4-track tape recorder, just like the old days.

“[Back then] all we had was a cassette 4-track machine, and super shitty drums and super shitty everything. We didn’t mind the immediate, disheveled sound of the 4-track. When we recorded on 8-track or even the first 16-track machine we got, it was the same approach. Smudged is our thing,” Parton says. “[For the new album] we did not consider any elaborate or excessive process.”

The group has continued to tour, including one show at the Ritz in San Jose in early 2019, which ended up being one of the band’s worst shows since getting back together.

“We played like shit. There were weird vibes, something wasn’t right. And not that many people were there. Maybe San Jose crowds still don’t want to pay for shows. Maybe some things never change,” Parton says. “It was like a true ’90s Duster experience, because we played some rough shows back then, too.”

But that show was also a turning point. It convinced them that they needed to take getting back together more seriously. They’ve since gotten a booking agent and have had other people handle the business end of things, so they could focus on incredible performances. Now as they tour, it’s become clearer that this new interest in the group wasn’t a fluke. They’re meeting a lot of kids that weren’t in the scene when they recorded most of their music, but have found a lot of meaning in what they do.   

“Meeting people at shows is rewarding,” Parton says. “Sometimes a crowd of people drawn together are all bonded by that common thread of feeling not right, or isolated, alone, some variation on that theme. It’s almost like we are all taking care of each other, at least for a moment.”

Duster performs at 9pm on Friday, Feb. 28, at the Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door. 423-1338.

Music Picks: Feb. 26 – March 3

Santa Cruz County live entertainment picks for the week of Feb. 26

WEDNESDAY 2/26

ACID-JAZZ

THE GREYBOY ALLSTARS

Rarely does the term “allstar” apply as well as it does to the Greyboy Allstars. Saxophonist Karl Denson sometimes tours in his other band, the Rolling Stones. Guitarist Elgin Park scores music in Hollywood, including on the cult classic Donnie Darko. And organ player Robert Walter also plays with Phish bassist Mike Gordon. Originally formed to back up acid jazz originator DJ Greyboy, the Allstars quickly realized their grooves were far too deep and way too rare to be stuck in a backing band. Quintessentially cool, understated, and still plenty freaky, the Greyboy Allstars bring the goods. MIKE HUGUENOR

INFO: 8:30pm. Moe’s Alley, 1535 Commercial Dr., Santa Cruz. $30/adv, $35/door. 479-1854.

 

THURSDAY 2/27

AMERICANA

PETER HARPER

The Harper kids had access to a plethora of folk instruments, thanks to their grandparents’ music store Folk Music Center. They grew into some creative adults. Joel Harper now writes children’s books, while the youngest Peter became a professional visual artist. The oldest became world famous singer-songwriter Ben Harper. Recently, Peter Harper has shifted gears to music. He has two phenomenal albums under his belt that meld elements of soul music, folk and Americana. He’s already found a significant fan base in France, which always likes all the cool American stuff. Now it’s time for the rest of us to catch up. AC

INFO: 7:30pm. Michaels on Main, 2591 Main St., Soquel. $10/adv, $12/door. 479-9777.

 

LATIN-ALTERNATIVE

COMBO CHIMBITA

“Ahomale” represents ancestral wisdom, revolution, and the truth that has always been inside of you. It’s also the name of New York quartet Combo Chimbita’s new album—and the protagonist of this concept album. Musically, the group finds space for punk, cumbia, New Wave, soul and psychedelia. But the importance of the album is in the storytelling and the lyrics—Ahomale’s ancient wisdom should hopefully enlighten the masses in 2020, just as Combo Chimbita take old Latin rhythms and bring them forward to blend with new styles in some of the most cutting-edge musical mishmashes in recent history. AC

INFO: 9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 423-1338. 

 

FRIDAY 2/28

INDIE

MAITA

Can you blame a kid? On lead single “Can’t Blame a Kid,” Portland indie rockers Maita dare to say, “No, you can’t.” Looks like they’ve never heard of a little kid named “Billy the.” Smh. Historical inaccuracies aside, “Can’t Blame a Kid” condenses a huge, headbanging guitar part into a taut indie rock verse, then winds itself tighter and tighter with each palm mute. When, at the chorus, the song finally explodes into the lyric “Can’t blame a kid anymore,” it’s like the Portland equivalent of arena rock: huge, but weird. MH

INFO: 9pm. Crepe Place, 1134 Soquel Ave, Santa Cruz. $10. 429-6994.

 

FOLK 

TOM PAXTON 

Since 1960, Tom Paxton has been penning songs for the likes of Peter, Paul & Mary, Dolly Parton, Willie Nelson and more. Of course, he also has well over 50 albums of his own, and has performed in countless countries. Most recently, Paxton’s teamed up with his buddies the Don Juans (aka Don Henry and Jon Vezner) for a bluesy-folk trio that brings the 1960s Greenwich Village wherever they play. MAT WEIR

INFO: 7:30pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27. 427-2227.

 

SATURDAY 2/29

INDIE

SASAMI

We all like to get bummed out now and again. And music is the perfect vehicle to dislodge our inner sadness, so we can sit alone and cry along to said dark, depressing, hopeless lyrics. L.A. singer-songwriter Sasami will conjure up your inner sad-monster, or maybe sooth your wounded warrior. She also is a great songwriter who creates beautiful music filled with psychedelic layers of synths and gentle rock melodies. It conjures up an almost numbed out blissful feeling, with sounds that fall on your head like dying flowers in a vase. And if you take the time to learn her lyrics, you are all set for an evening of cathartic tears. AC

INFO: 8pm. Felton Music Hall, 6275 Hwy 9, Felton. $12/adv, $14/door. 704-7113. 

 

COMEDY

DAVID WAITE

Self-proclaimed comedic “oddball” David Waite has gained notoriety with his performances on Late Night With Jimmy Fallon, Last Comic Standing and as a guest on Doug Benson’s Doug Loves Movies podcast. Born in Kentucky, Waite relocated to L.A. and can currently be seen co-producing the Secret Show comedy night in Culver City. His latest album, Dead Waite, is available now, but why not go see the man in person during one of his two shows at DNA’s Comedy Lab? MW

INFO: 7 and 9:30pm. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20adv, $25/door. 900-5123. 

 

MONDAY 3/2

JAZZ

REGINA CARTER

With her ravishing tone, unabashed lyricism and quicksilver flow of ideas, Regina Carter single-handedly brought the violin back to the center of mainstream jazz in the 1990s. She’s explored widely ever since, from Motown soul to East African lullabies. But she’s never surpassed the improvisational brio of her duo with piano legend Kenny Barron (captured on 2001’s Freefall). Her new duo pairs her with the outstanding pianist Xavier Davis, a longtime member of her quintet. Davis is esteemed as a powerful accompanist, a partner ideally equipped to support and push Carter into musical terra incognita. ANDREW GILBERT

INFO: 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $42/adv, $47.25/door. 427-2227.

 

TUESDAY 3/3

FOLK

COLIN HAY

Colin Hay is a true storyteller. Between songs, the former Men at Work singer regales audiences with tales of his more than 30 years in the music industry, tales like: “When you get dropped by a record label, you usually find out from your hairdresser.” Since ’91, Hay has been performing solo, playing a mix of intimate folk songs and Men at Work classics like “Overkill” reworked as intimate folk songs. Now, 39 years after Business as Usual, Hay’s voice and songwriting prowess are as powerful as ever. MH

INFO: 7:30pm. Rio Theatre, 1205 Soquel Ave, Santa Cruz. $35. 423-8209.

New Leaf’s Community Educator Dishes Out Healthy Lifestyle Advice

Tall, raven-haired nutrition consultant Madia Jamgochian is an expert on healthy lifestyles.

Her high-wattage smile and vivacious aura of calm help make her a natural teacher, which is exactly what she is as New Leaf Community Market’s community educator. A Mendocino native who went to UCSB for studies in environmental science and exercise sports science, Jamgochian continued her education and became a certified nutrition consultant. In the fall of 2013 she began working for New Leaf Community Markets. 

“I knew it would be the ideal job for me,” she says of her community educator role. “I jumped on it and have been teaching classes through New Leaf for the past five years.”

Jamgochian worked with me organizing workshops on food and wine pairings a few years back, so I’m personally familiar with her amazing sense of organization and ability to combine wellness concepts and sound nutrition with home cooking tips. “My primary focus is free one-hour nutrition lectures,” she says, “lectures that cover a variety of health topics from how to build better bones to how to get a good night’s sleep.”

Jamgochian is both hands-on and behind-the-scenes at New Leaf, scheduling all the community classroom events for a wide variety of health professionals cycling through the New Leaf calendar.

“January and February are popular months for people to get back ‘on track’ with their health and come learn something new,” Jamgochian believes. “Almost all of my nutrition classes are full this time of year, and it has been great to see some new faces in here along with my class regulars. One of our most popular classes is the Anti-Inflammatory Wellness Series I offer twice a year with my colleague Magali Brecke.” 

Currently offered every February and October, the four-installment class is important to Jamgochian “because we get to spend a whole month with the attendees and they get to really implement the tools we give to help control autoimmune conditions.”

The New Leaf instructor enjoys the point in her classes “when someone has an ‘ah-ha’ moment, or when they go try out something new they learned in class and report back to me about how it has changed their life in one way or another.” When her participants tell her they’ve had success with weight loss, sugar cravings, or lowering pain levels, “these are the times that make me feel like I’m making a difference—helping people feel their best, and showing them that healthy doesn’t have to be difficult.”

Busy is the word when it comes to Jamgochian. 

“The next free nutrition class I have on the schedule is Seeds, Beans and Grains, Wednesday, March 11 from 1pm-2pm,” she says. “We will go over how these foods can be an important part of a healthy diet as well as proper preparation techniques and nutritional benefits.” She typically offers at least one nutrition class a week at the Westside New Leaf. She is also involved with staff nutrition education at UCSC and works with Natural Bridges High School and the Homeless Garden Project.

Jamgochian’s personal consulting business My Healing Habits, online at myhealinghabits.com, combines her background in Traditional Chinese Medicine and nutrition to encourage a food-as-medicine approach to wellness. Look for her upcoming classes on the New Leaf events page at newleaf.com

Coming Up Fast

Watch for David Kinch’s French/Italian dining room and pizzeria Mentone to open up in Aptos Village very soon; ditto on Sean Venus’ new Venus Spirits Cocktails and Kitchen in the Westside. And eagle-eyed winemaker Ryan Beauregard has just signed the papers to lease the now empty Bonny Doon Vineyard tasting room, the one in the faux old schoolhouse perched on Highway 1 in Davenport. It’s a smart move, since it will help make Beauregard’s excellent wines more available to, well, shall we say, passers-by?

Love Your Local Band: The Messiahs

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In the 1970s, Snail was the biggest rock band out of Santa Cruz. Heavy blues psych-rockers in the vein of Cream, the four-piece played American Bandstand, toured amphitheaters with Styx and nearly became a household name. But their career was cut short when guitarist Ken Kraft suffered a brain hemorrhage, rendering him unable to ride the wave of momentum they were building.

He’s fine now. In fact, he and singer/guitarist Bob O’Neill have continued to put on the occasional Snail reunions. They have also, for the past 15 years, played together in their other group, the Messiahs. Instead of heavy rock, the two play acoustic guitars and are accompanied by Craig Owens on the bass. No drums. There are a few originals, but they are mostly covers of songs that they “Snail-ize.”

“It’s another way to express, and another way to bring in new ideas,” Kraft says.

Snail hasn’t put on a reunion in a decade, so that has only made the guys want to put more time and energy into the Messiahs. One of the problems they had with Snail was that their rhythm section wasn’t available. They never wanted to throw a Snail show together haphazardly.

“The amount of time it would take for rehearsal time to be up to that standard and that quality would be like, ‘Okay do you want to woodshed for six months, literally?’ We don’t jam for our fans. We’re not going to give you a half-ass show. It’s got to be up to standard,” Kraft says.

Snail will play again this April, and perhaps more frequently. However, the Messiahs will continue to be an active force for Kraft and O’Neill, their acoustic outlet. They see these two projects as two sides of the same coin of their creative collaboration together.

“The Snail thing only happens occasionally, but we want to still keep playing together and experimenting. And that’s what the Messiahs is,” Kraft says.

INFO: 5pm, Friday, Feb. 28. Michaels on Main, 2591 Main St., Soquel. Free. 479-9777. 

Film Review: ‘The Assistant’

Her new job as office assistant to a famous movie mogul ought to be a dream come true for a bright young college graduate with ambitions to produce movies of her own. But it’s starting to feel more like a nightmare for Jane (Julia Garner), the conflicted protagonist in The Assistant. As her duties gradually become more disturbing, we share every ripple of her unease in this taut, claustrophobic and entirely effective psychological drama from filmmaker Kitty Green.

Green was working on a documentary on sexual consent and the abuse of power on college campuses when the first stirrings of the Harvey Weinstein case broke all over the media. She decided to shift from doc to drama to focus her story not on predators or their victims, but on the system of silence and complicity that allows such misconduct to happen. She manages to sketch in this big picture by zeroing in on the tiny details of Jane’s daily routine and how they begin to affect her.

It’s pre-dawn when a car arrives for Jane to ferry her to her workplace. She’s the first one in the office, turning on the lights and making coffee as her two male officemates begin to drift in. Her duties include tidying up the boss’ inner office (and apparently scrubbing down the couch inside. “Never sit on the couch,” one co-worker jokes, when a meeting is called later in the day).

While her male colleagues analyze grosses and box office reports, Jane orders lunch, Xeroxes headshots of pretty young women, and organizes bottles of pills and boxes of syringes. It’s also her job to answer the phone, and if she happens to say the wrong thing to the boss’ irate wife, like revealing he is out of the office, Jane is likely to get an expletive-laden retort from the boss himself a few minutes later. (The guys in the office helpfully dictate her email of abject apology to mollify him.)

Around midday, a fresh-faced young woman (Kristine Froseth) arrives in the outer reception area, reporting for a new assistant job. She’s a waitress from Idaho that the boss apparently met at the Sundance festival, and Jane is directed to take her in a cab to a swanky hotel where the boss is putting her up. Later, her office-mates mention that the boss has gone there, too—information Jane is once again forbidden to reveal to the boss’ wife.

Jane is not a crusader; she doesn’t want to jeopardize her job. But her increasing discomfort over events of the day finally leads her to confide her doubts to the head of HR, hoping for advice. Matthew Macfadyen is terrifically glib and unctuous in the role; in the movie’s most revealing scene, he oozes faux camaraderie as he dismisses her fears—not because they are groundless, but because they are impossible to prove. He parrots back her fragile bits of evidence like a D.A. eviscerating an unreliable witness.

The unnamed boss himself is never seen, he’s just an angry voice ranting over the phone. Filmmaker Green’s design is not to single out any one person’s behavior, but to suggest how the entire system is skewed toward protecting predators in high places. Most important to Green is the psychological toll taken on Jane (and thousands of other low-level drones in her shoes) facing up to the grim fact that enabling is the unspoken part of her job description.

Garner has the pale, porcelain face of a Renaissance angel; it’s almost physically painful to watch her eyes, her expression, her entire demeanor darken with anxiety over the course of her workday. Had her story been told by a male filmmaker, it might have been more action-oriented, shaped more toward an opposition/redemption narrative. In Green’s hands, it’s more an accumulation of small, telling details that become almost interactive in their tacit challenge to the viewer: What would you do?

 

THE ASSISTANT

*** (out of four)

With Julia Garner, Matthew Macfadyen, and Kristine Froseth. Written and directed by Kitty Green. A Bleecker Street release. Rated R. 87 minutes.

River Run’s Spicy Cote D’Aromas

River Run’s Cote D’Aromas is a potpourri of four grape varietals–Syrah, Carignane, Grenache, and Viognier.

It is a pretty good table wine for only $9.99 (at Deer Park Wine and Spirits), and this red blend combination yields a full-bodied spicy wine with intriguing flavors. With its up-front Syrah at the wheel, you’re getting lots of burly tannic structure along with typical Syrah notes of pepper, earth and dark fruits. Winemaker J.P. Pawloski says it pairs well with such diverse dishes as salmon, roast chicken and various meats.

Pawloski is well known around these parts for turning out good wines, but he doesn’t keep up his website, and he is open for tasting only a couple of times a year. If you want to find out when those open-house dates are, you have to call him. River Run is also open by appointment.

River Run Vintners, 65 Rogge Lane, Watsonville. 726-3112. riverrunwines.com.

 

Wine Down Friday at Seascape Sports Club

The popular Bargetto Winery will be featured for tastings and heavy hors d’oeuvres from 6-7:30pm. on Friday, Feb. 21. Cost is $20. Visit seascapesportsclub.com or call 688-1993 for more info.

 

Wine Wednesdays at Seascape Beach Resort

Looking for a fun way to enjoy some good wine and a tasty plate of food mid-week? Then head to Sanderlings Restaurant at Seascape Beach Resort in Aptos. From 5:30-7pm every Wednesday through May 13, four wine varietal tastes are offered by a different winery each week, plus a small-plate meal prepared by Chef Skye McDougal. Cost is $25 per person, including tax and gratuity. There’s live music as well.

Seascape Beach Resort, 1 Seascape Resort Drive, Aptos, 688-6800. seascaperesort.com

 

Martinelli’s Holds Benefit for Second Harvest

Sip for Second Harvest will be held at Martinelli’s Company Store as a benefit for Second Harvest Food Bank. Enjoy fine wines from 15 wineries and light snacks by Cilantro’s from 2-4pm on Sunday, Feb. 23. Visit thefoodbank.org/wine2020 for more info and tickets.

Martinelli’s Company Store, 345 Harvest Drive, Watsonville.

Tracing the History of the Burger

From the dawn of the baby boomer right up until today, there has always been a hamburger on the American menu.

It was the go-to casual lunch item. It was an easy-eatin’ patio dining staple. Anybody could make one and every menu offered one. Nobody didn’t like a hamburger it seems, at least in those days before the meat-free lifestyle became a thing. Since the launch of McDonald’s and Burger King in the 1950s there have been hamburger joints all over the planet. McDonald’s sells 75 hamburgers per second, according to an article six year ago in Parade Magazine (which means that number has probably quintupled by now). Ergo it’s a big, big deal, the hamburger.

If you just dropped in from Mars and wanted a big, juicy, classic burger, almost any restaurant would be able to comply, especially in Santa Cruz. Gabriella’s is opulent. Oswald’s is textbook. Parish Publick House’s is righteous. Upmarket Alderwood made sure it had a serious burger in place the minute it opened last year. Cafe Cruz has burgers so good you want to live there permanently.

It’s as simple as a patty of ground beef, grilled and served on a bun with tomato, lettuce, onions, pickles and condiments that include ketchup, mayo, and mustard. So popular is the entire concept of a hamburger that in the 21st century of diversity dining, it has even spawned a vegetarian döppelganger called the Impossible Burger. It seems inevitable that those desiring a burger, just without the meat, would devise a way to turn soy protein into something to satisfy that craving. That the hamburger is a popular, ubiquitous item on mainstream menus and on many home dining tables cannot be questioned.

Perhaps the real question is twofold: Where did it come from, and why do we love it?

The first question leads into the murky zone of meta-history, which lies very close to urban mythology and fake news. Let’s see if we can trace origins through the name itself. No, there isn’t ham in a hamburger. Yes, there is a town in northern Germany named Hamburg, where people have loved meat in many forms for a long time. In the 18th century there was something called the Hamburg steak, made from beef that had been minced, mixed with some seasonings and formed into patties. The Hamburg steak might trace its ancestry to Genghis Khan and his buddies who invaded Russia and introduced minced meat, a version of steak tartare, to what is now Germany. Hamburg was one of those port towns doing a brisk trade with Russia and steak tartare quickly morphed into the Hamburg steak, a patty of minced beef served with onions and capers.

Sounds close, right? But someone had to finish the equation. That someone might have been a German immigrant, arriving in New York and opening a restaurant. Doing what they knew best, they might have started offering Hamburg steaks on their menus (sort of a German cousin to the very similar Salisbury steak, which many recall from the mid-20th century infancy of the TV dinner). The Salisbury steak also involved minced or ground beef but included gravy. No gravy on a Hamburg steak.

As early as 1876, Delmonico’s in New York offered a Hamburg steak on its menu. The Boston Cooking School Cookbook published in 1844 included a recipe for Broiled Meat Cakes, which involved chopping lean, raw beef into a fine mince, shaping it into small flat cakes, and broiling.

What was lacking was the bun, so that the meat patty could be easy to eat while standing, sitting in a car, walking, picnicking, and on one’s lunch break.

Once liberated from its original identity issue—trying to be a steak—the hamburger came into its own as a patty of ground beef usually fried or grilled into submission, placed between toasted halves of a bun, and consumed with French fries or onion rings. (Okay, and/or potato chips.)

The Bilby Family of Tulsa, Okla., claims to have been the first to put a hamburger on a bun before serving. Surely it didn’t take long for folks to realize that a hot slab of beef can wreak havoc with slices of bread. Bread didn’t have the staying power—the gravitas, if you will—to contain the burger plus its hot juices. It was probably the St. Louis World’s Fair in 1904 (see Vincent Minnelli’s Meet Me in St. Louis, starring Judy Garland, for reference), that put the hamburger as we know it on the U.S. map.

We’ve got eateries named for burgers. Betty Burgers, Jack’s Hamburgers, even two places whose names are simply Burger. Fast food specialists like McDonald’s, Wendy’s and Burger King aside, there’s now a new Belly Goat Burger located inside Abbott Square food court. The brain-child of chef Anthony Kresge, Belly offers a vegan Portobello burger in addition to a 100% grass-fed beef hamburger. 

The ante continues to rise. Instead of mere buns, there are now brioche buns. Instead of ground chuck, there’s grass-fed free-range Wagyu. Condiments continue to evolve. Organic caramelized onions, guacamole, sauteed mushrooms, housemade pickles, Jarlsberg cheese, feta sriracha mayo, and sugar-cured bacon. 

Paul Cocking of Gabriella Cafe claims a few distinctions for his burger. It arrives wrapped in Blue Heron farms butter lettuce, plus the bun is made with a focaccia dough. “Puts it over the top,” he claims. And many diners agree. Geoff Hargrave from East End Gastropub says that his burger made of 100% grass fed beef with lettuce, onion, homemade pickles and house sauce on a locally-baked bun “has become a staple among our regulars.” At Solaire, the Black and Blue Burger is made of blackened Angus topped with blue cheese aioli. Mmm! And the Oswald folks do their version on a brioche bun plus housemade aioli and seasonal toppings from caramelized Izard onions in winter to cornichons in summer.

Yes, the burger has come a long way from the days of Genghis Khan and his steak tartare-loving hordes. However you like them, impossible or 100% grass-fed, they are a delicious fixture of American dining.

So, why do we love the hamburger? Maybe because it’s gooey, hot, delicious, loaded with unctuous flavor and involves all the flavor groups except sugar. 

But we probably love the hamburger because we can.

Satisfy Your Sweet Tooth Craving With Burger’s Luther

For this year’s Burger Week, skip the traditional sesame buns for something a bit sweeter: a glazed Ferrell’s donut.

The donut is a feature of the Luther, a sweet and savory specialty at the restaurant aptly named Burger. It is a perfect example of one of the purposes of Burger Week, putting a spotlight on intriguing burgers. Both Burger locations in Santa Cruz and Aptos are participating in Santa Cruz Burger Week. Keira Avitia, manager of the Santa Cruz Burger location, fills us in on the details of what they are cooking up for this delectable week.

What will be your burger special for the week?

Avitia: We will be offering our most sought-after burger, the Luther. We will be serving this bad boy for only $10, and it comes with a side of fries or coleslaw. It’s a pretty sweet deal! 

Which Burger restaurants will be participating for the event? Which burger do you recommend trying during this week?

The Luther is a delicious combination of a sweet glazed donut, cut in half, lightly toasted, and then turned inside out to make the perfect donut bun. On the inside we take our 100% juicy grass-fed beef, thick bacon, and melty American cheese and top that with our house-made sauce … it makes for the perfect amount of sweet, yet savory! We really couldn’t think of a better combo. We pick up donuts daily from our friends over at Ferrell’s Donuts on Mission Street, just a few blocks away. Check them out! 

Why did you guys decide to participate this year? 

We live by the rule that every week is Burger Week (hence the name). We serve up burgers all day every day. Every year, Burger Week comes along and we have a huge customer base that asks for something special for the occasion. This year, we thought, give the people what they want!

Burger, 1520 Mission St., Santa Cruz, and 7941 Soquel Drive, Aptos. burgerlovesbeer.com.

Opinion: Feb. 19, 2020

EDITOR’S NOTE

There’s so much going on in this issue, I don’t even know where to start. How about with the most delicious part, which is Burger Week. It runs Feb. 19-25, which means it starts today, which means you may already be sinking your teeth into one while you read this. Try not to drip ketchup on this next part, where I tell you that there is a complete pullout guide to Burger Week inside, featuring Christina Waters’ look at the history of the entire burger phenomenon, as well as where to get one over the next week, and more.

Not nearly as delicious but way more important for helping you do your civic duty on March 3 (aka voting) is our Election Guide in this week’s news section, which makes this the perfect spot to announce how proud we are that GT’s own news editor Jacob Pierce has just been named the winner of the Writer of the Year award for the 2020 NEXTies. The awards will be handed out March 20 at the annual ceremony. Congratulations Jake!

With all that going on, it might be easy to miss Susan Landry’s cover story this week about how rapid growth is changing Santa Cruz’s mountain towns. But you shouldn’t, because it’s an excellent story about a major shift in our community that we’ve all probably had an inkling about, without really understanding the true scope of it. The perspectives on the San Lorenzo Valley from many of its movers and shakers are revealing, and the questions the story raises about identity and transformation are fascinating and important.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

IN BERNIE’S NAME

Thank you GT and Patrick Dwire (“Berner Accounts,” Jan. 29) for letting readers know that “Brand New County Democrats” is made up of the same people behind the Glover-Krohn Santa Cruz City Council faction. Voters should know that the proposed “take over” of SCCDCC by this clique will likely result in a “scorched-earth approach to policy-making,” according to Tony Russomanno. Voters should also know that Senator Sanders does not take sides in issues unique to local communities. For the last four years, a faction within SC for Bernie has deceitfully exploited Bernie’s good name, trying to fool voters into thinking that he’s endorsing local candidates. Nothing could be further from the truth. County residents who are familiar with the divisiveness and disruption of the Glover-Krohn City Council should carefully examine all candidates before elevating them to public office.

Gigo deSilvas | Santa Cruz

 

OUT OF TOUCH

Re: “Berner Accounts”: It’s great to see lots of people running for the Democratic Central Committee, trying to make the local Democratic Party more responsive to the needs of the majority of community members, rather than just maintaining the status quo.

The response of some established committee members just proves how out of touch the current Democratic Party is. Case in point is Les Gardner, part of a faction which has excluded more progressive voices and interests for years, now claiming that these people running for an elected position and appealing for votes to the public—the essence of democracy—is a bad thing, an underhanded scheme to silence others. Imagine the audacity, trying to win an election, thereby excluding other people who don’t get as many votes!

In a development that should surprise no one, it turns out that Gardner is a wealthy, privileged person whose combination of wealth and entitlement to political power encapsulates why so many people are disgusted by the current state of the Democratic Party. A 2019 GT story about Gardner and his political involvement in Central America explains that he made his fortune in real estate, has enough wealth to donate tens of thousands of dollars to political campaigns each cycle, stays at five-star hotels, owns a beach house in El Salvador, and—wait for it—barely speaks Spanish.

It’s high time that ordinary people take over the political left from these kind of wealthy insiders. Please look up Brand New County Dems and find out who is running in your district.

Steve Schnaar | Santa Cruz

 

Re: Streetcar

Regarding the upcoming battery-electric streetcar demonstration mentioned by Ms. Thorne (Letters, GT, 2/5), the money spent for upgrades is being spent regardless of the streetcar demonstration; that work is part of Measure D expenditure plans to improve and maintain the rail line.

This short-term service on the line is not a “tourist train”; it’s a demonstration of a new type of non-diesel transit vehicle that might be implemented for passengers as an alternative to driving.

Not all local traffic is tourist traffic, and not all users of a daily streetcar service would be tourists. In fact, if a system went all the way to Watsonville and was integrated with local Metro routes, we can expect that hundreds of students and shoppers and workers would use the system daily, as well as visitors, non-drivers, youth, elderly, and disabled.

— Barry Scott

 


PHOTO CONTEST WINNER

POINT’S ON A CURVE Sunset at Pleasure Point. Photograph by Kasia Palermo.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

HOME RUN

There are advantages to building housing in the more urbanized portions of cities. For instance, close proximity to stores, restaurants, green spaces and multiple bus routes makes life without cars that much easier. Density can make housing more affordable to renters and more environmentally sustainable, too. A new group called Neighborly Santa Cruz is organizing a March for Housing in downtown Santa Cruz on Saturday, Feb. 22 from 12-1pm, starting at the Santa Cruz Metro Center, at 920 Pacific Ave., and ending at City Hall. 


GOOD WORK

WATER YOU KNOW

Although the number of county residents has grown by roughly 20,000 since the year 2000, residents are using less total water today than they were 20 years ago. A new water management report from Santa Cruz County shows continued progress. Last year’s accomplishments include the adoption of groundwater management plans for two critical water basins to help place the county on a path toward water sustainability. Water use remains well below 2013 pre-drought levels, proving that positive changes can make for good new habits.


QUOTE OF THE WEEK

“I am learning nothing in this trivial world of men. I must break away and get out into the mountains to learn the news.”

-John Muir

5 Things To Do in Santa Cruz: Feb. 19-25

A weekly guide to what’s happening

Green Fix 

44th Annual Banff Mountain Film Festival 

One of Santa Cruz’s favorite film events of the year, the annual Banff Mountain Film Festival is traveling to some 400 communities around the world. From an exploration of remote landscapes and mountain cultures to adrenaline-fueled action sports, this year’s world tour is making a pit stop in Santa Cruz to bring stories of distance runners, skiers and high desert mountain bikers. Proceeds benefit the UCSC Wilderness Orientation Scholarship Fund. 

INFO: 7pm. Feb. 20-23. Rio Theatre, 1205 Soquel Ave, Santa Cruz. banffsc2020.brownpapertickets.com. $18-$22.  

 

Saturday 2/22-Sunday 2/23 

39th Clam Chowder Cook Off

Who knew that the country’s biggest and longest-running clam chowder fest was right here in Santa Cruz? The Santa Cruz Beach Boardwalk Clam Chowder Cook-Off and Festival is back for its 39th time around. There are both amateur and professional categories, and prizes for the best chowder. Be a part of Santa Cruz’s storied clam chowder history, and find out where you fit into the bigger clam chowder picture. (OK, just kidding on that last part. There is no bigger clam chowder picture, but wouldn’t that be kind of cool?)

INFO: 10am-4pm. Santa Cruz Beach Boardwalk. 400 Beach St., Santa Cruz. 420-5273. beachboardwalk.com. Free admission, tasting kits $10.

 

Saturday 2/22 

Art Seen

Quilt Show 

These are not your grandma’s quilts. Well, maybe they are, depending on who your grandma is—maybe she is an epic quilter. In any case, featuring over 300 handmade quilts and wearable arts, the Pajaro Valley Quilting Association’s Quilt Show includes a flea market and vendor mall, plus a fashion show. There’s a featured artist and a featured quilt, plus live demos so you can start a new quilt at home.

INFO: 10am-5pm, Saturday, Feb. 22; 10am-4pm, Sunday, Feb. 24. Santa Cruz County Fairgrounds, 2601 E Lake Ave., Watsonville. pvqa.org. $10.

 

Saturday 2/22 

Felton Library Grand Opening 

Join Santa Cruz County Supervisor Bruce McPherson, Assemblymember Mark Stone, Library Director Susan Nemitz, Felton Library Friends President Nancy Gerdt, and Architect Teal Messer in welcoming the newest library to the county. The project is the first library to be completed from the Measure S funds, a $67 million bond measure passed in 2016 to renovate all 10 branches of the library system. $10 million was assigned to the Felton project, with enhancements funded through Felton Library Friends. There will be food, nature and virtual reality demonstrations and live music following the ribbon cutting at 10am. 

INFO: 10am-5pm. Felton Public Library, 6121 Gushee St., Felton. Free. 

 

Saturday 2/22

TWDCC Annual Winter Dance Fest

Tannery World Dance and Cultural Center’s Winter Dance Fest is a celebration of cutting-edge local choreographers. Gregory Dawson’s contemporary dance company, dawsondancesf, is back for another year. This time he will showcase an excerpt from his work, “Keep Your Head to the Skies,” alongside emerging Santa Cruz choreographers Nathan Hirschaut and Taliha Abdiel. Photo: Devi Pride. 

INFO: 7:30pm. Colligan Theater at the Tannery Arts Center. 1010 River St., Santa Cruz. 425-1440. tanneryworlddance.com. $18-$22.

Duster Hits Reset After Gaining Legend Status

San Jose’s ’90s proto-slowcore band Duster is touring again

Music Picks: Feb. 26 – March 3

Colin Hay
Santa Cruz County live entertainment picks for the week of Feb. 26

New Leaf’s Community Educator Dishes Out Healthy Lifestyle Advice

Madia Jamgochian organizes free one-hour nutrition lectures and other events

Love Your Local Band: The Messiahs

The Messiahs play Michaels on Main Friday, Feb. 28.

Film Review: ‘The Assistant’

The Assistant
A dream job with a movie mogul gets disturbing

River Run’s Spicy Cote D’Aromas

River Run makes a full-bodied Cote D’Aromas

Tracing the History of the Burger

How did the burger become such a staple of American menus?

Satisfy Your Sweet Tooth Craving With Burger’s Luther

Skip traditional sesame buns for a donut with this sweet and savory specialty

Opinion: Feb. 19, 2020

Plus letters to the editor

5 Things To Do in Santa Cruz: Feb. 19-25

Felton Library Grand Opening, Clam Chowder Cook-Off, Banff Mountain Film Festival and more
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