The Editor’s Desk

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

One friend commented recently that she loved Valentineโ€™s Day when she was a kid because teachers made everyone give everyone in the class Valentineโ€™s cards, so she got like 30. Itโ€™s not the same as a grown-up.

Itโ€™s always been a somewhat suspicious holiday, motivated more by Hallmark than genuine feelings. But what could be wrong about celebrating love? We definitely donโ€™t do that enough.

Writer Richard Stockton found an assortment of experts to talk about love for the holiday as our cover story,  and itโ€™s a fun and informative read. What was the best or strangest thing youโ€™ve ever done for Valentineโ€™s Day? Drop us a line and share your story.

If you will miss celebrating on the 14th, there are some great things to do the next day, including Warren Haynes in concert. The peripatetic performer has played with the Allman Brothers, members of the Dead, his band Govโ€™t Muleโ€”and now heโ€™s doing a solo tour. That will be great and kind of historic. Check our article in the A&E section.

The same night you can see Sublime, in the new formation, the Long Beach Dub Allstars,  now that lead singer Bradley Nowell is gone. They are still great.

Looking for gourmet fast food? Who isnโ€™t? If you donโ€™t know about La Bottega del Lago in Live Oak, you should.  Home-made, authentic Italian for those in a hurry and on a budget. Itโ€™s a real plus in the neighborhood, worth driving a long way to.

On the news front, weโ€™ve got some good and some questionable. The good is a cool new club above the Catalyst inspired by the Burning Man culture. Iโ€™ve wondered for a long time why thereโ€™s nothing like that in Santa Cruz, and now there is. All we need now is a drug store below it. And is it true that the mushroom lady is gone?

Speaking of such, thereโ€™s a great talk this Wednesday, Feb11, at Bookshop Santa Cruz by a guy who wrote an investigative book about weed growers and a murder in the Santa Cruz Mountains.

Writes journalist and comedian DNA: โ€˜In A Killing in Cannabis, some of the characters made millions, some made billions and some are not going to be around for the sequel.โ€

I love when our community gets featured in a way that the whole world wants to read.

Finally, on the health and wellness front, writer Elizabeth Borelli introduces us to some naturopathic practitioners who are making a big difference and can really help you.

Thanks for reading, and happy V-Day.

Brad Kava | Editor

PHOTO CONTEST

SUMMER IN WINTER Dancing flames.  Backyard fire pit on a cool January evening. Photograph by Craig Ferguson

GOOD IDEA

The Center for Innovation and Entrepreneurial Development at UCSC has launched the CIED Studio, a new initiative developed with GetVirtual, designed to connect students with community-based projects while supporting local economic resilience. The Studioโ€™s inaugural project is a collaboration with the City of Santa Cruz to support small businesses impacted by the Murray Street Bridge construction in the Lower Seabright and Harbor area.

As part of this effort, CIED students, working with the City of Santa Cruz, developed Explore Seabright & Harbor (exploreseabrightharbor.com), a community-focused website serving as a central hub for local businesses, events, and construction-related updates. The platform will continue to evolve throughout the project, providing an ongoing resource for residents, visitors, and business owners navigating the impacts of the construction.                                                                  

GOOD WORK

This Lunar New Year, the Resource Center for Nonviolence presents an afternoon dedicated to a core tenet of nonviolent social change: building the โ€œBeloved Community.โ€ The event, โ€œEnter the Year of the Fire Horse: Honoring Local Chinese American Legacies,โ€ demonstrates how reclaiming lost histories is essential to creating a just, inclusive, and truthful world. The gathering will be held 3-5pm Saturday, Feb. 21 at 612 Ocean Street.

 Itโ€™s free and open to all and will be livestreamed, featuring Stanford Professor Gordon H. Chang, Flex Kids Culture Executive Director Rui Li, and philanthropist George Ow, Jr.

QUOTE OF THE WEEK

โ€œIn Santa Cruz, you canโ€™t unroll a yoga mat without hitting a relationship professional.โ€ โ€“Richard Stockton

Letters

NEED A RESIDENT SCORECARD

With so many new buildings built, and more planned, I am hoping to get some numbers. How many new units/ homes have been built in the last two years? How many are low-income? How many are market rate? What is the average rent for those? And how many are currently rented? How many are in the city versus the county? What is the occupancy rate of commercial space below many of these buildings? Where is the water coming from to pipe into all these new homes? What number of new housing do we need to hit before we can stop the new building? It seems like we should have a giant tally board telling us how many more high-rise buildings are still on the way. Thank you.

Deb Molina | Santa Cruz

WHOโ€™S TO BLAME FOR POLLUTION?

Well, what would we do if we couldn’t blame the big, bad oil companies for our collapsing climate, as a recent letter writer did (Make climate polluters pay, 2/4/26). It is striking that in these types of letters there is nary a mention of the role we consumers play, which is tantamount to the sort of greenwashing and political hocus-pocus that Big Oil is infamous for.

            If, indeed, we were to really make polluters pay and thus properly account for the natural capital debt we’re accruing, gasoline would be 17 dollars per gallon, the cost of heating and cooling your home and fueling your various toys and devices would have you filing for bankruptcy, and clothing yourself in petroleum-based synthetics might involve some sort of cap-and-trade requirement.

     So, are the oil companies inherently evil, or are the real culprits we consumers, who prop up and perpetuate these industries with our insatiable appetite for fossil fuels? Game knows game. Big Oil and its customers are dysfunctional co-dependents waltzing toward the abyss in a dystopian dance. Best to remember that the planet gets a vote, too.

Tim Rudolph | Santa Cruz

 COMPLAINT ABOUT THE TRAIL W/O RAIL

To Fred Keely:

I want to begin by acknowledging your long record of public service. I voted for you for County Treasurer, and I have appreciated your past statements at RTC meetings supporting rail and its role in Santa Cruz Countyโ€™s transportation future.

That is why I am concerned and disappointed by your recent actions that appear to promote removing the railroad tracks, particularly your leadership in advancing a trail-only approach in Mid-County. Less than four years ago, 73% of voters made it clear they want the tracks preserved for future rail use. Moving toward track removal contradicts that mandate and risks disregarding the will of the voters.

I urge you to change course. Please direct staff to design an affordable trail that allows the rails to remain in place and usable, as was done successfully in Humboldt County and through streetcar-style rail-with-trail designs. Preserving the rail corridor is also essential if Santa Cruz County is to remain competitive for future FRA passenger rail funding.

I respectfully ask you to stand with the voters and help protect the long-term transportation future of our county.

Kevin Kinkor | Santa Cruz


Ballistic New Music

New Music Works unleashes its second concert of the season with a spirited festival of the music of international Santa Cruz-based composer Jon Scoville. We expect the over-the-top from NMW, ditto for Tandy Beal & Company’s long-time music director. But Scovilleana is a blatantly intergalactic multi-media extravaganza. The program includes dance, silent film, chamber music, magic, jazz piano, and embracing it all is Scoville’s incredible jazz-inflected world music. Rare and exciting is the chance to savor surrealist Man Ray’s silent film: Les Mysteres Chateau du dรจ. Scoville’s accompanying score will be performed by the NMW Ensemble conducted by Michael McGushin. Visual shock and awe will be provided by magician Calvin Kai Ku, hoop performer Natasha Kaluza, dancer Micha Scott, former Cirque performer Nathan Tsuji, and guest Artistic Director Tandy Beal. All of these kinesthetic treats will be performed to music by Scoville. For this program legendary jazz pianist Art Lande will create some on the spot improvisations to Scoville tunes.

Also on the all-Scoville program is Mr. Mirรณ’s Saxophone, a seven-movement suite surrounding the mystical genius of painter Joan Mirรณ, commissioned by New Music Works and performed by the MANA Saxophone Quartet. Never a dull moment. Generously sponsored by Larry and Shelly Pearson, this is one show you can’t miss. Scovilleana happens onFebruary 14, 7 p.m., at the UCSC Music Center Recital Hall. The perfect Valentine’s date! newmusicworks.org

Bravo Ensemble Monterey

Last week’s program by this polished chamber ensemble focused on an intriguing cluster of rarely heard works for four and five instruments. Some concerts set the bar high. Ensemble Monterey leaped right over it every bar in sight last week. The artistry of these musicians, who blazed through an unexpected suite of quartets and quintets, was astonishing. All curated to reflect the desire of the players to enjoyโ€”and pushโ€”themselves to the hilt.

Breathing as one, the musicians began with Oboe Quartet op 61 by the English composer Malcolm Arnold (known to me only as the Oscar-winning composer for Bridge on the River Kwai). Modernist jazz themes showcased the effortless chops of oboe maestro Peter Lemberg. The second piece, a Quintet, op.16 by Ruth Gipps broke little new ground but did provide an Adagio movement gorgeously dispatched by Violist Miriam Oddie and a chance for maestra Erica Horn’s clarinet to embroider Lemberg’s silken oboe. In the embracing Messiah Lutheran Church I was able to watch each player carefully. The intimate scale of chamber performance allows for close study of the signature sound and possibilities of each instrument.

Then things got very interesting. A Quartettino by Hungarian savant Rezsล‘ Kรณkai showered the hall with edgy runs, improbable textures and the colors created by clarinet, David Dally’s dazzling violin, viola and the masterful cello of Kristin Garbeff. Bits of Bartok, Strauss and Berg wove through the zesty composition. Incredible excitement for those who like to venture beyond Mozart and Brahms. And finally, a mega-dazzle of instrumentation lit up the Prokofiev Quintet in G minor, op. 39 that pushed every player with descriptive and playful profusion of sonic ideas from the great musical storyteller. It all revolved around the central thunder of Christine Craddock’s epic work on the bass. A hell of a concert and I can’t wait for their next one on March 8th with the voice of Lori Schulman added to the virtuoso instruments.

A Few More Shorts. You can still catch the final two weekends of 8Tens@ at Santa Cruz Actors Theatre, running through February 15 followed by the Best of the Rest staged readings.ย  Out of this year’s 300 submissions, Actors Theatre could only bring 16 plays to full production. So, there will be a bonusโ€”the Best of the Rest staged readings of eight more short plays, February 27 through March 8th. Check these out, see what you think.santacruzactorstheatre.org/tickets

Santa Cruz Baroque Festival Scores Lost Bach

One of the preeminent interpreters of German Baroque Jรถrg Reddin returns to Santa Cruz with two newly discovered and authenticated Bach masterpieces, BWV 1178 and 1179. The Santa Cruz Baroque Festival Concert II will showcase Reddin’s virtuosity as a singer in a candlelight setting featuring a sonic blitz of Baroque vocal works by Handel, Bach, Mozart and other Baroque masters. Saturday, February 21, 7 p.m. at Calvary Episcopal Church, 532 Center St scbaroque.org

This Governor Rules

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To say Warren Haynes wears a lot of creative hats is truly an understatement. Not only was he recruited to play guitar alongside co-founding member Dickey Betts when the Allman Brothers Band reformed in 1989 right up through the bandโ€™s 2014 farewell show, but Haynes found enough time to form jam-band Govโ€™t Mule as a side project in 1994โ€”a group he continues to lead to this day. In addition, heโ€™s hit the road as a part of Phil Lesh and Friends, The Dead and The Last Waltz Tour.

Somehow, the North Carolina native has managed to carve out a solid solo career. After nearly a decade, Haynes pivoted from the group dynamic with last yearโ€™s Million Voices Whisper, his first solo effort since 2015โ€™s Ashes & Dust. Heโ€™s since followed it up with a companion release, The Whisper Sessions, a nine-track collection of stripped-down selections from Million Voices Whisper. Credit the pandemic and a chance for the 65-year-old musician to spend some time contemplating life for these additions to his solo catalog.

โ€œI usually only do a solo record when I feel like Iโ€™ve written a fresh batch of songs that doesnโ€™t sound like Govโ€™t Mule songs but seem to work together and have some sort of intertwining connection,โ€ Haynes said in a recent interview. โ€œI was just writing so much music starting with the COVID-19 lockdown that carried forward. I have a lot of music that I was really excited about recording, so thatโ€™s what led to this [Million Voices Whisper] record.โ€

He added, โ€œI think the common thread seems to be, from a lyrical standpoint, looking at things from a different lens, from a new vantage point, and doing a lot of reflectingโ€”looking at the future and trying to approach life from a new light in a positive way in letting a lot of the baggage from the past go. Musically, I was just kind of exploring some new directions. I think the lyrical approaches on this record are fresh for me as well. I just felt like in a lot of ways, itโ€™s a new chapter and I didnโ€™t want to explore the same themes, subject matters and utilizations that I had explored in the past.โ€

Helping realize Haynesโ€™ vision for Million Voices Whisper are an array of guests, including former Allman Brothers Band bandmate guitarist Derek Trucks, keyboardist John Medeski and Dirty Dozen Brass Band drummer Terence Higgins, along with Last Waltz Anniversary tour mates Lukas Nelson and Jamey Johnson. The album starts off strongly with opener โ€œThese Changes,โ€ a soulful Haynes-Trucks co-write that channels Curtis Mayfield in sentiment and is quickly followed by the snappy Johnson co-write โ€œGo Down Swinging,โ€ a jam co-written by Johnson that gets its juice from crisp horn arrangements that would suit Van Morrison. Elsewhere, โ€œThis Life as We Know Itโ€ is chock full of inspiration and hope while shining the spotlight on the rock-solid vocal accompaniment of touring backup singer Saundra Williams.

A major highlight is โ€œReal, Real Love,โ€ an unfinished song penned by Gregg Allman that Haynes completed with the help of Trucks. The journey for his tune began with photocopied lyrics in Allmanโ€™s handwriting sent to Haynes by former Allmans manager Bert Holman, who asked the guitarist if he remembered working on it with the late Rock and Roll Hall of Famer. While Haynes recalled being shown the song by Allman, he didnโ€™t remember seeing any music for it. After tweaking the lyrics, adding some of his own along with music, Haynes called Trucks to help finish it.

โ€œI got very inspired, called Derek on the phone and told him I just finished this tune Gregg wrote a long time ago and I thought we should record it together,โ€ Haynes said. โ€œI wound up spending three days at Derekโ€™s place in Georgia, just the two of us writing for three days. And then he came into the studio for two days and we got a lot of work done. Itโ€™s the only time I can remember trying to honor someone elseโ€™s songwriting and vocal style to this extent. The song was Greggโ€™s initial inspiration and I wanted to finalize it in as much of a way that he would as possible.โ€

Being a creature of the road, Haynes promises fans his concerts will feature a wide swath of material from his considerable canon, solo material and otherwise, whether heโ€™s doing solo dates (he has 11 such shows scheduled for January, including his stop in Santa Cruz) or with his solo band.

โ€œWe do a lot of stuff from Million Voices Whisper,โ€ he shared. โ€œWe do some songs from each of my solo records. We also do a handful of Govโ€™t Mule songs, a handful of Allman Brothers songs, a handful of choice covers. Itโ€™s different every night, but not to the extent that a Govโ€™t Mule show is different every night. We donโ€™t have as large a repertoire to choose from, but weโ€™re expanding that all the time. People that come out to multiple shows will get a different experience each time.โ€

Haynes is coming off of a busy and interesting 2025. Not only did he play a pair of dates at Madison Square Garden as part of The Brothers, consisting of friends and surviving members of the Allman Brother Bandโ€™s final lineup, but 2025 was also the 30th anniversary of Govโ€™t Muleโ€™s self-titled debut. That album will be re-released with archival unreleased material and unreleased live material featuring the late bassist Allen Woody, a member of the original trio. Haynes also performed shows with Govโ€™t Mule and the Tedeschi Trucks Band. Plus, a remixed and remastered version of his first solo record, 1993โ€™s Tales of Ordinary Madness, is also getting the reissue treatment in the new year.

But what Haynes might most be looking forward to is a live record he cut with his hometown Asheville Symphony Orchestra.

โ€œI recorded it right before COVID-19 and we decided not to put it out during the pandemic because itโ€™s kind of a once-in-a-lifetime retrospective in the way that itโ€™s all live versions of songs from my solo career, Govโ€™t Mule, The Allman Brothers, The Grateful Dead and all different things Iโ€™ve been associated with over the years,โ€ he said.

โ€œIt took a lifetime to put it out, because we didnโ€™t want it to get lost during the COVID-19 madness,โ€ Haynes said. โ€œItโ€™s a really exciting record in the way that there is a lot of improvisation that gets incorporated with the symphony, which is not an easy thing to do. Itโ€™s something I worked at going back to the Garcia Symphonic Celebration (a show celebrating the music of the Grateful Dead). It was really important for me to figure out ways of doing that and we incorporated all those different ways into this recording. Iโ€™m really excited for it to come out.โ€

Warren Haynes plays at 8pm on Feb. 15 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $49.50/$74.50 Gold Circle. riotheatre.com

Mad Drip

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The Pearl fits the name.

Santa Cruzโ€™s newest bar ranks as perhaps its prettiest, nestled in the regal lobby of La Bahia Hotel & Spa (215 Beach St., Santa Cruz), which debuted Sept. 8.

One of four tasting venues designed to deliver distinct experiencesโ€”along with upscale Pacific Rim-inspired High Tide, casual island restaurant Low Tide, and poolside burger-ceviche outpost Plungeโ€”Pearl enjoys a white marble bar, chandeliers, cushy-classy lounge areas, stained glass panels and Spanish-style arches.

Creative AF cocktails at the moment include the likes of a โ€œSeaweed & Sequoiaโ€ and a โ€œSoda & Popcorn.โ€

The flat-out gorgeous whiskey sour ($19) and Elvaโ€™s Julep (Venus Blend No. 1 Gin, rosemary, fig, $23) I tried were a show to see assembled, and divine to sip as slowly as possible to both soak up the subtleties of the drink and the grandeur of the space, while making the $50+ price tag (with tax and tip) feel more worth it.

labahiahotel.com

LOVE FLOATS

The iconic Chardonnay (790 Mariner Park Way, FF Dock, Santa Cruz) sails for Valentine’s starting with onboarding Champagne, complimentary drink tickets, chocolate-dipped strawberries, red velvet cake, raspberry tiramisu and more. The floating non-holiday festivities continue from there, with regular two-hour trips around the bay like โ€œbrewmaster sailsโ€ featuring craft beer and pizza, โ€œwinemaker sails,โ€ Wednesday race evenings, sunset sessions and other open-to-the-public expeditions starting at $77, plus private bookings, chardonnay.com.

MORE SPLASHES

Speaking of love + liquid: Verve Coffee Roasters celebrates V-Day with a new limited-time Raspberry Rose Cold Foam Mocha with rich raspberry-rose cold foam and real dried roses now through mid-month, โ€œSingle? Taken? Itโ€™s complicated? Coffee-committed?โ€ spokesman Tyler Grahame asks. โ€œVerveโ€ฆis celebrating all love,โ€ vervecoffee.comโ€ฆMeanwhile, the Wine Institute, the public policy advocacy group for Golden State wines, offers this: โ€œValentineโ€™s Day doesnโ€™t have to revolve around couples, prix-fixe restaurant dinners or pressure to perform romance. Cook an easy, delicious dinner at home.โ€ Suggestions include Dungeness crab cakes (paired with CA Chardonnay or sparkling), steak au poivre (parlayed with a full-bodied SCM Cabernet or Merlot) and striped bass with braised peppers and saffron aioli (plus a local rosรฉ or Grenache). The kicker: Recipes for those dishes and a bunch more appear at discovercaliforniawines.com/recipes-list.

FLAVOR FLEX

A pair of local creators have earned finalist spots in the2026 Good Food Awardsโ€”and consideration as foodie-friendly Valentineโ€™s giftsโ€”by overcoming brisk competition from 1,200+ entries. Repeat winner Mary Risavi of Wise Goat Organics (instagram.com/wisegoatorganics) is back in the mix with three pickles category contenders, namely her Fiery Fungi Kraut, Kraut-Chi and Purple Carrot Kanji.Nicole Todd and Santa Cruz Cider Company made the finals for her strawberry cider. Better yet, SCCC continues to welcome guests to its production-tasting space (65 Hangar Way, Watsonville) 2-9pm Friday, noon-8pm Saturday and 1-6pm Sunday, with rotating food trucks often parked out front, @santacruzciderco on social for grub options.

SAVORY SHORTIES

Award-winning author, nutritionist and advocate Marion Nestle visits to the Cowell Ranch Hay Barn at UC Santa Cruz 6pm Thursday, Feb. 12, to explore โ€œSustainable Food in the Trump Era,โ€ and you can watch the sold-out presentation live online, thi.ucsc.edu/eventsโ€ฆThank you Surfrider Santa Cruz for heads up that the new deadline to speak out against offshore drilling is Feb. 26, santacruz.surfrider.org/news/opposing-offshore-drilling-round-twoโ€ฆFood-forward art alert: Appetite-arousing collages, paintings and sculptures by Scotts Valley-based artist Christopher Reynolds are now up at downtownโ€™s Minnow Arts (204 Locust St., Santa Cruz), minnowarts.comโ€ฆMarcel Proust: โ€œLove is space and time measured by the heart.โ€

Mangia Market

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La Bottega del Lago is described by co-owner Lindsay Rodriguez as a quick-service New York/Italian-vibed market and deli located in a welcome area of Live Oak. It is an extension of the popular restaurant Lago di Como, also owned by Matteo Robecchi and Giovanni Spanu.

 Lindsay was born and raised in the Bay Area and landed in Santa Cruz, her favorite childhood vacation spot. She fell in love with the restaurant industry during college in San Francisco, calling it her comfort zone and a great way to integrate into a culture.

 Opened in 2024, Bottega offers handmade pastas, sauces and assorted culinary items along with hot prepared food for grab-and-go or on-site. The scratch-made lasagna is one menu headliner, as are the gluten-free, juicy and tender pork/beef meatballs.

A sandwich favorite is the Goloso, packed with mortadella (a buttery high-end bologna with chunks of pistachio), stracciatella cheese and homemade pistachio pesto. They also have focaccia-style pizzas by the square slice with meat and veggie options and high-quality, intentionally curated grocery items and charcuterie selections.  Yes, they have real Italian espresso, homemade tiramisu, filled-to-order cannoli and gelato.

What inspires you about Bottegaโ€™s location?

LINDSAY RODRIGUEZ: Between the Santa Cruz Harbor and Pleasure Point is kind of a food island with not many options for fresh, high-quality food. We use real ingredients and offer quickly-served food that is made from scratch and with artisanal care. We really feel like there is a need for this in the Live Oak community. And our location also gets great sun exposure all day and is right near the popular Sunny Cove beach, so our grab-and-go options make for a perfect fit.

What are some of Bottegaโ€™s specialty items?

We are one of the few places where customers can buy fresh, handmade and not-dried pasta. We utilize non-GMO imported Italian flour, which also sets us apart, not only for our pastas but also for our pizza dough. And we also have other hard-to-find Italian items like guanciale, high-end extra-virgin olive oils, aged balsamic vinegars, preserved high-quality canned fish and organic Nutella, Italian cookies and luxury Amarena cherries.

1701 Portola Drive, Santa Cruz, 831-515-7129; labottegadellago.com

Above the Cat

Two months after a soft opening on Halloween weekend, Cat Alley Street, a new upstairs club above the Catalyst in downtown Santa Cruz, is already drawing crowds seeking late-night music with live DJs, dancing and something a little more inclusive of Santa Cruzโ€™s diverse musical culture.

โ€œThereโ€™s a demand for late-night spaces that feel welcoming, artistic, and a little bit magical,โ€ says Brian Pridham, co-owner and creative visionary for the new music venue.

โ€œThe way we dress, the way the lounge looks โ€” itโ€™s meant to feel like a swanky nightclub,โ€ Pridham says. โ€œBut โ€˜swankyโ€™ doesnโ€™t mean exclusive. It means intentional.โ€

Its arrival comes at a pivotal moment. The building housing the Catalyst Nightclub on the ground floor โ€” a cornerstone of the cityโ€™s live-music scene โ€” was recently sold to developers, leaving the clubโ€™s future uncertain. The vision for Cat Alley Street was inspired by the local arts scene and the creatorsโ€™ connections to Burning Man. Pridham, a longtime Santa Cruz resident, is perhaps best known for creating SnarkleFarkleโ€™s Lounge at UnSCruz โ€” a popular installation celebrated for creativity, playful energy and radical inclusion. That same spirit informs the upstairs club.

About opening a new club with the buildingโ€™s current three-year lease ending in 2028, Pridham says the team is focused on making a name for itself. Picking up and setting up at a new venue doesnโ€™t ruffle his festival feathers.

A narrow stairway leads up to Cat Alley Street, where guests enter a lounge area that opens onto the dance floor. The club retains a cozy, warm vibe with 1920s speakeasy dรฉcor and subdued lighting drenched in red, giving it a steampunk vampiresque atmosphere.

Red velour couches are spread throughout, giving patrons intimate, comfortable nooks to enjoy a cocktail or mocktail. Recently, during the monthly goth and industrial vampire-themed night called Bite Me, a guest artist took the dance floor to showcase sword-balancing and belly dance skills as the crowd made room to watch the performance. The DJ spins on the same level as the dance floor, and from upstairs, patrons have a clear view down onto the Catalyst entrance, stage, and kitchen below.

Food and drinks will soon complement the experience. โ€œWe will be re-opening the kitchen for the first time in five years, and the famous pizza slices will be back,โ€ says Pridham.

Guests will be able to order pizza by the slice and mocktails either at the Cat Alley bar or downstairs at the Catalyst and carry them upstairs. Additional menu items are expected to follow in the near future.

While discovering the venue this past Thursday, I happened upon the monthly goth and industrial-themed event. I overheard two women at the bar ordering drinks and expressing their excitement about the new venue and its vibe. โ€œDo you want to go sit on a comfy couch?โ€ Annalisa asked. โ€œThis feels like my house,โ€ replied Katie.

The women, Annalisa Consani, 27, and Katie Clawson, 28, had stumbled upon the club after seeing a sandwich board on Pacific Avenue. โ€œI love dark wave and all things goth,โ€ Clawson said. โ€œItโ€™s really nice because a lot of clubs are targeted toward a younger college-age crowd. There isnโ€™t really a place for people in their late 20s and 30s to hang out.โ€

Filling that gap was part of what inspired the project โ€” but the creators say the clubโ€™s mission extends beyond any single age or scene. โ€œWe want people of all ages to feel welcome,โ€ said co-owner Sean Ahearn. โ€œItโ€™s very much in the Burning Man spirit โ€” radical inclusion. Everyone belongs.โ€

The 150-capacity venue is open Thursday through Sunday from 6 p.m. to 1:30 a.m., with no cover on most nights and occasional ticketed events. Since opening, Cat Alley Street has hosted dozens of DJs from Santa Cruz and the Bay Area and sold out its New Yearโ€™s event.

Programming typically centers on house and techno, but themed nights play a growing role in the calendar. The monthly goth and industrial night has become a draw, while other pop-ups have featured tattoo artists, makeup vendors, and old-fashioned photography shoots in the clubโ€™s second lounge area, to the right of the bar, with windows overlooking Pacific Avenue below. Future plans include 1920s-inspired jazz, immersive costume-themed evenings, and other creative events designed to encourage attendees to dress up and explore different eras and styles.

The Catalystโ€™s long-term future looms over Cat Alley Street. Last month, the building was sold to GSH Ventures. The 800-capacity venue continues under its current lease through 2028, but it remains unclear whether it will be preserved, demolished or rebuilt.

โ€œWe donโ€™t know what will happen, but weโ€™re hopeful,โ€ Ahearn said. The creators say they plan to work collaboratively with the new ownership to preserve the Catalyst as a live music venue, citing its cultural significance to Santa Cruz and beyond.

For now, the focus remains on community and creative energy. Santa Cruz has always had a strong creative pulse โ€” from ecstatic dance and burlesque to forest raves and live music. The new owners and creative team want to create a spot that is โ€œso Santa Cruz,โ€ says Pridham.

Upcoming events, like Love Potion on Valentineโ€™s Day and PLUR Royale on March 14 โ€” featuring DJ Dan and Donald Glaude in the Catalyst Atrium โ€” showcase the clubโ€™s ongoing commitment to music, performance, and playful experimentation. Even amid uncertainty about the building below, Cat Alley Street invites the community to gather, dress up, and dance upstairs in the heart of downtown Santa Cruz.


Weedzilla

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Bookshop Santa Cruzโ€™s excellent author programming brings another literal bang-banger with investigative journalist Scott Eden, and his latest, A Killing in Cannabis: A True Story of Love, Murder, and California Weed.

Deep in the mountains of Santa Cruz, there is, and always has been, gigantic movers and dubious shakers who worked inside the world of the marijuana industry. The shadowy realm of gangs, cartels, mafia, and Silicon Valley investors who were looking for their next windfall of cash often operated on the off-road acres of Boulder Creek, and tilled the rich, soiled peak of the Summit.

These growers, laborers, harvesters, and trimmigrants were skirting the law, and maintaining their clandestine and covert activities, until one of them was brutally kidnapped and murdered. He was a high-rolling Silicon Valley entrepreneur named Tushar Atre.

Author Scott Eden was working for ESPN Magazine when his editor got a job at Ink Magazine, a business publication that writes about entrepreneurs. While scouring through crime stories, the Tushar Atre case was uncovered and handed off to Eden.

โ€œI just started making phone calls and kind of knew instantly that it was a much bigger story than just a murder case,โ€ says Eden from his home on the East Coast.  โ€œIt opened up this door into the cannabis business and the transition from the medical marijuana era to recreational legalization and just the chaos that it created.โ€

The way Eden lays out the book, each chapter introduces yet another colorful character that could have easily been the one who murdered Atre. Making the read like a cannabis crime thriller and like a stoned Agatha Christie mystery. It is not until the final pages that you know, for sure, who committed the ghastly transgression. The book is a page turner, and if you are familiar with the mountains of Santa Cruz, it becomes a grizzly roadmap, leading to the inevitable murder of Atre. 

Atre comes across as a bipolar wannabe billionaire whose extremes are sky-high and depressingly low. But the bubbling enthusiasm that entrepreneur Tushar Atre brings to relationships and intense interest in the marijuana game is evident. Unfortunately, Atre’s Achilles heel is that he treats everyone, eventually, like trash. He is a monster who is not at all in control of his emotional regulation. A regular Weedzilla.

Eden found Atre a sympathetic character. โ€œYes, I did. In a way, he was like a typical, prototypical Silicon Valley product. A guy who has spent his career in that ethos of disruption. A kind of tyrannical boss that Silicon Valley is famous for. Someone with an aggressive profit motive, and who didn’t treat his employees well at all. But on the other hand, he was also coming from the straight world. Sure, there is an edginess to Silicon Valley. He had that in him too. But he was also a stranger in a strange land when he was getting into weed. He has two sides to his ambitions. A kind of bright side and a dark side. And I think that is typical of where we are, especially in that part of the world in Silicon Valley,โ€ says Eden. 

In A Killing in Cannabis, some of the characters made millions, some made billions and some are not going to be around for the sequel. Through the 400-page non-fiction novel, Eden doesnโ€™t make moral judgements; he lets the characters breathe and find root. โ€œI begrudge no one of anything. It’s the American way. There is an anti-capitalist notion to the old-style growers, who were kind of snubbing their nose at the straight world by getting into this business. But profit motive takes over even there, I think,โ€ Eden says.

Itโ€™s impossible to say what drives anyoneโ€™s ambitions. Itโ€™s easy to make educated guesses from the sidelines, but when all is said and done, itโ€™s individual choices that determine futures. Without giving anything away, for Atre, his demise was living a very Santa Cruz lifestyle of going with the flow. But ultimately not understanding that the undertow will drag even the best, and richest, swimmers to the murky bottom.

Eden Scott will be appearing on Wednesday February 11, at Bookshop Santa Cruz, 1520 Pacific Avenue, Santa Cruz. The forum will be hosted by one of the previous editors of Good Times, Steve Palopoli. Admission is free.

Wetlands Day

The City of Watsonville and Watsonville Wetlands Watch will host the annual World Wetlands Day celebration on Saturday from 9:30am to 1pm along Struve Slough.

The family-friendly event includes a habitat restoration project, educational activities and music.

Volunteers can help install thousands of native plants along Struve Slough as a part of the Middle Struve Slough habitat restoration and water quality improvement projects, funded by the Ocean Protection Council and the Habitat Conservation Fund, said WWW Development and Communications Director Brooke Sampson.

World Wetlands Day is celebrated annually to raise global awareness about the role of wetlands. The theme of 2025 is โ€œWetlands for our common futureโ€.

โ€œCoastal wetlands are among the most biologically diverse places on Earth and are on the front lines of climate change, protecting communities from flooding and sea-level rise and buffering them during coastal storms,โ€ said WWW Executive Director Jonathon Pilch. โ€œWetlands also capture and store rainwater and recharge aquifers, and their vegetation filters pollutants.โ€

There are six interlinked sloughs in Watsonville comprising about 800 acres. They are one of the largest remaining freshwater wetlands in the California coastal region. The Slough System supports more than 270 species of resident and migratory birds, and 23 native plants and animals that are listed as state and federally threatened, endangered, or species of special concern, according to the WWW.

โ€œWatsonvilleโ€™s World Wetlands Day annual celebration is a tremendous day for wetlands conservation, community building, and climate action in Watsonville,โ€ Pilch said. โ€œThis work is having a major impact for local wetlands and climate resiliency in the Pajaro Valley at a time when the need for this work has never been greater.โ€

Event registration begins at 9:30am by the butterfly statue near the Struve Slough trailhead, next to Watsonville Square (Nob Hill) Shopping Center, 1934 Main St. For information about the World Wetlands Day event or Watsonville Wetland Watchโ€™s restoration efforts, visit watsonvillewetlandswatch.org.


NATURE FIRST Various local groups plant trees along upper Struve Slough in November. PHOTO: Tarmo Hannula

More Than Ever

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Some health problems are refreshingly straightforward. A cavity? Head to the dentist. A broken finger? A quick trip to the ER sends you out with a cast, an ice pack, and an eye-catching wave. But then there are the issues that refuse to follow a simple script. Theyโ€™re common, disruptive, and somehow immune to prescriptive solutions. Despite all the marvels of modern medicine, chronic conditions like migraines result in the same routine: pop a pill, wait it out, and cross your fingers.

Then there are issues like fibromyalgia, where the pain is real but the answers are not. Characterized by widespread body pain, sleep disruption, and brain fog, this common condition has no single test, no clear cause, and no definitive treatment. Injury, infection, or prolonged stress may play a role, but for many people, the diagnosis comes with more questions than clarity. And sometimes those questions are directed at the patient, about whether the problem is all in their head.

If trying to keep up with changing health guidelines, conflicting headlines, and a flood of wellness advice online is enough to make your head spin, youโ€™re not alone. Add shifting CDC recommendations, political polarization around public health, and a healthcare system stretched thin, and itโ€™s no wonder many people feel confused, let down, and increasingly disconnected from their most valuable resource, their own inner wisdom.

This is where integrative medicine steps in.

Integrative medicine isnโ€™t โ€œalternative.โ€ Itโ€™s not antiโ€“Western medicine or anti-science. At its core, integrative medicine blends the best of modern medical care with time-tested approaches. Nutrition, movement, mind-body practices, and relationship-centered care are tailored to the individual. It asks a simple but radical question: What does this person need right now to heal?

Santa Cruz has long been a hub for this kind of thinking, and three local practitioners exemplify why integrative medicine feels especially relevant today.

Elizabeth Esalen, The Lotus Collaborative

Elizabeth Esalenโ€™s work sits at the intersection of trauma recovery, mental health, and embodiment. Founder of The Lotus Collaborative, Esalen created her practice after navigating her own recovery from an eating disorder and PTSD, experiences that revealed the limits of traditional talk therapy alone.

โ€œThe body holds what the mind canโ€™t always articulate,โ€ she says. Lotus was founded to address exactly that gap, integrating skill-based and body-based practices into mental health care. Meditation, yoga, breathwork, and mindfulness are not add-ons here; theyโ€™re central tools for healing trauma stored in the nervous system.

The lotus flower, growing through mud toward the light, serves as both metaphor and mission. Healing, Esalen emphasizes, is non-linear and deeply personal. Lotus operates as a collaborative model, where clients actively participate in shaping their recovery path, supported by a multidisciplinary team.

Esalen also brings decades of experience, having founded an eating disorder treatment center more than 15 years ago. Her approach prioritizes both staff well-being and client care, recognizing that sustainable healing requires healthy systems, not just individual effort. In a time when burnout and disembodiment are widespread, her work reminds us that reclaiming a sense of sovereignty over our bodies is foundational to wellness.

Dr. Aimee Shunney, Santa Cruz Integrative Medicine

Dr. Aimee Shunney has been practicing integrative medicine long before it became a buzzword. A naturopathic doctor with 25 years of experience, Shunney co-owns Santa Cruz Integrative Medicine with Dr. Rachel Abrams and acupuncturist Dr. Adriana Gonzalez, a cooperative model that reflects their philosophy.

Shunneyโ€™s path began with frustration. In her early 20s, working in inpatient treatment facilities for traumatized teens, she saw a system heavy on medication and light on humanity, with no time outdoors, poor nutrition, little attention to root causes. Searching for something better, she discovered naturopathic medicine in a Portland bookstore in the 1990s.

What drew her in was the โ€œboth/andโ€ approach: the same rigorous training in anatomy and diagnostics as conventional medicine, paired with nutrition, lifestyle counseling, herbal medicine, and prevention. โ€œWhy wouldnโ€™t you want all of it?โ€ she asks.

Over the years, Shunney has watched integrative practices move into the mainstream. Probiotics once dismissed are now recommended by gastroenterologists. Diet, a topic long considered irrelevant by some specialists, is finally part of the conversation.

Still, she sees growing confusion as patients arrive overwhelmed by online information and conflicting guidance from authorities. Integrative practitioners, she believes, can serve as translators, helping patients discern whatโ€™s appropriate, safe, and individualized. โ€œItโ€™s not either/or,โ€ she says. โ€œItโ€™s asking what combination of tools makes sense for this person at this time.โ€

Dr. Rachel Hollander, Hollander Holistic Health

Dr. Rachel Hollanderโ€™s work focuses on patients who often fall through the cracks of conventional medicine, those with chronic pain, fatigue, long COVID, and other symptoms that donโ€™t show up neatly on tests.

A former family physician in Aptos, Hollander saw firsthand how 40 percent of patient complaints were rooted in mind-body interactions, yet were rarely addressed due to time constraints and limited training. Many of her current patients come to her after years of specialist visits without answers.

Now practicing virtually through Hollander Holistic Health, she offers one-hour sessions that integrate health coaching, brain retraining, pain reprocessing therapy, and emotional awareness. Her approach reframes chronic symptoms not as imagined, but as real experiences driven by nervous system patterns often shaped by stress or early childhood adversity.

Hollanderโ€™s work is also personal. After developing debilitating repetitive motion pain herself, she avoided surgery by discovering mind-body medicine. That recovery reshaped her understanding of healing and her practice, which now serves patients nationwide.

In a world where healthcare feels increasingly confusing and fragmented, integrative medicine offers something more comprehensive. In Santa Cruz, these practitioners remind us that healing isnโ€™t about choosing sides, itโ€™s about reconnecting the dots between mind, body, and spirit.

And in moments like this, that reconnection may be the medicine we need most.

To learn more about the work of these local expert practitioners or to schedule a consultation, visit:

Dr. Aimee Shunney, www.drshunney.com

Dr. Rachel Hollander, Hollander Holistic Health, www.hollanderholistichealth.com

Liz Esalen, The Lotus Collaborative, www.thelotuscollaborative.com

Elizabeth Borelli is a Mediterranean Diet and Lifestyle expert, teaching regular workshops and hosting events. Learn more at www.ElizabethBorelli.com.

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