Open Studios Art Tour Kicks off This Weekend

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Let the games begin! Artists must gather and photograph examples of their work. They must apply, pay an entry fee, and if accepted, pay an even larger fee to participate. Yet everybody agrees that being part of the Open Studios Art Tour is an exciting, oft stressful, enjoyable, and invariably monetizing experience. As one of the many thousands who enjoy this annual pilgrimage to the very heart of art and craft-making in Santa Cruz County, I admit that the chance to step inside the studios and workshops of the many talented participants is at least half the charm.

When Open Studios began three decades ago, it was such a fresh kick to peek inside an artistโ€™s workspace. We got to watch potters at their wheels and jewelry-makers linking together silver and gold pieces. There was the renowned Kitty Wallis sitting at an enormous easel drawing her oversized, brilliantly-hued floral pieces. Watching the hands of a watercolorist like Marie Gabrielle is as mesmerizing as a shamanic ritual. From nothing, suddenly something beautiful appears.

And that has been the point of artmaking since the mythic cave folk drew ochre and charcoal bison. But in those early Open Studio years, those of us curious about the artistic process had to pay to play. Access to those artists and the locations of their studios required a purchased guidebook. But no more. Now we can all go visitโ€”take the tour of studiosโ€”simply by getting off our couches and hitting the Open Studios trail.

Hereโ€™s how it works: Pick up the Open Studios Art Tour 2017 guide or get the 2017 Open Studios App, free on iTunes, and scope out the participating artists. For three weekends in October, studios will be open to the public from 11 a.m. until 5 p.m.: Oct 7-8 North County; Oct 12-15 South County; and Oct 21-22 countywide.

Not much is as inspiring as seeing an artistโ€™s studio, asking them about their process (artists love to talk about their work), seeing how they do what they do, and yes, having a chance to purchase something you like. Itโ€™s always tempting to visit the studios of people you know, who make work you already admire. Do it!

But Open Studios is also an invitation to check out the work of someone you donโ€™t know, and to expand your own understanding of a new craft. Open Studios features the work of newcomers and of veteran exhibitors alike. Expect hands-on excitement from Peter Vizzusi, a perennial Open Studios favorite, as he demonstrates classic glass-blowing techniques in his labyrinthine studio. Painter/conceptual artist Hildy Bernstein has been on the circuit for at least 15 years, and admits that each tour motivates her to get new work ready for exhibit (expect some wild surprises from her this season!). Many veterans of the annual event, like printmaker Bridget Henry, painter James Aschbacher, and jewelry maker Ann Wasserman, say they find that the tour can yield robust sales as well as vibrant social interaction. And if you do it right, you can roam the entire length of the county collecting perfect bits of one-of-a-kind eye candy. Printmaker Kit Eastmanโ€™s studio in Watsonville can lead you to the La Selva Beach painting shops of Charles Prentiss and Marie Massey. A two-for-one experience awaits at the huge Soquel studio of glass artist Heather Matthews and her photographer husband Tim Matthews. The handmade tiles of Steve Baranowski and ceramic fancies of Beth Sherman reward tour visitors to Davenport. The photography by local legend r.r. jones, one-of-a-kind wearable fiber creations of Mary Hammond, and haunting wildlife etchings by Stephanie Martin can be seen in the heart of Santa Cruz. But youโ€™ll find your favorites among the 302 artists showing their work. Open Studios is an interactive party involving you, the artists, and their work. Literally, something for everyone.

Preview: The Jon Stickley Trio To Play Don Quixoteโ€™s

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In the film Back to the Future, Marty McFly picks up an electric guitar at the school dance and blows the minds of the teenagers who havenโ€™t yet heard rock โ€™nโ€™ roll. After a blistering version of Chuck Berryโ€™s โ€œJohnny B. Goode,โ€ McFly looks up to find the audience just staring at him. โ€œI guess you guys arenโ€™t ready for that yet,โ€ he tells them. โ€œBut your kids are gonna love it.โ€

Leaving the audience behind is not the best approach to making music, but flatpick guitarist Jon Stickley and his band have to make a conscious effort not to do it. Defying easy categorization, the Jon Stickley Trio is at once a progressive bluegrass outfit, an improv-loving jam band, an acoustic jazz group, an avant-garde band and a rootsy Americana trio.

Comprised of Stickley, Lyndsay Pruett on violin and Patrick Armitage on drums, the band takes an experimental approach to originals and covers, stretching out in songs to discover hidden pockets of musical potential.

โ€œWe like to do off-rhythm and weird time signatures and things like that, but we always try to keep the music as accessible as possible,โ€ says Stickley. โ€œWe donโ€™t want it to go totally out there. We want it to be something you can move to and connect with. Itโ€™s easy to see when the crowd gets lost,โ€ he adds with a laugh. โ€œโ€˜Yep, we lost โ€˜em.โ€™โ€

Despite playing fast and loose with genres, the trio has what the New York Times described as a โ€œhardy cohesion among the players.โ€ In todayโ€™s streaming-heavy music industry, bands are forced to decide whether theyโ€™re bluegrass, country, jazz, rock or blues. This can be disconcerting to a band thatโ€™s all of the above and none of the above.

In the early years, the trio members felt pressure to define their sound for easy categorizationโ€”โ€œprogressive bluegrassโ€ was a common descriptorโ€”but now they have enough traction and experience to let their sound and fanbase speak for themselves.

โ€œWe feel like we could fit in anywhere, and we want to play for different crowds,โ€ says Stickley. โ€œWe can be the one slightly more bluegrass band at an avant-garde music festival, or we can be the weird band at a traditional bluegrass festival. Weโ€™re so weird and unique that you canโ€™t really compare the band to that many other things.โ€

Stickley describes the project as a โ€œbit of a rebellion from the acoustic Americana world,โ€ with its โ€œblanket sound you hear with almost every band.โ€

โ€œIโ€™m not trying to hate,โ€ he says, โ€œbut we all have a bit of a punk ethos when it comes to not wanting to be mainstream or like everything else.โ€

Stickleyโ€™s musical background stretches back to childhood bands with his neighborhood friends. When he was introduced to bluegrass in high school, it changed his life, he explains. After attending his first bluegrass jam, he knew he wanted to dive in.

โ€œIt was so inclusive and encouraging,โ€ he says. โ€œIn the indie rock scene, you didnโ€™t get together and play with other bands. But in this world, these people donโ€™t even know each other and theyโ€™re getting together and playing.โ€

The Jon Stickley Trio emerged organically out of the rich Asheville, North Carolina music scene. Stickley was playing upright bass in a bluegrass band, but after two years of that, the guitarist kicked him out, telling him, โ€œThereโ€™s a million bass players out there. No one plays guitar like you. Youโ€™ve got to go do it.โ€

The trio is known for respectfully deconstructing and reconstructing traditional bluegrass and fiddle tunes. The goal is to rework songs in a way that honors the original and stays true to the musical foundation, but pushes the melody, rhythm and instrumentation into new territory. The band pushes against the strict parameters of bluegrass, while also honoring what makes those songs great.

โ€œIf youโ€™re going to mess around with a bluegrass song, youโ€™d better be doing it right,โ€ Stickley says. โ€œYou need to be able to do the traditional version really well before you mess with it. We make sure weโ€™ve mastered the original. Then we take it to a new level with a new idea, while still really holding that piece in a highly-respected manner.โ€


Jon Stickley will perform at 7:30 p.m. on Tuesday, Oct. 10. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $10. 335-2800.

Santa Cruz County Vineyards on This Yearโ€™s Grape Harvest

The heat wave a few months ago left all of us moaning for air conditioning. It also left Santa Cruz Mountain winegrowers from Woodside to Watsonville faced with a crazy, uneven vintageโ€”some grapes purring along nicely, others fried into too-early maturity and burned skins. I checked in with some of our brave viticulturists to find out what was cooking (sorry). Richard Alfaro, whose Corralitos vines lie directly in the heat belt, admitted that while there was โ€œlots of excellent fruit,โ€ he did lose much โ€œto sunburn, mostly in the vineyards that get lots of sun on warm-weather grapes. We like to expose these grapes so they ripen well,โ€ Alfaro says. โ€œUnfortunately, this year they turned to raisins.โ€ But there was some good news, too: โ€œWe did have a huge crop of Syrah,โ€ says Alfaro, โ€œso even losing 40 to 50 percent of it, we will still have some.โ€

On the other hand, Alfaroโ€™s Albariรฑo was โ€œa total lossโ€ this year. As was 40 percent of his beloved Lindsay Paige Pinot Noir.

Up in Bonny Doon, Ryan Beauregard didnโ€™t mince words. โ€œIf harvest was like this every year, I would not have anything remotely to do with this job. The heat wave was miserable,โ€ he says. Beauregardโ€™s Coast Grade Pinot Noir was ripening right on target. โ€œWhen the heat wave hit, I knew we needed to act fast,โ€ he says. Thanks to his longtime contacts, Beauregard had a picking crew lined up quickly. โ€œWe went for it under that damned sun,โ€ he says. The picked fruit was so hot the winemaker had to spend โ€œa few thousand dollars on dry ice, which we pumped over in the fermenters to get it to 55 degrees Fahrenheit before we moved it into the cellar,โ€ he says.

Beauregard and his entire team worked 14-hour days in 110-degree sun. โ€œMy staff did not balkโ€”we had to do what we had to do,โ€ he says. โ€œWe all kept running the hose over our heads and worked with wet clothing all day for four days. The heat was bad, but I was mainly concerned about the Pinot Noir. The Chardonnay is tougher when it comes to weather.โ€

Mary Lindsay of Muns Vineyard near the summit of Loma Prieta told us that โ€œcrop loads this year were very good, I think for pretty much everyone. 2015 and 2016 were very low yield. This year was shaping up to be another really good year in terms of yield, but ultimately it depends on how the individual vineyards fared getting through that heat wave. It especially impacted the early ripening fruit like Pinot Noir and Chardonnay,โ€ she says.

Lindsay admitted to being alarmed when the heat began. โ€œOn September first, we picked in 100-degree temperatures. It was closing in on 90 degrees when we started at 4 a.m.” With plenty of cold water for the picking crew, and a wet shirt over her head, Lindsay recalls, โ€œWe brought in almost seven tons. Iโ€™m glad we picked that day, because it was even hotter the next day!โ€

Muns Vineyard came through that heat wave โ€œjust fine,โ€ says Lindsay. โ€œWe had been irrigating, even with all the 80 inches of rain we got last winter, because we had a lot of new vines. Then, when we knew temps were going to heat up, we irrigated as much as we could. The irrigation helps the vines and the fruit ride through the heat.โ€

With the recent heat came special concern for Pinot Noir grapesโ€”perhaps the specialty of our winegrowing region. You can get an in-depth understanding of this complex Burgundian grape at the upcoming SCMWA Pinot Noir Technical Session, 9 a.m.-noon on Saturday, Oct. 14, at the Scotts Valley Hilton. Geologists, historians, and winemakers plus leading viticulturist Prudy Foxxโ€™s expert review of the climateโ€™s impact on our vineyards. $45. scmwa.com.

Opinion September 27, 2017

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EDITOR’S NOTE

If youโ€™re a new student arriving at UCSC this week, first of all, welcome! A glance at our cover this week may inspire a lot of questions, like โ€œOh no, I just got here, why does everyone in Santa Cruz hate me?โ€ and โ€œHow did things get so bad between the city and the university?โ€

On the first one, donโ€™t worry. Nobody here hates you personally, and chances are, like thousands of us before you, you will end up loving Santa Cruz, deciding to stay here, and eventually complaining about how the students are ruining the housing marketโ€”just like a native!

The second question is more complicated. Considering the long history of locals resenting UCSCโ€™s impact on the city, it might be just as valid to ask โ€œHow did things get so good between the city and the university?โ€ As Georgia Johnsonโ€™s cover story explains, theyโ€™ve actually rebounded from an all-time low in the mid-2000s, and at least they are communicating with each other over the all-too-real issues that we all have to find a way to navigate together. Read the story and youโ€™ll understand the history, and also why this is a critical moment in the future of those relations.

After that, find our Dilated Pupil student guide around town for a comprehensive look at your new ecosystem and to feel a lot better about your choice of schools.

One more plug: I interviewed directors Valerie Faris and Jonathan Dayton about their new movie Battle of the Sexes this week, and on Thursday Iโ€™m going to be leading the Q&A with them after the 7 p.m. screening of the film at the Del Mar. They have a lot of great insights into Billie Jean King, Bobby Riggs, the making of the film, the breakout success of their first movie, Little Miss Sunshine, and more that I didnโ€™t have room to include, so I hope youโ€™ll come out and hear them talk about it.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Defined By Hatred?

I was greatly saddened to learn of the hatred being promoted by KSCOโ€™s correspondent Georgia Beardslee (GT, 9/13, 9/20). I performed with a live music act on KSCO only a few weeks before this issue was brought to light. I (perhaps naively) assumed that a performance on a local radio show would not lead to me participating in an organization that promoted beliefs harmful to myself, my family and my loved ones. I am racially mixed, but white-passing. In several instances prior to this one, people have shared with me shockingly racist and bigoted sentiments, not knowing that they are including myself and my family in the groups that they so despise. Though Beardsleeโ€™s rhetoric toes right behind the line that is legally โ€œhate speech,โ€ it is important to realize that holding and publicly sharing such opinions is not harmless; it creates an echo chamber which validates hateful behavior. I hope that anyone who is of the belief that some persons ought to be denied humanity, based solely on the color of their skin or their country of origin, also considers that everyone who they condemn is someoneโ€™s mother, someoneโ€™s child, someoneโ€™s brother or sister. Some of you probably have a friend of mixed heritage, whether you realize it or not. Do you really want hatred to define the America that your children grow up in?

Taylor Krilanovich

Santa Cruz

Listen Without Criticism

While I cringed reading T. Leganโ€™s letter (GT, 9/20) denying climate change is caused by humans, I also cringed reading the editorial response to the letter. I believe dismissing the authorโ€™s letter as neither โ€œnuancedโ€ nor โ€œinterestingโ€ shows an intolerance of a point of view that some people hold. While I find Leganโ€™s views alarming because I staunchly believe that global warming is directly caused by humans, I also value hearing his perspective, one I rarely hear in Santa Cruz. Listening without criticism can be the start of understanding and is often a more effective approach to launching a persuasive counter argument. (I make an exception for hate speech.) As a country, weโ€™ve witnessed a backlash against free speech, the loss of the art of debate, governmental gridlock and the rage that results from demeaning labels (think โ€œdeplorablesโ€). Iโ€™d rather not see this behavior reflected in Good Times. Thank you for printing the letter.

Karen Kefauver

Santa Cruz

Obvious Course

The United States may be the only place on Earth where an elected official can publicly deny the existence of man-made climate change, or where a climate change denier can write a completely ludicrous letter to his local weekly paper. Luckily for Planet Earth, the rest of the world has already moved on to addressing climate change. Examples abound from countries phasing out fossil fuel powered vehicles (Britain, India, France), to China leading the world in renewable energy production, to a carbon tax in British Columbia. If America is going to at least make an attempt at being great again, then the obvious course of action is to start implementing climate change solutions. It is only fair to add that there is some good news in this country, tooโ€”the bi-partisan Climate Solutions Caucus in the U.S. House of Representatives is adding new members every month.

Alex Yasbek

Santa Cruz


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GOOD IDEA

WE WOULD BE HONORED IF YOU WOULD JOIN US
The Santa Cruz Parks and Recreation Department has announced the last food truck event of the season will happen Friday, Sept. 29, and the theme will be Star Wars. There will be a contest for best costume, as well as for the best Chewbacca sound. The fanatical 501st Legion Golden Gate Garrison troopers will be there. Parks and Rec is officially telling people, โ€œMay the forks be with youโ€โ€”pretty cheesy! We like it.


GOOD WORK

STRAWBERRY SHORT TAKE
Strawberries remain Santa Cruz Countyโ€™s top crop, with an estimated value of $229,107,000 on just over 3,000 acres, according to the countyโ€™s 2016 crop report. Berries account for 70 percent of the total gross production value for all county crops. Overall crop values were up 1.9 percent in 2016. Apples, once the agricultural king, had a horrendous year in 2015, before bouncing back and doubling in value.


QUOTE OF THE WEEK

โ€œWhen you oppress people either by gender, by race, by sexual orientationโ€”when you do that and the doors become ajar, they will fly open.โ€

-Billie Jean King

5 Things to Do in Santa Cruz Sept 27-Oct 3

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Event highlights for the week of September 27, 2017.

Green Fix

KIM STANLEY ROBINSON COMES TO BOOKSHOP

popouts1739-Green-FixWhat will cities look like when sea-levels rise another 50 feet? Kim Stanley Robinsonโ€”an award-winning science-fiction author focusing on ecological and environmental impacts of climate changeโ€”imagines post-global warming New York in his newest book, New York 2140. Sure, commuters use boats instead of cars, but climate change will have more large-scale implications beyond just traffic. But donโ€™t worry, itโ€™s just fiction, right?

INFO: Monday, Oct. 2. 7 p.m. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com.

 

Art Seen

โ€˜NEW THREADSโ€™ OPENS AT CABRILLO

popouts1739-Art-SeenCabrilloโ€™s โ€œNew Threadsโ€ exhibit showcases fiber and textiles as a medium for contemporary issues and ideas. Ranging from film and horsehair sculptures to crochet and lace doilies, the show proves that textile art goes far beyond grandmaโ€™s knitting.

INFO: Oct. 2-27. Cabrillo College Gallery, 6500 Soquel Drive, Room 1002, Aptos.

 

Saturday 9/30

UCSC Harvest Festival

popouts1739-UCSC-Harvest_105371885Itโ€™s time to break out the knit sweaters and pumpkin-spice everything, if youโ€™re into that. Speaking of pumpkins, UCSC farm showcases their organically raised pumpkins at the open farm harvest festival, where they will also have a pie-baking contest, apple cider and every other fall activity you can imagine. Yes, bobbing for apples, too.

INFO: 11 a.m.-5 p.m. UCSC Farm, Hagar Drive and Village Road, Santa Cruz. casfs.ucsc.edu. Students and children are free, general admission is $5.

 

Friday 9/29 & Saturday 9/30

Surf Film Festival

 

Itโ€™s officially Fall, but at the Santa Cruz Surf Film Festival, itโ€™s an endless summer. Two days of surfing films and shorts from Australia, Hawaii, Ireland, and moreโ€”each with their own unique narrative, and of course monster waves. There are even a few Jack Oโ€™Neill cameos to really tug at your heartstrings.

INFO: The Rio Theatre, 1205 Soquel Ave., Santa Cruz. General admission $16, all-screening pass: $50. A portion of all proceeds benefit Save Our Shores.

 

Sunday 10/1

Distinguished Artists Series

popouts1739-Distinguished-ArtistsThe first of a six-program concert series, pianist Alon Goldstein and cellist Inbal Segev each boast an impressive list of concerts and venues across the world. This event will feature work of Scarlatti, Brahms, Tsintsadze and others, and includes an interactive talk between artists and the audience.

INFO: 4 p.m. Peace United Church, 900 High St., Santa Cruz. distinguishedartists.org. General admission $35.

 

Do you think that taking a knee during the national anthem is an appropriate form of protest?

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“I think taking the knee is one of the best ways you could protest. Youโ€™re not getting in anyoneโ€™s face, youโ€™re not disrupting anyoneโ€™s day, youโ€™re doing what you feel.”

Torin Buholtz

Boulder Creek
Retired Sound Engineer

“Speaking as a former veteran, I find it to be highly disrespectful. However, that is a First Amendment right. ”

Wayne Koh

Santa Cruz
Retired

“Yes, I think it is. It shows solidarity with all of the team members. ”

Laid Back Lenny

Santa Cruz
Retired

“I personally think itโ€™s a bit disrespectful to kneel during the national anthem. Regardless of what the president is saying, you should always respect the flag.”

Brian Ramler

Santa Cruz
Financial Analyst

“Yes. There is a history of protest by athletes, from Tommie Smith and John Carlosโ€™ Black Power salute on the podium in the 1968 Olympics to Kobe Bryant and Lebron James wearing โ€œI Canโ€™t Breatheโ€ shirts in 2014. ”

Elizabeth Murphy

Aptos
Finance Manager

Cannabis EIR Promises Boon and Offers Light Regulations

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The fall harvest season has arrived, ripe with apples, pears, grapes and persimmons. For some locals, itโ€™s also a time known as โ€œtrim season,โ€ when twentysomethings with flexible work schedules find themselves caravaning up to Humboldt County or neighboring areas for seasonal work on cannabis farmsโ€”sometimes earning several thousand dollars in just a few short weeks.

Although it may never quite match those weed meccas of Northern California, Santa Cruz County also looks poised to become fertile ground for cannabis, an industry that could easily continue blossoming here after last yearโ€™s passage of Proposition 64 legalized the drug for recreational useโ€”that is, according to a new Santa Cruz County environmental impact report (EIR).

The document examines proposed cultivating and manufacturing regulations for cannabis, and itโ€™s now available for public review. One notable finding is the potential financial stimulus from the growing industry.

The 636-page EIR, compiled by Santa Barbara-based Amec Foster Wheeler, examined the local potential of the recreational cannabis industry, which could bring in billions of dollars in annual tax revenue across the state. Between growing, testing, farming and other fields, the EIR estimates the industry will create 7,100 new full-time jobs here in the county.

โ€œThis surprised a lot of folks when it came out in the environmental impact report,โ€ says Robin Bolster-Grant, the countyโ€™s newly appointed Santa Cruz County cannabis licensing manager. โ€œThe economic impact extends beyond tax implications.โ€

It was no surprise, though, to the industryโ€™s most vocal advocates. Cannabis attorney Ben Rice tells GT, โ€œThe EIR said what I and folks in the industry have been saying for several years.โ€

A 45-day comment window for the EIR closes at 5 p.m. on Monday, Oct. 16, and one unexpected development so far has been a surprising lack of controversy surrounding this sometimes-heated topic. Cannabis regulation, after all, nudges up against touchy subjects like property rights, zoning questions, neighborhood concerns, business interests, access to medicine, andโ€”yes, of courseโ€”usersโ€™ desire to get high.

โ€œA big part of our job is to help educate folks about the industry and what our process will look like,โ€ Bolster-Grant says. โ€œIt is rigorous and people will have to show they are growing responsibly.โ€

In exploring options for a cannabis licensing program, the draft EIR divides the project into two versionsโ€”one similar to what the county originally recommended, allowing for large-scale cultivation to major operators with the right setup, and another option that it deems โ€œmore permissiveโ€ and which goes further. Not surprisingly, the latter is just the kind of option that Rice and many cultivators are rooting for, in the hopes that it will bring more small-time growers into a legal framework.

โ€œThe sensible way to move forwardโ€”and consider the environmental impacts, neighborhood impacts and overall value or problems associated with this new industryโ€”is best dealt with by taking a more permissible approach,โ€ Rice says.

Bolster-Grant says the licensing office is also aiming to bring as many businesses as possible into a regulated framework, as a way to avoid harmful environmental problems along the way. The EIR stands by many of the countyโ€™s proposed strict regulations, like ones prohibiting grows within 100 feet of perennial streams, and preventing operations that would cause a direct physical change to the environment. The document also suggests maintaining strict regulations that prohibit cannabis cultivation and sale within 600 feet of schools, libraries, parks, and drug and alcohol treatment facilities. Those elements are important to many youth advocates.

โ€œAt the core, weโ€™re hoping having some regulations in place will limit youth access,โ€ says Jenna Shankman, a community organizer for the Santa Cruz County Community Prevention Partners.

Since 2010, the partnership has advocated for โ€œa diverse community that promotes health and well-beingโ€ through alcohol and drug prevention. Shankman and her colleagues have yet to go through the details of the EIR, but she has high hopes for regulating the emerging legal market, which could be officially online early next year, depending on what happens in Sacramento. According to the California Healthy Kids Survey, she says 77 percent of Santa Cruz County 11th graders say itโ€™s easy for them to obtain marijuana. ย 

โ€œWe know the black market is a big source of that access,โ€ she says.

Rice argues new research has shown that a more regulated environment might indeed cut back on that black market. Earlier this month, the federal government released the National Survey on Drug Use and Health, showing only 6.5 percent of teens ages 12 to 17 use marijuana on a monthly basis. This represents a significant drop from 2014, when several states first opened their recreational marijuana stores, and itโ€™s the lowest use rate among the age group since 1994. People in the industry argue thereโ€™s a connection between the drop and the newly regulated markets.

โ€œThe study also shows that in places with legal cannabis use less people are drinking,โ€ Rice says. โ€œItโ€™s an argument many in the cannabis community have been claiming for a long time.โ€

Since the local laws arenโ€™t finished, the cannabis business owners canโ€™t purchase new licenses yet, but the county encourages them to register for pre-licensing inspections through the county website. However, Bolster-Grant says that out of the roughly 760 registered cannabis cultivators, only 25 so far have paid the $2,500 application fee.

โ€œItโ€™s a slow process,โ€ she admits. โ€œThese are folks who have not, traditionally, been out and open about what theyโ€™re doing. So theyโ€™re understandably resistant to say, โ€˜Here I am.โ€™โ€


Public comments on the Environmental Impact Report can be submitted to the Santa Cruz County Planning Department until 5 p.m. on Oct. 16. There will also be a public meeting on the draft EIR from 6 to 8 p.m. on Oct. 2 on the fifth floor of the Board of Supervisors chambers at 701 Ocean St., Santa Cruz. For more information, visit sccoplanning.com.

 

The Troubling Thing About the AJ Gonzalez Case

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Thereโ€™s an uncomfortable reality for supporters of Prop 57, the criminal reform initiative that voters approved last November, with three quarters of county residents supporting it, and locals rocked by the tragic death of Maddy Middleton two years ago. Last yearโ€™s criminal reform ballot measure, aimed primarily at rehabilitation, also forbids district attorneys from immediately charging any youths as adults, without a hearing first to weigh the matterโ€”yes, even in the high-profile case of Adrian โ€œA.J.โ€ Gonzalez, the youth whoโ€™s been charged with raping and killing 8-year-old Middleton, his former neighbor at the Tannery Arts Center.

The question is: what could possibly drive any 15-year-old to commit such a violent sexual assault and murder? That answer, his defense team would argue, lies partly in a 39-page rundown of suspect Gonzalezโ€™s life history and psychological background, compiled for the public defender.

When Gonzalez was six years old, he and his mother Reggie Factor were staying at the Rebele Family Shelter after moving away from Factorโ€™s third husband, Joel Jimenez, when Jimenez found them both and kidnapped them. He then took them to an abandoned house, put a gun to Factorโ€™s head and threatened to kill her, holding them both captive for days, according to the report, which shows a lesser-known side of Gonzalez. A hearing into whether or not Gonzalez should be tried as an adult has entered its sixth week.

Attorney Frankie Guzman, who co-authored Prop 57 and thinks most child criminals can be rehabilitated, says the news media often focuses on the victim in crafting narrativesโ€”spinning public opinion in the processโ€”and ignores that the suspect is usually a victim as well. โ€œMedia looks for the big story, the sensationalized story,โ€ says Guzman, director of the California Juvenile Justice Initiative in Oakland, adding that he does not discount the suffering of any victimโ€™s family. โ€œThe coverage is designed to evoke an emotional response.โ€

If convicted as a juvenile, Gonzalez could stay behind bars until age 23, which Guzman says is plenty of time to rehabilitate young people. Needless to say, though, it stands in stark contrast to the much longer sentences he would get as an adult.

Gonzalezโ€™s life up until Middletonโ€™s eventual murder, according to the report, had been filled with constant change, parental neglect, physical abuse and persistent emotional abuse, which studies show is actually much more likely than physical abuse to make victims violent later in life. The report details that Gonzalezโ€™s lifelong challenges were exacerbated by his struggles with Autism Spectrum Disorder, which went undiagnosed until after he was charged, and had made it difficult for him to cope with nonstop change in his early years. It also details repeated failures from school officials and Child Protective Services who did not step up on Gonzalezโ€™s behalf, sometimes ignoring protocols in the process.

Gonzalez faces felony charges of murder, kidnapping, rape of a victim younger than 14, penetration by a foreign object, and two charges of forcible lewd acts upon a child.


TALKS ICK

KSCO owner Michael Zwerling says heโ€™ll no longer allow anyone to spew โ€œtoxic subjectsโ€ over his airwaves. An editorial that aired Friday, Sept. 23 outlined that race-baiting, white genocide and anti-Jewish conspiracy theories would all be off-limits.

Twice-weekly KSCO host Georgia โ€œPeachโ€ Beardslee had been stirring up controversy, as reported by GT, mostly for racially charged remarks (โ€œShock Waves,โ€ 9/13). Zwerling tells GT that KSCO doesnโ€™t subscribe to rating services to track listenership, but Jonty McCollyer, the stationโ€™s digital media manager, says Beardslee gets 150 to 400 listeners online, live-streaming the host during each show, and that her online archive gets 1,000 visits per month.

Zwerling, in his editorial, hinted that his recent decision was business-related. โ€œA talk radio station which traffics in negative toxic content cannot survive,โ€ he said. โ€œItโ€™s like a diver with too much lead on the weight belt.โ€ย 

 

Music Picks Sept 27-Oct 3

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Live music highlights for the week of September 27, 2017.

THURSDAY 9/28

ACOUSTIC

PIERRE BENSUSAN

If you go onto Pierre Bensusanโ€™s website, thereโ€™s a photo of the guitarist embracing his acoustic guitar with the intimacy and seriousness one might use to hold their lover the night before they head out to war. What Iโ€™m saying is that Bensusan is connected to his instrument, and his gentle New Age-folk-Celtic finger-picking ballads sound like the musical equivalent of a man making sweet love to his wife of 25 years. Itโ€™s not really sexual; itโ€™s a level of togetherness so profound, you canโ€™t help but get swept away in it. AARON CARNES

INFO: 7:30 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $15. 335-2800.

FRIDAY 9/29

COUNTRY

ELIZABETH COOK

If โ€œSometimes it Takes Balls to be a Womanโ€ sounds like a country song you always kind of wished someone would get around to writing, then Elizabeth Cook is the singer-songwriter for you. That single, off her Rodney Crowell-produced 2007 album Balls, earned her the most attention sheโ€™d gotten since beginning her career in 2000 on the stage of the Grand Ole Opry. But it wasnโ€™t really until two appearances in 2012 on Late Night with David Lettermanโ€”one with Jason Isbell of the Drive-By Truckers, another coutry artist who took way too long to get his dueโ€”that Cook got mainstream attention. But being on the outside is still her thingโ€”in 2014, she won an Ameripolitan Music Award in the โ€œOutlaw Femaleโ€ category, and she now hosts a popular show on Sirius XM Outlaw channel. I guess sometimes it takes โ€ฆ oh right, she already said that. STEVE PALOPOLI

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22. 479-9421.

FRIDAY 9/29

FOLK

PAT HULL

Pat Hull is exactly what I imagine every health-food-obsessed, L.A.-based โ€™70s singer-songwriter to sound like. I donโ€™t know if Hull is a health-food nutโ€”and heโ€™s a Chico guy, for the recordโ€”but I can imagine him in Birkenstocks singing his gentle, introspective folk tunes to a group of robed vegan cultists in 1971 and making some heads turn. His high falsetto voice is searing and surreal. It creates this almost transcendental quality in his otherwise simple acoustic tunes. Heโ€™s one of Chicoโ€™s best known songwriters, and does well anywhere that sells tofu and โ€œlifestyle manuals.โ€ Non-spiritual meat eaters love him, too! AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

SATURDAY 9/30

INDIE-FOLK

CROOKED BRANCHES & MOSHE VILOZNY

Moshe Vilozny is the former singer of local world beat ensemble Universal Language. His solo material is a much more mellow acoustic version of his Universal Language songwriting. Crooked Branches is a killer six-piece band that takes the line that separates folk and soul, and obliterates it. Itโ€™s down-home storytelling that also has a funky groove to it. Youโ€™ll dance, youโ€™ll sing along, youโ€™ll think about the purpose of life. Yay! AC

INFO: 8:30 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $10. 479-1854.

SUNDAY 10/1

HIP-HOP

INSANE CLOWN POSSE

Itโ€™s hard to imagine anyone who hasnโ€™t heard of Detroit rap group Insane Clown Posse (aka ICP). For almost 30 years, the face-painted duo has built a family of fansโ€”known as Juggalosโ€”around their blend of horrorcore hip-hop. Their wild live performances are literally drenched in Faygo brand soda, which Juggalos happily bathe in while shouting โ€œWoop Woopโ€ and โ€œFam-ah-ly.โ€ Yet their self-proclaimed โ€œmost hated band in the worldโ€ title is no laughing matter, as ICP is constantly attacked in the media. The FBI labeled Juggalos as a gang, which thousands of fans protested in Washington D.C. on the same day as the pro-Trump โ€œMother of all Rallies.โ€ No, itโ€™s not youโ€”2017 really is that weird. MAT WEIR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $28.50/adv, $30/door. 429-4135.

MONDAY 10/2

LATIN JAZZ

SPANISH HARLEM ORCHESTRA

Whatโ€™s in a name? In the case of the Spanish Harlem Orchestra, itโ€™s much more than a mere assertion of regional pride. The moniker evokes the pioneering Latin Dance bands of Machito, Tito Rodriguez, and Tito Puente, who laid the foundation for salsa in the 1940s and โ€™50s. In the hands of pianist/arranger/producer Oscar Hernandez, the 13-member SHO has earned two Grammy Awards and kept the classic salsa Duraflame burning brightly. Now based in Los Angeles, Hernandez earned respect in salsa circles recording with conga legend Ray Barretto in the early 1980s, but really came into his own during a long stint with Ruben Bladesโ€™ popular and innovative band Seis Del Solar. Deep in the tradition, heโ€™s a forceful pianist with a big, ringing sound. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35/adv, $40/door. 427-2227.

TUESDAY 10/3

NEW ORLEANS/GOSPEL/SOUL

IRMA THOMAS AND GUESTS

If Irma Thomas or the Blind Boys of Alabama or the Preservation Hall Legacy Quintet were coming to town, it would be a really big deal. The fact that all three are performing together is, for fans of American soul and gospel music, a bit staggering. Thomas is affectionately known as the โ€œSoul Queenโ€ of New Orleans, and for good reason. Sheโ€™s been holding court in the Crescent City since the 1960s and has been one of the most influential voices in R&B and gospel in the last 50 years. The Blind Boys of Alabama is a long-running, Grammy-winning gospel harmony group with roots that stretch back to the โ€™30s. The Preservation Hall Legacy Quintet pays tribute to the rich, sustaining legacy of Preservation Hall, the legendary music venue in New Orleans. If youโ€™re interested in gospel, soul, or the impact New Orleans has had on popular music, do not miss this show. CJ

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $40/gen, $60/gold. 423-8209.

TUESDAY 10/3

ROCK

L.A. WITCH

Haunting, distorted, darkly melodicโ€”these are just some of the ways to describe garage rock trio L.A. Witch. This isnโ€™t their first Catalyst performance, but it looks to be their largest, hot on the heels of their self-titled debut albumโ€™s release on Suicide Squeeze Records. The nine-track LP perfectly captures the groupโ€™s aesthetic and live sound, delivering sweet pop tunes coated in existential gloom. With all of the press theyโ€™ve been receiving, weโ€™re guessing this might be the last time fans will get to see L.A. Witch in a room the size of the Atrium. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $10/adv, $12/door. 429-4135.


IN THE QUEUE

Cello tribute to Metallica. Wednesday at Rio Theatre

INCITERS & PACIFIC ROOTS

Northern Soul double-bill. Thursday at Moeโ€™s Alley

SOFIA TALVIK

Swedish singer-songwriter with a knack for Americana. Friday at Lille Aeske

BEGGAR KINGS

Tribute to the Rolling Stones and Gregg Allman. Saturday at Don Quixoteโ€™s

WILLIAM MATHENY

West Virginia-born and raised singer-songwriter. Sunday at Crepe Place

 

Giveaway: Santa Cruz Film Festival

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In 2001, Jane Sullivan and Johnny Davis embarked on an ambitious project to create a local film festival to showcase independent films by national and international filmmakers, as well as filmmakers right here in Santa Cruz and Monterey counties. Since then, the Santa Cruz Film Festival has hosted more than 100,000 film enthusiasts from around the world in venues around Santa Cruz. This yearโ€™s festival includes Cannes prize-winning feature The Cinema Travellers; a documentary about world-famous saw player Tom Scribner, whose statue is outside of Bookshop Santa Cruz; Behind the Curtain: Todrick Hall (above), a documentary feature about growing up black and gay in a small town in Texas; and dozens of other outstanding films.


INFO: The Santa Cruz Film Festival runs Wednesday-Sunday, Oct. 11-15 at multiple venues. For a complete listing of films and ticket information, visit santacruzfilmfestival.org. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, Oct. 4 to find out how you could win a pair of tickets to the festival.

Open Studios Art Tour Kicks off This Weekend

jeweler Ina Hohensee Open Studios 2017 Santa Cruz County
Artists across the county prepare to open their studios for Open Studios 2017

Preview: The Jon Stickley Trio To Play Don Quixoteโ€™s

Jon Stickley Trio
The Jon Stickley Trio wants to buck the Americana trends

Santa Cruz County Vineyards on This Yearโ€™s Grape Harvest

pinot noir santa cruz mountains 2017 grape harvest
Local viticulturists on how their grapesโ€”including the sensitive Pinot Noirโ€”fared the end-of-summer heat wave

Opinion September 27, 2017

Plus Letters to the Editor

5 Things to Do in Santa Cruz Sept 27-Oct 3

Event highlights for the week of September 27, 2017.

Do you think that taking a knee during the national anthem is an appropriate form of protest?

Local Talk for the week of September 27, 2017

Cannabis EIR Promises Boon and Offers Light Regulations

Santa Cruz County Cannabis EIR SC Labs
The draft environmental document predicts 7,100 new jobs in the local industry

The Troubling Thing About the AJ Gonzalez Case

AJ Gonzalez case tried as juvenile or adult
Also: a conservative radio station owner responds to controversy, this week in briefs

Music Picks Sept 27-Oct 3

Elizabeth Cook
Live music highlights for the week of September 27, 2017.

Giveaway: Santa Cruz Film Festival

Santa Cruz Film Festival
Win tickets to Santa Cruz Film Festival on Wednesday-Sunday, Oct. 11-15
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