Jimmy Palafox had some impressive teachersโAdolfo โFitoโ de la Parra, drummer of Canned Heat, and Jose โChepitoโ Areas, percussionist of Santana, who are both family friends. Though primarily a drummer himself, Palafox started writing his own songs on the guitar in 2017, calling the project the New Horizons. Within a few months he found members to round out the four-piece band.
His original songs were highly influenced by the music of his mentors, a mix of Latin music and blues-rock.ย
โThe band mostly evolved from the Latin and blue stuff that I was playing. Then the new guys brought in their own touch. It kind of created this unique sound,โ Palafox says.
In 2018, the bandโwhich at the time was Palafox (drums), Owen Drew (lead guitar), Jacob Bayani (rhythm guitar/vocals), and Caleb Riley (bass/vocals)โrecorded its first full-length. The songs reflect the diversity of the bandโwhile still rooted in Latin music, psych-rock and blues, it goes into a lot of other areas.
โWe donโt like to stick to a genre. We like to play a little bit of everything. You become a better musician if you play more styles and donโt just stick to one specific thing. Blues, rock, reggae, alternative, jazz. Weโre constantly learning new genres,โ Palafox says.
The group released two of the songs, โNo Rich Manโ and a cover of Bob Dylanโs โSlow Trainโ to online streaming services last summer, in the hopes of building the bandโs fanbase and raising money to finish their album. The current version of the band still includes Palafox and Bayani, but now has Xai Clayton on bass and Sal Contreras on guitar. They hope to release the album later this year.
INFO: 7pm, Thursday, April 23, Sand Bar, 211 Esplanade, Capitola. Free. 462-1881.ย
Anyone who has seen the complex, slightly disturbing Swedish cerebral thriller Force Majeure might have been surprisedโpossibly horrifiedโto learn it was being remade in the U.S. as a Will Ferrell comedy. That may have been especially true after seeing the trailer for the remake, now called Downhill, that features a lot of comic slapstick action and exasperated yelling from Ferrell and co-star Julia Louis-Dreyfus.
Your faithful critic was one of those skeptics. So itโs a relief to report that Downhill proceeds with a lot more serious intent than you might expect, as befits the story of a family on a ski vacation whose close encounter with a near-avalanche and its aftermath threatens to drive the parentsโ marriage off a cliff. Co-produced by Louis-Dreyfus, it does have more of a frenetic undercurrent than the spare, sober original, but the theme of disrupted trust still has a harrowing edge.
An American familyโdad Peter (Ferrell), mom Billie (Louis-Dreyfus), and their twin sons (Julian Grey and Ammon Jacob Ford)โis on vacation at a fancy ski resort in the Swiss Alps. On their second day on the slopes, they are having lunch at a cafe on an open terrace when one of the โcontrolledโ mini-avalanches periodically set off at the resort suddenly comes hurtling down the mountain toward them. It takes a couple of minutes for the tourists happily snapping pics on their phones to register the danger and dash inside from the terrace. One of them is Peterโwho flees his family in fear.
Itโs a near miss; within another few minutes, diners are returning to their meals, trying to laugh it off. But not before viewers experience (along with Billie and the kids and a few others left behind) a moment of complete, paralyzing whiteout. Paralyzing, too, is the gulf of silence that grows between Billie and Peter when he fails to even discuss what happened. It only widens when a co-worker and his girlfriend (Zach Woods and Zoe Chao) join them at the resort.
The issue is not only that Peter ran off in a moment of panic, but also his subsequent behavior. At first acting as if nothing untoward has happened, he then grudgingly begins referring to the โevent,โ downplaying its significance. In attempting to whitewash the entire incident as no big deal, he not only refuses to acknowledge Billieโs genuine terror in the moment, but also belittles her for having felt it. Worse, he keeps contradicting her account with his alternative version, trying to control the truth after the fact.
Much of the movie is devoted to Peter scrambling to reestablish common ground with the prickly Billie. Itโs especially pathetic the way he tries to worm his way back into the illusion of solidarity with her against the frosty resort rep to whom they complain about the incident. (The rep is played by Kristofer Hivju, beloved as the ginger-haired Wilding leader in Game of Thrones. Fun fact: itโs a cameo for Hivju, who co-starred in Force Majeure as the husbandโs visiting co-worker.)
Louis-Dreyfus and Ferrell deftly ramp up the tension between them in many small ways. But itโs a bit disappointing when they finally have their inevitable showdown that Billie is most concerned with how much Peter wants to be with the familyโextending to him the luxury of making a choice. The real question ought to be how they can regain the necessary trust in their partnership after his prolonged failure to behave with honesty.
Angst aside, there are some more overtly comic touches here, like Billieโs interlude with a handsome Italian ski instructor (Giulio Berruti), and the overbearing Frau Blucher (only more glam) of a hotel concierge (Miranda Otto) who sets them up. But itโs a mistake to market this movie as a typical rom-com for the date-night crowd, who will no doubt find it more perplexing than romantic.
ย
DOWNHILL
**1/2 (out of four)
With Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoรซ Chao, and Miranda Otto. Written by Jesse Armstrong and Nat Faxon & Jim Rash. Inspired by the movie Force Majeure by Ruben รstlund. Directed by Nat Faxon and Jim Rash. Rated R. 86 minutes.
Champagne is for all sweethearts on Valentineโs Day. What would the most romantic day of the year be without a drop of bubbly?!
Although the word โchampagneโ is used as a generic term for sparkling wine, it refers to a region of France where true champagne is made. All others are sparkling winesโthe best ones made in the mรฉthode champenoise style. When you experience superb sparkling wines, such as those made by Barry Jacksonโowner and winemaker at Equinoxโthey sing their own song of quality and flavor.
Equinoxโs 2014 Monterey Sparkling Rosรฉ is simply fabulous. Jacksonโs tasting notes tell of tight mousse, bright aromatics of strawberry and vanilla, with a mid-palate of raspberry and blood orange. With its โwhisper of sweetnessโ in the finish and gorgeous blush color, this brut (dry) sparkling wine is all you need to share with your Valentine. Itโs available in Staff of Life for $45, but you have a wider choice of sparklers if you head to the Equinox tasting room.
Persephone Restaurant in Aptos will hold a winemakerโs dinner on April 26 featuring Jackson and his wines. As well as Equinox sparkling wines, Jackson still makes wines under his Bartolo label.
Equinox Wine, 334 Ingalls St., Unit C, Santa Cruz. 471-8608, equinoxwine.com. Open daily from 1-7pm.
Posy Pop-Up for Valentines
Itโs that romantic time of year when flowers are in big demand. Renowned florist Teresa Sabankaya will hold a fun Posy Pop-Up flower boutiqueโby her Bonny Doon Garden Companyโat the delicious Buttercup Cakes and Farmhouse Frosting store in downtown Santa Cruz. The Pop-Up will be held from 9am-9pm, Feb.10-14, and will feature a full Valentineโs Day gift boutique with candles, body-care products, flowers, and more, making it a one-stop visit for Valentineโs Day gifts.
For more info visit farmhousefrosting.com; teresasabankaya.com; bonnydoongardenco.com.
Valentineโs Day
Chocolate the Restaurant has created some sexy specials for Valentineโs Day, including a to-die-for Valentineโs Dessert Orgy. Also, Burrell School Vineyards will hold a Valentineโs dinner on Feb. 14.ย
Though itโs gone almost unnoticed everywhere except here in the pages of GT, Santa Cruz has played a major part in the podcast revolution. The producers and stars of such blockbuster podcasts as Serial, Bullseye, Undisclosed and more got their start up at KZSC on the UCSC campus, or at local radio stations like KSCO and the gone-but-not-forgotten KUSP.
This week, Jacob Pierce takes a look at two more Santa Cruz connections to the podcast world. The subject of his cover story, Ezra Klein, hosts a couple of popular podcasts, and now the former UCSC student and co-founder of Vox Media has a new book about the intense political polarization in our country. Pierce profiles Klein, and explores in a sidebar story how that same polarization has trickled down to local politics, as well.
In the news section, he also has a Q&A with KUSP alum Sean Rameswaram, whose podcast Today, Explained has risen to rival NPRโs Up First and the New York Timesโ The Daily as Americaโs daily-news podcast of choice. We plan to stay plugged in to the rapidly evolving podcast industry and this areaโs surprisingly strong connection to it.
Re: “Berner Accounts” (GT. 1/29): The DCC does actively listen and encourage everyone to vote in our community. The DCC has over a decade of accumulated fundraising dollars earned by hard-working volunteers that is utilized for staffing offices in Santa Cruz and Watsonville during election seasons. The DCC races have appeared on the last two presidential primary ballots because there were more candidates than seats. The number of seats is determined by Santa Cruz County Elections Department based on voter registration. The DCCโs agenda for the monthly meetings include an informative report on Affordable Housing. The DCC have members that support the Green New Deal and the DCC provides Green New Deal yard signs. Did you read about the DCC’s role in the incredible 2nd Civics Summit giving high school students the opportunity to meet and talk to our electeds? Yes, itโs true, Democrats have a big tent. The DCC members are a diverse group that support our local unions, support Swing Left and support the five active members that are local Sanders supporters. We invite the public to the monthly meetings and to help with flipping districts to blue.
Carolyn Livingston, Treasurer, Democratic Party of Santa Cruz County
Manu Up
Re: โJet Plane Wrongโ (Letters, GT, 2/5): Iโve lived in Soquel more than 40 years. My Supervisor is John Leopold. I voted for him three times but I canโt vote for him again. I no longer believe he represents the best future for my community.ย
Leopold has been thoughtless in regards to development in the mid-county; ignoring the voices of his constituents, favoring wealthy out-of-town developers. He supports a billion-dollar train to Davenport without having the money to pay for it. Likely to be funded by increased parcel and sales taxes, used largely for transporting freight through our neighborhoods and offering little relief to traffic congestion.
Manu Koenigโs candidacy feels fresh and has a vision for the future. While he supports policies to mitigate traffic and encourage alternative means of transportation, Leopold just voted (ignoring community opposition) to build a car dealership at the busiest intersection in the mid-county, irrevocably changing the nature of the mid-county community. He disregarded years of planning by Sustainable Soquel for building a walkable, livable community. He betrayed our community.
Honestly, do we need more cars in Santa Cruz?ย
We are choking in traffic.ย
While Manu Koenig is creatively and progressively planning a better future, John Leopold has tied himself to the old, worn out values that no longer work and no longer serve us. Manu is willing to listen and learn. Leopold has demonstrated that he will not and does not.
If John Leopold was able to solve our problems, heโd have done so by now.
Itโs time for a change.
Iโm voting for Manu Koenig
Michele DโAmico |ย Soquel
YES SHE DID
Is it just goodwill on the part of Melissa Etheridge, recipient of the first non-retail cannabis license approved by the county supervisors, for giving a concert and meet-and-greet in support of John Leopoldโs campaign? Surely the value of Melissaโs โcontributionโ to Johnโs campaign must exceed the state Fair Political Practices limit of $500? Or is this just a โthank youโ in the bank in case her business needs other county supervisory approvals?
Nadene Thorne |ย Santa Cruz
CORRECTION
Last weekโs music story (โQueue the Music,โ 2/5) misreported the day of the week of the band Hawktailโs upcoming show at Michaelโs on Main. The show is Saturday, Feb. 15.
PHOTO CONTEST WINNER
Taken on a stroll along Rio Del Mar Beach in Aptos. Photograph by Shelly Fukushima.
Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
ART COUNTS
The Santa Cruz County Office of Education has announced a student art contest to raise awareness about the 2020 Census. Entries must include the text of the theme, โEveryone Counts!โ and/or โยกTodos Contamos!โ They must be delivered to Audrey Sirota at the County Office of Education, and the back of each artwork must include the studentโs name, school, grade, teacher, phone number and email. Artwork must be between 8.5 and 12 inches wide and between 11 and 18 inches long. The deadline is Feb. 21.
GOOD WORK
ABOUT CHASE
Santa Cruz police responded to a report about a suspected DUI driver near Seabright Avenue at approximately 5:30 pm on Sunday, Feb. 9. As an officer attempted to conduct a traffic stop, the driver sped off. The pursuit ended with the driver striking several parked cars and a street sign. The driver fled on foot, but rangers detained him. The driver was wanted for robbery and had a DUI warrant from Morgan Hill. The convicted felon had a loaded and stolen handgun in his center console.
QUOTE OF THE WEEK
Journalism will kill you, but it will keep you alive while youโre at it.
Ray Manzarek, co-founder of The Doors and keyboard legend, would have been 81 this year. In his memory, the Del Mar is hosting โBreak on Thru,โ a hybrid live concert and documentary capturing a 2016 tribute performance in Los Angeles by surviving Doors members John Densmore and Robby Krieger on what would have been his birthday.
INFO: 7 pm. Del Mar Theatre, 1124 Pacific Ave., Santa Cruz. $15.ย
Wednesday 2/12ย
โSucculent Poaching and Dudleya Conservationโย
In this talk Emeritus Director of Research of UCSC Arboretum, Stephen McCabe, will focus on recent poaching of the native succulent Dudleya plants from the California coast, as well as other succulent poaching that is a side effect of the current succulent plant craze. In one bust alone, officials seized around $600,000 worth of poached plants. The talk will cover some of the steps people are taking to protect the succulent commons and the many rare and endangered species of succulent plants.
INFO: 7pm. UC Santa Cruz Arboretum & Botanic Garden, 1156 High St., Santa Cruz. Free.ย
Saturday 2/15ย
KSQD First Birthday Bash
In celebration of KSQDโs first year around the sun, join the station hosts, donors and listeners who love community radio. There will be food, cake and of course lots of music including the Paris Quartet Classical Music, Andy Fuhrman and Friends, Heather and the Hepcats Jazz Quartet and more. Plus, the name-that-DJ game for the KSQD frequenters.ย
INFO: 2-6pm. Holy Cross Parish Hall, 170 High St., Santa Cruz. Free, donations accepted.ย
Saturday 2/15ย
Celebration in Memory of Ram Dassย
Ram Dass, who left his body in December 2019, defined a generation of inner explorers and seekers of truth, love and wisdom. He left an indelible imprint on the fabric of spirituality in the West. The film Becoming Nobody is a portal to his life and teachings. The benefit screening of the film is a fundraiser for the completion and continuation of his dream, the Sri Neem Karoli Baba Ashram Hanuman Temple in Taos, New Mexico.ย
INFO: Doors at 6pm, show at 7pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. nkbashram.org. $25.ย
Sundayย 2/16ย
Green Fixย
Katie and Tommy Zaferes Q&Aย
World Champion Triathlete and Olympian Katie Zaferes and professional sports photographer Tommy Zaferes are coming to Santa Cruz. Join them in a Q&A session as they share stories and answer questions about training, racing, nutrition, mental tactics, travel, and more.
INFO: 5pm. Sunday, Feb. 16. Family Cycling Center, 914 41st Ave., Santa Cruz. 475-3883. Free.ย
Sundayย 2/16ย
Art Seenย
Santa Cruz Makers Market
The second Market of the year is this Valentine’s Day weekend. The stretch of Pacific Avenue between Water and Locust Streets becomes a pedestrian mall for the Makers Marketโone of the best regular exhibitions of local makers around this time of year. There will be more than 40 local Santa Cruz County artists and crafters, plus live music by Lauren Wahl & Simply Put. Canโt make it this time? Donโt worry, the event happens every third Sunday monthly.
When journalist Ezra Klein thinks back on his time at UCSC, he misses the laid-back sense of possibility that surrounded himโthe space and freedom. โThe fact that, as a college student, you get to run around in this grove of redwoods in a dorm room that overlooks the oceanโitโs just a privilege wasted on the young,โ says Klein, who co-founded the news website Vox in 2014, at age 29. โItโs just an incredibly beautiful place to be, with wonderful values and fascinating people.โ
School, he admits, never felt like a great fit socially or academically, although he had a better experience after he graduated from high school in Irvine. He spent two years at UCSC before transferring to UCLA.
Early in his freshman year at UCSC, Klein applied for an internship at City on a Hill Press, the schoolโs student-run newspaper. He didnโt land the gig, but shortly after getting rejected, he started his own political blog. The writing process drew him in, and by the time he graduated from UCLA in 2005, Klein says he was pretty much โa full-time blogger.โ
After college, his journalism career took him to the left-leaning magazine The American Prospect, and later to the Washington Post, where he managed the paperโs online โWonkblog.โ Heโs served as a columnist for Bloomberg and as a frequent guest on MSNBC. He became the founding editor of Vox, for which he now serves as editor-at-large. Klein, who recently moved from DC to Oakland, oversees projects like Netflixโs Explained showโwhile hosting at least a couple podcast episodes per week, and covering beats like politics, impeachment and health care.
While at the Washington Post, Kleinโs work often focused on the nerdier inside-baseball questions of politicsโbreaking down how things get done in the Capitol or showing how to craft good healthcare policy.
At Vox, his mission broadened to explanatory journalism intended for a wider audience. Voxโs calling card has been explainer stories like โWhy the Iowa Caucuses Matterโ and โWhat Trump Has Done to the Courts, Explained.โ But at a certain point it becomes impossible for news junkies like Klein and his colleagues to explain much of anything in American politics without exploring the systemโs underlying dysfunction. And the central ill of the countryโs political system, heโs come to find, is political polarization.
In late January, Klein released his first book. The meticulously sourced Why Weโre Polarized, which debuted at number five on the New York Times bestseller list, burst on the scene, somewhat presciently, in the midst of the impeachment trial of President Donald Trump. Senate Republicans quickly acquitted Trump without bringing in any witnesses, despite the fact that the president repeatedly obstructed congressional investigations, and despite clear evidence that he and his administration withheld foreign aid in order to pressure Ukraine to launch a politically motivated investigation. The ordeal, as Klein has argued on his nascent podcast project Impeachment, Explained has been a crash course in polarization.
โThere are moments in this whole process where I feel I canโt communicate how crazy what weโre seeing actually is, where I canโt quite convey that we are out of the realm of abnormal partisan conflict,โ Klein said on the final episode of his impeachment show.
This country, he says, has veered into something much more dangerous.
TUG IN THE SYSTEM
For most of the 21st century, the U.S. wasnโt really polarized at all.
As recently as 1976, only 54% of Americans thought Republicans were more conservative than Democrats, and 30% said there was no ideological difference between the parties. The reasons, though, for the depolarized time of yesteryear are not pretty, Klein says.ย ย
That political landscape had roots in the legacy and influence of southern Democrats, known as Dixiecrats. The Dixiecrats ran as Democrats, but often functioned as a third party, supporting not only many progressive programs, but also segregationist Jim Crow laws that oppressed African Americans. So in the early 1960s, the Democratic Party included everyone from South Carolina Senator Strom Thurmond, one of the Senateโs most conservative members, to Minnesota Democrat Hubert Humphrey, one of its most liberal. Likewise, Republicans also had a range of conservative and liberal members.
For all its problems, the nation essentially had a multi-party system. What worked about this setup was that it allowed for collaboration and dealmaking. The Constitutionโs founders, after all, never imagined that political parties would gain a foothold. As such, they did not build political institutions equipped to function amid party gridlock. In the early 20th century, however, what may have looked to white America like a flourishing democracy was, on another level, a repressive regime stepping on the rights of minorities.ย
โOftentimes, the alternative to polarization is suppression,โ Klein says.ย
In 1950, the American Political Science Association advocated for a change. In a 98-page paper, some of the nationโs leading political scientists argued that the countryโs two political parties were too similar. Voters couldnโt tell the two groups apart, and it was time for two political parties that were more ideologically sorted. The bipartisan period began falling apart over the next two decadesโpartly thanks to the Civil Rights acts of 1957 and 1960 and 1964, followed by the Voting Rights Act of 1965. Eventually, the South switched from blue to red.
Although polarization itself was likely inevitable, Klein says, there are several ways polarization could have gone. โI donโt think itโs crazy to even imagine the Republican Party being the party of civil rights, [with] the Democratic Party, given its very powerful Dixiecrat wing in the mid-century period, being the party of racial inequality,โ he tells me.
Ezra Klein’s new book hit the bestseller list after coming out at the height of the media frenzy over impeachment.
SPLITTER EFFECT
At the heart of Why Weโre Polarized is the concept of identity.ย
Citing a robust assortment of social science literature, the book shows that it is human nature for people to sort into groups, developing an alarming level of distrust for anyone who appears to be outside their own group along the way.ย
And although the right often uses โidentity politicsโ as a pejorative to describe the priorities of millennial social justice warriors, Klein shows that identity politics are long-held American traditions. The interests of white, Christian American men often seemed somehow too mainstream for pundits to refer to them as identity politics. But they are, he writes.ย
Klein explains that white identity politics rear their head when triggeredโwhether by the election of the nationโs first black president, or by slower demographic changes of a diversifying America. Anxiety is polarizing, especially when the emotion is shared by two opposing groupsโeach with a deep-seated fear that the other is undermining their core principles.
A citizenโs sense of self has always played a role in how he or she votes, but now, the way that Americans experience and form identities is changingโthe parties arenโt just sorted politically or ideologically or racially or geographically. More than ever, an individualโs politics are predictive of whether they choose to drive a Prius or a pick-up, whether they eat at Cracker Barrel or shop at Whole Foods, how many guns they own, their musical tastes. And with the divisions between these two political coalitions sharpening, voters have stacked their identities one on top of the other to form what Klein calls โmega-identities.โ In 2020, to offend one of these identities is to offend them all.
Other forces are accelerating polarization, including a changing news landscape, social media and the weakening of political parties, which used to serve as gatekeepers. Interestingly, some of the forces that gave rise to President Trump, Klein argues, are a reflection of some of the ones propelling the popularity of Sen. Bernie Sanders (I-Vt.), although Klein doesnโt say that the two men are morally equivalent.
As Americans grow more ideologically sorted, they end up forcing the countryโs institutions to become more polarized, as well. That further polarizes Americans, creating a vicious cycle. But hard-line partisanship is more extreme on the right than on the left, Klein writes. Thatโs partly because the Democratic Partyโs diversity serves as a moderating force in the party. So too does a political map with features that are quickly turning into what are essentially built-in Republican advantages, like the electoral college. In much of the country, Democrats often see incentives to be more moderate, in order to compete. The countryโs rural areas, meanwhile, are growing more conservative, and the nationโs most populous states, of which there are fewer, are becoming more liberal.ย
The result here, according to a FiveThirthyEight analysis, is that the average state is six points more Republican than the average voter. And a recent social science paper cited in Why Weโre Polarized forecasts that Republicans can expect to win 65% of the presidential contests in which they lose narrowly in the popular vote.ย
That creates a distance between the votersโ public will and the nationโs political outcomes.ย
Given that the president and Senate are in charge of picking Supreme Court judges, the country could be headed for a crisis, one in which half the country views all three branches of government as illegitimate. The idea scares Klein, and not just because of low representation for Democrats.
โThereโs also a power-begets-power dynamic, where Republicans or any political party that has power but sees the future turning against it begins using its power to maintain power,โ he says, โso thatโs Supreme Court decisions or legislative decisions around gerrymandering and the Voting Rights Act and Citizens United. Youโve seen a number of Republican states like Wisconsin and North Carolinaโwhen Republicans lose powerโbegin changing the Constitution to, say, empower Republican legislature and disempower an incoming Democratic governor. We can go on a path in this country towards democracy. But another way, countries like ours sometimes go in conditions like these is towards disenfranchisement. And disenfranchisement is a scary thing for a political party to play with. I mean, it wonโt be the first time in American history itโs happened, but itโs still scary. And I donโt think we have a real defense against it right now.โ
POLAR SYSTEM
Why Weโre Polarized offers a few ideas for solutions to polarizationโnot out of any particular confidence from Klein that the fixes are easy.ย
Kleinโs solutions come from a sense of responsibility to offer some sort of path forward. He proposes structural reforms and rule changes, like abolishing the Senate filibuster to allow the legislature to better function amid polarization. He suggests voters consider taking up mindfulness practices to be more aware of the assumptions they make.ย
He also suggests activists get more involved in their own communities. That doesnโt mean that cities are immune from partisanship internally.
Not unlike D.C., Klein says that local communities can be quite polarized.
โI just think theyโre different,โ he tells me. โThey donโt break down on the same red-blue lines. You know, the fights over affordable housing in San Francisco often pit progressives against progressives in very sharp and conflictual ways. Itโs not that everybodyโs in agreement. And itโs not that there isnโt polarization.โย
Nonetheless, thereโs inherent value, he says, in logging off of Twitter to engage in different issues, ones that have the potential to make a real difference in peopleโs everyday lives.ย
โA lot of the ways people participate in national politics is functionally following politics as a form of infotainmentโeven if itโs not very funโversus being actually involved in a local community, which is about organizing, and itโs about making connections with neighbors,โ Klein continues. โAnd I just think thatโs going to be healthier and more nourishing. But it doesnโt mean that youโre not going to go into community politics or local politics and find fighting or very real arguments.โ
I know that, personally, when I watch local government meetings here in Santa Cruz, I see political identities flaring up and driving discussions, like they do at the national level. But they are different. Voters engage with city and county leaders as landlords and tenants, as Eastsiders and Westsiders, as locals and students.ย
In Santa Cruz, just as in San Francisco, observers have watched the rise of anti-development โnot in my backyardโโor NIMBYโpolitics, as well as the YIMBY (for โyes in my backyardโ) movement thatโs sprung up in response.
Broadly speaking, Klein says that each group has a different way of understanding their local community and what makes it special. Anti-development โneighborhood defenders,โ as he calls them, view themselves as the real residents of a community. โAnd their identity is as the guardians of the place in which they live,โ he says.
Similarly, the other side sees something at stake. As with the neighborhood defenders, the pro-development crowd feels a real concern that the community is at risk of losing something special. It isnโt just affordability, either.ย
Klein says YIMBY activists believe their community has a moral responsibility to be welcomingโjust as it once welcomed in them when they first arrived.ย
โIt has to be open,โ he says, articulating that point of view. โIt has to be inclusive.โย
In his book, Klein shows that the most voracious news consumers are also the most polarized. Iโve seen in my own work that journalists can spend as much time as they want avoiding ideological talking points in their coverage, pushing conversations in constructive directions. But many readers will still interpret any articles about contentious topics in polarizedโand polarizingโways.ย
My sense of curiosity has long been my best motivator, fueling the inquisitive part of my job that I enjoy most. As Good Timesโ news editor, Iโve found that political fights with no insights whatsoeverโjust two sides exaggerating their talking pointsโare no fun for me, or for the reader. If thereโs nothing to think critically about, the story probably isnโt going to change anyoneโs mind, anyway, so it might not be worth spending GTโs limited resources on it.
And so when Iโm being honest with myself, I often find writing within a polarized environment to be emotionally draining, weak on intellectual stimulation, isolating and even rather boring.ย
In many ways, Iโm fortunate to be reporting in a small city. I donโt feel compelled to respond to the scrutinizing whims of Twitterโwhich has little following in Santa Cruz right nowโin the way that Kleinโs colleagues do. But whereas a national reporterโs greatest critics might be internet trolls, many of mine are valued community members, who I might run into at Shopperโs Corner.
I ask Klein, in general, how he approaches journalism in an era of deep partisanship.ย
Itโs tricky, he says, partly because the digital ageโs poor incentives tend to push news organizations to chase clicks and go in other โbad directions.โ Journalists, he says, need to learn to rise above all the noise. Trump supporters, for instance, donโt want to hear that Trump is a liar. Sometimes it needs to be said, anyway.
โAt least part of the problem is polarization and people not wanting to hear things they donโt already believe,โ he says. โOur job is to try to tell people things that are true, whether or not thatโs what they believe.โย
Rameswaram made $13 an hour at the station back in 2011. On the phone with me last month, he couldnโt help wondering if he mightโve been able to hang on for a little longer, so long as it meant living in paradise. Rameswaram knows that he probably made the right call in deciding to move away, seeing as how KUSP went bankrupt in 2016โthe stationโs spiritual descendent, the volunteer-run KSQD, iscelebrating one year this weekโand Rameswaram is the host of his own show, the podcast Today, Explained. The podcast is coming up on 500 episodes on Thursday, Feb. 13, and hits its two-year anniversary on Wednesday, Feb. 19.
Part of the Vox Media Podcast Network, Today, Explained fits into the explanatory news brand, envisioned in part by the outletโs original Editor Ezra Klein, a former UCSC student and host of The Ezra Klein Show. The concept behind the show, as Rameswaram puts it, is โthat news comes at you fast. Join us at the end of the day to help you understand it.โ
Sprinkled within many of the episodes is the tongue-in-cheek flair of Rameswaram and his scrappy team. Notable episode titles include โUN-for-Greta-bleโ (covering Greta Thunbergโs speech to the U.N.) and โTo Bibi or Not to Bibi?โ (about Benjamin Netanyahuโs re-election race). Other highlights: โSon of a Biden,โ โA Mueller Walks into a Barrโ and probably my personal favorite, โLetโs Talk About Tax, Baby. Letโs talk about AOC.โ Some episodes end with a clever surprise, like a masterfully produced parody song on the theme of the episode.
Recently, Rameswaram had Sen. Cory Booker (D-NJ) on the showโwhich gets more than a million downloads a weekโto talk about why his presidential bid had faltered. Toward the end of their chat, Rameswaram casually invoked a conversation the two of them had in 2016. At that time, Kanye West had just โannouncedโ that he was running for president in 2020. So Rameswaram had asked the senator back then if he would support Westโs candidacy. Rameswaram played the tape. โIf Donald Trump could do it, so could Kanye West,โ Booker said in response, at the time, โand Kanye West might do it with a lot more style and a better haircut.โ
When Rameswaram asked if Booker still thought West should run, Booker almost cut him off. โNo,โ Booker said with a laugh. โHell no.โ
โI think he got a kick out of it,โ Rameswaram tells me. โObviously, you try and go into an interview thinking about how you can have some real moments with him, not just a canned answer. So Iโm glad we got one.โ
In our talk, Rameswaram discussed his start in Santa Cruz, the behind-the-scenes workings of the podcast and much more.ย
Howโs life in Washington D.C.?
SEAN RAMESWARAM: When you move to D.C. from New York, which I did, people sometimes ask you about life in D.C., as if a close family member had died or something. โAre you OK? How are you keeping? Do you need anything?โ And to those types of gestures, I always just tell people everythingโs fine. I have a community pool a block away from my house that has a water slide. Itโs never busy. D.C. is beautiful. Itโs chill. Itโs basically dead on weekends. The tourists all hang out in one part of town. Thereโs free museums as far as the eye can see. You could spend your life trying to discover them all and fail. Thereโs good restaurants. People are nice. You can have community really easily. Thereโs a tennis court near my house thatโs totally free, whereas in New York it costs like $300 to play tennis every season on public tennis courts. D.C. life is good!
I emailed your old boss, J.D. Hilliard, who now works at UCSC. He asked me to ask you, โDid your time in Santa Cruz affect the way you approach stories of national significance?โ
I donโt think so. But, ironically, what he may not realize is my time at KUSP taught me quite a bit about everything I do in my jobโwhich is cover stories of national significance. So I donโt think something about my time in Santa Cruz has so much affected the way I see the world, so much as my time in Santa Cruz taught me so much about journalism. Shout outs to J.D. Shout outs to Robert Pollie, the host of the great KUSP weekly magazine โSeventh Avenue Projectโ and Johnny Simmons, the legendary host of โMorning Editionโ at KUSP, whoโs still a dear friend of mine, and who taught me so much about being on the air and called me every time I made a mistake on the air to chew me out [laughs].
Whatโs a typical week like for you at Today, Explained?
A typical work week starts on Sunday morning. The first thing I do when I wake up is I spend a couple hours trawling through the news, the news of the weekend, breaking news developments on stories weโve been covering. We always usually have a plan going into a week for that first Mondayโs show. But oftentimes, that plan is upset by news that is brokenโFriday night, Saturday, Sunday, especially in this particular news climate. So after doing that for a couple of hours, Iโll touch base with producers on the show. We usually have one producer whoโs on call on Sunday. Weโll come up with a plan. And then weโll hit the ground running on Monday with an interview first thing in the morning. The team and I will make edits to that interview, put the whole thing together, and then the show comes out at 4. And then Mondays are usually really crazy because weโll start planning ahead for Tuesdayโs show and Wednesdayโs show. And so typically on Mondays, thereโs lots of interviews to do. And then we kind of think about the week as a whole. What are the most important stories? And what are the stories we can explain the best?
You did an episode about taxation without representation in D.C. You live in a city with as much concentrated power as anywhere else in the world. And yet the cityโs residents donโt have any votes in the electoral college or any U.S. senators. Your representative in the House canโt vote on many matters. Whatโs that like? Do you have strong feelings about it?
Weirdly, I donโt. And I try to keep my own personal feelings out of the episode, but I was very interested in it as an issue. It seems pretty obvious that everyone in D.C. should have federal representation. Weโre citizens of this country. I think similar arguments can be made for a place like Puerto Rico, but I think our politics is such that itโs unlikely to happen any time in the near future, so I guess Iโve kind of accepted it. I wouldnโt choose the situation Iโm in, but here I am in it. Itโs hard to find someone who lives here who thinks they shouldnโt have representation in the United States Senate or a voting member in the House of Representatives. But, you know, a lot of voting members in the House of Representatives and a lot of United States senators feel differently.
ย You often call your mom for the podcast. Does your mom enjoy the show and being a part of it?
Mom 100% enjoys the show. I donโt know how much she actually enjoys me calling her, because I usually donโt give her any advance notice.
Thatโs the way it sounds! But you often canโt tell with podcasts.
Thatโs the real deal. Yeah, I donโt want it to sound rehearsed. So I just donโt tell her.
And so how did this project first start? Did Vox want to create a competitor to The Daily from the New York Times, and did they just go out and find you?
Yeah, I think they went out and talked to a lot of people. They liked me the most.
I canโt decide which I find more confusingโthe fact that The Daily has a way bigger staff than you, and still manages to createa more boring show, or the fact that The Daily creates a way lousier product and nonetheless dominates the Apple charts. Which do you find more puzzling?
Jake, thatโs a loaded question. Living in Washington D.C. has made me a better politician. And Iโll just say I am so proud that we make a show thatโwith its limited resourcesโcan exist in the same conversation as a show with as many resources as The Daily from the New York Times. Iโm incredibly grateful to that show for existing, because itโs the reason I have my job. And Iโm so proud of the work we do.
ย Do you find yourself pretending like you donโt understand certain things in order to get good answers?
You might be surprised. I think a lot of times Iโm asking genuine questions. I donโt like to pretend I know stuff that I donโt know. And I donโt like to pretend that I donโt know something that I do. I will sometimes ask what happened next when I definitely know what happened next. But I justify that by thinking, Iโm the go-betweenโin the middle of the audience and the guests. What weโre really shooting for is understanding. And what sets us apart is that NPR is shooting for getting you a bunch of news, and I think The Dailyโs shooting for how the New York Times told this story. And so I really do think our show is a different thing. And I like to think that Iโm well-suited to bring that thing to people, because Iโm curious and I donโt know.
You left KUSP to go out and make it as a journalist. Do you have any advice for young journalists?
That search took a very long time. I eventually moved back home and at various points felt very discouraged. I almost gave up on journalism and went to grad school to study environmental science. And I think a thing that saved me isโit must have been, like, 18 months or so between when I started looking for a job and when I landed my next job after KUSPโis that I always was making stuff. I was making podcasts for no one. I was making radio features for no one. I was pitching NPR like it was my job. And they constantly said no. But along the way, people were also encouraging, but I was applying for jobs that I thought I was totally qualified for. And I couldnโt even get an email back. I couldnโt work. I applied for a job at WAMU, a place where I was still temporarily employed. And I flew out to D.C. to interview for it, even though they told me they wouldnโt cover it. I paid for it myself. And I found out I didnโt get that job through a company-wide email. They didnโt even personally write me to tell me, โYou didnโt get the job,โ and I worked there as a part-time employee. There were so many discouraging things that happened along the way. But I think, finally, when I had the interview for the right job at the right place at the right time, the thing that helped me get the job was the fact that like, in that in all those months and months and months of discouraging job-hunting, I was always making stuff.
The Radius Gallery at the Tannery Arts Center has evolved into more than just a nice clean space to contemplate art. For the Tannery community, the Radius has become a de facto meeting hall and performance space.
It makes sense, then, that the gallery is the site for Tannery Talks, a mini-lecture series designed to bring together the artists who live and work at the Tannery with some of the activists, businesspeople, and academics shaping Santa Cruz culture.
The Tannery Talks series resumes on Feb. 20 with an exploration of the social justice aspects of environmentalism and how those aspects surface in artistsโ work. Maha Taitano, the eventโs moderator, says environmental activism cannot be seen in isolation from topics like social justice in marginalized communities. โThereโs an intersectionality about all of that goes hand in hand,โ she says. โSo, itโs not just a race fight or a gender fight or an environmental fight. Itโs a combination of them all.โ
Taitano will lead a panel discussion on that point where arts, environmentalism, and social justice meet. Included in the discussion will be spoken-word and hip-hop performer Joseph Jason Santiago LaCour, activist Karen Ross, Santa Cruz mayor Justin Cummings, and UCSC Ph.D. candidate Paloma Medina, the co-author of Looking for Marla, a new childrenโs book based on Pixarโs Finding Nemo and centered on the clownfishโs ability and habit to transition from male to female.
The event is free and open to the public.
โYou canโt erase the social justice connection from environmental activism,โ Taitano says. โThe urgency to maintain a cleaner, healthier, more vibrant environment drops when there is a lack of money or when youโre dealing with people of color or queer communities.โ
Environmentalism is the broad theme of this yearโs Tannery Talks season, which includes four monthly events and wraps up in April. The season kicked off in January with a panel discussion on the social justice issues involved in the ongoing stewardship of the San Lorenzo River. That event included UCSC filmmaker Elizabeth Stephens, Congressional candidate and water activist Adam Balaรฑos Scow, businessman and philanthropist George Ow Jr., and Laurie Egan of the Coastal Watershed Council. It was moderated by activist and artist Wes Modes.
The Tannery Talks series will continue with an event on March 19 focused on the efforts of young people in social-justice and environmental activism. โMarch is going to be all about youth,โ says series co-director Margaret Niven. โWeโre going to get together four or five teens, from 13 to 18. Iโve been very inspired by [Swedish teen activist] Greta Thunberg and how active teens have been. Weโre going to bring a group together to have a conversation from that point of view.โ
On April 16, for the seasonโs final event, Valeria Miranda of the Santa Cruz Art League will lead a discussion on the positive impacts of artists and their work in the community. โThat will be about how artists are creating or offering solutions [to environmental problems] through their practice,โ Niven says.
Tannery Talks is co-directed by Taitano and long-time Tannery artist Niven. It is a continuation of a Tannery tradition that began back in 2010 when Niven and the late Stephen Lynch began an ambitious lecture series that held 10 events per year (โIt wasย overwhelming,โ Niven says of the original series). That series was discontinued in 2013. But, Niven says, she was approached by Arts Council Santa Cruz County to revive the series. The series returned in 2019.
โSo now the Tannery Talks are supported by the Arts Council, with some funding and some staffing,โ Niven says.
She says the January event convinced her that the community thirsted for the kind of engagement that the Tannery Talks delivered. โI was really blown away,โ she says. โIt was pouring rain and we had about 75 people there. For the Radius Gallery, thatโs a good-sized group.โ
The Tannery Talks are also part of the mission to get more people from the greater community to visit the Tannery campus. Invited speakers from, say, UCSC or the Watershed Council tend to bring their own constituencies to the event.
โWe hope we can reach more diverse audiences,โ says Niven, โby getting people to reach out to their own networks. But itโs definitely bringing people in who do not work or live here.โ
The next Tannery Talks event takes place Thursday, Feb. 20 from 7 to 8:30pm at the Radius Gallery, 1050 River St., No. 127, Santa Cruz. The event is free. For more information, go to tanneryartscenter.org/tannery-talks.
The Grateful Dead is known primarily for their music and the massive cultural impact it has left over the last 50 years. But Northern Californiaโs most famous cultural export has also made its mark in the world of visual art, inspiring thousands of artists in distinctly non-musical expressions.
The proof is there for examination in a new exhibit at UCSCโs Dead Central at the McHenry Library, titled When We Paint Our Masterpiece: The Art of the Grateful Dead Community.
The exhibit is drawn, of course, from UCSCโs Grateful Dead Archive, an enormous cache of fan correspondence, business records, photographs, artifacts and other ephemera donated by the band itself. The collection of material is large enough, in fact, that the McHenry Libraryโs Special Collections has been drawing individual exhibits from it for a dozen years.
The latest focuses on the artwork of the Deadโs fan community, as rendered on envelopes, letters, and other correspondence dating back close to the bandโs beginnings. Perhaps more than any other popular musical entity, the Grateful Dead has been associated with a wide variety of instantly recognizable visual iconography, from the skeleton with the headdress made of roses (known as โBerthaโ in Dead circles) to the multi-colored conga lines of dancing bears, to the stylized images of Dead guitarist and frontman Jerry Garcia. This Dead imagery is in ample display in the new exhibit, but it goes well beyond those familiar icons, as well.
The new exhibit was inspired by research from UCSC graduate student Wyatt Young into international Grateful Dead fan communities, says Jessica Pigza, the outreach and exhibits librarian at UCSCโs Special Collections.
โ[Young] discovered this amazing concentration of artwork from Japan,โ says Pigza, โwhich was a country where the Dead never toured. But there was still a really strong Japanese Deadhead community there. So we use the Japanese Deadhead community art as a kind of case study of what fan art can look like in a place where maybe they never get to actually meet their object of their affection.โ
The Dead-associated fan art is also necessarily an artifact of pre-digital technology. Throughout the โ70s and โ80s, the band conducted much of its own ticket sales through the U.S. mail. Ticket requests from fans were much more likely to be honored, so the belief went, if accompanied by striking or unique art works. That meant the Grateful Deadโs business offices in San Rafael were inundated by sacks of mail every day, much of it elaborately illustrated to stand out from the rest.
Pigza says that Eileen Law, the bandโs long-time office manager, was consistently charmed by the fan-generated artworks she received in the mail. โShe had nothing but fond words for it,โ said Pigza. โAt times, it was overwhelming. But it was also really fun to get a bag of mail and sort through all the envelopes that you thought you should keep.โ
In that sense, Law was the first curator of the new exhibit. โThereโs evidence too in the archive,โ said Pigza, โof one of the band members, or someone on the staff, kind of falling for someoneโs art work on an envelope and then reaching out to them to say, โHey, do you have other work? We might be interested in it.โโ
In some cases, Pigza and her colleagues at Special Collections reached out themselves to some of the contributing artists, even though the art was often decades old. One woman named Miki Saito was excited that her medieval-inspired drawing had attracted attention so many years later.
โWe told her that we were interested that the band had kept so much of her work,โ says Pigza, who also asked Saito for more of her more recent work to be included in the exhibit. โShe was thrilled. In fact, she told us that recently she had thought, โWouldnโt it be great if my Grateful Dead art could exhibited in California?โโ
The Dead Archive is the most high-profile of the many collections at UCSCโs Special Collections. It also contains much of the documentation of the Universityโs founding and early years, as well as photographs, books, and documents pertaining to the 1960s counter-culture, particularly as it manifested on the West Coast. Just last year, Special Collections received an archive of collected materials from the career of journalist Hunter S. Thompson.
Dead Central, near the entrance to UCSCโs McHenry Library, is only the exhibition space for the much larger Grateful Dead Archive. Materials from the archive are accessible to the general public through Special Collections.
โWeโre very democratic,โ says Pigza, who came to UCSC in 2017 after working in the rare-books department of the New York Public Library. โWe donโt grill you about the materials. We donโt ask for some kind of special credential. You just walk in and tell us what you want to see and weโll get it out of storage, and that goes for all our Special Collections. If youโre curious about something and you want to find out, we want to help you.โ
โWhen We Paint Our Masterpiece: The Art of the Grateful Dead Communityโ will be at Dead Central at UCSCโs McHenry Library for the next year. Admission is free and the exhibit is open during McHenryโs regular hours. For more information, go to guides.library.ucsc.edu/gratefuldeadarchive.
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