Q&A: Antonio Villaraigosa on Immigration and Healthcare

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[dropcap]A[/dropcap]ntonio Villaraigosa has a sharp memory.

When the gubernatorial candidate called me up last week, he detailed to me what he liked about a blog post I’d written about him four months earlier—as well as what he didn’t. He opined that I hadn’t provided the full context for one of his quotes, which was probably a fair point. And he remembered the exact part of the quote I had left out.

In a field with six major candidates for governor, Villaraigosa, who once served as the state assembly speaker, is locked in a dead heat with Lt. Gov. Gavin Newsom, according to the most recent polls. Villaraigosa spoke to GT about immigration, healthcare and balancing budgets.

 

If you were governor right now, how would you respond to Attorney General Jeff Sessions’ lawsuit against California over its immigration policies?

ANTONIO VILLARAIGOSA: I’d do what Gov. Brown did. I’d say that you’re not welcome in our state when you misrepresent what we’ve done in California. There’s nothing in the California Values Act that says if people commit violent crimes, they won’t go to jail. They will go to jail. They are going to jail.

The biggest reason [Sessions] came to California is for almost a year now he has been under almost a weekly assault from Donald Trump, criticizing how he’s carried out his duties as an attorney general. He’s struggling, fighting to keep his job, so he came here to California to curry favor with his boss.

You’ve advocated for creating a public option for healthcare. How is that better than trying to build a single-payer system from scratch?

First of all, I supported universal healthcare my entire life. SB 562 is legislation that essentially articulates the goals of a state-paid-for healthcare system that would end Medicare and Medical as we know it; eliminate all insurance-based healthcare plans, including Kaiser; require a federal waiver from Donald Trump, who wants to eviscerate the Affordable Care Act (ACA) and Medicaid; and cost at least $200 million, assuming you could suspend Prop 98. And you’d have to suspend it each year, and you’d have to pay back to community colleges the money that would have gone to them. So it’s really a $400 million price tag. So I’ve asked Gavin Newsom, who’s tripled down on SB 562, to debate me on this issue.

The number one issue for the next government is to protect the ACA. In California, we need to do the following: One, restore the individual mandate at a state level. Two, we need to focus on prevention to a much greater degree. Three, we need to look at best practices here and around the country—Cleveland Clinic, Kaiser—where we can adopt cost-containment measures, to drive down the spiraling cost of healthcare. It’s not just a public option. It’s a public option, along with the exchange, along with what we currently have right now.

You paid fines in 2011 for ethics violations for accepting free tickets to high-profile events during your time as mayor. How can you convince voters that you have the ethical standards to be governor?

Before I was mayor, everybody on the powerful commissions—the airport commission, the port commission, the planning commission, community redevelopment—mayors used to put people in those positions that raised money for them. I signed an executive directive my first day in office prohibiting my appointees on any commission, including those powerful ones, from being able to raise money or contribute to the mayor.

What I was fined over was an issue that, prior to me, no one had ever been fined for, and I’ll tell you why. In my case, if I went to a game, a concert, and they gave me tickets, I would have to report them, and I always did. I was speaking at all these events. At every one of these events, I was speaking. Only once in a great while did I actually stay at those events.

The city of Santa Cruz is facing a budget shortfall and has announced a quarter-cent sales tax to support its general fund. One growing cost is its pensions. How did you cut pension costs as mayor?

We were facing a recession that was the worst since the 1930s. Many people said we were on the verge of bankruptcy. I said, “Not on my watch.” I was going to have to lay off thousands of employees. I worked with our unions. They wanted me instead to do an early retirement. We didn’t have the money for it, so we worked together and got current employees up from six percent to 11 percent. We did it working with our unions. We almost doubled the size of their pension contributions, but I did it working with them.

‘Spoken/Unspoken’ Comes to Cabrillo with ‘Cyphers’ Exhibit

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[dropcap]M[/dropcap]useum researchers at the Louvre found that people look at the Mona Lisa for an average of 15 seconds. Considering that it is the most celebrated painting in history, you have to wonder how much face time less famous works of art are granted. Chances are, it’s a matter of a few seconds—perhaps barely more than a quick scan before moving on.

Cabrillo Gallery Program Instructor Beverly Rayner is determined to change that. The Cabrillo Gallery’s newest exhibit “Cyphers” features work with encrypted messages and ambiguous concepts intended to get people to slow down and consider a deeper meaning behind the work. It’s an exhibit full of questions and not many answers, which is inspiring, intellectually stimulating and incredibly frustrating all at the same time. You’ll have to spend more than 15 seconds in front of each piece to really unpack them, and that’s the point.

“It nudges and challenges your mind,” Rayner says. “You look at it and make some associations, but you have to keep going back.”

The exhibit is an artistic playhouse that embraces the logical interplay between arts and analytics. It’s a bridge between left-brained and right-brained thinking that melds them into a unique, enigmatic installation more like a sudoku puzzle than a simple illustration.

One piece plops a confessional right in the middle of Euler’s Formula—a mishmosh of sines and cosines on a chalkboard. The formula is known for its particular aesthetic beauty, though it’s gibberish to the untrained eye. Like the rest of the work, there is no exact meaning behind it. Rather, it’s all about individual interpretation, not necessarily a specific idea that artist Laura Forman intended.

The work only gets more bizarre and fascinating from there. Lucy Gaylord-Lindholm’s work is inspired by fragile but resilient artifacts that have somewhat withstood the test of time—a Russian typewriter, a broken Amati violin, old letters. There are Gina Pearlin’s un-interpreted dreams, and Steve Gompf’s surreal animations playing on antique televisions in the middle of the room. Gompf’s video is a must-see; snag a pair of 3D glasses and maybe a chair for the weirdest visuals you’ve seen in a while.

The exhibit is an artistic playhouse that embraces the logical interplay between arts and analytics. It’s a bridge between left-brained and right-brained thinking that melds them into a unique, enigmatic installation more like a sudoku puzzle than a simple illustration.

While many have been holding their breath for the exhibit’s opening, its completion comes as a relief to Rayner and program coordinator Victoria May, since they are the founders and hosts of the “Spoken/Unspoken” series. Over a year ago, the gallery was awarded a $10,000 grant from the Rydell Visual Arts Fund to bring together an 11-venue exhibit. After much discussion, the galleries decided on the “Spoken/Unspoken” theme because it was open to interpretation and seemed fitting at the time. Keep in mind, this was before the Donald Trump presidential inauguration, and Rayner admits that as the idea aged it became more timely than anyone could have imagined.

“Part of the whole idea is to create a sense of community and grow the sense of awareness of the locations you can experience art at across the county,” Rayner says. “If people go to one show, they know about the other places, too. Then, all of these connections happen.”

For the last few months, their job has been to make brochures, promote, advertise, and support other galleries. But now it’s their turn to be in the spotlight. For Rayner and May, “Cyphers” really is the cherry on top of a long few months of organization and preparation. The final shows at the Pajaro Valley Arts, Santa Cruz Mountains Art Center and Santa Cruz Public Library run through the spring and early summer.

“It shows the strength and vibrance of the art scene in Santa Cruz,” Rayner says.  “And it reminds us that art is important, especially now.”

 

“Cyphers” runs through April 13, and will be closed from March 26-30. For a complete list of past and upcoming shows, visit spokenunspokenart.com.

Preview: The Regrettes to Play the Crepe Place

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[dropcap]L[/dropcap]ydia Night, lead singer and rhythm guitarist for the L.A. garage-pop band the Regrettes, has discovered that their song “A Living Human Girl” has touched fans in a very profound way.

“We’ve gotten everything from someone saying that it helped them with their depression or their eating disorder to it just gives them confidence,” Night says. “They start their day with that song. It all revolves around the self-love aspect.”

It would be hard not to feel good about yourself after listening to the song. The song celebrates the physical “flaws” that we all have (“I’ve got pimples on my face and grease in my hair”) while simultaneously emphasizing the importance of things besides physical beauty. In other words, in today’s physical-appearance-obsessed culture, it’s revolutionary.

“When you’re constantly being fed photos of models and people with unrealistic body types, it’s really damaging,” Night says. “It skews the way you feel and what your values might be—valuing the way you look over the way you think or how smart you are.”

The song comes off of last year’s Feel Your Feelings Fool, which has some heavy songs like “A Living Human Girl,” but also has some simple, light-hearted ones like “Hey Now,” which is about a crush.

“I don’t think every little feeling has to be some super specific metaphorical thing with a lot of layers to it,” Night says. “‘Hey Now’ is a very simple song, and it’s simple for a reason because it’s a simple feeling. And it’s something that everyone goes through.”

The band says they decided on the album’s title not only as a theme that runs through each song, but also as a call to action of sorts.

“It’s all over the place feeling-wise,” Night says of Feel Your Feelings, Fool. “Expressing emotions in general is something that’s so tricky. It’s so hard for everyone. No one wants to admit how they’re really feeling a lot of the time. I think it’s about us learning about that process and learning how to be more vulnerable with our feelings and taking it to wanting to help other people experience that and get through that stuff.”

Night, who’s still in her teens, has an extraordinary knack for vocalizing a wide range of emotions. She says that her music is like a diary entry of her life.

“I’m an open book,” Night says. “I’m very open with that stuff, but it’s kind of strange when I really do think about the fact that, wow, my life is kind of out there for everyone to see.”

She’s in a unique position, too, because she’s closer to the age of her fans than a lot of the performers out there that are writing the music teens are consuming.

“I draw from a super personal place in all of my music,” Night says. “It’s all the shit that I’m going through at the age that I’m going through it. I’m not pretending to be a different age or pretending to be someone that I’m not.”

The group got signed by Warner Bros. back when Night was still in high school. The band had also only recently formed.

She was never opposed to working with big labels—she wants her music to reach as many people as possible. But it was a surprise that she was taken out of class on a Wednesday to have a meeting with a label exec.

“It moves at a fast pace, like every night we’re somewhere different, and I’m so involved in it that I don’t really see how crazy it is,” Night says. “When I’m home, I’ll kind of look at it and I’m like, ‘oh shit, my life is not a normal teenager’s life. It’s just not. It’s not normal.”

The group just released an EP, Attention Seeker, to tide fans over as they wait for the follow-up to Feel Your Feelings Fool. They hope to go into the studio soon to start recording tracks for their second album.

The Regrettes plays at 9 p.m. on Saturday, March 17, at the Crepe Place, 1134 Soquel Ave., Santa Cruz. $12. 429-6994.


Update 03/14/2018 12:39 p.m.: A previous version of this story included the wrong venue. The Regrettes are performing at the Crepe Place.

Flavor and Ambience Shine at Bittersweet Bistro Happy Hour

[dropcap]S[/dropcap]ome happy hours are better than others. That’s just a scientific fact. Take the happy hour hosted by Bittersweet Bistro. On a chilly evening, the lively lounge with its dark wood bar offers aid and comfort to a wide range of thirsty and hungry Aptos neighbors. When I met Melinda last week, LeBron was just finishing up his 39-point game on one of several strategically placed screens. While bar seating gets you up close and personal with the NBA action, Mel and I chose a corner booth under the windows. Adults of all ages, many of them old enough to know all of the lyrics to Beatles tunes, were in full swing as we took advantage of the appealing Happy Hour prices to order a classic Manhattan ($6) and a Bittersweet 75 ($8). Well-made cocktails. Great start to our happy hour.

The house that Tom and Elizabeth Vinolus have built and tended for three decades is going strong. The straight-ahead and generous comfort food on this menu is a huge part of the Bittersweet appeal. So is the Mediterranean patio in warm weather. So is the huge, yet somehow cozy dining room. But we like the California pub ambience of the bar. The “quesadilla of the moment” ($8) happened to be carne asada. We said “yes” to that, plus Angus beef carpaccio ($10). We were comparing notes about hotels in Manhattan for an upcoming trip when our quesadillas arrived, a platter with four large gleaming wedges of flour tortilla packed with beef and cheese. On the side came a trio of salsas, and I immediately fell for the fiery sour cream version. Let me be clear about these happy hour portions: They are not tiny. This is serious food, so serious that we had two of the four large quesadillas packed for home. As an abundant plate of carpaccio arrived we were sipping away, Melinda on her Manhattan (I’m not a fan of drinks containing cherries) and I on my cocktail of Hendrick’s gin, lemon juice and a float of bubbly. I asked for my drink to be made without a sugar rim and very little simple syrup. The bartender obliged and the cocktail was refreshingly un-sweet so that the gin could peek out and make itself known. Thank you! On the carpaccio front, paper-thin beef was draped across a large round plate, ringed with rosettes of Dijon mustard. In the center sat a jungle of baby arugula embellished with shaves of Parmigiano-Reggiano (I would have liked a bit more cheese), lavish quantities of capers, and a micro-dice of purple onion. This was a life-sustaining appetizer by any stretch, and for $10 it was the deal of the decade. Not sure why but the bite of gin and lemon made flavor romance with the sweet earthiness of the beef. Classic appetizers are treated with respect and gusto here at the Bittersweet happy hour—and worth the challenging rush hour drive from the Westside. The NBA, a proper cocktail, and affordable apps. Lots to like.

Bittersweet Bistro happy hour is 3:30-6 p.m. on Wednesday-Friday, and Sunday.

 

Windy Oaks at Soif

If you’re swift you might be able to score one of the last remaining places at tonight’s Winemaker Dinner at Soif ($125/person). Join one of the golden couples of the Santa Cruz Mountains Pinot Noir scene, Jim and Judy Schultze, as they pour top Windy Oaks Estate wines—including a horizontal of Library pinots—in tune to some excitingly matched courses by Soif chef Marshall Bishop. Quick! RSVP to Soif, 423-2020.

What do you think of self-driving cars?

“They need their own lanes.”

Dina Bee

Santa Cruz
Cheesecake Maker

“I don’t think it’s right. I think people should have to drive themselves.”

Chris Bond

Santa Cruz
Worker Bee Carpenter

“I know it’s coming, but there is going to have to be a lot more infrastructure created before I’m good with it.”

Karen Nelsen

Santa Cruz
Wellness Coordinator

“A greater potential for reduced parking spaces around town and more spaces for human activity.”

Jared Copher

Santa Cruz
Chef

“We’re all screwed.”

Kirsten Rosenberg

Santa Cruz
Waitress

Opinion March 7, 2018

EDITOR’S NOTE

Many years back we did a cover story at Metro Santa Cruz about the supposed “Curse of Santa Cruz,” which local legend says was placed on this area by Native Americans who suffered under the truly unwoke, not-at-all-understanding-the-principles-of-their-own-religion Franciscan priests who established the mission here. I remember thinking the oddest thing about this urban legend is that it never really specified what the curse was supposed to do, or who it was supposed to affect.

However, I have a theory. I think whatever bad juju has been circulating around this place over the years disproportionately falls on Santa Cruz musicians, because man it is tough to make it here. I’ve seen so many great bands build up to a critical mass of popularity here in the bubble of the Santa Cruz scene, and then be completely unable to turn that into any kind of meaningful success beyond the city limits. Of course there are exceptions (looking at you, Good Riddance and Devil Makes Three), but it’s happened so many times now I’m not even surprised anymore when a Santa Cruz act that seems primed for bigger success calls it quits in frustration or just kind of fades away.

So if local musicians with big dreams get the chance, they should get out while they can, right? Not necessarily. Many extremely talented musicians have been faced with this choice and decided to stay here and make it work however they can.

This is the dilemma that AJ Lee is up against right now, as Aaron Carnes describes in his cover story this week. She dreamt of moving to Nashville to pursue music-industry success, but then her roots band Blue Summit got big fast on the local scene. The remarkable way that she and the other members of the band have navigated these issues speaks, I think, to a larger point about how truly supportive friendships and artistic collaborations are the real stuff of big dreams.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Cabrillo Students Deserve Early 71 and 91 Buses

In 2017, the Cabrillo College ballot approved an obligatory fee of $40 per semester, enabling students to have a bus pass whether or not students planned to use the bus. Collectively, the fee accumulates to around $300,000 per year. The objective of the fee is to support the 71 and 91 bus routes for students to access Cabrillo from their home communities. Many students of Cabrillo College are asking for one early 71 bus and one early 91 bus to leave from Santa Cruz toward Watsonville by 6:30 a.m. Though there are several buses leaving Watsonville for Santa Cruz as early as 5:34 a.m., the earliest bus leaving Santa Cruz is at 6:45 a.m. This is an excellent example of services offered to the Watsonville community that could also be offered to help communities of Santa Cruz who regularly use the public transportation system.

Many students of Cabrillo are parents who work and need to be able to bring their families to school before their classes or work begin. Most parents use the Soquel corridor to drop their children in the morning at school or to bring them to doctors’ appointments at the hospital. We are asking please for your empathy, compassion, and to consider how a simple decision can be made to prevent disenfranchisement of student rights, student money, and to ensure that the vote of each student be counted. Please make a wise decision and remember that this decision is in your head, in your hands, in your heart, in your name, and in my name too. Please, we don’t want Proposition 69 [on the state ballot in June], a transfer of the fees paid to the general funds of METRO, because it could hurt our rights.

Ofelia Gomez | Santa Cruz

Unleash!

Re: “Puppy Love” (GT, 2/7): Santa Cruz County is a great place to share life with a dog. You can shop with your dog in Downtown Santa Cruz and Capitola Village; there are more than 50 dog-friendly restaurants, plenty of on-leash beaches and trails, plus our animal rescue organizations are the best. We have some of the most spectacular areas to take our furry friends. Have you been to Byrne-Milliron Forest in Corralitos? It’s off-leash with amazing views.

Being off-leash and socialized has been proven to make dogs better canine citizens. I agree we need more off-leash opportunities throughout the county. Almost half the county households have at least one dog. By the numbers: there are 12 off-leash dog areas throughout the county and around 55,000 dogs (based on 2007 Census). That is 4,584 dogs per dog park! That doesn’t count the “tourist dogs” (37 percent of visitors travel with their pooch).

When we lost off-leash at Its Beach, the City of Santa Cruz stepped up and created little “pocket dog parks” throughout the city, including some permanent agility equipment (check out the “dog walk” in Bethany Curve Park). It would be nice if City Parks would make Mitchell’s Cove off-leash sunrise to sunset. At this point, it is time for the county to step up and provide more off-leash opportunities. So, Eva Rider (Letters, 2/14), if you want to make a difference, go talk to County Parks and the Board of Supervisors about creating more opportunities.

To those who don’t like off-leash dogs: you aren’t getting enough oxytocin! You need a dog!

Whitney Wilde | Santa Cruz


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GOOD IDEA

THIS IS A DRILL
With a proposal on the table to open up the California coast for offshore oil drilling, Save Our Shores is making a final push to get ocean lovers to comment on the plan from U.S. Secretary of Interior Ryan Zinke, an appointee of President Donald Trump. A call to action from Santa Cruz’s environmental nonprofit reminds people that they have until Friday, March 9, to express their views on the idea. Visit regulations.gov to comment, or visit saveourshores.org for more information.


GOOD WORK

BOOK SELVES
The all-volunteer group Free Books for Kids gave away 1,302 books by Theodore “Dr. Seuss” Geisel in honor of Dr. Seuss’ birthday, which fell on Friday, March 2. Malcolm Kushner, a retired teacher who created the group in 2014, says the books went to five elementary schools from Santa Cruz to Watsonville, in addition to the Live Oak Health Center and Santa Cruz Reading Association. The group has now given out more than 88,000 books.


QUOTE OF THE WEEK

“Everyone has learned how to monetize music except the music industry.”

-Pete Wentz of Fall Out Boy

Film Review: ‘Fantastic Woman’

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[dropcap]I[/dropcap]t seems like the perfect match between performer and role. Transgender actress Daniela Vega makes a triumphant debut in A Fantastic Woman, playing the role of a transgender woman fighting for respect in modern-day Chile. But this is way more than a one-issue movie. Nominated for a foreign language Oscar this year, Sebastián Lelio’s engrossing film is a resonant and stylishly told story about the basic human right to live with dignity and carve out one’s identity in the world.

Chilean filmmaker Lelio (along with his co-screenwriter, Gonzalo Maza) made the zesty woman-over-50 movie Gloria a few years back. They continue to delve into the psyche of interesting females in A Fantastic Woman with protagonist Marina Vidal (Vega), a cafe waitress by day who croons sultry ballads in a bar at night. She shares an apartment in Santiago with her partner of several years, frisky, tender Orlando (Francisco Reyes), a divorced businessman a few decades older than she is.

But one night, Orlando becomes disoriented in bed, stumbling down a short flight of stairs before Marina can bundle him into the car and rush him to the hospital—where, soon after, he dies. And the devastating shock of her loss is just the beginning of her troubles. She has to produce and explain her male ID card (her procedure isn’t quite complete yet) to the cops at the hospital‚ and suffer their insinuating questions about how Orlando died. A policewoman with the Sexual Assault unit, looking to explain Orlando’s bruises as self-defense, orders Marina to strip for nude photos to search for signs of abuse.

Meanwhile, Orlando’s disapproving family closes ranks against her. Only his brother is friendly to her, but Orlando’s ex calls Marina a “perversion,” while his wayward son shows up at the apartment to intimidate her. Not only do they expect her to vacate the apartment and turn over the couple’s car, they refuse to even tell her where the funeral will be held, so she won’t show up and embarrass the family.

That not all of these issues are gender identity-based broadens the film’s scope; Marina’s plight as an outsider forbidden the rights of the legal kinship group is universal. And in Vega’s fearless performance, we get a heroine to root for. Strong-willed, but not “tough” in any clichéd way, she’s determined to hold onto her dignity and her poise as she stoically battles for her rights.

Reyes is charming as Orlando, who continues to pop up throughout the story as a kind of ghost-memory, cheering on Marina. A thread of mystery also runs through the plot, leading to a satisfying surprise, and a terrific, self-empowering finale. (And yes, that is the opera-trained Vega herself singing at the end!)

Lelio makes adroit use of visual metaphor as the emotional story draws us in. As the slights and obstacles pile up in her personal life, Marina is pictured walking down the street at an increasingly rigid angle into what becomes a ferocious headwind—hers is an uphill battle all the way. When she’s alone in her room, Lelio shoots a haunting image of Marina’s face reflected in a small mirror propped up between her legs—inviting us to ponder if this is the only place that defines her identity as a person.

Early on, when Lelio was first turning over the idea of a movie with a transgender protagonist, he was introduced to performer and trans activist Vega. She became his consultant on the film, and his mentor, introducing the filmmaker to contemporary trans culture. But it wasn’t until the very end of the process, when the script was completed and the cameras were ready to roll, that it occurred to Lelio that Vega would be perfect to play Marina.

So the role was not exactly written for Vega, but thank heavens for serendipity—her performance is outstanding.

 

A FANTASTIC WOMAN (La Mujer Fantastica)

***1/2 (out of four)

With Daniela Vega and Francisco Reyes. Written by Gonzalo Maza and Sebastián Lelio. Directed by Sebastián Lelio. A Sony Classics release. (R) 105 minutes. In Spanish with English subtitles.

 

Alfaro Family Vineyards’ Well-Balanced Pinot

Ten of us went to Alfaro Family Vineyards recently to taste their wonderful wines. On this particularly warm winter’s day, Alfaro was packed with folks having a good time. Mingling with fellow tasters over winemaker Richard Alfaro’s wines is an enjoyable way to spend an afternoon. Richard’s wife, Mary Kay Alfaro (a certified sommelier), greets customers on weekend wine tastings and helps run the business. The winery is a lovely place to visit and share a glass or two with friends, and you are welcome to bring a picnic, too, and take in views of the vineyards from the deck.

I always appreciate Alfaro’s well-made wines. The Heirloom Clones Estate Pinot Noir ($40) is no exception. Deep ruby in color, its appealing mélange of flavors includes cedar box, black olive, cranberry and anise—with an interesting nose of licorice. Its well-balanced tannins and bright acidity round out this bold and hearty wine. Grapes for this Pinot are harvested from four different estate sites—Lindsay Paige and Ryan Spencer vineyards (named after Richard and Mary Kay’s children) and Alfaro Family and Mary Katherine vineyards.

Alfaro’s wines can be found all over—supermarkets, liquor stores, restaurants, and places like 1440 Multiversity in Scotts Valley.

Alfaro Family Vineyards & Winery, 420 Hames Road, Watsonville, 728-5172. alfarowine.com

 

1440 Multiversity

Touted as “the nation’s newest learning destination,” 1440 Multiversity in Scotts Valley is a 75-acre campus situated in beautiful California redwoods. Built as a retreat center, it hosts a wide array of classes and speakers. The restaurant, called Kitchen Table, serves fresh and healthy organic food – all local. I was glad to see when I had dinner there that some local wines are carried, too, such as Alfaro, Martella, Cinnabar, and Morgan. Santa Cruz Mountain Brewing also has its beers there. 1440 (named for the number of minutes in a day) is all about inspired culinary creations—and all deliciously healthy.

1440 Multiversity, 800 Bethany Drive, Scotts Valley. 844-544-1440.

Brew Cruz Expands Fleet

When Annie Wolff-Pautsch launched her Santa Cruz County brewery tour company Brew Cruz in 2014, its early success left her with an unanticipated problem. Wolff-Pautsch had originally thought she would fill her refurbished 15-seat 1989 Thomas International school bus, aka “Betty Jane,” with public tours of small mixed groups, but private tours of large celebratory groups quickly filled her schedule. She found herself frequently having to turn down inquiries from groups of two to six people eager to enjoy her novel tour experience. “My intention was to have public tours on Betty Jane à la the Chardonnay, but the popularity of private groups created a need for another vehicle for public tours,” says Wolff-Pautsch.

With that in mind, Brew Cruz added a second vehicle to its fleet last month: a hunter-green-and-white 1964 VW Bus named “Slowboy” to be used for public tours. Minimal updates to the vintage vehicle include hardwood floors, custom blue vinyl seating and a Bluetooth stereo for guests to play their own music. They’ve preserved the tweed interior lining and original dash, where the clock is set permanently to 5 o’clock. A light-up Brew Cruz pyramid logo sits on top of the wooden rack like a party hat. “The thread between both of the buses is a local perspective of the Santa Cruz beer scene,” says Wolff-Pautsch.

Slowboy embarks from the Dream Inn and accommodates four to seven passengers who can reserve their spot online on a first-come, first-serve basis. For $45, guests are shuttled between Shanty Shack Brewing, Santa Cruz Ale Works, Humble Sea, and Santa Cruz Mountain Brewing, and receive $1 off their first beer at each establishment, parking validation at the Dream Inn and happy hour prices at the Jack O’Neill Lounge after the tour. Trips currently run on Saturdays and Sundays, but Wolff-Pautsch plans on expanding to at least four days a week by summer and during Spring Break.

So far, she says that while the passengers may start out as strangers, it usually doesn’t stay that way for long. “By the end of the tour they’re all sitting together, discussing the beer and breweries, and happily stumble into the O’Neill Lounge together.”

 

More info at scbrewcruz.com.

Diversity Center Unveils Additional Support for Trans Youth

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Juniper Arthur is open about the difficulties she’s faced as a transgender woman. How she was told to take antipsychotics as a cure, and that she ought to wear makeup and dresses to look more feminine. Why she felt pressured to pitch her voice up.

“The struggle isn’t about being trans. It’s being confident in being seen, and being happy with who you’re being seen as,” she said.

Arthur spoke at an open mic event that marked the kickoff of a new series of transgender support programs at Diversity Center Santa Cruz County. Though the nonprofit features a series of support programs geared toward the trans community, those groups meet just once a week or twice a month. With the new programs, the center is hosting a monthly event focused on the community’s needs.

The slate of events includes clothing swaps and educational workshops for the community at large. With funding coming from the David and Lucile Packard Foundation, one of the biggest additions is a dedicated staffer to meet the needs of people who need support in the transgender community.

That support could be as simple as being available to listen or as complex as wading through the paperwork necessary for a gender transition, according to Sharon Papo, executive director of the Diversity Center.

“We have someone who can be a navigator in the community,” she said.

Ezra Bowen, the new coordinator for the program, said it’s hard to quantify how many transgender people live in the county. But one thing that is certain is that the community needs more support.

“I know that we like to tell ourselves that Santa Cruz is this liberal little hub,” Bowen said. “But I guarantee you if I were to go down to that Safeway down the street, I’d get three old white guys in pickups just glaring at me. Is it because I’m queer? Is it because I’m black? The truth is people don’t like to accept things they don’t know about and are different from them.” 

Q&A: Antonio Villaraigosa on Immigration and Healthcare

Antonio Villaraigosa
Running for governor, the former L.A. mayor argues that single-payer healthcare would leave Californians worse off

‘Spoken/Unspoken’ Comes to Cabrillo with ‘Cyphers’ Exhibit

Cabrillo Gallery Spoken/Unspoken Cyphers exhibit
Cabrillo Gallery’s new exhibit resists the superficial way our culture looks at art

Preview: The Regrettes to Play the Crepe Place

Regrettes 'Feel Your Feelings Fool'
Why the Regrettes’ ‘Feel Your Feelings, Fool’ is having such a big impact on fans

Flavor and Ambience Shine at Bittersweet Bistro Happy Hour

Bittersweet Bistro Happy Hour Aptos
Fine cocktails and a ‘quesadilla of the moment’ at Bittersweet, plus a Winemaker Dinner at Soif

What do you think of self-driving cars?

Local Talk for the week of March 7, 2018

Opinion March 7, 2018

AJ Lee Blue Summit
Plus Letters to the Editor

Film Review: ‘Fantastic Woman’

Trans heroine triumphs over adversity in ‘Fantastic Woman’
Trans heroine triumphs over adversity in ‘Fantastic Woman’

Alfaro Family Vineyards’ Well-Balanced Pinot

Alfaro Pinot Noir
The bold and hearty Heirloom Clones Estate Pinot Noir 2016

Brew Cruz Expands Fleet

Annie Wolff-Pautsch Brew Cruz Slowboy Betty Jane craft beer tour in Santa Cruz
Annie Wolff-Pautsch on her new bus and public brewery tours

Diversity Center Unveils Additional Support for Trans Youth

Ezra Bowen, the new transgender program coordinator for the Diversity Center, addresses the crowd at a recent open mic. PHOTO: KEANA PARKER
New staffer at the center says LGBT community needs more support
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