Preview: Blockhead to Play the Catalyst

Producer Blockhead has never worked with Justin Bieber, but he kind of wants to, despite building his entire career on collaborating with some of the most respected names in underground hip-hop.

โ€œIf Justin Bieber wanted to do a beat that I made, as is, then he could have that beat,โ€ says Blockhead aka Tony Simon. โ€œIโ€™d be curious to know what he does with it, to be honest with you.โ€

For many pop music fans, the name Blockhead doesnโ€™t ring a bell. But for a generation of hardcore hip-hop heads, heโ€™s right up there with RZA, Pharrell and Dr. Dre as one of the greatest producers to ever do it. His brilliance isnโ€™t as overt as some of the household beatmakers. Thereโ€™s a moody atmospheric quality and subtle complexity to his beats.

As a young artist, he didnโ€™t really know what he wanted to do. In the mid-90s, the young Manhattanite enrolled at Boston University, a stoneโ€™s throw from Harvard and MIT. Less than a year later, he dropped out.

His college career was a nonstarter, but one good thing came out of it: he met a fellow New Yorker on campus, a lanky guy named Ian Bavitz with a similar taste in rap. The two got along immediately. The rap world would soon know Bavitz by his stage name: Aesop Rock.

โ€œBack in that era, you knew what kind of music people listened to by how they dressed,โ€ Simon says over the phone. โ€œYou just see someone and youโ€™re like, โ€˜Thatโ€™s gonna be my friend. I know that person is into what Iโ€™m into.โ€™โ€

Soon after meeting, the two began to collaborate. When Aesop Rock signed to tastemaking label Def Jux (founded by El-P, of Run the Jewels), Simon produced the lionโ€™s share of the album, a production job that drew praise from Pitchfork for his โ€œremarkably lush, cinematic spread of subtly weaving beats.โ€

โ€œI made my beats on a cassette back then,โ€ Simon remembers. โ€œIโ€™d just play them, and heโ€™d be like, โ€˜I want that one, I want that one, I want that one.โ€™ Then heโ€™d write, and weโ€™d make the song. It was a very simple time.โ€

During the Def Jux era, Simon made many of the labelโ€™s rappersโ€™ best beats. Since then, heโ€™s worked with a wide array of the undergroundโ€™s finest: Open Mike Eagle, Murs, Billy Woods, and Cannibal Oxโ€™s Vordul Mega.

By the mid-2000s, Simon had developed a taste for producing his own instrumental hip-hop musicโ€”a niche taste for sure, but a place where his subtle beat-making gifts shine. He crafts songs which trace a strange and invisible architecture, curling along the faultlines of their own internal logic.

โ€œI find instrumental music in general to be pretty predictable and boring, so I purposefully make mine not that,โ€ Simon says, describing his Frankensteinian process of beats chopped and sutured.

The process can be particularly complicated, but the results when done right are a disorienting kaleidoscope of sounds.

โ€œIโ€™m taking two or three beats that werenโ€™t originally made together and kind of fusing them,โ€ he says. โ€œThat leads to the whole song style that Iโ€™ve been doing the last four or five albums, where it starts at point A and ends at part C, instead of just A, B, A, B.โ€

The seven-minute โ€œFestival Paramedicsโ€ from 2017โ€™s Funeral Balloons opens with a piano melody straight out of Halloween, transforms into a pulsing mutant disco, and then settles into an odd lounge/juke hybrid complete with wood flute, soul horns, and an unfurling harp. Elements arise and disappear only to reappear at unexpected times, creating the odd contiguity of a cryptid skeleton. Live, things only get stranger.

โ€œI have all the parts separated, then I sequence and mix and match. Itโ€™s like putting all my songs in a blender,โ€ Simon says. โ€œI add on vocals from other thingsโ€”some of itโ€™s kind of quirky, some of itโ€™s kind of funny. It goes all over the place.โ€

Itโ€™s also a chance to see the producer in his element: sampling; mixing; pulling elements out of the ether and fusing them into alchemical combinations. He may not be working with mainstream pop stars anytime soon, but after 20 years in the game, Blockhead remains one of the strongest, most enduring undercurrents in hip-hop. Bieber take note.

Blockhead performs at 9 p.m. on Tuesday, Dec. 5, at the Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

Mountain Community Theater Presents โ€˜Miracle on 34th Streetโ€™

After a couple of years of playing Kris Kringle, Peter Gelblum has traded in his Santa cap for a directorโ€™s hat.

Maybe heโ€™s looking to change things up, or maybe itโ€™s that he hasnโ€™t quite gone gray enough yet. Regardless, his new role suits him, and Mountain Community Theaterโ€™s new Santa Claus, Jackson Wolffe, fills Gelbumโ€™s boots ably.

MCT is rounding out their 36th season with Miracle on 34th Street, a tried and true original classic not only as a film, but also for the theater. Now in their 10th installment of the show, Miracle on 34th Street was MCTโ€™s first show ever after opening its doors in 1982.

The founders and original cast members wrote a new version of the play adapted from the 1947 black-and-white film starring Maureen Oโ€™Hara and Edmund Gwenn. MCTโ€™s latest production has its own modern twists, of course, including cell phones and online holiday shopping.

No, Miracle on 34th Street never goes out of style. Despite having probably seen the filmโ€™s heartwarming ending, the thought of committing Santa Claus to a mental institution is enough to keep children and adults alike on the edge of their seats. Still, Miracle seems particularly important this holiday season. In a year filled with so much sadness and anger, particularly in the aftermath of disasters across California, I had a little extra appreciation for Gelblum and the castโ€™s determination to bring the holiday spirit to the stage.

In fact, the very existence of MCTโ€™s Miracle is somewhat of a miracle in its own right. After losing the rights to produce and publish the play 10 years ago, Gelblum, also an attorney, sought to regain them from 20th Century Fox. Gelblumโ€™s brother represented Fox, and they were able to make a deal to insure that MCT could continue their Miracle legacy.

This time of year, itโ€™s easy to get caught up in the details, the prices and the planning of the holidays. Some of us are already on the edge of panic over Christmas presents and party planning, and thereโ€™s still Thanksgiving turkey in the fridge.

Too many holiday shows leave cast members and audiences alike drowning in red bows and holiday lights, or on the contrary, throw a fat man in a red suit and expect it to just โ€œwork.โ€

Itโ€™s no easy feat to put on a successful holiday show, particularly one rooted in so much history and tradition. MCTโ€™s Miracle promised extra laughter and warmth, and delivered both.

This Miracle is a gentle reminder that though the holidays are drawing near, thereโ€™s no need to stress, because they are about more than planning and presents. Itโ€™s silly and goofy, with a good amount of holiday carolling for a hefty two-and-a-half-hour production (including intermission), and the heart of it all is community.

Thereโ€™s nothing particularly profound or provocative about Miracleโ€”but then again, there doesnโ€™t need to be. I donโ€™t know if it was the holiday lights, the extra-convincing Santa Claus or the trio of young, somewhat clumsy unionized elvesโ€”but I left feeling like thereโ€™s enough enchantment to breathe a little magic into the most shriveled holiday hearts. To the Santa Claus naysayers and holiday pessimists: I believe the front seats are reserved for you.

MCTโ€™s โ€˜Miracle on 34th Streetโ€™ runs Friday-Sunday at 2 and 8 p.m. through Sunday, Dec. 9. 9400 Mill St., Ben Lomond. 336-4777. mctshows.org. $10-$20.

Film Review: โ€˜Boy Erasedโ€™

Talk about the politics of fear. What kind of demonic cult would subject its own impressionable children to shame and torment in order to force them into its own rigid code of behavior?

If youโ€™re thinking Jim Jones or Charles Manson, think again. The culprits are a fear-mongering group of Baptist church elders convinced theyโ€™re doing the lordโ€™s work in Boy Erased, a harrowing look inside the practice of so-called โ€œgay conversion therapyโ€ in small-town America.

Written and directed by co-star Joel Edgerton (who gives himself one of the juiciest supporting roles), the movie is adapted from the book Boy Erased: A Memoir of Identity, Faith and Family, by Garrard Conley. Disturbing as only a true story can be, it recounts the experiences of a teenaged college freshman still trying to figure out his own identity whoโ€™s forced into a draconian program to drive the โ€œsinโ€ out of him. Besides exposing the wrong-headed horrors of the program itself, the story delivers a tutorial for resistance in the way the young protagonist manages to find his own moral compassโ€”at lastโ€”and stick to it, in spite of daunting pressure to conform.

ย ย ย ย Lucas Hedges stars as Jared, only son of folksy-seeming but strict Baptist pastor Marshall Eamons (Russell Crowe), at a small-town Arkansas church. Jaredโ€™s mom Nancy (Nicole Kidman) is the perfectly coiffed and manicured pastorโ€™s wife; she loves her son to pieces, but is in all ways obedient to her husband.

Theyโ€™re a close, loving family until Jaredโ€™s first semester at college, where he has a brutal encounter with an upperclassman. Fleeing for the security of home, heโ€™s shocked to learn his parents have been told he was involved in some sort of scandalous liaison. Seeking advice from the church elders, his father enrolls him in a program called Love In Action. His mom drives him to the center where the program takes place in another town, and rents a hotel room nearby. Itโ€™s supposed to last 12 days.

First, they isolate the kids from their families; no phone calls or texts are allowed during the day, and the inmates are forbidden to discuss what goes on in the program with outsidersโ€”especially their parents. Herded around by burly henchmen, the kids are subjected to the psychological abuse of chief interrogator Victor Sykes (Edgerton), a bullying martinet under a facade of reasonableness who insists that homosexuality is a โ€œchoice,โ€ forces them to always refer to it as a โ€œsin,โ€ and declares, โ€œGod canโ€™t love you the way you are now.โ€

Budding writer Jaredโ€™s notebook is confiscated upon entry, and scrutinized for any dubious content. When itโ€™s returned to him, half of his stories have been ripped out. Yet, when itโ€™s his turn to get up and read the confession everyone in the program is required to write, describing the nature of their sins, Jaredโ€™s isnโ€™t salacious enough for Sykes, who keeps probing him for more lurid details.

The irony is that Jared is so inexperienced, he canโ€™t even make up the kind of stuff his interrogators want to hear. The private mantra whispered among the inmates โ€”โ€œFake it โ€™til you make itโ€โ€” takes on a more sinister meaning; not to achieve heterosexuality, but survive the program. (Some donโ€™t, as punishments shift from psychological bullying to the corporeal.) Ever-dutiful Jared tries to ignore the red flags and โ€œget betterโ€โ€”until Sykes starts pressuring him to ditch college and spend a year imprisoned in the program instead.

Itโ€™s the insiderโ€™s view of this predatory โ€œtherapyโ€ that gives the movie its infuriating power. Jared isnโ€™t an envelope-pushing rebel, heโ€™s just trying to be a good kid, at a most vulnerable time in his life when heโ€™s still trying to understand who he is. The zealous way the adults in charge try to to snuff out (or erase) what they fear in him is chilling. His solitary journey to trust his own judgment and determine right from wrong is heroic.

BOY ERASED

*** (out of for)

With Lucas Hedges, Nicole Kidman, Russell Crowe, and Joel Edgerton. Written and directed by Joel Edgerton. From the book by Garrard Conley. A Focus Features release. Rated R. 114 minutes.

2018 Holiday Gift Guide

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I love that when I look over the dozens of local gift ideas featured in this yearโ€™s Holiday Gift Guide, I see so many old friendsโ€”businesses that have graced these pages for many years.

May there never be a GT Holiday Gift Guide that doesnโ€™t feature something from the Homeless Garden Project, for instance.

But there are so many new and exciting businesses to support in here, tooโ€”some of them so unconventional we had to change the format of the magazine just to describe them! A makerspace membership from Idea Fab Labs? A shirt made by youth from Barrios Unidosโ€™ employment program? A gazillion different options for CBD? Itโ€™s all here!

And I want to make a pitch, as I always do, for giving the gift of our Santa Cruz Gives program. Go to santacruzgives.com through Dec. 31 to give to one of the many participating local nonprofits doing great things for our community.

STEVE PALOPOLI | EDITOR

Updated: Cummings, Meyers, Glover Elected to Santa Cruz City Council

9

Update, Nov. 27, 5:30 p.m. โ€“ This story was updated with additional information, including new results, which were posted Tuesday, Nov. 27.

Original story:

With the vast majority of the ballots counted, environmental educator Justin Cummings is the top vote-getter in the Santa Cruz City Council race. Community organizer Drew Glover, who ran on a slate with Cummings, is third in the race for three seats, which would be good enough for a majority for the councilโ€™s far-left wing, currently led by councilmembers Chris Krohn and Sandy Brown. Environmental consultant Donna Meyers is in second.

Cummings remembers feeling overwhelmed and โ€œpretty shakenโ€ the day after the electionโ€”he was in second place in the early ballot counting, and it was starting to sink in that the hard work on his campaign had truly paid off. The more Cummings had time to recuperate from the campaign trail, the more excited he became. โ€œIโ€™m just trying to figure out how Iโ€™m gonna organize my time,โ€ says Cummings, who already works long hours at his day job.

Customarily, the top two vote getters each serve one year as mayor, although the decision is ultimately left up to the council. There are a few thousand provisional ballots left for election workers to research and count, but Meyers is currently 1,300 votes ahead of Glover for second place.

Before deciding how he would approach his year as mayor, Cummings says he wants to get to know city staff, and continue thinking about the issues. If selected to serve a term as mayor, Meyers says she would focus on homelessness issues, climate readiness and housing affordabilityโ€”especially in light of the affordable housing bond failing to earn a two-thirds majority at the polls.

Glover and Cummings have been steadily rising in the vote count since results first started coming in. And in the tally announced the Tuesday, Nov. 20, Glover finally inched ahead of Larson, who wrote on Facebook shortly after that it looked unlikely that he would surpass Glover.

Although optimistic about the returns, Glover hasnโ€™t announced victory. โ€œI try not to focus on things that are totally out of my control,โ€ he says.

Assuming the results hold, Cummings and Glover will be the first two black men to serve on the Santa Cruz City Council, where theyโ€™ll join Vice Mayor Martine Watkins, who became the first African American ever elected to the body two years ago.

Incumbent Councilmember Richelle Noroyan is currently in fifth place, 180 votes behind Larson. Psychotherapist Cynthia Hawthorne is sixth.

Going forward, the arrival of a new majority would call into question several important projects, including the future of a mixed-use parking garage and library, as well as solutions to the housing crisis. (Krohn cast the lone dissenting vote this past summer against a robust housing plan initially kick-started by Councilmember Cynthia Chaseโ€™s outreach as mayor.)

There is talk of passing a rent control ordinance, now that the rent control ballot measure, which Cummings and Glover supported, failed at the polls. That initiative, Measure M, earned 40 percent of the vote, according to the most recent tally. โ€œRent control by ordinance, here we come!โ€ local activist James Weller wrote Tuesday in a Facebook in post, in which he tagged both Cummings and Glover.

Glover says that if the council chooses to pass a rent control ordinance, he believes it would want to tone down some of the more controversial elements of Measure M to address concerns from opponents.

People are sure dissect the election looking for takeaways, and one lesson may be that fundraising isnโ€™t everything. Glover set a surprisingly low fundraising limit for himself of about $10,000. He ended up raising $12,800, as of Oct. 31, according to reporting forms submitted to the city of Santa Cruz.

Glover feels that voter response to his candidacy sends a powerful message. โ€œItโ€™s more in the connections you make in the world than the money you raise in the campaign,โ€ says Glover, who grew up in Santa Cruz.

Glover wouldnโ€™t recommend his strategy to everyone, however. He says that a candidate needs deep roots in the community in order to pull it off.

In Larsonโ€™s campaign effort, the city management consultant went in the opposite direction. Larson broke the voluntary campaign spending limit of $39,900, after initially signing on to it when kicking off his campaign. City Council candidates have yet to submit their final round of paperwork, but Larson says he ended up spending more than $50,000.

Larson says he felt he needed to raise lots of money to make up for his late start in the campaign, which he launched in August, shortly before the filing deadline. He believes that if he had launched his campaign earlier, he would have had a different result on election day, but says that he wasnโ€™t able to announce sooner because of business and personal reasons. Although the field looked crowded on paper, Larson felt at the time that there were only a few serious candidates, and he believed that was good enough to provide an opening for him. He says he didnโ€™t expect any other candidates to drop out after he threw his hat in, and that the fact that he got so close has him considering another run ย in 2020 or 2022.

Splinter Effect

There may be lessons in the raceโ€™s crowded field, too. The election had 10 candidates vying for just three seats. Other than Cummings and Glover, all of the candidates were either relatively moderate or right-leaning.

Supporters of the public safety group Take Back Santa Cruz, which doesnโ€™t make endorsements, had their eyes on four candidates, all of whom were active and popular on the groupโ€™s Facebook page: Larson, Noroyan, Ashley Scontriano and Paige Concannon, the raceโ€™s only Republican. All of them came up short.

Those four were also the only candidates that the local public safety blog Santa Mierdaโ€”which covers crime and complains about progressive politicsโ€”wrote about favorably in its election guide.

Even aside from that core group, there was still disagreement and confusion about who the strongest public safety candidates were. Meyers, for example, wasnโ€™t typically lumped into that group, but did earn endorsements from the Police Officersโ€™ Association, the local firefightersโ€™ union and the Police Management Association.

โ€œThey splintered each other,โ€ Glover says. โ€œThere was infighting going on. There was combativeness that was made public. There were all of these obstacles that they basically put up themselves. The question I would pose to voters is, โ€˜What kind of leaders are you looking for? Do you want leaders who would lift each other up and work together or rip each other down in a conquest of power?โ€™โ€

Former Mayor Mike Rotkin endorsed three of raceโ€™s centrists: Meyers, Larson and Noroyan. He gives credit to Cummings and Glover for running on a united front.

Rotkin, a Marxist UCSC lecturer, says both Cummings and Glover were popular on campus, and he figured that the two candidates would do well with voters who chose same-day registration at their polling places, he says. In late returns, which included same-day registration ballots, both Cummings and Glover made major gains.

โ€œThose guys were united, they were the only candidates who supported M,โ€ Rotkin says.

Rotkin agrees that Larson, who he called the most qualified candidate in the race, probably should have entered the race earlier. If he had, Rotkin says, Larsonโ€™s presence may have dissuaded other candidates from jumping in. In hindsight, Rotkin suggests that instead of declaring late, maybe Larson should have just sat the election out.

โ€œYou run seven or eight candidates for three seats,โ€ he says, โ€œyouโ€™re gonna get your butt kicked.โ€

Update 11/26/18: A previous version of this story mis-reported Mike Rotkin’s position at UCSC.

Tass Vineyards Teams Up at Blended Winemakerโ€™s Studio

โ€œYou have to try this,โ€ said one of the staffers at Deer Park Wine & Spirits when he saw me scratching around for some interesting wine. โ€œItโ€™s quite new and local.โ€

He was talking about Tass Vineyardsโ€™ red-wine blend of 44 percent Grenache, 33 percent Syrah and 23 percent Mourvedre. Tass is part of a threesome of winemakers that share a space together in Gilroy, so when you head to Tass to try their wines, youโ€™ll also be able to taste from two other wineriesโ€”Medeiros Family Wines and La Vie Dansante Winesโ€”in a โ€œrustic but charming tasting room.โ€ The trio calls their partnership Blendedโ€”A Winemakerโ€™s Studio.

Winemaker Ron Mosley says โ€œTass is a name that encompasses my experience over 30 seasons working the vineyard and sharing a part in the mysterious transformation of grapes into wine.โ€ His red blend ($30 in Deer Park Wine & Spirits) is bursting with aromas of dark fruits, earth and spices, rounded out by chewy flavors of pepper, jam and a smidgeon of licorice. Bold and vivacious, itโ€™s a well-made wine that is very quaffable.

Blendedโ€“A Winemakerโ€™s Studio is at 3200-A Dryden Ave., Gilroy. 408-852-0779, blendedwinestudio.com.

Vintage Press

My husband and I spent three days in Visalia recently, and headed to the Vintage Press restaurant on a friendโ€™s recommendation.

This memorabilia-filled restaurant has been in the Vartanian family for more than five decades, and itโ€™s well worth a visit. One of the listed wines in the restaurant is Hafner Vineyard Chardonnayโ€”a wine sold mostly to restaurants and โ€œpatrons.โ€ Hafner (based in Napa) has no tasting room, but they offer tours and tastings at 2 p.m. on the first and third Friday of each month.

Visit hafnervineyard.com for reservations and more info. Vintage Press 216 N Willis St., Visalia, 559-733-3033. thevintagepress.com.

California Lavash

California Lavash is a fairly new company based in Gilroy. Their lavash flatbreads can be used to make wraps, panini, or just to eat in place of bread. They are vegan, non-GMO, low fat, cholesterol free, low sodium, and thereโ€™s no added sugar.

californialavash.com.

Opinion: November 21, 2018

EDITOR’S NOTE

Around here, we argue over who gets to do stories about Tandy Beal.

If youโ€™ve talked to her for even a few minutesโ€”and really, everyone shouldโ€”you understand why. She has a way of thinking about things thatโ€™s not like anyone else; even the sound of her voice, the way she floats words into a room with a whisper-y, musical lilt, is unique. Iโ€™ve written in-depth about her a couple of times, and there are things she said to me years ago that I still think about regularly.

But I donโ€™t think any of the pieces weโ€™ve run before are quite like the cover story Christina Waters has written about Beal this week. Sheโ€™s known her longer than any of us, and it comes across not only in the words themselves, but also between the lines. Even though the story is primarily about Bealโ€™s newest show, Iโ€™ve never read anything about her that radiates such familiarity, and provides so much insight into Bealโ€™s old-soul artistic genius.

Just as Bealโ€™s shows should be a part of every Santa Cruz holiday, so should Santa Cruz Gives. Be sure to read our story in the news section this week about Community Foundation Santa Cruz Countyโ€”their new sponsorship of SCG is only one of the ways theyโ€™re expanding their philanthropic universe. And go to santacruzgives.org to give to one (or more!) of the participating local nonprofits. We are off to an incredible startโ€”thanks to your generosity, SCG has already raised $130,000 for these amazing local groups. Keep the giving revolution rolling!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

WILL WE MAKE IT?

Will we make it this year? Had a close call last week for fires in our area. With no rain the past months, the whole area is so dry. Good thing we have not had the big dry winds that have hit north and south of us, with thousands of homes lost. Something needs to be done soon and fast in the Santa Cruz area. The CAL Fire Forest Division has got to start doing large fire breaks around the cities of Felton, Bonny Doon, Ben Lomond, Brookdale, Boulder Creek and Scotts Valley now! PG&E sends Davey Tree trucks out everyday and they do the least amount of tree trimming around wires, etc. Time to bring in the bulldozers and clear a safe path and take out dead dry trees that help a fire spread. Donโ€™t let our great Santa Cruz Mountains area go up in smoke because of bad forest management.

Terry Monohan
Felton

Re: Jaron Lanier

I am not addicted to social media, but I feel I must participate in some ways as a person involved in ecommerce. I actually abhor Facebook for the most part, but do like to interact with my high-school friends and family; mostly I have to have a FB account to use Instagram. Iโ€™m a photographer and have two Instagram feeds; one to promote an eBook I wrote to publicize Jamaican music (itโ€™s a book for tourists and visitors there) and the other to share about health, cancer and self-realization. Iโ€™m working with network marketing, so interacting online we find people that are looking for what we have to offer. For example, I plan to share about nitric oxide and why itโ€™s good to prevent heart attacks.

When I comment on blogs like this or on YouTube, I find lots of people that are supportive and empathetic. I skip over the hater people, they are not usually commenting on the content I appreciate and seek. I have a label of stage four terminal breast cancer, and I have found tons of resources and people on the internet to support my healing, donโ€™t know why Jaron and his wife had difficulty.

I am paying attention to what Lanier says about fake news and bots, because I did not realize the fake people, etc. were so extensive. Iโ€™m not a big Twitter person and probably never will be. I do think there is danger of internet police, but how are we to create community if we become isolated again by our physical locations?

As an artist, not so known as Lanier (LOL) I think the internet and social media is one of the greatest ways to get exposure, make new relationships and gain inspiration. Iโ€™d like to get paid for my โ€œdata,โ€ but how is that going to work?

I think this is much more complex than Lanier makes it out to be; Iโ€™d like to hear more solutions such as encrypted browsers or networks, and how we can minimize the spying. I think with his knowledge, perhaps he could share about specific methods to combat the coming challenges to internet โ€œfreedom.โ€

โ€” Dona

Re: Housing Measures

โ€œMeasure H is what we all agreed upon,โ€ Singleton says. No, he must be working in an echo chamber. Despite outspending opponents 100 to 1, Measure H lost by well over 10%.

If Singleton had read your story in August, heโ€™d know that proponents got this on the ballot even though two polls showed that it would fail. Our county must pay the cost of hundreds of thousands of dollars for a doomed election. What a hasty waste of public funds by the Board of Supervisors.

The precinct-by-precinct returns show that Measure H got closest to 2/3 in the City of Santa Cruz. Since Pogonip Park is closed as of yesterday, why not put a $140 million affordable housing project at the end of Golf Club Drive? And call it Keeley Lane. It could house the same folks living there already.

โ€” Bruce Holloway


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

Allterra Solar is donating solar systems to four local nonprofits for its first-ever Power Positive campaign. The systems each have a $20,000 value and will be 100 percent free to the winners. Allterra hopes to help the organizations cut their electricity costs and carbon footprints. Nominations are open through Dec. 31. โ€œWe really want to give back to those who give,โ€ Allterra CEO James Allen said in a promotional video. For more information, visit allterrasolar.com.


GOOD WORK

Students from Gault Elementary School have been making the one-mile trek to Seabright Beach to pull the invasive ice plant and replace it with native alternatives. Once thought to help stabilize cliffs, the ice plant has since been shown to actually increase coastal erosion. The studentsโ€™ work has been successful enough that threatened animals like the snowy plover and burrowing owl have returned to these dune ecosystems to nest.


QUOTE OF THE WEEK

โ€œSometimes your joy is the source of your smile, but sometimes your smile can be the source of your joy.โ€

-Thich Nhat Hanh

Music Picks: Nov. 21-27

Live music highlights for the week of Nov. 21, 2018

WEDNESDAY 11/21

JAM BAND

SHADY GROOVE

As they near the 20-year mark, Shady Groove is a local institution. If youโ€™re a fan, youโ€™ve probably witnessed long stretches of improvisational jams that are once-in-a-lifetime experiences. This is true for the assortment of covers they play, as well as for the originals which pull from rock, jazz, New Orleans, reggae, gospel, R&B and just an overall Haight Street โ€œdance bandโ€ vibe. Just donโ€™t lose your shirt as you try to catch the colorful flashing lights with your hands. AARON CARNES

INFO: 9 p.m. Flynnโ€™s Cabaret & Steakhouse, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.

GARAGE ROCK

THE MYSTERY LIGHTS

A modern proto-punk band, the New York-by-way-of-Salinas group the Mystery Lights sound like a lost contemporary of the Sonics or the Seeds, all swagger and wailing treble. Their self-titled debut was released in 2016 by Daptone subsidiary Wick Records, a welcome expansion of Daptoneโ€™s all-things-โ€™60s catalog. Live, the Lights have an ability to find the spaces where punk and drone overlap, creating thick waves of psychedelic noise between high energy blasts of a howling thing called rock โ€™nโ€™ roll. MIKE HUGUENOR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $14/door. 429-4135.

 

FRIDAY 11/23

POST-PUNK

FIRE NUNS

Portlandโ€™s Fire Nuns donโ€™t know if they want to be a fuzzed-out garage-rock Burger Records band, or if theyโ€™d rather be razor-focused math rock nerds. They somehow manage to encapsulate the wild abandon of garage-rock and the technical prowess of math rock, and meld it together in a way that stays true to the contradictory ethos of both. The band has been releasing a steady stream of albums since 2013; their latest, Band on Holiday, is a messy, straightforward rocker with guts, heart and robotic precision. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

COUNTRY

JESSE DANIEL

Jesse Daniel is a bit of a rockabilly rebel, but his songs are full on honky-tonk revelry. He twangs his pithy, anecdotal stories with all the swagger of a bad guy gone good (but still a little bad, in all the right ways) and turns his troubled backstory into rollicking one-liners which manage to give everyone in the audience a vicarious shit-eating grin. โ€™Cause weโ€™ve all known trouble of some sort, havenโ€™t we? Daniel makes light of our silly, fragile human egos, but still somehow comes off as a major badass in the end. Swoon. AMY BEE

INFO: 9 p.m., Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854

METAL

BLASPHEMOUS CREATION

Renoโ€™s Blasphemous Creation are celebrating a dozen years of blast beats, thrashing riffs and mayhem. This diabolical power trio is for pure metal lovers only; their tunes harken back to the good-ol-days of Kreator, Morbid Angel and Death. Not only will they share the stage with black metal trio Sledge and Santa Cruzโ€™s own Blood Omen, but Blasphemous Creation will also be releasing their long-awaited fourth album, Forsaken Dynasty. Donโ€™t say you werenโ€™t warned. MAT WEIR

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

 

SATURDAY 11/24

INDIE-FOLK

SMOKESHOW

Some of Smokeshowโ€™s songs sound like acoustic versions of classic rock ballads, like Led Zeppelin if those dudes had sweet, sweet lady harmonies. Other take on a melancholic vaudevillian vibe, with modest mandolin riffs accompanying gritty-sweet vocals lamenting, โ€œOh fire/Mighty agent of change/ But stick around too long itโ€™ll make you deranged.โ€ Sometimes the indie folk duo will do a sing-out, call-back style with their lyrical stanzas, resulting in a powerful cascade of imagery, like two Robert Plants fighting over the same narrative vocal structure. Which voice will win? Who knows! AB

INFO: 9 p.m., Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

 

SUNDAY, NOV 25

JAM BAND

MOONALICE

With one of the strangest pedigrees in jam music, Moonalice boasts members of Hot Tuna, Jefferson Starship, Phil Lesh and Friends, and โ€ฆ a venture capitalist? In addition to penning โ€œItโ€™s 4:20 Somewhere,โ€ singer Roger McNamee was an early investor in Facebook, worked at T. Rowe Price in the โ€™90s, and is dead certain that โ€œmusic and technology have converged.โ€ In the past, Moonalice has included both G.E. Smith and Jack Casady, but when they come to Moeโ€™s Alley theyโ€™ll be bringing Grateful Dead alum Big Steve Parish in the role of โ€œroad scholar.โ€ MH

INFO: 8:30 p.m. Moeโ€™s Alley, 1535 Commercial Drive, Santa Cruz. $10/adv, $15/door. 479-1854.

 

MONDAY 11/26

JAZZ

RAY BROWN QUINTET WITH EDDIE MENDENHALL

Longtime Cabrillo College professor Ray Brown returns to Kuumbwa with his new quintet, a stellar band featuring some of the regionโ€™s top improvisers. Trading his horn for the vibraphone, Brown gives top billing to Pacific Grove pianist Eddie Mendenhall. His daughter, the Juilliard-trained bassist Kanoa Mendenhall, is home from New York for the holidays long enough to add a vivifying jolt of youth to the ensemble, while the brilliant drummer Alan Hall is worth the price of admission himself. Rounding out the band is Erik Jekabson, an essential creative catalyst on the Bay Area jazz scene. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.50/adv, $31.50/door. 427-2227.

 

TUESDAY 11/27

ROCK

AUGUST SUN

By blending funk, rock, blues, soul and everything between, August Sun creates an original sound that is as full as it is expansive, not to mention kick-ass. This Santa Cruz Mountains-based quintet is the brainchild of fiery singer-songwriter Christian Walsh, perfect for fans of the Grateful Dead, Chris Robinson Brotherhood, Rolling Stones or just good old-fashioned rock โ€™nโ€™ roll. MW

INFO: 8 p.m. Crowโ€™s Nest, 2218 E Cliff Drive, Santa Cruz. $5. 476-4560.

5 Things to Do in Santa Cruz Nov. 21-27

A weekly guide to whatโ€™s happening.

Green Fix

Monarch Butterfly Tours

The monarchs are coming, the monarchs are coming! Okay, technically theyโ€™re already here, but they wonโ€™t hang out long. Every year, thousands of monarchs flock to the Natural Bridges eucalyptus trees. They migrate all the way from the Rockiesโ€”thatโ€™s more than 800 miles for their little wings to flap. We donโ€™t blame them for taking a breather and getting a little lovinโ€™ before they turn around and go back. Theyโ€™ll probably be here โ€™til January, but now is the best time to see them in all of their glory.

INFO: Tours held at 11 a.m. every Saturday and Sunday. Natural Bridges State Beach Visitor Center, 2531 W Cliff Drive, Santa Cruz. 423-4609. parks.ca.gov. free, $10 day use parking.

Art Seen

โ€˜Lay of the Landโ€™

The Museum of Art and Historyโ€™s latest exhibit is all about Chile native Rodrigo Valenzuela, who was waiting for work at Home Depot as a day laborer 10 years ago. Today, he is a professional artist and UCLA professor. While his abstract landscapes may seem to be of familiar places like Joshua Tree, his work is actually a mish-mosh of American and Chilean landscapes, with some foosball and film for good measure. The work portrays the obstacles immigrants face in making the United States feel like home.

INFO: Show runs through Sunday, Feb. 17 with an artists talk on Thursday, Jan. 17. Museum of Art and History, 705 Front St., Santa Cruz. 429-1964. santacruzmah.org. $10 general admission, free on First Fridays.

Friday 11/23

Mission Building Game

They say board games never go out of style, and this proves it. Mission Building is a board game set in the 18th century, where you spend Spanish real coins and roll the sheepโ€™s knucklebone to determine the fate of your own mission. The game is geared for ages eight and up, and happens rain or shine.

INFO: 3-4:30 p.m. Santa Cruz Mission State Historic Park, 144 School St., Santa Cruz. 425-5849. parks.ca.gov. Free.

Saturday 11/24

Birding For Beginners

Anyone can do birding anytime, anywhereโ€”canโ€™t say that for much else in life. Some of the benefits of birding include not only a greater awareness of wildlife, but also new friends, both literally and figuratively. (Birds are friends, right? Or is that fish?) Either way, there are plenty of experienced birders in and around Santa Cruz to lead the way in birding etiquette, Jim Williams being one of them. Williams will talk about birding in Henry Cowell State Park, and answer any and all flying friend-related questions. Bring a water bottle and comfy footwear.

INFO: 8 a.m. Henry Cowell Redwoods State Park, 101 N Big Trees Park Road, Felton. 335-7077. thatsmypark.org. Free, $10 parking pass.

Monday 11/26

Hampton Sides โ€˜On Desperate Groundโ€™

New York Times best-selling author Hampton Sides is coming to Santa Cruz to talk about his new book that details acts of heroism by marines in the Korean War. Also an Outside magazine editor and National Geographic contributor, among many other things, Sides is a narrative nonfiction expert. On Desperate Ground tells a war tale as old as time, but still terrifying relevant.

INFO: 7 p.m. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. 423-0900. bookshopsantacruz.com. Free. Photo: Kurt Markus.

An Off-the-Beaten-Path Destination for Italian Delicacies

The fresh, earthy scent of redwoods drifting through my car is usually enough to convince me to take a drive up to Ben Lomond, especially if the trip ends in a visit to Mountain Feed and Farm Supply.

But after visiting La Placa Family Bakery, I now have two more reasons to escape up the hill, and both of them come dusted in powdered sugar.

Depending on where you live in the county, it can be a bit of trek to get there, but in my opinion itโ€™s absolutely worth it. Originally from Sicily, pastry chef Leonardo La Placa found his calling in pastry at just 12 years of age, and spent several decades working and teaching pastry in Europe before arriving in Ben Lomond and opening La Placa Family Bakery three years ago.

While the bakery also serves pizzas and calzones, the pastry counterโ€”filled with an array of colorful cakes, traditional Italian cookies and a dozen flavors of hand-made gelatoโ€”is what immediately commands your attention upon entering.

My eye is caught by a tray of round, fist-sized Italian donutsโ€”bombolini ($1.25 each). While I consider myself a fairly frequent visitor to our countyโ€™s various bakeries and pastry shops, I havenโ€™t seen one of these filled pastries since I was in New York a few years ago, and Iโ€™m delighted.

A filled donut is easy to love, but a bombolone can reach transcendent heights if done well, as they are at La Placa. Feather-light on the outside and bursting with either sweetened, creamy ricotta or silky Nutella, itโ€™s difficult to stop at just one. Of the two, I prefer the not-too-sweet ricotta, but as I discovered when I brought a box to my boyfriendโ€™s Italian parents and watched them promptly devoured, it really is a matter of preference.

Another pastry that sets this bakery apart are the cannoli ($4 each). These hard-shelled, tubed-shaped pastries are filled to orderโ€”to prevent them from getting soggyโ€”with the same delicious ricotta, and topped on either end with slivered almonds. Theyโ€™re so festive that theyโ€™ve become my go-to dessert to bring to almost any celebration, equally fun at birthdays, holidays and dinner parties.

La Placa Family Bakery. 9280 Hwy. 9, Ben Lomond, 609-6552.

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La Placa Family Bakery serves up artisan Italian pastries in Ben Lomond
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