Coercion Reunites Santa Cruz Punk Heroes

There have been plenty of great bands before and after, but underground music in Santa Cruz may have had its most fertile period in the mid-to-late โ€™90s.

Punk music here certainly peaked at that timeโ€”and from Good Riddance to Fury 66 to Riff Raff to the Muggs, those are the bands that are best rememberedโ€”but the scene was actually remarkably diverse stylistically. There was room for everyone, it seemed, and there was probably more camaraderie across genres than there had ever been. But what people tend to forget is that the influx of great bands also made the scene pretty competitive. New groups quickly learned to bring their A-game at every show, because failure to do so meant running the risk of being blown off the stage by the other bands on the bill.

โ€œI loved that,โ€ says Jake Desrochers of moving his punky, hark-rocking band Lonely Kings from Grass Valley to Santa Cruz in 1995. โ€œThere were so many good shows. I went to shows every weekend. The first show Lonely Kings played was with Riff Raff and Ten Foot Pole at the Vetโ€™s Hall. We got thrown on this amazing bill, when before that weโ€™d been living in Grass Valley playing these little shithole bars and parties. The scene was so alive in Santa Cruz, and we didnโ€™t know we were doing anything unique or cool, but we kept plugging away.โ€

Thatโ€™s not to say he learned every lesson quite fast enough. When he got a chance to move into a house with members of a couple of his favorite bands in 1996, he discovered Good Riddance drummer Sean Sellers and guitarist Luke Pabich were starting a new project with Fury bassist Tom Kennedy. They were practicing in the garage, where Derek Plourdeโ€”best known as the drummer on Lagwagon and the Atarisโ€™ early albums, who died in 2005โ€”had built a studio. Desrochers talked his way into their rehearsals, where he threw together some lyrics that impressed the others. Coercion was born, and they even recorded some songs with Andy Ernst, whose Oakland studio Art of Ears produced AFI and Green Dayโ€™s early work, among other landmark NorCal releases.

โ€œI hadnโ€™t even really prepared that much, and was improv-ing some, and kind of sketching down lyrics on napkins and coffee filters and whatever I could find,โ€ he remembers.

But his laissez-faire nature turned out to be his downfall, as his bandmates took their music with the ambitious intensity that had permeated the local scene.

โ€œThatโ€™s how I learned just how hard Luke works at Good Riddance and how methodical he is about recording. I didnโ€™t quite have my ass handed to me, but I definitely wished that I had applied myself a little bit more,โ€ he says. โ€œWe did the recording, and then we played one party at the Riff Raff House that was there on Soquel, and then that was it. Then they actually kicked me out of the band because I wouldnโ€™t come to practice prepared.โ€

Desrochers laughs about it now, but he certainly didnโ€™t then.

โ€œI was really hurt by that whole thing, but it really fueled me to work harder on Lonely Kings, because thatโ€™s when I put everything into that and thatโ€™s when we started making moves,โ€ he says.

It paid off, as Lonely Kings became one of Santa Cruzโ€™s top bands, signing to Fearless Recordsโ€”then known for At the Drive In and Aquabats records, but about to blow up when Plain White Tโ€™s hit it bigโ€”for their 1999 What Ifโ€ฆ and 2001 Crowning Glory albums. Their shows went from drawing 50-100 fans to 500-1,000, and though their sound was a bit of an outlier in the Santa Cruz sceneโ€”Desrochers considers them a โ€œgrandfather of emo, before the screaming came into itโ€โ€”they were selling out the Catalyst.

Meanwhile, he patched things up with Pabich, who came on to produce Crowning Glory. โ€œThatโ€™s when I really learned about recording,โ€ says Desrochers. โ€œHe was having us practice to a metronome five days a week and stuff. So I got a lot of work ethic from him, and still do. Now I donโ€™t walk into the studio without everything laid out.โ€

Desrochers would eventually move to Sacramento, where he lives now, and has kept Lonely Kings going to this day. He kept in touch with his former Coercion bandmates, but he was still surprised in 2016 when, 20 years after the band had briefly been together, he started getting Facebook messages from them suggesting they restart the band. He was skeptical, but when Kennedy sent him mp3s of the songsโ€”which he hadnโ€™t heard in yearsโ€”he was convinced. With Jim Miner of Death By Stereo joining on guitar and Ghost Paradeโ€™s Anthony Garay now drumming, the band finally released a debut album, Veritas, last month. Darker and more metal-edged than Lonely Kings, Desrochers is enjoying the new outlet Coercion is giving him.

โ€œI used to tell stories in Lonely Kings, Coercionโ€™s just right to the heart of the matter,โ€ he says. โ€œCoercion is just so hard-rocking that I feel like the lyrical content needs to be strong, needs to be up front, and needs to ring true to the music. Itโ€™s a little more brutally honest.โ€

Coercion plays with 88 Fingers Louie and Decent Criminal at 8:30 p.m. on Wednesday, Jan. 16, at the Catalyst, 1011 Pacific Ave., Santa Cruz. 16 and over. Tickets are $13 in advance, $15 at the door. catalystclub.com.

Primal Santa Cruz Serves Up Hearty, Healthy Food

Want to know what the future tastes like? Head over to the impressive new Primal Santa Cruz, at the corner of Laurel and Mission, and find out.

This is smart dining that bursts with intelligent design. Whether or not you care about โ€œancestrally inspiredโ€ foods, you probably do care about organic, nutrient-dense, gluten-free dishes made with locally sourced ingredients.

At a Primal lunch last week, we were blown away by the sleek, industrial-chic interior loaded with botanicals and polished wood. Cloth napkins and gorgeous dishes help soothe patrons who might at first pause over the 21st-century trend of placing orders at the counter and paying up front. But think about itโ€”thereโ€™s no waiting for staff to come around and take your order, and when youโ€™re finished, you can leave anytime. Streamlined to the max, Primal has its template down.

And itโ€™s delicious. We loved our huge mugs of green pomegranate tea sweetened with coconut sugar, not processed sugar. Entree orders were inventive, created with an eye for beauty and generously portioned. My sweetie loved his blackened fish tacos, two GF tortillas (very tasty) topped with albacore, shaved mango-lime slaw, cilantro and watermelon radish tossed into a pretty mound ($17). Super delicious and sparkling fresh, this is a destination dish, no question about it.

My order of one of the house signature salad bowls, the Cali ($15), was a lavish affair of chopped Russian kale, arugula and fennel tossed in an outstanding sweet tangy dressing. Lots of citrus, avocado and pistachios adorned the entire dish, which is large enough to share. Only the requested โ€œPrimal Proteinโ€ addition of grilled skirt steak ($8) disappointed. Very chewy and surprisingly unseasonedโ€”odd, considering how deliciously our other items had been spicedโ€”the beef needs some re-working. Perhaps a flavor-intensive marinade, then quick searing and chopping against the grain before adding to the salad bowl?

Ah, but that can easily be tweaked. The energy here at Primal is bold, with a bit of masculine spin. Large portions of the highest-quality ingredients. Add chicken breast or spicy turkey chorizo or braised pork to your salad. Or not. This menu is very flexible, and vegetarian friendly. Breakfast dishes look inventive, rather than clichรฉ. The Primal entrepreneurs have thought things through.

We all know that top ingredients donโ€™t come cheapโ€”$50 is the new $30 (just ask Apple.) ย If you only want to get full, you know your options. Primal is seriously committed to great ingredients, what you would gladly pay for and use in your own home cooking. Canโ€™t wait to try dinner here, along with something from the beer and wine list. Kudos to the Primal Santa Cruz team. So far, so good!

Primal Santa Cruz, 1203 Mission St, Santa Cruz. 7 a.m.-9 p.m. daily. primalsantacruz.com.

Open and Shut

Alderwood is open. Aquarius is closedโ€”but not for long. Sometime in mid-February the gorgeous dining room and bar at the Dream Inn will re-open its newly renovated Jack O’Neill Restaurant and Lounge. Canโ€™t wait.

New Year Musings

Is the craft beer craze winding down? ย Will mixologists run out of ways to make botanical bitters? Can we expect robot servers? Self-serve fine dining? The answers are still being formed, but we can offer a word to restaurateurs in general.

One of the things youโ€™ve got that Amazon doesnโ€™t is direct personal contact with your customers. So being polite, organized and helpful is something your staff can offer that patrons will remember. Treating patrons with respect builds repeat business, not to mention customer loyalty.

But reverse that picture for a minute. If the first contact patrons have with your establishment or your product is a bored, disengaged, unhelpful staffer, youโ€™ll likely suffer some negative consequences. Just a thought.

Film Review: โ€˜Romaโ€™

Donโ€™t go to Roma expecting an action movie. The story builds slowly, its effects a gradual process of accumulated details. Events that might be huge crescendos in a more traditional narrativeโ€”birth, death, violence, heroism, heartbreakโ€”roll in and out of this movie with the same steady rhythm as the wash water that ebbs and flows across a tiled hallway floor in the filmโ€™s lengthy opening shot. Victories are small. Tragedies are muted. Life goes on.

Itโ€™s another intriguing departure in tone and style for Mexican filmmaker Alfonso Cuarรณn, a chameleon of a storyteller well-known for the diversity of his films. After the raucous Y Tu Mamรก Tambiรฉn, he went on to direct one of the best Harry Potter movies (The Prisoner of Azkaban), the sci-fi thriller Children of Men, and the nifty Hollywood space epic Gravity.

But in Roma, Cuarรณn returns from space, fantasy and the future to explore his own roots in the suburban district of Mexico City where he grew up. Shot in pristine, almost sculptural black-and-white, and beautifully composed in terms of both visuals and sound, it’s a cinematic dose of deep yoga breathing, slowing down the heart rate while inviting us to observe and appreciate the small details that make up a life.

The woman wielding the water bucket in that opening shot is our heroine, Cleo (Yalitza Aparicio), a live-in maid in an upscale household who is also de facto nanny to her employersโ€™ young children. Cleo is unassuming and efficient at her job; sheโ€™s always pleasant and polite to her employers, and the kids adore her.

The household includes Seรฑor Antonio (Fernando Grediaga), a harried professional, his chic wife, Seรฑora Sofia (Marina de Tavira), her mother, and the couplesโ€™ four children, along with a second housemaid. But the comfortable in-home dynamic starts to change when the father runs off with his mistress.

Other events occur, but this movie isnโ€™t about plot; it prefers to reveal complex relationships in telling little epiphanies. Itโ€™s almost shockingly subservient when Cleo kneels at the end of the sofa where the family is gathered to watch TV, until we see the affection with which one of the kids instantly drapes his arm around her. Both Sofia and her husband are prone to snap at the maid when aggravated by something else (say, the dog, or the kids), but when Cleo needs help, Sofia supports her unflinchingly. And yet, Sofiaโ€™s flustered mother doesnโ€™t know enough details about the longtime family servant to fill out a form when Cleo is admitted to the hospital.

Meanwhile, Cuarรณnโ€™s curious camera eye feasts on everything: the graphic pattern of the iron staircase railing inside the family home; the corrugated tin walls of a shanty house; the geometric shape of a skylight dancing on a sheen of moving water. When Cleo is scrubbing laundry in a cement tub on the roof, joking with one of the kids, the camera pans backward to reveal a pattern of wash-scrubbing housemaids on the roofs of adjoining houses.

Sound, too, almost becomes a character in the movie. Cleo quietly sings along with the radio on her daily rounds around the house. But outside, when sheโ€™s searching for an address in an unfamiliar neighborhood, the clamor of noiseโ€”vendor cart bells, barking dogs, shrieking children, shouted conversations, prowling cars, the brass horns of a distant bandโ€”grows to a sinister cacophony, like a physical threat. When she wades into the water after the kids at the beach, we feel each propulsive, bone-shaking pound of the surf.

Roma builds to a celebration of simple virtues that are so undervalued in the current socio-political climateโ€”affection, compassion and co-operation, the dignity of work, and the right of all individuals (including women and people of color) to try to build a stable, decent life. And Cuarรณn observes these values in practice, with artistry and perception.

ROMA

***1/2

With Yalitza Aparicio and Maria de Tavira. Written and directed by Alfonso Cuarรณn. A Netflix release. Rated R. 135 minutes. In Spanish with English subtitles.

5 Things To Do In Santa Cruz: January 2-8

A weekly guide to what’s happening.

Green Fix

45th Annual Fungus Fair

Santa Cruz might just be the fungi-est place on the Central Coast, and some wait all year for this shroomy event. The annual Santa Cruz Fungus Fair boasts speakers and specialists, cooking workshops and of course hundreds of prime fungus specimens. Donโ€™t go eating any old side-of-the-road mushroomโ€”the fairโ€™s taxonomy panel will help you classify different types of fungi and pick the prime specimens. This yearโ€™s theme is โ€œmushrooms and medicine,โ€ and the event list includes lectures about psilocybin mushrooms, the medicinal properties of ancient and exotic fungi, and how hallucinogens can make the world a better place.

INFO: 1-5 p.m. Friday, Jan. 11 and 10 a.m.-5 p.m. Sunday, Jan. 13. Louden Nelson Community Center, 301 Center St., Santa Cruz. ffsc.us. $10 general/$5 students or seniors.

Art Seen

โ€˜8 Tens @ 8โ€™ Short Play Festival

The 24th annual โ€œ8 Tens @ 8โ€ Festival is one of the most popular and highly anticipated theater events of the year. With a selection of 16 Actorsโ€™ Theatre award-winning scripts, the 10-minute plays spotlight some of the best local actors and directors around. The plays are separated into A and B series nights, with eight 10-minute plays atโ€”you guessed itโ€”8 p.m. A lot can happen in just 10 minutes. Short attention spans are welcome, in fact they are encouraged.

INFO: Runs Friday, Jan. 4-Sunday, Feb. 3. 3 and 8 p.m. shows. Actorsโ€™ Theatre. 1001 Center St., Santa Cruz. sccat.org. Single night $32 general/$39 student or senior. Both nights $58 general/$54 student or senior.

Wednesday 1/2- Sunday 3/31

Elephant Seal Walks

Elephant seals are back on the beach. Keep a distance, they can be crankyโ€”but who wouldnโ€™t be after migrating 13,000 miles and having a nose that looks like a muppet? After a hard journey, they like to relax at the beach and make farting noises to impress the ladies. Guided walks are around 3 miles and take about 2.5 hours with frequent stops.

INFO: Walks begin daily at 8:45 a.m. Available weekends and some holidays through Saturday, March 31. Aรฑo Nuevo State Park, 1 New Years Creek Rd., Pescadero. 650-879-2025. reservecalifornia.com. $7 admission/$10 vehicle fee. Reservations also available for $3.99 fee.

Sunday 1/6

Watsonville Mural Unveiling

Muralist and central coast local Augie W.K. has been working on a 62-foot-tall mural for four months. The mural, called โ€œSabor,โ€ meaning flavor in Spanish, is inspired by colorful fruity candy. W.K. painted the mural on Don Rafaโ€™s Market and says he was inspired by the rich, vibrant culture of Watsonville. Since W.K. also works a full-time job, heโ€™s only been able to paint on his two days off each week since late August. The project hasnโ€™t been easy, but thanks to the Arts Council and community support, it is finally finished. The event will feature food, music and a grand unveiling of the final piece.

INFO: Noon. 50 W Riverside Drive, Watsonville. Free.

The Conservas Trend Comes to Front & Cooper

At a dinner party a couple of years ago, the hosts, looking to stave off hunger and tipsy-ness while the chicken tinga finished cooking, opened up a can of smoked oysters.

I wasnโ€™t exactly a stranger to canned fishโ€”Iโ€™d eaten my share of tuna salad and even snacked on tinned sardines once or twiceโ€”but my boyfriend and I emphatically turned up our noses. I believe one of us uttered the phrase, โ€œYouโ€™ve got to be kidding.โ€

My friend, whose culinary tastes have never led me astray, insisted and held out a small, oily bivalve balanced on a sourdough cracker. Putting the whole thing in my mouth at once and chewing cautiously, I was delighted to discover the delicious umami of smoke and sea. Between four people, we devoured four more cans before dinner was ready.

Thus I became a tinned fish convert, just in time for me to tap into one of the hottest national food trends. American chefs are rediscovering how preserving seafood in cans with oil and spices enhances and transforms flavors, and theyโ€™re showing up in specialty shops, on charcuterie boards and tossed into pastas.

Some of the best are imported from Portugal, Spain and Basque country, where they are frequently enjoyed in tapas bars as a snack, often accompanied by an adult beverage. These conservasโ€”doesnโ€™t that already sound better than canned fish?โ€”are as far a cry from the dry, grey chunks of tuna that scarred many of us in our childhood as you can get.

Inspired by this practice, Front & Cooper now offers half a dozen different conservas imported from all over the world on their new bar snack menu. Guests can choose from sardines, cockles, octopus and clams, as well as salmon rillettes and pork pate de champagne ($12 each), served with a bowl of potato chips or crackers.

These protein-packed treats pair equally well with a glass of cava or beer as a craft cocktail, and allow you to linger over a few drinks with friends without feeling fuzzy. If one of your New Yearโ€™s resolutions is to be more adventurous, perhaps these humble-yet-tasty snacks might be a good place to start.

Channel Warm Weather With Chalone Vineyardsโ€™ 2017 Rosรฉ

After youโ€™ve wined and dined over the holidaysโ€”first Thanksgiving, then a plethora of Christmas partiesโ€”is a perfect time to lighten up with a nice, gentle Rosรฉ.

Chalone Vineyard makes a delightful 2017 Rosรฉ of Pinot Noir, with fruit harvested from a small vineyard in Chalone, a โ€œbench of the Gavilan Mountainsโ€ at about 1,800 feet elevation. All of their wines can be found far and wide.

Craving grapes one afternoon (before this wonderful fruit gets turned into wine), I dashed into Safeway on 41st Avenue in Soquel. Among the wines they carry, I found quite a few local offerings, including a Chalone Rosรฉ on sale for about $20. Iโ€™ll be back to get more of this elixir, with its gorgeous bouquet of watermelon and raspberry.

Chaloneโ€™s website declares the Rosรฉ to be โ€œfull and lush with a hint of minerality and a touch of limeโ€โ€”and with a crisp acidity and easy-to-open screw cap, itโ€™s a nice wine to keep on hand when you need something light and refreshing.

Chalone Vineyard, 32020 Stonewall Canyon Rd., Soledad. 707-933-3235, chalonevineyard.com

Haute Enchilada in Moss Landing

A friend launched his stunning handcrafted wood canoe in Moss Landing, followed by a splendid lunch at the Haute Enchilada, known for its special Latin-influenced cuisine. Held in their social club, a huge room that can be rented for private parties, the food was simply outstanding.

Restaurant owner Kim Solano also holds interesting events, including live music, so check the website for whatโ€™s coming up.

Haute Enchilada, 7902 Moss Landing Rd., Moss Landing. 633-5843, hauteenchilada.com.

Ocean2Table

Charlie Lambert of sustainable seafood company Ocean2Table showcased his business centered on fresh-catch fish at a recent food and wine event. When you place an order, fresh fishโ€”already boned and filletedโ€”will be delivered to your doorstep, or you can pick it up from various locations. What a brilliant concept! New Leaf Community Markets has since partnered with the company.

Visit ocean2table.com or email oc*********@***il.com

Opinion: January 2, 2019

EDITOR’S NOTE

Rob Irion, the former head of UCSCโ€™s Science Communication programโ€”who when he isnโ€™t writing cover stories for the likes of National Geographic and Science magazines, still teaches a graduate course in the program he led to national prestigeโ€”is a longtime friend of the paperโ€™s. Heโ€™s never steered me wrong when it came to suggesting writers or pieces that might be good for the paper, and sometimes our collaborations have led to award-winning work, as in the case of Henry Houskeeperโ€™s 2015 cover story on mercury and mountain lions, โ€œMercury Rising.โ€

So when he suggested that his SciCom students would be down to answer questions about Santa Cruzโ€™s natural world, I didnโ€™t hesitate to take him up on it. I polled GT readers staff members, people I ran into randomly on the street: what were the โ€œbigโ€ questions about the Santa Cruz ecosystem that theyโ€™d always wondered about?

The students picked their favorite 10 questions and dug deep to get to the bottom of them, even reaching out to local experts to weigh in. When they turned in their answers, I learned a lot more than I expected, and was entertained, as well. I think they did a fantastic job revealing everything we wanted to know about Santa Cruz but were afraid to ask.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Flip the Script

We went to Juneau, Alaska for a trip. The town library is on top of a parking garage! I went up to see it and the views are amazing; you can see the water, town and mountains. I talked to a librarian about how it got built, he said there was a lot of discussion until they got consensus. I really think this idea is work thinking about for Santa Cruz. I would like to see the Downtown library moved to temporary quarters, the old building torn down and a new library- garage built on the same site in a style matching city hall. I think everybody wins this way!

The lot at Cedar and Cathcart needs to be a plaza and gathering place. It works just fine for the Farmers Market, events and festivals. It can be re-done to be more functional and beautiful. This was part of the Vision Santa Cruz plan after the 1989 earthquake, but it never came about. Letโ€™s keep the public places we have and make them better. Letโ€™s make the library the town jewel like Juneau has!

Patty Walker
Santa Cruz

CLIMATE ACTION, NOT CAR CULTURE

Despite all the cooked rationale for a combination new 600-space parking garage and downtown library, a simple truth remains. ย This would sink some $45 million in public funds into the garage portion, exactly opposite of serious action on climate change. ย It would reinforce our existing over-reliance on polluting, space-consuming, climate-change-causing automobiles.

The city could heed its own parking consultantsโ€™ recommendations to instead implement alternatives to yet another garage. ย The projected future loss of around 10 percent of downtown parking spaces as some surface lots are developed for housing, is not justification for building a garage. ย Itโ€™s a golden opportunity to achieve what moral action on climate change demands of us: to make the big shift from domination by car culture to the full range of life-sustaining alternatives.

JACK NELSON ย | SANTA CRUZ

Deceptive Sweetenings

In the past few decades, we have seen a great deal of technological advancement in society, which has induced a lot of changes in the way we live. In fact, there is a great possibility that in a couple of years we will be living futuristic life, at least in the eyes of the futurists and the telecommunication companies. With major telecommunication companies preparing to launch 5G (short for 5th generation wireless communication), in a couple of years we may see our fellow Santa Cruzans riding autonomous cars and living in a super-connected city.

On the other hand, I believe it is time to morally rethink innovations including 5G and each of us become aware of these changes that has the potential when applied to forever change the way we live. Carl Gustav Jung, a Swiss analyst and one of the most respected psychoanalysts in history, wrote: โ€œReforms by advances, that is, by new methods or gadgets, are of course impressive at first, but in the long run they are dubious and in any case dearly paid for. They by no means increase the content of happiness of people on the whole. Mostly, they are deceptive sweetenings of existence, like speedier communications which unpleasantly accelerate the tempo of life and leave us with less time than ever before.โ€

I suggest that we as a society follow Jungโ€™s advice and really stop, rethink and envision what we actually want our future to look like. Is it to ride in autonomous cars and to live in a super-connected city? We all have the privilege to consciously choose a version of the future to believe in.

Bastian Balthazar Bucks
Santa Cruz


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GOOD IDEA

Santa Cruz Countyโ€™s bus agency is rolling in a positive direction to kick off 2019. The Santa Cruz Metropolitan Transit District now offers single-ride tickets that riders may purchase in advance and which are designed to speed up boarding. Passengers may buy the tickets one at a time, or they may buy a bunch, so they can keep a stash in their wallet or purse without having to worry about carrying exact change. Metro has also unveiled 14 new buses, including its first hybrid buses, as well as articulated, or bendy, buses.


GOOD WORK

An all-inclusive playground proposal hit an important milestone last month. Thatโ€™s when the Santa Cruz County Board of Supervisors officially sent the first phase of Chanticleer Park out to bid. The $4.9 million effort includes demolition, grading, drainage, restrooms, a parking area, and the LEOโ€™s Haven project designed for children of all abilities. Community fundraising efforts surpassed their goal and approached $2 million. To purchase a Chanticleer Park Legacy Program plaque, visit scparks.com. To support LEO’s Haven anti-bias, anti-bullying programming, go to santacruzplaygroundproject.org.


QUOTE OF THE WEEK

โ€œCuriosity is the one thing invincible in nature.โ€

-Freya Stark

Be Our Guest: Blues is a Woman

0

Blues is arguably the root of all modern American music. Names like B.B. King and Howlinโ€™ Wolf may be on the tip of most peopleโ€™s tongues, but women have played a major role in every era of blues music, including Bessie Smith, Etta James, Ma Rainey and Bonnie Raitt.

Blues is a Woman is a project intended to showcase the powerful women of blues.

Led by San Francisco artist Pamela Rose, she and her ensemble of talented women (Kristen Strom, Tammy Hall, Pat Wilder, Ruth Davies and Daria Johnson) take you on a journey to show decades of the women that shaped the blues, and by extension, American music.

INFO: 7 p.m. Monday, Jan. 14. Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $26.25/adv, $31.50. Information: kuumbwajazz.org.

WANT TO GO?

Go to santacruz.com/giveaways before 11 a.m. on Monday, Jan. 7 to find out how you could win a pair of tickets to the show.

Sharks, Tsunamis, the Mystery Spot: Answering Readers’ Top Santa Cruz Questions

We asked you to send in your questions about the weird, wild world of Santa Cruz County, so that the grad students of UCSCโ€™s Science Communication program could answer them. You did, and now they have. Sit back and let the SciCom sleuths explore the answer to our readersโ€™ most intriguing questions

What is the likelihood of encountering a shark in Santa Cruz?

Worldwide, shark attacks are rare. Typically there are fewer than 100 attacks each year, 5 to 15 percent of which are fatal. However, youโ€™re more likely to meet a shark here than in most other parts of the world.

In July 2017, for example, a great white shark chomped a kayak near Steamer Lane, leaving a 12-inch-wide bite mark. Officials closed nearby beaches for four days. And in June 2018, people spotted dozens of white sharks off New Brighton State Beach.

The reason: We live in their territory. Santa Cruz sits within the so-called Red Triangle, a stretch of water from Bodega Bay north of San Francisco to Big Sur and out to the Farallon Islands. The Red Triangle is a cruising ground for the great white shark, one of natureโ€™s most feared predators. Biologists estimate that 38 percent of all great white shark attacks in the U.S. happen in this zone.

Sean Van Sommeran, who heads the Santa Cruz-based Pelagic Shark Research Foundation, has tracked the uptick in sightings. โ€œThere has never been a better time to see white sharks in Monterey Bay,โ€ he says.

However, he argues that there is no good data to suggest that white shark numbers are increasing. โ€œThe population of sharks is not exploding,โ€ he says. Rather, they are following their main preyโ€”elephant seals, harbor seals and sea lions. Over the past few decades, these marine mammals have thrived here, bringing sharks closer to the coast and increasing the probability of human-shark interactions.

Even so, shark attacks on people are usually cases of mistaken identity, scientists emphasize. Sharks are cautious and elusive hunters. From below, surfers and kayakers might resemble their main meals. If youโ€™re ever a target, try to strike the shark on its sensitive nose, eyes or gills, then call for help and get to shore quickly.

โ€”Tom Garlinghouse

What are the most endangered species in the Santa Cruz County ecosystem?

Bad news: according to a couple of ecological databases, three or four dozen species and subspecies with ranges overlapping the land or nearshore waters of Santa Cruz County are endangered. Some, such as the California condor and the blue whale, are high-profile wildlife celebrities that used to live here or might pass through the neighborhood, but they donโ€™t call Santa Cruz home.

To narrow the question, letโ€™s consider which of these endangered creatures are the Santa Cruz-iest.

Some endangered species are true locals, right down to their names. The Santa Cruz wallflower and the Ben Lomond spineflower grow only in the Santa Cruz sandhills, a unique sandy habitat scattered throughout central Santa Cruz County. Sand mining and housing developments threaten their homes, although conservationists have managed to protect patches of their territory.

Dwindling habitats are also the biggest threat to the Santa Cruz long-toed salamander, says wildlife biologist Christopher Caris at the Ellicott Slough National Wildlife Refuge. The 5-inch-long salamanders need ponds, where they breed and lay eggs, as well as oak chaparral forests, where they live when itโ€™s not breeding season.

But human-built structures can get in the way of their commute between habitatsโ€”or replace their refuges entirely. โ€œYou put out a housing development or a golf course, and thatโ€™s not habitat,โ€ says Caris. โ€œSo the salamanders are stuck in the ponds.โ€

This endangered animal is unique to Santa Cruz and Monterey counties. Orange spots along its back mark distinguish this subspecies from other long-toed salamander cousins north of the Santa Cruz Mountains. We donโ€™t know how many of the salamanders remain, Caris says, but there are just two dozen breeding ponds. As amphibians around the globe face shrinking territories and new diseases, this quirky critter is a Santa Cruz gem weโ€™d hate to lose.

โ€” Erika K. Carlson

What happens to a visitor’s senses at the Mystery Spot?

The short answer is that you canโ€™t always believe your eyes.

At the Mystery Spot, which opened to tourists in 1941, your eyes tell you strange things. Balls roll uphill, people seem to shrink, and gravity-defying poses suddenly become possible. Jovial tour guides offer several explanations, such as gas-induced hallucinations or gravitational distortions from a magma vortex. Or a buried alien spaceship.

But since shadowy government agents havenโ€™t overrun the Mystery Spot, perhaps the โ€œmysteryโ€ is that your brain doesnโ€™t trust your sixth senseโ€”or your seventh.

Your sixth sense is proprioception, or how your brain unconsciously knows where your body parts are and how difficult it is to move an object. Your seventh sense, the vestibular sense, is how you detect your physical orientation.

The vestibular sense detects the tilted ground of the Mystery Spot. But your mind trusts your eyes more, so it only partially corrects for the deceptive visual cues, explains UC Santa Cruz psychologist Nicolas Davidenko. The Spotโ€™s crooked trees and slanted walls deceive your eyes, confusing your judgment of what is โ€œdownโ€ and the relative heights of people nearby.

Your eyes can also override your proprioception. Something can seem more difficult to move if it looks difficult to move. When a hanging ball appears attracted to a corner inside the Spotโ€™s famously askew cabin, your brain is tricked into โ€œfeelingโ€ more resistance when you push against that direction.

Walking around the cabin with your eyes closed puts the experience in a different light, Davidenko suggests. โ€œYou become much more aware of how sloped everything is, and specifically how the floor is sloped,โ€ he says. โ€œYou can actually stop yourself from falling better than if you open your eyes.โ€

So enjoy the tales from your tour guide, but be aware that your eyes are deceiving you.

โ€” Bailey Bedford

Is planting milkweed good or bad for monarch butterflies, and why?

It may seem that our orange-and-black annual visitors would appreciate local gardens dotted with their favorite plants. But based on the timing of the monarchsโ€™ life cycle and their migration needs, itโ€™s actually not a good idea.

Monarch butterflies migrate in the fall to Natural Bridges State Beach in Santa Cruz and other coastal California areas to escape cold winters. They are not here to breed. Rather, they seek sugary meals to build up the body fats that fuel their spring migration.

Each February, monarchs return to their breeding sites scattered west of the Rocky Mountains. There, milkweed is essential. Itโ€™s the only kind of plant on which adult monarchs will lay their eggs, and which their caterpillars will eat after hatching.

But if monarchs stumble upon milkweed in the winter planted by well-meaning Santa Cruz homeowners, it could switch the butterflies from their non-reproductive winter state to a reproductive one. If they breed, they are no longer obligated to migrate, disrupting their natural cycle.

The typical year-round surviving milkweed varieties available to gardeners are tropical and African, both non-native exotics. These plants pass on parasites to caterpillars that feed on their leaves. The emerging monarchs can develop wing deformities or die.

Native counterparts, such as narrow-leaf and showy milkweed, die in October. Monarchs encounter these varieties briefly, if at all, and historic records indicate that they didnโ€™t naturally occur here until recently.

โ€œPlanting milkweed is a bit like putting a Band-Aid on a really big wound,โ€ says conservation biologist Emma Pelton of the Xerces Society in Portland. โ€œIt will make you feel good, but I donโ€™t think itโ€™s that important, especially close to the coast.โ€

Instead, says Pelton, monarch supporters should beautify their backyards with flowers to provide nectar for adult butterflies, giving them energy for their long flights ahead.

โ€” Priyanka Runwal

Are redwoods in Santa Cruz in danger of extinction because of climate change?

Our iconic trees are fine for now, experts sayโ€”but some are beginning to show signs of stress after years of drought.

California coast redwoods, the tallest trees on Earth, tower up to 380 feet high and live 1,800 years or longer. They grow only in a cool, moist and narrow zone near the California shore, from the southern part of Monterey County to the southwestern border of Oregon.

With those redwood-nurturing climate conditions now changing in parts of the state, scientists are studying whether some of the wooden skyscrapers near Santa Cruz are at risk of dying out.

The threat isnโ€™t immediate, says redwoods ecologist Anthony Ambrose of UC Berkeley. โ€œThese trees are incredibly resilient,โ€ he says. โ€œTheyโ€™re tough.โ€ The speciesโ€“โ€“Sequoia sempervirens, meaning โ€œevergreen sequoiaโ€โ€“โ€“arose in the Jurassic period, at least 120 million years ago. The trees have dealt with many environmental changes over the eons. โ€œThe redwoods in Santa Cruz will be okay … at least in the short term,โ€ Ambrose says.

Still, every species has its limits. For redwoods, water is the most important resource; they need lots of it. Winter rains and summer fog nourish the trees in their coastal habitats. Their needles absorb water from the fog, an adaptation that allows them to withstand droughts. Climate change will probably affect the amount and duration of coastal fog, but researchers donโ€™t yet know howโ€”or how that might affect the giant trees.

The stateโ€™s rainfall patterns are also shifting, with stronger storms possible in winter and more extreme droughts in summer. Dryness already has made the needles of some Santa Cruz redwoods turn a shade of yellowish-brown. Foliage turnover is natural every year, says Ambrose, but stressed trees shed more foliage than usual. A warmer and drier climate will only intensify this trend.

The future of redwoods here depends on how society deals with carbon emissions globally, says Ambroseโ€”โ€œand whether we start to take this issue seriously or not.โ€

โ€” Rodrigo Pรฉrez Ortega

Could Santa Cruz ever be hit by a tsunami as bad as the recent one in Indonesia?

Tsunamis can happen in Monterey Bay, usually from massive earthquakes that drive waves across the Pacific Ocean. But the likelihood that a tsunami could kill thousands of people here is vanishingly small.

Tsunamis arise when underwater earthquakes, landslides or volcanic eruptions suddenly displace huge amounts of water. Energetic waves radiate out in all directions, marching through the ocean until they inundate shorelines. The damage they cause depends on the size and direction of the most powerful waves, as well as the preparedness of coastal communities.

The worst tsunamis happen where lurching slabs of Earthโ€™s crust sink into the planet in โ€œsubduction zonesโ€ where tectonic plates meet. These huge motions can trigger earthquakes of magnitude 9.0 or higher, quickly unleashing large surges of seawater. In contrast, offshore earthquakes here come from โ€œstrike-slipโ€ faults, where the plates slide past each other without displacing much water, lowering tsunami risks.

Giant earthquakes in Alaska or Japan, though, can propel tsunamis across the entire Pacific basin. When they approach shore, these surges grow higher as the seafloor gets shallower, pushing water farther inland.

The curve of Monterey Bayโ€™s coastline also amplifies tsunamis. โ€œWhen waves come into confined shores or harbors, they tend to grow, because all the energy gets squeezed together,โ€ says UCSC geophysicist Steven Ward, who creates computer models of tsunamis. This phenomenon was magnified during the most recent tsunami here, in March 2011. Powerful waves from a catastrophic earthquake near Japan surged into the Santa Cruz Yacht Harbor and caused more than $20 million in damage.

Massive marine landslides within Monterey Canyon, which bisects the bay, also pose a local tsunami risk. But those are rare, Ward says. He advises worrying about other things: โ€œBy and large, I put tsunamis low on my hazard list here in Santa Cruz compared to a terrorist attack or a wildfire or landslides in the winter. I wouldnโ€™t lose any sleep over them.โ€

โ€” Katie Brown

Is the bat population in Santa Cruz declining?

Unfortunately, thereโ€™s no clear answer. But in Santa Cruz, donโ€™t be surprised if you find a bat in your garden umbrella.

Bats enjoy enclosed spaces where they are protected from the weather, according to Elise McCandless, co-founder of Santa Cruz Bats, a volunteer rescue organization. โ€œThey can be in trees, crevices, under eaves, shingles, barns, or dead trees,โ€ she says.

Locals have asked McCandless whether our bats are disappearing. โ€œPeople are saying the bats they used to have are not there anymore,โ€ she says, and her group has fielded fewer bat calls over the last seven years.

However, researchers donโ€™t actually know how many bats live here. The animals are elusive, and tracking their numbers is time-consuming and expensive. The California Department of Fish and Wildlife doesnโ€™t monitor bats in Santa Cruz County, although the agency has some details about which types live where. The California myotis, for example, is found along rivers and streams. In one ongoing study, biologists found four bat species to add to a previous list of 11 recorded at Quail Hollow County Park in Felton, but the data isnโ€™t yet confirmed.

UC Santa Cruz ecologist Winifred Frick said in an email that scientists have not documented declines in the countyโ€™s one dozen recognized bat species, but more research is needed. Our flying mammals are fortunate in one respect, Frick notes. White-nose syndrome, a fungal disease that has devastated colonies of hibernating bats in the eastern U.S., is spreading but has not yet reached California. Researchers are trying to slow the outbreak, which had killed an estimated 6 million bats as of 2016.

Bats might leave an area for many reasons, such as migration or habitat loss. Residents can help sustain local populations by building bat houses for them to roost and checking for bats before doing major house projects.

โ€” Erin I. Garcia de Jesus

Will steelhead salmon return to the San Lorenzo River?

As recently as the 1960s, tens of thousands of steelhead salmon migrated up the San Lorenzo River each year to spawn. Locals could spot the glittering silvery scales of the 2-foot-long fish from the riverโ€™s sandy banks, a sign of healthy waters.

Today, steelhead are few and far between in the Santa Cruz area, but they havenโ€™t left entirely. A 2015 survey counted less than 20 of the protected fish per 100 feet of river, down from an average of 80 fish per 100 feet in 1997. Biologists attribute the steady decline to several factors, including lower water levels, loss of spawning habitat and rising water temperatures.

Each year, adult steelhead migrate upstream from the ocean to lay their eggs. Once born, the juvenile fish remain in freshwater streams for up to three years before traveling to the sea. Unlike their salmon cousins, steelhead can spawn multiple times in their birth rivers before they die. But even with such resiliency, their numbers are dropping all over California.

Thereโ€™s no easy fix for steelhead in the San Lorenzo, says Jennifer Michelson, environmental programs manager for the San Lorenzo Valley Water District. Instead, residents must view steelhead restoration as a collective effort and start taking small actions in their backyards. She emphasizes limiting fertilizer use, leaving fallen trees in the river, maintaining vegetation along the riverbank and covering loose soil during storms to prevent erosion.

โ€œIf we donโ€™t have a healthy habitat for the animals, we donโ€™t have a healthy habitat for humans, either,โ€ says Michelson.

Water District staffers work with local agencies to raise awareness and complete key watershed projects, such as a large wood installation in Zayante Creek set for next summer. The logs will help steelhead hide from predators and create the cool pockets of water they like.

“If the community really takes action to protect the streams, I think there is hope,โ€ says Michelson.

โ€” Helen Santoro

Can we still see any impacts today from the historic lime industry in Santa Cruz?

From exposed quarries at UCSC to fern-covered kilns in Felton, the countyโ€™s bustling lime industry left imprints all around us. Some impacts are more recent than you might realize.

Fall Creek State Park is the perfect place to time travel back to 1904, a peak era for lime quarrying in the county. Here, the kilns that once turned limestone into quicklime at 900 degrees are now overgrown with moss, ivy and ferns. Other remnants still stand: a water trough where workers soaked barrels before they were dried and filled with lime; a cellar where men stored dynamite powder; some wood stacks ready for the kilns.

Quarrying operations stripped large swaths of land and old-growth redwoods, leaving open scars including the two large quarries at UCSC. But Frank Perry, a local naturalist and author of Lime Kiln Legacies, says the industry also had some positive impacts. โ€œA lot of these tracts ended up becoming parks and open spaces,โ€ he says. โ€œSo while the industry was environmentally destructive, in the long run it preserved a lot of natural environments,โ€ including parts of the Pogonip, Henry Cowell Redwoods State Park and Wilder Ranch.

Routine limestone mining in the county still occurred as recently as 2009 at the Bonny Doon quarry. Chris Berry, watershed manager for the City of Santa Cruz, says these blasts clouded the water from Liddell Spring, a major source for the city. Today, Berry says the springโ€™s water is safe to drink, but nitrate levels are still higher than normal.

Quarrying in Bonny Doon also led to invasions by nonnative species, Berry adds. โ€œYouโ€™re turning [the land] into a moonscape, totally destroying soil seed bank and turning soil upside down,โ€ he notes. Invasive plants such as Portuguese, Spanish and French Broom hitchhiked onto truck tires and now frequent the landscape in Bonny Doon.

โ€“Hannah Hagemann

What would happen to Monterey Bay if global temperatures rise 2 degrees Celsius?

On land, weโ€™ve adjusted to temperature swings. We experience a shift larger than 2 degrees Celsius, or 3.6 degrees Fahrenheit, almost every morning when the coastal fog burns off.

But ocean temperatures are fairly constant, and marine organisms live comfortably within specific ranges. So as temperatures rise, life at sea may face bigger impacts. The ecological consequence of climate change โ€œis much more dramatic in the ocean than it is on land,โ€ says UCSC marine ecologist Mark Carr.

Marine species have three options when their homes get warmer: move, adapt or die. In the short term, many fish, marine mammals, and invertebrates would likely move north to escape warming waters and shifting habitats. If species leave Monterey Bay, we could see an influx of southern transplants taking their place.

Key habitats like kelp forests would also decline, Carr says. Warmer waters contain fewer nutrients, like nitrates, that kelp needs to survive. While waters in the Monterey Bay now range from 12-14 degrees Celsius, the productivity of kelp forests will decrease if ocean temperatures reach 15 degrees, scientists predict. Scarcer kelp would mean less food for sea urchins that munch on kelp, less food for sea otters that eat urchins, plus other ripple effects up the food chain.

Nutrient-poor warmer waters could also diminish populations of tiny, photosynthesizing cells called phytoplankton. Many fish and whales chow down on the zooplankton that eat phytoplankton. As plankton numbers fall, local fisheries and the whale-watching industry could suffer.

In the long term, our marine species might cope. But climate change could alter their habitats faster than they can adapt, threatening many beloved Monterey Bay National Marine Sanctuary locals. โ€œThatโ€™s why itโ€™s important to protect large numbers within each species so they have the genetic diversity to adapt,โ€ says Carr.

โ€” Sofie Bates

Will 2019 Turn the Tide on Homelessness in Santa Cruz?

Clinton Hubbard had already had one laptop, three skateboards and countless other reminders of his former life stolen when he moved to the camp on River Street last year.

By the time Andi Reyes moved with Hubbard to a blue and gray, city-provided tent, she had outrun an abusive relationship and lost the truck that offered her only shield from life on the street.

If the barbed wire on the fence that walled off the River Street camp from the Harvey West neighborhood of Santa Cruz wasnโ€™t exactly welcomingโ€”โ€œlike a prison,โ€ Hubbard recallsโ€”the pair was happy to have some stability after six months of bouncing between shelters and sleeping outside. While Hubbard spent his days trying to stay clean after leaving his Bay Area hometown to get away from drug contacts, Reyes was busy piecing together a jigsaw puzzle of soup kitchens, housing ledes and other resources.

โ€œBeing on the streets, thereโ€™s a huge sense of hopelessness,โ€ says Hubbard, 25, which is compounded when โ€œnormiesโ€ insult you after you ask for their leftovers outside a restaurant.

Hear that youโ€™re scum enough, says Reyes, 27, and itโ€™s easy to think, โ€œFine, Iโ€™ll just be the person you want me to be.โ€

But the River Street camp was supposed to be a reprieve from all that. With cities from Seattle to Sacramento debating sanctioned encampments, navigation centers, tiny houses and other ways to respond to increasingly acute homelessness amid unprecedented housing costs, the city of Santa Cruz committed roughly $90,000 a month starting last February to run the camp while they planned a new year-round shelter. Several blown deadlines and ugly public meetings later, the city closed the camp in November with no long-term plan in sight.

โ€œItโ€™s pretty unbelievable how much somebodyโ€™s life can change with food, shelterโ€”even if itโ€™s short termโ€”and hygiene,โ€ says Susie Oโ€™Hara, a water engineer turned assistant to Santa Cruz City Manager Martรญn Bernal. Oโ€™Hara has become the cityโ€™s de facto lead on homelessness after a series of roles focused on public safety.

Hubbard and Reyes were among those who went straight from the camp to more stable housing, at a sober living environment with county financial assistance. Some of their former River Street neighbors are in rehab or at the cityโ€™s winter shelter in Live Oak. Others are back on the street, where a large new unsanctioned camp has taken shape just down River Street, often called the โ€œRoss Campโ€ for its location behind the discount store near the mouth of Highway 1.

Despite the anti-climactic end to the River Street camp, the next year holds promise to bring more challenges to the status quo. Homelessness and affordable housing were central campaign issues in a progressive wave in the November Santa Cruz City Council elections. The county is also preparing to request proposals for how to spend an anticipated $10 million in new state funding expected to come through in March.

In the process, advocates for more immediate action are hoping that local government agencies that sometimes struggle to work together will seize the opportunity to consider alternatives to traditional top-down programming.

โ€œWe need to be needs-oriented, rather than funding-oriented,โ€ says Brent Adams. In addition to running the nonprofit Warming Centerโ€™s overflow winter shelter programs in Santa Cruz and Watsonville, Adams started a free storage service last year for homeless residentsโ€”all with an annual budget around $65,000, which he presents as proof that the city could spend a lot less to achieve a lot more.

Coming to a consensus on where to go from here isnโ€™t just a nice New Yearโ€™s resolution. Itโ€™s a necessity, since the infusion of state dollars will come with an expiration date.

โ€œItโ€™s very important that everybody be kind of in line,โ€ says Santa Cruz County spokesman Jason Hoppins. โ€œIf you donโ€™t use it within two years, you lose it.โ€

A New Approach

The city of Santa Cruz didnโ€™t set out to become the operator of an outdoor homeless shelter. Last winter, Oโ€™Hara embarked on a search for a partner organization to run the River Street camp. After she says that no local organization had the capacity to hire what would eventually total 25 mostly part-time employees, it was Oโ€™Hara and the campโ€™s primary day-to-day leader, Chris Monteith, who hired staff, bought equipment and arranged for infrastructure like showers.

โ€œWhen we tried to find somebody to run the camp, a nonprofit, we envisioned it running for four months,โ€ Oโ€™Hara says of the camp that was ultimately open for about nine months.

A total of 86 people, ages 20-75, stayed at the camp, Oโ€™Hara says. More than a third of them went on to longer-term housing, veteransโ€™ residences or rehab facilities, and a small handful opted to return home to other places. Most residents had lived in the area for an extended period before moving to the camp.

Hubbard and Reyes met all kinds of people living at the camp and on the street. One was a monk. Some were moms or dads scraping by with their adult children. Many were locals who couldnโ€™t afford to stay, but never left.

โ€œAll generalizations are false, including this one,โ€ Hubbard says, quoting Mark Twain and hinting at his days studying political science. Still, he says, โ€œThe general trend is that people couldnโ€™t keep up with the rent, but they were too in love with their hometown to leave.โ€

On a recent afternoon outside a coffee shop on Pacific Avenue, near his job at the Homeless Garden Projectโ€™s holiday store, Hubbard talks about how heโ€™d like to go back to school, and how he wishes the city would act on promising ideas like tiny homes. Reyes, a former anthropology major, is right there with him talking about โ€œproject-based vouchersโ€ and other jargon gleaned from navigating a maze of social programs. (Though the two bicker like any couple about cutting each other off when they get excited, they define their relationship as โ€œbest friends.โ€)

The River Street camp was sometimes alienating with its multi-layer security and designated vans to shuttle residents in and outโ€”a โ€œnanny camp,โ€ Adams calls itโ€”but the guarantee of dinner, storage and other on-site services was much better than the street to pursue a steady job or permanent housing. Hubbard, Reyes and advocates like Adams all suggest that the camp could have been run cheaper, maybe allowing it to stay open longer: less intense security, no stadium-style all-night lighting, or maybe fewer homier touches, like sleeping mats. Order and security, however, were always central selling points of the public plan.

Now, Reyes worries about the growing number of fancy cars she sees around town, and a general decline of the weirdness that animates Santa Cruz. Sheโ€™s comparing the city to gentrification she lived through in San Francisco when a young park ranger strolls by in his neat olive green uniform. He recognizes her and Hubbard instantly, and Reyes tells him they moved off the street.

โ€œIโ€™m glad you guys are doing well,โ€ the ranger says earnestly.

โ€œHeโ€™s one of the good ones,โ€ Reyes explains as he walks awayโ€”as opposed to the rangers and police officers who wrote Hubbard $1,000 in camping fines during his months on the street.

Though the Santa Cruz Police Department recently told GT that the city stopped enforcing a local camping ban after a state Supreme Court decision ruled such measures unconstitutional, Hubbard says he still gets regular letters about the debt. The city of Santa Cruz also closed several local parks this fall, citing maintenance and โ€œpublic safety.โ€

Finding Space

On a gray morning the week before Christmas, a standing-room-only crowd of local government brass, homeless services providers and a smattering of the people who rely on those services gathered at the gated Coral Street compound of the Homeless Services Center.

Just down the block from the former River Street camp, the group has assembled to remember the 55 people, ages 27-77, who died without a home in the county during 2018. Over the hum of an industrial refrigerator, with tissue boxes pulled every so often from a bright yellow pantry, people take turns sharing stories about โ€œTigerโ€ and โ€œHarmony Gritsโ€ and others whose legal names and ages at the time they died are written on player flags above a folding table altar.

โ€œThe average over the past 10 years has been 36,โ€ county public health nurse Matt Nathanson, who has organized the memorial for 20 years, says of the rising death toll. A brief report printed on purple paper lists acute drug and alcohol intoxication as the leading causes of death (16), followed by trauma like being hit by a car or drowning (7) and cardiac issues (7). While roughly equal numbers died outside or in a medical facility, another 10 percent were in temporary locations like motels. One death certificate just said, โ€œa shack.โ€

โ€œWe need to do a better job. Full stop,โ€ said Phil Kramer, executive director of the Homeless Services Center.

Itโ€™s not that there arenโ€™t proposals on the table. Both the city and the county have produced multiple detailed reports in recent years with laundry lists ways to improve outreach and offer more resources. Each time, a familiar roadblock surfaces.

โ€œWe donโ€™t have the facilities to address the issue,โ€ Hoppin says.

At the top of the countyโ€™s list of priorities are two โ€œnavigation centersโ€ offering year-round shelter and access to social services, one in North County and one in South County. The new $10 million from the state could be one way to finally get the projects underway, Hoppin says.

Still, itโ€™s deciding on specifics that have historically been the problem. Though Adams says heโ€™s secured real estate for his programs through clear plans and ongoing dialogue with neighbors, Oโ€™Hara expects that the site selection conversation will remain โ€œone of the most challenging.โ€ Just look at the Measure H county affordable housing bond that voters defeated in November, she says, which would have provided $21 million for homeless facilities.

โ€œThatโ€™s pretty devastating,โ€ Oโ€™Hara says. โ€œThat was really something that we were banking on.โ€

For people on the street, like Hubbard and Reyes once were, the false starts translate to a roller coaster of camps and seasonal shelters and stints outside. With their current housing assistance set to expire in February, theyโ€™re just hoping to stay off the ride.

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