Zinfandel from a solar-powered estate winery, plus a local brew to save wildlife Put a glass of Zinfandel in front of my husband, and he’s a very happy man. We both enjoyed Shale Canyon’s 2013 Zinfandel with its bright bold bouquet of dark berry fruit. Winemaker Ken Gallegos has taken grapes from Arroyo Seco in Monterey County and turned them into an excellent Zin, which sells for a mere $18, so the price is right. A hint of pepper and smoke on the long finish make this 100 percent estate-bottled Zin an extremely satisfying wine.
Zinfandel pairs perfectly with anything cooked “on the barbie,” so if you’re throwing a few ribs on the grill, then a bottle of Shale Canyon’s big jammy red Zin should go down well.
Shale Canyon takes pride in producing small lots of handcrafted varietals in their 100 percent solar-powered estate winery. They also run a fun wine club called Wine Thief, with 20-33 percent discounts on all purchases of their wines, and four free “flights of four” tastings in their recently opened Carmel tasting room. Check the website to see all the perks of becoming a member. Shale Canyon Wines tasting room is at San Carlos St., (between Ocean and 7th) Carmel, 625-WINE. shalecanyonwines.com. Open noon to 6 p.m. daily.
Discretion Brewing Helps Save Woodland Critters
Discretion Brewing is excited to announce a new barrel-aged sour ale series called Woodland Critters. They have partnered with the Land Trust of Santa Cruz County for the series to help them continue their crucial work of preserving local land and wildlife. The release of Woodland Critters No. 1 aims to venture into new territory, “in search of profound and unexpected flavors,” according to brewmaster Michael Demers. From the sale of each half-liter bottle ($15), $2 will be donated to the Land Trust of Santa Cruz County, which works to preserve open spaces and habitats. More info at discretionbrewing.com
Passport
Saturday, Jan. 16 means one thing—it’s time to go wine tasting, Passport in hand, in the Santa Cruz Mountains. A Passport enables you to go to a number of wineries and taste without a fee. Visit scmwa.com for more info.
ULTRA VIOLET Shale Canyon Wines produce handcrafted varietals using 100 percent solar power.
Now based in the Santa Cruz Mountains, Scott Woodruff’s reggae project Stick Figure blossoms as a ‘real’ band Stick Figure has been on the road quite a bit these past three years—especially considering that before that, they’d never played live at all. Beginning in 2006, Stick Figure had been a studio project for sole member Scott Woodruff. But after the release of his fifth album, 2012’s Burial Ground, he got an offer to go on tour for a couple of weeks.
“I never thought to myself, ‘someday I’m going to hit the road.’ I had never been attracted to it—then I got that offer,” Woodruff says. “I was in a place in my life where I was ready to try something new. I started thinking about it more and got excited.”
He assembled a band, rehearsed for a of couple weeks and hit the road. Once they got back, he liked it so much, he booked another tour, and has been playing nice-sized venues ever since. He headlines the main stage at the Catalyst this Friday.
Woodruff arrives in Santa Cruz armed with a new Stick Figure album, Set In Stone. It’s the first album since the project became a live band, but the record isn’t a band album. It was written and recorded the same way his previous five were—all by himself in his home studio.
As a one-man reggae band, the sound he produces is a bit different than your standard roots reggae band. There’s a trance-y vibe, a lot of electronics (he samples drums and then programs them), and cites Pink Floyd as one of his biggest influences. But more than all of that, he is influenced by dub, the spacey sub-genre of reggae from the ’70s that is a forebear to the remix and to some extent the modern-day electronic music scene.
“I prefer electronic drums over the acoustic style. It’s almost like you’re listening to a Dr. Dre album, just really thick, when you put it in your car and you can feel it,” Woodruff says. “I will always incorporate elements of dub, those echoes and reverb. That’s in every song. I can’t even help it. If I tried to stray away from that for a certain song to give it a more poppy feel, I always add that stuff in.” Set In Stone was written and recorded right here in the Santa Cruz Mountains. Woodruff relocated from San Diego about a year ago and built a home studio, which is basically a log cabin behind his house, which he calls Ruffwood Studios.
“I literally put up the studio the same week we moved in. Before I put my clothes away in my bedroom, I had guys over here pouring concrete and getting the studio underway,” Woodruff says. “Right behind my studio is just a redwood forest. It has this big window that looks out at this beautiful landscape. I find a lot of inspiration from nature and being out in the woods. My environment plays a big factor in the type of music I play.”
The new record actually isn’t much of a departure from Burial Ground. If anything, he’s become more meticulous about working with electronic elements. He admits to spending days sometimes just to get the perfect bass drum sound for a single track. The biggest difference is that he now considers his live band when he writes music, something he never did for his previous five records.
“Before, I would make a part that calls for having three keyboards on stage. It would never matter. It doesn’t matter that it would take six arms to do this part. I made this one a little different, because I know it would sound different live,” Woodruff says.
Woodruff is already thinking about his seventh record.
“When I finished Burial Ground, right when that album was done, the next part was, ‘oh man, now I have to start a whole album from scratch.’ That’s where I am right now again. It can be a little intimidating,” Woodruff says. “You feel really proud of what you just put out. ‘How am I going to be able to top that? What am I going to be able to do different to impress people and show that I’ve made progress and come a long way from the last album?’ There’s always that question of how you’re going to keep progressing.” INFO: 7:30 p.m., Jan. 15, Catalyst, 1011 Pacific Ave., Santa Cruz. $17/Adv, $20/Door. 429-4135.
GO FIGURE Stick Figure plays the Catalyst on Friday, Jan. 15.
Ben Leeds Carson composes Star Trek opera A Star Trek opera? Why not? That’s exactly what Ben Leeds Carson thought when approached by Lincoln and Lee Taiz. The renowned plant physiologist and his wife had originally approached electronic music pioneer David Cope with their libretto for an opera based on the first episode of the original Star Trek TV series. Cope was booked up and suggested Carson, a UCSC professor of music and experimental music composer. So it began. “Once a month for the past three or so years,” Carson says, “I’d call up Linc and Lee. We’d have dinner together while I played and sang the music I’d done thus far.”
Ensconced in his Kresge College study, where he currently serves as Provost, the lanky blond composer admits that the process has been incredible fun. “All operas ultimately contain an Orpheus theme,” he says. “And this one—called Menagerie: The Trial of Spock—invokes that myth as a play within a play.” Gene Roddenberry’s scenario of an early voyage on the Enterprise forms Menagerie’s theme. “The trial of Spock—which makes up the bulk of our story—is amplified with tricks of virtual reality as it parallels Orpheus’ journey to the underworld, with Spock on trial for mysteriously abducting Captain Pike, James T. Kirk’s predecessor,” Carson explains. Now trapped in a coma, Pike needs virtual reality healing by another Orpheus, who will be played by a young female. Throughout the complex plotting, Carson and Taiz have reinforced that compelling Star Trek motif of Spock’s evolving self-awareness. “J.J. Abrams’ new Star Trek movie reinvents the Spock/Kirk relationship. And so will our opera,” Carson says, beaming. “Star Trek is an American myth, and Spock is a great American hero.”
Composing for opera is a new twist in Carson’s repertoire. “A substantial part of my work has been in the study of music perception,” he says. Hired by UCSC as a specialist in musical cognition 12 years ago, Carson has been a prolific experimental composer, highly engaged in interrupting conventional paradigms of pulse and rhythm. “I’d made it my goal to make un-pulsed music. Creating each musical event as a surprise, a floating experience letting go of time, to see if we as listeners could move from irregular back into the regular rhythms—even if it meant sacrificing most of the audience,” he says. “For the past 15 years I was not afraid to have the music be un-beautiful.”
But then Star Trek came his way. “Linc got permission from CBS to develop our project for limited non-commercial presentations,” he says. “I found their text lovely and I immediately started writing. Linc is a jazz guitarist in his own right, by the way, and both he and his wife are passionate devotees of opera.”
For this project Carson reached back into his personal music theater roots. “It was a time to write emotionally immediate music—and this was inspired by hopelessly romantic pop opera,” Carson says.
Here’s how he began sketching out music for the opera. “I draw on improvisational instincts at the piano. I play, make notes, then play some more. Then I imagine it as an orchestra, begin filling in the instruments, then play a bit more. And the music takes shape in Midi files.” Carson works to create compelling dramatic music, “and I write a lot of it even if I’m not sure which character might use it,” he says. Later he chooses specific music for the characters. “I enjoy playing with contrasts of emotions,” he says. A scene in which Scotty complains about an engine room breakdown is set to music building to a passionate emotional climax. Carson enjoyed writing the parts for James T. Kirk in clipped syncopation, matching actor William Shatner’s familiar vocal delivery. Carson believed gender switching for Menagerie was crucial. “We wanted more women’s voices and parts,” he says.
“Linc and Lee and I listened, commented, and rewrote. We had lots of wonderful fights—it was a great collaboration,” Carson says. “Last February I started shopping the opera to four companies, and so far no doors are closed.”
When fully staged, the opera will run two hours. Meanwhile, a minimally produced debut of the opera will be presented this June at UCSC, to be directed by John De Lancie (who played “Q” in Star Trek: The Next Generation episodes). “He has directed lots of opera and even did a sci-fi Madame Butterfly,” Carson notes. “We will present it as an oratorio, with minimal set, recruiting singers from the Bay Area to perform.”
Work on the Star Trek project has encouraged Carson to create music on a bolder scale, as he puts it, “blending the emotionally immediate with the experimental.” But he also admits that the project took a lot longer than he expected.
Find out more about and listen to Menagerie: The Trial of Spock: startrekopera.com.
WHERE NO COMPOSER HAS GONE BEFORE Ben Leeds Carson in his home studio in Santa Cruz. PHOTO: CHIP SCHEUER
Mayor Cynthia Mathews talks about Santa Cruz’s challenges and future For Christmas this year, Cynthia Mathews got a black-and-white pin from her daughter Amey that she has been proudly wearing around. It reads: “Feminist With a To-Do List.”
Mathews, who is thinking about running for re-election to the City Council this year, was sworn in for her fourth term as mayor last month, and GT caught up with her to talk about politics, city infrastructure and basketball. You seem to enjoy being on the City Council as much as anyone I’ve ever seen. Why is that?
CYNTHIA MATHEWS: I love Santa Cruz, and I do find it rewarding, because there are so many people who feel equally invested in the community in a lot of different ways … As a community we have a good attitude, good diversity and good engagement, and we see the results. After years of study, no one knows how to fix the high rates of E. coli in the water under the Santa Cruz Wharf, or even what’s causing it. What’s next on that front?
We just keep working on it, and we have eliminated some of the possibilities. We have fixed some problems. And I thought the latest report we got gave us additional information. It was very clear from the beginning that there was not an easy fix, because the source wasn’t even known. It seems at this point that the source is birds in a very localized area, and we’ve given direction to see what we can do to reduce or eliminate that source. We’ve made some improvements already and we will continue to do that. What are you excited to do this term?
We have some big plans ahead of us. Given that the economy is beginning to recover, I hope we move forward with some of those. The broadband [Internet] I hope we move forward with [see “Catching Fiber,” this page]. We have studies on the arena, the Civic—the future of those institutions. I think we will try and look at doing what we can for workforce housing. The housing problem comes up in every discussion. You mentioned the Santa Cruz Warriors basketball arena and the Santa Cruz Civic Auditorium. The council should be looking at plans for both of those facilities soon. What might their futures be?
We’re trying to be extremely thorough in the studies that lead to the options presented to us—pretty conservative fiscally. We don’t want to jeopardize the city’s overall financial health. We may look at a facilities revenue measure at some point. I don’t see that in the immediate term, but taking a look at what are the things that we have on our list—both critical infrastructure and public projects have strong support. Additionally, there may be a measure for our libraries on the ballot this year. What is their place in our changing world?
The way libraries serve their communities is changing. And that’s part of the impetus for the revenue measure—that our existing libraries are well-used, but can be better used, and the trend now is to have libraries assume more of a role of a place for community meetings, classes, events. We have dramatically overhauled our whole access to electronic media that’s a huge part of library systems now. Another big role that libraries play is in helping to bridge the digital divide. The role and functions of libraries have grown enormously, and our libraries are both aging and old-fashioned—many of them. A few of them are totally inadequate. The topic of vacation rentals has come up a lot this past year. The council took some action to keep people from using accessory dwelling units (ADUs) for short-term rentals. When do you look at the bigger picture?
That will come back to us in the springtime. This is not unique to us, and the ADU piece was, to my mind, a very small piece of the larger picture. So, I have no prediction where that will end up. The impact on housing stock is real, and the impact on neighborhoods is real. But where we strike a balance on that—communities are all over the map. What do you think of the idea of having warming centers in the city limits for homeless to go to on cold nights?
I much prefer that we focus on our coordination with what the county is doing, and using our resources where they will do the most good. We added funding for the winter shelter a couple of months ago, and that’s not fully occupied. So, I think we want to look to what the county is doing. What are the funding trends? What’s available in the community? And I just did not see that proposal as one where we should focus our resources. Now that the Santa Cruz Warriors have re-acquired Aaron Craft, last year’s D-League defensive player of the year, what can we expect from him this season?
I don’t know anything about Aaron Craft. [Laughs] What I appreciate about the Warriors is that they’ve made Santa Cruz their home. They have reached out. They have been embraced by the community. They are integrated into practically every aspect of community life. It has been an amazing fit that I think no one could have conceived before it happened. So, what do I expect of the Warriors? Another great year of partnership.
FAMILIAR FACE Cynthia Mathews was sworn into her fourth term as mayor last month. She says economic development, city infrastructure and housing will all be big issues this year. PHOTO: KEANA PARKER
The area’s premier sweets event returns this week The first time Ann Berry-Kline organized the Santa Cruz Chocolate Festival nine years ago, she had no idea how much interest there would be, so she held it at the Attic, a relatively small teahouse on Pacific Avenue at the time—too small, it turned out, to hold the number of people around here who love chocolate. Ever since, the Chocolate Festival has been held at the Cocoanut Grove, to continued success. We asked Berry-Kline some questions about this year’s festival. How much chocolate is at the chocolate festival? ANN BERRY-KLINE: There are about 32 vendors that will bring anywhere from 300-600 tastes. So, I don’t know, maybe 500 pounds of chocolate? This year I’m actually really excited because we have some old favorites coming back, but we also have a lot of new people coming up—from chocolate rice crispy bars to hot chocolate to ice cream, truffles, caramels. Mission Hill [Creamery] is coming. They’ll be selling ice cream cones. We’ve got different savories, coming too. We’ve got India Joze. We have some moles coming. It’s always neat to taste chocolate in hot things, not sweet things. We even have a chiropractor come that will do minor adjustments. He has a chocolate drink that he sells. What’s there to do besides gorge yourself on chocolate?
We have a workshop, which is an amazing event. It’s two hours, right before the Chocolate Festival. The workshop presenter’s name is Brian Wallace of Endorfin Chocolat. He’s out of San Francisco. He’s got the most energy I’ve ever met in anybody. He does a background on chocolate and the health benefits of chocolate, and where it comes from, how it’s made. For the young, we have cupcake decorating and face painting. We’ve got 5-6 vendors bringing their wines with them, so you can pair your wine with chocolates. Also, new this year is going to be Highway 1 Brewing Company. They’ve got a chocolate stout. What’s the Chocoholic of the Year award?
We’ll usually take about five different nominations and put them out there to be voted on. The winner gets to reign as Chocoholic for the year. I’m a previous Chocoholic of the Year recipient. You get to wear a sash. You’re sort of like royalty at the event, both this year and the next year. It’s just for fun.
INFO: 1 p.m.-4 p.m., Jan. 17. Cocoanut Grove at Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. 423-5590. Tickets: $15 (includes six tastes), $35 (workshop—starts at 11 a.m.).
BAR NONE Ann Berry-Kline’s Santa Cruz Chocolate Festival fills the Cocoanut Grove again Jan. 17. PHOTO: COURTESY OF CHOCOLATE VISIONS
Delicious variety and value at Surf City Sandwich, plus new openings to watch for Fresh, hands-on and welcoming, Surf City Sandwich shop is a ripping success. Imagine a clean lean cafe, walls embedded with vintage longboards, a wall mural of a green water pipeline of Mavericks proportions, and an HD flat screen streaming hypnotic wave action and underwater aquascapes. Now, fill it with inventive sandwiches and lots of handcrafted local beer on tap. That’s what I’m talking about.
We spotted the six-month-old shop on our way to Ocean Honda (practically next door at the corner of Soquel Drive and 41st Avenue). It was the “Verve” coffee sign outside that got our attention—if you’re not looking for Surf City Sandwich it can be hard to notice. The menu of creative sandwiches—plus breakfasts on weekends—made me wish I had brought six people with me just to sample more items. Jack and I were overwhelmed with possibilities.
But in the end here’s what we decided on: a winter wheat Hefeweizen beer by Pleasure Point’s New Bohemia, a rare roast beef sandwich ($9) and something called the Green Hornet involving Asian-inflected chicken, peanuts and finely diced veggies wrapped up tight in a spinach tortilla ($8). And what we got was a freshly made lunch of major sandwiches—my wrap was sliced into halves, each the size of a kick boxer’s quads. An army of thick-cut potato chips accompanied each order, and every bite seemed to rhyme with the luscious wheat beer, called “Highway to Hefe.” Lots of ripe fruit, hints of clove and a rounded finish distinguish this caramel-colored brew, enough to partner with the spicy, zingy, crunchy filling of my irresistible wrap. Huge cubes of chicken made a lively contrast with the crisp carrots and diced garlic chives. (Half of this monumental wrap came home with me for later on.)
Meanwhile back at Jack’s roast beef sandwich, we were both impressed with the quality of grass-fed beef in this gorgeous creation. Just another example of the attention to fresh ingredients owner Paul Figliomeni is obviously passionate about. Romancing the rare beef were tomatoes, Rip Tide ranch dressing, Swiss cheese, and a layer of micro-sprouts. Very satisfying, we both agreed, noticing that the line to place orders had lengthened right out the door.
Next time I want to try the Cubano, or the Banh Mi, or maybe the hot pastrami. Jack wants a burger for sure, and he sighed as he noticed another of the day’s special sandwiches involving panko-breaded squid from Stagnaro’s. If for some unfathomable reason you aren’t a sandwich person, relax. Surf City also makes creamy clam chowder served with a sourdough roll, and Caesar salad to which you can add grilled chicken. Everything here is something you really want to eat. And it’s all affordable—major value for not much money.
Surf City Sandwich is open 11 a.m. to 7 p.m. Monday-Friday, 7 a.m.-7 p.m. Saturday, and 7 a.m.-5 p.m. Sunday. So you have no excuse not to check it out. Local craft brews, Verve coffee, quick friendly staff, killer sandwiches. Destination sandwiches. See what I mean? Lunch of the Week The luscious pan-roasted trout on market baby romaine with avocado, rings of sweet roast Delicata squash, and a splendidly seasoned vinaigrette. At Gabriella. New Year’s Changes
The wait has been long for the opening of Germaine Akin’s latest dining room, Splash!, in the old Carniglia’s slot on the Santa Cruz Wharf. Akin, just back from holidays in the islands, tells me it could be open “within a month.” East End Gastropub—the sister to West End Tap Room might just be ready by Feb. 1, and, this spring, Uncommon Brewers’ mega-beer bar is scheduled to fill the former Farmers Exchange. Fingers crossed on all of the above. I’ll keep you posted.
THAT’S A WRAP Maddy Forrest of Surf City Sandwich with the “Green Hornet,” an Asian-inspired chicken, peanut and vegetable sandwich in a spinach wrap. PHOTO: CHIP SCHEUER
Private-public partnership creates universal access to high-speed Internet in Santa Cruz Santa Cruz’s brain drain of 20,000 residents commuting over the hill for better pay may soon be a trend of the past.
If all goes as planned in an unprecedented deal between Santa Cruz and local service provider Cruzio, gigabit fiber Internet—the gold standard for speed—will be available to all homes and businesses in the city by 2018.
The roughly $45 million project is the first of its kind in the outer Silicon Valley area, and promises to launch Santa Cruz to the forefront of the tech industry, says J. Guevara, the city’s economic development manager.
Similar projects such as Google Fiber have built high-speed networks in cities like Kansas City and Austin, but only in wealthy neighborhoods. Only a handful of small cities across the nation offer fiber connectivity to all.
“We’re solving our own market problems with a local company, through local government, to protect our community’s interests,” says Guevara. “This isn’t solely about technology. The Internet is access to the world and all the ideas and all the things to come that we can’t even foresee. With the so-called ‘Internet of Things,’ with self-driving cars, with how interdependent we’ve become in our daily lives, this is the groundwork and framework to make our lives more fulfilling and successful.”
For years, Internet speeds in Santa Cruz have lagged behind Silicon Valley’s, part of the reason so many professionals commute over the hill, Guevara says.
In June, Santa Cruz was ranked No. 447 out of 505 California cities for download speeds, according to Ookla, a network diagnostic company. The city also got a “D” grade for its Internet speeds from the Central Coast Broadband Consortium, an association working to bring high-speed networks to the region. The Deal
According to the plan, which will be funded through a 30-year bond, every resident and business will have access to gigabit speeds for around $80 per month by 2018. That’s 1,000 Mbps (megabits per second)—fast enough to download an HD movie in three seconds—for roughly the same price as ordinary cable or DSL connections.
The contract between Cruzio and the city should be final early this year and groundbreaking is expected by fall. In 2017, neighborhoods will be brought online, starting with those showing the most interest in a cruzio.com online survey.
Broadband Internet is becoming an essential utility like electricity and sewers, Guevara says, so involving local government in its construction makes sense.
Think of it like a highway system, he says. For competition to occur, each service company would have to lay its own pipes down every street, building a redundant system. Letting the government build one system and lease it to a private company is more efficient, he says.
In Santa Cruz’s case, the city has an exclusive agreement with Cruzio. In the plan unanimously approved by the city council on Dec. 8, the city will pay up to $52 million of construction costs to lay the cables in the ground, and Cruzio will cover the $2 million of electronics needed to light up the network.
The city will own the network, but Cruzio, based in downtown Santa Cruz, will administer it and provide customer and technical support. The private company has more than 25 years of experience doing so, and is a better fit for the job than the city, Guevara says.
The local private-public partnership model makes sense for broadband Internet, because governments are good at building utilities, but aren’t always the most entrepreneurial, he says.
“This is the people’s network,” Guevara says. “The people of Santa Cruz, through local government, will own the network, so all of the money which is typically leaving our local economy to pay Comcast and AT&T, wherever they are, that money will stay within the city.”
“It’s closing that economic loop by building our own infrastructure, because the private sector won’t do it,” he adds. Shared Risks, Rewards
The city will cover its costs with a lease revenue bond, which does not use the general fund and would not compete with services such as schools and libraries.
Cruzio fiber customers will pay back the bond collectively through their rates—likely over 30 years, roughly $2.5 million a year. For the city to stay in the black, 7,500 customers, or 34 percent of Santa Cruz households, would need to sign up for the fiber network—a goal referred to as the “take rate.”
Cruzio already has 3,000 subscribers that have said they will join, says James Hackett, Cruzio’s director of business operations and development.
“A 34 percent take rate, or 7,500 subscribers, is a very doable target and similar networks offering the same types of speeds for the same types of prices have 60 to 70 percent take rates,” Hackett says. “Just to be clear, this will be gigabit speeds for right about the same price people are paying for DSL or cable—100 or more times faster for pretty much the same price.”
A market survey from October shows residents have strong interest, and 34 percent would purchase the plan for $85 per month.
If the revenue isn’t enough to pay back the city’s bond, then Cruzio is obligated to pay 80 percent of the shortfall. The city’s general fund would be put on the line, covering the remaining 20 percent.
In drafting the agreement, the city made sure that Cruzio had incentive to continue building its customer base, Guevara says, learning from the example of a failed private-public broadband project in Utah.
“It’s elegant,” Guevara says. “What we’re doing is we are both sharing the risks and the rewards.”
If Cruzio couldn’t meet its end of the deal, the city could take on another provider to operate the network, or take over the network itself. If the situation became dire, the city could sell the infrastructure.
But those scenarios are unlikely since all surveys show that the community supports the project, Guevara says.
“They all want this,” Guevara says. “They haven’t been able to get anything of this speed because there’s no competition in the market.” Up to Speed
In September, after city council approved the Cruzio partnership, the Comcast subsidiary Xfinity announced it would up its download speeds in Santa Cruz from 29 to more than 105 Mbps—for free. For two years, the company had charged customers extra for the 105-plus Mbps service, but never delivered more than 29 Mbps.
The so-called upgrade required no new hardware or visits from technicians, suggesting that the company had the technology to provide higher speeds all along, but never did.
The private-public partnership presents a new solution, a way to circumvent the big players like Comcast and “cut the cord.”
The city is uniquely poised to bring gigabit fiber to the masses, a nearly unprecedented achievement.
Councilmember Don Lane says the city’s excellent credit record—uncommon in the state—allows it to fund a project of this scale. Having a local company of Cruzio’s caliber partner is also rare, he says.
“We’re bridging the digital divide,” Lane says. “If we make this kind of high-speed internet available to every household in the community at a reasonable price, which is what I think is going to happen, every student from every economic background is going to have access to this infrastructure. I think that’s so important moving forward to ensure that not just people that have a high income can have access to high-speed Internet.”
NET WORTHY J. Guevara (left), the city’s economic development manager, and James Hackett of Cruzio have been working together on game-changing broadband. PHOTO: KEANA PARKER
Elise Granata calls herself part fitness instructor, part cheerleader and part “your favorite band member.”
That’s a profile required to lead an upcoming hootenanny she’s calling a “Power Hour” for the Museum of Art & History’sThird Friday event on Jan. 15. The event is 60 minutes of mayhem, with a different experience for each minute—starting with a high-five minute and an arm-wrestling minute, then culminating with trust falls and a prompt she calls “talk about the last time you cried.”
“There’s a lot of power in learning how to be vulnerable with one another,” says Granata, the marketing and engagement coordinator at MAH.
Granata makes the presentation on iMovie, setting it to music, and every 60 seconds the song changes. Granata, who first tried the idea for her birthday in 2014, got the idea from a drinking game by the same name, in which people take a shot of beer every minute for an hour.
The first go-round made for the perfect birthday party, Granata says, because she had so many close friends who didn’t know each other, and wanted everyone to get to know each other quickly. Afterward, she remembers, her friends told one another, “Why do I need to be introduced to you? I’ve already told you that I love you and cried with you.” The event starts at 6 p.m. with warm ups on Friday, Jan. 15. The main event begins at 7 p.m. Admission is $5, $3 for students, seniors and kids. Children under 4 and MAH members get in free. JACOB PIERCE Frantz Memorial
UCSC and the rest of the Santa Cruz community lost a powerhouse last year when Marge Frantz died on Oct. 16, at the age of 93. Beginning in 1976 as a lecturer, she taught in UCSC’s American Studies and Women’s Studies departments, and had been a pioneering social justice activist since the 1930s. A memorial will be held for Frantz from 2-5 p.m. on Sunday, Jan. 17, at the UCSC Music Recital Hall.
Plus Letters To the Editor I was guest hosting on KPIG’s “Please Stand By” show last year when I first saw Henry Kaiser perform. He did a short set with Grateful Dead alum Bob Bralove live in studio, and I’d never seen so much guitar gear set up in that tiny space—as he played, his foot...
Films this WeekCheck out the movies playing locallyReviews Movie Times Santa Cruz area movie theaters > Film Events CONTINUING EVENT: LET'S TALK ABOUT THE MOVIES Film buffs are invited Wednesday nights at 7 p.m. to downtown Santa Cruz, where each week the group discusses a different current release. For our location...