Preview: Squirrel Nut Zippers to Play Rio Theatre

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[dropcap]I[/dropcap]n 1993, James “Jimbo” Mathus, a transplant from Mississippi to Chapel Hill, North Carolina, co-formed the Squirrel Nut Zippers. Comprising what Mathus describes as “starving artists working different menial jobs,” the band became a sensation and found itself near the forefront of the late-1990s swing revival.

“We were washing dishes, doing carpentry, just rehearsing and grooving on weird old American music and arts and entertainment,” says Mathus, explaining that the members were “digging on” calypso music from Trinidad, German cabaret records and whatever else they could find. “That’s what was going on for us. We didn’t have TVs, we just played music and worked. We were just juiced on what we were doing, uncovering the old weird roots.”

Early Squirrel Nut Zippers albums are high-energy and hard-swinging. The group’s live performances were spectacular throwbacks to the classic big band era. The Zippers released seven albums over the next seven years, including the platinum-certified Hot, then went their separate ways. The band reformed briefly and released a live album in 2007, but has been quiet since.

The break was due, in large part, to Mathus getting “swept up” recording and touring with blues legend Buddy Guy, including playing guitar on Guy’s Grammy-winning 2003 album Blues Singer. The experience sent Mathus down a different path and he had to put the Squirrel Nut Zippers behind him.

Since then, Mathus has been active as a producer, has been writing songs and engineering, released 15 solo albums, and has toured 225 days a year in a van.

In 2016, he reenergized the Squirrel Nut Zippers and the band has been “touring hard” for a year. With a new album, Beasts of Burgundy, set for release on March 23, the band has new life, a fresh outlook, and new tunes.

“I gave no thought to writing Squirrel Nut Zippers material for the past 17 years because I was writing other stuff,” says Mathus. “When we started getting back together, pretty quickly I realized I needed to start writing again. I was inspired through the energy of the new cast and the characters that lie therein.”

Born and raised in Mississippi, Mathus grew up in a “real musical Southern family.” He was part of a family band and grew up singing and playing all kinds of music, including folk songs from the area. He was introduced to big band music, Cab Calloway and Louis Armstrong through Looney Tunes cartoons.

Mathus’ appreciation of swing, big band and Southern roots traditions is at the heart of the Squirrel Nut Zippers’ sound that blends jazz, cabaret, folk, punk, rock and roots. As one of the driving swing revival bands, the Zippers stood out from the pack of throwback swing bands because they brought something new to the genre while building on a solid foundation and understanding of it.

“It comes back to the songs we write,” says Mathus. “They’re kind of enduring. Our songs separate us from any type of throwback thing right off the bat … They’re well composed, interesting songs.”

Now Mathus has a bigger band, some “fresh talent,” and an opportunity to “reevaluate the material and make it even stronger than it was.” Once again, the Zippers push at genre confines. Beasts of Burgundy is dark and mysterious, a celebration of the old, weird New Orleans and a story of characters who accidentally miss Mardi Gras. The 12-song album has a carnival feel, an elaborate cast, and is a glimpse into the fantastic mind of Mathus. Inspired by New Orleans, as well as the poet Ron Cuccia, Beasts of Burgundy is the Zippers reinvigorated.

“I didn’t want to just recreate what we had done before,” says Mathus. “I wanted to revive the music, pull it off the shelf, give it a new life, give it new songs, give it a new beginning.”

Mathus’ longtime mantra is, “Let the music lead.” This revitalization of the Squirrel Nut Zippers is the latest journey led by the music—and Mathus says he couldn’t be happier.

“I just kind of rolled the dice and said, ‘Let’s give it a shot,’” he says. “Now it’s to the point where, after a good year on the road under our belt and a new record that’s fantastic, I’m just looking forward to the next decade.” Then he adds with a laugh. “Or so.”

 

Squirrel Nut Zippers will perform at 8 p.m. on Monday, March 5 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $35. 423-8209.

Cat & Cloud’s Chill Eastside Ambiance and Killer Coffee

Walking into the Eastside’s compact Cat & Cloud, the energy hits immediately. Fronting Portola Drive, its back door facing the ocean, the coffeehouse exudes the sort of buzz that comes not just from caffeine but from big-shouldered hospitality, as well. The brainchild of former Verve pioneers Jared Truby and Chris Baca, Cat & Cloud holds down its Pleasure Point territory with easy charm and killer coffee. I was welcomed the minute I walked in, surveyed the landscape of Companion Bakeshop pastries, and ordered the house medium roast ($2.75), served up in a huge logo mug. From my seat at the laminated faux surfboard counter I could watch Truby finesse breakfast toasts, some slathered with avocado, others with cream cheese and infant sprouts.

“I do it all,” he jokes. “Morning to evening.” But of course he is exaggerating, since his partners were also working the espresso machines without stopping. The atmosphere is physical, the appearance of this clean well-lighted space is filled with air and sunshine. A steady stream of neighbors arrive as I watched the action. It’s hard to resist the outrageous flavor (butter and caramelized sugar) and texture (chewy interior topped with a featherlight embrace of paper-thin, crispness) of the mighty Companion Bakeshop Kouign Amann ($4.50). I, for one, do not resist it, but cave every time I’m within reach of this dense pastry gem.

As the population in Santa Cruz has thickened, so has the traffic—thus creating little neighborhood mini-towns, from the Westside to the Eastside. And each of these little regions keeps its residents well stocked in coffee shops, cafes and cocktails. The resourceful Cat & Cloud amplifies its clientele by partnering its excellent fresh-roasted coffees with the signature pastries from Companion Bakeshop (this alliance also powers C&C’s downtown station in the Abbott Square Market). As Verve multiplied its appeal by stocking Manresa’s outstanding scones, cakes and croissants, so Cat & Cloud offers the addictive morning treats from a top bakery. A value-added inspiration! Music is spot-on, bouncy pop-rock that pleases without getting in the way. The vibe was perfect, neither too hipster-hip, nor too understated. A bright, clean space seemingly free of “attitude” (i.e., no one feels excluded or not hip enough to enter). Even though the parking situation is a bit of a challenge—there’s a small lot tucked behind the store, otherwise you’re on your own on the locals-only beach community backstreets—I was assured that the parking issue is “being worked on.”

How was the coffee? In a word, full-bodied and delicious. Robust with a bittersweet center of Earth and a caramel finish, thanks for asking. Cat & Cloud’s close neighbors include other Pleasure Point coffee emporia that are busy redefining the surfing quartier—Verve, Chill Out, Coffeetopia, for example. But there are enough coffee lovers to go around, and clearly this vivacious pitstop for coffee and pastries has found its clientele. Open 6 a.m.-6 p.m. daily. 3600 Portola Drive, Santa Cruz.

 

Appetizer of the Week

The brilliant little Pork Belly “Snack” ($8) at Bantam, in which a feisty square of pork belly (imagine a piece of meaty bacon expanded in four dimensions!) is joined by a small pillow of pureed sweet potato and a colorful side of pickled carrots, cauliflower and other crunchy items. No, seriously, this fork-tender flavor delivery system held up throughout one of the house designer martinis ($9)! Get there early—like when it opens at 5 p.m.—while bar seating is available and the noise level not excessive.

Open 5-9 p.m. Monday through Thursday, and until 9:30 p.m. Friday and Saturday. Bantam 1010 Fair Ave., Santa Cruz.

Oscar Rios’ Accusers Speak, As He Resigns

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[Warning: This report contains graphic language.]

Liz Bean says she still remembers one night in a hot tub in 1988 at the home of Oscar Rios, then a union organizer in Watsonville.

Rios’ girlfriend was also there, and when she stepped into the house, Rios began scooting close to Bean, as the two of them made small talk, she says. Suddenly, Rios reached over to her, Bean says, and put his fingers into her vagina.

“I froze. I could not believe this was happening,” says Bean, who now lives in Canada. “It happened really fast, and so I was just in a state of shock. Did I do something? Did I say something? Of course, I didn’t say or do anything that invited this. It felt so shameful to me that I couldn’t tell anybody.”

Just hours after allegations of sexual impropriety came to light on Monday, Rios announced in a statement that he was resigning from his seat on the Watsonville City Council.

“Many years ago, I engaged in behavior that, upon reflection, was inappropriate,” he wrote, addressing allegations from Bean and one other woman—neither of whom say they’re interested in compensation. “I am deeply sorry to hear that my conduct has caused pain and anger to demonstrably good people. It saddens me to know they bear scars from those encounters.”

Rios, a five-time Watsonville mayor, also wrote that he had read the alleged victims’ statements, which had been emailed to local media and Watsonville officials. Rios, long seen as a champion of South County’s progressive politics, claimed that he did not remember some of the encounters, and that he recalled others differently.

While Bean says she would have preferred to hear an apology and full admission, she feels Rios’ resignation is an important step.

“It’s justice. The shame has lifted,” says Bean, who felt the time was right to speak out after the #MeToo movement created a space for women who have experienced sexual assault to come forward.

Shiree Teng, who worked with Rios to organize Watsonville’s cannery workers in the 1980s, says she remembers driving out of town with Rios more than 20 times, sometimes to Los Angeles or Stockton or Modesto.

On every drive, she tells GT, Rios would put his hands on her.

She says that he would often slide one hand down her pants, in spite of her repeated protests, and then would repeatedly demand she return the favor, and if she refused, he would grab her hand himself and place it on his penis. Other times, they would get out of the car in the pitch black of night to stretch their legs, and he would demand oral sex.

“The feeling is reduction, being reduced to nothing. What I wanted and what I felt didn’t matter,” she says. “I was there to comply to the whims and wants of men who are dominant and believe patriarchy in their hearts, even if they say the don’t.”

Teng was 28 and married when she moved to Watsonville in 1985 to begin organizing cannery workers, and Rios, who had already established himself as a charismatic leader in California’s union network, was 40. Although she says she repeatedly told Rios “no” and pushed him away, she stayed at her job because she felt the work was important, and she constantly felt optimistic that Rios’ behavior would somehow come to a halt. On the few occasions that she brought up Rios’ conduct with people she knew, she says they would downplay it. The pain has stayed with her in the 30 years since, and over time festered into a sense of anger.

“I told myself, ‘I am here because of the bigger picture of what we’re doing. That’s bigger than the harassment and the abuse and molestation that are happening,’” she says. “I thought these things were normal.”

Teng, who now lives in Oakland, adds that she had already been sexually harassed and groped several times as a teenager and a young adult, prior to moving to Santa Cruz County.

Teng also remembers lying on a public beach in Watsonville in the 1980s with Rios, when he took out his penis, started masturbating and then ejaculated on her. When she felt disgusted and embarrassed, she says Rios laughed. Teng says there were “countless” other incidents like this.

“I’m speaking up now. I was weak,” she says. “I didn’t speak up. I wish I did. And I’m doing it now.”

In the years ahead, Teng says she’s optimistic that her three sons and three grandsons will be part of a better future, and says that she has prioritized the issue of consent with them—making sure each boy understands that “No means no.”

Back in the 1980s, Teng tried talking about Rios with two of her best friends at the time, but neither provided much guidance on moving forward.

She says that one friend, Steven Morozumi, told her “I never looked at you as a victim,” which she says rattled her, making her wonder if she should just stick it out. Morozumi—who says now that he was deeply disturbed by the incidents—was one of three people who corroborated the allegations Bean and Teng made on Monday.

Another was Linn Lee, who’s close with both Teng and Bean. She was the first person to realize that two of her best friends had eerily similar claims about Rios, a man who each of them had felt unable to discuss for so long. Once Lee discovered the connection in late December, she immediately started a conversation between the both of them.

Lee says that Teng sacrificed her own well-being for a cause that she believed in, as Watsonville cannery workers were fighting for better conditions.

“She’s a really strong woman,” Lee says. “But then when she talks about Oscar, she breaks down like she’s a little girl in a way that I’ve never seen before. She’s clearly experienced some trauma with this, because every time she talks about it, she starts to cry.”

Labor historian Peter Shapiro says Teng told him about Rios abusing her when he interviewed her for his 2016 book Song of the Stubborn One Thousand: The Watsonville Canning Strike, 1985-87.

Shapiro, who once considered Rios a friend, says the whole situation is “all too sad for words.”

“I have a feeling that once this stuff gets out, more women will come forward,” he says. “Generally, politicians who do these kinds of things do them as long as they can get away with it, but the women are the ones we should feel sorry for here.”

 

Update 02/27/18 10:01 a.m.: This story was updated with additional information, including statements from Linn Lee and Peter Shapiro.

What makes you nostalgic?

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“Eighties Night at the Blue Lagoon. It reminds me of being a kid growing up listening to Michael Jackson.”

Jason Cichon

Bar Manager
Santa Cruz

“When I go to my hometown in New Jersey and hang out with my childhood friends.”

David Bednar

Doctor
Santa Cruz

“Dancing in the sunshine at music festivals with my friends.”

Andrea Pisani

Singer/Yoga Instructor
Santa Cruz

“The cold breeze from Tahoe in the wintertime. ”

MacKenzie Knabe

Screenprinter
Santa Cruz

“Music. It takes me back to all kinds of places I’ve been and things I’ve done.”

Sarah Hamilton

Doula
East Bay

UCSC Hones Pitch for Adding 9,000 Students

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Santa Cruz’s Ron Pomerantz says his jaw dropped when he heard UCSC would explore adding about 9,000 more students by 2040.

“To gain 50 percent more doesn’t even compute. You’re kidding, right?” says Pomerantz, a community activist and retired firefighter. “Everyone needs to be involved.”

He says the announcement felt like a “decree” when it came down from Chancellor George Blumenthal, because it predated any community input.

These early stages of the new Long Range Development Plan (LRDP) process allow the university to test its 28,000-student figure, says UCSC spokesperson Scott Hernandez-Jason.

Squeezed by state enrollment pressure, UCSC—which currently enrolls about 19,000 students—is holding public meetings in March as part of its process to study possible growth from 2020 through 2040. Meanwhile, current students complain of already impacted infrastructure, while Santa Cruz deals with a sharp increase in local rents.

In the wake of Blumenthal’s announcement that the university would “study” and “explore” the possibility of expanding to 28,000 students, the university is holding three public forums, each beginning at 7 p.m.—one on March 5 at Hotel Paradox in Santa Cruz, another on March 6 at the Civic Plaza Community Room in Watsonville, and a final one March 8 at Capitola’s Mid-County Senior Center.

Hernandez-Jason says UCSC needs to grow to be more accessible to low-income communities. “A record 56,000 frosh applied in fall quarter. So did 12,000 transfer students,” he says. “If we roll up the drawbridge, some students won’t be able to get an education at UC.”

The university last year showed early signs of testing public opinion for an expansion, including a pitch about improving diversity and access. While compiling a report for UCSC, market research company SimpsonScarborough interviewed local residents, as well as more-prominent “influencers of Santa Cruz and Silicon Valley. Anonymous statements in the report say UCSC brings value to Santa Cruz, particularly economically, although many portrayed the university as a bull in a china shop, and they welcomed more transparency and community involvement.

Participants in the survey were split in their support of UCSC’s growth, with the influencers more supportive of growth than Santa Cruz residents.

Pomerantz says surveyors contacted him last year for their report, and he remembers diversity being part of the pitch—which he viewed as a tack to manipulate a sense of “liberal guilt” out of the community.

Chayla Fisher, a sophomore co-chair of the Student Environmental Center, is serving as one of two student representatives in the LRDP planning process. She says the university should serve its existing student population better before expanding. Shocked by the 28,000 figure, she argues that the new hypothetical target doesn’t actually help diversity goals at all.

“We don’t even have the resources to support students now, especially those of color and low incomes,” Fisher says. “If we bring more students in, they will face harsh circumstances. I don’t think that’s supportive of students of color and lower-income students.”

Fisher describes an inadequate supply of athletic spaces, kitchens, study spaces, and classrooms. One of her classes expanded to 350 students, 50 spots over capacity, with students regularly sitting in walkways, she says.

Hernandez-Jason and Kimberly Lau, co-chair of the Academic Senate and literature professor, both say the university has recently made strides to help retention of students of color and lower incomes, with new programs. However, the school’s student-run retention organizations remain largely without consistent university funding, Hernandez-Jason says. According to the most-recent data available, 43.7 percent of first-generation students graduate before their fifth year, compared to 55 percent of students who had at least one parent finish college.

The new LRDP—once it’s finished—will not mandate growth, but rather will guide development and construction. It will include land-use planning, as well as impacts on traffic, wildlife and the city of Santa Cruz. The university is also proceeding with plans for a 3,000-bed housing facility on the school’s west side, which is partly privately funded.

Feedback from the March forums will go to the LRDP planning committee, in order to develop options for the university’s future, while it receives monthly feedback from a Community Advisory Group. Later this year, community members can comment again, with possible scenarios going to the chancellor as early as May. Consultants will then draw up the chosen plan’s impacts, which could take more than a year. After that, the environmental impact report will have another window of public comment.

The university is aiming for more community involvement after the prior LRDP, from 2005, resulted in a lawsuit.

Lau co-chairs the LRDP planning and executive committees. She says that the 28,000 figure may have given community members sticker shock, since the planning extends over a longer period—20 years, instead of the typical 10-15. She says the university has an ethical obligation to accept more students.

“We don’t want to eliminate more students from having this opportunity,” Lau says. “We’re trying to address the problems as we plan. We don’t have the money to fix everything at once.”

But UCSC’s student government released a statement condemning recent growth, explaining that changes have increased demand on academic and facilities staff, to say nothing of the new suggested target. The crunch has created a shortage of resources, like food, housing, transportation, psychological services, and classrooms, the statement said, adding that impacts on the city have made Santa Cruz one of the “least affordable” small metropolitan areas in the U.S.

The university’s original LRDP in 1963 set out a plan for 27,500 students by 1990, a vision that included 20 colleges—more than twice as many as the school currently has.

Cautiously optimistic, at least one resident has faith in the opportunity for UCSC to become more accessible to local residents, especially ones from South County communities. MariaElena de la Garza of the Watsonville-based Community Action Board of Santa Cruz County, says the time is right for a conversation about a satellite campus in Watsonville.

A member of the LRDP’s Community Advisory Group, she says she has been the only voice in the room representing South County and nonprofits. De la Garza agrees with notions that this is an opportunity to think big.  

“I want there to be a true community-wide conversation, participation and inclusion so we know what the needs and the opportunities are,” she says. “We’re supporting the school to make sure the right voices come to the conversation.”

Drew Barrymore Does Wine

[dropcap]O[/dropcap]n a recent stay in Carmel at the Hofsas House, we walked over to the welcoming Carmel Road Winery’s tasting room, where I hoped I would run into Drew Barrymore (wishful thinking!), as the famous movie star features three of her own wines there. The tasting room manager assured me that Barrymore visits the tasting room from time to time, and that “she’s just lovely and knows a lot about wine.”

“I am passionate about wine,” Drew Barrymore says on her wine label. “There is so much to discover and experience, and my travels help me do that.”

Barrymore, acclaimed actress and oenophile, shares a winemaking partnership with Carmel Road winemaker Kris Kato, who grew up in Portland, Oregon and has garnered experience working at wineries on the Central Coast. The two of them craft three varietals—Drew’s Blend Pinot Noir, Monterey Rosé of Pinot Noir, and Monterey Pinot Grigio, a bright, perky wine which I particularly enjoyed.

Pinot Grigio is known for being easy to like and easy to pair, as it matches up with a broad array of food. Barrymore’s Pinot Grigio ($22) is crisp and refreshing with citrus and tropical notes—revealing a tasty blend of honeydew melon and lemon, and an elegant minerality. A screw cap top makes it simple to open.

Barrymore’s other wines are also notable—especially the Rosé with its mouthwatering red-fruit flavors and hints of stone fruit. And the lush and vibrant Pinot Noir sells for only $28. Carmel Road’s tasting room is modern, light and airy—and the staff is upbeat and knowledgeable.

We often stay at the warm and friendly Hofsas House Hotel in Carmel because it’s situated very centrally on San Carlos Street—an easy walk to tasting rooms and good restaurants. After lingering over coffee and continental breakfast at the hotel, we strolled down to the ocean and then to Carmel Road’s tasting room. Although Drew Barrymore was not there at the time, I’ll be going back soon … just in case.

Carmel Road Winery is between Ocean Avenue and 6th Street, Carmel-by-the-Sea, 624-1036. Open daily from 11 a.m. to 6 p.m.

Opinion February 21, 2018

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EDITOR’S NOTE

At this point, I’m not even sure exactly how many times I’ve seen The Post. I saw it with my dad first, I know that. Then I took the whole GT editorial staff to see it. And I saw it with the publisher, too. (If you’ve seen Steven Spielberg’s film about the Washington Post’s decision to publish the Pentagon Papers in the face of prosecution from the Nixon administration, you know why the publisher and editor of every newspaper should go see it together. The interplay between Meryl Streep (as publisher Katharine Graham) and Tom Hanks (as editor Ben Bradlee) about the workings of the paper is funny and realistic. At one point in the film, after Bradlee blustered something arrogant to Graham, Jeanne Howard leaned over to me and said, “Don’t try that line on me.”)

Anyway, the point is I’ve seen it, related to it and come to admire it enough that I’ll be a little crushed when it inevitably doesn’t win the Oscars it’s nominated for. But it’s not even the insight into the real story behind the film that is my favorite thing about Georgia Johnson’s profile of Santa Cruz attorney Daniel Sheehan this week. Even better are the parallels that Sheehan and Johnson draw between Richard Nixon and Donald Trump. It’s a great read—and an important one.

The next seven days also mark the return of Santa Cruz Burger Week, which was a runaway success in its inaugural outing last week. Kudos to Hugh McCormick for his deep dive into everything you need to know. It’s pretty entertaining to read about how truly into burgers this year’s participants are. Bun appetit!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

YES TO LIBRARY, NO TO GARAGE

Re “Lot of Issues” (GT, 2/14): It is stated that the Downtown Library Advisory Committee recommended relocating the downtown library to a new parking garage, and that is “far cheaper” than a full renovation or a brand-new building at the present location.  

However, there is another option that is within Measure S funds, and that is a partial yet substantial renovation of the seismically sound library building, resulting in a remodeled, upgraded and attractive library. The DLAC ignored the majority of the public’s stated preference for renovation over moving the library to a parking garage (now called a “mixed-use project”). Stay tuned for a late-March City Council meeting. Meanwhile, go online to Don’t Bury The Library for a perspective very different than the DLAC.

Judi Grunstra | Santa Cruz

YES TO TAX CUTS, NO TO DEMOCRATS

Re: “Getting Hammered” (GT, 2/7): Thank you for pointing out that contractors have so much more work because of Trump’s tax cuts, so they don’t have as much time to build affordable housing.

Is Trump trying to force us to lower California taxes so people would be able to afford housing? My property taxes in Aptos go up every year since Governor Brown took over again. The real reason for the homeless problem is our California state government. There is a website where you can donate more of your money to Governor Brown if you don’t feel you pay enough taxes already.

I see Gavin (shove it down your throat without a vote) Newsom running on how evil Trump’s tax cut is. After all, Jimmy Panetta voted against more money on our paychecks.

Remember the threat by the Democrats during our 2016 election: “I will triple the taxes on the middle class,” vote for Hillary or you are deplorable and not cool for not giving all your money to the government.

Please vote for lower taxes. Thank you.

Steven Austen | Aptos

ONLINE COMMENTS

Re: Homeless Encampment

San Lorenzo Park has always been a haven for homeless and drugs. In the 1980s, dealers would walk up to your car window and take your order right there on the street. The park cleaned up for a bit and eventually attracted its current population again. Part of the attraction to the homeless crowd is the park’s isolation from downtown.

Let the homeless have San Lorenzo Park and let’s build a real park that is more accessible from downtown. The 1995 general plan called for a Cedar Street park/plaza adjacent to the Tea House. Whatever happened to that park? Where is our park? We got a huge parking structure instead. We need more parks.

— Theryl McCoy

Re: Dog Lovers

I reiterate Eva Rider’s comment “So buyer beware” (Letters, 2/14). Think first before adopting a dog! However, while Eva notes that the countywide leash ordinance restricts allowing one’s dog off-leash in most public places, she fails to mention that there are “dog parks” available to owners where their dogs are allowed off-leash. There are eight in the City of Santa Cruz, and others scattered throughout the county. The city even currently has one beach area (Mitchell’s Cove) where dogs may run free during posted hours. Note that all other beaches of the county require that dogs be leashed (no matter who calls them “dog beaches”). For more information on local leash laws, see http://llascc.weebly.com/.

— Jean Brocklebank


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

PAIN RELIEVER
Hospice of Santa Cruz County has opened registration for volunteer visitors to offer support for those facing the end of life. There will be four informational gatherings between Thursday, Feb. 22 and Tuesday, Feb. 27, stretching from Santa Cruz to Watsonville. Volunteers receive a comprehensive 30-hour training, beginning on April 18. Applications are due March 29. For more information, download an application at hospicesantacruz.org, or call volunteer services director Forbes Ellis at 430-3045.


GOOD WORK

BREATH PRACTICE
Biomedical researchers at UCSC have won $1.8 million in funding to investigate lung cancer and chronic obstructive pulmonary disease. The funds come from the California Tobacco-Related Disease Research Program, which is supported by the state tax on cigarettes. Awards include a $935,000 grant for lung cancer research led by John MacMillan, a biochemistry professor who studies natural products derived from marine microbes and investigates their therapeutic potential for treating disease.


QUOTE OF THE WEEK

“There should be at least one leak like the Pentagon Papers every year.”

-Daniel Ellsberg

Film Review: ‘Film Stars Don’t Die in Liverpool’

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Gloria Grahame is not much remembered these days. She was never as famous a movie star as, say, Marilyn Monroe. But, with her soft, girlish voice, sensual mouth, and trademark pout belying the gutsiness of the characters she played, she was a staple player in 1950s film noir, who is still much beloved by fans of the genre.

But it’s Gloria Grahame in her later years, at the end of her career, who’s the centerpiece of Film Stars Don’t Die in Liverpool. Based on a memoir written by Peter Turner, it’s the story of how Turner, an aspiring young actor trying to break into showbiz, met and fell in love with the veteran actress when she was working in England in 1979. The book is now a movie by director Paul McGuigan, a wistful tone poem about age and celebrity featuring dynamic performances from stars Annette Bening and Jamie Bell.

Scripted by Matt Greenhalgh, the film begins with a prologue in Liverpool, 1981, where Gloria (Bening) is appearing in a local theater production. When she collapses backstage, Peter (Bell) is called to come collect her, and takes her back home to his mum (Julie Walters). Flashback two years to Peter’s first glimpse of Gloria, at a neighborhood lodging house where they have adjoining rooms, running through her vocal exercises in front of a mirror. She invites him in for a drink if he’ll teach her to disco dance, and a friendship is born.

Peter is 28, and Gloria is almost 30 years his senior. But they bond over the craft and business of acting as he squires her around town, and pretty soon they become lovers. When, inevitably, she moves back to Los Angeles, she invites Peter to come live with her in her trailer on the beach at Malibu—a heady fantasy for a lad from Liverpool. He meets Gloria’s doting mother (yes, that’s Vanessa Redgrave, in a one-scene cameo), and waspish sister (Frances Barber).

The film moves fluidly between parallel time frames (a character turns a corner in one period and finds himself in the other), telling the story of how their relationship collapses, only to be reinvented later. The rift that separates them in L.A. is told twice, first from Peter’s viewpoint, then Gloria’s. This works the first time, although when a second, follow-up scene is also repeated, it becomes a little irritating (and the swelling, bombastic music doesn’t help).

However, that Bening’s no-nonsense, often fiercely anti-glam onscreen persona is so different from the kittenish Grahame’s gives the casting its interesting edge. Bening softens her voice a bit to approximate Grahame’s delivery, but doesn’t mimic the other actress. Instead, she digs into the heart of a woman of a certain age whose appetite for life and the work she loves is undiminished, investing her with a vitality and playfulness that plausibly beguiles the younger man. Her love for showbiz is infectious; at the movies, Bening’s Gloria can’t contain her gleeful laughter at the chutzpah of the chest-bursting scene in Alien while everyone else—including Peter—screams and cowers.

There’s another nifty moment when Gloria tells Peter the best acting advice she ever got, from Humphrey Bogart. “Keep it all inside,” she says. “Let the camera come to you.” Clearly, Bell has taken this advice to heart. Many of the movie’s richest moments come from Bell’s still face, perceptibly filling with emotion to which he never quite gives voice. Solid and soulful, he partners Bening beautifully.

Of course, based on Turner’s book, we have only his word that Peter was as gallant and adoring as Bell plays him. (When Gloria and Peter spat in the movie, it’s almost always because he tries to make some light hearted joke that she takes too seriously.) Still, there are moments of emotional truth, especially a key scene when Peter finds a way, however briefly, for Gloria to realize her dream of playing Juliet onstage. And if this movie revives interest in Gloria Grahame’s vintage movies, I’m all for it.

 

FILM STARS DON’T DIE IN LIVERPOOL

*** (out of four)

With Annette Bening, Jamie Bell, and Julie Walters. Written by Matt Greenhalgh. From the book by Peter Turner. Directed by Paul McGuigan. A Sony Classics release. Rated R. 105 minutes.

 

Trump Megadonor Donates $1 Million to MAPS Research

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Girl, you don’t know me!

That’s the short version of what Rebekah Mercer—whose father is of one of President Donald Trump’s lead bankrollers—wrote in a Feb. 15 Wall Street Journal op-ed, titled “Forget the Media Caricature. Here’s What I Believe.”

In it, Mercer, daughter of conservative hedge fund billionaire Robert Mercer, expressed support for housing the homeless and protecting freedom, as well as general platitudes about how “decentralized” power is good. She also deflected claims that she’s “anti-science” (even though her family has donated to anti-global warming causes over the years).

Anyway, shortly before that the story dropped, Santa Cruz’s Multidisciplinary Association for Psychedelic Studies (MAPS) announced a $1 million donation from the New York-based Mercer Family Foundation, led by Mercer herself. Even MAPS was surprised by the gift, which it will spend on research for veterans suffering from post-traumatic stress disorder, per the foundation’s requests. The nonprofit has been leading a push to have MDMA approved for psychiatric purposes.

“We were not expecting the Mercers would be one of the major funding sources for the phase three MDMA trials,” says Brad Burge, MAPS’ communications director. “We have had many of our donors be on the opposite side of the political spectrum from the Mercers, but we’ve been making sure this research is not just a left cause, that this research cuts across the political divide.”

MAPS has garnered other mysterious donations recently, including an anonymous $1 billion cryptocurrency donation followed by a $4 million matching pledge in bitcoin from the same source.

This past August, the Food and Drug Administration (FDA) awarded MDMA-assisted psychotherapy the Breakthrough Therapy Designation, and Burge says 95 percent of trials that earn that honor go on to get approval.

“It isn’t guaranteed that the FDA will approve it,” he says, “but it’s like receiving extra credit.”

A Brief History of the Cheesy Bavarian Sausage

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[dropcap]I[/dropcap]t was love at first snap as my teeth broke through the taut casing of my first Cheesy Bavarian sausage from Corralitos Market & Sausage Co. several years ago. The exact “where” and “when” of this inaugural experience has faded from my memory, muddled with the many, many Cheesy Bavarians that came after it, but I’ll never forget my first taste of mildly spiced sausage mixed with creamy cheddar cheese—a deceptively simple combo that nonetheless made quite an impression. I’m salivating just thinking about it.

I didn’t know it at the time, but I had become a member of a group of disciples dedicated to “the Cheesy B” above all other sausages. And according to Dave Peterson, president of Corralitos Market & Sausage Co., we are legion. “We sell 800 to 1,000 pounds of Cheesy Bavarians per week,” reports Peterson, and that number easily jumps to 1,500 pounds during food-based holidays like the Fourth of July and the Super Bowl. “It’s by far our biggest seller. It pays the rent on this place.”

With those kinds of numbers, the beloved Cheesy B is a leading candidate for Santa Cruz County’s Official Sausage (which is a thing we should totally have—get on it, county leaders!), especially since, as Peterson explains, its origins are democratic.

The year was 1976. America was celebrating its bicentennial, the Apple Computer Company was established by Steve Jobs and Steve Wozniak, and customers of the then-20-year-old Corralitos Market were asking for a sausage with cheese in it. Peterson was just getting his start at the market at the time, and says that the general consensus among the staff was that there “was no such thing.”

But not long after, the sausage makers discovered that national chain Hickory Farms was making a sausage with pepper jack. “We thought, heck, if they can do it so can we.”

The rest is history. The popularity of the Cheesy Bavarian inspired sister sausages Cheesy Jalapeño and Cheesy Andouille. The Market has even gone beyond retail to do custom cuttings—making Cheesy Bavarians out of wild game for hunters.

“It’s just a simple, basic sausage with beef, pork, mild spice and sharp cheddar cheese,” says Peterson. “There are no frills or thrills and you wouldn’t think it, but man, it’s something special.”

 

At local markets and Corralitos Market & Sausage Co., 569 Corralitos Road, Watsonville. 722-2633.

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