Aki Kumar has been a regular presence on the Santa Cruz blues scene in recent years, but youโve never seen him quite like this.
The San Jose vocalist and harmonica ace can often be found playing in an acoustic duo with guitarist Jon Lawton at Aptos St. BBQ, a stripped-down setting for his disparate repertoire of folky country blues, sinewy Delta boogies, and searing Chicago anthems. But when Kumar takes the stage Friday at Michaelโs on Main, heโs stepping into a role for which he was born. Literally.
In an inspired cultural mashup, Kumar blends the blues he came to love after moving to the South Bay with the Bollywood themes that filled his home growing up in Mumbai. The result is Aki Goes to Bollywood, a deliriously inspired act that marries propulsive blues and R&B grooves to soaring melodies from some of Indian cinemaโs best-loved scenes.
โAll the songs I cover are songs I grew up with, part of my musical upbringing,โ says Kumar. โAnd while it might seem like these are totally different styles, there are a lot of parallels. Thereโs one Hindi song I do, โSajan Re Jhoot Mat Bolo,โ about how weโre all going back to Mother Earth. What could be more blues than that? I had to include it, but it had to have a very big blues signature, so I set it to this Bo Diddley groove. The whole concept is progressing more and more, representing whatโs in my head.โ
Kumar introduced the project on 2016โs Aki Goes to Bollywood, one of the first albums released by the Little Village Foundation, a nonprofit label created by veteran blues keyboardist Jim Pughโwho spent three decades on the road with Etta James and Robert Crayโthat has already become an invaluable outlet for roots music, with 22 releases by overlooked artists in gospel, blues, mariachi, country music, and beyond.
Kumar recently released his second album for the label, Hindi Man Blues, and heโs been delighted with the response from audiences. While the blues scene can be a provincial realm where people expend a lot of energy policing the borders, heโs found freedom in forging a sound that reflects his reality, rather than pursuing someone elseโs notion of authenticity.
โIโm a guy from India who really loves the blues,โ Kumar says. โI listen to the music all the time, and love learning new songs. But at the end of the day Iโm not from Mississippi Delta. My formative experiences are from India, and Iโm never going to be African-American. Sometimes we put this shell around ourselves trying to force-feed the tradition. There needs to be an acknowledgement that while we love blues, we need to infuse our own identity into our music.โ
While Aki Goes to Bollywood is Kumarโs most vivid and visible projectโheโs performing with the band at Hardly Strictly Bluegrass on Oct. 7โmany of his gigs are straight-ahead blues. Dedicated to building the Bay Area scene, he runs a Tuesday night jam session at San Joseโs Poor House Bistro and a Thursday night session at Little Louโs BBQ in Fremont. ย ย
For Fridayโs show, heโs joined by a killer band that reflects the far-flung reach of the blues. Drummer June Core is a well-traveled veteran who was hired by heavyweights such as Robert Lockwood Jr., Johnny Shines, James Cotton, and LaVern Baker before putting in a 14-year stint with Charlie Musselwhite. Bassist Vance Ellers has toured with blues harp greats Mark Hummel and Rick Estrin. The wild card is 23-year-old Mountain View guitarist Rome Yamilov.
โHeโs one of the newest voices on the Bay Area scene, and he hasnโt been playing blues that long compared to some, but the kid has more talent than just about anybody Iโve met,โ Kumar says. โHeโs not only taken to straight traditional blues, he picked up my Bollywood material really quickly. He went from helping me set up gear a year ago to being my second guitar player to being the only guitar player, playing lead and rhythm.โ
INFO: 8:30 p.m. Friday, Sept. 7, Michaelโs On Main, 2591 S Main St., Soquel. $10. 479-9777.
















