Stockwell’s 2018 Cabernet Sauvignon Unleashes a Full, Dry Finish

“A swirl of this deep-garnet red wine produces a warm, comforting perfume of dark chocolate and sun-soaked red fruits,” says Eric Stockwell, Stockwell Cellars’ owner and winemaker. He’s talking about his fine 2018 Bates Vineyard Cabernet Sauvignon ($45), a beautiful vino that will impress every Cab lover. With its “chewy blend of sugar plum, blackberry and graphite, and a full, dry finish,” Stockwell suggests that this remarkable wine can be enjoyed now or aged to refine its well-balanced and sophisticated character further. Here’s a glorious red with classic aromas of black currant, cedar, coffee and a smidgeon of tobacco.

When my husband and I visited Stockwell Cellars recently, Eric and his wife, Suzanne Zeber-Stockwell, greeted us warmly. Their tasting room is a super-friendly spot to hang out—with lots of merch to browse through as you’re sipping on your wine. A couple on the newly vamped-up outdoor patio happily drank their way through quite a large flight. They remarked that it’s a great way to spend an afternoon. And, yes, it is!

Stockwell holds all kinds of fun events, including ones with food trucks. Friday, Oct.14, features the Depot Boys, a local six-member band. Delicious food is Venezuelan by Pana Food Truck—serving up a fine array of arepas and plantains. From 5:30-8:30pm, you had better get your dance shoes out!

Stockwell Cellars, 1100 Fair Ave., Santa Cruz, 831-818-9075; stockwellcellars.com.

Planeta Rosé

I have been enjoying Rosé all summer, but the Sicilian 2020 Planeta Rosé will take you well into fall. With its aromas of flowers, strawberry and pomegranate, it’s delightful sipping wine—with an easy-off screw cap. Made from the local native grape Nero d’Avola, which in Sicily thrives well, this lovely organic Rosé is blended with Syrah. It is available for around $17. So, if you’re not heading to Sicily anytime soon, this wine is almost guaranteed to transport you there.

The Cook House Sticks to Breakfast Classics

Carol Chandler was born in Chicago, but raised in Capitola, and has always appreciated its community-oriented feel. Forty-five years ago, she took a summer job in town as a server at the Cook House while she attended college. Chandler eventually began working there full-time, and bought the place from the previous owner. Even though she was only 24 then, she already knew enough to run the business successfully. She also had the pedigree; her parents had owned a restaurant. Chandler defines the Cook House as a local favorite that serves traditional all-American breakfasts. Known for omelets like the Popeye with spinach, onions and cheese, as well as thick-cut bacon and multiple fresh fruit options, breakfast is served all day, along with classic lunch items like burgers, patty melts and club sandwiches. The Cook House is open every day, 7am-2:15pm. GT asked Chandler about buying the restaurant and her parents’ reaction to the news. 

What was it like owning a restaurant at such a young age?

CAROL CHANDLER: It was an accidental career, becoming a restaurant owner. I had no idea it would take the amount of hours that it has, but it all worked out really well for me. It is nice to be in a small community because we get a lot of support from visitors and locals alike. And this career also allowed me to work, own a business and still have time for my family. I feel lucky I was able to have this life. 

How did your parents react?

With them having already been in the restaurant business and knowing the challenges of ownership, when I bought it they said, “Didn’t we teach you anything? Don’t you know better?” And I said, “Yes, you taught me the restaurant business.” They have supported my decision ever since. Sometimes when you plan for something, it doesn’t work out as well as this has. The day the previous owner told me he was going to sell, I already decided that I needed to make a change. And then, the change presented itself, and I have no regrets. 

The Cook House, 706 Capitola Ave, Capitola, 831-476-5519; thecookhouse.business.site.    

Todd Parker’s Bookie’s Pizza is Next Level

After Pizza My Heart slices, wild boar sausage pizza at Le Busola in Florence, the thin biancas in Rome, Pizzaria Avanti, Bantam and Mentone, I thought I knew pizza. But nope, Todd Parker over at Sante Adairius—whipping up miracles in his in-house pie palace Bookie’s Pizza—has shown me a whole new world of pizza. Thick, fresh from the oven, topped with imaginative flavors that only Parker can conjure, this was world-changing, almost uncategorizable pizza. Before I get to that, let’s admire Parker’s Caesar salad ($12). Utterly sexy and light as a feather, the tiers of flavor permeated every forkful. It’s made with kale and chicories, so instead of plain vanilla romaine versions (good on crunch, negative on flavor), you get a tang from the start. Feathered into a chiffonade of micro-ribbons, the chicories and kale have been tossed into another dimension. The dressing is addictive—salty, sour, sweet and refreshing rather than overwhelming. The basic anchovy, lemon and olive oil dressing has been pushed further with Parker’s use of black garlic, preserved lemon and fish sauce. All this thick lusciousness is topped with tiny croutons “made from our pizza dough,” Parker revealed, “fried in butter and olive oil, finished with grated parmesan.” I could eat this salad for breakfast, lunch and dinner.

Definitely a handful, Bookie’s pizza is too thick to actually cut neatly with a standard knife. It has to be torn and grabbed with both hands before eating. Fabulous, custom-cooked, inventive flavors. We wolfed down half of the mushroom and nettle pie ($24), decorated with a gossamer grating of parmesan, plus slices of preserved lemon and tiny purple (agapanthus?) flowers. The order gives you and a hungry partner more than enough to consume with one of the outstanding seasonal house ales. I went for a half-pint Fairy Ring IPA ($5), a burnished caramel brew that romanced the pizza exactly as Parker intended.

The high key flavors of his cooking—ablaze with locally sourced, organic and foraged ingredients and the economical brilliance of his flavor pairings—make me want this chef to ultimately unwind fully in his own kitchen. His Manresa and Bad Animal background in fine dining stylings inflects every dish he makes at this high-octane ale house. Bookie’s Pizza pies are made to partner with fine beers. So get on over to Sante Adairius for serious flavors (in food and brews) in a seriously welcoming spot.

Bookie’s Pizza (inside Sante Adairius) 1315 Water St., Santa Cruz. noon-9pm; Friday and Saturday, noon-10pm. bookiespizza.com.

’STOCK MARKET

Rootstock Santa Cruz, an afternoon celebrating local wines at the Santa Cruz Museum of Art and History, is where you need to be on Saturday November 5. The afternoon starts at 1pm with an in-depth panel presentation about regional terroir and winemaking craft featuring guest vintners and key players in Santa Cruz Mountain winemaking. Moderated by John Locke of Birichino, the panel includes John Bargetto (Bargetto Winery), Barry Jackson (Equinox Winery), Prudy Foxx (Foxx Viticulture), Jeffrey Patterson (Mount Eden Vineyards), David Amadia (Ridge Vineyards), Jeff Emery (Santa Cruz Mountain Vineyard). The discussion will be followed by a grand tasting at 2:30pm, with participating wineries ranging from Aptos Vineyard and Bonny Doon Vineyard to Ridge Vineyards and Storrs Winery, with a dozen others, as well. A rare and wide-ranging tasting occasion, deepened by the opening panel by winemaker experts, the tickets for history panel, private samplings and tasting are $150. Tasting alone is $75. A commemorative wine glass comes with every ticket, and all proceeds benefit the ongoing work of MAH. You can never know enough about our exceptional locally made wines, and believe me, you can never enjoy enough samplings across our many wineries. 

For details and tickets, visit santacruzmah.org/rootstock.

Jimmy Dutra Faces Sexual Assault Lawsuit

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A man has filed a civil lawsuit in Santa Cruz County Superior Court, claiming that 4th District Supervisorial candidate Jimmy Dutra molested him when he was 12.

A case management conference is scheduled for Feb. 3.

The Weeklys newsgroup typically does not name victims in stories involving allegations of sexual assault. But in this case, Stephen Siefke, now 29, has released a statement through his attorney Dana Scruggs detailing his claims.

In a prepared statement, Dutra denied the allegations.

“It is completely disappointing in today’s age of politics that people are reverting to such unbelievable and appalling tactics,” he stated. “These accusations are baseless and made solely to tarnish my reputation and campaign.”

Siefke says that his family was friends with Dutra’s when, in 2005, he went on a vacation to Southern California—where Dutra was living—to visit Disneyland.

On the night in question, Siefke says his parents had gone to sleep, and he was sleeping on an air mattress in the living room. Late that night, Dutra returned home with a friend and sat on a couch a short distance from the mattress. Dutra later joined Siefke on the mattress, according to the statement.

“He proceeded to unzip my pants, place his hands inside my underwear, and fondle me sexually,” Siefke wrote.

He says he was horrified and rolled over away from Dutra, who then left the mattress and returned to the couch.

Siefke says that he told nobody about the incident for years out of shame and embarrassment.

“It was not until I was in high school that I first disclosed to my mother what had happened,” he said.

Siefke says his parents reported the incident to law enforcement officials in the Los Angeles area. But he says he was too ashamed to speak with the police.

Siefke returned to Santa Cruz County within the past two years.

Siefke says he was motivated to come forward publicly when he learned Dutra was running for Supervisor, and was working as a middle school teacher with the Pajaro Valley Unified School District.

He says he came forth to “both to heal myself, to protect other children from Jimmy Dutra, and to ensure that Jimmy is not elected to the Board of Supervisors.”

Dutra questions the timing of the lawsuit. Early voting for the Nov. 8 election begins next week. 

“We have grown accustomed to this type of nasty behavior in national politics, but this takes politics to a whole new low in our local community,” he stated. “Let’s remember that how we campaign will determine how we govern, and I choose to run a clean positive campaign on the issues, not dirty politics. We put ourselves out there to serve our communities and I look forward to continuing to serve, which has always been my inspiration for running.”

Siefke deferred a request for comment to Scruggs, who said that his client does not support any political candidate and is not interested in the upcoming election.

“Stephen was very concerned when he came back to Santa Cruz in the last year or so, and realized what Mr. Dutra’s position was in the county as a former City Councilman,” Scruggs says. “There is no question that Mr. Dutra’s yard sign was a motivator for him to do something.”

In the lawsuit, filed on Oct. 5, Siefke is seeking punitive damages for the emotional distress he said was caused by the incident.

Scruggs did not say how much money Siefke is seeking, but he says that seeking financial damages in cases like this is often the only way to hold perpetrators accountable.

Currently in his second stint on the Watsonville City Council, Dutra is regarded in local political circles as the front-runner for the 4th District seat in the upcoming election after receiving the lion’s share of the votes in the June 7 Primary—he fell a few percentage points from winning the seat outright. 

He is facing off against former Watsonville City Councilman Felipe Hernandez—currently a member of the Cabrillo College Governing Board—for the right to replace current supervisor Greg Caput, who earlier this year announced he would not seek his fourth term.

The PVUSD first hired Dutra to teach classes at Pajaro Middle School in 2019. He has since moved over to Lakeview Middle School, where he serves as a teacher in the after-school program.

PVUSD spokeswoman Alicia Jimenez said the district cannot comment on the case, as it involves a personnel matter. But she said the matter has been referred to the Human Resources department, which will take “the appropriate next steps.”

“PVUSD holds our students’ safety as the highest priority and takes actions on such allegations immediately,” the district said in a brief statement.

Dutra first entered local politics in 2014. He ran unsuccessfully for 4th District Supervisor, but months after his defeat in the primary that year he was elected to the Watsonville City Council. 

He ran again for Supervisor in 2018 but finished runner-up behind Caput. 

He returned to the city council in 2020 and served as mayor in 2021.

He was the first candidate to announce his bid for the 4th District seat this year, and to this point had built a wide web of support that included three Watsonville City Council members—Rebecca Garcia, Francisco “Paco” Estrada and Eduardo Montesino—and Santa Cruz City Councilwoman and 3rd District Supervisorial candidate Shebreh Kalatari-Johnson.

Planned Parenthood Mar Monte and the local chapters of the California School Employees Association and Sheet Metal, Air, Rail and Transportation union also endorsed him.

Dutra has raised $42,691 this calendar date with a majority of his contributions coming from retirees and local business owners. 

A notable $1,000 contribution was made to his campaign by the committee established to reelect State Senator Toni Atkins, the President pro tempore of the Senate since 2018 who penned what would become Proposition 1, which seeks to place into the State Constitution a woman’s right to have an abortion.

Seven Propositions Heading to California Voters

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In 2008, as the economic recession was ravaging communities nationwide, school districts were forced to take a close look at their budgets, and in many cases make massive cuts to preserve the meat of their programs.

The first casualties of this across-the-board slashing were often art and music programs.

In the intervening years, many districts have reversed this. Pajaro Valley Unified School District has restored many of these programs, with students now taking music lessons and art classes in their schools.

Still, the programs are not at the levels they once were. That could change under Proposition 28, a proposed state law that would require the state to increase its funding to K-12 music and arts programs statewide.

The proposition—also called the Arts and Music in Schools Funding Guarantee and Accountability Act—would not raise taxes. Instead, it would shift approximately 1% of the state’s $128 billion education budget to be used for that purpose.

State officials say the increased funding would total an extra $1 billion for schools, 80% of which must go toward hiring new art and music teachers.

With a strict requirement to use the funding for arts education—and to report how the money is spent to state education officials—the funding is a historic investment that will be the largest investment of its kind in the U.S., says Arts Council Santa Cruz County Arts Education Director Sarah Brothers.

If it passes, Brothers says the new law will infuse more than $900 million annually in arts and music education for every K-12 school in the state.

“It’s a really amazing opportunity to make a deep and lasting impact on California education,” she said.

Schools considered title 1 stand to receive an additional 30% of the funding.

PVUSD Chief Business Officer Clint Rucker says that the new law could bring in as much as $2 million per year for the district’s schools. Santa Cruz City Schools spokesman Sam Rolens said it is too early to tell how much the district would gain from the Proposition. But he said it would be a nice addition to Measure U, the parcel tax passed by voyers in 2013, and renewed in 2020.

State education code already mandates arts education, a requirement that often falls by the wayside as schools hard hit by budget woes make cuts where they can. This legislation helps schools restore those programs, which have been shown to increase students’ education success and boost their socio-emotional well-being, Brothers says.

“Arts are one of the most critical pieces of education when it comes to providing youth with a well-rounded education that allows them to experience learning in multiple modalities,” she says.

There has been no opposition filed for the new law.

Voters will decide on this proposition during the Nov. 8 election. 

Below are the six other state propositions on the ballot.

Proposition 1 

Sure to draw people to voting booths from all reaches of the political spectrum, Proposition 1 would place into the state Constitution a woman’s right to have an abortion. 

Authored by Senate President Pro Tempore Toni G. Atkins, whose district includes San Diego, the proposed law was a response to the United States Supreme Court striking down Roe v. Wade, the 1973 opinion that legalized abortion nationwide.

That decision sparked a groundswell of both opposition and support, with many states moving immediately to both ban abortion, and to protect that right.

Without a constitutional amendment, future legislators or judges could easily remove or restrict abortion rights in California, supporters say. If it passes, any future changes would require a two-thirds vote of the legislature to place it on the ballot and would then require support of voters. 

While the procedure is already allowed in California, placing it into the Constitution would move it further out of reach for Republicans, who have already announced legislation to prohibit it nationwide.

South Carolina Sen. Lindsey Graham in late August proposed a national 15-week ban, a move that shocked even his Republican colleagues wary of making waves in an election year.

Still, Graham’s proposal was a way to further electrify a conservative electorate emboldened by the Supreme Court ruling.

Proponents include the California Medical Association, Planned Parenthood and the League of Women Voters.

Opponents say the proposal is unneeded, since women already have the right to abortion here. They also say that the new law would remove restrictions on late-term abortions, an assertion proponents say is an untrue “scare tactic.”

The California Catholic Conference has come out against it, as has the California Alliance of Pregnancy Care, a Sacramento-based organization that promotes “life-affirming alternatives to abortion.”

Proposition 26

This law would allow in-person sports betting at dozens of tribal casinos and at four racetracks statewide.

While the racetracks must pay 10% of sports bets made each day to the new California Sports Wagering Fund (CSWF), the Native American tribes could negotiate their own state payments, although at minimum they must pay for regulating sports betting.

Some of the CSWF funds would go to help fund the state’s K-12 education funding. 

The remaining funds would go to gambling addiction and mental health programs, for enforcement costs, and to the state General Fund.

Supporters say the new law would help Native American tribes become more self-sufficient—even smaller ones thanks to revenue sharing agreements. Opponents, meanwhile, say that it will lead to increased gambling addiction and to underage gambling. They also say the law is an attempt by the five wealthy Tribes that are bankrolling the proposition to expand their reach.

Proposition 27

This would allow Tribes to offer online sports betting outside tribal lands. 

Supporters estimate this law stands to generate revenues in the hundreds of millions of dollars, some of which would support regulatory costs.

Under the law, casinos would pay 10% of the bets made each month to the state, which would go to a new California Online Sports Betting Trust Fund, which in part would fund enforcement. But 85% would go to address homelessness and for gambling addiction programs. The money would also go to Tribes not involved in online sports betting. 

Casinos taking part must agree to increased state regulation.

Opponents say that the law would worsen gambling addiction by turning every computer and mobile device into a gambling machine. They also say the law was written by the very corporations that stand to gain from the law.

Proposition 29

This proposal has been put forward to voters—and been rejected—twice in the past decade. If passed, it would require a physician, nurse practitioner or physician assistant to be present at dialysis clinics during treatment hours. It also requires clinics to report infection data to the state, and to get state approval before reducing services or closing clinics.

Supporters say it was created to increase safety for the 80,000 patients with kidney disease who rely on the 600 dialysis clinics.

Opponents say that the increased requirements are unnecessary, and would increase costs for clinics and force many to close. They argue that dialysis clinics are already well regulated.

Proposition 30

Would raise taxes by 1.75% on Californians making $2 million or more, with an estimated $3.5-$5 billion raised annually.

This revenue would be allocated to help low-income people purchase zero-emissions vehicles (ZEV), creating ZEV charging stations and for wildfire prevention programs. 

Opponents say the law would add an estimated 30 million ZEVs to the road, straining an already overtaxed power grid. They add that California already has a plan in place to increase the number of electric vehicles. Opponents also say that another tax is not necessary, since the state has a $97.5 billion budget surplus.

Proposition 31

This law would prohibit the sale of most flavored tobacco products, a move supporters say is necessary to keep tobacco out of the hands of kids. 

Of the young people who start smoking, some 80% say they got their start with some candy-flavored version critics say is specifically geared toward them by a tobacco industry always in need of new customers.

Opponents say it is already illegal to sell tobacco products to minors, and that making it illegal will drive it into the black market, thus increasing costs for communities statewide.

Things to Do in Santa Cruz: Oct. 5-11

ARTS AND MUSIC

SANTA CRUZ FILM FESTIVAL For two decades, SCFF has been more than another run-of-the-mill film festival; it’s an experience. It’s about showing films in unconventional spots with surprises in a city where strange, thought-provoking and abnormal are standard. The diverse collection of movies is made by high school and college students, new and promising filmmakers and professionals. The California premiere of Tales from the Long Memory, a documentary film narrated by the late great folk musician Utah Phillips, follows the singer-songwriter as he traverses the country on freight trains. It’s “the story of America you didn’t learn in school.” The outdoor double feature will screen at Tannery Outdoors as part of “Santa Cruz Folk Heroes”—happening Friday, Oct. 7 at 7pm—also includes Foodie for the People, about beloved local chef Jozseph Schultz. Thursday, Oct. 6 through Sunday, Oct. 9. For a complete guide of events, films, locations and tickets, visit santacruzfilmfestivals.org.

BONNY LIGHT HORSEMAN What the hell is a “Bonny Light Horseman?” It’s a folk ballad that spans more than two centuries to the Napoleonic Wars. The song made its way from western Europe to America, where everyone from Siobhan Miller to Nic Jones has covered it. As of 2018, Bonny Light Horseman is a folk supergroup made up of Fruit Bats’ Eric D. Johnson, renowned producer Josh Kaufman and Tony Award-winning playwright Anaïs Mitchell. There are some bigtime expectations for the trio’s sophomore record, Rolling Golden Holy; their self-titled 2020 debut appeared on several “Best Albums of 2020” lists, including the Boston Globe, Uncut Magazine and MOJO, and picked up a pair of Grammy nods. $32/$45 plus fees. Friday, Oct. 7, 7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. folkyeah.com.

LYRICS BORN WITH MAK NOVA After 30 years, Tom Shimura, aka Lyrics Born, has become an indelible force within the hip-hop scene and beyond. And he’s done it all on an independent label he helped create. “The [music] industry is where I faced challenges,” Shimura says. “When I’d go to the corporate offices, the agencies, the management companies, the record labels, the distributors, the advertising and marketing departments, I’d never see a single Asian.” Lyrics Born’s forthcoming release, Vision Board, delivers more of what the multitalented MC has become known for: a heaping of funk intertwined with lyrical prowess and special guests, including Cut Chemist. Check out the record’s first single, “Diamond Door,” featuring New Orleans singer-songwriter Princess Shaw. Read story. $22/$27 plus fees. Saturday, Oct. 8, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

ICEAGE WITH EARTH Copenhagen punk rockers Iceage released Shake the Feeling: Outtakes & Rarities 2015–2021 about a week ago. Singer Elias Bender Rønnenfelt describes the 12 non-LP tracks as “misfit children.” The title track was initially abandoned for being too “happy-go-lucky.” “We thought this one to be a little too ‘nice’ and well behaved at the time,” Rønnenfelt said. “In hindsight, I find the song to be completely sprawling with impulsiveness difficult to capture on purpose. It has some of the guitar work I’m personally most proud of.” The compilation also features a cover of Bob Dylan’s 1963 “I’ll Keep it with Mine” and Abner Jay’s “My Mule.” Longtime drone metal instrumental duo Earth—featuring guitar and drums—also performs. $25/$30 plus fees. Monday, Oct. 8pm. The Catalyst Atrium, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

SPEAK FOR CHANGE: KHAFRE JAY WITH LYRICAL I For over 16 years, Lyrical l has been delivering spoken word and hip-hop throughout the community. The Santa Cruz artist is committed to self-expression; his music and prose reflect the world around him. Meanwhile, Khafre Jay describes himself as a “community organizer, nonprofit worker, hip-hop artist and the best father ever.” As a Bay Area Hunters Point activist combating racial and socioeconomic injustice, Jay inspires community members to open closed fists and use their voices as a means to battle inequality. $5-20 sliding scale. Tuesday, Oct. 11, 8:30pm. Indexical, Tannery Arts Center, 1050 River St., #119, Santa Cruz. www.indexical.org.

COMMUNITY

MARITIME MONSTERS AND MYSTERIES Just in time for Halloween, dive into the ocean’s “dark side.” Among the several ocean-dwelling peculiarities that are part of Maritime Monsters and Mysteries, the museum’s renowned tapertail ribbonfish is back. Local fisherman Gus Canepa caught the tapertail in 1938. The original specimen went on to be studied at the Smithsonian. “The ribbonfish is a rare, deep-sea specimen caught off the wharf and has long been a famous Santa Cruz oddity,’’ Collections Manager Kathleen Aston says. “After six years in storage, we’re excited to be able to bring it back from the depths for visitors to see.” Free with museum admission. It runs through Sunday, Nov. 6. Santa Cruz Museum of Natural History, 1305 E. Cliff Drive, Santa Cruz. santacruzmuseum.org.

BOOKSHOP SANTA CRUZ PRESENTS WRITERS OF COLOR SANTA CRUZ COUNTY A gathering of some of Santa Cruz’s most talented writers will mark a momentous literary occasion for the community. Watsonville Poet Laureate Bob Gómez; Shirley Ancheta, poet and co-editor of the Filipino American anthology Without Names; and Jaime Cortez, acclaimed author of Gordo, will be on hand as Writers of Color-Santa Cruz County members Madeline Aliah, Victoria Bañales, Farnaz Fatemi, Shirley Flores-Muñoz, Chloe Gentile- Montgomery, Geneffa Jahan, Adela Najarro, Meilin Obinata, Elbina Rafizadeh, Claudia Ramírez-Flores and Vivian Vargas bring their stories forward. Free (registration required). Thursday, Oct. 6, 6:30-9pm. Museum of Art and History, 705 Front St., Santa Cruz. bookshopsantacruz.com.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. The group meets every Monday and is led by Sally Jones and Shirley Marcus. Free (registration required). Monday, Oct. 10, 12:30pm. WomenCare, 2901 Park Ave., A1, Soquel. 831-457-2273. womencaresantacruz.org.

OUTDOORS

WILDER RANCH STATE PARK GROUND TOURS In 1896, this innovative dairy ranch was home to a water-powered machine shop. There was a lot of invention in the barns and historic buildings that pepper Wilder Ranch. During the hour-long tour, you’ll get to see it all. $10. Saturday, Oct. 8, and Sunday, Oct. 9, 1-2pm. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz. thatsmypark.org.


Email upcoming events to Adam Joseph at least two weeks beforehand

Or, submit events HERE.

John Doe Brings His Folk Trio to Moe’s

When Moe’s Alley reopened last year after shutting down in March of 2020 due to the pandemic, John Doe played the first show there, on an outdoor stage. Brian Ziel—who was debuting as Moe’s co-owner with Lisa Norelli at that show—says it meant a lot to him to have the punk legend play the club back to life. And the feeling was mutual.

“It meant a lot to me, too,” says Doe. Though he’s known as a core part of the Los Angeles music scene thanks to his career with the bands X and the Knitters (he’s even compiled two books about it, most recently last year’s More Fun in the New World), Doe is happy to see live music returning everywhere, and he says he especially respects the integrity Ziel and Norelli are bringing to the reopened club. When the original Moe’s Alley debuted in 1991 under owner Bill Welch, it was strictly a blues venue, but as the venue’s bookings got more eclectic over the years, Doe played there twice, with the Knitters and as a solo act.

“There’s so many ways that you can take something good, reopen it and fuck it up,” says Doe. “But as long as something has soul, and it has a thing, and people can appreciate and get that thing, that’s authentic and moving. It doesn’t matter what style of music it is—it’s real. And the original Moe’s Alley was all about authenticity.”

When he says it doesn’t matter what style of music it is, he’s not kidding, because when he returns to Moe’s on Friday, Oct. 14, Doe will be bringing a new project, the John Doe Folk Trio.

Now, fans of X, the Knitters, and Doe’s solo career will point out that all three of those projects have embraced folk music in some way, and that’s true. There’s a reason that the trio can easily mix songs from all of them into their live sets. But this is, like, folk folk. As in, the record that he put out with them this year, Fables in a Foreign Land, is set in the 1800s. I wouldn’t say that it sounds old-timey—it sounds like an especially acoustic John Doe record (“a little more shuffling, a little more friendly and cool, a little more sneaky, maybe,” says Doe)—but there is something interesting about how his writing has retreated over the decades from the modern, urban tales he wrote with Exene Cervenka in X to the rural, slightly nostalgic Americana of the Knitters to the almost timeless feel of many of his solo songs (“We are luck/We are fate/We are the feeling you get in the Golden State” is one example that jumps out) to, you know, the 19th century.

“I guess I’ve been fascinated by the times before all this fucking technology, which I’m okay with, but definitely believe that we’ve lost more than we’ve gained,” he says.

Not to mention certain parallels between pre-tech times and spring of 2020, which is when Doe called Willie Nelson’s upright bassist Kevin Smith and Austin drummer Conrad Choucroun to see if they wanted to do some literal backyard jamming.

“We didn’t have any PA and we didn’t have a rehearsal space, we just did it on Kevin’s back porch,” says Doe. “So it seemed to fit the subject, and the style, and it was all just kind of live, and we didn’t have a deadline, I’d write a few songs, and as the song started developing, I thought, ‘You know what, I’ll just direct them away from modern devices and references.’ And that the kind of isolation that you might experience if you were driven from your home back in those days was similar, that being deprived of your friendships and family and things like that. So it all worked together.”

Doe had some co-writers on these songs, like Los Lobos’ Louie Perez, Texas music legend Terry Allen and even Garbage’s Shirley Manson—who, while X was opening on a tour with Garbage and Blondie, told Doe and Cervenka, “We should write a murder ballad.”

“If Shirley Manson says, ‘Let’s write a murder ballad,’ you don’t say no,” deadpans Doe. He and Cervenka would end up singing on Garbage’s version of the resulting song, “Destroying Angels.” It’s about a guy who kills his lover with poisonous mushrooms, and when I tell him the version on Fables in a Foreign Land sounds to me like an old-world reimaging of X’s gruesome true-crime tale “Johnny Hit and Run Paulene,” he laughs.

“That’s a new one,” he says. “I’ll have to remember that. It’s the prequel to ‘Johnny Hit and Run Paulene.’”

The John Doe Folk Trio performs at 9pm on Friday, Oct. 14 at Moe’s Alley, 1535 Commercial Way in Santa Cruz. $20/$25. moesalley.com.

Graham Nash Revisits His Most Poignant Work

Graham Nash was inducted into the Rock and Roll Hall of Fame with Crosby, Stills & Nash, and then, a few years later, he was inducted as a member of the Hollies. He’s penned over 200 songs, many of which are considered classics, including “Teach Your Children,” “Marrakesh Express” and “Our House.” And his New York Times best-seller Wild Tales: A Rock & Roll Life has been touted as one of the great rock autobiographies of the last decade. There are also the hoards of Grammy noms and wins and other accolades. However, the highlight of Nash’s career, maybe of his life—close behind the birth of his children and marriage—was his appointment as an Officer of the Order of the British Empire for his music and charity services.

“[The Queen] meant a great deal to me,” Nash says less than a week after she passed. “Her Majesty was very much alive, and she had a twinkle in her eye—she looked beautiful.”

Though Nash hasn’t lived in England for over 55 years, his admiration for the Queen has never dissipated, even as a young anti-establishment rocker who performed for a half-million heads at Woodstock in 1969. 

“[The Queen] was talking to me about the Hollies, which kind of amazed me,” he recounts. “I had no idea that the Queen of England knew anything about the Hollies. I told her, ‘The truth is, Your Majesty, I’ve lived in America since 1968, and I didn’t know you were watching.’ She looked at me and said, ‘Now you know.’”

In a few months, Nash will turn 81. It’s not lost on him that he’s been fortunate in life. There are many talented people out there, but he’s been able to pursue all of his creative endeavors with lucrative success since he was a kid.

“This is an incredibly difficult world to live in,” he says. “But I have to remain optimistic. Humanity is this incredible combination of total brilliance and total shit. I just have to deal with my life, and I’ve tried my best to feel as good as possible and write stuff that I hoped people would like.”

While Crosby, Stills & Nash—sometimes with Young—is the outlet that many fans know and love, Nash’s solo material is arguably the most brilliant work of his career, highlighted by his 1971 debut Songs for Beginners, and 1974 follow-up Wild Tales. Both records are personal and straightforward, recorded quickly without time to linger and tinker with anything. Pretty much every tune of Beginners was inspired by the love of Nash’s life, Joni Mitchell, with whom he had recently broken up. 

“There was nobody like Joni in my life,” he says. “I never met a woman as talented.”

On “Simple Man,” Nash croons, “I’ve never been so much in love and never hurt so bad at the same time.”

As a songwriter, I don’t want you to wait for the last verse before you know what the hell I’m singing about,” Nash explains. “I want you to know right from the very beginning.”

As brilliant as Nash’s first two solo records are, several tunes, including “Simple Man” and Wild Tales’ “Another Sleep Song,” have rarely been performed live. That’s not the case anymore. The 2022 concert album Graham Nash: Live: Songs for Beginners / Wild Tales features Nash performing both records in their entirety, accompanied by a band featuring longtime collaborators Shane Fontayne (guitar) and Todd Caldwell (keys).

“I do love both of those albums,” Nash says. “My wife, Amy Grantham, gently pushed me towards it. She said, ‘I’d like to see that show. I’m a fan of your music, so come on, get on with it!’”

Graham Nash performs Wednesday, Oct. 12 at 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $48; $68. riotheatre.com.

New Seymour Center Exhibit Makes Learning About Water Fun

The phrase “go with the flow” takes on new meaning at the latest Seymour Marine Discovery Center exhibit, “Water’s Extreme Journey.” In an interactive maze open until Dec. 31, visitors imagine themselves as water droplets trying to get to the ocean cleanly. They face pollution from litter, development and agriculture, among other manufactured obstacles. Maze-goers spin wheels and follow arrows to determine their fates.

Blurbs, photos, videos and activities line the maze walls. Some of the panels highlight water-related research happening at UCSC. Others spotlight iconic Santa Cruz species like mountain lions, banana slugs and sea otters. Moving through the space gives the sense that it’s all connected.

“Whatever we’re doing on land is going to run off into our oceans,” says Jonathan Hicken, the Seymour Center executive director. “You can’t really talk about the ocean without talking about the land and vice versa—especially in Santa Cruz County and other coastal communities. So thematically, it was an opportunity to make that connection for our community.”

As a water drop, visitors might run into common pollutants from roads, agriculture, development and even home gardens. Advice along the way suggests small daily changes that help keep water—and the rest of our environment—clean. 

“It’s action-oriented,” says Hicken. “So, throughout the exhibit, there are places prompting the visitor to think about how they can conserve or protect water in their own lives.”

The maze offers tips that range from the often-heard “turn the sink off when brushing your teeth” to less common advice, such as washing cars on lawns rather than in the street.

Before designing the exhibit, the Seymour Center staff consulted with community leaders focused on water. Panels at the exhibit’s end show Santa Cruz’s unique watersheds and the problems facing our community. 

“Nonprofits, scientists, city leaders and county leaders all were in a room, and we came up with these messages together,” says Hicken. 

Three themes emerged from the conversations: water supply, water quality and climate change. The problems are interconnected. In Santa Cruz, climate change makes water supply challenges worse.

“We’re having more drought years, but when the rain does come, it comes in heavier storms,” says Hicken. “The land gets really dry, then the rain falls. And because it’s hard and clay-like, it just skips off the surface and runs down into the ocean. So these underground basins of water aren’t refilling at the same rate as they have historically.”

Near the coast, seawater begins to fill the underground space. Local water agencies are working to address the seawater intrusion and stormwater runoff challenges. These problems can seem large and overwhelming, but the Seymour Center believes the exhibit will help empower people.

“We hope that every visitor who comes in these doors walks out with something concrete and specific they can do in their own lives to get involved in this important environmental work,” he says. “Whether that’s volunteering or donating to one of these organizations, or for students, pursuing a career in the field—we hope everybody walks out a little bit more hopeful about our very local climate here.” 

The exhibit comes to the Seymour Center during a period of redesign. After closing its doors for 18 months at the pandemic’s start, the center reopened last October. Guests can once again view and touch live animals like leopard sharks and move through exhibits. But Lauren Donnelly-Crocker, the center’s director of revenue operations, says a change is coming. 

“We’re working on a new visitor experience plan that we’ll start sharing with the community pretty soon,” she says. “Action, art, community—these are our big things we’re trying to do right now.”

One area of focus, reflected in some panels of the water maze, is including Spanish and other languages in exhibits. 

“We’re hoping to do that more as we move into the future to make sure that we are accessible to more audiences throughout Santa Cruz,” says Donnelly-Crocker. “Our goal is to bring the community together—nonprofits, researchers and community members.”

‘Water’s Extreme Journey’ runs through Dec. 31 at the Seymour Marine Discovery Center, 100 McAllister Way, Santa Cruz. Wednesday-Sunday, 10am-4pm. Free with admission. seymourcenter.ucsc.edu.

Letter to the Editor: Get Back to The Office, Supes

Where are the county supervisors? They are using the pandemic as an excuse to not meet in person. It has made our community disconnected with what laws they are passing and what taxes they are strapping you with.

A few that have passed right under our noses was the property tax that would fund the Buena Vista transfer station. It will be $110/year and go up to $175 after five years. At which point, the supervisors will meet again and decide how much it will go up for the next five years. This process will go on for the next 20+ years! We had the option to protest at an online county meeting back on June 7, with only two protesters attending. Apparently, notices were sent out by the Public Works Department notifying us of the option. However, I, nor any of my neighbors, received one. My Supervisor, Manu Koenig, did not notify his constituents of the vote until the day before, and did not specify that the number of “protestors” could affect whether it would pass or not. Something is fishy, and an internal investigation should take place. Statistically speaking, it just doesn’t make sense that only two people and myself within the rural areas cared about such a high tax increase.

Another bill that was passed Aug 23 affects all who utilize a septic system. Major changes for septic systems have been implemented through the LAMP program. During a property sale, you are required to have the system inspected, declare whether it is “legal” and what enhancements it could benefit from. Felton, Boulder Creek, Ben Lomond, Summit area, are you listening? What will you be responsible for as a homeowner upon sale? Will you have to tear down your “non-conforming” cabin? Could you be sued if you declare incorrectly? As a realtor, this provision is very concerning. Most failing systems will have to be upgraded to an enhanced system costing $60,000-80,000.

All supervisors voted for this except Manu Koenig, who had requested more information. They are continuing to discuss the details of this so I hope all “chime in” asap.

I truly hope anyone who reads this takes the time to call their supervisor and demand they get back to the office. It’s not Covid, it’s laziness and the ability to keep you in the dark. I have asked Koenig, who states he feels it’s necessary to get back to the county building, to put the issue to a vote. Get other supervisors on record stating they just want to keep working remotely. As of right now, no one answers the phone at any supervisor’s office.

Dana Juncker

Soquel/Summit area


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Letter to the Editor: Get Back to The Office, Supes

A letter to the editor of Good Times
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