Love Your Local Band: The New Horizons

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Jimmy Palafox had some impressive teachersโ€”Adolfo โ€œFitoโ€ de la Parra, drummer of Canned Heat, and Jose โ€œChepitoโ€ Areas, percussionist of Santana, who are both family friends. Though primarily a drummer himself, Palafox started writing his own songs on the guitar in 2017, calling the project the New Horizons. Within a few months he found members to round out the four-piece band.

His original songs were highly influenced by the music of his mentors, a mix of Latin music and blues-rock.ย 

โ€œThe band mostly evolved from the Latin and blue stuff that I was playing. Then the new guys brought in their own touch. It kind of created this unique sound,โ€ Palafox says.

In 2018, the bandโ€”which at the time was Palafox (drums), Owen Drew (lead guitar), Jacob Bayani (rhythm guitar/vocals), and Caleb Riley (bass/vocals)โ€”recorded its first full-length. The songs reflect the diversity of the bandโ€”while still rooted in Latin music, psych-rock and blues, it goes into a lot of other areas.

โ€œWe donโ€™t like to stick to a genre. We like to play a little bit of everything. You become a better musician if you play more styles and donโ€™t just stick to one specific thing. Blues, rock, reggae, alternative, jazz. Weโ€™re constantly learning new genres,โ€ Palafox says.

The group released two of the songs, โ€œNo Rich Manโ€ and a cover of Bob Dylanโ€™s โ€œSlow Trainโ€ to online streaming services last summer, in the hopes of building the bandโ€™s fanbase and raising money to finish their album. The current version of the band still includes Palafox and Bayani, but now has Xai Clayton on bass and Sal Contreras on guitar. They hope to release the album later this year.

INFO: 7pm, Thursday, April 23, Sand Bar, 211 Esplanade, Capitola. Free. 462-1881.ย 

Film Review: ‘Downhill’

Anyone who has seen the complex, slightly disturbing Swedish cerebral thriller Force Majeure might have been surprisedโ€”possibly horrifiedโ€”to learn it was being remade in the U.S. as a Will Ferrell comedy. That may have been especially true after seeing the trailer for the remake, now called Downhill, that features a lot of comic slapstick action and exasperated yelling from Ferrell and co-star Julia Louis-Dreyfus.

Your faithful critic was one of those skeptics. So itโ€™s a relief to report that Downhill proceeds with a lot more serious intent than you might expect, as befits the story of a family on a ski vacation whose close encounter with a near-avalanche and its aftermath threatens to drive the parentsโ€™ marriage off a cliff. Co-produced by Louis-Dreyfus, it does have more of a frenetic undercurrent than the spare, sober original, but the theme of disrupted trust still has a harrowing edge.

An American familyโ€”dad Peter (Ferrell), mom Billie (Louis-Dreyfus), and their twin sons (Julian Grey and Ammon Jacob Ford)โ€”is on vacation at a fancy ski resort in the Swiss Alps. On their second day on the slopes, they are having lunch at a cafe on an open terrace when one of the โ€œcontrolledโ€ mini-avalanches periodically set off at the resort suddenly comes hurtling down the mountain toward them. It takes a couple of minutes for the tourists happily snapping pics on their phones to register the danger and dash inside from the terrace. One of them is Peterโ€”who flees his family in fear.

Itโ€™s a near miss; within another few minutes, diners are returning to their meals, trying to laugh it off. But not before viewers experience (along with Billie and the kids and a few others left behind) a moment of complete, paralyzing whiteout. Paralyzing, too, is the gulf of silence that grows between Billie and Peter when he fails to even discuss what happened. It only widens when a co-worker and his girlfriend (Zach Woods and Zoe Chao) join them at the resort.

The issue is not only that Peter ran off in a moment of panic, but also his subsequent behavior. At first acting as if nothing untoward has happened, he then grudgingly begins referring to the โ€œevent,โ€ downplaying its significance. In attempting to whitewash the entire incident as no big deal, he not only refuses to acknowledge Billieโ€™s genuine terror in the moment, but also belittles her for having felt it. Worse, he keeps contradicting her account with his alternative version, trying to control the truth after the fact.

Much of the movie is devoted to Peter scrambling to reestablish common ground with the prickly Billie. Itโ€™s especially pathetic the way he tries to worm his way back into the illusion of solidarity with her against the frosty resort rep to whom they complain about the incident. (The rep is played by Kristofer Hivju, beloved as the ginger-haired Wilding leader in Game of Thrones. Fun fact: itโ€™s a cameo for Hivju, who co-starred in Force Majeure as the husbandโ€™s visiting co-worker.)

Louis-Dreyfus and Ferrell deftly ramp up the tension between them in many small ways. But itโ€™s a bit disappointing when they finally have their inevitable showdown that Billie is most concerned with how much Peter wants to be with the familyโ€”extending to him the luxury of making a choice. The real question ought to be how they can regain the necessary trust in their partnership after his prolonged failure to behave with honesty.

Angst aside, there are some more overtly comic touches here, like Billieโ€™s interlude with a handsome Italian ski instructor (Giulio Berruti), and the overbearing Frau Blucher (only more glam) of a hotel concierge (Miranda Otto) who sets them up. But itโ€™s a mistake to market this movie as a typical rom-com for the date-night crowd, who will no doubt find it more perplexing than romantic.

ย 

DOWNHILL

**1/2 (out of four)

With Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoรซ Chao, and Miranda Otto. Written by Jesse Armstrong and Nat Faxon & Jim Rash. Inspired by the movie Force Majeure by Ruben ร–stlund. Directed by Nat Faxon and Jim Rash. Rated R. 86 minutes.

A Superb Sparkling Rose from Equinox

Champagne is for all sweethearts on Valentineโ€™s Day. What would the most romantic day of the year be without a drop of bubbly?!

Although the word โ€œchampagneโ€ is used as a generic term for sparkling wine, it refers to a region of France where true champagne is made. All others are sparkling winesโ€“the best ones made in the mรฉthode champenoise style. When you experience superb sparkling wines, such as those made by Barry Jacksonโ€“owner and winemaker at Equinoxโ€“they sing their own song of quality and flavor.

Equinoxโ€™s 2014 Monterey Sparkling Rosรฉ is simply fabulous. Jacksonโ€™s tasting notes tell of tight mousse, bright aromatics of strawberry and vanilla, with a mid-palate of raspberry and blood orange. With its โ€œwhisper of sweetnessโ€ in the finish and gorgeous blush color, this brut (dry) sparkling wine is all you need to share with your Valentine. Itโ€™s available in Staff of Life for $45, but you have a wider choice of sparklers if you head to the Equinox tasting room.

Persephone Restaurant in Aptos will hold a winemakerโ€™s dinner on April 26 featuring Jackson and his wines. As well as Equinox sparkling wines, Jackson still makes wines under his Bartolo label.

Equinox Wine, 334 Ingalls St., Unit C, Santa Cruz. 471-8608, equinoxwine.com. Open daily from 1-7pm.

 

Posy Pop-Up for Valentines

Itโ€™s that romantic time of year when flowers are in big demand. Renowned florist Teresa Sabankaya will hold a fun Posy Pop-Up flower boutiqueโ€“by her Bonny Doon Garden Companyโ€“at the delicious Buttercup Cakes and Farmhouse Frosting store in downtown Santa Cruz. The Pop-Up will be held from 9am-9pm, Feb.10-14, and will feature a full Valentineโ€™s Day gift boutique with candles, body-care products, flowers, and more, making it a one-stop visit for Valentineโ€™s Day gifts.

For more info visit farmhousefrosting.com; teresasabankaya.com; bonnydoongardenco.com.

 

Valentineโ€™s Day

Chocolate the Restaurant has created some sexy specials for Valentineโ€™s Day, including a to-die-for Valentineโ€™s Dessert Orgy. Also, Burrell School Vineyards will hold a Valentineโ€™s dinner on Feb. 14.ย 

chocolatesantacruz.com; burrellschool.com.

Opinion: Feb. 12, 2020

EDITOR’S NOTE

Though itโ€™s gone almost unnoticed everywhere except here in the pages of GT, Santa Cruz has played a major part in the podcast revolution. The producers and stars of such blockbuster podcasts as Serial, Bullseye, Undisclosed and more got their start up at KZSC on the UCSC campus, or at local radio stations like KSCO and the gone-but-not-forgotten KUSP.

This week, Jacob Pierce takes a look at two more Santa Cruz connections to the podcast world. The subject of his cover story, Ezra Klein, hosts a couple of popular podcasts, and now the former UCSC student and co-founder of Vox Media has a new book about the intense political polarization in our country. Pierce profiles Klein, and explores in a sidebar story how that same polarization has trickled down to local politics, as well.

In the news section, he also has a Q&A with KUSP alum Sean Rameswaram, whose podcast Today, Explained has risen to rival NPRโ€™s Up First and the New York Timesโ€™ The Daily as Americaโ€™s daily-news podcast of choice. We plan to stay plugged in to the rapidly evolving podcast industry and this areaโ€™s surprisingly strong connection to it.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

DCC DOES LISTEN

Re: “Berner Accounts” (GT. 1/29): The DCC does actively listen and encourage everyone to vote in our community. The DCC has over a decade of accumulated fundraising dollars earned by hard-working volunteers that is utilized for staffing offices in Santa Cruz and Watsonville during election seasons. The DCC races have appeared on the last two presidential primary ballots because there were more candidates than seats. The number of seats is determined by Santa Cruz County Elections Department based on voter registration. The DCCโ€™s agenda for the monthly meetings include an informative report on Affordable Housing. The DCC have members that support the Green New Deal and the DCC provides Green New Deal yard signs. Did you read about the DCC’s role in the incredible 2nd Civics Summit giving high school students the opportunity to meet and talk to our electeds? Yes, itโ€™s true, Democrats have a big tent. The DCC members are a diverse group that support our local unions, support Swing Left and support the five active members that are local Sanders supporters. We invite the public to the monthly meetings and to help with flipping districts to blue.

Carolyn Livingston, Treasurer, Democratic Party of Santa Cruz County

 

Manu Up

Re: โ€œJet Plane Wrongโ€ (Letters, GT, 2/5): Iโ€™ve lived in Soquel more than 40 years. My Supervisor is John Leopold. I voted for him three times but I canโ€™t vote for him again. I no longer believe he represents the best future for my community.ย 

Leopold has been thoughtless in regards to development in the mid-county; ignoring the voices of his constituents, favoring wealthy out-of-town developers. He supports a billion-dollar train to Davenport without having the money to pay for it. Likely to be funded by increased parcel and sales taxes, used largely for transporting freight through our neighborhoods and offering little relief to traffic congestion.

Manu Koenigโ€™s candidacy feels fresh and has a vision for the future. While he supports policies to mitigate traffic and encourage alternative means of transportation, Leopold just voted (ignoring community opposition) to build a car dealership at the busiest intersection in the mid-county, irrevocably changing the nature of the mid-county community. He disregarded years of planning by Sustainable Soquel for building a walkable, livable community. He betrayed our community.

Honestly, do we need more cars in Santa Cruz?ย 

We are choking in traffic.ย 

While Manu Koenig is creatively and progressively planning a better future, John Leopold has tied himself to the old, worn out values that no longer work and no longer serve us. Manu is willing to listen and learn. Leopold has demonstrated that he will not and does not.

If John Leopold was able to solve our problems, heโ€™d have done so by now.

Itโ€™s time for a change.

Iโ€™m voting for Manu Koenig

Michele Dโ€™Amico |ย Soquel

 

YES SHE DID

Is it just goodwill on the part of Melissa Etheridge, recipient of the first non-retail cannabis license approved by the county supervisors, for giving a concert and meet-and-greet in support of John Leopoldโ€™s campaign? Surely the value of Melissaโ€™s โ€œcontributionโ€ to Johnโ€™s campaign must exceed the state Fair Political Practices limit of $500? Or is this just a โ€œthank youโ€ in the bank in case her business needs other county supervisory approvals?

Nadene Thorne |ย Santa Cruz

 

CORRECTION

Last weekโ€™s music story (โ€œQueue the Music,โ€ 2/5) misreported the day of the week of the band Hawktailโ€™s upcoming show at Michaelโ€™s on Main. The show is Saturday, Feb. 15.


PHOTO CONTEST WINNER

Taken on a stroll along Rio Del Mar Beach in Aptos. Photograph by Shelly Fukushima.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

ART COUNTS

The Santa Cruz County Office of Education has announced a student art contest to raise awareness about the 2020 Census. Entries must include the text of the theme, โ€œEveryone Counts!โ€ and/or โ€œยกTodos Contamos!โ€ They must be delivered to Audrey Sirota at the County Office of Education, and the back of each artwork must include the studentโ€™s name, school, grade, teacher, phone number and email. Artwork must be between 8.5 and 12 inches wide and between 11 and 18 inches long. The deadline is Feb. 21.


GOOD WORK

ABOUT CHASE

Santa Cruz police responded to a report about a suspected DUI driver near Seabright Avenue at approximately 5:30 pm on Sunday, Feb. 9. As an officer attempted to conduct a traffic stop, the driver sped off. The pursuit ended with the driver striking several parked cars and a street sign. The driver fled on foot, but rangers detained him. The driver was wanted for robbery and had a DUI warrant from Morgan Hill. The convicted felon had a loaded and stolen handgun in his center console.


QUOTE OF THE WEEK

Journalism will kill you, but it will keep you alive while youโ€™re at it.

-Horace Greeley

5 Things To Do in Santa Cruz: Feb. 12-18

Wednesday 2/12ย 

โ€˜A Celebration of Ray Manzarekโ€™

Ray Manzarek, co-founder of The Doors and keyboard legend, would have been 81 this year. In his memory, the Del Mar is hosting โ€œBreak on Thru,โ€ a hybrid live concert and documentary capturing a 2016 tribute performance in Los Angeles by surviving Doors members John Densmore and Robby Krieger on what would have been his birthday.

INFO: 7 pm. Del Mar Theatre, 1124 Pacific Ave., Santa Cruz. $15.ย 

 

Wednesday 2/12ย 

โ€˜Succulent Poaching and Dudleya Conservationโ€™ย 

In this talk Emeritus Director of Research of UCSC Arboretum, Stephen McCabe, will focus on recent poaching of the native succulent Dudleya plants from the California coast, as well as other succulent poaching that is a side effect of the current succulent plant craze. In one bust alone, officials seized around $600,000 worth of poached plants. The talk will cover some of the steps people are taking to protect the succulent commons and the many rare and endangered species of succulent plants.

INFO: 7pm. UC Santa Cruz Arboretum & Botanic Garden, 1156 High St., Santa Cruz. Free.ย 

 

Saturday 2/15ย 

KSQD First Birthday Bash

In celebration of KSQDโ€™s first year around the sun, join the station hosts, donors and listeners who love community radio. There will be food, cake and of course lots of music including the Paris Quartet Classical Music, Andy Fuhrman and Friends, Heather and the Hepcats Jazz Quartet and more. Plus, the name-that-DJ game for the KSQD frequenters.ย 

INFO: 2-6pm. Holy Cross Parish Hall, 170 High St., Santa Cruz. Free, donations accepted.ย 

 

Saturday 2/15ย 

Celebration in Memory of Ram Dassย 

Ram Dass, who left his body in December 2019, defined a generation of inner explorers and seekers of truth, love and wisdom. He left an indelible imprint on the fabric of spirituality in the West. The film Becoming Nobody is a portal to his life and teachings. The benefit screening of the film is a fundraiser for the completion and continuation of his dream, the Sri Neem Karoli Baba Ashram Hanuman Temple in Taos, New Mexico.ย 

INFO: Doors at 6pm, show at 7pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. nkbashram.org. $25.ย 

 

Sundayย 2/16ย 

Green Fixย 

Katie and Tommy Zaferes Q&Aย 

World Champion Triathlete and Olympian Katie Zaferes and professional sports photographer Tommy Zaferes are coming to Santa Cruz. Join them in a Q&A session as they share stories and answer questions about training, racing, nutrition, mental tactics, travel, and more.

INFO: 5pm. Sunday, Feb. 16. Family Cycling Center, 914 41st Ave., Santa Cruz. 475-3883. Free.ย 

 

Sundayย 2/16ย 

Art Seenย 

Santa Cruz Makers Market

The second Market of the year is this Valentine’s Day weekend. The stretch of Pacific Avenue between Water and Locust Streets becomes a pedestrian mall for the Makers Marketโ€”one of the best regular exhibitions of local makers around this time of year. There will be more than 40 local Santa Cruz County artists and crafters, plus live music by Lauren Wahl & Simply Put. Canโ€™t make it this time? Donโ€™t worry, the event happens every third Sunday monthly.

INFO: 10am-5pm. Sunday, Feb. 16. Pacific Ave., Santa Cruz. scmmakersmarket.com/markets. Free.ย 

 

Lessons on Polarization from Journalist Ezra Klein

When journalist Ezra Klein thinks back on his time at UCSC, he misses the laid-back sense of possibility that surrounded himโ€”the space and freedom. โ€œThe fact that, as a college student, you get to run around in this grove of redwoods in a dorm room that overlooks the oceanโ€”itโ€™s just a privilege wasted on the young,โ€ says Klein, who co-founded the news website Vox in 2014, at age 29. โ€œItโ€™s just an incredibly beautiful place to be, with wonderful values and fascinating people.โ€

School, he admits, never felt like a great fit socially or academically, although he had a better experience after he graduated from high school in Irvine. He spent two years at UCSC before transferring to UCLA.

Early in his freshman year at UCSC, Klein applied for an internship at City on a Hill Press, the schoolโ€™s student-run newspaper. He didnโ€™t land the gig, but shortly after getting rejected, he started his own political blog. The writing process drew him in, and by the time he graduated from UCLA in 2005, Klein says he was pretty much โ€œa full-time blogger.โ€

After college, his journalism career took him to the left-leaning magazine The American Prospect, and later to the Washington Post, where he managed the paperโ€™s online โ€œWonkblog.โ€ Heโ€™s served as a columnist for Bloomberg and as a frequent guest on MSNBC. He became the founding editor of Vox, for which he now serves as editor-at-large. Klein, who recently moved from DC to Oakland, oversees projects like Netflixโ€™s Explained showโ€”while hosting at least a couple podcast episodes per week, and covering beats like politics, impeachment and health care.

While at the Washington Post, Kleinโ€™s work often focused on the nerdier inside-baseball questions of politicsโ€”breaking down how things get done in the Capitol or showing how to craft good healthcare policy.

At Vox, his mission broadened to explanatory journalism intended for a wider audience. Voxโ€™s calling card has been explainer stories like โ€œWhy the Iowa Caucuses Matterโ€ and โ€œWhat Trump Has Done to the Courts, Explained.โ€ But at a certain point it becomes impossible for news junkies like Klein and his colleagues to explain much of anything in American politics without exploring the systemโ€™s underlying dysfunction. And the central ill of the countryโ€™s political system, heโ€™s come to find, is political polarization.

In late January, Klein released his first book. The meticulously sourced Why Weโ€™re Polarized, which debuted at number five on the New York Times bestseller list, burst on the scene, somewhat presciently, in the midst of the impeachment trial of President Donald Trump. Senate Republicans quickly acquitted Trump without bringing in any witnesses, despite the fact that the president repeatedly obstructed congressional investigations, and despite clear evidence that he and his administration withheld foreign aid in order to pressure Ukraine to launch a politically motivated investigation. The ordeal, as Klein has argued on his nascent podcast project Impeachment, Explained has been a crash course in polarization.

โ€œThere are moments in this whole process where I feel I canโ€™t communicate how crazy what weโ€™re seeing actually is, where I canโ€™t quite convey that we are out of the realm of abnormal partisan conflict,โ€ Klein said on the final episode of his impeachment show.

This country, he says, has veered into something much more dangerous.

TUG IN THE SYSTEM

For most of the 21st century, the U.S. wasnโ€™t really polarized at all.

As recently as 1976, only 54% of Americans thought Republicans were more conservative than Democrats, and 30% said there was no ideological difference between the parties. The reasons, though, for the depolarized time of yesteryear are not pretty, Klein says.ย ย 

That political landscape had roots in the legacy and influence of southern Democrats, known as Dixiecrats. The Dixiecrats ran as Democrats, but often functioned as a third party, supporting not only many progressive programs, but also segregationist Jim Crow laws that oppressed African Americans. So in the early 1960s, the Democratic Party included everyone from South Carolina Senator Strom Thurmond, one of the Senateโ€™s most conservative members, to Minnesota Democrat Hubert Humphrey, one of its most liberal. Likewise, Republicans also had a range of conservative and liberal members.

For all its problems, the nation essentially had a multi-party system. What worked about this setup was that it allowed for collaboration and dealmaking. The Constitutionโ€™s founders, after all, never imagined that political parties would gain a foothold. As such, they did not build political institutions equipped to function amid party gridlock. In the early 20th century, however, what may have looked to white America like a flourishing democracy was, on another level, a repressive regime stepping on the rights of minorities.ย 

โ€œOftentimes, the alternative to polarization is suppression,โ€ Klein says.ย 

In 1950, the American Political Science Association advocated for a change. In a 98-page paper, some of the nationโ€™s leading political scientists argued that the countryโ€™s two political parties were too similar. Voters couldnโ€™t tell the two groups apart, and it was time for two political parties that were more ideologically sorted. The bipartisan period began falling apart over the next two decadesโ€”partly thanks to the Civil Rights acts of 1957 and 1960 and 1964, followed by the Voting Rights Act of 1965. Eventually, the South switched from blue to red.

Although polarization itself was likely inevitable, Klein says, there are several ways polarization could have gone. โ€œI donโ€™t think itโ€™s crazy to even imagine the Republican Party being the party of civil rights, [with] the Democratic Party, given its very powerful Dixiecrat wing in the mid-century period, being the party of racial inequality,โ€ he tells me.

Ezra Klein's new book hit the bestseller list after coming out at the height of the media frenzy over impeachment.
Ezra Klein’s new book hit the bestseller list after coming out at the height of the media frenzy over impeachment.

SPLITTER EFFECT

At the heart of Why Weโ€™re Polarized is the concept of identity.ย 

Citing a robust assortment of social science literature, the book shows that it is human nature for people to sort into groups, developing an alarming level of distrust for anyone who appears to be outside their own group along the way.ย 

And although the right often uses โ€œidentity politicsโ€ as a pejorative to describe the priorities of millennial social justice warriors, Klein shows that identity politics are long-held American traditions. The interests of white, Christian American men often seemed somehow too mainstream for pundits to refer to them as identity politics. But they are, he writes.ย 

Klein explains that white identity politics rear their head when triggeredโ€”whether by the election of the nationโ€™s first black president, or by slower demographic changes of a diversifying America. Anxiety is polarizing, especially when the emotion is shared by two opposing groupsโ€”each with a deep-seated fear that the other is undermining their core principles.

A citizenโ€™s sense of self has always played a role in how he or she votes, but now, the way that Americans experience and form identities is changingโ€”the parties arenโ€™t just sorted politically or ideologically or racially or geographically. More than ever, an individualโ€™s politics are predictive of whether they choose to drive a Prius or a pick-up, whether they eat at Cracker Barrel or shop at Whole Foods, how many guns they own, their musical tastes. And with the divisions between these two political coalitions sharpening, voters have stacked their identities one on top of the other to form what Klein calls โ€œmega-identities.โ€ In 2020, to offend one of these identities is to offend them all.

Other forces are accelerating polarization, including a changing news landscape, social media and the weakening of political parties, which used to serve as gatekeepers. Interestingly, some of the forces that gave rise to President Trump, Klein argues, are a reflection of some of the ones propelling the popularity of Sen. Bernie Sanders (I-Vt.), although Klein doesnโ€™t say that the two men are morally equivalent.

As Americans grow more ideologically sorted, they end up forcing the countryโ€™s institutions to become more polarized, as well. That further polarizes Americans, creating a vicious cycle. But hard-line partisanship is more extreme on the right than on the left, Klein writes. Thatโ€™s partly because the Democratic Partyโ€™s diversity serves as a moderating force in the party. So too does a political map with features that are quickly turning into what are essentially built-in Republican advantages, like the electoral college. In much of the country, Democrats often see incentives to be more moderate, in order to compete. The countryโ€™s rural areas, meanwhile, are growing more conservative, and the nationโ€™s most populous states, of which there are fewer, are becoming more liberal.ย 

The result here, according to a FiveThirthyEight analysis, is that the average state is six points more Republican than the average voter. And a recent social science paper cited in Why Weโ€™re Polarized forecasts that Republicans can expect to win 65% of the presidential contests in which they lose narrowly in the popular vote.ย 

That creates a distance between the votersโ€™ public will and the nationโ€™s political outcomes.ย 

Given that the president and Senate are in charge of picking Supreme Court judges, the country could be headed for a crisis, one in which half the country views all three branches of government as illegitimate. The idea scares Klein, and not just because of low representation for Democrats.

โ€œThereโ€™s also a power-begets-power dynamic, where Republicans or any political party that has power but sees the future turning against it begins using its power to maintain power,โ€ he says, โ€œso thatโ€™s Supreme Court decisions or legislative decisions around gerrymandering and the Voting Rights Act and Citizens United. Youโ€™ve seen a number of Republican states like Wisconsin and North Carolinaโ€”when Republicans lose powerโ€”begin changing the Constitution to, say, empower Republican legislature and disempower an incoming Democratic governor. We can go on a path in this country towards democracy. But another way, countries like ours sometimes go in conditions like these is towards disenfranchisement. And disenfranchisement is a scary thing for a political party to play with. I mean, it wonโ€™t be the first time in American history itโ€™s happened, but itโ€™s still scary. And I donโ€™t think we have a real defense against it right now.โ€

POLAR SYSTEM

Why Weโ€™re Polarized offers a few ideas for solutions to polarizationโ€”not out of any particular confidence from Klein that the fixes are easy.ย 

Kleinโ€™s solutions come from a sense of responsibility to offer some sort of path forward. He proposes structural reforms and rule changes, like abolishing the Senate filibuster to allow the legislature to better function amid polarization. He suggests voters consider taking up mindfulness practices to be more aware of the assumptions they make.ย 

He also suggests activists get more involved in their own communities. That doesnโ€™t mean that cities are immune from partisanship internally.

Not unlike D.C., Klein says that local communities can be quite polarized.

โ€œI just think theyโ€™re different,โ€ he tells me. โ€œThey donโ€™t break down on the same red-blue lines. You know, the fights over affordable housing in San Francisco often pit progressives against progressives in very sharp and conflictual ways. Itโ€™s not that everybodyโ€™s in agreement. And itโ€™s not that there isnโ€™t polarization.โ€ย 

Nonetheless, thereโ€™s inherent value, he says, in logging off of Twitter to engage in different issues, ones that have the potential to make a real difference in peopleโ€™s everyday lives.ย 

โ€œA lot of the ways people participate in national politics is functionally following politics as a form of infotainmentโ€”even if itโ€™s not very funโ€”versus being actually involved in a local community, which is about organizing, and itโ€™s about making connections with neighbors,โ€ Klein continues. โ€œAnd I just think thatโ€™s going to be healthier and more nourishing. But it doesnโ€™t mean that youโ€™re not going to go into community politics or local politics and find fighting or very real arguments.โ€

I know that, personally, when I watch local government meetings here in Santa Cruz, I see political identities flaring up and driving discussions, like they do at the national level. But they are different. Voters engage with city and county leaders as landlords and tenants, as Eastsiders and Westsiders, as locals and students.ย 

In Santa Cruz, just as in San Francisco, observers have watched the rise of anti-development โ€œnot in my backyardโ€โ€”or NIMBYโ€”politics, as well as the YIMBY (for โ€œyes in my backyardโ€) movement thatโ€™s sprung up in response.

Broadly speaking, Klein says that each group has a different way of understanding their local community and what makes it special. Anti-development โ€œneighborhood defenders,โ€ as he calls them, view themselves as the real residents of a community. โ€œAnd their identity is as the guardians of the place in which they live,โ€ he says.

Similarly, the other side sees something at stake. As with the neighborhood defenders, the pro-development crowd feels a real concern that the community is at risk of losing something special. It isnโ€™t just affordability, either.ย 

Klein says YIMBY activists believe their community has a moral responsibility to be welcomingโ€”just as it once welcomed in them when they first arrived.ย 

โ€œIt has to be open,โ€ he says, articulating that point of view. โ€œIt has to be inclusive.โ€ย 

 


The Localization of Polarization

Political polarization has made its presence known in Santa Cruz County over in recent yearsโ€”with rent control, with the future of the rail trail corridor, with Highway 1 widening, even with a possible mixed-use library and parking garage. Thereโ€™s also the divisive effort to recall controversial Santa Cruz City Councilmembers Drew Glover and Chris Krohn on ballots this March.ย 

In his book, Klein shows that the most voracious news consumers are also the most polarized. Iโ€™ve seen in my own work that journalists can spend as much time as they want avoiding ideological talking points in their coverage, pushing conversations in constructive directions. But many readers will still interpret any articles about contentious topics in polarizedโ€”and polarizingโ€”ways.ย 

My sense of curiosity has long been my best motivator, fueling the inquisitive part of my job that I enjoy most. As Good Timesโ€™ news editor, Iโ€™ve found that political fights with no insights whatsoeverโ€”just two sides exaggerating their talking pointsโ€”are no fun for me, or for the reader. If thereโ€™s nothing to think critically about, the story probably isnโ€™t going to change anyoneโ€™s mind, anyway, so it might not be worth spending GTโ€™s limited resources on it.

And so when Iโ€™m being honest with myself, I often find writing within a polarized environment to be emotionally draining, weak on intellectual stimulation, isolating and even rather boring.ย 

In many ways, Iโ€™m fortunate to be reporting in a small city. I donโ€™t feel compelled to respond to the scrutinizing whims of Twitterโ€”which has little following in Santa Cruz right nowโ€”in the way that Kleinโ€™s colleagues do. But whereas a national reporterโ€™s greatest critics might be internet trolls, many of mine are valued community members, who I might run into at Shopperโ€™s Corner.

I ask Klein, in general, how he approaches journalism in an era of deep partisanship.ย 

Itโ€™s tricky, he says, partly because the digital ageโ€™s poor incentives tend to push news organizations to chase clicks and go in other โ€œbad directions.โ€ Journalists, he says, need to learn to rise above all the noise. Trump supporters, for instance, donโ€™t want to hear that Trump is a liar. Sometimes it needs to be said, anyway.

โ€œAt least part of the problem is polarization and people not wanting to hear things they donโ€™t already believe,โ€ he says. โ€œOur job is to try to tell people things that are true, whether or not thatโ€™s what they believe.โ€ย 

Santa Cruz Public Radio Alum Sean Rameswaram Explains the News

Sean Rameswaram looks back fondly on his days as a reporter, and producer host at Santa Cruzโ€™s now-defunct public radio station KUSP.

Rameswaram made $13 an hour at the station back in 2011. On the phone with me last month, he couldnโ€™t help wondering if he mightโ€™ve been able to hang on for a little longer, so long as it meant living in paradise. Rameswaram knows that he probably made the right call in deciding to move away, seeing as how KUSP went bankrupt in 2016โ€”the stationโ€™s spiritual descendent, the volunteer-run KSQD, is celebrating one year this weekโ€”and Rameswaram is the host of his own show, the podcast Today, Explained. The podcast is coming up on 500 episodes on Thursday, Feb. 13, and hits its two-year anniversary on Wednesday, Feb. 19.

Part of the Vox Media Podcast Network, Today, Explained fits into the explanatory news brand, envisioned in part by the outletโ€™s original Editor Ezra Klein, a former UCSC student and host of The Ezra Klein Show. The concept behind the show, as Rameswaram puts it, is โ€œthat news comes at you fast. Join us at the end of the day to help you understand it.โ€

Sprinkled within many of the episodes is the tongue-in-cheek flair of Rameswaram and his scrappy team. Notable episode titles include โ€œUN-for-Greta-bleโ€ (covering Greta Thunbergโ€™s speech to the U.N.) and โ€œTo Bibi or Not to Bibi?โ€ (about Benjamin Netanyahuโ€™s re-election race). Other highlights: โ€œSon of a Biden,โ€ โ€œA Mueller Walks into a Barrโ€ and probably my personal favorite, โ€œLetโ€™s Talk About Tax, Baby. Letโ€™s talk about AOC.โ€ Some episodes end with a clever surprise, like a masterfully produced parody song on the theme of the episode.

Recently, Rameswaram had Sen. Cory Booker (D-NJ) on the showโ€”which gets more than a million downloads a weekโ€”to talk about why his presidential bid had faltered. Toward the end of their chat, Rameswaram casually invoked a conversation the two of them had in 2016. At that time, Kanye West had just โ€œannouncedโ€ that he was running for president in 2020. So Rameswaram had asked the senator back then if he would support Westโ€™s candidacy. Rameswaram played the tape. โ€œIf Donald Trump could do it, so could Kanye West,โ€ Booker said in response, at the time, โ€œand Kanye West might do it with a lot more style and a better haircut.โ€

When Rameswaram asked if Booker still thought West should run, Booker almost cut him off. โ€œNo,โ€ Booker said with a laugh. โ€œHell no.โ€

โ€œI think he got a kick out of it,โ€ Rameswaram tells me. โ€œObviously, you try and go into an interview thinking about how you can have some real moments with him, not just a canned answer. So Iโ€™m glad we got one.โ€

In our talk, Rameswaram discussed his start in Santa Cruz, the behind-the-scenes workings of the podcast and much more.ย 

Howโ€™s life in Washington D.C.?

SEAN RAMESWARAM: When you move to D.C. from New York, which I did, people sometimes ask you about life in D.C., as if a close family member had died or something. โ€œAre you OK? How are you keeping? Do you need anything?โ€ And to those types of gestures, I always just tell people everythingโ€™s fine. I have a community pool a block away from my house that has a water slide. Itโ€™s never busy. D.C. is beautiful. Itโ€™s chill. Itโ€™s basically dead on weekends. The tourists all hang out in one part of town. Thereโ€™s free museums as far as the eye can see. You could spend your life trying to discover them all and fail. Thereโ€™s good restaurants. People are nice. You can have community really easily. Thereโ€™s a tennis court near my house thatโ€™s totally free, whereas in New York it costs like $300 to play tennis every season on public tennis courts. D.C. life is good!

I emailed your old boss, J.D. Hilliard, who now works at UCSC. He asked me to ask you, โ€˜Did your time in Santa Cruz affect the way you approach stories of national significance?โ€™

I donโ€™t think so. But, ironically, what he may not realize is my time at KUSP taught me quite a bit about everything I do in my jobโ€”which is cover stories of national significance. So I donโ€™t think something about my time in Santa Cruz has so much affected the way I see the world, so much as my time in Santa Cruz taught me so much about journalism. Shout outs to J.D. Shout outs to Robert Pollie, the host of the great KUSP weekly magazine โ€œSeventh Avenue Projectโ€ and Johnny Simmons, the legendary host of โ€œMorning Editionโ€ at KUSP, whoโ€™s still a dear friend of mine, and who taught me so much about being on the air and called me every time I made a mistake on the air to chew me out [laughs].

Whatโ€™s a typical week like for you at Today, Explained?

A typical work week starts on Sunday morning. The first thing I do when I wake up is I spend a couple hours trawling through the news, the news of the weekend, breaking news developments on stories weโ€™ve been covering. We always usually have a plan going into a week for that first Mondayโ€™s show. But oftentimes, that plan is upset by news that is brokenโ€”Friday night, Saturday, Sunday, especially in this particular news climate. So after doing that for a couple of hours, Iโ€™ll touch base with producers on the show. We usually have one producer whoโ€™s on call on Sunday. Weโ€™ll come up with a plan. And then weโ€™ll hit the ground running on Monday with an interview first thing in the morning. The team and I will make edits to that interview, put the whole thing together, and then the show comes out at 4. And then Mondays are usually really crazy because weโ€™ll start planning ahead for Tuesdayโ€™s show and Wednesdayโ€™s show. And so typically on Mondays, thereโ€™s lots of interviews to do. And then we kind of think about the week as a whole. What are the most important stories? And what are the stories we can explain the best?

You did an episode about taxation without representation in D.C. You live in a city with as much concentrated power as anywhere else in the world. And yet the cityโ€™s residents donโ€™t have any votes in the electoral college or any U.S. senators. Your representative in the House canโ€™t vote on many matters. Whatโ€™s that like? Do you have strong feelings about it?

Weirdly, I donโ€™t. And I try to keep my own personal feelings out of the episode, but I was very interested in it as an issue. It seems pretty obvious that everyone in D.C. should have federal representation. Weโ€™re citizens of this country. I think similar arguments can be made for a place like Puerto Rico, but I think our politics is such that itโ€™s unlikely to happen any time in the near future, so I guess Iโ€™ve kind of accepted it. I wouldnโ€™t choose the situation Iโ€™m in, but here I am in it. Itโ€™s hard to find someone who lives here who thinks they shouldnโ€™t have representation in the United States Senate or a voting member in the House of Representatives. But, you know, a lot of voting members in the House of Representatives and a lot of United States senators feel differently.

ย You often call your mom for the podcast. Does your mom enjoy the show and being a part of it?

Mom 100% enjoys the show. I donโ€™t know how much she actually enjoys me calling her, because I usually donโ€™t give her any advance notice.

Thatโ€™s the way it sounds! But you often canโ€™t tell with podcasts.

Thatโ€™s the real deal. Yeah, I donโ€™t want it to sound rehearsed. So I just donโ€™t tell her.

And so how did this project first start? Did Vox want to create a competitor to The Daily from the New York Times, and did they just go out and find you?

Yeah, I think they went out and talked to a lot of people. They liked me the most.

I canโ€™t decide which I find more confusingโ€”the fact that The Daily has a way bigger staff than you, and still manages to create a more boring show, or the fact that The Daily creates a way lousier product and nonetheless dominates the Apple charts. Which do you find more puzzling?

Jake, thatโ€™s a loaded question. Living in Washington D.C. has made me a better politician. And Iโ€™ll just say I am so proud that we make a show thatโ€”with its limited resourcesโ€”can exist in the same conversation as a show with as many resources as The Daily from the New York Times. Iโ€™m incredibly grateful to that show for existing, because itโ€™s the reason I have my job. And Iโ€™m so proud of the work we do.

ย Do you find yourself pretending like you donโ€™t understand certain things in order to get good answers?

You might be surprised. I think a lot of times Iโ€™m asking genuine questions. I donโ€™t like to pretend I know stuff that I donโ€™t know. And I donโ€™t like to pretend that I donโ€™t know something that I do. I will sometimes ask what happened next when I definitely know what happened next. But I justify that by thinking, Iโ€™m the go-betweenโ€”in the middle of the audience and the guests. What weโ€™re really shooting for is understanding. And what sets us apart is that NPR is shooting for getting you a bunch of news, and I think The Dailyโ€™s shooting for how the New York Times told this story. And so I really do think our show is a different thing. And I like to think that Iโ€™m well-suited to bring that thing to people, because Iโ€™m curious and I donโ€™t know.

You left KUSP to go out and make it as a journalist. Do you have any advice for young journalists?

That search took a very long time. I eventually moved back home and at various points felt very discouraged. I almost gave up on journalism and went to grad school to study environmental science. And I think a thing that saved me isโ€”it must have been, like, 18 months or so between when I started looking for a job and when I landed my next job after KUSPโ€”is that I always was making stuff. I was making podcasts for no one. I was making radio features for no one. I was pitching NPR like it was my job. And they constantly said no. But along the way, people were also encouraging, but I was applying for jobs that I thought I was totally qualified for. And I couldnโ€™t even get an email back. I couldnโ€™t work. I applied for a job at WAMU, a place where I was still temporarily employed. And I flew out to D.C. to interview for it, even though they told me they wouldnโ€™t cover it. I paid for it myself. And I found out I didnโ€™t get that job through a company-wide email. They didnโ€™t even personally write me to tell me, โ€˜You didnโ€™t get the job,โ€™ and I worked there as a part-time employee. There were so many discouraging things that happened along the way. But I think, finally, when I had the interview for the right job at the right place at the right time, the thing that helped me get the job was the fact that like, in that in all those months and months and months of discouraging job-hunting, I was always making stuff.

Tannery Talks Shine Light on Art, Environment and Social Justice

The Radius Gallery at the Tannery Arts Center has evolved into more than just a nice clean space to contemplate art. For the Tannery community, the Radius has become a de facto meeting hall and performance space.

It makes sense, then, that the gallery is the site for Tannery Talks, a mini-lecture series designed to bring together the artists who live and work at the Tannery with some of the activists, businesspeople, and academics shaping Santa Cruz culture.

The Tannery Talks series resumes on Feb. 20 with an exploration of the social justice aspects of environmentalism and how those aspects surface in artistsโ€™ work. Maha Taitano, the eventโ€™s moderator, says environmental activism cannot be seen in isolation from topics like social justice in marginalized communities. โ€œThereโ€™s an intersectionality about all of that goes hand in hand,โ€ she says. โ€œSo, itโ€™s not just a race fight or a gender fight or an environmental fight. Itโ€™s a combination of them all.โ€

Taitano will lead a panel discussion on that point where arts, environmentalism, and social justice meet. Included in the discussion will be spoken-word and hip-hop performer Joseph Jason Santiago LaCour, activist Karen Ross, Santa Cruz mayor Justin Cummings, and UCSC Ph.D. candidate Paloma Medina, the co-author of Looking for Marla, a new childrenโ€™s book based on Pixarโ€™s Finding Nemo and centered on the clownfishโ€™s ability and habit to transition from male to female.

The event is free and open to the public.

โ€œYou canโ€™t erase the social justice connection from environmental activism,โ€ Taitano says. โ€œThe urgency to maintain a cleaner, healthier, more vibrant environment drops when there is a lack of money or when youโ€™re dealing with people of color or queer communities.โ€

Environmentalism is the broad theme of this yearโ€™s Tannery Talks season, which includes four monthly events and wraps up in April. The season kicked off in January with a panel discussion on the social justice issues involved in the ongoing stewardship of the San Lorenzo River. That event included UCSC filmmaker Elizabeth Stephens, Congressional candidate and water activist Adam Balaรฑos Scow, businessman and philanthropist George Ow Jr., and Laurie Egan of the Coastal Watershed Council. It was moderated by activist and artist Wes Modes.

The Tannery Talks series will continue with an event on March 19 focused on the efforts of young people in social-justice and environmental activism. โ€œMarch is going to be all about youth,โ€ says series co-director Margaret Niven. โ€œWeโ€™re going to get together four or five teens, from 13 to 18. Iโ€™ve been very inspired by [Swedish teen activist] Greta Thunberg and how active teens have been. Weโ€™re going to bring a group together to have a conversation from that point of view.โ€

On April 16, for the seasonโ€™s final event, Valeria Miranda of the Santa Cruz Art League will lead a discussion on the positive impacts of artists and their work in the community. โ€œThat will be about how artists are creating or offering solutions [to environmental problems] through their practice,โ€ Niven says.

Tannery Talks is co-directed by Taitano and long-time Tannery artist Niven. It is a continuation of a Tannery tradition that began back in 2010 when Niven and the late Stephen Lynch began an ambitious lecture series that held 10 events per year (โ€œIt wasย  overwhelming,โ€ Niven says of the original series). That series was discontinued in 2013. But, Niven says, she was approached by Arts Council Santa Cruz County to revive the series. The series returned in 2019.

โ€œSo now the Tannery Talks are supported by the Arts Council, with some funding and some staffing,โ€ Niven says.

She says the January event convinced her that the community thirsted for the kind of engagement that the Tannery Talks delivered. โ€œI was really blown away,โ€ she says. โ€œIt was pouring rain and we had about 75 people there. For the Radius Gallery, thatโ€™s a good-sized group.โ€

The Tannery Talks are also part of the mission to get more people from the greater community to visit the Tannery campus. Invited speakers from, say, UCSC or the Watershed Council tend to bring their own constituencies to the event.

โ€œWe hope we can reach more diverse audiences,โ€ says Niven, โ€œby getting people to reach out to their own networks. But itโ€™s definitely bringing people in who do not work or live here.โ€

The next Tannery Talks event takes place Thursday, Feb. 20 from 7 to 8:30pm at the Radius Gallery, 1050 River St., No. 127, Santa Cruz. The event is free. For more information, go to tanneryartscenter.org/tannery-talks.

Whatโ€™s your favorite podcast?

0

“Bert Kreischer, heโ€™s super silly and fun.”

Candace Romaine

San Francisco
Hair Stylist

“I listen to a 12-step podcast.”

Sandra Rich

Capitola
Retired Teacher

“Joe Roganโ€™s podcast. I think he has a lot of cutting-edge thoughts and brings great people on.”

Patrick McNett

Santa Cruz
Bartender

“Fresh Air on NPR because the questions that are asked are thought-provoking and the people are very interesting, humorous and deep.”

Peg Shemaria

Capitola
Retired Psychologist

“The Spurious Universe. Two Australians, semi-scientist dudes who talk about paranormal anything and everything. Theyโ€™re awesome!ย ”

Matthew Pinck

Santa Cruz
Music Director

Gathering the Art of the Grateful Dead Community

The Grateful Dead is known primarily for their music and the massive cultural impact it has left over the last 50 years. But Northern Californiaโ€™s most famous cultural export has also made its mark in the world of visual art, inspiring thousands of artists in distinctly non-musical expressions.

The proof is there for examination in a new exhibit at UCSCโ€™s Dead Central at the McHenry Library, titled When We Paint Our Masterpiece: The Art of the Grateful Dead Community.

The exhibit is drawn, of course, from UCSCโ€™s Grateful Dead Archive, an enormous cache of fan correspondence, business records, photographs, artifacts and other ephemera donated by the band itself. The collection of material is large enough, in fact, that the McHenry Libraryโ€™s Special Collections has been drawing individual exhibits from it for a dozen years.

The latest focuses on the artwork of the Deadโ€™s fan community, as rendered on envelopes, letters, and other correspondence dating back close to the bandโ€™s beginnings. Perhaps more than any other popular musical entity, the Grateful Dead has been associated with a wide variety of instantly recognizable visual iconography, from the skeleton with the headdress made of roses (known as โ€œBerthaโ€ in Dead circles) to the multi-colored conga lines of dancing bears, to the stylized images of Dead guitarist and frontman Jerry Garcia. This Dead imagery is in ample display in the new exhibit, but it goes well beyond those familiar icons, as well.

The new exhibit was inspired by research from UCSC graduate student Wyatt Young into international Grateful Dead fan communities, says Jessica Pigza, the outreach and exhibits librarian at UCSCโ€™s Special Collections.

โ€œ[Young] discovered this amazing concentration of artwork from Japan,โ€ says Pigza, โ€œwhich was a country where the Dead never toured. But there was still a really strong Japanese Deadhead community there. So we use the Japanese Deadhead community art as a kind of case study of what fan art can look like in a place where maybe they never get to actually meet their object of their affection.โ€

The Dead-associated fan art is also necessarily an artifact of pre-digital technology. Throughout the โ€™70s and โ€™80s, the band conducted much of its own ticket sales through the U.S. mail. Ticket requests from fans were much more likely to be honored, so the belief went, if accompanied by striking or unique art works. That meant the Grateful Deadโ€™s business offices in San Rafael were inundated by sacks of mail every day, much of it elaborately illustrated to stand out from the rest.

Pigza says that Eileen Law, the bandโ€™s long-time office manager, was consistently charmed by the fan-generated artworks she received in the mail. โ€œShe had nothing but fond words for it,โ€ said Pigza. โ€œAt times, it was overwhelming. But it was also really fun to get a bag of mail and sort through all the envelopes that you thought you should keep.โ€

In that sense, Law was the first curator of the new exhibit. โ€œThereโ€™s evidence too in the archive,โ€ said Pigza, โ€œof one of the band members, or someone on the staff, kind of falling for someoneโ€™s art work on an envelope and then reaching out to them to say, โ€˜Hey, do you have other work? We might be interested in it.โ€™โ€

In some cases, Pigza and her colleagues at Special Collections reached out themselves to some of the contributing artists, even though the art was often decades old. One woman named Miki Saito was excited that her medieval-inspired drawing had attracted attention so many years later.

โ€œWe told her that we were interested that the band had kept so much of her work,โ€ says Pigza, who also asked Saito for more of her more recent work to be included in the exhibit. โ€œShe was thrilled. In fact, she told us that recently she had thought, โ€˜Wouldnโ€™t it be great if my Grateful Dead art could exhibited in California?โ€™โ€

The Dead Archive is the most high-profile of the many collections at UCSCโ€™s Special Collections. It also contains much of the documentation of the Universityโ€™s founding and early years, as well as photographs, books, and documents pertaining to the 1960s counter-culture, particularly as it manifested on the West Coast. Just last year, Special Collections received an archive of collected materials from the career of journalist Hunter S. Thompson.

Dead Central, near the entrance to UCSCโ€™s McHenry Library, is only the exhibition space for the much larger Grateful Dead Archive. Materials from the archive are accessible to the general public through Special Collections.

โ€œWeโ€™re very democratic,โ€ says Pigza, who came to UCSC in 2017 after working in the rare-books department of the New York Public Library. โ€œWe donโ€™t grill you about the materials. We donโ€™t ask for some kind of special credential. You just walk in and tell us what you want to see and weโ€™ll get it out of storage, and that goes for all our Special Collections. If youโ€™re curious about something and you want to find out, we want to help you.โ€

โ€˜When We Paint Our Masterpiece: The Art of the Grateful Dead Communityโ€™ will be at Dead Central at UCSCโ€™s McHenry Library for the next year. Admission is free and the exhibit is open during McHenryโ€™s regular hours. For more information, go to guides.library.ucsc.edu/gratefuldeadarchive.

Love Your Local Band: The New Horizons

The New Horizons play at the Sand Bar on Thursday, April 23.

Film Review: ‘Downhill’

Swedish film โ€˜Force Majeureโ€™ gets remade into uneasy rom-com

A Superb Sparkling Rose from Equinox

sparkling rose
The 2014 Monterey Sparkling Rose from Equinox is perfectly sweet for Valentine's Day

Opinion: Feb. 12, 2020

Plus letters to the editor

5 Things To Do in Santa Cruz: Feb. 12-18

Makers Market, KSQD first birthday bash, and more

Lessons on Polarization from Journalist Ezra Klein

What Santa Cruz and the rest of the nation can learn from โ€œWhy Weโ€™re Polarizedโ€

Santa Cruz Public Radio Alum Sean Rameswaram Explains the News

Former KUSP reporterโ€™s โ€œToday Explainedโ€ podcast is celebrating two years and 500 episodes

Tannery Talks Shine Light on Art, Environment and Social Justice

Second talk set for Thursday, Feb. 20

Whatโ€™s your favorite podcast?

“Bert Kreischer, heโ€™s super silly and fun.” Candace Romaine San Francisco Hair Stylist “I listen to a 12-step podcast.” Sandra Rich Capitola Retired Teacher “Joe Roganโ€™s podcast. I think he has a lot of cutting-edge thoughts and brings great people on.” Patrick McNett Santa Cruz Bartender ...

Gathering the Art of the Grateful Dead Community

Exhibit at UCSCโ€™s McHenry Library highlights the bandโ€™s cultural impact
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