Street Talk

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Who is your favorite musician?

Topac Quinteros, 46, Super Steam commercial cleaning

I have to say Igor and Oleg from the Red Elvises. Igor plays the big triangle bass balalaika. I grew up on the Beach Boys, so I love the idea of a Siberian surf rock band. You’ve got that genre, but with a twist. —Topac

Dean Silvers, 71, author and retired teacher

Jordi Savall. He revived the viol, the viola da gamba’s ancestor. He played the music in the movie All the Mornings of the World. He’s from the Basque Country and he speaks at least six languages. His mission is world peace and understanding and he brings together cultures and groups for concerts. —Dean

Maggie Bracken, 56, office manager

Jimi Hendrix. The greatest guitarist ever, in my not-so-humble opinion, for his willingness to experiment. Nobody had ever really sounded like that before.
Maggie

Andrew Ramos, 23, state parks employee

Omar Apollo—he’s a Mexican-American R&B artist from the Midwest. He plays guitar and I like his music style and his taste. He’s very smooth, very similar to Frank Ocean. —Andrew

Dave Gillis, 49, architect

Let’s just say Jobim—Antônio Carlos Jobim. I’m half Brazilian on my mom’s side. Jobim played Latin jazz and he made the bossa nova popular. —Dave

Aria Vladimirov, 23, library assistant

I listen to so much music, but the first that comes to mind is jazz—so I’d say John Coltrane. I like his style and how he developed as a musician. He started off addicted to drugs and then he gets more spiritual and then he does a lot of unique things after that. —Aria

Santa Cruz District 3 City Council Candidate: Joy Schendledecker

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Santa Cruz’s District 3 city council seat is being contested for the March 5 election in a race between incumbent Shebreh Kalantari-Johnson and her challenger, Joy Schendledecker.

Schendledecker previously ran for Mayor of Santa Cruz in 2022, but lost to Fred Keeley. She has since been elected as a California State Assembly 28th District delegate and is involved with organized labor in the area. She is a member of United Auto Workers Local 2865 and is a community organizer focused on issues of economic and reproductive justice, environmental sustainability, peace and democracy.

GT sent questions to the candidates to get their takes on some of the city’s most pressing issues. Read Schendledecker’s responses below.

(Responses have been edited for brevity.)

Why are you running for city council?

I decided to run for city council because I want to be a part of making our city work better for the majority of Santa Cruzans. Many of us don’t feel heard or reflected by our current corporate-oriented council majority. I’d like to bring balance back to our representation, helping shape public conversations, budgets, and policies from a community-led position. 

 What do you think will be the most pressing needs for Santa Cruz over the next four years, and how would you address these needs as a council member?

Our most pressing needs relate to an inequitable and unaffordable housing market coupled with the hyper-commodification of elements necessary to sustain life. Workers are not paid enough and need better workplace conditions. The impacts of climate change are being felt before we have adequately prepared. City council governance is top-down, leading to a crisis of constituent confidence in our city leaders. My proposals for making our city more egalitarian and democratic include precinct assemblies, ranked-choice voting, publicly-financed campaigns, a people’s budget process and more effective collaboration with Santa Cruz County.

What are your thoughts on how the city should address the increasing demand for affordable housing? Any ideas on how to keep public services adequate to accommodate potential new growth? 

Our General Plan has identified sites for thousands of potential homes. We should be working with neighborhoods and property owners in the planning process to minimize appeals. I like the Strong Towns approach of bottom-up governance, incremental growth, fiscal responsibility and safe streets. We should use wealth taxes to beef up our Affordable Housing Trust Fund, use public property for public housing and increase tenant protection programs. We need to use the funds more responsibly on common-good infrastructure and higher wages for our SEIU city employees.

 Do you think raising the city’ s sales tax to help fund assistance programs for the unhoused is a good idea?  What else do you think could be done to address the issue?

I would rather see progressive wealth taxes than regressive sales taxes. Even if those of us living above the median income can handle another parcel tax or $1,000 more per year spent on local sales taxes, the other half of our community is squeezed so hard they have to choose between rent, paying bills and buying essentials. We need to insist on fiscal responsibility and raising funds from people and corporations who have more than enough, not from the people who are most burdened by the cost-of-living crisis.

Santa Cruz District 3 City Council Candidate: Shebreh Kalantari-Johnson

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Santa Cruz’s District 3 city council seat is being contested for the March 5 election in a race between incumbent Shebreh Kalantari-Johnson and her challenger, Joy Schendledecker.

Kalantari-Johnson was first elected to the Santa Cruz City Council in 2020 and, while still serving on the council, launched an unsuccessful bid for District 3 Santa Cruz County Supervisor in 2022.

A small business owner and private consultant in the social services realm, Kalantari-Johnson serves on multiple boards, including as chair of the Santa Cruz METRO’s board of directors. She has been involved in efforts to restore West Cliff Drive, supported the overnight parking ban and supports the growth of the local economy.

GT sent questions to the candidates to get their takes on some of the city’s most pressing issues. Read Kalantari-Johnson’s responses below.

Why are you running again?

I care deeply about our community’s well-being. Over the last two decades, as a public health professional and council member, I have produced results on critical issues that I have heard from our community are important. Progress is accomplished through caring, listening, building consensus and being in action. I have been effective, I have the experience and I am energized to continue to serve our city. 

What do you think will be the most pressing needs for Santa Cruz over the next four years, and how would you address these needs as a council member?

Housing, city infrastructure, homelessness, climate response/coastal erosion, youth investments, and fiscal sustainability are some of the top needs for the City of Santa Cruz. We have already made progress.  I will continue to forge multi-stakeholder partnerships that generate innovative strategies. These approaches have helped us become a pro-housing designated city, decrease homelessness by 29% in a year and increase youth investment -all over the last three years since I have served on council.

What are your thoughts on how the city should address the increasing demand for affordable housing? Any ideas on how to keep public services adequate to accommodate potential new growth? 

There is a need to ensure effective and adequate infrastructure-water, transportation- while we build affordable and workforce housing. We have turned the curve on building housing-being among the 6% of jurisdictions that have met their State housing goals. But we must continue on this path-generating more units will decrease costs. We need to be thoughtful about how and where we build so that we maintain the integrity of our city.

Do you think raising the city’ s sales tax to help fund assistance programs for the unhoused is a good idea?  What else do you think could be done to address the issue?

Raising the sales tax will help generate over $8M to support programs and address critical issues such as wildfire mitigation and protection of open space. We have made great strides on homelessness with the implementation of our Homeless Action Plan-which I helped shape-including a 29% decrease in unsheltered. But we must continue to invest in programs such as safe parking, shelter and case management. The city does not have the capacity or resources to accomplish all of this. It’s important to leverage resources and partner with the county and other jurisdictions so that we may continue this progress.

Native American Author’s Haunting History

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It’s a Monday morning in early February and Tommy Orange is feeling nervous. He’s about to embark on a months-long, cross-country publicity tour for his upcoming sophomore book, “Wandering Stars,” which hits stores on Feb. 27.

It’s been six years since his hugely successful debut novel, the 2019 American Book Award winner “There, There,” lit up the literary world and gave voice to a wide spectrum of Native American experiences. Now, the Oakland author has become one of the most widely-acclaimed writers of his generation, and is booking large event halls throughout the 17-date spring tour.

“I’ve done a lot of public speaking since the first tour. And so, that’s not the part that makes me anxious,” Orange, 42, says in a phone interview. “It’s just the attention that can be a lot, and I think writers are pretty private people.”

“Wandering Stars” is sure to elevate Orange’s profile. The ambitious sequel to “There, There” takes on the painful history of Native American boarding schools in the U.S., which served as brutal reeducation sites for Native children for the better part of a century. Orange immerses himself in a work that is both haunting historical fiction and contemporary literary prowess.

In the novel, the family lineage of Orvil Red Feather—a central character in “There, There”— collides and entwines with the shameful legacy of the Carlisle Indian School. 160 years of history are told through the lives of Red Feather’s ancestors, from the Sand Creek Massacre of 1864 to present-day Oakland.

GT spoke with Orange about his upcoming book, the effects of writing during the pandemic and his efforts to bring Native Americans beyond historical relegation in the American popular imagination.

Good Times: In a 2018 interview, you said that you wrote “There, There” out of a place of loneliness, out of a lack of representation for the range of Native voices. What place were you in when you began work on Wandering Stars?

Tommy Orange: I actually started in March of 2018. I just got excited about just doing a sequel and kind of staying in the world of “There,There.” The metaphor of the aftermath of the shooting seemed like a really layered and textured, deep metaphor for the way history plays on the present. And so, Orvil kind of, like, recovering from a shooting at a powwow, it just felt like there were a lot of layers to it. So I got excited about starting to write into that and was also very wary of doing a sequel because you’re almost dooming yourself to writing a less-good book. And for your sophomore effort, that’s the thing you really don’t want to do. 

So, it was kind of a weird decision on my part, but I still was in a similar place when I started writing. And then after two years of writing it, the pandemic happened. I’ve been in a lot of different head spaces during the writing of “Wandering Stars.” And part of that was not being lonely. [Now] we’ve got two TV shows put out representation-wise, and a lot of Native books have been published since then. And I probably feel a lot less lonely representation-wise and got to see a lot of Native people react, including a ton of non-Native people. But a lot of Native people across the country reacted to the book in really positive ways. So that was good.

GT: Did the pandemic’s isolation help you in your process?

TO: No. It was a very distracting time. I sort of lost a lot of structure and routine, which I like to have. You know, not being sure how long this thing’s gonna last. If this was the beginning of some kind of end of the world. That was not conducive for me being in a good writing space. I think a lot of people put out really big books right after that time period. So, some people were really able to take advantage of it.

GT: You’ve said before that contemporary depictions of Native Americans relegate them to the historical. How does “Wandering Stars” explore the generational trauma of Native American boarding schools to inform the book’s characters in the present?

TO: Yeah, so I think a lot of the time, we have only been depicted historically and a lot of times it’s a 400-year-old history, it’s like related to the pilgrims or it’s “Cowboys and Indians.” I think a lot of times we get authenticated from the outside and people kind of look at us as not being Native enough, or not the Native that they had in mind. And it [brings out] a lot of the burden of [questions like] ‘Where’s our language?’ and ‘Where’s our connection to culture?’ especially for urban folks who have a complicated history.

The burden kind of gets put on us like there’s some kind of weakness. And a lot of people don’t know that in these boarding schools we were being punished for practicing our lifeways and our languages. And these boarding schools went on for decades, probably 100 years with the same mentality of ‘Kill the Indian, save the man,’ and so a lot of people’s connection to their culture, their tribal ways, was cut off intentionally. 

And so, portraying the historical piece and then having the contemporary characters kind of struggling with ‘What does it mean to be native?’ it just kind of shows that the fact that we still are connected at all is a lot. It’s trying to show our strength rather than something that we lack.

GT: Part of this book takes place in Oklahoma, a place you have a personal connection with. What was the significance of that while writing this book?

TO: I grew up going back to Oklahoma, that’s where my tribe is and my family that lived there, but it was more the historical piece because that’s where people went after Fort Marion and that’s where my tribe was. That’s where our reservation, our tribal jurisdiction land is. It had more to do with this historical piece. And I did a lot of research.

It’s a complicated thing. Some people have tribal homelands… they’ve been on a piece of land for hundreds—some maybe even longer than that—years, being relegated to this piece of land by the government, and not really being allowed off of it for a while. 

It’s not the same feeling, like, ‘that is home.’ We were in different parts of the country before that, getting moved around and the Sand Creek Massacre and all that stuff. So I have mixed feelings about the place.

GT: For this upcoming event you will be in conversation with acclaimed author and Oakland native Leila Mottley. Are you a fan of hers, and how does it feel to be a part of a contemporary Oakland literary community?

TO: I love her book and she’s got a book of poetry coming out this year, I think. We’ve just been in contact through email, so I haven’t even met her in person, but I love her work. I wish there were more prominent Oakland authors and I hope that there will be more in the future, but it’s great to have somebody’s book from Oakland get the kind of attention that she got. So I was really happy to see that.

I don’t see any evidence of [a literary movement]. Even Leila’s book came out a little while ago and we haven’t seen [more literature]. For the amount of books that come out of New York, it’s really nothing, a drop in the bucket. So, I think the West Coast gets a lot less love in general. So I don’t see it, but I hope to for sure.

GT: Your work gives life to an array of Native experiences and you have garnered wide acclaim for the depth of your depictions. On the flipside, do you ever feel tokenized in an industry that tends to fetishize “other” narratives?

TO: Yeah, and I think sometimes people… I’m like, the only Native author that they know and I’ll get questions that I’m supposed to be able to answer for the entire community and it’s really not something that I can do. We’re almost 574 federally recognized tribes, and there’s like 400 not federally recognized tribes, and everyone has their own worldview and histories and so there’s a lot of diversity that makes it impossible for me to speak for. But, I do feel put on the spot sometimes to answer from that point of view, but I don’t know that I necessarily feel tokenized.

Tommy Orange will be in conversation with fellow Oakland author Leila Mottley Thursday, Feb. 29 at 7 p.m. at the Veterans Memorial Building in Santa Cruz. The event is sponsored by the UC Santa Cruz Humanities Institute and Bookshop Santa Cruz. Visit bookshopsantacruz.com to get tickets.

Santa Cruz Man Charged In Seabright Homicide

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A Santa Cruz man was arrested Feb. 23 on suspicion of killing a woman on Seabright State Beach.

The Santa Cruz County Sheriff’s Office identified the woman as Zainab Mansoor, 21, of San Ramon who was a student UC Santa Cruz.

The Santa Cruz Police Department said they got a call about a possible homicide near the water line at Seabright Beach, 1300 E. Cliff Drive, at 1:16am. As police made their way out to the shore they found the suspect, Samuel Stone, 20, and arrested him without incident. 

On the beach beside Stone, who is a former UC Santa Cruz student, police discovered Mansoor, who was unconscious. SCPD officers administered lifesaving measures until relieved by Santa Cruz Fire and American Medical Response paramedics. 

Mansoor was rushed to Dominican Hospital, where she later died, police said.

SCPD Investigators, who were called in to begin an investigation, learned that Stone and the victim were in a dating relationship.

Stone was later booked into the Santa Cruz County Jail on first-degree murder charges, where he is being held without bail on Saturday, jail records showed.

The incident is still under investigation.

Drastic Layoffs at Live Oak School District Loom

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This story has been updated

In the aftermath of a fiery Live Oak School District board meeting about layoffs on Feb. 21, a district official has resigned and some parents are calling for the resignation of district Superintendent Daisy Morales. 

Human Resources Chief Heidi Odom, a 30-year employee, sent an all-staff email on Feb. 22 to the employees of the Live Oak School District (LOSD) announcing her resignation after her proposed layoffs to the board were voted down at the meeting. 

In her email she wrote that she had already planned to resign from the district.

“Yet, it became apparent to me last night after repeated attacks that it was necessary to inform everyone that cabinet members are, in fact, voluntarily taking measures to support the district,” the email read. 

The preliminary layoff notices that Odom proposed were to distribute her job’s responsibilities across four other positions. 

Parents and teachers were blindsided by the drastic cuts proposed by the school board after the LOSD approved a 5% pay increase for Morales at the last meeting on Feb. 7. The raise, which also applied to the “cabinet,” was rescinded by the board. Morales’s salary is $228,800, according to the 2022-23 Superintendent Salary Schedule.

Some parents and teachers want Morales to resign.

Members of the Green Acres Elementary Parent and Teacher Organization and the Site Council, a parental board that reviews the school’s funding and goals, say they feel Morales kept them out of the loop about the deficit.

Tammy Summers, a member of the Site Council for Green Acres said, “It seems that what they really want is a rubber stamp of parent approval.”

Another member of the Green Acres council, Brooke Bond, said she is an involved parent who volunteers weekly, and she doesn’t understand how someone like her could not have been made aware of the budget crisis until a couple weeks ago.

The parents say that the cuts were directed at teachers, not the administration, which is typical of Morales’ administration.

Board Member Jeremy Ray said he supports Morales: “I do believe her motivations are in the right place. I take responsibility for the situation we are in. I can’t allow parents to single her out.”

The parents will also be setting up a change.org petition— in English and Spanish— to remove Morales, and proposing an alternative financial plan to try and save as many teacher jobs as possible. 

The Meeting

At the meeting, an emotional Heidi Odom defended the cumulative 38 job cuts outlined in the preliminary layoff notice. The District has 220 employees.

She said the cuts weren’t final and school district employees who were laid off would have first dibs on future work with the District. 

But for the assembled audience of teachers and their supporters that was not good enough.

Douglas Fossum, a local business owner and parent, yelled out, “Sell the property, trim the fat, save the teachers!”

The motion by Board President Kristin Pfotenhauer to approve preliminary layoff notices in preparation for the March 15 state deadline failed to be seconded by anyone on the board.

After the vote, Odom said to this reporter that “insolvency is inevitable” for the school district. 

Then it was Morales’ turn to talk.  

“I don’t want to do any of these cuts,” said Morales. “But we are held to where we are now because we wanted to keep these positions as closely to the timeline of money expiring as possible.”

Ray, who has served on the Board since 2012, took responsibility for the fiasco, saying the lack of leadership falls on him. Ray missed the last two board meetings. 

According to Ray, it all goes back to after the 2008 recession when the district operated on a barebones crew. There were no physical education, music, or art teachers, and the district had built up an emergency 17% cash reserve. Teachers had not gotten a raise in seven years.

This began to change, Ray said, as they started to build some of those positions back by spending down the reserves. Raises followed in the next several years. This wasn’t a problem because attendance was generally flat, and they had fat reserves. 

But the pandemic led the board into a false sense of financial security. The state’s financial contributions were based on old attendance numbers as real attendance fell off a cliff, according to Ray. 

Thrown together with declining enrollment and the loss of one-time pandemic funds, it was the perfect storm, he said. 

Special education costs soared from $2.4 million to $4.5 million this year because LOSD must pay for individual education plans that can sometimes cost as much as $100,000 a student per year. LOSD serves 100 more special education kids than comparable districts in the area.

The board gave the union an approximate 6% raise in each of the last two years as this budget shortfall loomed. 

“The problem is our workforce deserved those raises,” wrote Ray in an email. To attract teachers it was necessary to offer the pay raises to stay competitive, he believes.

The next steps according to Ray are unclear. But there is, however, an option on the table that would give the school district a cash infusion—at least in the short term: sell one of its assets. 

Another Option

The local nonprofit Community Bridges earlier this month proposed a plan to buy the Elena Baskin Live Oak Senior Center property from the District for $2.4 million. The estimated budget deficit of the LOSD was $2.4 million before it was revised upwards at the Feb. 21 meeting.

The LOSD acquired the senior center through the passage of 2004’s Measure E, a bond measure which allowed the district to purchase it from the county for $2.2 million and has continued to operate it since.

The center is home to the county’s Meal on Wheels program, and also serves as a hub for other senior services. The District had plans to make the center into workforce housing for teachers, which would mean the shuttering of the center.

District officials have claimed that the revenue from a potential sale could not be used to address the budget deficit.

Tony Nuñez-Palomino, communications manager for Community Bridges, disagrees with the District’s notion and said in an interview that Covid-era legislation has made it possible to use the revenue for general purposes.

He emphasized that a potential $800,000 down payment for the senior center could float the school district for the short term and prevent layoffs. 

Passed in September 2020, California Senate Bill 820 states that “proceeds from a sale or lease of surplus property can be used for a one-time General Fund purpose.”

Nuñez-Palomino said that his organization is putting the finishing touches on a letter of intent that would formalize its offer.

“No one wants to see teachers and staff members get laid off because that hurts students; it hurts families;  it hurts the community, especially in the area,” Nuñez-Palomino said.

Jeremy Ray said it’s complicated.

“It doesn’t put us in a position of strength when we have public calls to just accept the offer,” he said.

The LOSD board will have to press ahead with layoffs in some form by this week or a state takeover will occur. 

“There will probably be reductions and reorganization in the District office,” he said. “And although it kills me to say it, we will probably have to ask for concessions from the labor groups. They are under no obligation to reopen their contracts just because the board now realizes we made a mistake, but I think we have to ask.”

The LOSD will hold a parent forum at Live Oak Elementary School this Thursday Feb. 29 at 6:00 p.m. The forum will be followed by a special meeting of the District Board at 7:00 p.m. to discuss a fiscal plan for the budget crisis.

Rio Del Mar HOA Blocks Path Again and Sues Coastal Commission

Disgruntled home owners put up large new fences blocking access to an embattled beachside walkway that the homeowner’s claim the public has no right to access.

The powerful, quasi-judicial California Coastal Commission says otherwise. 

“Here at the commission our goal is not to have the public climbing any fences,” said Robert Moddelmog, enforcement agent of the Coastal Commission.

The new fences come after Judge Timothy Volkmann ruled in favor of the HOA on December 22, granting them an injunction on the fines and the order to take down the fencing, while the litigation is ongoing. Penalties of $6,000 per day for each violation were paused too.

The Rio Del Mar HOA and Singh and Puri (owners of 202 Beach Dr.) sued the Coastal Commission for overstepping its jurisdiction when it levied its $5.3 million dollar fine and ordered it to remove fencing blocking the walkway.

In their argument to Judge Volkmann, the HOA holds up the judge’s 2022 decision as evidence in its favor, which established the HOA’s ownership of the walkway and ruled that the county had wrongfully torn down fencing in 2018. 

The lawyers for the HOA stress that the history of the walkway shows no evidence that the county ever paid for the upkeep of the path. 

The Coastal Commission sees the question of ownership as irrelevant, pointing to the 1980 coastal design permit (CDP) that created a right of way for the public. 

But the HOA says the CDP does not contain any language about “public access.” Thus the history of private ownership wins out.

“People get away with their violations for a long time and they think that is normal. They think they are always going to get away with it,” said Robert Moddelmog, enforcer for the Coastal Commission. 

Moddelmog said the Coastal Commission is working with the California Attorney General’s office, and is considering its options, including a counter-suit against the HOA. 

Most cases involving the Coastal Commission are settled with public access restored, according to Moddelmog. Separately, the HOA is also seeking a new permit to upgrade their revetment, a type of coastal wall, but the current revetment has been out of code for decades. 

“For the few where violators refuse to provide public access– this is one of those cases– we have a very good track record in court,” said Moddelmog. “We don’t take these cases on unless we think we can win.”

Patrick Richard of Nossaman LLP, who is representing the plaintiffs, could not be reached before publication.

As of Wednesday, February 21, green-fences at both sides of the path were installed.

Many people were nonplussed by the new fence at the southern-end of the walkway when asked their opinion by this reporter on Monday.  

A woman pushing a stroller said the HOA won its case and people must walk along the road now.

A few beach-goers pushed aside the orange roadblocks at the north. Coming from the pathway, a girl and a woman explained that the homes looked abandoned so they didn’t feel bad taking the path. Also they didn’t want to walk on the sand. 

An elderly couple expressed concern about the negligence of the property owners after several years of storms had battered the strip. 

Another woman who lives nearby but didn’t want to give her name because of the ongoing litigation said: “The best solution would be for a tsunami to wipe it out.”

Celebrating New Peaks in Digital Currency Markets

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Sponsored content by Binance

Imagine the buzz when a rare vintage wine uncorks a record-breaking price at auction. That’s the kind of excitement reverberating through the digital currency world as we witness Bitcoin’s price rally, soaring past expectations and setting new benchmarks. It’s not just about the numbers going up on a screen; it’s about the stories, the people and the dreams intertwined with each digital coin’s ascent. Today, let’s pour a glass to the latest surge and explore what’s popping the corks in the crypto scene.

A Toast to the Recent Spike in Bitcoin’s Value

There’s a distinct charm in watching values climb, not unlike the anticipation of a finely aged wine reaching its ideal maturity. When Bitcoin’s price climbs, it captures the attention of everyone from the casual observer to the seasoned investor, creating a buzz that’s hard to ignore.

These movements aren’t just numbers; they represent a tide of belief, confidence and speculation that washes over the entire digital marketplace. Just as each sip of a grand cru tells a story of its terroir, each leap in Bitcoin’s price tells a tale of market dynamics, technological advancements, and changing tides in investor sentiment.

Amidst the clinking of virtual glasses, the recent leap in Bitcoin’s value serves as a reminder of the powerful forces driving the digital economy. It’s a convergence of technological innovation, growing institutional interest and an increasing recognition of cryptocurrency as a viable investment asset.

Each stride forward in price not only marks a milestone for Bitcoin but also energizes the field, sparking conversations about the sustainability and long-term prospects of digital currencies. Indeed, as we marvel at the heights achieved, it’s also a moment to ponder the broader implications for global finance and the future of money itself.

Examining Factors Behind the Enthusiastic Surge

But what’s really behind this climb? It might feel like the random luck of finding a treasure in your grandma’s cellar, but there’s more to it. Underlying factors such as geopolitical events, adoption by mainstream finance and even endorsements by high-profile figures stir the pot.

The complexity of causes, much like the layers of flavor in a robust Bordeaux, makes the ascent all the more intriguing. While no one can predict the market with absolute certainty, examining these facets is akin to understanding what makes a particular vintage year stand out.

Comparing Historical Trends and Current Market Excitement

It’s not the first time digital currencies have been the toast of the town. Historically, the market has seen its fair share of ups and downs, resembling the ebb and flow of seasonal vintages. Yet, each rally seems to bring more people to the table, ready to partake in this modern form of tradable assets.

Seasoned connoisseurs of the market revel in drawing parallels between past and present, noting how today’s fervor is built on the foundation of yesterday’s groundwork. Persistence, much like in the fine art of winemaking, pays off in the form of matured assets that stand the test of time.

Mixing Old-World Investment Strategies With Crypto’s Innovative Twist

Just as the crisp innovation of a New World wine can refresh the palate accustomed to Old World notes, so too does the realm of digital currencies bring a new flavor to investment portfolios.

With traditional investment avenues becoming more intertwined with blockchain’s decentralized promise, it’s an exciting moment for anyone looking to diversify their assets. Moreover, as we understand more about these digital assets, we’re learning to blend time-honored investment wisdom with the flexibility and potential that cryptocurrencies have to offer.

Crafting a Future With Decentralized Currencies

The allure of cryptocurrencies lies in their ability to craft a future that’s more accessible and less constrained by traditional financial systems. Much like the global appreciation for diverse spirits and brews, digital coins offer a taste of financial freedom that spans beyond borders.

Understanding the role of peer-to-peer transactions and their impact on financial autonomy requires us to sometimes step out of our comfort zones, akin to trying an unconventional blend and discovering a new favorite. The continued growth and acceptance of these decentralized currencies signal a future rich with possibility and brimming with potential.

Cruz Hotel Approved by Planning Commission

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The Santa Cruz Planning Commission approved the first downtown hotel north of Laurel Street in Santa Cruz in over 90 years on February 15th. Two city-owned lots will be merged with three private parcels on Front Street to build the hotel. The six-story hotel will have 232 rooms, three rooftop pools, three bars and facilities for conferences. 

The commission unanimously increased the payments developer SCFS Venture will make to community groups from $15,000 to $50,000 for the Santa Cruz Hostel Society and $25,000 to $50,000 for the Santa Cruz Boys and Girls Club The hotel will also provide free wifi, a bike share program and access to conference facilities  for local nonprofits . These “voluntary conditions” are dependent on the project not being appealed to the Coastal Commission, according to the draft of the measure. 

Land-use consultant Owen Lawlor, who is a partner in SCFS Venture, the New York developer, said the hotel would contribute to the business downtown and fulfill the city’s longtime plans to integrate the river into downtown. Also the hotel would contribute two million dollars to the city under the Transient Occupancy Tax, according to Lawlor.

Lawlor’s projects surround the future site of the hotel: Anton Pacific is almost finished across the street and the Riverfront Apartments whose foundations are currently being dug will soon rise. 

“These projects that we are working on are the beginning of reconnecting the downtown to the river and that is something that for at least half a century, the community has spoken about in its general plan so it is an exciting time,” said Lawlor. 

Lawlor imagines the hotel becoming another community meeting place like Abbott Square. A public alley will connect Front St. to the river walk; People will be able to eat near the riverwalk at the restaurant, and the bars inside and outside would be open to the public. 

Unlike housing developments which are constrained by state-law, approval of hotels is governed by local ordinance. 

The Cruz Hotel proposal is possible because of the city council’s decision in October to lift height limits downtown for non-housing uses. The 50 foot height limit for non-housing was raised to the 70 foot cap allowed for housing downtown. In return, the city agreed to charge the developer five dollars a square foot for all construction over the old 50 ft limit. 

This would amount to $228,000 for the Affordable Housing Trust Fund, according to the planning commission’s report. 

The plans for the hotel come in the aftermath of the downtown expansion plan, which would expand the downtown district across the street. The plan as proposed early last year legalizes 1,600 housing units and buildings up to 12 stories high south of Laurel. However, the passage of Measure M would prevent the council from changing city zoning or increasing building height, unless taken to a vote.

Thus if Measure M passes on March 5th, the extra height would have to be overturned by the city council or challenged in court. According to the measure, the prohibition on zoning changes would be retroactive from June 1st, 2023.

During the public portion of the meeting, members of the hospitality worker’s union, Unite Here, Local 19 told the commission they were upset because the hotel will not be unionized.

“Every aspect of the hotel project seems to be meeting the bare-minimum, nothing more,” said Todo of Unite Here. The $5 fee for affordable housing should be raised too, she said. 

District 3 candidate Joy Schendledecker, said that the city should not sell the city owned lots because the “community benefits” offered by SCFS Venture are one time cash payments.

““How about we keep our public land and charge ground rent? Once we privatize our community assets, we never benefit from them again in the same way,” said Schendledecker. 

Commissioner Rachel Dann, who lives downtown, worried about the project’s lack of parking for employees. 

An underground parking garage for 214 cars with a robotic-car retrieval system is planned, but the hotel will not have parking for the roughly 130 employees. Bike-share and the new Metro Center will provide transit access, according to Lawlor.

Commissioners expressed reluctance about changing the resolution too much before the city council, considering the city is still negotiating with the developer and the Coastal Commission. 

Lead Planner Lee Butler said the biggest issue is how much will be contributed to the “low cost visitor accommodations,” which is required by the California Coastal Commission without compromising the financial viability of the project. The developer has to make money, he said.

In an email, Rainey Graeven of the Coastal Commission explained that the commission typically prefers that “lower-cost accommodations be provided onsite.” 

The project currently does not  have these rooms. Furthermore, the draft of the approval contains language that nullifies all “public benefit conditions” if it is appealed by the Coastal Commission. 

“We are coordinating with the Applicant and the City on recommended measures on this issue [low cost rooms] as well as the contribution to the City’s affordable housing trust fund,” she said.

Guitar Heroes

1

Damon Danielson remembers listening to the radio, hearing another story about the arts being underfunded in school. 

“Yet a lot of studies show people with a musical background do better in math and science. So I was listening to that story and my thoughts went back to my dear friend, Terry Esau, in MInnesota,” Danielson says.

A lifetime friend and one-time commercial jingle writing partner, Esau is also the co-founder of the non-profit, Free Bikes For Kidz (FB4K). Danielson knew that since 2008 FB4K’s had already given 125,000 bikes to kids in need and is on a trajectory to reach one million by 2027. 

That’s when he heard the music. 

“I asked, ‘Terry, what about doing this for guitars?’” Danielson remembers. “He jumped on it and that’s where the whole thing sort of took off.” 

That “whole thing” is Free Guitars 4 Kids (FG4K), a non-profit that puts instruments directly in the hands of the youth. 

“Last year we gave away 1,078 guitars,” exclaims FG4K Executive Director, Ben Dudley. 

“We have plans this year to give away over 4,000 [combined] with an ultimate goal of giving away 1 million guitars within the next 10 years.” 

While that goal might seem high, the non-profit’s growth is tracking. In just under four years FG4K has partnered with over 20 different non-profits, schools, churches and event programs in 16 states along with the countries of Uganda and Jamaica. 

“I’ve never been involved with an idea that people just seem to get immediately,” Danielson says. “It’s just so wonderful to hear people get excited about things.” 

Danielson should know as he’s no stranger to entrepreneurial startups. 

Now retired, he has spent a lifetime in the tech world. A Santa Cruzan since 1996, Danielson was the co-founder of Zero motorcycles (the world’s first electric motorcycle), VuSpex (virtual inspection software) and OneMusic–the world’s first internet and CD production music library which BMG bought for a 40 times return to stockholders. 

“We’re a generosity organization,” he explains of FG4K. “If we model giving, then we hope others will understand what it means to have something given to them and pay it forward.” 

So how exactly does it work? According to Dudley, it’s pretty simple. 

“If somebody wants guitars, then we want to give them some,” he says. Dudley takes a pause before adding, “No strings attached.” 

As they open in different areas, “sounding boards” are set up as a point of contact between the organization and local kids charities in the area.

“We don’t pick the kids,” Danielson says. “We leave the selection process totally up to our partners [local organizations] because they know the kids that need help.” 

He says on average the children who receive the guitars are anywhere between the ages of 10 and 15. The non-profit also provides valuable resources for recipients and instructors alike. 

“We created a 16 week, 16 lessons over 16 videos course that we’ve uploaded to the website,” explains Dudley. “They are more geared towards instructors but anyone can use them.” 

Many of the guitars donated by the organization are themselves donations. Free Guitars 4 Kids accepts used instruments no longer being played–think grandpa’s dusty Martin sitting in the closet corner. 

However, the organization has also teamed up with guitar manufacturing companies, Gibson and Fender, as a way to get new instruments into the future shredders’ hands as well. The companies not only donate a number of  instruments, but allows the non-profit to purchase them at cost, a deal awarded to few. Dudley also creates frequent Tik Tok videos of himself going into music stores to pick out a new piece to donate. 

Donations, funding and promotion also comes from the most obvious of sources, professional musicians. 

“Artists really love working with us,” Dudley exclaims. 

Jack Johnson, Cory Wong, Grace Bowers and Charlie Worsham are just a few of the names who have collaborated with FG4K. Last year, they teamed up with Christian-pop crossover artist, Amy Grant, to give away two guitars. FG4K.org currently hosts video of one of those recipients, Obediah, busking on the streets of Minneapolis, entertaining tourists and locals with his heavy riffs.

Last December, the organization was featured on Good Morning America, when they teamed up with musician Ron Artis II. The partnership donated 200 guitars to Hawaiian students who lost their instruments in the state’s deadliest wildfires last August. Over 17,000 acres were destroyed on the island of Maui between a period of three days when not one, but four separate fires killed 100 people and destroyed an estimated $5.5 billion in damage. Dry conditions and high winds were blamed for the inferno. 

“It looked like a nuclear bomb had gone off” Danielson says. “Everything’s flattened. It’s unbelievable what these people have gone through.” 

He says when FG4K was there, 800 displaced individuals were still living out of the hotel they were staying at. That’s just one hotel to accommodate the over 10,000 people who were displaced during the disaster. According to a recent NBC News article, 4,961 people are still living in hotel rooms.

“It’s been a very difficult time for families there,” he admits. “Many of them are musical and lost all of their instruments in their houses.” 

Surprisingly, Dudley says the organization received some opposition online from people questioning why they’re donating guitars instead of food or other aid. However, he argues their mission is just as important on a deeper level. 

“That’s the beauty of music,” he says. “It transcends race, it transcends culture, it transcends politics. It’s healing. It’s a necessary part of our lives, it’s not a luxury. It’s a part of who we are as people.” 

Since its founding, FG4K has worked throughout the Bay Area and Silicon Valley, raising funds and distributing instruments to those in need. Although there are no current plans to work with local Santa Cruz organizations, Danielson says he foresees some for possibly later this year. 

“It takes leadership at the local level,” he says. “I’m in Santa Cruz but it takes the right type of team to keep things going. It’s easy to do something once, it’s harder to institutionalize it.” 

Anyone interested in helping but might not have time to spare are encouraged to go to the website and donate whatever monetary value they can. Dudley tells GT every $100 donated equals one guitar in the hands’ of the youth and even the smallest amounts add up. He also highlights the success of social media campaigns and hopes more people will like, follow and share FG4K’s accounts to spread their mission as far as possible. 

Danielson breaks it down nicely. 

“If people are interested and want to get involved we’d be delighted to talk with them,” he says.

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Cruz Hotel Approved by Planning Commission

The hotel will sit at the San Lorenzo river front

Guitar Heroes

Nonprofit puts guitars in future musicians' hands
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