The Fight Over Santa Cruz County Beach Access

Once they started, the waves that thrashed the coast of Santa Cruz County during the winter of 2016—one of the most extreme El Niño seasons on record—didn’t stop. Huge swells crashed into the shores of the Monterey Bay, pulling tons of sand back out to sea, and a 40-foot sinkhole opened near New Brighton State Beach. In South County, beaches eroded an average of 150 feet.

A year later, it sounded like a bad stoner joke when meteorologists warned that Santa Cruz was once again in line to be hit by a series of “Pineapple Express” storms moving east from Hawaii. Heavy rains were welcomed after severe drought, but then everything came unglued again. At Rio del Mar, parts of the cement ship once used as a Prohibition-era casino were ripped off in rough surf. Roads wiped out by mudslides cost the county tens of millions of dollars.

“Greetings from beautiful Santa Cruz County!” local officials wrote on postcards with photos of collapsed pavement and cars eaten by sinkholes, which they sent to Sacramento to lobby for disaster dollars.

As crews worked overtime to keep major arteries like Highway 17 open, a much smaller local thoroughfare quietly fell into disrepair. High surf swept out the base of a staircase that had long led surfers, fishermen and other beachgoers down to the sand at Manresa State Beach. The stairs themselves weren’t much to look at, just rough cement, but the sweeping views of white sand, turquoise waves and lush greenery that lined the path to the beach seemed like something from another time.

The stairs are perched on a bluff at the end of Oceanview Drive, just off San Andreas Road in the part of South County where the big houses of La Selva Beach begin to bleed into the vast agricultural fields of Watsonville. During the summer of 2017, those who knew the stairs mostly steered clear of the sketchy sections hit by the storm, and found their way down the way they always had.

“I’ve been using that area for more than 40 years,” says Mike Watson, a Santa Cruz resident and board member of the Santa Cruz Longboard Union, who grew up in Aptos. “That’s where I learned to surf.”

STAIRCASE TO HEAVEN The view from the stairs at Oceanview Drive.
STAIRWAY TO HEAVEN The view from the stairs at Oceanview Drive.

It was around October 2017 when Watson and others discovered that the barbed-wire gate at the top of the stairs had been locked. “Temporary closure of the public access stairway to the public beach,” read the 60-day county permit posted outside.

A year and a half later, the stairway at Oceanview Drive is still closed, making it one of many coastal access points in Santa Cruz County stuck in limbo at a time when coastal real estate is more cutthroat than ever. In some cases, private owners have deliberately blocked public access. In others, government agencies contending with lower budgets and a backlog of infrastructure repairs have been slow to make repairs. Sometimes, it’s a combination of both.

After years-long legal battles, gated access points at Opal Cliffs and Rio del Mar’s Beach Island have recently been re-opened to the public—for now. From a former nude beach in Davenport to secluded coves in Pleasure Point, Live Oak and Aptos to other stretches of South County near Manresa and Sunset state parks, more isolated disputes have also bubbled up.

“There’s a lot at stake. You’re talking about a strip of real estate that’s really important to a lot of people,” says Dan Carl, a Santa Cruz native who now runs the Central and North Central Coast districts for the California Coastal Commission. “It’s just ratcheted up.”

The politics of beach access are also changing. In recent years, local and state officials have gained more power to levy annual fees or fines for non-compliance with access laws. Just up the coast at Martin’s Beach, near Half Moon Bay, the case of Silicon Valley venture capitalist Vinod Khosla’s attempt to privatize the beach near his $32.5 million property was argued all the way up to the Supreme Court last year—Khosla felt “coerced and extorted” by the ordeal, he wrote in a blog post—before a tenuous deal to allow surfers back in.

On busy days at Oceanview Drive, two dozen cars or more in would pack the dirt shoulder of the road wedged between a gated community and a Spanish-style mansion. Smashed windows had always been a risk in the secluded area, but finding a spot meant that groups toting surfboards, coolers and tents didn’t have to pay the $10 parking fee at the lot down the street for Manresa State Beach.

Whether that option will exist this summer—or even sorting out who has the right to make that call—are questions with ripple effects far beyond one staircase.

“That’s what towns like this are about, you know? For people to be able to walk to the beach,” says Jeff Gaffney, a Gilroy native who oversees Santa Cruz County’s parks department and grew up visiting his grandparents in town. “That’s what we all want. That’s why we live here.”

CLAIMING THE COAST

For much of recorded history, the beaches of present-day Santa Cruz County were an afterthought for generations of residents more concerned with hunting, ranching and staking claim to fertile ground farther inland.

The Ohlone used to burn old growth from the Santa Cruz Mountains to the edge of the Monterey Bay each year to grow grass and attract deer, according to John Hibble of the Aptos History Museum. When Sebastian Viscaino stumbled ashore and claimed the Central Coast for Spain in 1602, he set in motion a period of brutal colonization that revolved more around inland mission-building than the pristine waters the conquistadors sailed in on.

It wasn’t until the 1800s, when California was still part of Mexico, that people even started to divvy up beachfront property, according to local historian Allen Collins in his book Rio del Mar: A Sedate Residential Community. Property records didn’t exist, and land squatting was the norm.

“Understandably,” Collins writes, “there would be conflicts down the road.”

The first real estate heavyweight in what is now Santa Cruz County was the family of Mexican general-turned-cattle-rancher Don Rafael de Jesus Castro, who in the 1830s received land grants from the Mexican government for more than 20,000 acres stretching from today’s Capitola to Sunset State Beach. Castro finally put the beach to use in 1850, when he built a 500-foot wharf to ship livestock, hides and grain as part of a booming Mexican-American trade network that also involved private wharfs in Watsonville, Santa Cruz and other nearby towns.

It’s only fitting that a California divorce between Don Castro and his wife would set in motion the subdividing of coastal land that still makes it hard to determine who has rights to what today.

“People think the beaches are all public, and they really aren’t,” Carl says. “If it’s not a state park in this area, it’s likely to be privately owned beach that is used by the public.”

WASHED OUT The cement staircase at Manresa State Beach is one of several public coastal access points that has been knocked out by strong storms in recent years.
WASHED OUT The cement staircase at Manresa State Beach is one of several public coastal access points that has been knocked out by strong storms in recent years.

Under the modern system of beach access overseen by the Coastal Commission, and frequently fought in court, public access is established by a track record of people using a path or stairway or section of beach—a standard known in planning jargon as “prescriptive rights.” In uncontested areas, routes to the water often ebb and flow with little formal documentation. If there’s a dispute, landowners or citizens can sue to sort out public access for a specific location.

But none of those concepts existed when Santa Cruz County really started to develop.

Claus “The Sugar King” Spreckles was among the first to seize the opportunity to develop the Central Coast in the 1870s. An industrialist who amassed much of his wealth from the Hawaiian sugar trade, Spreckles bought Castro’s Rancho Aptos and built a luxurious hotel in present-day Rio del Mar, then fenced off the beach for guests. After he moved his dominion inland, near the beet sugar plant he built in a Monterey County town given the name Spreckles, the coastal land was sold to developers who started planning single-family homes, beach clubs, polo fields and a general Prohibition-era playground.

“It all started in the early ’20s. This was a time for people to have second homes, visit the beach, get liquor—you know, party hardy,” says Hibble. “In Rio del Mar, the idea was to make it so exclusive that the only way you could use the beach was to be a member.”

The Great Depression and World War II stunted the original plans to develop the rest of the coast, but the rush to the suburbs in the 1950s and 1960s filled out the area with more housing. Some swaths of land were dedicated back to the government by private owners, and there would be flare ups like the battle over the Seascape resort, but the end result was a patchwork of property rights and dated surveying that can make it difficult to answer what may seem like black and white questions about access.

“This used to all be chicken coops and ag land, and people could walk literally down through some orchard and be at the beach,” Gaffney says. “Progress or development or whatever you want to call it over the last 60 years has really changed the way we do beach access.”

Part of what’s changed, Carl says, is more glaring tension between the state Coastal Act that calls for “maximum access” and homeowners now paying much higher prices for private estates along the coast. With property on the sand or the bluffs of Santa Cruz County routinely trading in the millions of dollars, public access can become a nuisance.   

“That’s their private Shangri-La,” Carl says. “They don’t wanna see the unwashed masses near their Shangri-La.”

DO NOT ENTER

In 35 years, Watsonville native Felix Alfaro doesn’t remember a time when the stairs at Oceanview Drive have been blocked off like they are today.

“Have you seen the fence?” Alfaro asks as he finishes a fix on a weathered teal surfboard at his Sand Dollar Quality Surfboard Repair business across the street.

It was early this year, months after the emergency county permit posted at the top of the stairs was set to expire, that a black iron fence was installed. The change was made after a chain link fence was repeatedly cut and wired back shut last year. Weaving in and out of both fences is a chaotic graveyard of padlocks, cables, wires and signs that blare warnings like “Stairs Closed,” “No Trespassing” and “Danger Do Not Enter.”

Exactly how it all got there—or who sliced, patched and repatched the fence—is unclear. Who should decide whether it gets dismantled and re-opened to the public depends on who you ask.

“I’m now very interested in us figuring out how we can open that up, and what we need to do to get it there,” Gaffney says. “If the land is owned by individuals or private property owners, that still doesn’t change the fact that there was a public easement there.”

“There is not a county easement on that property,” says William Hansen, the local businessman who owns the 7,100-square-foot beachfront lot last sold in 2009. He thinks it could be a prime location for a single-family home. “It’s inventory,” Hansen says. “We’re developers.”

The most likely answer, property records show, is some combination of both public easements and private property—a fairly common predicament that is usually resolved through either negotiations or the court system.

“Talk about peeling the onion,” Carl says. “You’d really have to get into it to figure out all the stuff for that place.”

Originally part of the plans for a neighboring gated community called Place de Mer, a 1963 map on file with the County Assessor’s office shows at least one county easement just off Oceanview Drive and 5 feet “reserved for path,” but the map only shows a corner of the property. Hansen says it’s “a complex discussion,” but he contends that the county only has rights to a pump at the top of the stairs. Both the county’s parks and public works departments say that part of the staircase and a drain pipe underneath traverse private property, but the path appears to have long been a public access point. The Coastal Commission’s website also lists the staircase and “informal” parking on its access page.

ALL FOR KNOT A chain-link fence has been cut and stitched shut repeatedly at Oceanview Drive near a staircase to Manresa State Beach.
ALL FOR KNOT A chain-link fence has been cut and stitched shut repeatedly at Oceanview Drive near a staircase to Manresa State Beach.

Watson, who in addition to being a regular at the South County surf spot is also a planner for the Coastal Commission, says the area is one of many in the county where he’s seen gradual restrictions put on parking or paths to the beach.

“It seems that, you know, over time the ability to access the coast has slowly been eroding—no pun intended,” Watson says.

The stairs at Oceanview Drive have also been disputed before. About 15 years ago, Carl says the Coastal Commission blocked an attempt by nearby homeowners who have at times maintained the stairs to secure a permit to close the path to the public. More recently, around 2012, the five-bedroom mansion with a lap pool on the lot next door was listed for sale at $9.75 million and advertised as “completely fenced and private with private beach path.”

Today, the sliver of beachfront land that includes the staircase is one of many lots or buildings owned in Watsonville by Hansen, who is the chairman of the board of Santa Cruz County Bank, and runs both Hansen Insurance and a real estate firm called Pacific Coast Development. He says that Oceanview Drive is “a great location” for a house, and that people who relied on the stairs for access are “just kind of evading the fact that the park system charges for parking” down the street at the official lot for Manresa State Beach.

“Obviously it has to be a situation where you protect the property rights,” Hansen says. “It’s really disruptive to that whole residential community.”

Watson contends that the path helps ease crowding at surf breaks along the coast, especially since other public staircases like the nearby Manresa Uplands Campground have also been washed out by storms.

“It’s a super important access spot for surfers and beachgoers alike,” Watson says. “It’s overflow parking, essentially, for Manresa.”

On a recent road trip to Southern California, Alfaro says he was struck by the number of barricades up and down the coast.

“Access is a funny thing,” Alfaro says. “The business to be in is fences.”

POLICING ACCESS

Private security guards. Fake no parking signs. In the case of music mogul David Geffen, efforts to block public access to a stretch of Malibu coastline nicknamed “Billionaires’ Beach” included building an elaborate fake garage to discourage people from parking in front of his property.

“People just do outrageous things to block public access,” says Pat Veesart, who oversees enforcement for the Coastal Commission in Northern California. “I’ve caught people out there painting their curbs red. Up and down the coast, there are people who just can’t accept that the coast has special status in California.”

Most coastal observers agree that Santa Cruz’s access issues aren’t as severe as Southern California’s wealthiest enclaves, but they also aren’t taking any chances. In recent years, the Coastal Commission was authorized to levy new administrative penalties up to $11,250 per violation, per day, which have already been used locally—or at least threatened.

In December, county officials demolished a fence and 6-foot wall blocking off an esplanade outside 29 waterfront homes in Rio del Mar known as “Beach Island” after violation notices were sent to all 29 property owners. The Rio Del Mar Beach Island Homeowners Association sued the county in November, arguing that there is not a public easement on the property, and that the government had not previously shown an interest in maintaining the area.

“We got their attention with these notification-of-violation letters,” Veesart says of the case, which is still working its way through the courts. “We entered into negotiations with them and their attorneys … We’ll see where that goes.”

MIXED MESSAGES Both a private property owner and Santa Cruz County agencies have laid claim to the staircase at Oceanview Drive.
MIXED MESSAGES Both a private property owner and Santa Cruz County agencies have laid claim to the staircase at Oceanview Drive.

Though property lines for houses built on the waterfront often technically extend out on the beach to the high-tide mark, Carl says that it’s usually routes down to the beach that are more contested than what happens on the sand.

Take the case of Privates beach, the Opal Cliffs park and surf break where residents have since the ’60s charged up to $100 a year for a key, and paid for a gate attendant to police access. For years, residents argued that paid access should be allowed because of better maintenance made possible by fees. A judge last year ordered the gate open after the county and the Coastal Commission challenged the permitting of the 9-foot fence, and homeowners are now due to submit a plan for long-term free access and a smaller fence.

“In the case of Opal Cliffs, it’s the only access way where the public’s charged a fee to access the beach in the state,” Carl says. “So it’s a big deal.”

At the county, Gaffney has also spearheaded a new “coastal encroachment” permit program approved by the Board of Supervisors last June. In response to complaints about public parking and access being curtailed on streets that lead to the water, the county will now charge homeowners whose landscaping, mailboxes or other property stretch into the public right of way an application cost of $1,080, plus an “annual exclusive encroachment fee” of $16.50 per square foot or a “non-exclusive encroachment fee” of $6.50 per foot, capped at $5,000 per property per year.

Revenue generated by the new permits will be allocated for maintaining coastal areas. The county is implementing the program through “passive” enforcement, Gaffney says, which means that homeowners are asked to apply if they believe their properties are in violation.

“We don’t want people to feel like they’re criminals,” Gaffney says. “We want them to come forward.”

STORM AHEAD

As April turned to May, the signs of struggle in the mangled fence at Oceanview Drive were obscured by knee-high weeds and wildflowers. At the base of the stairs, near a red danger sign, a broken window sat in the ice plants just above the sand, and trash like a surgical mask could be seen off the overgrown walkway. Stickers with surf shop logos or sayings like “Good Vibes Only” had started to fade on nearby signs and railings.

After questions from GT, the county says that they plan to reopen the stairs by as soon as this summer, after repairs projected to cost $50,000-100,000 are made to drainage infrastructure.

“My goal would be to have all that communication as far as permits and property access completed over the next month,” says Steve Wiesner, the county’s assistant director of public works for roads and transportation. “The repairs would begin to be implemented within the next 4-6 weeks, and then we would be complete early summer.”

Hansen, however, says he hasn’t been approached about reopening the stairs.

“No comment,” he says when asked about the prospect. He adds, “It’s amazing how people like to put up their different signs and feel that somehow establishes some type of legal residence … somehow you’re going to reflect some type of access. It’s kind of comical.”

HANGING ON A few hundred yards down the beach from Oceanview Drive, a public staircase near the Manresa Uplands campground has been closed since storms washed out a bottom section in 2016.
HANGING ON A few hundred yards down the beach from Oceanview Drive, a public staircase near the Manresa Uplands campground has been closed since storms washed out a bottom section in 2016.

While pitched battles over development are nothing new in coastal California, there’s also the matter of how Mother Nature might play into the debate.

“Access ways disappear for a lot of reasons,” Carl says. “One of the more important reasons is because they’re right at the coast, where it’s inherently dangerous.”

Henry Bose and his neighbors at the Cañon del Sol subdivision on the edge of Manresa State Beach have found themselves caught in the middle of such a situation. Just a few hundred yards down the beach from the stairs at  Oceanview Drive, the public wooden stairs that once led down to the beach near the Manresa Uplands Campground have been closed since a large section was destroyed in the storms of 2016.

With no re-open date given by local or state officials, Bose and his neighbors are considering a GoFundMe campaign to raise donations. While he knows that easy beach access is a nice selling point for homeowners, Bose says he’s more concerned about public access.

“Obviously I would have to recuse myself because it is of interest to me and my property value,” says Bose, a former real estate lawyer who retired to the area to be close to some of his 17 grandchildren. “But if you believe in California beaches being open to the public, this is a spot that was developed just for that.”

After years of budget cuts, state and county agencies are currently seeking funding from FEMA and many other sources to address a backlog of coastal maintenance estimated at $30-40 million in Santa Cruz County alone, Gaffney says.

“As every day goes by, things are costing more,” Gaffney says, due to limited local contractors willing to navigate coastal red tape. “Even numbers that we were using last year have gone up by 20%.”

And that’s if the climate cooperates. Scientists who study the coast also warn that a combination of more frequent strong storms and sea-level rise could add to the bottleneck.

“Because of the urban infrastructure pinning the location of the beaches, we’re going to lose 50% of the beaches,” says Patrick Barnard, a Santa Cruz-based coastal geologist with the U.S. Geologic Survey. “These beach access issues are going to become more and more complicated.”

Can Santa Cruz Hold Onto Nonprofit Workers?

Matthew Van Nuys feels he owes a debt to Santa Cruz.

He was a meth addict who “ran amok in the streets of Santa Cruz” for 12 years, as he describes it. One of the stops on his road to recovery was Janus of Santa Cruz, a nonprofit that provides addiction treatment services. Every time he went into a recovery program somewhere, he built on the foundation he established at Janus, he says. Van Nuys eventually beat his addiction and now works at Janus as an intensive outpatient services counselor and DUI educator.

“I can do the most good here, and it is my way of giving back to the community,” he says.

But making ends meet as a nonprofit worker in Santa Cruz isn’t easy, as Van Nuys can attest. He’s currently homeless, living in a van-sized RV in the backyard of a friend’s house with his wife, their 7-month-old child and their dog. He makes enough money that he does not qualify for many types of aid, but there have been several times when his bank account was at $5 for the whole week.

The Human Care Alliance, a collaborative of more than 27 Santa Cruz County nonprofits, is aiming to better understand the living conditions of nonprofit workers like Van Nuys through a new survey. Nonprofit leaders hope the results from the survey, which is currently underway, can serve as a springboard for discussions with county officials about two realities they face: Their budgets are already strapped as they try to pay workers enough to survive with the high cost of living locally, and big budget gaps loom with the state’s minimum wage set to continue increasing until it reaches $15 an hour in 2023. Now, nonprofit directors are wondering whether they’ll be able to find enough additional funding to close the gap, or if they’ll have to cut back on some of the services they provide on behalf of the county.

Penny Time

The new survey results aren’t expected to be released until later this month, but a previous Human Care Alliance survey in 2016 provided some solid numbers on the issue. That survey found that 35% of nonprofit workers had an income that fell below the state’s poverty line. More than 70% of workers surveyed said they had more than one job at least some of the time to support themselves and their families.

The survey also revealed a vicious cycle: Some 61% of nonprofit employees said they required public assistance programs such as Medi-Cal, food banks or food stamps at some point in the previous year to survive.

Raymon Cancino, CEO of the nonprofit group Community Bridges, says he’s on a personal mission to end that cycle.

“I cannot, as a leader, sit back and be complacent to a system that perpetuates poverty,” he says. “If we are alleviating poverty, we cannot be a mechanism that continues to perpetuate it by providing lower wages to our employees.”

Though the Santa Cruz County government has a living wage of $16.65 per hour for its contractors, nonprofits are exempt from the requirement.

Still, given the state’s move toward a $15-an-hour minimum wage, many nonprofits, including Community Bridges, have started putting any new fundraising and revenue toward bringing workers closer to $15 an hour, Cancino says. Community Bridges plans to pay all of its more than 190 workers at least $15 an hour by July 2020. At the same time, it must also increase wages for salaried workers, since state law requires that they make at least double the minimum wage.  

In total, those wage increases will create a $200,000 annual budget gap for Community Bridges if its funding levels remain the same, says Cancino.

“So the question is not ‘Do we need more?’ It is ‘Where do we need to invest the dollars that people are willing to invest?” Cancino says.

Coin Together

Finding more dollars may involve asking the county for increased funding.

The county government funds nonprofits in two ways, through one pot of what’s known as “core” funding and through contracts with county departments for specific services.

Core funding for community programs rose from $3.7 million in the county’s 2014-2015 fiscal year to around $4.4 million for the current fiscal year, an increase of 17%. The county also pays tens of millions of dollars each year to nonprofits through contracts, according to county Communications Manager Jason Hoppin, but the exact dollar amount is difficult to tally because the contracts are spread across departments such as the sheriff’s office, health services and mental health.

In addition to increasing funding for nonprofits, the county tried to offer more financial stability by moving from annual funding to a multi-year funding cycle. The county’s also trying to help nonprofits by training them on how to receive more federal and state money, says Santa Cruz County Supervisor Ryan Coonerty. Policymakers see the stress that nonprofits are under, he says.

“Like many other sectors of our economy, they are feeling strained, because while there have been increases in funding, those increases haven’t kept up with the costs of housing and healthcare,” Coonerty says.

The costs of services currently provided by the nonprofits would be much higher, he adds, if the county tried to provide those services itself. “Our nonprofits, by and large, do a really good job of taking small amounts of money and leveraging them and providing excellent services to our community,” Coonerty says.

For nonprofit leaders, that’s part of the issue. That reduced cost for the county comes at the expense of the nonprofit workers, Cancino says, and they end up getting paid less.

Talk is already turning to whether increasing wages for nonprofit workers will mean cutting back on the services they provide.

Coonerty says the world of increasingly limited budgets poses serious challenges without easy answers. Everyone agrees there’s a problem, he explains, but then it becomes a matter of “which services do you cut” to make the numbers pencil out.   

For his part, Cancino wants the discussions to ultimately lead to a reframing of the conversation around nonprofit work. “My hope is people start seeing them as not only nonprofit workers but public servants,” Cancino says.

Some of the workers are highly educated employees, Cancino notes, serving as social workers, doctors, clinical therapists, and behavioral therapists. Cancino has heard suggestions that nonprofit workers could enter the private sector in order to make more money. In response, Cancino says that wouldn’t allow many of these workers to fulfill their passion for serving the community’s needs.

Plus, Cancino says, “working in the nonprofit sector should not equal a lifetime of poverty.”

Rolling in Cash, Cannabis Businesses Seek Banks

California dispensaries have had to navigate a number of systematic changes since voters approved the good green for recreational use more than a year ago. But for most, one thing that hasn’t changed is their cash-only status—most cannabis-related businesses can’t accept electronic card payments because banks still refuse to do business with them.

Among the regional marijuana manufacturers and licensed cannabis retailers in Santa Cruz County lucky enough to have a bank account is edibles brand Big Pete’s Treats. For the past several years, Santa Cruz Community Credit Union welcomed local ganjapreneurs like Big Pete’s with open arms, enabling them to minimize cash transactions. According to Jim Coffis, deputy director of the cannabis organization Green Trade, it “was the first financial institution that I knew of in the county that accepted cannabis businesses as clients.”

But that seems to have changed. Big Pete’s CEO Pete Feurtado Jr. says that he just received a letter from the local credit union “basically kicking us out of the bank” after an established business relationship of several years. His company has until the end of the month to find a new banking establishment—if they can even find one willing to accommodate them.

“It’s very difficult for a new (cannabis) business to get into a banking situation,” Coffis says. “When you open an account, you have all kinds of documents showing you’re the owner of the account, and your sources of cash, to prevent money laundering. The first sign of money laundering is a lot of cash, and they’re treated exactly like a terrorist organization in terms of the scrutiny which the government has—and they have put that onto the banks.”

Feurtado says that while it’s been good to have a bank, his business has faced a number of hassles that others don’t. “They ask for more compliance and information than the state,” Feurtado said. “They’re asking about every little wire transfer.”

Most banks are still hesitant to accept cannabis businesses due to fears of running afoul of federal law. State lawmakers tried unsuccessfully last year to develop a banking system for the marijuana industry, but state Sen. Bob Hertzberg (D-Van Nuys) hasn’t given up on the issue. He recently revived the failed bill as SB 51, which would basically mirror his original SB 930 and create a framework so private banks or credit unions could issue checks to dispensaries for paying taxes, rent and other business expenses. Dispensaries could also buy state and local bonds to help earn interest on their deposits.

Although SCCCU did not reply to a request for comment, its apparent rejection of Big Pete’s isn’t new in the formerly maverick marijuana industry. Dispensaries, farmers and manufacturers from around California have all reported being shut out from traditional banking institutions, or forced to constantly switch places.

Running a cash-only business can be a serious inconvenience—a fact even the state admits. Last year, former California Treasurer John Chiang said the statutory “stalemate” was making cannabis businesses “targets for violent crimes and putting the general public in danger” by forcing them to handle large quantities of cash.

Chiang also noted that it “created a nightmare for state and local government revenue-collecting agencies.” The California Department of Tax and Fee Administration does not accept cash payment unless an exemption is requested. One concentrates manufacturer said he has to schedule an in-person appointment to pay Uncle Sam.

Feurtado says that, “It’s absolutely a security risk” to deal with bags of cash every day. “We’re the top-selling baked good in the state right now, and 95% of our customers pay us with cash,” he says. “It’s not fun having to deal with all of that cash. We love checks, or at least we did when we had a bank account.”

Cannabis companies also pay indirectly for working only with cash; ATM machines are a liability that can drive up dispensary insurance rates, and some businesses hire armed security. Then there’s the steep fees levied by banks that take on marijuana businesses.

“They’ve basically charged us around $1,000 a month for the last few years just to put money in the bank,” Feurtado said about his account with SCCCU. “We don’t get anything like a line of credit, things a normal business would be able to get. We just deposit our cash.”

Coffis likened such fees “to an additional tax on their operating costs, as well as a major pain in terms of having to deal with all the ever-changing compliance issues.” Because so few banks will accept the cannabis industry, those who do are “reaping the benefits of significant fees that they’re collecting” at the expense of a captive audience.

“They do have additional costs themselves in terms of handling all that cash,” Coffis says. “Some fees are legitimate, but if the federal credit union were to get into it, or another credit union, there is the opportunity for some competition to keep the lid on the financial costs.”

Being accepted by mainstream banks may take years, but Congress did recently introduce HR 1595, which aims to create protections for banks working with legitimate marijuana businesses. Whether the Democrats’ bill makes it through the GOP-controlled Senate, however, remains to be seen.

Leslie Karst’s Latest Mystery Set in Santa Cruz Food Scene

“Something about Brian seemed off. I couldn’t tell precisely what—perhaps the angle of his lanky body as he hunched over the counter? Or maybe the erratic way he was chopping shallots for tonight’s bearnaise sauce, making a series of slow, methodical slices followed by a barrage of rapid-fire strokes.”

So begins Murder from Scratch, the fourth book in Santa Cruz author Leslie Karst’s mystery series featuring the escapades of restaurateur Sally Solari. Set in Santa Cruz and laced with piquant details of our local scene, from bike rides along the coast to shopping the downtown farmers’ market and pouring Venus gin, Karst’s latest caper offers enough local color to delight her fanbase.

In Murder from Scratch, we meet Solari’s young cousin Evelyn, whose mother has just died under mysterious (duh!) circumstances. Clues point to suicide, but Evelyn—whose sensory awareness is particularly acute due to her blindness—thinks otherwise. Using her heightened sense of touch, Evelyn quickly notices that items in her mother’s house have been moved and removed in ways that wouldn’t happen if her mom had taken her own life. Sally becomes suspicious enough to begin her own search for possible leads once she installs Evelyn in her guest room for a few weeks.

Karst wisely keeps her protagonist’s immediate surroundings front and center throughout the mystery series. We become reacquainted with Eric, Sally’s former boyfriend, who has now become a good buddy. Sally’s dad, who owns an Italian restaurant on the Santa Cruz wharf, returns, and is now speed dating a babe he’s met through an online service. Sally is still cooking the specials at Gauguin, her own restaurant, but has recently drawn up legal documents that will make her skilled sous chef Javier a full partner in the popular dinner house.

But the book is also populated with a few new cooks with trending pop-up eateries—cooks who were close to Evelyn’s mom—until they weren’t. Suspects who might have wanted Evelyn’s mom out of the way start popping up (sorry) everywhere. Occasionally I found myself wondering how a busy restaurant owner and cook like Solari always has time to investigate clues or take her cousin shopping. But hey, that’s why it’s called fiction, right?

Foodies will love the back-of-the-house kitchen details seasoning this mystery, as Karst adds the down and dirty realities of restaurant chauvinism to her growing list of suspect motives. As with past Sally Solari books, these pages are filled with tantalizing food details, terrific attention to aromas, textures and sophisticated ingredient combos. Reading the mouthwatering prep notes for Nonna Sophia’s Homemade Egg Pasta or Singapore Noodles with Roast Pork and Broccolini had me salivating for some of these seductive comfort foods. Karst knows her readers will all be doing the same, which is why she so graciously provides easy to follow, step-by-step recipes for these and a few other dishes at the back of her latest work of fiction.

Will Eric and Sally get back together romantically? Does Evelyn win Javier’s heart by teaching him the secret to tender pasta? Can Solari herself stay one step ahead of Detective Vargas? In Murder from Scratch, the menu of plot twists is good enough to eat.

Leslie Karst will read from and sign her new Sally Solari mystery ‘Murder from Scratch’ at 7 p.m. on Thursday, May 9, at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free.

The Church Brings ‘Starfish’ 30th Anniversary Tour to the Rio

Steve Kilbey of the Church has good days and bad days. Most people, of course, you hope to catch on their good days. But if you have a chance to catch Kilbey on a bad day, I highly recommend it.

“In my childish world, it’s all going up and down all the time,” says the vocalist, bassist and primary songwriter of the celebrated Australian band, who come to the Rio on Friday, May 10. “On one level, we’ve had an amazing run. We’ve made over 30 albums, we can still tour the world, people still like us. On another level, I turn up last night at this gig in good faith and I got my ears blown off. They’re still ringing—more permanent damage. So I’m just feeling like, ‘What am I doing this for?’”

But misery loves company, and get Kilbey going on one of these bad days, and he can go off on some hilariously entertaining tangents.

For instance, although the band is continuing its tour celebrating the 30th anniversary of megahit 1988 album Starfish, which broke them to an international audience, he’s doesn’t really have much to say about it at the moment, except that it never stood out to him in the Church’s catalogue, and he certainly never expected it to define the band’s career to most of the world.

“It was just, like, another record,” he says. “I thought it would probably do the same as all the others.”

Even the details on the band’s biggest hit, “Under the Milky Way,” are a bit vague after all these years, other than the fact that the band wasn’t really that into it—including him.

“Nobody really wanted to do it,” he says. “I had done a demo of it, and gave it to our then-drummer, who ironically didn’t actually play on it. He gave it to our manager, and our manager insisted that we record it. It was probably the only good idea he ever had.”

It isn’t really until the subject of Peter Murphy comes up that Kilbey really gets wound up. Murphy, the lead singer of the goth band Bauhaus, had gone solo by the time he was opening for the Church on their Starfish tour in the late ’80s, and was famously petulant over the fact that he was not the headliner. Kilbey definitely remembers their time together.

“I remember Peter Murphy was a fucking imbecile, and he still is,” says Kilbey. “I’m still baffled by what anyone would see in him. I love to watch the video of the Swedish guys beating him up. Have you seen that on YouTube?”

When I say I haven’t, Kilbey declares it a must-watch. “Oh, go on YouTube and google ‘Peter Murphy gets beaten up in Sweden.’ You’ll have a lot of fun with that.”

Turns out the video comes from last December, when Murphy was thrown out of his own Bauhaus gig for throwing things at the audience, according to reports. The video was taken on the street outside the club afterward and shows Murphy cussing out and taking a swing at a security guard, which results in him being taken down hard by a couple members of the security team. Just talking about it makes Kilbey’s day a little better.

“He really needs a good kicking. He really does,” says a brightened Kilbey. He suggests I put up a link to the video with the headline, “A Complete Fuck-Knuckle Gets His Comeuppance At Last in Sweden.’’

Truth be told, though, his other memories about that time period aren’t that great, either. It was definitely full of record-label pressures, permanent damage to his hearing and touring that dragged on beyond the point of exhaustion.

But he’s carried on with the Church for three decades since, putting out a slew of excellent albums that have carried on the band’s slightly mystical brand of guitar rock. Can it really be that unfulfilling?

“Today I feel unfulfilled. Tomorrow I might feel fulfilled. One day I’m happy, one day I’m sad. It’s like a marriage, I suppose,” he says.

It’s too late for misery now though. He’s laughing as he asks me to deliver a message.

“Just say: I live to come back to Santa Cruz. I live to come back there and walk down the beachfront and have one of those tacos. So I’m just living for that, that will be my medicine. There’s a great hat shop there, a couple of great vegan restaurants. So I reckon Santa Cruz is going to totally sort me out.”

The Church performs at 8 p.m. on Friday, May 10, at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $31.50. folkyeah.com.

Randall Grahm Kicks Off New Soif Tasting Series

An avant garde master of whatever’s next in viticulture, Bonny Doon Vineyard founder Randall Grahm has been rhôning around the world wine stage for decades. And now he’s returning to his roots as an educator, raconteur and mentor for anyone with an inquiring taste bud. Hence this Saturday’s rare Master Class with Randall Grahm, to be held May 11 from 1-3:30 p.m. at Soif Wine Bar. If you’ve ever wanted the lowdown on Grahm’s devotion to the spectacular grapes of the Rhône or his esoteric wisdom on the subject of terroir, this is your chance.

RG tells me that he’ll be bringing, “a slew of oddball wines” with him to Soif this Saturday, and will, “probably talk for a couple of hours about terroir, Popelouchum [Grahm’s San Juan Bautista estate vineyard] and the deeper meaning of vinous qi.” Possibly a few other topics as well.

The winemaker’s appearance kicks off Soif’s new series of Master Class wine tastings designed to spotlight individuals with notable depth of knowledge and experience in the wine industry. In addition to waxing loquacious about Rhône grape varietals, Grahm will discuss and critique not only his own wines, but also other wines he’s chosen from Soif’s wine shop.  Special cheeses and a selection from Chef Tom McNary’s charcuterie will add counterpoint to the flavor ambience of the event.

Tastings at the will include: 2014 Bonny Doon Bien Nacido Syrah, 2012 Bonny Doon Le Cigare Volant, 2011 Bonny Doon Le Cigare Blanc, 2015 Domaine Chambeyron-Manin Côte-Rôtie, 2018 Bonny Doon Vin Gris Normale, and the legendary 2016 Vieux Telegraphe “La Crau” Châteauneuf-du-Pape.

Saturday, May 11. Tasting begins promptly at 1p.m. Soif, 105 Walnut Ave., Santa Cruz. $100 general/$80 for Soif Wine Club members. 423-2020, soifwine.com/new-events.

Mothers Love Avanti

Under the lively new ownership of Jonathan and Tatiana Glass, the Westside tradition that is Ristorante Avanti at 1917 Mission St. will be offering a special Mother’s Day Brunch menu on Sunday, May 12, from 10 a.m.-3 p.m. I’m a fool for Avanti’s ultra-creamy polenta and would personally walk a mile for polenta with poached eggs, morel mushrooms and asparagus. The menu also lists an earthy fried egg, pancetta and avocado sandwich on house-made focaccia. There’s strawberry french toast for those who like it sweet, as well as ricotta ravioli with artichokes, green garlic and mint. And don’t worry, they will be running their wildly popular pappardelle with meatballs on Mom’s Day as well. Delicious ideas, as well as many attractive and comfortable new interior decor changes. Make reservations soon! ristoranteavanti.com.

Farmers Markets Spring Up

Opening this week, the Scotts Valley Farmers Market is back every Saturday 9 a.m.-1 p.m. at the SV Community Center parking lot. That means organic veggies, fruits, herbs, pasture-raised eggs and meats, fresh flowers (the ultimate sign of spring!), breads, pastries, and cooked-on-the-spot cuisine. Watch for this summer’s schedule of pop-up breakfasts and a farm-to-table, multi-course meal starting on June 29 and created by Kenny Woods of 1440 Multiversity. Check the Scotts Valley Farmers Market facebook page for reservations and details.

Felton’s Farmers Market also starts this week, running every Tuesday from 2:30-6:30 p.m. in the heart of town through October. Fresh berries, DIY workshops from Mountain Feed & Farm Supply, fresh fish from H&H, and new this season, authentic street tacos from Tacos El Chuy, all reasons to soak up some redwood atmosphere on Tuesday afternoons. santacruzfarmersmarket.org.

Coming Soon

It’s almost time to say hello to the urgently awaited Bad Animal at 1011 Cedar St. in downtown Santa Cruz. A truly postmodern enterprise with the hybrid, hyphenated subtitle to prove it. The bookstore-restaurant-winebar is currently enjoying its final gauntlet of inspections. Stay tuned.

Film Review: ‘Wild Nights With Emily’

It sounds like a classic “what if” premise: What if poet Emily Dickinson, the Belle of Amherst, long-famed as a reclusive, unworldly spinster, nurtured a secret love affair with another woman throughout her life?

But it’s not such idle speculation. That the poet had a long-term love relationship from their teenage years on with Susan Gilbert, the woman who would eventually become her brother’s wife, has been increasingly well-documented in recent years. It was a story too delicious to pass up for playwright/filmmaker Madeleine Olnek. In 1999, she wrote a stage play celebrating this newly discovered aspect of Dickinson’s life, which she now adapts in the film Wild Nights With Emily.

Olnek decided that Dickinson’s love poetry made no sense if she’d lived all her life as a timid, untouched spinster. When she read an article describing the technology by which it was now possible to read words that had been erased from old letters and manuscripts—in Dickinson’s case, dedications to “Sue” or “Susie”—Olnek was inspired. Despite its tongue-in-cheek title, there’s nothing lurid in Olnek’s film, which portrays Dickinson’s surprising double life with plenty of dry humor and tenderness.

Molly Shannon stars as an outwardly drab, but emotionally frisky Emily, who lives all her life in her parents’ Amherst house that she eventually inherits. Her days are occupied writing the nearly 1,800 poems that few will ever read (only a dozen were published in her lifetime), but which consume her. Asked why she always wears the same plain white dress, she says it’s because she doesn’t want to waste time and energy deciding what to wear every day.

As a teenager at school in the Ladies Shakespeare Society (the film unfolds in three different time periods), young Emily meets young Susan as they are reading aloud one of the love duels from Much Ado About Nothing. Their first kiss soon follows, and a flirty, passionate and soulful relationship continues undisturbed after Susan (played as an adult by Susan Ziegler) eventually marries Emily’s brother, Austin (Kevin Seal), and they move into the house next door.

The movie’s comic tone is odd at times (especially around the third Dickinson sibling, Lavinia, the designated dingbat). But it’s smart in exploring the depth of the bond Emily shared with the woman basically excised from history for 180 years. While careful to keep their physical intimacy secret, they pour out their hearts and intellect to each other in hundreds of notes passed between the two houses for the rest of Emily’s life.

It’s Susan who encourages Emily’s (mostly futile) attempts to get published (magazine editors complain that her verses don’t rhyme), and commiserates with her over the editors’ lack of vision. But the movie is much too playful to be taken for a feminist rant. If there is a villain—besides the male literary establishment, which refuses to accept a female into its sacred old boy’s club (except for its token female, the bombastic Helen Hunt Jackson, deftly skewered in one funny aside)—it is Mabel Todd (Amy Seimetz).      

Hired to provide mood music on the piano while Emily writes upstairs, Mabel becomes Austin’s mistress. Determined to capitalize on her three degrees of separation from the famous poet (whom the film suggests she never actually met), Mabel becomes the self-appointed executor of Dickinson’s literary legacy after the poet’s death—which includes personally erasing all those “Susies” from Emily’s love poems. She also takes it upon herself to provide titles for what few of Emily’s intentionally untitled poems see print in her lifetime. (When one of these appended, spoiler-providing titles appears on her poem in the newspaper, Emily is appalled. “It’s like calling Romeo and Juliet ‘They Both Die In the End,’” she cracks.)

Despite her uneven narrative, Olnek often hits the mark, as when the sound of Mabel’s dogged erasing plays over Susan’s tender administrations at Emily’s deathbed. This eloquent shot speaks volumes.

Wild Nights With Emily

*** (out of four)

With Molly Shannon and Susan Ziegler. Written and directed by Madeleine Olnek. A Greenwich Entertainment release. Rated PG-13. 84 minutes.

Sones Cellars’ Full-Throttle Petite Sirah

Michael Sones is an expert when it comes to making wine.

The former head winemaker at Bargetto Winery now acts as consultant winemaker at prestigious producers in the industry, such as Loma Prieta Winery. Under his own label, Sones Cellars, he’s making some splendid wines, including a 2015 Petite Sirah ($28) with plenty of backbone. It won a gold medal at this year’s San Francisco Chronicle Wine Competition.

Grapes are harvested from Saveria Vineyard in the Santa Cruz Mountains “in a mild and sheltered valley … and a superb example of the effects of terroir, or unique sense of place,” says Sones. “This vineyard produces a surprisingly elegant Petite with lovely aromas followed by notes of spiced cherry.”

Sones’ Petite Sirah is a full-throttle red with rich fruit, including blackberries and blueberries. Inky-dark and bursting with big flavors, this wine goes well with barbecue. It clocks in at 14.2% alcohol.

When you go to Sones Cellars tasting room, check out his Hedgehog brand. The bottle of Hedgehog wine is endlessly refillable and very reasonably priced. Sones has garnered a hefty collection of hedgehogs … mostly brought in by wine club members.

Santa Cruz Shakespeare supporter Sones, who hails from England, also makes another wine called Sack, and donates a portion of sales to SCS. He explains that Shakespeare extolled the virtues of “sack”—a sweet white wine, nutty and darkened by exposure to air while in the barrel.

Michael and his wife Lois met at sea, and their interesting wine label depicts the bow of a ship with a female masthead holding a bunch of grapes. All she needs by her side is Dionysus.

Sones Cellars, 334-B Ingalls St., Santa Cruz. 420-1552, sonescellars.com.

Downtown Santa Cruz Wine Walk

Organized by the Downtown Association of Santa Cruz, the next Wine Walk will take place Sunday, May 12, from 3-6 p.m.. Tickets are $35 in advance and $40 day-of. Check in at Soif on Walnut Avenue and you’ll get a map of all the locations hosting wineries of the Santa Cruz Mountains. Visit downtownsantacruz.com for more info.

Get Toasted at Penny Ice Creamery

I recently returned from an extended trip to Italy to celebrate the beginning of a new decade of life, and I can report that—even more than pasta and pizza—Italians love sweets. Eating gelato multiple times a day is a cultural norm.

In Sicily, we never let an afternoon go by without snacking on a canolo alongside an espresso. On weekend mornings, piazza tables in Catania are dotted with huge bowls of colorful granita, an icy, gelato-like confection that Sicilians have for breakfast if the weather is warm—and it’s always warm.

Our sweet tooth did not abate when we returned to Santa Cruz, so we’ve been spending afternoons at the Penny Ice Creamery on Cedar Street. While sampling their daily lineup of seasonal, locally sourced flavors, I remembered that the Penny has an advantage over Italy, and that is toasted marshmallow fluff.

For years, I was too distracted by the novelty of the hand-churned ice creams to take much interest in the Penny’s list of toppings. This was a mistake. It wasn’t until a fateful evening out with a handsome Santa Cruz native who ordered some for my cone that I tried it for the first time. Reader, I am marrying that man.

If you’ve never had it before, here’s what you can expect. After choosing your flavor of ice cream (they won’t bat an eye if you sample all nine flavors first), the server will spoon the crisp white meringue topping over your cone. Then, they’ll whip out a blow torch and dramatically toast the top to golden campfire perfection. As you bite in, the contrast of soft, warm fluff giving way to cold ice cream is the most delightful juxtaposition.

Does adding more dessert to your dessert feel a little indulgent? Yes. Do we all deserve a decadent treat occasionally? Also yes. And if I learned anything from my time in Italy, it’s that eating ice cream is an integral part of living la dolce vita—the sweet life.

Opinion: May 1, 2019

EDITOR’S NOTE

If I had to guess, I’d put the number of stories about yoga that have been run in GT over the years somewhere between 84 and 1 million. The fact that it’s undoubtedly closer to the higher estimate speaks to just how big a part of the Santa Cruz community yoga has become.

But despite all those yoga stories, I’ve never seen one like Steve Kettmann’s cover piece this week. There’s the obvious eyebrow-raising concept of yoga being paired with political action, sure, but I also think there’s a deeper difference. All of the stories we’ve run celebrated yoga as an exercise or meditation or some other aspect of what it is. But this is the first one I can remember that actually questioned what yoga should be. Can it only be an inward-looking experience that brings enrichment to an individual? Or does it have the potential to inspire action that enriches the larger community? It’s an interesting question that I hadn’t thought about before, but reading what the practitioners Kettmann spoke to had to say about it gave me an entirely new perspective on the possibilities. And that seems right in line with the principles of yoga. It’s easy to forget that the practice is not just about body postures; this article is a great reminder.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Re: “In Defense of Dems” (Letters, 3/20):

During an interview with Wallace Baine for Good Times, I made a statement that I want to clarify.

In speaking about the grassroots involvement in the 2018 election to swing the House of Representatives, I stated that the grassroots efforts to swing seats happened in some cases despite what I referenced as “the Party.” I realize now that even though I was making a very specific reference, this didn’t come across in my quote and I would like to clarify.

When I made the reference to “the Party,” I was making reference to the Democratic Congressional Campaign Committee (DCCC), and not the local chapter of the Democratic Party, the Santa Cruz County Democratic Central Committee.

I apologize for my lack of clarity on this, and I can understand how this might have been incorrectly interpreted.

Santa Cruz Indivisible has worked with both the Santa Cruz County Democratic Central Committee, as well as some of its constituent Democratic Party clubs in the area, and we have had productive and positive experiences in doing so. The Democratic and progressive community in Santa Cruz has a very rich and long history of doing great work, and as newcomers, we have great respect for the past and current work being done by so many dedicated individuals. Many of us in Santa Cruz Indivisible are proud Democrats, and we hope to continue to participate as an additional resource and voice in the community. We will continue to support the overall efforts of Democratic Party and progressive groups in the area.

Together, the grassroots and the national and local Democratic Party groups worked towards the same goals to flip the House of Representatives, and thankfully we were all successful in doing so. Hopefully, we can further our combined success into 2020.

Carson Kelly | Santa Cruz Indivisible

Re: Housing Prices

Jacob Pierce, please do not recite the falsehood that building luxury (aka “market-rate”) condos will lead to more affordability. This notion is a classic form of trickle-down aka “voodoo” economics, which has never been true and never will be.

In some cases, building luxury condos has no impact on the local market. But in many cases, it has a negative impact because whenever it happens in a less-desirable neighborhood, it leads to an increase in rents for neighbors as speculation and luxury demand rises.

If the city and county wanted housing more affordable, they would ban all Airbnb and vacation rentals and only allow luxury housing to be built in the most expensive neighborhoods. They would also need to follow the lead of Vancouver and impose high taxes on any foreigner seeking to buy property here. Lastly, they’d need to use the money raised to buy up many of the more affordable apartments and old homes, including unpermitted conversions, and establish them as permanent public housing.

Last but not least, our local leaders need to organize with other state and federal-level politicians to put an end to the government pumping so much research and contract money into West Coast colleges and tech companies (what created and still nourishes Silicon Valley). Any civilized country that doesn’t relish inequality would be investing in struggling metropolitan areas, not in the pricey ones.

— Tommy


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GOOD IDEA

This weekend, more than 100 youth will dress up and attend a night of celebration free of discrimination against sexual orientation or gender identity. The Diversity Center’s Youth Program will host an LGBTQ+ prom for high school students throughout Santa Cruz County on Friday, May 3, in the First Christian Church gymnasium at 15 Madison St., Watsonville. There will be a suggested $5 donation at the door. For more information, contact Ashlyn Adams at 425-5422 x104 or yo***@*************er.org.


GOOD WORK

The Lift Line Paratransit Dial-A-Ride Program, operated by Community Bridges, announced that it’s replacing two gas-powered shuttles with 16-seat electric shuttles equipped with wheelchair lifts, thanks to funding from California Climate Investments. Watsonville gets special priority for some environmental funding because two of its census tracts are listed as “disadvantaged communities” by the state due to health struggles in the area. The new shuttles can drive an average of 60-100 miles without needing a charge.


QUOTE OF THE WEEK

“Travel light, live light, spread the light, be the light.”

-Yogi Bhajan

The Fight Over Santa Cruz County Beach Access

Santa Cruz beach public access
A changing coastline and another real estate boom fuel a new wave of access disputes

Can Santa Cruz Hold Onto Nonprofit Workers?

nonprofit workers
Community groups are raising wages to help workers survive, but at what cost?

Rolling in Cash, Cannabis Businesses Seek Banks

cannabis banks
New legislation aims to give entrepreneurs paths to deposit their pots of money

Leslie Karst’s Latest Mystery Set in Santa Cruz Food Scene

Leslie Karst
Local author brings ‘Murder From Scratch’ to Bookshop Santa Cruz

The Church Brings ‘Starfish’ 30th Anniversary Tour to the Rio

The Church
Steve Kilbey on navigating fame and kicking Peter Murphy

Randall Grahm Kicks Off New Soif Tasting Series

Randall Grahm
Bonny Doon Vineyard guru holds master class

Film Review: ‘Wild Nights With Emily’

Wild Nights With Emily
A playful exploration of the secret love life of Emily Dickinson

Sones Cellars’ Full-Throttle Petite Sirah

Sones Cellars
Bargetto alum Michael Sones continues to expand solo offerings

Get Toasted at Penny Ice Creamery

Penny Ice Creamery marshmallow
Blow-torched marshmallow and ice cream are a sugar-lover’s dream

Opinion: May 1, 2019

yoga political change
Plus letters to the editor
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