A co-production of Arts Council Santa Cruz County and Good Times
Open Studios Art Tour is your opportunity to explore creativity in Santa Cruz County. For the first three weekends in October, artists from the redwoods to the bay open their studiosย so that friends, neighbors, and strangers from near and far canย meet the makers and step inside the creative process throughout this stunningย county.
Use this Guide to personalize your tour. Download the FREE App to make your touring experience even easier. If this is your first tour, or if you’ve been attending for yearsโWelcome! Please consider every Open Studios directional green sign as your own personal welcome mat. Our artists look forward to sharing their art with you.
Our 2017 Tour featuresย 302 artists working in dozens of mediums. You’ll find seasoned artists who’veย participatedย since 1986, talented newcomers, and makers and creators of all kinds.
Welcome, and enjoy!
Tour Dates
October 7 & 8: North CountyโFrom the Santa Cruz Yacht Harbor on up, including Santa Cruz, Scotts Valley, San Lorenzo Valley and the artists tucked among the north coast mountain communities.
October 14 & 15: South CountyโFrom Watsonville to the Santa Cruz Yacht Harbor, South County boasts marvelous artists and venues throughout the towns and countryside.
October 21 & 22: All CountyโAll across theย county, most artists open again for the final weekend.
Hours:ย 11amย toย 5pm
About the Arts Council Santa Cruz County:ย
We’re the team that produces the Open Studios Art Tourโand so much more. We love Santa Cruz County and our daily work finds us supporting artists and arts organizations in dozens of ways to make our community stronger. With a mission to promote, connect, and invest in the arts to stimulate creativity and vibrancy in Santaย Cruz County, we’ve been the bedrock of our arts community since 1979. Through grants, arts education programs, and community initiatives such as Ebb & Flow, we help Santa Cruz County flourish. Learn more atย artscouncilsc.org.ย
In your Aug. 30 issue, by asking โWhat should we do with historical statues that some people find offensive?โ Matthew Cole Scott implicitly endorsed the Trump administrationโs framing of the issue as overly sensitive people trying to erase history. In fact, the statues in question across the U.S. were not erected to commemorate history, but rather as symbols of white supremacy, intended to intimidate non-white community members. This is demonstrated by examining when the statues were built, which was not after the Civil War, but rather in the 1910s and 1920s when states were erecting Jim Crow laws, and in the 1950s and 1960s to oppose the Civil Rights movement. They arenโt much more historical than a swastika spray-painted on an overpass, and they mean about the same thing. A more accurate wording of the question would have been, โShould we remove statues built by segregationists to commemorate the Confederacy?โ
Alex Kane
Santa Cruz
Fake News!
Iโd like to provide some balance regarding Gary Griggsโ fear-mongering interview in โCrisis Pointsโ (GT, 8.23) by Maria Grusauskas. Her loaded questions were more like pro-climate change/global warming statements as she threw softball after slow-pitch softballs at him. (Iโm sure he got the questions in advance.)
I know of no credible scientific evidence proving climate change is man-made, but is influenced mostly by changes in sunspot activity and volcanic activity, way beyond all of our control. The British โscientistsโ were busted red-handed in an email investigation fudging data to create the infamous hockey stick graph, disproving future temperature rises. Apparently, we are actually in a 17-year-cooling trend at this time according to a very comprehensive article recently published by a rival local publication.
Greg begins at least two responses with โour best projections.โ All computer models are designed by flawed humans with an agenda in mind and are therefore, only biased guesses, and are usually proven wrong. He clearly has his agenda working for him. ย He should be honest and place a margin of error on any crystal ball prediction as any serious scientist would do. I recall a Time magazine or similar publication not too long ago with the front cover falsely claiming โThe upcoming Ice Age!โ Why does he think theyโre right now? A political poll right before the last presidential election stated that Hillary had a 97 percent chance of winning. How did that work out for yโall?
There were some interesting facts in there, but everything falls apart when the future predictions are tossed up into the ether.
Legan
Corralitos
Though we received some interesting and nuanced critiques of our cover story on climate change โฆ this was not one of them. In running this letter, it only seems responsible to point out that the worldwide scientific consensus on man-made climate change is running at about 97 percent. โ Editor
Rising Seas
Unfortunately, Richard Nolthenius (Letters, 9/13) is quite correct about Gary Griggsโ understatement of the pace and extent of sea level rise. Though Griggs is rightly concerned about the problem, he is not using the very latest estimates. But thereโs a further disconnect that Nolthenius doesnโt mention. Climate scientistsโ projections are created using computer models, which are highly sensitive to the input data. This is why the predictions have such a wide range of variation and high level of uncertainty. However, many paleontologists and paleoclimatologists have been warning us of the severity of the problem. Why? Because their evidence shows that the last time Earthโs atmosphere had the same concentrations of CO2 that we see today, sea level was 100 feet higher! Well over a billion people live within a hundred feet of sea level. The devastation will be global and catastrophic. And unless we implement an effective carbon tax ASAP, things will get even worse. I certainly wish this was the hyperbolic hysteria that climate change deniers think it is, but sadly thereโs far too much science to back it up.
Mordecai Shapiro | Santa Cruz
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GOOD IDEA
BIN THERE
As the market for recycled materials declines globally, the Santa Cruz County government is asking people to cut back on their use of plastics. The county, which manages the Buena Vista Landfill and the Ben Lomond Transfer Station, asks residents to shop at farmers markets, skip the plastic bag when buying produce, bring containers from home, buy in bulk, avoid products with excess packaging and stop buying bottled water. For more information, go to santacruzcountyrecycles.org.
GOOD WORK
HEALTHY CHANGE
Guevara, Santa Cruzโs economic development manager, will be leaving local government for the healthcare world. Guevara has been chosen to be the development director for Santa Cruz Community Health Centers (SCCHC). Through its East Cliff Family Health Center and downtown Womenโs Health Center, SCCHC has nearly 12,000 local patients. Guevara aims to increase SCCHCโs capacity to increase funding, develop new partnerships, attract supporters and raise awareness about critical health care issues.
QUOTE OF THE WEEK
โI get it, them finales / They got you focused / But just record the show / And show up at the protest.โ
Rust gets a bad rap. When itโs not in your plumbing or car, it can really be quite pretty. The Rust by the Sea exhibit showcases the natural beauty of rust through industrial metal sculpture. From saws to spaceships, Flair Goldman and Keith Millar turn the scrap yard into a futuristic exhibit full of personality.
INFO: Show runs until Oct. 28, with a First Friday party and artists reception at 6 p.m. on Oct. 6. Felix Kulpa Gallery, 107 Elm St., Santa Cruz. Free.
Green Fix
Monterey Bay Birding Festival
The Monterey Bay is a buzzing hub of bird-watching right nowโwe hear the auklets and bushtits are especially lovely. Donโt know what those are? Well, many people donโt, but they will surely find out if they go to the Monterey Bay Birding Festivalโone of the most spectacular birding and wildlife venues in North America. You donโt have to be a bird geek, but you might just become one, after spending the day with knowledgeable field trip leaders, attending workshops, and perhaps even experiencing the thrill of sighting a rarity against the backdrop of the Monterey Bayโs breathtaking bird habitat. ย ย
If there is one thing most of Santa Cruz can get behind, itโs an anti-Donald Trump eventโthe city has already passed a resolution supporting his impeachment, after all. Resist Fest is centered around resistance to the Trump administration, and will actively showcase ways to get involved in peaceful activism. There will also be food, art and music.
INFO: 2-6 p.m. The Museum of Art and History and Abbott Square, 118 Cooper St., Santa Cruz. santacruzindivisible.org. Free.
Sunday 9/24
Oktoberfest Santa Cruz
Itโs not October yet, but itโs never really too early for Oktoberfest. Enjoy some brews and brats at Santa Cruzโs longest-running independent Oktoberfest celebration. Admission is free, if you just want to see what all the hubbub is about, and meal tickets are $15.
INFO: 11:30 a.m.-3 p.m. Messiah Lutheran Church, 801 High St., Santa Cruz. 423-8330.
Free admission.
Friday 9/22
โ9 to 5โ
Based on the 1980 Dolly Parton film, this musical (with songs by Parton) tells the story of three women working with a sexist, rude and lecherous boss. They decide to take matters into their own hands, kidnapping him and imprisoning him in his own home. They aim to make the workplace more accommodating for women, but of course there are some bumps along the way.
INFO: Through Oct. 21. Park Hall Community Center, 9400 Mill St., Ben Lomond. mctshows.org. $25.
“I got my canned goods and bottled water in the garage, Iโve got stuff in the freezer. Iโve got Jameson.”
Babs Mahoney
Aptos
Horticulturist
“Yes, Iโm prepared. We have kitty crates for my three cats. Itโs a little scary, but Iโve been living in California all my life, and earthquakes donโt bother me.”
Mysti Adams
Santa Cruz
Office Manager
“Iโm going down with the ship at this point.
”
J. Hamm
Santa Cruz
Solar Tech
“Yes. Iโm prepared to die.”
Mike Brady
Santa Cruz
Retired
“Iโm moving to Minnesota Nov. 1, so if we donโt have an earthquake before then, Iโm covered.”
Our picks for the best live music in Santa Cruz Countyย this week.
THURSDAY 9/21
NEW WAVE
STAN RIDGWAY TRIO
Wall of Voodoo may be a one-hit wonder, but that hit was one of the weirdest songs to chart in the โ80s, 1982โs โMexican Radio.โ Stan Ridgway was the brains behind Wall of Voodoo, and heโs been playing solo since 1983. His voice is right up there with David Byrneโs in terms of New Wave strangeness, and thereโs always an unrelenting tension in his music. AC
A pioneer of the ecstatic free jazz movement of the mid-1960s, tenor saxophonist Pharoah Sanders pointed a generation of musical seekers into the outer reachesโsonically, emotionally and spiritually. But heโs never been more influential than he is right now, judging by the crossover success of Kamasi Washington, who borrows liberally from the cosmic jazz recordings that Sanders and Alice Coltrane made in the wake of John Coltraneโs death in 1967. For this duo performance, heโs joined by pianist William Henderson, an underappreciated master whose credits include stints with Freddie Hubbard, Bobby Hutcherson, and Elvin Jones. Heโs been the anchor of Sandersโ band for more than three decades. ANDREW GILBERT
INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35/adv, $45/door. 427-2227.
THURSDAY 9/21
INDIE
VANDELLA
People throw around the phrase โโ70s rock โnโ roll,โ but there were so many vibrant subsets of rock in that decade, itโs hard to pin down one definitive sound. In the case of San Franciscoโs Vandella, imagine a mixture of the cool soft-rock sounds of Fleetwood Mac, Donna Summers at her disco-est, and a bit of Exile on Main Street-era Rolling Stones as they dig into some grimy blues rock. AC
Simply mentioning that Willie Watson was a founding member of Old Crow Medicine Show is probably enough to pack his upcoming gig at Don Quixoteโs. But OCMS was just the launch pad for Watson, who is currently one of the darlings of the American roots music scene. A folk singer-songwriter who is firmly planted in traditional music, Watson does what the best folk singers have always done: make those traditional songs his own and pass them along to new audiences. With a style set that includes bluegrass, Southern gospel, Irish music and more, Watson keeps the troubadour tradition alive and well. CJ
Musicians are used to spending time alone inside lonely buildings in strange urban landscapes, and they love to write songs about it. But rather than make another typical โroadโ album, Former Woods bassist and Babies frontman Kevin Morby decided to explore the same emotions in a different way. His new City Music is a concept album about a reclusive old woman named Mabel who spends her days in her Upper Manhattan house. Itโs a captivating record that catches some of Morbyโs Babies-style beach-pop, jangle-rock style, but with a bit more depth. AC
On Friday, Sept. 22, two of the areaโs hottest Latin bands join forces for a party that promises to be a cross-cultural celebration of all things rhythm and dance. Broken English is a high-energy outfit whose repertoire includes dance music from around the Caribbean and beyond. Flor de Caรฑa is a Santa Cruz-based septet that blends Cuban son, Colombian cumbia and an otherworldly rhythm section, complete with bass, guitar, Cuban tres, button accordion, congas, bongo, timbales, maracas, guiro and bell to create a unique, lively, contemporary sound of its own. CJ
Itโs easy to see why Michael Crenshaw was once described as a โlatter-day Buddy Holly.โ For nearly four decades, his 1950s-style guitar and smooth crooning have been just as iconic as his signature glasses. So who better to team up with on tour than Los Straitjacketsโthe mighty, lucha-libre-masked quartet of 1960s instrumental surf music? Both acts are masters of their trade, delivering new and covered tunes with a unique dash of their own flavor that often has a lingering aftertaste of sweet nostalgia. MAT WEIR
Jim Lauderdale is a quiet legend of American roots music. The North Carolina-born singer-songwriter launched his career in the late โ70s, and his work spans just about every genre in the roots lexicon: bluegrass, country, honky tonk, gospel, folk, soul. He came of age during the era where rock acts leaned heavily on folk traditions, so Lauderdaleโs resume also includes collaborations with rock acts, including Elvis Costello, the Grateful Dead, John Oates and more. His songs have been recorded by a bunch of chart-topping starsโGeorge Strait has recorded more than a dozen of themโbut Lauderdale has managed to maintain a relatively low profile, and a creative integrity that has stretched over decades. CJ
INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $20/adv, $25/door. 427-2227.
TUESDAY 9/26
ROCK
L7
All hail L7! This legendary Los Angeles band was a fixture of the grunge era, and influenced the riot grrrl scene. L7 also co-founded Rock for Choice, a pro-choice benefit festival that ran from 1991-2001. While their third album, Bricks Are Heavy, which spawned the alt hit โPretend Weโre Dead,โ was voted by Rolling Stone as one of the essential โ90s albums, fans know any of their first four records should be recommended by any record store clerk worth his or her salt. L7 split in 2000, but in 2014 announced a reunion with all of the original members. MW
Now in its fourth year, the Santa Cruz Surf Film Festival is a showcase for the best new surf films from around the world. This year, the two-day fest features films about surfers from age 5 to 75 riding longboards, shortboards, finless boards, big waves and more. Festival highlights include One Shot, a documentary about surf photography, The Endless Winter II: Surfing Europe, Positive Vibration, about a surfboard drive to get boards to Jamaica, and The Church of the Open Sky, a feature-length release from award-winning Australian filmmaker Nathan Oldfield.ย
INFO: 6 p.m. Friday and Saturday, Sept. 29 and 30. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $16-$50. 423-8209. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, Sept. 25 to find out how you could win a pair of tickets to the festival.
Frootie Flavors formed back in 1995, just as queercore bands were becoming more visible in the Bay Area, and the Santa Cruz queer-pop duo felt an obvious kinship to the scene. However, when theyโd go up to play in San Francisco, they felt a little out of place bringing their upbeat, dancey pop music to the stage.
โI always felt like we were the country bumpkins when we went up to San Francisco to play,โ says drummer Vnes Dowling. โWeโd go up there and a lot of bands were edgy punk or just experimental with lots of style. Weโd be like, โwe sing cuntry songsโsongs from the cunt.โโ
The band would always kill, though. They brought a party: saucy sing-alongs, and lyrics that might seem offensive on the surface, but were silly and empowering to the LGBTQ community. The only time they ever bombed was when they got booked to play a queer youth prom in front of kids who wanted to hear hip-hop and R&B.
โWe were just a little bit too fuddy duddy for them,โ says Dowling.
She describes Frootie Flavors as an โactivist dyke bandโ in the early years. They played queer marches and nearly every year of Santa Cruz Pride. In 1999, singer Stu Doogan transitioned to male, and later Dowling to non-binary. The bass player that joined the band in 2001 was also trans.
โWe became a transtastic power trio,โ she says.
Over the past nine years, however, theyโve had a new bass player, Valerie Atha, who identifies as a lesbianโโweโve become a dyke-trans band again,โ says Dowling.
In 22 years, the band has maintained the same fun spirit. Itโs what keeps the members playing, and the fans still coming out.
โOur main thing is always having a good time. Our main theme as a band has always been partying. All of our songs are very catchy; itโs a sing-along every time. We get a lot of audience participation going,โ Dowling says. โWeโre so Santa Cruz.โ
May 11, 2017: Few things will coax celebrities into the Santa Monica Mountains on the eve of summer, but Dior is one of them. For some, Diorโs 2018 Resort show locale is an excuse to dust off their furs and Stetsons in lieu of silk jacquards and twill trousersโthink Charlize Theron meets McCabe & Mrs. Miller. Among the hundreds of fashion denizens in attendance is Santa Cruz resident Vicki Noble, tottering around the Bedouin celebrity tent. She sits right by Rihanna, though neither of them know it.
โWhoever that is,โ Noble tells me later, with a shrug. โI wouldnโt know her if I saw her.โ
Similarly, Noble, with her cropped white hair and square-rimmed glasses, is pretty much indistinguishable from many people youโd pass on Pacific Avenue. At 70, sheโs a professor, a psychic reader, a gardener, and most importantly to her, a feminist. She had been invited to Diorโs 2018 Resort show because the artwork on the clothes parading down the runway was from the Motherpeace Tarot deck, which she co-created with Karen Vogel nearly 40 years ago.
Diorโs southwestern-inspired collection highlighted strong female figures, drawing inspiration from Georgia OโKeeffe and images from the Motherpeace Tarot. Christian Dior was a tarot aficionado rumored to have had his cards read before his shows. Diorโs new artistic director, Maria Grazia Chiuri, is also a lover of the tarot.
Dior’s Maria Gazia Chiui gifted Noble this leather jacket showcasing the Motherpeace tarot deck’s death card image. PHOTO: KEANA PARKER
Chiuri is the first woman to run the Dior line in its 70-year history. An outspoken feminist herself, she is seeking to reinvent what the Dior name stands for, restoring Christian Diorโs original vision, according to Noble. Chiuri came across Nobleโs work when she read her book, Shakti Woman, and stumbled on the Motherpeace Tarot deck.
The Motherpeace Tarot deck was published in the early โ80s, co-authored by Noble and Vogel. The two women created the deck to celebrate femininity and strong women of color, a break from the typical masculine focus of much of tarot arcana. With help from friends, they self-published the 78-card deck in Berkeley after mortgaging their home.
โWe were revising world history to include women,โ Noble says. โMaria Grazia saw that, and she wants to revise world history to include women, too.โ
April 12, 2017: Itโs the eve of Nobleโs birthday, she has a plethora of activities plannedโincluding getting tattoosโbut when she checks her inbox she has an email from Paris, asking if the Motherpeace designs can be used in the Resort collection just three weeks later.
โI was there when she opened the email,โ former student and longtime friend Teresa Diaz recalls. โShe said, โoh, I am just going to delete thisโ and I said, โoh, no youโre not. You open it right now.โโ
โI thought it might be a joke,โ Noble says now. Though she almost deleted the email, she says she had been feeling like something was a bit off in the universe around that time, and that something was coming her wayโbut she wasnโt sure what. So she opened it.
Noble lives in a little house off East Cliff Drive, within minutes of her three children. She prides herself on her two beehives and countless cherry tomatoes. She is a proud grandmother, and, like grandmothers do, dotes on her three grandchildren while spending countless hours in her garden. But there is nothing stereotypical about her.
She is a healer and professor of feminist studies and womenโs spiritualism. She travels around the world leading womenโs retreats and workshops.
โShe always has been very much who she is as a healer, energetic being and oracle,โ says Diaz. โShe is pretty consistent with who and how she is, even as she moves through different contexts and cultures. Sheโs really a โbridge person,โ and streaming radical feminist qualities into mainstream fashion is just a perfect role for her.โ
But Noble hasnโt always been a healer, or a feminist for that matter. Originally from Iowa, Noble was married with two children at 22 because she says thatโs what you did at the time if you didnโt know what else to do. But she loved reading and writing, and came across Kate Milletโs Sexual Politics, where she found feminism while living in Colorado Springs.
โIt hit me like a lightning bolt,โ Noble says. โIt was a heresy for me to even have that book on my coffee table, being an Air Force wife.โ
She divorced and eventually moved to Berkeley, where the Motherpeace magic happened. Noble recalls buying her children a tarot card deck at the flea market, and drawing on the two blank cardsโwhich got her thinking about starting her own deck, though she had little to no experience with tarot.
โWe tried to get the deck published with U.S. Games, but they wanted artistic control,โ she says. โOf course we said no to that.โ
Though she has published eight books, Noble has always been on the wrong end of the publishing industry. She says many publishers want to change her, change what she stands for, and often donโt understand her methods and easygoing way of life.
โThe last publisher told me she wanted me but she was concerned about my platform,โ she says. โI had to Google, โwhatโs a platform?โโโ
She feels that this latest development with Dior is a way around the publishing industry, and that in a way, she has circumvented the establishment altogether. Even though her work isnโt very commercially successful, she says everything has always worked out, one way or another. โThe universe has always taken care of me,โ she says.
And so it has. Motherpeace has since sold more than 300,000 copies, and sales have doubled since Dior licenced the deck and debuted the line. Come August, Paris Jackson would wear Diorโs Wheel of Fortune sheer dress to the MTV Video Music Awards. Beyond that, Noble wonโt see what the entire collection will look like until itโs released in November.
โMy work is terrifically interesting, it just wasnโt making its way into the mainstream,โ she says. โUntil now.โ
July 3, 2017: It is a hideously hot day in Paris, but Dior canโt afford to wait for weather. It is Paris Fashion Week, but perhaps more importantly, it is the labelโs 70th anniversary. Everyone celebrates with lavish amounts of champagne and oversized brimmed hats, while frantically fanning themselves with Dior fans. Noble opts for a leather jacket given to her by Chiuri and long sleevesโa decision she comes to somewhat regret upon her arrival. Everyone is wearing Dior, and some are wearing Motherpeace designs on T-shirts or dresses. She rushes up to each of them to say hello and get a photograph. Just a week before, she had gotten her check from Dior and decided to take the month off, which she doesnโt often do. An invitation to Diorโs Haute Couture fashion followed, and the company flew her to France.
โNormally it wouldnโt have been possible, it was too spontaneous, I donโt live my life that way,โ she says, noting that at her age traveling is more difficult. โBut I said yes, and off we went.โ
She still fully intends on keeping to her eccentric feminist roots, but she admits itโs nice to visit the โGod realmโ that is Diorโs world every now and then.
โItโs such a fantastic story of creativity,โ says Nobleโs neighbor, Tracy Shaw. โThatโs why everyone should be creating thingsโjust keep creating, and you never know. Forty years later you might get picked up by Christian Dior.โ
Nobleโs collaboration with Dior is far from over, sheโs expecting to return to Paris in the fall to do some kind of event, as requested by Chiuri. Though the details arenโt clear and dates arenโt set, she thinks itโll be in November. Until then, she is back to reality, having rewarded herself with a new laptopโwhich she is still getting used toโand car, which she fittingly named Dior.
For more information about Motherpeace and Nobleโs work, visit vickinoble.com.
Thereโs truth in advertising in the indie movie Beach Rats. Writer-director Eliza Hittmanโs drama follows the dubious exploits of a Brooklyn youth who hangs out with his lowlife buddies all day at the beach at Coney Island, while secretly exploring his attraction to men online at night.
A darling of the festival circuit, the movie has won kudos for Hittman at places like Sundance and L.A.โs Outfest for her sensitivity to the issue of sexual identity. But as the movie itself unspools (at a very long-seeming 95 minutes), the delicate subject of sexuality becomes increasingly hijacked by the portrait of young men as pack animalsโmuch as the protagonistโs individuality gets hijacked into the herd mentality.
This is largely Hittmanโs point, of course, the anguish of establishing a selfhood that goes against the grain of the accepted โnorm.โ The problem is that Hittman never manages to convey her characterโs anguish as he drifts through his dead-end life. In the central role of Frankie, Harris Dickinson has a certain visual presence, but the part of Frankie as written is the definition of โaimlessโโreactive, static, and ultimately uninteresting.
Frankie and his three pals spend their days riding the subway and wandering around Coney Island. Itโs summer, so thereโs no school, and none of them are employed (they look about 18); on the boardwalk, they tentatively ogle girls and (much more skillfully) pick pockets so they can buy weed. Closer to home, Frankie has a more viable source of drugs, the painkillers prescribed for his father, whoโs dying of cancer.
At the boardwalk, Frankie is vamped by Simone (saucy Madeline Weinstein), whom he takes home to his den in his parentsโ basement, determined to establish a relationship with her. Itโs a dodge to conceal his secret life of posting selfies and talking to older men on a live chat website as he gradually works up the nerve to schedule real-life meet-ups with them. Searching for some kind of road map beyond the attempted guidance of his caring, but harried mom (Kate Hodge), Frankie asks if Simone has ever made out with another girl. Sure, she says, then tells him that girls making out is โhot,โ but guys making out is โjust gay.โ
Random moments like this seem to be leading somewhere. But Hittman squanders viewer interest in Frankieโs conflicted sexuality as we keep following him and his delinquent buds on their repetitive and boring rounds, tanking up at the smoke lounge, or stealing his momโs jewelry to pawn for cash to buy more drugs. Meanwhile, he drifts through various sexual encounters largely unaffected by any discernible emotion. What ought to be a defining moment when he unexpectedly feels something for one of his dates is lost by Frankieโs inability to make a moral choice or stand up for himself.
But by this time, itโs occurred to the viewer that confusion over his sexual identity is the least of Frankieโs problems. He ought to be more worried about wandering off into the woods at night with strangers. It never occurs to him to aim any higher than the black hole of drugs and apathy he and his deadbeat buddies have mired themselves in. He ought to be concerned that he has no job, no visible skills, no prospects, and no ambition to ever change anything.
A character study is one thing, but the protagonist ought to have a character worth studying. โComing of ageโ suggests a transition from one stage to another, some evidence of growth or transformation. But as Frankie doggedly fails to take away anything of value from his experiences, we start to wonder why we should invest so much time and sympathy in him. And once we stop caring about him, the whole movie devolves into ennui.
BEACH RATS
** (out of four)
With Harris Dickinson, Madeline Weinstein, and Kate Hodge. Written and directed by Eliza Hittman. A Neon release. Rated R. 95 minutes.
Radio host Georgia โPeachโ Beardsleeโa self-proclaimed โracistโโwent on a rant via the KSCO (1080 AM) airwaves last week, complaining about the โliberal globalist techiesโ trying to control everyoneโs lives. It was a spiel that began sounding rather routineโfor her, anyway.
It was part of a diatribe against GT for what she called a โhit pieceโ about her twice-weekly show (โShock Waves,โ 9/13). Beardslee also complained on her Sept. 13 broadcast that good news stories have a footnote citing every fact. Soon after that, co-host Sam Quinten chimed in, looking to add something to her point about techie liberals.
โBill Gates owns all the local newspapers,โ Quinten remarked, ironicallyโalthough not unsurprisinglyโwithout citing anything whatsoever, โthe [Santa Cruz] Sentinel, the [Monterey] Herald, the San Jose Mercury News. And guess what else he owns: Good Times.โ
Well, allegations that the Microsoft cofounder suddenly owns GT were honestly news to us. In fact, as anyone who did even the most basic bit of research would learn, GT is locally owned by Nuz, Inc.
We tried checking with Quinten, curious to hear where he got his information. Quinten didnโt get back to us, but we also called KSCO owner Michael Zwerling, who didnโt take kindly to the misinformation that his employee was spreading around.
โThatโs real horse shit. That kind of stuff is just not acceptable,โ Zwerling said. โMaybe he was confused, but it doesnโt matter. Donโt shoot your mouth off about stuff you donโt know.โ
Zwerling, who was listening to the show at the time, says that even he believed the tidbit when he heard itโillustrating, he admits, how easily misinformation can spread. As Zwerling and I talked, he suddenly remembered chatting with GT co-owner Dan Pulcrano nine years ago. As for the Sentinel, Herald and Mercury, they are all owned by Alden Global Capital, a hedge fund thatโs squeezing every last penny it can out of media conglomerate Digital First Media. Not local, but still not Bill Gates.
โWhen other people take it at face value, thatโs not good,โ he says. โIt makes us look not credible.โ
Of course, this was not the first controversial on-air moment for Quinten and Beardslee, who frequently whines about โwhite genocideโ and that โwhite people are being replaced.โ
Michael Barkun, a political science professor emeritus for Syracuse University, says openly racist broadcasting is pretty rare for radioโthough itโs more common on YouTube channels or other fringe outlets.
โWhatโs unusual is not the content, but the medium,โ says Barkun, whoโs authored books on racism and also read GTโs previous story about Beardslee. โThe ideas are pretty basic right-wing extremist material.โ
Last week, Beardslee, who could not be reached for comment, also invoked conspiracy theories about the Rothschilds, a German family that anti-Semites believe controls the worldโs political and banking frameworks, and she openly criticized Zwerlingโs Zionist views.
Zwerling, who himself is Jewish, admits that such comments often hurt his feelings. But he adds that he still wants his embattled, cash-strapped radio station to be a place where people can speak freely.
โYouโd better believe it hurts me to hear these things on the radio station that I own,โ he says. โI donโt have kids or grandkids, so I pour my money into KSCO.โ
He admits that maybe in 1991 or 1992โshortly after he bought the stationโhe probably would have yanked a host off the air for good if they said things like the ones he hears now from Beardsleeโwho owns a construction business based in a Capitola home, according to online listings.
He adds that if Beardslee were to โcross the line, in my mind,โ which, he adds โis really a much harder line to cross for me, than for most people,โ he would still fire her. For instance, if she were inciting violence, that would get his attention. But anything beyond that, he fears, could spell trouble.
โI think itโs very dangerous to step on the Constitution,โ he says.
But this begs the question: What does the Constitution have to do with what people say on the airwaves, really? Or with inflammatory hate speech, or whether or not someoneโs bosses discipline them for things they say?
Nothing at all, Zwerling admits. โI canโt hide behind the First Amendment. As some email said, โDonโt hide behind the Constitution or freedom of speech,โโ he says. โI just wish to God that we had more of a variety of opinions. It hasnโt been the forum I wanted it to be.โ
Often on KSCO, Zwerling adds, the call-in portion of any given show turns into โmostly a slobberfest.โ
But does Zwerling at least worry that maybe Beardslee could be inciting racism locally?
Listeners, he has decided, are above that.
โGive people some credit for having some intelligence,โ Zwerling says. โBut God, I think itโs really dangerous when people are protected. Let people be open to everything and let them make up their minds. I wish more non-conservatives would call the station and take advantage of the station. Itโs mostly wingnutsโI hate to say itโwho take advantage of the radio show.โ
Thomas Pettigrew, a psychology emeritus professor at UCSC, has studied racism for decades. He says via email that overwhelming research shows โthat such far-right episodes do tend to galvanize bigots,โ and can even manifest themselves in incidents of violence in extreme instancesโalthough he doesnโt โfear that a bombastic radio show will have a major overall opinion effectโ here in Santa Cruz.
Zwerling, who sometimes goes by his initials, โMZ,โ has openly talked about bankrolling his stationโsomething he does with money from a health supplement company he created 21 years ago. Part of him now wishes he hadnโt been so open about his personal support for KSCO because he fears, as a result, few people support it by purchasing adsโand his staff, he thinks, doesnโt feel a sense of fiscal urgency.
โPeople know,โ Zwerling says, โthat Daddy WarbucksโMZโwill make up the difference.โ
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