Letters

NO MORE WARS

As someone who has published a number of politics-related Good Times LTEโ€™s in years past, I was surprised to see Good Times feature a long โ€œletter to the editorโ€ from Congressman-turned-Carmel-citizen, Jimmy Panetta. In my view, Mr. Panetta, whose campaign appears to be well-funded, took advantage of an opportunity to score freeโ€”albeit duplicitousโ€”PR for his upcoming re-election campaign. His LTE and a recent campaign photo of him standing behind a podium emblazoned with a large sign reading NO MORE FOREVER WARS appear to be characterizing him as a pro-peace candidate. But his actions and votes as our representative prove different.

NO MORE FOREVER WARS doesnโ€™t apply to Panettaโ€™s perspective on providing bombs and munitions to commit a genocide in Gaza: Panettaโ€™s voting record since 2017 has demonstrated consistent support for a never-ending war. Since the start of Israelโ€™s relentless bombing and starvation of the Gaza Stripโ€™s two million residents in October of 2023, the United States has enacted legislation providing at least $16.3 billion in direct military aid to Israel. Three pieces of legislation authorized the bombs and weaponry for Isrealโ€”a supplemental appropriations act in April 2024 providing $8.7 billion, and appropriations acts in 2024 and 2025 provided $3.8 billion per year. Each time, Panetta voted on the side of death and destruction, despite mounting opposition from US votersโ€”particularly Democrats.

Could it be that his recent campaign stance questioning the validity of military operations to pummel Iran was NOT purchased by Zionist donors as in the case of his support for Israelโ€™s war? In the case of Israel, were his legislative votes and public statements a reflection of the $273,700 campaign contributions from pro-Israel fundraisers and over $275,000 from the arms industry in the 2023-2024 campaign fundraising cycle?

Clearly, Jimmy Panettaโ€™s words and actions are not congruent with those of a peacemaker:

He says he supports humanitarian aid to Gaza, yet with Gaza in the throes of starvation, he did not endorse HR 2411, the UNRWA Funding Emergency Restoration Act of 2025.

Jewish Insider reported on a Congressional delegation to Israel in October 2024: โ€œRep. Jimmy Panetta (D-CA) said, โ€˜Youโ€™ve got to give Israel creditโ€™ for its counterterrorism operations in Gaza, amid widespread American skepticism.โ€

Panetta prides himself on assisting his constituents obtain visas and navigate federal bureaucracy, but for over two years, he has failed to help expedite Monterrey resident Rolla Alaydiโ€™s completed humanitarian parole applications to bring 21 family members to their safety in the U.S. Spending every spare moment fundraising for her family, Ms. Alaydi, a Palestinian American teacher who grew up in a refugee camp in Gaza, has lost more than 100 family members to U.S. weapons in the hands of Israelis. 

Shamefully, Panetta was one of 15 Democrats to support HR 9495, the โ€œKill Nonprofitโ€ Bill targeting pro-Palestinian protestors and their free speech (Dec. 2024).

Maybe The Good Times can print a piece alerting our community to the fact that Panetta is being challenged by Democrat Sean Dougherty, whose campaign slogan is โ€œfor the many, not the money.โ€ We deserve truly humanitarian representation. seanforcongress.org

Sheila Carrillo | Santa Cruz

MORE SMALL GROUP MUSIC

Last week, columnist Christina Waters wrote about the various Chamber Music groups in Santa Cruz who play a variety of classical music.  Another group needs to be added, though: โ€œMunching with Mozart,โ€ started 20 years ago by Carol Panofsky. โ€œMunching with Mozartโ€ meets the 3rd Friday each month at the Downtown Public Library. It is supported by Friends of the Library and the Music Teachers Association. Each month a variety of mostly classical music programs are offered for 50 minutes starting at 12:10. For me, they are always interesting and moving concerts.  If you want to learn about chamber music, it is a great place to start. If you are already a music fan of classical and other styles of music, itโ€™s a great place to spend a restful time of music โ€“ usually classical, but sometimes ragtime or other music styles.

Nick Royal | Santa Cruz

Hunger Gaming

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Not all victories carry the same freight.

Take the Santa Cruz Warriors win over the San Diego Clippers at San Franciscoโ€™s Chase Center March 1.

After trailing 61-58 at halftime, the Warriors capsized the San Diego Clippers, allowing just 39 second-half points and roaring to a 121-100 victory.

It was a stirringโ€”and resilientโ€”win, the kind theyโ€™ll need to make the G-League Playoffs. But that wasnโ€™t the biggest triumph at work.

That would be the ongoing Swishes for Dishes both the Golden State Warriors and Santa Cruz club operate, with SCW donating 10 meals for every single point scored. Thatโ€™s a lot of meals.

SCWโ€™s teammate on Swishes, Second Harvest Food Bank, shared an update last week as part of its annual awards banquet: The 2025 Holiday Food & Fund Driveโ€”which Sea Dubs President Chris Murphy co-chairedโ€”has been tallied.

The drive smashed the ambitious goal of 5.5 million, hitting 8,653,707 healthy meals. Talk about a high score.

โ€œSurpassing our goal isnโ€™t just a milestoneโ€”itโ€™s a triumph for the people who rely on us and a testament to our communityโ€™s generosity,โ€ Second Harvest CEO Erica Padilla-Chavez said at the dinner. โ€œAt a time when uncertainty is affecting so many families, our community chose to act. Every meal raised represents hope, stability, and dignity for our neighbors.โ€

Meanwhile the Surf City Ws are barreling into the last games of the season.

A few to flag: Surfers Night with special promos, one-off uniforms and game-worn jersey auctions (March 21); Valkyries Night when their WNBA big sisters visit and meet fans and thereโ€™ll be cross-team swag giveaways (March 27); and the regular season closer, which doubles as Fan Appreciation Night with with Sea Dubs scarves for the faithful (March 28).

For Info: thefoodbank.org, santacruz.gleague.nba.com

FLAVOR OF FREEDOM

The Santa Cruz Vegan Chef Challengeโ€”original installmentโ€”is encouraging area eateries to add meat-free menu items for April, or as the website puts it,,โ€œan entire month of BRAND NEW vegan options all over Santa Cruz!โ€ The Santa Cruz Area Chamber of Commerce and the Downtown Association are collaborating on the push, and New Leaf Community Markets is sponsoring the effort. Diners will have the chance to go out, enjoy meals, rate menus and post photos through the challengeโ€™s various channels. The kitchens that have signed up so far include Avanti Restaurant, Chocolat, Cultiva, La Posta Restaurant, Pharaohโ€™s Plate, Circle & Square Bistro, Areperia 831, Pizza My Heart (Santa Cruz Location), and Full Steam Dumpling, veganchefchallenge.org/santacruz.

NOTES AND NIBS

March is Hummingbird Month at UC Santa Cruzโ€™s Arboretum & Botanic Gardenโ€”think thrumming bird walks, bird talks and bird photo tricks, arboretum.ucsc.eduโ€ฆThese do-gooders operate year round, but Goodwill Central Coast is seizing upon daylight saving reset energy to encourage real-world impact in the form of donations and thrift shopping and Santa Cruz County enjoys a bunch of venues to help out, from Santa Cruz (204 Union St.) to Aptos (9043 Soquel Drive) to Scotts Valley (224 Mt. Hermon Road) to Watsonville (470 Main St.), goodwill.orgโ€ฆEver heard of an upside down pizza? Itโ€™s a thing, layering cheese first, then sauce on top, bigger on the East Coast, maybe coming to our robust lineup of pizza spots here soonโ€ฆPizzaโ€™s best friend (excluding beer), had its big day yesterday: March 10 was National Ranch Dayโ€”and Pack Your Own Lunch Dayโ€”so hopefully you skipped the chicken wings and 32-ounce โ€œBig A$$ Ranch Cup” that went for $30 in select N.Y. and Texas Wingstopsโ€ฆWith that in mind, a closing thought attributed to many, including 1 Corinthians: โ€œJust because you can doesnโ€™t mean you should.โ€

Succession Success

Passed to new co-owners Melia Spooner and Lilly Spooner in January, Alta Organic Coffee was founded by their nana Patti Spooner in 1984 and has been in Santa Cruz since 1998. During their childhood and young adult years, both Melia and Lilly worked there off and on,

Melia also spent time working in veterinarian hospitals while Lilly earned a degree in Sustainable Food Systems from Cal Poly Humboldt. Eventually, when the stars aligned and the timing was right, they became co-owners, proudly keeping the business in the family. Melia defines Altaโ€™s aura as homey and rustic with a non-pretentious timeless and nostalgic feel.

She says the space is intentionally curated as a community hub hangout serving small batch roasted daily coffee from about ten single origin sources all over the world. Meliaโ€™s favorite is their espresso, utilizing Ethiopian sun-dried beans producing rich natural crema, Sumatran dark roast with chocolate undertones and low acidity, and Peruvian beans that are nutty, fruity and well balanced. Lillyโ€™s go-to is the single origin Ethiopian Washed with robust bittersweet chocolate flavor complementing dark cherry notes. Their decaf process is chemical-free and fully natural to maintain flavor, and they also offer specialty coffees and a selection of alternative creamers. The food menu is expanding soon, with current options of locally-sourced pastries and breakfast burritos, and a Friday pop-up by Huda featuring Mediterranean/Middle Eastern cuisine led by chef Fadi Dabs. 

Why no wi-fi?

MELIA SPOONER: Our legacy is a big part of why we choose not to offer wi-fi. Historically, Alta has been all about community gathering and interaction. As Lilly and I step into this business, we are intent on honoring these traditions. In general, we feel that wi-fi disrupts interpersonal communication and we are trying to encourage people to get away from their screens and foster more face-to-face human connection.

Describe your passion for organic coffee.

People often think about the term โ€œorganicโ€ and those farming practices in relation to food, but not as often when it comes to coffee. As a product that many consume multiple times daily, itโ€™s just as important to be making a conscious choice to buy organic for personal and planetary health. We are the only certified organic roaster in Santa Cruz County and that is something we really pride ourselves on.

2712 Mission Street, Santa Cruz, 831-427-3373; altaorganiccoffee.com

The Art of Eating Alone

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Last month, a GoodTimes reader responded to a column Iโ€™d written about solo dining at home with a challenge: itโ€™s one thing to eat alone in your kitchen, but what about going out to a real restaurant? The kind with candles, cloth napkins, and a host to remind you, โ€œjust oneโ€?

My version of dining out solo is a veggie burger at the airport bar in a pinch. Being alone in a restaurant filled with good friends, first dates and soulmates was the last thing I planned to sign up for.  

Fast forward to a week ago, when I found myself locked out of an apartment in Lagos, Portugal wearing flip-flops, shorts and a t-shirt, facing the dawning realization that I might be sleeping in my rental car.

This was not the empowering solo travel moment I had envisioned.

This last half of the trip came after a week spent traveling with a single friend. It was during one of the many long conversations we shared that the subject of dining alone came up. I mentioned the recent Good Times column and a reader who suggested I follow up with a piece about taking yourself out to dinner, not at the food court or the airport, but deliberately walking into an upscale restaurant and asking for a table for one.

My friend, a seasoned solo traveler, shrugged. โ€œSit at the bar. Put your phone down. Be open. Itโ€™s easier than you think.โ€ I nodded confidently. Of course. I would absolutely do that when hell freezes over.

Cut to a few days later. I was alone in Lagos, a postcard-perfect port town of cobblestone streets and tiled buildings. My daughter and I had mismatched schedules, and I suddenly had two days to myself.

Few residents of the small town spoke English, and even though my Portuguese is hopeless, lunch was easy. Iโ€™ve never minded eating alone on the go. Itโ€™s the intentional act of dining solo that feels oddly vulnerable. Thereโ€™s something about candlelight and linen napkins that seems to require a companion.

Back at my apartment, I realized Iโ€™d left my phone charger in the rental car parked just outside. No big deal. I stepped out with the door unlocked, never expecting it to lock behind me. There I stood: no phone, no purse, no keys. Just a car key and a charger, both of which were useless without a phone.

The street was quiet. The sun was setting. I briefly imagined explaining to friends back home how my first night in Portugal was spent reclining in the driverโ€™s seat at 55 degrees Fahrenheit.

Not knowing what else to do, I attempted to communicate my predicament to some customers mingling at a nearby cafรฉ using expressive gestures and the words โ€œRui? Maria?โ€ (the apartment owners). The bartender shook her head and shrugged at my insistent appeals. I darted across the street when I say an older woman unlocking the door to the neighboring apartment. When I realized there was a language barrier, I pointed and mimed. She responded with what appeared to be a suggestion that I break the window. Creative but not ideal.

Increasingly flustered, I knocked on another nearby door. A man answered in English. I almost hugged him. I explained my dilemma to a wary Canadian who eventually let down his guard when I held up my phone charger. I convinced his to text the number for the property manager I noticed printed on the apartment door, presumably for occasions like this one.

Then I sat to wait on the doorstep as darkness settled in. Twenty long minutes later, Maria arrived with a key, and I was back inside. Crisis averted. But something had shifted.

After contemplating an unplanned night in a rental car, walking into a restaurant alone no longer felt particularly daunting. It was past dinnertime. I looked across the street at the upscale spot the apartment owner had recommended. Why not? I thought. Inside, I realized there was no bar to slouch behind. โ€œI got thisโ€ I thought. โ€œTable for one,โ€ I said boldly.

The restaurant was full. I was the only solo diner on a busy Saturday night. For a moment, I felt conspicuous. Was it my imagination, or were people looking? A woman dining alone can feel faintly subversive for reasons as old as the sun. Suddenly, my phone dinged. My traveler friend texted to ask how I was doing. โ€œFeeling ballsy,โ€ I responded.

Then I put the phone down. I looked around. I noticed the glow of warm light against old stone walls, the rhythm of servers gliding between tables, the laughter rising from shared bottles of wine. I ordered exactly what I wanted. No negotiations. No polite compromises. The food was exquisite. I ate slowly, giving the experience my full attention.

And somewhere between the first bite and the last sip, I realized the discomfort Iโ€™d anticipated simply wasnโ€™t there. And that even when youโ€™re in silent conversation with yourself, itโ€™s still okay to laugh out loud, which I did, at the ridiculousness of my first world saga. How lucky was I to even be there?

We often frame solo dining as something to endure, a placeholder until the โ€œrightโ€ person occupies the chair across from us. But why? Thereโ€™s a subtle power in not waiting. In not shrinking. In not apologizing to a host for taking up a table that could be for two.

And hereโ€™s the irony: once you stop worrying about how it looks, it stops feeling like a statement and more like the privilege that it is.

I still love sharing meals with friends. I love the long conversations, the passing of plates, the overlapping stories. But itโ€™s reassuring to know that if life locks the door behind you, literally or metaphorically, you can still walk into a restaurant, lift your chin, and feel grateful to be there.

Table for one.

No explanation required.

Indian Spices

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A tasting at LXV Wines in the center of downtown Paso Robles is a very out-of-the-ordinary experience.

Paired with Indian spices rather than the usual cheese and crackers, the flavors of LXVโ€™s superb wines are greatly enhanced.

Owners Neeta and Kunal Mittal from India have gone to great lengths to make exceptional wines and create exotic spice concoctions โ€“ and itโ€™s a sensory explosion!

The Spell, a 2023 blend of 58% Syrah and 42% Cabernet Sauvignon ($85), is an enticing deep purple wine with a nose of โ€œsavory carpaccio, leather, and hints of fresh blueberries and plums.โ€ On the palate: dried salumi, dark blackberries, currants, green peppercorns and bakerโ€™s chocolate. Paired with Ryori Encanto, a spice blend of Cocoa, Miso, Coconut, Caraway, Tarragon, Cardamom, Vanilla โ€“ served on small squares of cheese โ€“ it adds another dimension to tasting fine wine. Grapes for The Spell are harvested from diverse vineyards across the Central Coast.

Always a huge fan of all things Indian โ€“ food, music, dancing, and more โ€“ I found the flavors of wine and spices absolutely thrilling. It is no surprise that LXV was named in Top Ten Wine Experiences by Wine Enthusiast Magazine.

Tastings offered include The MESO Collections; A Study in Cabernet Franc; and Maison Mittal: A Private Journey from Paso Robles to Saint-ร‰milion.  A tasting kit can also be ordered online.

LXV Wine, 1306-B Pine St., Paso Robles, 805-296-1902. LXVwine.com

Upper Echelon

Imported from Portugal, Quinta Novaโ€™s Douro Reserva Terroir is a blend of Touriga Franca, Touriga Nacional, Tinta Roriz and Tinto Cao, which the winemakers call โ€œan upper-echelon Douro red.โ€ This crimson wine (about $35) comes with aromatic flavors of black, red and blue bramble fruits, and delivers a mineral-driven flavor profile. Quintanova.com

Advocates Warn of Immigration Scam

Legal advocates are warning the public about a multi-state scam targeting the immigrant community, with some victims losing as much as $30,000.

According to Claudia Abasto Rivilla, founder and executive director of Salinas-based Latin Advocacy Network (LATINAN), scammers target Spanish- and Indigenous-language speakers using information gleaned from social media. They then use stolen identities and fake legal credentials to appear legitimate, she said.

With an already tenuous legal status, victims are often too afraid to seek help or report the crime.

Abasto said victims typically seek help only after being defrauded. She also said she has not seen meaningful follow-through in her own identity theft case, despite reporting it.

Many victims are unfamiliar with what legitimate immigration documents look like,  and speak only Spanish or Indigenous languages such as Mixteco, Chatino and Triqui, making them easier targets.

โ€œThey come to this country with a dream to fix their situation,โ€ she said. โ€œThey are desperate for services, and thatโ€™s when theyโ€™re targeted.โ€

LATINAN is a nonprofit that provides low-cost immigration legal services in Monterey, San Benito, Santa Cruz and Bay Area counties.

Abasto said many victims are contacted by a fake company based in Florida, with representatives using fake websites, contracts, documents and U.S. Citizenship and Immigration Services logos.

The scammers are Spanish speakers, but with evolving technology making locations increasingly difficult to pinpoint, it is unclear where the scams are centered.

โ€œThis is a big criminal organization happening all around our country, not only in our area,โ€ she said.

A Facebook page associated with the scam had about 2,000 followers, which Abasto said suggests multiple victims and potentially large-scale losses.

Abasto said one scammer is using her name, and despite reporting it to local police and the FBI, there has been no resolution.

She said a victim recently called her from North Carolina, saying she had lost $20,000 to a scammer using Abastoโ€™s name. The victim had to take loans from friends and family to raise the money.

โ€œThis really broke my heart,โ€ she said. โ€œItโ€™s really bad when I am the victim, too. I live with that every day, and Iโ€™m very aware that this is happening every day.โ€

For more info:latinan.org; 831-401-4838 (leave a voicemail for a callback).


RTC Seeks $15 Million

The Santa Cruz County Regional Transportation Commission (RTC) will seek funding from the state and federal government to support construction planning for a passenger rail line spanning the length of the county.

In a Thursday meeting, the commission voted unanimously to request $15 million to pay for an environmental impact report on the rail proposal.

โ€œIf we donโ€™t ask, we won’t get,โ€ Commissioner and Santa Cruz Mayor Fred Keely said. โ€œAnd thereโ€™s no other apparent source of funding for us if we are to continue our good-faith work with each other on this.โ€

Since its inception, the transit project has been embroiled in controversy. Those in favor say itโ€™s a necessary infrastructure investment that would decrease congestion on Highway 1, while those in opposition are suspicious of the practicality and the overall $4.3 billion cost.

The pricey $15 million price tag for the environmental impact report is representative of the size of the proposed rail line: 22 miles long, with nine stations.

Commissioner Manu Koenig expressed a general dissatisfaction with how planning for the project has played out, offering that the time and money may have been better spent on other transportation projects. Regardless, he agreed that seeking funding support was a strong step forward.

โ€œI’m willing to put a best-faith effort towards this. The one thing I want to address is the possibility that we could end up with just part of the money,โ€ he said. โ€œYou could, after years of asking for this, end up with $5 million out of $15 millionโ€”or $8 millionโ€”not enough to actually get it done.โ€

Environmental impact reports are generally required by both the state and federal government to build large infrastructure projects. Commissioner Andy Schiffren, who has taught classes on California environmental laws, explained.

โ€œAn environmental impact report has to look at all sorts of issues that could affect the physical environment. It’s not just trees and flowers and wildlife. It also includes noise, health impacts and air quality. Thereโ€™s a full range of potentially significant impacts that have to be looked at.โ€

The RTC will submit applications for federal funding through Senators Padilla and Schiff as well as Representatives Zoe Lofgren and Jimmy Pannetta. A separate request for state funding will be made through the office of State Senator John Laird.

Community funding requests like these donโ€™t come with a guaranteed return. The proposal will have to compete with other commissions, cities and local governments who also need state or federal support.

The Pajaronian spoke to State Senator John Laird, who emphasized that the state and federal processes for funding are very different and that the state isnโ€™t able pursue a process to distribute community funding every year.

โ€œIf we do miraculously have a process, we might have something like $100 or $200 million together that 40 senators would have to split,โ€ he said. โ€œThat’s 5 million a senator for different needs in the district. We’re not sure that we’ll be able to get there.โ€

Take One for the Violent Femmes

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On Tuesday, March 3 Santa Cruz was graced by 1980โ€™s punk rock royalty when seminal folk punks, the Violent Femmes played the Santa Cruz Civic Auditorium. Led by Gordon Gano, the Violent Femmes are celebrating their 45th year as a band with a very special, nine-date tour spanning the gamut of their catalogue. Itโ€™s an impressive landmark for any group, particularly one that spawned from the early days of the 1980s punk scene from the most unlikely of places, Milwaukee, Wisconsin.ย 

Of course, the Femmes really need no introduction. Songs like โ€œAmerican Music,โ€ โ€œBlister in the Sun,โ€ and โ€œKiss Offโ€ have blasted from stereos, radio stations and ear buds since their inception. While itโ€™s not unheard of, for a band to have a perfect debut album is often a very rare thing. But the self-titled Violent Femmes full-length can go toe-to-toe up against some of the more mainstream fixtures and outlast them every time. 

And just like their hometown, the Violent Femmes became the most unlikely of rock stars, orโ€“at the very leastโ€“celebrated musicians. They were first discovered busking on the street by Pretendersโ€™ guitar player, James Honeyman-Scott and immediately given a chance to play an acoustic set opening for the band. The rest is history as the Violent Femmes have lasted through hits, break-ups, reunions, festivals and even a lawsuit or two. Yet, through it all the fans never lost their love for the band as Santa Cruz proved on Tuesday. 

The line to get in stretched around the block as Santa Cruzans eagerly awaited to get inside and pack the 2000-person capacity venue to the rafters. From the seats to the standing-room only floor, fans of all ages waited with anticipation for the band that has been the soundtrack for so many of their memories, whether they were there in the 80s or received the band secondhand from parents or even grandparents. 

With no opener, the Violent Femmes played a blistering 90-minute set with their signature, odd style and flair. The night started with Gano coming on stage while the rest of the band marched from the back of the auditorium to the stage, playing an Irish hymn that could easily be taken for a Civil War battle song. 

Armed with their signature snare drum, Ganoโ€™s angst-ridden voice, xylophone, acoustic bass guitar, brass horns andโ€“yesโ€“a barbeque, the Violent Femmes played fan favorites while still keeping the songs fresh and fun for both audience and band. Throughout the set, the long-haired, bathrobe-wearing Gano jumped between acoustic and electric guitar, banjo, mandolin and fiddle with ease. Along with the tracks listed above they played versions of โ€œBlack Girls,โ€ โ€œJesus Walking on โ€˜Water,โ€ โ€œI Held Her In My Arms,โ€ โ€œGood Feeling,โ€ โ€œGone Daddy Gone,โ€ โ€œGimme the Car,โ€ and โ€œNo Killingโ€ just to name a few. 

However, the cherry on top of the already delicious sundae of a show was the encore when the band brought out Santa Cruzโ€™s own legendary Ashwin Batish on sitar and his son Keshav Batish on tabla. Son and grandson of Shiv Dayal (SD) Batish, the Batishes are world-renowned musicians and have been a pillar in the Santa Cruz music scene since 1970 when SD moved the family to Santa Cruz so he could teach music at the U.C. (where Ashwin still teaches). Three years after the Batishes moved to Santa Cruz, they opened the Batish Institute of Indian Music on Mission Street, where it still stands today. 

With the Batishes, the Violent Femmes drifted through a 10-minute song which I believe is called โ€œMy Living Bodyโ€ (but could be wrong), before ending with a raucous treatment of โ€œAdd It Up.โ€ Looking out into the sea of dancing faces, there wasnโ€™t a single person not singing along. 

It was my third time seeing the Femmes since 2022 and they have never disappointed. The group might be older and wiser, but they still bring the same chaotic yet refined energy to the stage. Rest assured, no matter how old the songs might be, they are guaranteed to draw out the angsty teenager in every fan.

Opera: the Final Frontier

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Just like Gene Roddenberryโ€™s Starfleet in the 1960s Star Trek TV series, UCSC is also focused on research and moving the human race forward. For Ben Leeds Carson, a professor of music and director of creative technologies at our university on the hill, bringing together a world-class collection of humans to create an opera based on Star Trek is just another mission.

The Trial of Spock takes place on March 8th and is a concert performance, an opera-in-progress. Focusing on the music and storytelling, this three-act opera is, in one way, a no-frills experience without costumes or stage blocking. In another way itโ€™s a chance to get a window seat on a maiden voyage.

The imaginative, collaborative project involved five librettists and five script writers, including Professor Carson, as well as, John de Lancie, the actor who portrayed Q on Star Trek: The Next Generation. The idea was originally developed by two biologists, who combined their love of opera and Star Trek.

โ€œLinc Taiz (UCSC Faculty Emeritus in Biology) and partner, Lee Taiz, came together with this idea,โ€ says Carson, humming with excitement. โ€œThey thought they should make the double episode from the first season of Star Trek (The Menagerie) into an opera libretto. And, libretto means the book of an opera, the written book of an opera, the language. They went to the beloved local hero, David Cope (who sadly passed away last year), a great composer here in Santa Cruz, asked him if he would compose the music. He didn’t have time, and he recommended me, and the rest is history.โ€

Carson was not a Trekkie (as fans are called) but he recognized that the story of The Menagerie, is an Orpheus story. โ€œIt is a version of the Orpheus trope, which is a trope that permeates mythologies all around the world. I’m not even sure that Gene Roddenberry knew that he was writing an Orpheus story when he wrote it, but it’s deep in our psyches and in our subconscious. Orpheus is one of the most basic stories of opera. The first opera was an Orpheus story. Many of the first great operas in the 1600s were Orpheus stories, and all through opera’s history, the theme of Orpheus has returned,โ€ Carson relates.

The Trial of Spock is a great introduction to the often, high brow, world of opera. Featuring members of the San Francisco and San Jose Opera companies, and will be accompanied by San Franciscoโ€™s esteemed Del Sol Quartet. This is going to be an interstellar journey with American roots.

โ€œI would call Star Trek a great American mythology. It’s essentially a part of who we are. Operas often tell stories about characters who we know in our culture. They don’t always start with a fresh idea that no one’s heard of, or a new story. Operas often tell stories that people already know the broad outlines of. And so it builds on audience expectations, and audience morals, and a sense of identity in the audience, that’s already shared. And Star Trek is a mythos that is widely shared in our culture and globally. I  love the ability to tell that story that is resting already on some deep foundations in our culture,โ€ Carson explains.

โ€œFrom the 20th century onward, opera was absolutely the paradigm of elite art. It was Wagner, It was Puccini. It was grand opera. And, it was something that you self-consciously dressed up in your most bourgeois clothing to be seen as a member of high society. That was one of opera’s most important features in the 20th century. But people don’t realize that before grand opera, and for most of the 300 years of opera’s history before then, from 1600 to 1900, for most of those 300 years, opera was actually the most pop form of music.โ€

The Trial of Spock happens on Sunday, March 8th at 4pm, at The UCSC Music Center Recital Hall, 402 McHenry Rd, Santa Cruz. Tickets are free but must be gotten at Eventbrite.com and are going fast. Enter search field The Trial of Spock

100 Years of Suspense

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Good evening. Tonightโ€™s reading is one of mystery, mayhem and murder. Normally someone who has been stabbing, maiming, shooting, poisoning, strangling, and pushing people down stairs is labeled a killer or psychopath. However, this particular subject is not only praised for it, heโ€™s often seen as one of the great architects of modern cinema.

Of course, Iโ€™m talking about none other than the master of suspense himself, Alfred Hitchcock.

And this year the 4th Annual Alfred Hitchcock Festival is celebrating 100 years of Hitchcock to mark the opening of his very first filmโ€“1925โ€™s silent movie, The Pleasure Garden.From Friday, March 6 to Sunday, March 8 cinefiles, history buffs or anyone who just enjoys a good thrill will be able to see not only Hitchcockโ€™s first filmโ€“accompanied by live music from pianist Kylan DeGhetaldiโ€“but also his final, 1976โ€™s The Family Plot, along with 1959โ€™s North By Northwest, and 1948โ€™s Rope.

โ€œI donโ€™t think thereโ€™s any doubts about his genius as a filmmaker,โ€ says Tony Lee Moral, an author and fellow filmmaker.  Moral will be presenting a lecture on his new book, A Century of Hitchcock: The Man, The Myths, The Legacy at the festival. Twenty-five years in the making, Moralโ€™s book takes a deep dive into the reported darker sides of Hitchcockโ€™s reputation. Along with interviews, Moral also found new, primary sources and documents that suggest some of the rumors came from people who had an axe to grind with the director, particularly biographer Donald Spoto.

โ€œHopefully itโ€™s going to be a game changer and students will pick it up and realize that they canโ€™t believe everything they read in the papers or biography,โ€ Moral says. โ€œAnd how a biography and personal grievances can quickly become public narrative.โ€

Throughout the three-day weekend, organizers have panels and lectures planned from opening night with Hitchcockโ€™s granddaughter Terre Carruba, Moralโ€™s discussion on the myths surrounding Hitchcock compared to the actual man and a discussion from Hitchcock enthusiast, Rick Karat.

โ€œThe history of Mr. Hitchcockโ€™s 53 films is really the history of cinema,โ€ says Karat. โ€œHe got started in the silent film era and his movie Blackmail [1929] was one of the first sound films in London. So he was right there at the cutting edge of sound as it came in.โ€

Karat is currently in the final stages of writing a book showcasing famous film locations from all of Hitchcockโ€™s 53 movies. Itโ€™s a project he started in the year 2000 after moving to San Francisco. He decided to learn about his new home through the eyes of Hitchcock films and visited iconic places like Coit Tower, Mission Dolores and the Palace of the Legion of Honor (all seen in Vertigo) with friends. A few years later he moved to Los Angeles and did the same thing. He quickly decided on the goal of visiting certain locations from all of Hitchcockโ€™s 53 films and even 20 TV episodes from shows like Alfred Hitchcock Presents.

โ€œSometimes you cannot find the location because so much has changed and itโ€™s not there anymore,โ€ he says, adding that there are still plenty of locations that exist today as they once were.

โ€œI was in Marrakesh in Morocco where Hitchcock and crew were for the remake of The Man Who Knew Too Much, and that was incredible,โ€ Karat says. โ€œGiven the cultural differences and seeing the locations from the film led to a certain feeling of, โ€˜Oh Iโ€™ve been here before.โ€™โ€

This yearโ€™s festival also features a first for itโ€“the 48 Hour Film Festival Presentation. On Sunday Amy Shiovitzโ€“the Digital Arts teacher at Scotts Valley High Schoolโ€“will present two short films made by local students and amateur filmmakers. Each team was given three guidelines: they had to use the phrase, โ€œWhy would you say that?,โ€; they must use the famous Hitchcock Vertigo Shot (a zoom technique he created with a dolly) and they were only given 48 hours to write, produce and edit their films.

โ€œGood storytelling is good storytelling whether itโ€™s done 100 years ago or on TikTok,โ€ Shiovitz says. โ€œHitchcock was a master of using the [film] medium as a way to communicate. He pioneered film techniques that are inherent in filmmaking today.โ€

Along with the Vertigo shot, other Hitchcock techniques included framing and a variety of close-ups or wide angles to create emotion, treating the camera as a character within the film to engage the audience, and using sound and silence to build suspense. These were so different for the timeโ€“and have become so ingrained in our culture todayโ€“that they even were used to coin a new term, โ€œHitchcockian.โ€

โ€œI donโ€™t even think some filmmakers think of them as Hitchcock techniques, itโ€™s just what you do,โ€ she says. โ€œItโ€™s the lexicon of film.โ€

Itโ€™s this lexicon that makes Hitchcockโ€™s film timeless and enjoyable to audiences of all ages in the 21st Century and possiblyโ€“probablyโ€“for another hundred years.

โ€œIf you look at modern filmmakers today from Park Chan-wook (Oldboy) to Bong Joon Ho (Parasite) to Christopher Nolan you can see the Hitchcock techniques and inspiration,โ€ Moral explains. โ€œThe take home message about Hitchcock is he will always be relevant.โ€

The Scotts Valley Hitchcock Festival runs Friday through Sunday. For details: hitchcockfestival.com

PULL QUOTE

โ€œHopefully itโ€™s going to be a game changer and students will pick it up and realize that they canโ€™t believe everything they read in the papers or biography,โ€ Moral says. โ€œAnd how a biography and personal grievances can quickly become public narrative.โ€

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