Guitar Heroes

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Damon Danielson remembers listening to the radio, hearing another story about the arts being underfunded in school. 

“Yet a lot of studies show people with a musical background do better in math and science. So I was listening to that story and my thoughts went back to my dear friend, Terry Esau, in MInnesota,” Danielson says.

A lifetime friend and one-time commercial jingle writing partner, Esau is also the co-founder of the non-profit, Free Bikes For Kidz (FB4K). Danielson knew that since 2008 FB4K’s had already given 125,000 bikes to kids in need and is on a trajectory to reach one million by 2027. 

That’s when he heard the music. 

“I asked, ‘Terry, what about doing this for guitars?’” Danielson remembers. “He jumped on it and that’s where the whole thing sort of took off.” 

That “whole thing” is Free Guitars 4 Kids (FG4K), a non-profit that puts instruments directly in the hands of the youth. 

“Last year we gave away 1,078 guitars,” exclaims FG4K Executive Director, Ben Dudley. 

“We have plans this year to give away over 4,000 [combined] with an ultimate goal of giving away 1 million guitars within the next 10 years.” 

While that goal might seem high, the non-profit’s growth is tracking. In just under four years FG4K has partnered with over 20 different non-profits, schools, churches and event programs in 16 states along with the countries of Uganda and Jamaica. 

“I’ve never been involved with an idea that people just seem to get immediately,” Danielson says. “It’s just so wonderful to hear people get excited about things.” 

Danielson should know as he’s no stranger to entrepreneurial startups. 

Now retired, he has spent a lifetime in the tech world. A Santa Cruzan since 1996, Danielson was the co-founder of Zero motorcycles (the world’s first electric motorcycle), VuSpex (virtual inspection software) and OneMusic–the world’s first internet and CD production music library which BMG bought for a 40 times return to stockholders. 

“We’re a generosity organization,” he explains of FG4K. “If we model giving, then we hope others will understand what it means to have something given to them and pay it forward.” 

So how exactly does it work? According to Dudley, it’s pretty simple. 

“If somebody wants guitars, then we want to give them some,” he says. Dudley takes a pause before adding, “No strings attached.” 

As they open in different areas, “sounding boards” are set up as a point of contact between the organization and local kids charities in the area.

“We don’t pick the kids,” Danielson says. “We leave the selection process totally up to our partners [local organizations] because they know the kids that need help.” 

He says on average the children who receive the guitars are anywhere between the ages of 10 and 15. The non-profit also provides valuable resources for recipients and instructors alike. 

“We created a 16 week, 16 lessons over 16 videos course that we’ve uploaded to the website,” explains Dudley. “They are more geared towards instructors but anyone can use them.” 

Many of the guitars donated by the organization are themselves donations. Free Guitars 4 Kids accepts used instruments no longer being played–think grandpa’s dusty Martin sitting in the closet corner. 

However, the organization has also teamed up with guitar manufacturing companies, Gibson and Fender, as a way to get new instruments into the future shredders’ hands as well. The companies not only donate a number of  instruments, but allows the non-profit to purchase them at cost, a deal awarded to few. Dudley also creates frequent Tik Tok videos of himself going into music stores to pick out a new piece to donate. 

Donations, funding and promotion also comes from the most obvious of sources, professional musicians. 

“Artists really love working with us,” Dudley exclaims. 

Jack Johnson, Cory Wong, Grace Bowers and Charlie Worsham are just a few of the names who have collaborated with FG4K. Last year, they teamed up with Christian-pop crossover artist, Amy Grant, to give away two guitars. FG4K.org currently hosts video of one of those recipients, Obediah, busking on the streets of Minneapolis, entertaining tourists and locals with his heavy riffs.

Last December, the organization was featured on Good Morning America, when they teamed up with musician Ron Artis II. The partnership donated 200 guitars to Hawaiian students who lost their instruments in the state’s deadliest wildfires last August. Over 17,000 acres were destroyed on the island of Maui between a period of three days when not one, but four separate fires killed 100 people and destroyed an estimated $5.5 billion in damage. Dry conditions and high winds were blamed for the inferno. 

“It looked like a nuclear bomb had gone off” Danielson says. “Everything’s flattened. It’s unbelievable what these people have gone through.” 

He says when FG4K was there, 800 displaced individuals were still living out of the hotel they were staying at. That’s just one hotel to accommodate the over 10,000 people who were displaced during the disaster. According to a recent NBC News article, 4,961 people are still living in hotel rooms.

“It’s been a very difficult time for families there,” he admits. “Many of them are musical and lost all of their instruments in their houses.” 

Surprisingly, Dudley says the organization received some opposition online from people questioning why they’re donating guitars instead of food or other aid. However, he argues their mission is just as important on a deeper level. 

“That’s the beauty of music,” he says. “It transcends race, it transcends culture, it transcends politics. It’s healing. It’s a necessary part of our lives, it’s not a luxury. It’s a part of who we are as people.” 

Since its founding, FG4K has worked throughout the Bay Area and Silicon Valley, raising funds and distributing instruments to those in need. Although there are no current plans to work with local Santa Cruz organizations, Danielson says he foresees some for possibly later this year. 

“It takes leadership at the local level,” he says. “I’m in Santa Cruz but it takes the right type of team to keep things going. It’s easy to do something once, it’s harder to institutionalize it.” 

Anyone interested in helping but might not have time to spare are encouraged to go to the website and donate whatever monetary value they can. Dudley tells GT every $100 donated equals one guitar in the hands’ of the youth and even the smallest amounts add up. He also highlights the success of social media campaigns and hopes more people will like, follow and share FG4K’s accounts to spread their mission as far as possible. 

Danielson breaks it down nicely. 

“If people are interested and want to get involved we’d be delighted to talk with them,” he says.

County Wants to Save Landlines

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The Santa Cruz County Board of Supervisors on Tuesday approved a resolution denying a request from AT&T to be released from its requirements to provide landline services to Santa Cruz County.

While the resolution—which will be sent to the California Public Utilities Commission (PUC)—carries little official weight, it will likely send a strong message to the PUC, which will make the ultimate decision.

The discussion came in response to a Jan. 22 letter from AT&T to its customers, informing them that the company has submitted an application to the PUC to be removed from its obligation to provide landline services to a large portion of its service territory in California.

AT&T Vice President of External Affairs Tedi Vriheas told the supervisors that the network of traditional copper lines upon which landlines run—as well as DSL service—has gone the way of the steam engine and fax machines.

“AT&T’s copper network is coming to the end of its lifecycle, and it will soon become obsolete,” she said. “It’s very difficult to get parts, and to maintain and to get installers trained and dispatched.”

Moreover, replacement equipment is so hard to get that AT&T has resorted to buying it on websites such as eBay, Vriheas  said.

“We have manufacturers that are no longer producing parts for this network, and it is eventually going to go away,” she said.

Vriheas also pointed out that, for areas with no alternative providers—which covers roughly 1,249 residents in rural mountain communities—AT&T cannot legally end their landline service.

She also said that the move will likely take place over years, not months, to complete.

Still, the company’s announcement has worried residents of rural and mountainous regions, who rely on their landlines for communication during emergencies when their internet goes out with their power.

And AT&T has offered no viable replacement, said Supervisor Zach Friend, who pulled the item off the consent agenda to have a deeper discussion.

“It’s my personal belief that none of the backup systems exist that are adequate yet in order to meet the needs of landline users, in particular rural landline residents throughout Santa Cruz County,” Friend said.

Friend acknowledged that copper lines are a fading technology.

“But in order for it to be phased out, and for people to have the security they need in a landline service, there needs to be proof that there is an adequate and equal backup service, which has so far been shown not to be the case,” he said.

Friend also expressed frustration about the lack of notice from AT&T about their request to end landline services.

“There was no outreach to the county, there was no outreach to elected officials,” he said. “There was no outreach to the community other than the letter.”

Supervisor Manu Koenig said he has heard concerns from many of his constituents, many of whom still rely on their landlines

“Our mountainous region is a very difficult topography to maintain communications,” he said. “Maintaining our proper telephone lines system is essential to make sure that rural residents can get word out and in during these emergency events.”

The issue will return to the Board of Supervisors on Feb. 27, when they will hear an in-depth presentation by AT&T.

Juicy Truth

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The people spoke. From a place of passion. And we listened.

Paraphrasing here, but the message went something like this: “How about a little Burger Week love for Watsonville? We have some good stuff here.”

It was fair feedback. And as it turns out, two of the better burgers I took down in the last six weeks of beefy scouting (see cover story) appear at surprising places in the town once known as Apple City.

Kong’s Burger & Cafe (15 E Beach St #101, Watsonville) tucks into a little mall complex right off City Plaza. There mom and pop Soon Ja and Sang Soon Ahn do bibimbap and teriyaki plates—and an excellent kimchi breakfast burrito—but the burgers are what have earned it cult status. (Longtime locals will remember the original Kong’s Market in Santa Cruz.)

The Kong burger is $6.99, the King Kong $9.99 with a choice of bonus beef, chicken or spicy pork on top. On Soon Ja’s recommendation, I went with the spicy pork.

Paired with the works and a simple and soft bun, it’s fantastic and draws people from as far off as San Jose.

The other stunner also pairs beef and pork, and feels unexpected because it’s a special at a taco shop. The Al Pastor Burger at Tacos Al Fuego (45 Aviation Way, Watsonville)—ground beef with al pastor pork topped with grilled onions, grilled jalapeños, a slice of pineapple, iceberg lettuce, mozzarella, drizzled with secret avocado salsa, salsa roja and a side of fries, $15”—provided spicy, dynamic and textural satisfaction.

So add those to the list, burger believers. Combined with the index in this issue, we’re now up to 61 singular burgers to try.

ADVANCE TO GO

Cavalletta (9067 Soquel Drive, Aptos) has finally opened. Bring on all the local produce, seafood and meats, filtered through an Italian lens, and the big, custom, wood-fired oven and the imported pasta maker. Things to prioritize include Italian chop salads, oven-roasted cauliflower, rock shrimp risotto, and sausage-potato-bechamel pizza, though the menu changes constantly with the seasons. cavallettarestaurant.com

MOSS = BOSS

Let’s officially adopt Moss Landing as a member of the Santa Cruz County family. It’s less than 10 miles from the border and now has a most exciting Monterey Bay fishing development in early planning stages. Dave’s Gourmet Seafood of Watsonville (159 Westridge Drive, Watsonville) is proposing a working cannery right there on the water, next to Sea Harvest Fish Market & Restaurant, in a government building that’s been empty for a half decade. In the meantime Dave’s is doing dynamite canned albacore, salmon, crab, shrimp, sardines, smoked albacore and smoked salmon, available to order online (and pick up or have delivered) and the Aptos Farmers Market at Cabrillo College every Saturday 8am-noon. davesgourmetseafood.com

NIBS AND NUGS

Chaminade Resort and Spa (1 Chaminade Lane, Santa Cruz) in the hills just outside town hosts live music six nights a week, which means tunes plus scenic landscapes plus seasonal cuisine plus drinks from The View, which happens to be participating in Burger Week.…The USDA has OK’d New Leaf Community Markets’ use of EBT SNAP benefits for same day delivery and pickup via Instacart, a win for healthy food access…EcoFarm 2025 is set for Jan. 21-25. More urgently, organizers want to hear from us on what type of workshops the organic farming congregation wants to attend, ecofarm.org…Matisyahu’s appearance at Felton Music Hall (see music story) has me dreaming of in-town options pre-show: The Grove? Empire Grille (another Burger Week participant)? Trout Farm Inn? Casa Nostra? Lots of flavorful choices await.

Steamer Lane Supply

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Fran Grayson says she aspired to own a restaurant from a young age. After working her way through college cooking, her life path took a left turn for a while: she became an iron worker, welder and heavy equipment operator, then founded an industrial arts trade school in Oakland.

Her culinary career got back on track when she moved to Santa Cruz, became a farmer and opened a food truck. After a food event on Westcliff, she was inspired to have a permanent spot there and inquired about some unused space at Lighthouse Field.

She built the restaurant herself eight years ago. Stand-outs include the Dillas, a “pressed flat crispy burrito,” with non-traditional fillings, as well as bowls like salmon poke and sandwiches like Vietnamese-style pulled pork. Tacos, tamales, hot dogs, and grass-fed smash burgers round out the menu, and specialty non-alcoholic beverages like aguas frescas and Turkish coffee.

Open every day from 8am-5:30pm.

Tell me more about your background?

FRAN GRAYSON: It was a long and winding road with many different pursuits of passion. From the cooking to the farming, to operating heavy equipment and working in various trades, I’ve mastered many skills. Steamer Lane Supply is a culmination of these varied endeavors in my life, they all come together here synergistically. It was all a gestation to giving birth to my business baby. As the baby has grown, it’s become part of a family that consists of my incredibly close-knit and devoted team, as well as my customers and the community.

How does your location inspire the business?

FG: Since we are located in a California State Park in a public space adjacent to a world-famous surf break, this drives the business’ ethos and purpose. In terms of the menu, I want the food to be very accessible and approachable, and have something for everyone. It’s of paramount importance to me to keep our food of the utmost quality and consistency, while also keeping it affordable.

698 Westcliff Drive, Santa Cruz, 831-316-5240; steamerlanesc.com

Movin’ It

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All good things come to an end, or so thought Mike S., the 65-year-old surfer whose years of repetitive motion rendered his favorite hobby no longer accessible. Then his wife suggested he try something most of us haven’t yet heard of, at least here in Santa Cruz.  The GYROTONIC® Method is the unusual name given to a form of restorative fitness developed by an athlete in one of the most injury-prone practices known to (wo)man, professional ballet.

 A former principal dancer for the Houston ballet, Romanian-born Juliu Horvath applied his knowledge of the dynamics of motion to designing a routine almost anyone could perform regardless of age or health. Now, more than 40 years later, there are over 3,500 studios offering his trademarked Gyrotonic and Gyrokinesis classes.

Arriving at the studio, I was intrigued by what seemed to resemble Pilates equipment. The word that came up for me was rigid. In truth, I don’t gravitate toward that workout style, but having struggled with my own repetitive motion issues, I stayed open minded. And when I stepped into the cozy space for a session, I soon understood the difference.

Studio owner Aliyah Fragen’s yoga training began in college, and she went on to study Pilates and meditation, working with pioneers like Deepak Chopra, before eventually recognizing the ways training at an advanced level isn’t sustainable. She wanted to offer a method for maintaining fitness without getting hurt.

After discovering Gyrotonic, Aliyah’s passion for this method grew from the piece she saw missing in other disciplines, a three dimensional, spiraling movement method that mimics the natural range of motion.  Gyrotonic exercise focuses on moving the whole body at all times (like dancing), to maintain a mobile spine and pelvis using dynamic breathing patterns.

After earning multiple certifications in the method and running a successful studio in LA for 12 years, she founded her Capitola business in 2022, first borrowing space for her equipment from like-minded neighbors, before expanding to accommodate growing demand.

At closer glance, the rotational discs and weighted pulleys on the Gyrotonic machines are different than the standard Pilates reformer, and I soon learned the experience is anything but rigid. Instead of group work or classes, this training is done individually, and as a result, unique structural imbalances can be detected and corrected.

I watched while Aliyah gracefully demonstrated the linear nature of how most of us move. We sit clutching the wheel as we drive or hunched over our laptops. We bend down and up, and visually driven as we are, walk, run and generally move forward. Yet the body is designed to move on more than one plain. Gyrotonic exercise, as the name would suggest, is based on three dimensional versus linear movement designed to mobilize everything meant to move a body..

Whether from years of poor seated posture, undirected fitness training or using one hand on the driving range, imbalanced use patterns generally catch up with us. This is where Gyrotonic exercise works wonders. Aliyah’s regulars range from a 18-year-old varsity basketball player to a 93-year-old golfer.

And it works! I was happy to hear surfer Mike is back in the water and doing better than he was five years ago.  I loved the balance of fluidity and structure Gyrotonic movement seems to offer. It didn’t feel rigid or tedious, in fact I was surprised at how quickly the time flew by. And I left feeling taller and lighter.

The official Gyrotonic recommendation is two weekly sessions of 55 minutes. This may seem like a splurge, but for those seeking realignment after bad patterning or injury, or for those seeking a more holistic, personal workout it’s both a pleasant experience and a valuable investment.

Learn more at aliyahstudio.com/movement

Robert Fripp and David Singleton Talk Music

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David Singleton is a composer, sound engineer, producer, author and co-founder – with guitarist Robert Fripp – of the record label Discipline Global Mobile (DGM).

Since 2015 Singleton has “reluctantly managed” the innovative band King Crimson and produced numerous projects.

Fripp has collaborated with many artists including Peter Gabriel, Brain Eno, David Bowie, Talking Heads and his wife, singer Toyah Willcox. His own Frippertronics looped-guitar performances were groundbreaking. Singleton and Fripp are now touring as “Englishmen Abroad” speaking about their decades of creativity.

JM: When I heard Robert Fripp was coming to town and not playing guitar I thought, “That’s not fair.” But watching some videos of your speaking engagements together I realized, “This is quite interesting.”

David Singleton: The intensity with which Robert approaches a music concert, you couldn’t add in the talking properly. He used to come out before King Crimson shows to say something but he didn’t engage in difficult questions. He said, “If I go there, that puts my head into that space. And I can’t turn around and be ready for the performance.” So, if you want the Robert Fripp that will tell you stories about the creative world better than anyone, sadly he has to leave the guitar at home.

I love the questions that come out from left field because it’s slightly terrifying! Somebody walks up to the microphone and you have no idea what they’re going to say. In New York someone asked us to talk about the role of silence. I learned very quickly that Robert has a game when there’s a question to which there isn’t an obvious answer, he turns to me and says, “David, what do you think?” So, while I’m making a fool of myself, he has time to think of the perfect answer! Oddly enough, it’s the unlikely questions that produce the most memorable answers! It’s an evening of improvisation.

David Singleton, left, with Robert Fripp

JM: Tell me about your relationship with Robert Fripp.

David Singleton: I first worked with Robert when he sacked his sound engineer halfway through a League of Crafty Guitarists tour. (1989) I was producing a record in a studio that Robert used a lot. He phoned up Tony Arnold who owned that studio, “Do you know anyone who could step in at short notice to help out on the tour?” Tony looked at me and said, “What are you doing in two weeks? Are you free?” I said “Yes.” Knowing nothing about Robert Fripp or King Crimson I flew out and did that tour. Since then, I’ve done just about everything Robert’s done. We got on well.

JM: I was blown away the first time I heard No Pussyfooting (1973) by Robert Fripp and Brian Eno.

David Singleton: The first time I heard No Pussyfooting I told Robert, “This sounds like something someone threw together in an afternoon.” Robert laughed and said, “Actually, it only took us forty-five minutes!” Despite everything, I think our tastes are very similar. Therefore, I’ve found working with Robert very simple.

JM: The music industry is infamously exploitative. And it seems like it’s gotten worse.

David Singleton: Artists and major corporations are often not a happy fit. Obviously, the industry wants a reliable, repeatable product. But that’s not usually what artists want. People often quote Peter Gabriel when he did the solo album with monstrous hits like “Sledgehammer” and the major labels wanted him to do another album that’s going to sell the same. And that really isn’t how artists work. Not true artists.

JM: Robert has said the two of you established DGM in 1992 as, “a solution to inequities of the music industry.”

David Singleton: In DGM, we believe that you have to do the art first and worry about the consequences later. We think, “This is the right album to do” and we keep going until we’ve done whatever this album needs. Generally, we’ve discovered that if you take that approach, the world will support you. You may not get fabulously rich, but generally your fans know when you’ve produced a proper album, made with love. And enough of them will buy it to support you.

After we made the album Thrakattack we were having a meeting with our accountants and they turned to me and said, “What market research did you do before putting out the album Thrakattak?” I’ve always thought it’s a perfect demonstration of the difference between the two approaches. The answer was “None. We made Thrakattak because we both thought it was a fun idea.” (The 1996 album featured a compilation of live improvisations.)

JM: How are you and Robert faring in the digital world? People seem to listen online to single songs and not albums. And musicians tell me they earn .00 something per listen.

David Singleton: We were very, very late comers to Spotify because the model doesn’t make sense financially for artists. Initially we thought, “We refuse to be on Spotify!” And then the gamebook point where I said, “Actually, we need to be on Spotify.” Not for financial reasons. But for King Crimson music to exist for a new generation, it needs to be on Spotify. So, we went there despite the business model.

It used to be that if people would buy even 10,000 or 20,000 CDs, you could make a good living. Now you can have a million listens on Spotify, and not even earn enough to pay back the cost of recording. So, we’ve now flipped to a world where musicians earn their music by playing live. If musicians are relying just on the streaming world, there simply isn’t enough money. On the other hand, I love that you can now access a huge, great music library of most of the recorded music that’s ever existed!

JM: How did your journey in the music world begin?

David Singleton: My voyage is still horribly incomplete! It’s one of the other things we speak about at these Englishmen Abroad talks. I’m probably a very helpful person for frustrated artists in the audience because hiding within me is a very frustrated artist! Really, I’m a composer and songwriter. My earliest memories are when I was about 7 literally having a manuscript paper under my sheets and writing music. I was writing purely piano or classical pieces. And then The Beatles happened in my mid-teens. I’ve dedicated my life to songwriting. That isn’t how I’ve earned my money, hence the frustrated artist. But if you asked me what it is that I get out of bed and want to do: compose! What was I doing just before this call? Arranging a song!

JM: Tell me about your project about the unscrupulous music industry, The Vicar Chronicles

David Singleton: We were working late one night and my inbox was being filled by yet more grotesque happenings in the music industry, some of them involving us. I turned to Robert and said, “Why hasn’t anybody written a who-done-it about the music industry?” Because you don’t have to make the stories up! Robert leaned forward and said, “Because you haven’t written it yet, David.” I took this as a challenge. The project includes a blog, album and three novels about a fictional record producer called The Vicar. The second graphic novel is soon to be released.

JM: What’s most important to you about music?

David Singleton: What fascinates me is the question; what is it about music that makes it so central to so many people’s lives? We’re doing this interview because music has obviously touched you deeply. I think that’s fascinating. I’m always exploring; Where does music come from? How do we bring it into the world? Why does it touch us? And everybody who comes to these talks is probably there because music has touched them very deeply in the core of their existence.

See them at 7:30pm Feb 23 at Kuumbwa Jazz Center, Kuumbwajazz.org.

Listen to this interview with David Singleton on Thursday at noon on Transformation Highway with John Malkin on KZSC 88.1 FM kzsc.org.

Otoboke Beaver an Unhinged Experience

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In the age of instant access, fast streaming and the option to have any style of music from around the globe playing at one’s fingertips, nothing’s shocking. Been there, done that. Seen it all in the 21st Century.

Then comes along a band like Otoboke Beaver, the wild, all-woman, Japanese quartet that combines garage, punk, surf, pop and pure, unadulterated controlled chaos. The result? An intense cacophony that sounds like it should fall apart before it even begins. Instead, Otoboke Beaver creates tightly wound songs that blast through genres and time signatures like a tweaker shuffling Spotify. 

And this Sunday, Feb. 25,  they are bringing their savage sound and stage show to the Catalyst with openers, South Korean punk band Drinking Boys and Girls Choir and Pity Party, a two-piece from Los Angeles.

 Otoboke Beaver’s music draws from manzai, a form of irreverent Japanese comedy, known for its fast-paced jokes, off-beat timing, double-talk and puns.

The evidence is sprinkled throughout their songs and live show.

Tracks like “Leave me alone! No, Stay With Me!”, “What Do You Mean You Have to Talk To Me At This Late Date?” and “Dirty Old Fart Is Waiting For My Reaction” start, stop and flow through a cornucopia of screams, distortion, pop beats, and cute, clean singing in just under a couple minutes.

“Acco brings the band with a phrase, and all members will start to add to it and we work together on it to build up over months of trial and effort,” says guitarist YoYoYoshie.

“Sometimes something isn’t working or is missing, so we leave it to work on another song and come back to it. We may add or take away elements as it evolves. Unused ideas may flow into other songs or elements from another song might be combined into this song. It takes a lot of time and practice.”

Originally founded in Kyoto in 2009, Otoboke Beaver was birthed out of the love for rock ‘n roll by singer Accorinrin and YoYoYoshie. The two met in a rock club while attending Ritsumeikan University, a private–and one of the most prestigious–schools in Japan.

“We played together and at first we leaned to more pop-sounding and catchy beats,” writes YoYoYoshie. “But as we played more we found that we liked it when we played faster and harder.”

Their debut EP dropped in 2011 but it wasn’t until 2016 after they signed to their current label, the British indie Damnably, that they released their first–technical–full-length, Okoshiyasu!! Otoboke Beaver, a compilation of previously released material.

In 2013 bassist, Hirochan, joined after their original bassist left and the current line-up was solidified in 2018 with the inclusion of drummer, Kahokiss.

Two years ago, the mad women dropped their first full-length of new, previously unreleased material, Super Champion. Or, as they lovingly refer to it as, “Season 2,” their first album after quitting their day jobs so they could focus exclusively on music.

Yet, as hardcore as their albums are, Otoboke Beaver’s live show is–somehow–even more deranged. YoYoYoshie’s unhinged onstage antics and stage-diving has landed the band several, temporary, social media bans.

Along with being praised by NPR, Stereogum and The Fader, Rolling Stone called their 2023 South By Southwest (SXSW) performance “both a goddamn riot and tight as hell.”

Still not sold? Then maybe take some advice from Mr. Rock himself, Dave Grohl.

“It’ll blow your mind,” the former Nirvana drummer and current Foo Fighter told Vulture–New York magazine’s entertainment site–in 2021 about Otoboke Beaver’s live show. “It’s the most fucking intense shit you’ve ever seen.”

Otoboke Beaver, punk rock from Kyoto, Japan

A Jewel of a Lion in Winter

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Power is the only fact, bellows an aging Henry II in playwright James Goldman‘s The Lion in Winter, a searing portrait of a scheming royal family. Comparisons with the current US government spring to mind watching these dysfunctional conspirators—the King of England, his imprisoned wife Eleanor, and their three grown sons, each determined to become the next king.

Goldman’s provocative plot in the new Jewel Theatre production is packed solid with lying and cheating from top to bottom. As her dowry, Eleanor of Aquitaine (Julie James) has brought Henry (Lawrence Hecht) half of France. Much time and many children later, Henry, now 50, keeps Eleanor imprisoned, releasing her once a year at Yuletide .

The play opens on Christmas Eve with Henry, determined to appoint an heir before he dies, trying to make peace among his three sons—treacherous Geoffrey (Andrew Davids), military mastermind Richard (Shaun Carroll), and the youngest John (Travis Rynders) who is both the dim bulb of the family and his father’s favorite.

Henry’s new paramore Alais (Michelle Drexler) and her brother the king of France (Andre Amarotico), have joined the household for Christmas. They all rage, at Henry and each other, jockeying for position and favor, while plotting for power.

Yes, it sounds familiar, which is why a play set in the year 1183 feels fresh. Think Succession with a splash of Larry David. Lion offers an engrossing dramatic premise, and Goldman’s play (his adaptation for the film won an Oscar) is outrageously funny when you least expect it. “What shall we hang? The holly or each other?”

This Lion in Winter showcases outstanding visuals. While the Jewel has always excelled at stage decor, I’d call this set by designer Ron Gasparinetti one of the best I’ve seen in the Colligan. Heavy stone walls, towering fireplace, curved stairway into an intimate dressing room, all are convincing and detailed by tapestry and oversized wall hangings below huge wooden rafters. The players are given many locations for intimate plotting, bedding, and lots of Mummy-why-didn’t-you-love-me confessionals.

Each cast member has some solid moments. As always, Shaun Carroll knows how to hold his turf and as Henry’s young love, Michelle Drexler is gorgeous to look at. But the show belongs to Julie James, a glorious Eleanor, clad by B. Modern in gold-trimmed satin and velvet gowns befitting a medieval queen.

James understands exactly what Eleanor has to lose, as well as gain. As the sons each come to seek her counsel, she reassures each of his legacy and his role in undercutting Henry. But as with today’s media, it’s hard to know what to believe. Do these characters all really hate each other, or love each other in some little-visited part of their hearts? The smart script forces us to figure out what even the characters may not know.

Strategies unfold swiftly. James unleashes her superpowers of quick change artistry. She coos sweetly to one son, while betraying him with another. Her invective gives off sparks. Does she mean any of it? Does she hate the king who has abandoned her? Or love him enough to try anything? Hints of Who’s Afraid of Virginia Woolf perfume the verbal battles between Eleanor and Henry. A few whiffs of Camelot as well.

James lets us marvel at the shocking and juicy transformations of the aging queen as she lures each son into striking distance of their father. As webs of intrigue tighten, her Eleanor catches full fire. James’ performance is a triumph.

Director Susan Myer Silton‘s motivations often remain a mystery, especially in the ensemble scenes. But coherence of dialogue is bound to smooth out as the performance run continues. A captivating production. Don’t miss!

The Lion in Winter, by James Goldman
A Jewel Theatre Company production
At the Colligan Theater, through February 25
jeweltheatre.net

The Editor’s Desk

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Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

“If music be the food of love, play on,” wrote some famous guy with a quill. (How did Shakespeare do all that without a computer, anyway, or at least a typewriter?)

We have plenty of love for food and music in this issue.

When I lived in Kansas City there was never a party without at least an hour of debate about which pit restaurant made the best barbecue. It was a topic always guaranteed to spur plenty of conversation.

Based on the volumes of talk on our socials,  Santa Cruz has the same fascination with the not-so-simple hamburger. We’ve taken them far out of the realm of bun-meat-bun fast food into a whole new galaxy, and this is your week to check out the varieties all over town at a fantastic price.

Food writer Mark C. Anderson has done a wonderful job getting the lowdown on what restaurants are cooking up for this favorite meat week.

You can also win gift certificates to sample all of the local candidates. This is almost better than the Iowa caucus.

My phone is blowing out with burger comments and I want to try them all. Keep those suggestions coming.

On the music front, I was enthralled with the fact that Santa Cruz locals flew to Maui to donate guitars to kids who lost everything in the devastating fires there. Some critics thought maybe they should have donated money or food, but see Willy B’s quote above for why guitars are crucial to living a fulfilling life. Check Mat Weir’s article for more info and to see how you can help.

One of the craftiest living guitarists will be in Santa Cruz Friday, only he’s not bringing his guitar. Robert Fripp whose band, King Crimson is so far from anything in the mainstream he might as well be living in a desert, will be talking and answering questions at Kuumbwa Jazz Center. John Malkin’s interview here gives you some insight into the life of a quirky legend unknown to most, but an influence to so many musicians who followed, including Tool, with whom they toured in 2001. (Crimson Trivia: the band opened for the Rolling Stones in Hyde Park, 1969 and Fripp played guitar on David Bowie’s 1977 song “Heroes”.

Thanks for reading.

Brad Kava | Editor

Photo Contest

RED SKY AT NIGHT Fire water at Black’s Beach from October. Photograph by Bethany Clare

Good Idea

Calvary Church is building a permanent labyrinth and native plant garden at the corner of Lincoln and Center streets in Santa Cruz. They are looking for volunteers to help build it.

“Our vision of this project is to provide a place of respite and renewal in the heart of Santa Cruz for downtown residents, workers, and visitors. A 7-circuit, classical labyrinth at the center of a

vibrant and colorful garden on the grounds of Calvary Church will invite visitors to follow its

winding path, relax, and reflect.

For info: calvarysantacruz.org/labyrinth

Good Work

Dignity Health Dominican Hospital is giving $207,942 to community based organizations across Santa Cruz County. They include: Family Services Agency of the Central Coast – Suicide Survivors Outreach Team, $42,942; WomenCARE Cancer Support Services, $35,000; Food, What – Youth Empowerment through Sustainable Agriculture and Culinary Arts

Training, $50,000; Kid Power – Kidpower Teenpower Fullpower, $30,000; Teen Kitchen Project – Medically Tailored Meals Program, $50,000; and The Diversity Center’s’ Health and Wellbeing Initiative,$35,000.

Quote of the Week

“If your dreams don’t scare you they are not big enough.”
Ellen Johnson Sirleaf

Letters

NO ON MEASURE K

I hope that people will not be fooled again and will vote NO on Measure K.  Here is why.

Measure K is a general tax, meaning that the County will use the added revenues (estimated at $10 million annually) for whatever whim the Supervisors want.  The County has no responsibility to actually spend the money on matters the Measure K ballot claims to benefit.

They have learned that people are worried about wildfire protection and want our miserable roads fixed, so they craft the ballot to  claim the sales tax increase would fund that, but have no intention of keeping that promise. 

The Board of Supervisors pulled the same trick in 2018 with Measure G half-cent sales tax increase, claiming nearly the same causes that would be funded…fire, emergency response, road repair….

The 2021-2022 Santa Cruz County Grand Jury investigated the County’s expenditures of the voter-approved Measure G and found the ballot wording was deceitful.   ZERO DOLLARS have been allocated to fund County Fire agencies or other emergency responders.  Money supposedly earmarked for Aptos Village Park vanished, with County staff explaining that $425,000 promise was only a “recommendation”.

Don’t be tricked again.  Vote NO on Measure K.  It’s just another trick to grab your money.

Becky Steinbruner, Aptos

MEASURE M SUPPORT

When political rhetoric gets confusing, follow the money trail. Yes on Measure M is grassroots, funded by locals, teachers, students, nurses, not by wealthy, out-of-town developers. Opponents of M have received tens of thousands from developer interests. 

Opponents want us to believe that requiring 5% more affordable housing will stop developers from building here. They point to San Francisco where affordable housing requirements were recently lowered, but they neglect to mention the three year limit on the SF decision, and the context that led to it.  Development in San Francisco screeched to a halt during the pandemic, when people fled urban centers to places like Santa Cruz- and development here boomed.

If we pass Measure M, residents can decide if they want high-rise buildings downtown or in their neighborhoods.  Otherwise, only four city council members will decide for us.  If Measure M passes, we will get more affordable housing for essential workers; other cities have this same affordable housing ratio so we know it can work.  If M doesn’t pass, the city council will continue to let developers buy their way out of building affordable housing.

Don’t allow the city to sell our future to the highest bidder-vote Yes on M!

K. Durham, Santa Cruz

Guitar Heroes

Nonprofit puts guitars in future musicians' hands

County Wants to Save Landlines

Residents want to remain hooked up

Juicy Truth

The people spoke. From a place of passion ... “How about a little Burger Week love for Watsonville?" ... It was fair feedback. And as it turns out, two of the better burgers...

Steamer Lane Supply

Tacos, tamales, hot dogs, and grass-fed smash burgers round out the menu, and specialty non-alcoholic beverages like aguas frescas and Turkish coffee.

Movin’ It

The GYROTONIC® Method is the unusual name given to a form of restorative fitness developed by an athlete in one of the most injury-prone practices known to (wo)man, professional ballet.

Robert Fripp and David Singleton Talk Music

David Singleton is a composer, sound engineer, producer, author and...has “reluctantly managed” the innovative band King Crimson

Otoboke Beaver an Unhinged Experience

Otoboke Beaver creates tightly wound songs that blast through genres and time signatures like a tweaker shuffling Spotify. 

A Jewel of a Lion in Winter

it sounds familiar, which is why a play set in the year 1183 feels fresh. Think Succession with a splash of Larry David. Lion offers an engrossing dramatic premise, and Goldman's play is outrageously funny when you least expect it.

The Editor’s Desk

“If music be the food of love, play on,” wrote some famous guy with a quill ...We have plenty of love for food and music in this issue.

Letters

Letters to the Editor published every wednesday
NO ON MEASURE K I hope that people will not be fooled again and will vote NO on Measure K.  Here is why. Measure K is a general tax, meaning that the County will use the added revenues (estimated at $10 million annually) for whatever whim the Supervisors want.  The County has no responsibility to actually spend the money on matters...
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