What’s the most important thing you learned at school?

“Don’t try to fit in. Be yourself, be unique.”

Alex Bossinger

Santa Cruz
Fifth Grade Student

“Math and geometry and spelling and language.”

Ezra Warren Steinberg

Santa Cruz
Third Grade

“Algebra. I use it all the time.”

Dennis Bassano

Santa Cruz
Plumber

“There are things that look like they are hard to do, but you can do them.”

Nathan Bosscher

Madison, Wisconsin
Mechanical Engineer

“Grades are not as important as I once thought, and friends are more important than I would have thought.”

Alicia Bosscher

Wisconsin
Dietician

Music Picks May 4 – May 10, 2016

 

WEDNESDAY 5/4

FOLK-ROCK

LANEY JONES & THE SPIRITS

When Laney Jones first picked up the banjo, it was to escape the pressures of life as a college student pursuing an international business degree. She and the instrument quickly clicked, however, and Jones soon found herself thrust into a career as a roots singer-songwriter, where she garnered acclaim and even attracted the attention of bluegrass legend Alison Krauss. Not one to be stuck in any one genre, however, Jones started experimenting with incorporating pop and rock into her sound. The result is a fresh and rocking blend of old-time strings and contemporary styles. CAT JOHNSON
INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

FRIDAY 5/6

FUNK-JAZZ

KARL DENSON’S TINY UNIVERSE

Why don’t more funk jams have flutes? When Denson’s funky-jazzy band the Tiny Universe starts up with one of their infectious grooves, and Denson pulls out his flute to lay down the melody, I’m not going to lie—I need to dance. On their latest record, they even do a rendition of the White Stripes’ “Seven Nation Army” that is downright funkalicious. Is that even possible? Denson’s also an excellent sax player, and he’ll bust that out, too. Fans of good dance music will appreciate how he melds raw, hip-shaking funk rhythms with jazz-level compositions. It’s satisfying to the heart and the head. AARON CARNES
INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

FOLK

SHARON ALLEN

With a sweet, strong voice that brings to mind early Joan Baez or Kate Wolf, Sharon Allen is one of the quiet standouts of the local music scene. From 1979 to 2002, she fronted blues-rock band the Firebirds, and she’s performed with a number of legendary musicians, including B.B. King, Boz Scaggs, and Robben Ford. It was her work with local all-star group Sherry Austin and Henhouse, however, where she cultivated her songwriting chops. On Friday, Allen and her band, the Dusty Boots, blend folk, alt-country and blues into a swinging, danceable celebration of music. CJ
INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15/adv, $18/door. 335-2800.

ACOUSTIC

TOMMY EMMANUEL

Tommy Emmanuel’s set list might include some Chet Atkins, Beatles, or even “Somewhere Over The Rainbow” from The Wizard of Oz. So it isn’t so much a genre (or genres) that Tommy Emmanuel plays, it’s how he plays the songs. He’s a phenomenal acoustic guitar player that utilizes some very complex, nuanced fingerpicking techniques. He plays bass parts, melodies and chords all at once. It’s insane to witness. But even if you just go and close your eyes, he produces some really gorgeous tunes and has a sixth sense when it comes to harmony and composition. AC
INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $39.50. 423-8209.

SATURDAY 5/7

ROCK

BEGGAR KINGS

Even in a town as famous as Santa Cruz, there are still hidden gems, if one knows where to look. This Saturday, two of those jewels shine together as the Beggar Kings perform at the Kuumbwa Jazz Center. Consisting of a “who’s who” in the local music scene, the Beggar Kings are the Bay Area’s premiere Rolling Stones tribute band. Throughout the years, they’ve tackled some of the Stones’ toughest albums, like Sticky Fingers, and keep a wide array of Jagger and Richards classic hits in the back pocket. It’s only rock ’n’ roll, but you’ll like it. MAT WEIR
INFO: 8 p.m. Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $20. 427-2227.

ROOTS

EMI SUNSHINE

How many 11-year-olds do you know who count the Louvin Brothers as a key musical influence, can sing the cobwebs off of traditional old hymns, and have already made their Grand Ole Opry debut? Probably none. Unless, of course, you already know about Emi Sunshine. Hailing from East Tennessee, this extraordinary young multi-instrumentalist has a soulful sound that is as deep and true as just about anything you’ve heard coming out of Appalachia. Where Ms. Sunshine is headed remains to be seen, but roots music fans would be wise to keep an eye on this one. CJ
INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

MONDAY 5/9

JAZZ

BILL CHARLAP TRIO

Bill Charlap’s trio is one of the marvels of straight-ahead jazz, a sleek and efficiently swinging ensemble that interprets standards with entrancing momentum, exquisite dynamic detail and probing harmonic insight. The scion of an accomplished show biz family (his father was Broadway composer “Moose” Charlap and his mother is Grammy-nominated vocalist Sandy Stewart), Charlap refined his craft as an accompanist for masters such as altoist Phil Woods, vocalist Carol Sloane and baritone saxophonist Gerry Mulligan. Since stepping forward as a leader in 1997, he’s performed and recorded with the superlative rhythm section tandem of drummer Kenny Washington and (unrelated) bassist Peter Washington, a Bay Area native. Together, this trio exemplifies the quicksilver wit, ebullient joy and improvisational imperative of jazz at its best. ANDREW GILBERT
INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

POST-METAL

SO HIDEOUS

What’s a metalhead to do if they secretly love sweeping, orchestral classical music, but don’t want to be labeled as “square” by their friends? Aha! So Hideous is here to save the day. Here’s a band that, first off, has a name that is pure metal, and second, has some brutal hardcore/black metal guitars. But really, So Hideous is an orchestral band. They even write all their music on piano first, before flushing it out with the rest of the instruments. On their latest record Laurestine, they even hired a 30-piece orchestra to play on their tunes. It’s emotionally stirring and marries gorgeous and ugly music really well. Hell, maybe So Hideous can be the gateway drug for classical fans to start digging on some metal. AC
INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $15/door. 429-4135.


IN THE QUEUE

DAKHABRAKHA

Eastern European folk-fusion quartet from Kiev. Wednesday at Kuumbwa

SISTERS MORALES

Blues, Americana and ranchera for Cinco de Mayo. Thursday at Don Quixote’s

JADAKISS

New York-based rap giant. Thursday at Catalyst

SCRATCHDOG STRING BAND

Acoustic trio out of Portland, Oregon. Saturday at Crepe Place

LUCIUS

Celebrated pop quintet from Brooklyn. Saturday at Catalyst

‘Born to Be Blue’ Lacks Dimension

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The publicity for Robert Budreau’s Born to Be Blue calls it an “anti-biopic” on the troubled life of jazz trumpeter Chet Baker (now as famous as a lifelong heroin junkie as he once was as an icon of the cool West Coast jazz scene). 
Instead of trotting out mundane and depressing facts, the filmmaker zeroes in on a crisis point in Baker’s life, then invents a fictive character to act as Baker’s muse, conscience and sounding board.
While most of what happens in their main story is not strictly true, Budreau tries to stay true to the essence of Baker through the process of invention—the way a jazz musician might improv his way through a familiar tune. It’s not a bad idea, but it might have worked better if Budreau’s stylings as a filmmaker were more dynamic. (Think of Bob Fosse, reimagining his own life in showbiz as a glitzy musical fantasia in All That Jazz.)
Budreau doesn’t quite muster up the same pizzazz; he mostly makes up stuff and presents it straight-faced, without revealing any more than a more truth-oriented telling would. Yes, there are moments when Ethan Hawke’s performance as Baker strikes just the right note of fragile, demon-haunted vulnerability—especially in the final act. But these moments are set in a larger story that takes too long to get going, and too often loses its way.
In 1966, Chet Baker (Hawke) is shivering through withdrawals in a jail cell in Italy when a Hollywood movie producer comes to see him. Flashback to 1954, a moody black-and-white sequence when youthful Chet, already a star on the West Coast, is playing at the famous Birdland jazz club in New York City for Miles Davis and Dizzy Gillespie. Between sets, nervous Chet takes a girl from the bar back to his dressing room; she introduces him to heroin just before his wife walks in on them.
All of which turns out to be a movie about Chet’s life in which he’s starring as himself. (Which must be the only way Budreau could think of to introduce scenes from Baker’s youth—a beautiful man known as “the James Dean of Jazz”—and still be played by 45-year-old Hawke.) There never was any such movie, nor was there a saucy young black actress named Jane (Carmen Ejogo), who plays his wife in the film-within-the-film.
But that doesn’t stop Budreau from turning her into the most sympathetic character in this movie. Sort of a composite of a black Frenchwoman Baker was attached to in the ’50s, and an English actress he married in the ’60s, Jane is warm, loyal and sensible. (In Budreau’s version, she even teaches Chet how to have better sex.) She stands by her man, even after a beating by drug dealers knocks out all his upper teeth, and Chet has to learn to play the trumpet all over again. This incident did happen, and Budreau uses it as a turning point for Chet to face his life.
But it would be nice to see (and hear) more of the young Baker in his prime. There’s hardly enough music in the first act to justify our interest, or to understand what he lost in giving in to drugs. But Baker was also a singer, and Hawke does a credible job approximating Chet’s sweet, stark, reedy tenor on “My Funny Valentine.”
But the movie Chet never emerges as a person of substance. Early on, Jane talks to somebody on the movie set, asking why so many women are attracted to Chet—even though he spends all of his pay on drugs and doesn’t have a place to live. It’s a question the movie never answers.
When Chet tries to romance Jane, chiefly by pawing her and trying to talk his way thorough her defenses, it’s kind of creepy; it’s creepier still when she capitulates so soon. Yes, women were always drawn to him, even after his good looks and stardom were gone. But Budreau can’t draw us in in the same way. He sticks to the surface of the Chet Baker mystique, without ever making us care about the man underneath.


BORN TO BE BLUE
**1/2 (out of four)
With Ethan Hawke and Carmen Ejogo. Written and directed by Robert Budreau. An IFC Films release. Rated R. 98 minutes.
 

Ulterior’s Chefs Master the Spontaneous Dish

The first time I met chef Zachary Mazi of LionFish SupperClub, I tried duck carnitas ice cream.
It was cold, creamy, tasted exactly like taco filling—and was, surprisingly, not that bad. He and business partner Tighe Melville had recently moved into the kitchen above Motiv and used the unusual concoction as a demonstration of how they’re trying to maintain the spontaneity and playfulness of a pop-up in a brick and mortar space.
There is no better reflection of that mission on their menu than the Akamai Pupu, or “clever appetizer.” Neither the customer, server or chef knows what this $10 bite will be when it’s ordered. The ticket prints out in the kitchen, and the chef is forced to improvise.
So, on my most recent visit, I sidled up, hoping the kitchen was up for a challenge. The first pupu arrived cradled in an abalone shell: two cilantro marinated prawns with a pleasant spicy heat over bacon and polenta. I sipped a tangy Country Road cocktail with bourbon, mint and ginger beer, and ordered another. The server returned with a flavorful salad of golden and ruby beets, cucumbers, radish, a generous amount of feta, feathery New Zealand spinach and strawberry vinaigrette.
By the time I ordered the last pupu, the kitchen was on to me. The final bite to arrive involved three colorful crostini spread with a bright green pesto of spring herbs, the first dry-farmed tomatoes from the farmers market, luscious smoked salmon, and arugula sprouts.
As I took the last bite, the sous chef came out with a grin. “Is that your last one? I’m just getting warmed up!” I told him for the moment, it was, but I’ll definitely be back for more.
Ulterior is open from 5 p.m. until late Wednesday through Saturday.


Double the Lúpulo

Lúpulo Craft Beer House teamed up with Sante Adairius Rustic Ales to celebrate their second anniversary. The downtown pourhouse and Capitola brewery collaborate yearly to create Doble Lúpulo, a double IPA bursting with orange aroma and flavors of zesty pink grapefruit. Hints of pineapple and lemon peel finish off this well-balanced—but at 8.2 percent alcohol, heavy hitting—brew. Head to either establishment to grab yourself a glass, and hurry. Like a birthday, this joyous occasion only comes around once a year, and will be here and gone before you know it.

Be Our Guest: Bruce Forman Trio

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Does 20 appearances at the Monterey Jazz Festival secure your standing as a musical superstar?
How about 17 albums, or work on three Clint Eastwood films? These are just a few of the feathers in the cap of jazz guitarist Bruce Forman. Drawing from be-bop, western swing and more, Forman bridges eras and styles with a lighthearted approach to making music and an unceasing work ethic. His group Cow Bop was inducted into the Western Swing Hall of Fame in 2014, and he’s provided more than 2,500 free music lessons for young musicians through his JazzMasters Workshops. On May 12, he brings his trio, comprising Alex Frank on bass and Marvin “Smitty” Smith on drums, to town.


INFO: 7 p.m. Thursday, May 12. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22/adv, $27/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, May 6 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Henry Chadwick

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What’s a Stupid Brother to do? For years, Henry Chadwick played pop-punk with his brother George (hence their name My Stupid Brother), but that’s slowed way down now that George has left Santa Cruz.
“He moved to New York and got his master’s,” says Henry of his brother George Chadwick. “He’s married, working at Apple. He’s having a life, being a real grown-up.”
Even though Henry stayed in Santa Cruz and continues to focus his energy on music, he’s doing some growing up as well. He’s been playing drums for the Coffis Brothers, but folks can get a listen to his new tunes on his debut solo record, Guest At Home, which he’s releasing Sunday at Moe’s—only his second show with live band Henry Chadwick and Battlesnake. Fans of My Stupid Brother’s pop-punk sound might be a little surprised at the direction Henry has gone.
“I’ve definitely been into other music for a while. It’s definitely a new sort of sound for me,” Henry says. “Most of the songs have a blend of old ’60s and ’70s influence—the Kinks, the Beatles, and some Bowie and T-Rex—but also some Nirvana, too. Hopefully it falls pleasantly between genres.”
The first song that Henry released off his EP, “Alright,” has a bit of an electronic feel and a mid-tempo groove, which is an outlier for the rest of the record. Also, his live band, Battlesnake, performs all the tunes in a much more rock ’n’ roll style sound. As Henry continues to write solo material, it could jump all over the place.
“I’m always going to be able to stand behind ‘Henry Chadwick.’ I’ll always be me,” he says. “I can make an album, keep working on that regardless of whatever else.”


INFO: 8 p.m. Sunday, May 8. Moe’s, 1535 Commercial Way, Santa Cruz. $7/adv, $10/door. 479-1854.

Tasting Destination: Byington Vineyard & Winery

Byington Winery is a wonderful place to visit. The estate consists of 95 acres of stunning property, including a lovely tasting room and impressive vineyards.
Weddings, corporate events and private parties are held both outdoors and indoors. Picnic tables, umbrellas, and gas and charcoal grills are available for visitors to use (bring your own tools) for a fee, and require advance booking. Picnic tables are on a first-come, first-served basis, but can be booked in advance for parties of 10 or more. Space heaters are also available, as well as a bocce ball court to enjoy.
The last time I visited Byington was to attend a friend’s get-together, and those invited brought food to share. To picnic, all that’s required from the winery is that you buy half a bottle of wine per person.
Santa Cruz native Andrew Brenkwitz is the winemaker at Byington, and he’s producing some excellent varietals. His 2013 Santa Cruz Mountains Chardonnay ($30) won a silver medal (American Wine Society) and gained 90 points in Food & Beverage World. With its delicate aromas of orange blossom, green apple and flavors of oaked vanilla and spice, this crisp and delicious wine is a great addition to your picnic, be it at Byington or elsewhere.
Grapes for this wine are harvested from the lush vineyards of Wrights Station, which produces “amazingly aromatic Chardonnay with poetic stories of concentrated green apple, universal citrus and finest vanilla flowers.” In a nutshell, this Chardonnay is delicious nectar captured in a bottle. 
Byington Vineyard & Winery, 21850 Bear Creek Road, Los Gatos. 408-354-1111. byington.com. Open Wednesday to Sunday from 11 a.m. to 5 p.m. Check the website for tasting fee.


Party at Bargetto Winery
The Capitola Art & Wine Festival Kick-Off—called Toga Party/A Celebration of Wine—will be held on the patio at Bargetto Winery from 6-9 p.m. on Thursday, May 19. Tickets are $40 in advance, $50 at the door and include a 2016 Capitola Art & Wine Festival glass, wine tasting from festival wineries, hors d’oeuvres, and live, silent and art auctions. Music by Music Now DJs. Reserve tickets at capitolachamber.com/events or call 475-6522. Bargetto Winery is at 3535 N. Main St., Soquel. This year’s Capitola Art & Wine Festival is on Sept. 10 & 11.
 

Why Parents are Giving Medical Cannabis to Their Kids

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The young boy was borderline autistic and suffered from anxiety and a learning disability when he went to see Dr. Jeffrey Hergenrather.
“He was like a raccoon in his office on that first visit,” says his mother, “Paula,” who requested anonymity for this story, as she described her son bouncing off the medical-office walls like a wild animal. “Literally—like we brought a raccoon,” she repeats with a slight laugh.
That was about four years ago. Hergenrather, a Sebastopol-based physician, has recommended cannabis to children who have come through his practice since the state’s 1996 medical cannabis law was enacted. He recommends its use for medical conditions ranging from autism to epilepsy to cancer to genetic disorders and mental disabilities.
For autistic children and teenagers, cannabis “works so well for reducing anxiety, reducing pain and reducing agitation and anger,” Hergenrather says, especially as autistic children become adults. “The calming effect of cannabinoids has been a real plus for families.”
After her consultation with Hergenrather, Paula found a woman in Southern California who had developed an edible product, a brownie, especially for autistic kids.
“That was our first introduction,” she says, “and we started him on it two days before school started. He was just out of summer school, and that had been a hot mess—he was miserable, they couldn’t get him to do anything. That was two days before. Then he went to school without any protest, and he did every single task they put in front of him,” Paula says.
Parents and teachers and occupational therapists were shocked at the sudden change. “What the heck happened, what did you do?” Paula recalls them asking her, “and they were looking for me to say that we had put him on meds,” she says.
But Paula played off the inquiries, given the sensitivity and stigma around pediatric cannabis. “I guess we are having a good week,” she told them. “I played dumb. No one put a finger on what happened, but it was a big success.”
Paula’s story is one of thousands involving pediatric cannabis in the state, in a gray-area legal world where the conditions being treated may not be as serious as childhood cancer, but are nonetheless debilitating to families.
The 1996 California law legalizing medical cannabis didn’t come with any age limits on who can or can’t access it, but physicians are boxed in by an overarching federal scheduling of the drug that says marijuana has no medical benefits whatsoever, and the absence of a state law that would legalize cannabis outright.
Even as pediatric cannabis protocols and attitudes are in flux, parents in Paula’s situation are pretty much on their own, she says, and with the risk of a call to child protective services (CPS) if they are not careful with the cannabis they provide their children.
“Because it’s not fully legal here,” says Paula, “[Hergenrather] can’t tell us what strain, what dosage, where to get it—it’s on the parents to figure it out.”
She credits the work Hergenrather has done on behalf of children in California, as she points out the twisted ironies of cannabis law and morality. “He treats so many kids that are so successful, but their parents are afraid to tell their doctors why,” she says.
Paula and the doctor agree that the best medicine is whole-plant medicine that balances the compounds cannabidiol (CBD) and THC (the psychoactive compound in cannabis) with the terpene oils in the plant.
“CBD is a great physical healer,” Paula says, “but we are focused on cognition.” By itself, she says, CDB-only products “did absolutely nothing” for her son.
Paula and her husband took it upon themselves to find the right medicine for their son. Paula’s husband does the medicinal cooking, she says, after they’ve secured one of two strains of Kush, which is hard to come by because you have to grow it outdoors in order to be working with organic product. They use the Northern Lights variety for depression and the Blue Dream to treat their child’s anxiety, she says.
“We learned a lot about it [by] cooking it on our own,” says Paula, who has been making cannabis capsules for her child for four years. She and her husband were open to cannabis treatment for their child all along, she says, unlike many parents who are equally desperate, but “who have this stigma, that this is a horrible drug. For them to have to figure it out on their own, that’s nearly impossible.”
But the government’s ban against children feeling any sort of euphoria has meant the advent of products such as Epidiolex, which comes from Great Britain and is “a federal investigational new drug which is 99-percent CBD and 1-percent non-THC cannabinoids,” Hergenrather says.
“The reason they took out the THC is purely political,” he adds. “THC is a great anti-convulsant. So when doctors in my specialty are trying to control seizures, sometimes they get access to Epidiolex. People qualify to use it, but if they are not getting as good control for seizures as they’d hope to, they’re bringing back more of the THC into the product that they are using.”
Products that contain all the compounds, he says, “work better. You get better pain [relief], better anti-cancer, and it’s a better medication for treating seizures. Kids don’t seem to have a problem with more THC in the meds. It’s a fiction.”
Pediatric cannabis got a big boost from CNN’s resident physician Sanjay Gupta in 2013, when he reported on an extract made from a Colorado strain called Charlotte’s Web that helped to control the grand mal seizures of a young girl named Charlotte Figi.
Hergenrather noticed the difference a TV star can bring to a debate. “Parents got a lot more comfortable with it—if they see it on TV. Hey, they can do it too,” he says.
In the four years that she has used cannabis to treat her son’s conditions, Paula has noticed a shift in public opinion, too.
“Parents are more open to it, now they are bringing it up. But there’s no step-by-step guide to treating your kid with cannabis in 2016,” she says. “They need some guidance, and there isn’t anything. We want so badly to be that voice, be that support group, but it is so risky. Even if it’s legal and there’s not necessarily an age limit, it just takes that one person to call child protective services. In the end, maybe you keep the kids, but who the hell needs that anxiety?”

Cinco de Mayo Event Asks What We Can Learn from Other Cultures

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It seems that every day in the news, global leaders squabble over influence and power, trading blame for the world’s problems. But maybe westerners could learn a thing or two by looking elsewhere.
A Cinco de Mayo event, led by a UCSC professor at the Live Oak Grange, will discuss what stories from people south of the equator have to offer. “There is so much richness we are missing in cultures of the southern hemisphere,” coordinator Lynda Francis says.
Fernando Leiva, a UCSC professor of Latin American and Latino studies, will present “Decolonizing our Minds with the Epistemologies of the South.” He says people often see European and American histories as “universal,” a problem he plans to discuss. “It’s about freeing ourselves from certain ways of thinking and opening ourselves,” Leiva says.
Leiva argues that a history of colonialism continues to shape our world today, excluding other perspectives from our frame of thinking. And that, he says, has made it hard to tackle major challenges.
Those challenges, some of them environmental, are the context for Leiva’s talk. The event is sponsored by two environmental organizations, 350.org and the Santa Cruz Community Action Network, both of which aim to slow and reverse climate change. The Women’s International League for Peace and Freedom is sponsoring it, as well.
Leiva says many of the world’s problems, such as wealth inequities or environmental crises, stem from post-colonial mindsets that value progress and growth over community and people.
“We have to open ourselves up to other ways of seeing the world,” Leiva says. “We are trying to confront the problems that we face with a very small set of ideas and perspectives.”


The event is at 7 p.m. on Thursday, May 5, at the Live Oak Grange, 1900 17th Avenue, Santa Cruz. There will be a potluck starting at 6:15 p.m. 

Preview: Comedian Kathleen Madigan at the Rio

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Comedian Kathleen Madigan has been on the road performing 300 nights a year for 25 years. And unlike many younger comics, she doesn’t feel the need to make her career a whole lot more complicated than that. She still believes in the simple power of just getting in front of people onstage and making them laugh.
“Some of the newer comedians think they have to have these podcasts and think they have to have a web series,” she says. “I don’t understand how it’s helping. Just go tell jokes. Write more jokes. Jokes, jokes, jokes. It’s an old-school way of doing it, but it works.”
Even trying to keep things as simple as possible, there’s still plenty to do besides her shows, with late-night TV appearances on Conan, CBS’s Late Show and The Nightly Show with Larry Wilmore; performing for the troops; and her comedy albums. And she’s certainly not a Luddite. “Sure, I tweet all the time,” Madigan says. “But I have 75,000 people that already like me, and I’m just entertaining them at work for free. I’m completely aware of what it is. I choose to do it.”
A former journalist, Madigan broke into the mainstream in 2004 when she was a finalist on the second season of Last Comic Standing. Her peers and friends, people like Ron White and Lewis Black, are iconoclasts—tried-and-true unique comedians whose lives are measured in the miles between the gigs they do each night. Providing an equal dose of truth and hilarity, Madigan says that while the miles pile up, the core of her comedy hasn’t changed over time.
“The big issues,” she says. “Whether it’s gun control or abortion or racial equality, it’s all still on the table. Nothing has been resolved.”


Kathleen Madigan performs at 8 p.m. at the Rio Theatre on Thursday, May 5. Tickets are $25 General and $40 Gold Circle.
 

What’s the most important thing you learned at school?

Local Talk for the week of May 4, 2016.

Music Picks May 4 – May 10, 2016

  WEDNESDAY 5/4 FOLK-ROCK LANEY JONES & THE SPIRITS When Laney Jones first picked up the banjo, it was to escape the pressures of life as a college student pursuing an international business degree. She and the instrument quickly clicked, however, and Jones soon found herself thrust into a career as a roots singer-songwriter, where she garnered acclaim and even attracted the attention...

‘Born to Be Blue’ Lacks Dimension

CHANELLING CHET Ethan Hawke plays Chet Baker in Robert Budreau’s ‘Born to Be Blue.’

Ulterior’s Chefs Master the Spontaneous Dish

Ulterior chef Zachary Mazi
Discovering the bite of the moment at Ulterior

Be Our Guest: Bruce Forman Trio

Win tickets to see Bruce Forman at the Kuumbwa Jazz Center on Thursday May 12.

Love Your Local Band: Henry Chadwick

Henry Chadwick Plays at Moe's Alley on Sunday, May 8.

Tasting Destination: Byington Vineyard & Winery

Byington Vineyard Award-winning Chardonnay from picnic-worthy Byington

Why Parents are Giving Medical Cannabis to Their Kids

Pediatric cannabis is gaining acceptance, even for mental conditions, but parents may risk losing their kids if they use it.

Cinco de Mayo Event Asks What We Can Learn from Other Cultures

News briefs for the week of May 4, 2016.

Preview: Comedian Kathleen Madigan at the Rio

For comedian Kathleen Madigan, no amount of podcasting can replace the thrill of live stand-up
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