Closure of Second Story Worries Local Mental-Health Advocates

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The concentric circle of dark green semicolons covering Carleen Neuman’s left wrist has become a source of pride and a symbol of resiliency. Each of the six punctuation marks represent a time when she could have chosen to end her life, but didn’t.

Neuman’s intricate tattoo covers up a long series of deep, jagged scars that evidence a lifetime of razor blade cutting and burning. It provides a daily reminder that her story isn’t over yet—and that she should tell it.

“There’s a lot not right with the mental health system in Santa Cruz,” Neuman says. “Second Story was the one thing that worked. If it weren’t for my three stays at Second Story, I’d probably be dead. My story would be over.”

The news that Second Story Peer Run Respite House—Santa Cruz’s only alternative to inpatient psychiatric hospitalization—is closing its doors at the end of November is hitting guests like Neuman, as well as the program’s 14 staffers and other members of the mental health community, extremely hard.

“The funding for Second Story is no longer available,” Santa Cruz County Mental Health Director Erik Riera wrote to county staff in an Aug. 23 email. “The decision to close Second Story was very difficult for me as the county behavioral health director, as we have been very invested in building and expanding peer services in our community”

Many leaders in Santa Cruz County’s mental health system are angry about the decision to close Second Story.

“It was essentially done behind closed doors, so to the community it came as a brutal shock,” says Yana Jacobs, who was instrumental in establishing Second Story a little over eight years ago. “And the closure notice is such a short time frame. A few months. This announcement has been traumatic, and people are having difficulty processing it.”

Leaving a Void

As the first entirely peer-run respite house in California, Second Story quickly became a flagship program, and a model for almost a dozen other respite houses across the nation. It was an experiment that worked—until now.

The men and women who run Second Story have always prided themselves on making it a sanctuary; a safe place where men and women with a mental illness can go when they feel like they need extra support, someone to talk to, a shoulder to cry on, or a place to go when they feel things are starting to unravel.

Guests can stay at the six-bed residential program for up to two weeks. There, they can get 24-hour-a-day community, advice, and comprehensive support from highly trained individuals who truly understand the people they’re serving and have helped many of the people they serve avoid inpatient hospitalization.  

The November closure of Second Story “is going to leave a huge hole that can’t be replaced,” says Jacobs. “People will isolate in their homes, and by the time someone notices, they will end up in a hospital. Which might be avoided if there was a peer respite to go to early on.”

The decision to cut Second Story was made in collaboration with Riera, Director of Adult Services Pam Rogers Wyman, and Encompass CEO Monica Martinez.

Like many things, it came down to money. Multiple employees providing services around the clock make the annual cost to run the program around  $700,000—and that number has been rising in recent years.

The grant from SAMHSA that supported the full cost of operating the program expired in 2015. Since then, Santa Cruz County has provided cash to keep the program going, while also searching for a long-term sustainable source of funding. Because peer services are not considered Medi-Cal eligible, there haven’t been any matching funds to help the county support it.

When Encompass, which does contract management for Second Story, received a grant from the California Health Facilities Finance Authority (CHFFA) to buy a new permanent home in Aptos earlier this year, hopes were high for Second Story’s future. The facility even moved into its new home. However, the CHFFA grant required expansion from six to eight beds, which turned out to be impossible due to the permit process and license requirements. The CHFFA grant also required a 20-year commitment and the county was unwilling to sign on to spending more than $700,000 each year for two decades.

Riera recognizes that the demand for services in other areas of the mental health system continues to increase, and says that Encompass will transition Second Story from a facility- based program to a community-based one starting Dec.1. The house will be sold, and Reira says the 14 workers who have made Second Story their home and community for more than eight years will be offered other positions with the county and Encompass.

Compounding a Crisis

The prospect of shuttering Second Story—essentially gutting the program—is not going over well with many of its current staff. Fanne Fernow, who has worked at Second Story for two and half years, says that she is “pretty certain that [she] would not feel comfortable working in a more traditional model of care.”

The red headed 65-year-old started as a volunteer at Second Story—baking cakes and cooking food for staff events and birthdays—and quickly fell in love with the program. She says that she treasures the community, her late-night chats over cookies and milk and working on her art with guests. “The powers that be are trying to convince us that there can be such a thing as a ‘non-residential peer respite,’” she says. “I do not agree.”

Fernow says that by definition, “respite” means a place of rest. The proposed field-based program would be a huge shift, and the lack of a permanent home could eliminate any sense of community. “Community is what makes Second Story so special,” she says.

The six “beds” that Second Story provides men and women in the local behavioral health system are unique—and, by most accounts, vital to the Santa Cruz County mental health system. The demand for beds at Second Story is consistently strong and the program operates at capacity year round.

Carol Williamson, president of NAMI Santa Cruz, has been closely monitoring the events surrounding Second Story’s closure. “We desperately need more beds at all levels, not fewer. It is unacceptable to lose any beds now. Whenever a bed is lost or a program closes, the impact is tremendous,” she says.

Williamson notes that Santa Cruz County already has a shortage of crisis beds—only 16 in the locked psychiatric health facility—and many people in crisis (estimates say half of them) are sent out of county to Fremont and as far as Sacramento. The 12 beds at the county’s only step down facility, El Dorado Center, are always overbooked. As are those at Telos—Santa Cruz County’s only crisis residential program.

Mental health beds of all kinds are scarce and overbooked with waiting lists,” says Williamson. “If six beds are not available at Second Story, where will clients go to stabilize when an episode is coming on—suicidal depression, psychosis?”

The effects of Second Story’s closure may reach far beyond county lines. There’s a chance that the local closure could be one domino in a larger statewide chain reaction.

“This is a national issue, particularly for states that do not have peer services as a Medicaid-reimbursable service,” wrote Riera. “We have heard from other counties that they are facing the same challenges and are moving toward other models.”

Calling Humanity to Reconciliation: Risa’s Star’s Sept. 12-18

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Sunday was the first night of Rosh Hashanah, Jewish New Year (the year 5779), which ended Tuesday evening. Rosh Hashanah celebrates creation and we contemplate upon humanity’s role in G-d’s world. It begins Days of Forgiveness and Awe. The shofar (ram’s horn) was sounded, calling humanity to reconciliation. Rosh Hashanah is the first of the 10 days of repentance culminating in Yom Kippur (Day of Atonement, Tuesday, Sept. 18, sundown to Wednesday, Sept. 19). During Rosh Hashanah, we gathered and ate apples dipped in honey asking for a “sweet year” ahead. In these days we bless one another with the words “L’shanah tovah.” (May you have a good and sweet year.)

Creation is the theme of Rosh Hashanah. Celebrating Adam and Eve (the two polarities in Libra) and Creation (in Genesis). “And the Word was made flesh.” And the “Word” (sound, vowels) became the intelligent substance of form and matter. It became the Mother (Virgo).

Matter maintains itself through the light and direction of the Soul (which Virgo “hides” in the “cave of the heart”). Language, the vowels are the original “sounds” of creation. They are the language of the Devas. Montessori, in teaching children the alphabet, separated the vowels from the consonants. The alphabet is in sandpaper letters for the children to “trace” with their fingertips. The vowels are on a background of blue. The consonants are on a background of red.

Humanity is asked to speak with kindness and with care during these days of awe, forgiveness and repentance, in order to “not lose the language of the heart.” And then we lift up matter to the “Kingdoms of Beauty,” restoring humanity’s happiness, truth and well-being. Rosh Hashanah is a purifying festival of allowing and compassionate forgiving.

ARIES: Interactions, thinking, working with colleagues, planning and agendas begin to proceed forward, and communication becomes less difficult. Everything does, actually. There are many daily responsibilities to consider, focus upon, order and organize. Financial consideration in terms of relationships will intensify. Bring order and organization to relationships, too, surrounded with love.

TAURUS: Words describing the coming month: creativity, research, food, purity, structure, restructure, money, finances, desire, aspiration, old friends, relationships. All play out, one by one as you simultaneously attempt to understand the spiritual science of how all things are made. You understand that to bring forth the new world, humanity must work with the Devas (Light Beings). You contact them. They respond with joy.

GEMINI: Corita Kent (artist) did a serigraph with the words “Slo Down.” When looking at Gemini’s chart, I see that there is a natural slowing down process occurring due to Saturn in Capricorn affecting your work in the world. Saturn is creating a new structure of patience and of beauty. In turn, as you contemplate Right Relations with all the kingdoms, especially the Devas, you bring forth a new inner creativity and it brings forth a new life direction.

CANCER: It’s important to begin speaking with truth and clarity about your own personal needs as you simultaneously tend to the needs of everyone else—family, friends, animal and plant kingdom. Cancer nourishes the whole world. You need nourishment, too, and it’s important to ponder and brood upon what that is. Tending children is one type of nourishment. There are other types that you specifically need. What are they?

LEO: Are you attempting to pull back on financial expenditures, while thinking more, trying to plan, seeking facts and figures, and gradually realizing your home needs tending, clearing, cleaning, ordering and perhaps even re-doing somewhere? For now, organizing finances is the important focus. Should you need money, now is a good time to ask. Careful at home with electricity, things fiery, red and hot.

VIRGO: It’s time to look in the mirror and realize a new self-image is needed. New wardrobe, colors, clothes, new hair, shoes and a new perception of self. Think “style.” Style makes one more exciting, fashionable and on the edge. You’re capable of this, with Sun in your sign. It’s easy for you to become habitual; looking, acting and believing the same old things. Stand up, shake off the old, set new goals, become who you want to be—and happy birthday!

LIBRA: Finally, Mercury is moving forward. It was a long time in your house of retreat, solitude, prayer, religion and contemplation. Now, in Libra, Mercury offers a new self-identity. It also encourages reading, which harbors you, calms anxieties and nerves, allows you to imagine more and removes you from the usual responsibilities. You’re recognized for your capabilities and excellent gifts. Try and save more (money), tithe to those in need, and offer forgiveness. It comes when you yourself “love more.”

SCORPIO: The months have brought forth great changes, which will continue. Scorpio, sign of life and death, transformation and regeneration, the phoenix rising out of the ashes, lives a life of daily constant change. You ask others to join you. They are afraid (of you, of death, transformation, regeneration experiences). You often feel alone. This is a planned situation for Scorpios—an evolutionary one. You’re to become the Disciple. The New Group of World Servers calls.

SAGITTARIUS: Each sign’s light flows through a specific planet in order to reach the Earth. For Sagittarius, that planet is Jupiter, Ray 2 of Love/Wisdom. Sagittarius is the great philosopher and Teacher. The sign of Sag comes with a great task. To gather the love and wisdom within yourself and radiate it out into the world of a thirsty humanity. Love heals, soothes, protects and transforms. It’s your turn to do this now. It’s your awakened task.

CAPRICORN: You seek a time of no complications, few responsibilities, where you can contemplate goals, aspirations, future objectives and family needs. Tend to all personal and professional obligations early each day. Allow domestic situations to be viewed with calm observation. There are answers. Capricorns are in a transformational state. Pluto in your sign makes your life powerful, potent, effective, forceful, and compelling. A bit intoxicating, too. Careful!

AQUARIUS: For years, life has been refining you and affecting your domestic situation. This change continues with finances and resources. Ponder upon what your gifts are. Spend time each day doing your very best, for much will be expected of you in the coming months and years. What you accomplish now will be reflected and expanded later. You have an opportunity to be seen in the world. Think of yourself as about to be reborn. All that you do becomes the seeds of future personal well-being and prosperity.

PISCES: You feel perhaps that you made mistakes in recent and past choices. You have a sense that you don’t quite know what you’re doing. This creates a vulnerability. You try to be practical and somehow that’s elusive. You want one thing and the opposite appears. Each day has been difficult, and you need a safe harbor, a “cocoon.” Tend carefully to your money, finances, resources. And to your spirit. There is perhaps grief. Remember B vitamins and homeopathic remedy ignatia amara. Wait. Cry. Pray. Forgive.

Rob Brezny’s Astrology Sept 12-18

Free will astrology for the week of Sept. 12, 2018.

ARIES (March 21-April 19): Author Anne Carson describes part of her creative process in this way: “Sometimes I dream a sentence and write it down. It’s usually nonsense, but sometimes it seems a key to another world.” I suspect you might be able to benefit from using a comparable trick in the coming days. That’s why you should monitor any odd dreams, seemingly irrational impulses, or weird fantasies that arise in you. Although they may not be of any practical value in themselves, they could spur a train of thought that leads you to interesting breakthroughs.

TAURUS (April 20-May 20): “The idea of liberation through the suppression of desire is the greatest foolishness ever conceived by the human mind,” wrote philosopher E. M. Cioran. I agree that trying to deny or stifle or ignore our desires can’t emancipate us. In fact, I’m inclined to believe that freedom is only possible if we celebrate and honor our desires, marvel at their enigmas, and respect their power. Only then can we hope to refine them. Only then can we craft them into beautiful, useful forces that serve us rather than confuse and undermine us. The coming weeks will be an excellent time for you to engage in this spiritual practice, Taurus.

GEMINI (May 21-June 20): “Remember that sometimes not getting what you want is a wonderful stroke of luck,” says the Dalai Lama. Ain’t that the truth! When I was 22 years old, there were two different women I desperately yearned for as if they were the Muse Queens of Heaven who would transform me into a great artist and quench my infinite passion. Fortunately, they both rejected me. They decisively set me free of my bondage to them. Later, when I was older and wiser, I realized that blending my fortunes with either of them would have led me away from my true destiny. I got lucky! In a similar but less melodramatic way, Gemini, I suspect you will also get lucky sometime soon.

CANCER (June 21-July 22): Don’ts for Boys or Errors of Conduct Corrected was an advice book for boys published in 1902. Among many other strictures and warnings, it offered this advice: “Don’t giggle. For the love of decency, never giggle.” There was additional counsel in the same vein: “Don’t be noisy. The guffaw evinces less enjoyment than the quiet smile.” Another exhortation: “Don’t tease. Be witty, but impersonal.” In accordance with astrological omens, I hereby proclaim that all of those instructions are utterly wrong for you right now. To sweetly align yourself with cosmic rhythms, you should giggle and guffaw and tease freely. If you’re witty—and I hope you will be—it’ll serve you well to be affectionate and personable.

LEO (July 23-Aug. 22): “Simplicity is about subtracting the obvious and adding the meaningful,” writes designer John Maeda. “The ability to simplify means to eliminate the unnecessary so that the necessary may speak up,” says artist Hans Hofmann. “Simplicity strips away the superfluous to reveal the essence,” declares a blogger named Cheo. I hope these quotes provide you with helpful pointers, Leo. You now have the opportunity to cultivate a masterful version of simplicity.

VIRGO (Aug. 23-Sept. 22): Your keynote is the Japanese word shizuka. According to photographer Masao Yamamoto, it means “cleansed, pure, clear, and untainted.” One of his artistic practices is to wander around forests looking in the soil for “treasures” that emanate shizuka. So in his definition, the term isn’t about being scrubbed or sanitized. Rather, he’s interested in pristine natural phenomena that are unspoiled by civilization. He regards them as food for his soul. I mention this, Virgo, because now is an excellent time for you to get big doses of people and places and things that are cleansed, pure, clear, and untainted.

LIBRA (Sept. 23-Oct. 22): Libra blogger Ana-Sofia Cardelle writes candidly about her relationship with herself. She keeps us up to date with the ever-shifting self-images that float through her awareness. Here’s one of her bulletins: “Stage 1. me: I’m the cutest thing in the world. Stage 2. me, two seconds later: no, I’m a freaking goblin. Stage 3. me, two seconds after that: I’m the cutest goblin in the world.” I’m guessing that many of you Libras have reached the end of your own personal version of Stage 2. You’ve either already slipped into Stage 3, or soon will. No later than Oct. 1, you’ll be preparing to glide back into Stage 1 again.

SCORPIO (Oct. 23-Nov. 21): “There’s no such thing as love,” said Scorpio painter Pablo Picasso, “there are only proofs of love.” I’m tempted to believe that’s true, especially as I contemplate the current chapter of your life story. The evidence seems clear: you will thrive by engaging in practical demonstrations of how much you care. You’ll be wise to tangibly help and support and encourage and inspire everyone and everything you love. To do so will make you eligible for blessings that are, as of this moment, still hidden or unavailable.

SAGITTARIUS (Nov. 22-Dec. 21): According to a Pew Research Study, nearly 75 percent of Americans say they talk to God, but only 30 percent get a reply. I’m guessing the latter figure will rise dramatically for Sagittarias Americans in the next three weeks, however. Why? Because the astrological indicators suggest that authorities of all kinds will be more responsive than usual to Sagittarians of all nationalities. Help from higher powers is likely to be both more palpable and more forthcoming. Any communications you initiate with honchos, directors, and leaders have a better-than-normal chance of being well-received.

CAPRICORN (Dec. 22-Jan. 19): One day in October 1926, author Virginia Woolf inscribed in her diary, “I am the usual battlefield of emotions.” It was a complaint, but also a brag. In fact, she drew on this constant turmoil to fuel her substantial output of creative writing. But the fact is that not all of us thrive on such ongoing uproar. As perversely glamorous and appealing as it may seem to certain people, many of us can do fine without it. According to my analysis, that will be true for you in the coming weeks. If you have a diary, you might justifiably write, “Hallelujah! I am not a battlefield of emotions right now!”

AQUARIUS (Jan. 20-Feb. 18): Anthropologist Margaret Mead had definite ideas about “the ways to get insight.” She named them as follows: “to study infants; to study animals; to study indigenous people; to be psychoanalyzed; to have a religious conversion and get over it; to have a psychotic episode and get over it.” I have my own list of ways to spur insight and inspiration, which includes: to do walking meditations in the woods on a regular basis, no matter what the weather; to engage in long, slow sex with a person you love; to spend a few hours reviewing in detail your entire life history; to dance to music you adore for as long as you can before you collapse from delighted exhaustion. What about you, Aquarius? What are your reliable ways to get insight? I suggest you engage in some of them, and also discover a new one. You’re in the Flood of Radical Fresh Insights Phase of your astrological cycle.

PISCES (Feb. 19-March 20): Stanley Kubrick made masterful films, but most of them bore me. I regard John Ashbery as a clever and innovative poet, but I’ve never been excited by his work. As for painter Mark Rothko, I recognize his talent and intelligence, but his art leaves me empty. The music of Norah Jones is pretty and technically impeccable, but it doesn’t move me. In the coming weeks, Pisces, I invite you to make the kinds of fine distinctions I’m describing here. It will be important for you to be faithful to your subjective responses to things, even as you maintain an objective perspective about them and treat them with respect.

Homework: Make two fresh promises to yourself: one that’s easy to keep and one that’s at the edge of your capacity to live up to.

40 Years Later, the B-52s Get Their Due

“Boys in bikinis, girls with surfboards,” snarled Fred Schneider on the B-52s’ first single, “Rock Lobster.” It’s a line that’s easy to miss in the band’s incredible five-minute beach-party fever dream about crustaceans, tanning butter, matching towels and whatever the hell a bikini whale is.

But to me, it’s a lyric that represents everything that makes the B-52s great. Think about what it meant in 1978, when the song was released as the band’s first single. It was a time when surf culture was approaching its peak levels of macho toxicity, and the wahini revolution of women’s surfing was still years away. But the B-52s used this simple gender flip to undermine conventional notions of sexual identity—in the middle of one of the greatest party songs in rock ’n’ roll history.

With a debut like this, the world should have known what was coming. But somehow, as the band celebrates the 40th anniversary of their first hit, pop culture is still coming around to what the B-52s have been sneaking into their party mix for the last four decades. Between songs at the band’s show in Saratoga last summer, Schneider quipped, “an article just came out calling us the most subversive band ever, or something like that. Looks like somebody finally noticed.” That article, a salon.com piece by Annie Zaleski titled “No Novelty, the B-52s May Be the Most Subversive Band America Ever Gave Us,” brilliantly gave the B-52s the long-overdue credit they deserve as cultural vanguards.

A few months later, when I saw the band at the Growlers’ annual music festival in L.A., there were so many kids moshing, crowd-surfing and stage-diving to “Rock Lobster,” “Private Idaho,” “Planet Claire” and other songs from their career-spanning set that you would have thought you were at a punk show. They played like a band possessed, with an intensity that more than one person close to them told me they haven’t seen at this level in years. The B-52s are having a cultural moment, for sure.

Founding member Kate Pierson says she remembers the first time something like this happened, when the group stunned the music industry with their megahit 1989 album Cosmic Thing, which went four times platinum and produced the top 10 singles “Love Shack” and “Roam.”   

“We’ve gone through various stages, I guess,” Pierson said in a phone interview earlier this year. “From the beginning, when people were like, ‘What is this?’—because there were aliens and it was something startling and different—to this sort of, ‘Well, they’re just kind of silly,’ focusing very much on our look and the wigs and everything. Then Cosmic Thing came along, and there was this sense of recognition. So I guess the memo-to-self there is ‘Don’t listen to whatever people say.’”

But this time around, it’s a different kind of acknowledgement. It’s about legacy, not commercial success—although the band never thought much about the latter even in their pop heyday, Pierson says. That helps explain why their hits were some of the strangest things on the radio, and why their body of work is getting a critical reappraisal now.

“To be called ‘subversive’ is really interesting,” says Pierson. “In a lot of ways we were, because we were never really commercial, but somehow we became popular. We have a lot of messages—we’ve always tried to not hit you over the head with them too much in our songs, although we do have political songs. And, of course, we’re a mostly gay band, too. And having a sense of humor, which made us very different. Our sensibility was different. It’s hard to have a band that’s both taken seriously and also has a sense of humor and a sense of irony and a sense of fun.”

All of those things are part of what makes their music a lot of fun to re-discover, and the likelihood that more people will do that is arguably the best thing to come out of this new wave of love for the B-52s. While most rock fans probably know their biggest hits, there are so many great songs that kind of fell through the cracks in their career—from the shimmering “Summer of Love” to the mystical “Mesopotamia” to the hard-hitting “Give Me Back My Man” (the best lead vocal from the B-52s other female vocalist, Cindy Wilson)—and the band has cycled several of them back into their set.

The question is: what took everybody so long to catch on? Pierson is neither begrudging nor particularly surprised.

“I think it was subtle,” she says of the band’s subversive streak. “I guess a lot of times people were overwhelmed by the wigs and the sense of humor and the look of things.”

The B-52s perform at Mountain Winery on Tuesday, Sept. 18 and Wednesday, Sept. 19, sharing a bill with Culture Club. The Thompson Twins’ Tom Bailey opens. More info at mountainwinery.com.  

Why Zoccoli’s is Still Santa Cruz’s Favorite Deli

The mighty Mediterranean still delivers the East Coast/Italian goods, on a huge fresh sourdough roll. Prosciutto, mortadella, salami, provolone and finely diced olive relish, plus chopped pickled peppers—all nicely drenched in a spicy vinaigrette. That’s a lot of flavor excitement for $8.25.

But then, that’s Zoccoli’s Italian Delicatessen for you. A place where you can walk from one street to another through a clean, well-lit deli filled with custom-made sandwiches, relishes, chips, crackers, chocolate, wine, beer and more. The old hardwood floors have been scrubbed to a soft worn sheen over the 70 years that Zoccoli’s has filled this family-run space with the aromas of another time and place. But the consistency remains.

The Mediterranean is still a wonder of old-school hoagie, and side dishes compete for attention. Those deviled eggs! The faintly sweet grated carrot salad! Dolmas so juicy and drenched with olive oil, you’ll think you’re in Genoa. Speaking of which, Zoccoli’s is lined with authenticity. Long salami hang from the rafters along one wall, while woven baskets stack high above the wall of buns, breads, and rolls for sandwich-making. Lasagne and ravioli, sausage and meatball sandwiches await those who like it hot. And for those who crave cool, the refrigerator case is loaded with beautiful salads all ready to carry out with your favorite dressing. You take a number. You place your order. Consider your dessert options at the checkout counter—I always love the spice-laden homemade carrot cake ($3.50 per slab)— pay, and wait for your number to be called.

If you work nearby, you might take a table outside on Pacific Avenue. Or, if you’re like the Italian couple I saw there last week, you might grab a bottle of wine and one of the little inside tables. A perennial favorite with tourists who seem to know they’re in the presence of Santa Cruz history, Zoccoli’s has won every single local heart over the years, for three generations. Go, order, eat, and give thanks that some establishments still have what it takes. Zoccoli’s, 1534 Pacific Ave., Santa Cruz—next to Verve near the top of Pacific and Front streets. Open daily from 8 a.m.-6 p.m., from 10 a.m. on Sunday.

A Better Benefit

Santa Cruz Chef’s Dinner 2018 pulls out all of the gourmet stops to help raise funds for the righteous work of the Second Harvest Food Bank. On Sept. 12, at 6 p.m., the event begins with a six-course meal—paired with top local wines—prepared by featured chefs Anthony Kresge, Steve Wilson (Cafe Cruz), Peter Henry (Cremer House), Ella King (Ella’s at the Airport), Scott Cater (Paradise Beach Grille) and Geoffrey Hargrave (West End Tap and Kitchen).

INFO: $275/person. At the Holy Cross Church Annex, 126 High St., Santa Cruz.

Wine of the Week

The 2016 Chenin Blanc from Birichino. More sensuous than its 2015 sibling, this is an unpretentious 12.5 percent alcohol creation from Alex Krause and John Locke. Loaded with delicate moving parts, lychee, geranium, stone fruit, it loves to accompany pretzels, tamales, and green olives, but not all at the same time.

INFO: $22. Available at the postmodern Birichino tasting room on Church Street.

Of Further Benefit

The Fall Sustain Supper at the Homeless Garden Project features organic farmer/speaker Nikiko Masumoto, the al fresco entrees by Marci Carl of Suda, and an oyster bar by Jeffrey Wall of the soon-to-open Alderwood. Andrea Mollenauer of Lifestyle Culinary Arts does salad, Justin Williams and Danny Mendoza of Kickin’ Chicken make additional appetizers, and Anna Bartolini of Carmel’s La Balena does dessert. A wonderful event.

INFO: $150, including farm tour. Sept. 15, 3:30-7 p.m. HomelessGardenProject.org.

Review: ‘The Beauty Queen of Leenane’

The mercurial voice of Karel K. Wright croons, teases, bellows, and begs to epic effect in Jewel Theatre’s lurid sitcom production of The Beauty Queen of Leenane. If only Anglo-Irish playwright Martin McDonagh had given her part as the controlling matriarch more inspiring lines to explore.

McDonagh (recently famous as the writer/director of Three Billboards Outside Ebbing, Missouri) earned his rock star reputation with theatrical trilogies set in the brooding backwaters of an Emerald Isle that may or may not have existed somewhere in the 1930s. Set in the perpetual rain and gloom of Ireland’s west coast, Beauty Queen portrays the richly toxic bond of demanding mother Mag (Wright) and her spinster daughter Maureen (Julie James), trapped in a ceili dance of codependency. The emotional pressure cooker finds some release through Pato Dooley (Andrew Davids), a handsome neighbor who meets Maureen at a party and affords her one night of escape from matriarchal hell. Pato’s slacker brother Ray (a hilarious Travis Rynders) stops by the cottage from time to time out of sheer boredom. The quartet pushes against numbing isolation with results the playwright hopes will shock and amuse.

And the play does both—sometimes to deliciously malevolent effect. A cartoon of a frumpy manipulating hag, Wright commands the stage. She weedles, whines, and pouts as she pushes her careworn daughter to fetch her tea, fix her porridge, turn up the radio, and stoke the fire of their drab lives. Wright’s timing is as razor-sharp as her vocal range, and when the director allows, she can raise the rafters, as well as cajole with teatime sweetness.

Mother Mag is a major pain in the ass, and no one feels it as sharply as her daughter. The light went out long ago in Maureen’s dreams for a future of her own, as her mother continuously reminds her. So when Pato comes home with her after a party, we know how much just one night of romance can mean.

Darkening the ray of hope represented by Pato, and the occasional jolt of youthful energy represented by Ray, is the relentless tide of the harrowing mother/daughter struggle. It is a game, or a dance, or a prizefight they’ve waged for decades. And from the very start, we can see where it will all lead. For some viewers, that will make Queen too predictable and obvious, the work of an inexperienced playwright in his mid-twenties. I didn’t mind seeing where it was going. I just wished for tighter scenes, filled with enough dynamic tension to inspire an agonizing climax. And it’s hard to tell whether this was the fault of the play, the empty spaces of which eroded too much emotional energy, or the pacing of director Susan Myer Silton.

Opening night audience had difficulty with some of the dialogue, thanks to the use of broad Irish accents throughout the performance. The chilling exchanges between Wright and James never landed with quite the raw, emotional fireworks that the set-up—and finale—required. It might have been otherwise with different casting. McDonagh has given us two endings to this play, and while that might work in Pinter, Albee, and Caryl Churchill, here it neutralized the climax.

But the sight of hyperactive Travis Rynders going ballistic over the loss of a favorite childhood ball was worth the entire evening. And pacing will surely quicken as the show fine tunes its coming performances. Choice little moments, the unsentimental portrait of an Ireland down on its luck, and the ambidextrous artistry of Wright’s vocal timing, still manage to make The Beauty Queen of Leenane a rewarding evening of theater.

‘The Beauty Queen of Leenane’ by Martin McDonagh runs at the Colligan Theater through Sept. 30. jeweltheatre.net.

New Anthology Celebrates ‘Santa Cruz Weird’

On Sunday, Sept. 16, the authors of stories collected in the new Santa Cruz Weird anthology will gather at the Santa Cruz Art Center to launch the newest literary snapshot of our endlessly weird city.

“We have the Food Lounge from 6:30 to 8:30 [p.m.],” explains the editor, Nancy Lynn Jarvis, “so there will be plenty of time for attendees to listen to a little introductory talk, hear authors read from their stories, have a question and answer session, and then book signings.”

Jarvis explains that Santa Cruz Weird is a follow-up response to the recently published Santa Cruz Noir short story collection. She’s a firm believer that the true vibe of our region is a weird one.

“We have those bumper stickers, after all,” she notes wryly. So Jarvis put out the call for submissions last year to selected local writers. “The ground rules were pretty broad,” she admits. “I told people their stories needed to entertain me and not be too dark.”

Jarvis also met with writers she knew, and “a number of writers’ groups, to scout submissions.” The collected results range from Ed Sams’ tale about the Harmonic Convergence to Vinnie Hansen’s mystery tour of local tourist destinations, and Nancy Wood’s saga of the Great Santa Cruz Treasure Hunt.

Hansen herself relishes writing short stories. “They’re great. There’s a single conflict and an arc I can see in its entirety from the start,” she says. “I can rough out the shape of a short story in a day, and then spend time endlessly fussing over word choices and nuances.”

The launch party for ‘Santa Cruz Weird’ will be at 6:30 p.m. on Sunday, Sept. 16, at the Santa Cruz Art Center, 1001 Center St., Santa Cruz. More info at misteriopress.com.

Film Review: ‘Juliet, Naked’

Once, on a TV talk show interview, Janis Joplin scoffed at critics who pounce on rock music for hidden, deeper meanings, when (as she put it), “it’s just some guy going ‘shoobie-doobie.’”

Janis might have been describing the middle-aged music fan whose obsession with an obscure, has-been rocker fuels the plot in Juliet, Naked. It’s a wry divertimento for three voices: the obsessed fan, his neglected, fed-up girlfriend, and the reclusive rocker himself, the fantasy figure whose unexpected appearance in the others’ lives throws all of their worlds into comic turmoil.

The movie is based on a novel by Nick Hornby, that droll English scribe so adept at probing those tricky places where pop-culture fantasy and messy reality collide, especially in his first novel, High Fidelity. This movie adaptation, directed by TV comedy veteran Jesse Peretz, is not quite as successful as that one, story-wise, but it has enough acute comedy moments to keep viewers chuckling.

Adapted by screenwriters Evgenia Peretz and husband-and-wife Jim Taylor and Tamara Jenkins, the story is set in a fading seaside village on the English coast. Annie (a chipper and charming Rose Byrne) runs the local history museum inherited from her father. Approaching 40 herself, she’s spent years in a relationship with Duncan (Chris O’Dowd), a transplanted Irishman who teaches literature courses at the local college.

But Duncan spends most of his time in the basement, administering his website devoted to all things Tucker Crowe, an American singer-songwriter who was on his way to cult status among a chosen few fans before he disappeared from the music scene 25 years earlier. In private, Annie calls Duncan’s online audience “a community of 250 middle-aged men who deconstruct Crowe’s music,” discuss every minute detail of his career, and speculate wildly on what might have become of him.

When a previously lost demo tape of what would become Crowe’s most famous album, Juliet (the demo tape is called Juliet, Naked), surfaces in Duncan’s mailbox, he’s almost too overcome with emotion to boot it up. Annie, exasperated, posts a scathing review of the tape on Duncan’s website, which starts to fracture their already stale relationship. (When Duncan learns that Annie listened to the tape before he did, he feels “betrayed.”)

But Annie’s online review does garner one fan—Tucker Crowe himself (a frisky Ethan Hawke, rebounding from the gloom of First Reformed). He agrees that the work-in-progress tape should never have been made public, and the two strike up an unlikely email correspondence. After a lifetime of romantic liaisons producing multiple offspring, Tucker is long out of the music business, living in a garage on the property of his last girlfriend in upstate New York, raising their young son, Jackson (Azhy Robertson). But his and Annie’s separate worlds collide when Tucker and Jackson are called to London, where his teenage daughter is about to give birth.

Although Duncan has moved out of Annie’s house by the time Tucker comes calling (“I’d rather spend my time (online) with people who get Tucker Crowe,” he huffs), an uneasy triangle between the three of them is inevitable, or there’d be no story. Duncan’s awestruck disbelief at meeting his hero in the flesh (a very funny scene, largely improvised), is matched only by the pomposity with which Duncan tries to prove he knows more about Tucker than Tucker does himself.

The story itself is predictable at times, unresolved at others (a looming family crisis for Tucker is left hanging when the plot suddenly fast-forwards by a year). But the handling of the material is everything. The dialogue is sharp and witty. (When Tucker stumbles upon the shrine Duncan erected to him in Annie’s basement, he cries, “This is that syndrome where you fall in love with your captor!”) And the character relationships are well thought-out, especially the gradually-evolving friendship between Annie and Tucker. This isn’t a weighty film, but its pleasures are consistently entertaining.

JULIET, NAKED

*** (out of four)

With Rose Byrne, Ethan Hawke and Chris O’Dowd. Written by Evgenia Peretz and Jim Taylor & Tamara Jenkins. Based on the novel by Nick Hornby. Directed by Jesse Peretz. A Lionsgate/Roadside Attractions release. Rated R. 98 minutes.

Santa Cruz Indivisible Sets Sights on Unseating Nunes

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Local Democrats with two years worth of pent-up energy are eager to make a difference this November. And one way to do that, they’ve decided, is to look outside the county.

Santa Cruz Indivisible has set its sights on two districts, California’s 21st Congressional District, home to Republican Congressmember David Valadao and its 22nd, home to Congressmember Devin Nunes.

The forecasting website FiveThirtyEight gives Democrats the edge to take back the House, and it gives the Democratic Party anywhere from a 26-71 percent chance of unseating Valadao. The same experts give Democrats between a 3 and 13 percent chance of unseating Nunes, who has earned special ire from liberals over his acrobatic contortions, bending over backwards to defend President Donald Trump.

Winning Nunes’ seat may sound like a long shot for challenger Andrew Janz, but Communications Director Amanda Harris Altice says that Indivisible has picked its districts based mostly on geography, and, given Democratic feelings about Nunes, the challenge of taking him on might be more of a blessing than a curse. Altice, who has already started canvassing the Central Valley district, says that Nunes doesn’t talk to his constituents, and that the voters she’s talked to—including Republicans—have been listening.

“If you reach people that way, who knows? We ended up with Trump. We didn’t think that would happen,” says Harris Altice, who helped organize a volunteer recruitment event at the Santa Cruz Civic Auditorium on Saturday, Sept. 8. The summit included canvassing workshops, and it got about 150 people through the door, but there’s still plenty of time to sign up and help.

Chris Bowman, who manages merchandise for Santa Cruz Indivisible, says, that by pooling the zeal of its various teams, Indivisible can fill areas that may not fall into purview of the Democratic Congressional Campaign Committee.

“A lot of people are putting in their free energy, and nobody’s getting paid or anything like that, just working hard and smart,” Bowman says, lugging a box of shirts to her car after Saturday’s event. “A lot of people are ready to go because we need to fix things and save our country, basically.” 

For more information, including upcoming events, visit santacruzindivisible.org.

Digital NEST’s New Plan to Link Watsonville, Silicon Valley

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If Silicon Valley wants to keep arguing that its lack of diversity is due to a talent pipeline problem, it’s going to have to answer to Jacob Martinez.

Martinez, founder and executive director of Watsonville-based nonprofit Digital NEST, is expanding on the vision of the NEST’s free tech training program for youth with the launch of a new conference this fall bringing top local talent together with companies looking to hire.

He’s gathering 300 high school seniors and college students from the region to attend workshops and panels. The students will also meet with recruiters on Oct. 13 in Watsonville at the inaugural NEST Flight conference. Martinez is looking to prove wrong any and all Silicon Valley tech executives who say they can’t find a diverse pool of talent to draw from. And he has a similar message for local companies saying they can’t find talented workers without looking to places like Stanford University or Cal Poly San Luis Obispo.

“I look around here and see tons of people with tons of talent, and they’re diverse,” he says.

To those companies that haven’t changed their recruiting practices, Martinez says: “I’m doing the work for you.”

He’s landed big corporate and tech-world names on the list of conference sponsors, including Adobe, Comcast, Kaiser Permanente, Plantronics, SurveyMonkey, and GitHub.

Martinez wants to get the word out to other companies interested in recruiting now, as well as to high-school students who might want to sign up. His goal is to stem the brain drain of young talent in South County.

“Ultimately, what we are trying to do is get the young people in our community the skills, network and connections to get the better-paying jobs in their community,” he says.

If they stay local and land good jobs, Martinez says, it will “spark economic development from within” as they buy homes and push back on the gentrification that’s been spiraling out into rural areas.

Upgrading Local Training

Martinez has been focused on this mission for years. Before starting Digital NEST, he worked for nearly a decade on diversifying the tech workforce. When he paused in 2013 to reflect on his efforts, he realized that not enough had changed nationally or locally when it came to adding more women and people of color in tech—and, in some cases, the numbers were actually getting worse.

Martinez used to take students on field trips, via Watsonville TEC, to be face-to-face with the newest tech at companies like Google, Facebook and Apple. Then, he then had to bring them back to schools that too often had outdated machines.

“The tech industry was creating these environments to spark innovation and drive creativity, but the educational system was doing the complete opposite,” Martinez says.

In 2014, he raised more than $300,000 in four months to open Digital NEST in Watsonville. A second location opened in Salinas in April 2017. In total, the program has had more than 2,000 youth, from high school students to twentysomethings, sign up for its programs.

The 4,500-square-foot space in Watsonville is bathed in all the allure of a Silicon Valley tech office, with neon lights, music, and some 120 machines loaded with software from Adobe and connected to Plantronics headsets, Logitech gear and more. There’s also a range of free, organic, locally grown food and snacks in the kitchen. Upstairs, there’s a recording studio, cameras, music equipment and large-format printers.

“The biggest feedback we get is they vote with their feet,” Martinez says, counting at least 30 students at the NEST on a recent Friday afternoon. “Nobody has to be here.”

Taking Flight

Marcus Cisneros, a graphic design student at San Jose State University, says being part of Digital NEST makes him feel like he’s ahead of his college peers, because he gets to put what he’s learning into practice. As part of Digital NEST’s youth consultant group bizzNEST, he’s been able to put his video editing and graphic design skills to work for clients. BizzNEST clients have included UCSC, American Express and Martinelli’s.

These days, when Cisneros visits tech companies or conferences, it feels like a bigger version of what he’s already experienced through Digital NEST.

“At its core, the energy and atmosphere is the same,” he says. The experience is not only technical, says Cisneros, but also collaborative, playful, nurturing, exciting, and inspirational.

When he goes to NEST Flight in October, he’s most interested in talking with recruiters to learn what they’re looking for and what he needs to improve on, he says.

Companies like Watsonville-based California Giant Berry Farms are eager to meet with local tech talent like Cisneros. As soon as the berry company’s managers heard about Martinez’s idea for the conference, they were on board with the goal of keeping tech talent in the community, says Cindy Jewell, the company’s vice president of marketing. The world of agriculture is becoming more tech-focused, after all, and it needs to draw on the next generation for those skills.

“We don’t want them going to Silicon Valley, either,” Jewell says. But to many youth, “the money and the prestige is all up in the Bay Area. That is where kids want to go.”

Masha Chernyak, vice president of programs and policy at the San Francisco-based Latino Community Foundation, which is a lead sponsor of NEST Flight, sees the conference as a win-win for employers and local talent.

Since Latino youth make up the majority of California’s young people, Chernyak says, their future is the future of the state, and they’re full of brilliant ideas.

“We have never tapped into their true potential,” Chernyak says. “And once we do, we are all going to benefit from it.”

For more information, visit nestflight.org.

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