With homes nestled amongst majestic oaks, redwoods and deciduous pines on steep hillsides entwined with seasonal streams or sprawling meadows that welcome wildlife, residents of Scotts Valley and the San Lorenzo Valley live in one of the more serene locations in the U.S.
The beauty of the area draws plenty of attention, and, now, the Sempervirens Fund is partnering with REI and AllTrails to bring something else this way: money to help with reforestation efforts.
On April 22—Earth Day—the agencies are joining forces by hosting a national Hug-A-Tree Challenge. Between noon-1pm, participants are invited to post a photo on Instagram of themselves, or someone else, hugging a tree with the hashtag #hugatreechallenge. For each photo posted on Instagram with the hashtag, REI will donate $1 to Sempervirens Fund, up to $10,000, for the reforestation of redwoods in the Santa Cruz Mountains. In addition to the money being raised, there’s another effort underway: to help establish a Guinness World Records title for the most photos of people hugging trees uploaded to Instagram in one hour.
“We need a minimum of 500 people to post one photo of someone hugging a tree. It can be any kind of tree, from a sapling to a full-grown one,” Sempervirens spokesperson Matthew Shaffer says. “Each picture may only contain one person—anyone, anywhere can participate so long as they tag the photo with the hashtag and upload it to Instagram during that one-hour period. Each participant may only post one photo, and each photo may only be posted by one person, not multiple people.”
Shaffer says his team expects to establish that record, and at this point, it’s a matter of how big a record they can set.
Shaffer has been with the nonprofit since July of 2020, but previously worked for the Trust for Public Land. His start at Sempervirens came on the cusp of the CZU Lightning Complex. His work has been made all the more meaningful due to the damage done to the Santa Cruz Mountains by the fire, which burned over 86,500 acres and decimated the entirety of the San Vicente Redwoods (SVR) property, the largest privately-held redwood forest in the Santa Cruz Mountains. More than 900 residences in Santa Cruz County were destroyed, and one Last Chance resident, Tad Jones, was the sole fatality in the fire, which was caused by a dry lightning storm with over 11,000 lightning strikes on a hot August night in 2020.
While competing for a Guinness Book of World Records entry is a fun distraction, the serious work of Sempervirens Fund continues.
“For us, we think of this as our gift back to a worldwide community who have supported us during a time of deep urgency, not only due to rampant climate change, but also catastrophic events like the CZU fire,” Shaffer says.
He adds: “Our organization has always been centered on protecting coastal redwoods, and specifically the forests of the Santa Cruz Mountains. There are many urgent and pressing issues related to climate change, and we hope people will take action, speak out and speak up during the midst of this extraordinary crisis. We can’t outpace climate, and the forests need our help. Redwoods store more carbon than any other tree species—we need more of them, and we need to protect what we have to ensure they’re around for generations to come.”
While REI is providing the funding for the challenge, AllTrails.com, a site for hiking enthusiasts, is helping to promote the effort, and working with Sempervirens to restore some local hiking trails when Big Basin Redwoods State Park comes back online (it’s currently closed to the public). Anyone interested in participating in the #hugatreechallenge can learn more at sempervirens.org/hug-a-tree/#hug-faqs.
After years of wrangling by local, state and federal lawmakers—and of worries from residents of another catastrophic flood in South Santa Cruz County—the Pajaro River levee has enough money for a long-awaited upgrade that could offer a century’s worth of protection.
But while the construction funds for the $400 million project are secured, the project’s fate lies in the hands of roughly 3,000 residents who live in the floodplain.
To allow the U.S. Army Corps of Engineers to secure the funding, the residents must answer “yes” on ballots that will be mailed out to property owners on April 22.
That would mean placing an assessment on their annual property tax bills—averaging around $192—that would fund the annual $1.2 million in maintenance and operations funds still needed for the project.
Failure would be the death knell of the project, at least for now.
In a Monday lunchtime press conference at Watsonville’s Civic Plaza led by Rep. Jimmy Panetta, who helped spearhead a recent $67 million infusion of federal funding for the construction, several elected leaders put out a plea to the public: vote “yes” on the assessment.
While getting the money was a critical step in the long-awaited project, it is not the final chapter, says Santa Cruz County Supervisor Greg Caput, whose district covers much of Watsonville.
“We will celebrate only after the election,” he says. “They have to say ‘yes’ on this, that’s the most important part. Otherwise, the money will go away.”
The press conference was also attended by Watsonville Mayor Ari Parker, and Santa Cruz County Supervisor Zach Friend and Watsonville/Aptos/Santa Cruz Adult School Director Nancy Bilicich, both of whom have been at the forefront of bringing the project to fruition.
Also in attendance was John Martinelli, whose eponymous company depends on apple crops grown in the Pajaro Valley.
Martinelli said that he has for years been part of unsuccessful local efforts to secure funds for levee upgrades.
“That was a nonstarter,” he said. “This community simply can’t afford that kind of a cost. Now we have a fully funded $400 million project.”
A large flood, Martinelli said, is estimated to cause $1 billion in damage, and could occur as often as once per year.
“Something like that would devastate our company,” he said. “You can’t get enough insurance to compensate for something that destroys your business.”
Judy Lazenby, who lives in Pajaro Village—an older adult community with 247 residences in the river’s floodplain—said she normally sides with those who oppose extra taxes. This is not one of those times, she said.
“We do need protection a lot more than we need to keep cutting taxes,” she said.
Assessments are “fair” at around $200, she said.
Lazenby said that the project—once completed—will mean that flood insurance requirements for many residents will go away.
“Believe it or not, floods can be prevented,” she said. “Tornadoes can’t be, hurricanes can’t be, but this can be and we need to do that. The likelihood of a flood may be small, but it won’t take much to take the levees out.”
Patrick Messinger, who sits on the homeowners’ association of the Bay Village neighborhood, which comprises 600 homes, says he plans to go on a door-to-door campaign to advocate for the assessment.
“It is critical that we get this done,” he said.
Ballots will be mailed on April 22, and are due by June 8. The final results will be announced at the July 13 PRFMA meeting.Property owners who want to see how much they would pay can visit prfma.org/assessment, and click on “Calculate Your Assessment.” An Assessor’s Parcel Number is needed for this search. To find that, visit bit.ly/3xHledJ.
‘FOODIE FOR THE PEOPLE’ Jon Silver’s award-winning documentary features beloved central coast chef Jozseph Schultz and his India Joze Restaurant. More than the story of a famous chef, Foodie is the story about blending world cuisine, community, art and social justice. (Read Oct. 20, 2021 story). Free with registration (donations suggested). Thursday, April 21, 7pm. Landmark’s Del Mar Theater, 1124 Pacific Ave., Santa Cruz. eventbrite.com.
MONOPHONICS WITH NICKY EGAN The Bay Area group has been touring heavily for the past decade, delivering an original blend of psych-rock and soul and building a large fanbase. Their March release, It’s Only Us, reflects “where they’ve been, and pushing the boundaries of what’s possible in the years to come.” Led by singer Kelly Finnigan, the band is known for lyrics that touch on real-life issues—from mental health to gun control to messages of unity. Monophonics aren’t afraid to express their opinions. $22 plus fees. Friday, April 22, 9:30pm. Felton Music Hall, 6275 CA-9, Felton. Proof of vaccination or negative Covid test required. feltonmusichall.com.
THE WAILING SOULS WITH LUJAN AND THE MILITIA OF LOVE For over 40 years, the Wailing Souls’ blend of roots and dancehall reggae with Motown harmonies has earned them three Grammy nods and a slew of hits. Formed in Trench Town, Kingston, Jamaica, the band has made over 26 albums, including singles recorded as the Renegades, Pipe & the Pipers and Atarra. The group had three tunes featured on the Cool Runnings soundtrack. $25/$30 plus fees. Friday, April 22, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. Proof of vaccination or negative Covid test required. moesalley.com.
FELIPE ESPARZA The Mexican-born American stand-up comedian/actor has developed a schtick that might be considered a modern-day take on Don Rickles: Esparza talks with random people he finds interesting. It might be somebody famous or that homeless guy at the end of your street who you walk by every day. “Everyone has a story to tell about how they got where they are, no matter who they are.” The comedian’s podcast “What’s Up Fool?” continues to gain notoriety. $35 plus fees. Saturday, April 23, 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. Proof of vaccination or negative Covid test required. riotheatre.com.
OGANOOKIE If you were anywhere near Santa Cruz in the early 1970s, there was a good chance you saw Oganookie on a Saturday night at the Catalyst. Considered the “greatest band you’ve never heard of,” the group was known for performing hundreds of shows per year. They’re also known for dozens of reunion shows. This one, dubbed “The Oganookie Story,” will weave songs with reflections on the band and their history as a musical entity and a commune in the Santa Cruz Mountains. The unique Oganookie iteration will unite original members with two younger generations of Oganookie offspring who will perform the distinct, original tunes that propelled Oganookie to one of Santa Cruz’s most beloved bands and biggest enigmas (Read April 20, 2022 story). $27/$40. Saturday, April 23, 7:30pm. Kuumbwa Jazz, 320 Cedar St., Santa Cruz. Proof of vaccination or negative Covid test required. kuumbwajazz.org.
COMMUNITY
DOWNTOWN FARMERS MARKET The “largest and oldest” market always has a variety of local artisans, yummy baked goods and unique grab-and-go options for lunch and dinner. And it helps support local farms. Note: cafe seating, bike valet and veggie valet programs are on hold until further notice. Free. Wednesday, April 20, 1-5pm. Between Cedar and Lincoln Streets, Santa Cruz. santacruzfarmersmarket.org.
MAH POP UP! Join MAH at the Abbott Square Market Pop-up! Learn more about becoming a MAH member. Enjoy the food, drink and free wi-fi. Free. Thursday, April 21, 12:30-3:30pm. 705 Front St., Santa Cruz. santacruzmah.org.
APTOS FARMERS MARKET AT CABRILLO COLLEGE There’s a good reason Coastal Living Magazine named AFM one of the best on the coast. Beyond the massive selection, the top-quality goods and specialty foods, the farmers and vendors—there are 90, mostly certified organic—enjoy connecting with their customers. The beloved farmers market also offers grass-fed meats and poultry, sustainable fish, oysters, handcrafted cheeses, locally produced olive oil, fresh pasta and more. Need knives and gardening tools sharpened? That’s offered as well. Free. Saturday, April 23, 8am-noon. Cabrillo College, 6500 Soquel Drive, Aptos. montereybayfarmers.org.
GROUPS
HARMONY STARTS WITH YOURSELF BREEMA BODYWORK CLASS “To study Breema is to study oneself.” Learn and practice Breema bodywork sequences and self-Breema exercises from the “Nine Principles of Harmony.” “Breema offers perspectives and experiences that can become the foundation of a profound self-understanding with the potential to have a transformative effect on one’s life.” The class is ideal for anyone wishing to increase harmony in their lives, especially caregivers, teachers or health professionals who feel burnt-out or fatigued. $25 class/$80 series (4 classes). Wednesday, April 20, 7-8:30pm. The Breema Center, Hummingbird Valley Retreat, 1690 Glen Canyon Road, Santa Cruz. breema.com/place/us/ca/hummingbird-valley.
WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, April 18, 12:30pm. 831-457-2273. womencaresantacruz.org.
OUTDOORS
BEHIND-THE-SCENES VISIT TO THE YOUNGER LAGOON RESERVE BIRD BANDING STATION Learn about the theory and practice of bird banding, observe wild birds up close and interact with reserve staff and undergraduate student interns who are learning this important, hands-on avian research technique. Free (must RSVP). Friday, April 22, 8-9:30am. Younger Lagoon Reserve, UCSC Coastal Science Campus, Santa Cruz. calendar.ucsc.edu.
HISTORIC RANCH GROUND TOUR This groundbreaking dairy ranch is a window back in time. The hour-long tour includes a visit to the 1896 water-powered machine shop, barns and other historic buildings.Free with $10 vehicle day-use fee. Saturday, April 23, 1pm. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz. santacruzstateparks.as.me.
Stephen McBean speaks loudly whenever he’s on the phone at his Arcadia home; a constant barrage of high-pitched honks, shrill yapping and sharp squawking burst out piercingly in the background like he’s standing in the middle of a bird sanctuary gone crazy.
“There are wild peacocks and parrots where I live,” McBean explains. “The opening scene from Fantasy Island was filmed down the street.”
McBean—frontman for the Vancouver heavy stoner-rock outfit Black Mountain and the short-lived anarchic duo Jerk with a Bomb—moved into the house in March 2020, just before the world shut down. After setting up a home studio, he recorded a cover of Black Flag’s “Nervous Breakdown” as a test to ensure all the gear worked adequately. Greg Ginn’s 1979 hardcore staple ignited a spark that became the inspiration behind the first record in eight years for Pink Mountaintops—McBean’s other project, which collects the songs that don’t fit for Black Mountain’s sound. The wonderfully strange paradise that the musician now calls home—about 12 miles north of Los Angeles in the San Gabriel Valley—was the ideal setting for the forthcoming album, aptly titled Peacock Pools.
“I wasn’t preparing to do an album, but time kept rolling on, and life kept changing and getting weirder,” McBean says. “[‘Nervous Breakdown’] was like original O.G. inspiration.”
Like most music created between 2020 and 2021, a lot of the recording was done remotely. McBean was initially apprehensive about the long-distance approach, but realized it was more an opportunity than a setback.
“I started talking to various friends in similar situations,” McBean says. “[Ryley Walker drummer] Ryan Jewell, who’s in Ohio, asked if he could throw some drums on a couple of tracks.”
From there, McBean continued to have musician buddies all over the country, and some in Canada, add instrumental and vocal parts to songs. Bassist Steven McDonald (Off!, the Melvins) offered his services.
“He was like, ‘I’ve got nothing else going on, so if you need bass on anything, I’m available,’” McBean says. “We weren’t writing or rehearsing at a jam space where I’d be like, ‘Oh, maybe try this or that.’ Everyone uploaded their finished products. Going into Dropbox and downloading new uploads felt like opening Christmas presents.”
The result is a 12-song Frank Zappa salad tossed by Ozzy and Ian Curtis. “Nikki Go Sudden” is fueled by acoustic guitar strums paired with the intentional naiveté of early ’80s Psychedelic Furs, and “Blazing Eye” goes hard with its synth new wave in the vein of New Order’s Power, Corruption & Lies. Meanwhile, “All This Death is Killing Me” is 100% thrash metal, complete with thrash metal growls.
“I always like to think of things as a soundtrack or a musical,” McBean says. “Also, right when I realized that I’m going to make an album, I got dropped by the record label [Jagjaguwar]. So, even though that was sad and caused some stress because I’ve been with them so long, it freed me up. I had no deadline, so I kept recording. I think I would have gone all over the place anyway, but getting dropped from the label made it easier for me to say, ‘Okay, I’m going to put a thrash song on here.’”
When McBean was finally able to record in a studio with other musicians in the room, he made sure it would count. He scored Melvins’ drummer Dale Crover and had Valentine Recording Studios in North Hollywood to make it all happen. The straightforward metal ballad “Lights of the City” could be L.A. Guns’ biggest hit they never wrote.
“We went into [Valentine], and I felt like I had high-pedigree rock gods,” McBean says. “We didn’t need to rehearse or anything. I thought if we could get ‘Lights of the City’ and ‘The Walk’ recorded, that would be great. And we managed to get four songs recorded.”
Pink Mountaintops has already toured once this year—back in February, opening for Dinosaur Jr.—but McBean is especially thrilled for the upcoming tour.
“It’s the most full-on rock ’n’ roll lineup I’ve had in Pink Mountaintops in a long time,” he says.
The spring/summer tour, which stops in Felton on April 29, features a six-piece band, including former Flaming Lips drummer Kliph Scurlock, singer/guitarist Emily Rose, who’s featured throughout Peacock Pools and past Pink Mountaintops contributor Ashley Webber, the twin sister of Black Mountain’s Amber Webber.
While music is always on McBean’s mind, he’s quick to relay an intensely worded opinion about the current state of the world, which, if anything, made the record even stronger.
“The world is in a sad bind now,” he says. “Some people really made a lot off of all this inflation, and it’s quite disheartening. People are like, ‘There are jobs everywhere!’ Yeah, shit jobs, and people were like, ‘Fuck those jobs. Do them yourself.’”
Adds McBean, “Life’s never going back to where it was. That’s not necessarily a bad thing—all the death was obviously bad. But you have to find some light in all the darkness, or it’ll kill you.”
Pink Mountaintops with Ashley Shadow play Friday, April 29, at 8pmatFelton Music Hall, 6275 Hwy 9, Felton. Proof of full vaccination or negative Covid test required. $15/$19 plus fees. feltonmusichall.com.
In covering an Oganookie reunion show that sold out the Cocoanut Grove in May of 1975, John Selby wrote in Good Times that “George Stavis’ happy, electric banjo is a symbol of the Oganookie phenomenon.”
Phenomenon. That’s a pretty intense word to describe a band that most locals who weren’t in Santa Cruz half a century ago have probably never heard of. But a phenomenon was exactly what Oganookie was at the time, and a good part of the reason was an Americana sound that was ahead of its time. Ironically, a good chunk of their repertoire was from the bluegrass and folk songbook of the early 20th century or before. While other bands in the ’60s and early ’70s like the New Lost City Ramblers were also rediscovering and reinterpreting that music, Oganookie set themselves apart.
“What was different about Oganookie was we electrified those tunes,” says Stavis now. “And sometimes we butchered ’em.”
In particular, he remembers one reaction to the band’s interpretation of the 19th century folk tune “Sweet Sunny South,” many years after the band broke up. “Somebody said it sounded like punk music the way we did it,” says Stavis.
But in general, they were what he calls a “friendly” band, putting a rootsy and sometimes totally psychedelic spin on traditional folk songs like “The Cuckoo.” They also played original songs written by keyboardist Jack Bowers.
From the time the group—which also included vocalist-guitarist Bruce Frye, drummer Tim Ackerman and fiddler Bob Stern, with manager Peter Troxell later becoming a key component—moved to a communal farm in Brookdale together in 1970 to when they broke up in 1973, Oganookie amassed a huge local following, and were regulars at venues like the old Catalyst, the long-gone Town and Country in Ben Lomond and the famous Chateau Liberte. The Chateau’s iconic Captain Whizzo was also in charge of Oganookie’s light show.
The band has only reunited a few times, most recently in 1993. But on the heels of putting together a website definitively chronicling their story, and restoring their work for Apple Music and Spotify, they will play together again at the Kuumbwa this Saturday.
Oh, and the name? Stavis admits that—despite what mythological origins people might try to convince you of—it started as a dumb, drunken play off of the seminal Michael Olatunji album Drums of Passion, originally “Oganookie and the Drums of Apathy.”
“Let me say in our defense,” he says, “that picking a band’s name is a horror show.”
Oganookie performs at 7:30pm on Saturday, April 23 at Kuumbwa in Santa Cruz. snazzyproductions.com.
When I was about eight years old and started my collection of audio cassette tapes, beginning with the Beastie Boys’ Licensed to Ill and Run-D.M.C.’s King of Rock, my parents’ record collection sparked my interest. I’d often venture down into the basement and thumb through the 60 or so vinyl albums they had held onto since their college years, which included many obligatory titles in every baby boomer’s repertoire: The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, Seals and Crofts’ Year of Sunday and Woodstock: Music from the Original Soundtrack and More.
I got to know that collection well. I never even asked to listen to the records, though I knew there was a turntable in the family room that I could use. I’d go through each crate, record by record, and sometimes take one out for a closer look, a sniff or hands-on interaction—I always felt compelled to move the zipper up and down on the Rolling Stones’ Sticky Fingers LP; the topless stripper in pasties who adorns the cover of Tom Waits’ Small Change always required a closer look.
But I would consistently give Big Brother and the Holding Company’s Cheap Thrills the most attention. After more than three decades, the colors were still brilliant and vibrant; Robert Crumb’s caricatures felt kinetic as I stared at them. I had no idea that the album contained the most significant female rock ’n’ roll voice of all time, or that those “silly cartoons” are the work of the most renowned underground cartoonist. When I eventually played the record and discovered the beauty of Joplin’s vocals a few years later, a whole other dimension to the vinyl experience opened up to me.
Aside from a more extensive selection, the vinyl experience isn’t much different from the way it was when I was eight. Three decades later, I have my own vinyl collection, and I’ve absorbed most of my parents’ records. I handle them all, take in the cover art and the smell. There’s nothing like the smell of a brand-new or used vinyl—each preowned record has a different story to tell. Apparently, my experience isn’t unique, and that’s captured in Kevin Smokler and Christopher Boone’s Vinyl Nation: A Documentary Dig into the Record Resurgence. Released just in time for Record Store Day (Saturday, April 23), the film is another love letter to the revival of the vinyl format.
“If I have any big concerns, I just put on a record really loud and drown those thoughts out,” says John Vanderslice, founder of the beloved San Francisco recording studio Tiny Telephone.
Along with Vanderslice, Nation delves into vinyl beyond the music and quality; it shows the emotion, the human connection and how vinyl is all about an all-encompassing experience. The idea of the quintessential record collector has changed over the past decade. It’s no longer ruled by characters like those in Nick Hornby’s High Fidelity. Vinyl love has become inclusive—it’s multigenerational, multicultural and non-gender-specific. Whether or not vinyl sounds better than other formats is in the ear of the beholder. Also, that limited-edition colored vinyl everyone fawns over doesn’t sound as good as traditional black vinyl.
If anyone needs further proof that vinyl has crossed over to the mainstream, the 2022 Record Store Day Ambassador might be all the evidence required: Taylor Swift, one of the biggest pop stars in the world, is representing the voice of cratediggers worldwide for the 15th anniversary of RSD.
“[Record stores] employ people who adore music thoroughly and purely,” Swift says in her opening message on the RSD homepage. “Those people and shops have had a rough few years, and we need to support these small businesses more now than ever to make sure they can stay alive, stay eccentric and stay individual.”
Hell yeah, Taylor!
Vinyl Nation is available on VOD. Record Store Day is Saturday, April 23. Visit recordstoreday.com for titles and participating locations.
Councilmember Shebreh Kalantari‐Johnson’s recent letter (GT, 4/13) praised the city’s group of new policies affecting unhoused people, referring to them as being a “deeply collaborative citywide effort.” The policies, though, remarkably did not include collaboration with the community that they directly affect, making her premise disingenuous, at best.
In a March meeting with Santa Cruz Cares, Kalantari‐Johnson said that she had not, in fact, talked with unhoused people about the OVO, nor at any point sought out overall unhoused community input on it. The other council members present, Renee Golder and Martine Watkins, also acknowledged that they had never consulted with people living in oversize vehicles about the proposed ordinance.
It would be hard to imagine any effort that so deeply impacts a group of people to be considered
collaborative—especially about issues so dear as housing, sleeping and fines that include having one’s home be taken away—without actually talking with them about it and soliciting their input at every point.
If a process affected housed members of the Upper Westside, for instance, to the point of them being fined and having their place to live and sleep be taken away, I can only imagine the amount of conversation, including marathon council and committee meetings, it would take to develop realistic and fair regulations. People who are unhoused subsidize those who own homes via the property tax deduction, but we wouldn’t only ask unhoused people to determine rules around housed people’s property.
Though on a smaller scale, this is not dissimilar to some of Ronald Reagan’s destructive policies, and we are living the results of those from so many years back. Like his policies, this has embedded racism, classism and queerphobia, and it continues the shift to overburden already marginalized and fragile populations to avoid having even a visual burden of seeing poverty that some housed people seem to find more offensive than actual poverty.
It’s painful to think of the effects of the OVO in particular on people’s lives, and its impact on what seems to be exceedingly low on the scale of priorities: The death count among unhoused Santa Cruz residents and the quality of life for those who are unhoused.
The city council and we who live here would be far better off if we were to orient more around the whole Santa Cruz community, not just the ones who have more power, by inviting and involving all major population groups to the discussions that affect us. That includes doing outreach to populations who have less voice and less access. We can see how much stronger our communities are when we include all of us.
When you are working on issues that involve a population, include them from the start, and include them wholeheartedly. Please look beyond those with loud voices who feel that the cultural rules as they stand are just.
Anna Paganelli
Santa Cruz
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc
There’s not many holidays we do themes around, but I’ve always felt like it was important to do an Earth Day issue. We all make jokes about overhyped holidays (yes, stores will be putting out their Christmas stuff any time now), but Earth Day—which falls on April 22 this year—is chronically underappreciated. It was founded in 1970 by San Francisco peace activist John McConnell, and it’s worth going back and reading the original Earth Day Proclamation he wrote; it’s a beautiful piece of writing that asks world leaders to not only “redirect the energies of industry and society” toward sustainability and “provide an opportunity for the children of the disinherited poor to obtain their rightful inheritance in the Earth,” but also to “peacefully end the scourge of war.” All of those goals resonate deeply this year.
Luckily for me, it’s very easy to put together an issue focused on sustainability issues when we have a science writer like Erin Malsbury. She has a great cover story on foraging which takes a much more comprehensive look at the phenomenon than I’ve seen before—we all know about mushroom foraging, but what about seaweed? It may inspire you to go out and do some gathering yourself. Erin also writes this week about the struggles at—and potential of—our much-heralded PG&E alternative Central Coast Community Energy. It’s a balanced look at critics’ charges (no pun intended, for once) and agency counterpoints that cuts through the incredible layer of bureaucrat-speak around this issue. Happy Earth Day, and here’s to a better world.
STEVE PALOPOLI | EDITOR-IN-CHIEF
LETTERS TO THE EDITOR
ONLINE COMMENTS
RE: CASEY SONNABEND
One correction, if I may … Anne Rice was not a benefactor of Casey’s. It was her husband that loved Casey and his work and who kept him in paint and canvas with a roof over his head for several years.
— Dag Weiser
Ryan Masters responds: Yes, Stan Rice was the initial contributor, but Anne signed off on the trust. Also, Stan died in 2002 and Anne continued payments until her death. However, Anne didn’t love Casey at first, and was jealous of his relationship with Stan for the first decade or two.
RE: STREET VENDING
Hallelujah on restricted street vending! It’s crowded enough by the beach without having to sidestep dozens of carts brought by vendors from the East Bay selling trinkets. The beach is for locals and visitors, not vendors.
— Reality Check
Let people sell what they want. The tourists obviously want it or else these sellers wouldn’t be there selling. This is capitalism, that is the reality.
SPOTTED ON GEMSTONE This submission comes from a Dutch photographer on vacation in Ben Lomond. He shot the ladybug taking off from amethyst with a 100mm macro lens. Photograph by Pim van den Heuvel.
Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
CAN’T STOP THE ROCK YARDSummer concerts are coming to the Quarry Amphitheater, which got an $8 million dollar makeover in 2017, closed down for Covid in 2020, and is finally reopening for concerts. This summer’s shows include Mexican-born singer-songwriter Carla Morrison (June 24) and electronica pioneers Sound Tribe Sector 9 (Aug. 12-13). The shows are produced in collaboration with Noise Pop; tickets just went on sale at quarryamphitheater.com.
GOOD WORK
Just in time for Earth Day, the City of Santa Cruz is being recognized for its work to protect the ocean. Last week, the nonprofit organization Project O certified Santa Cruz as a “Blue City” through the Blue City Network (BCN), based on an assessment of the city’s environmental initiatives and commitment to protecting its waterways and ocean. Find out more at project-o.org.
QUOTE OF THE WEEK
“Look deep into nature and you will understand everything better.”
Much is revealed in this year’s Best of Santa Cruz County. To start, take a look at the lists of winners from many different sectors of local life. These are the people, places and things that thousands of our readers chose as the very best this area has to offer. Notice that many of the businesses have been around a long time—and when the pandemic began in 2020, not all of them were sure they’d make it. Just as our readers cast their ballots to show their love of these local favorites, we all committed to supporting them with our patronage over these difficult two years. We lost plenty, but we also rallied to make sure we wouldn’t lose more. When this whole thing started, people were fond of saying, “We’ll get through this together,” and this magazine is filled with hundreds of examples of community members who—just as we helped them—helped all of us to get through.
What’s also revealed is that we’re at a whole new level of rebirth, one that we’ve wanted and needed for a long time now. There are exciting new places to go, and old friends we’ve missed (like pretty much the entirety of the Arts and Culture section, for instance?) are open to us again. May this trend never stop.
There are so many other revelations in these pages it would be impossible to list them all. (Here’s one to puzzle over in the Editor’s Picks section: is our staff completely obsessed with desserts and beaches? Spoiler alert: Yes!) So just relax, turn the page, and get ready to find out everything you need to know about the Best of Santa Cruz County.
Sometimes you have to stop and smell the roses. Other times, the rosemary, sagebrush and ocean breeze. Seriously, at the right time of year, this trail smells phenomenal. I recently stopped in my tracks mid-run when I caught a whiff of the sagebrush. Just outside of town in Wilder Ranch, the Old Cove Landing Trail to Ohlone Bluff Trail is an easy, flat and friendly 2.5-mile loop. Besides the aroma, attractions include a snowy plover preserve overlook, a fern-lined beach cave—appropriately named Fern Grotto—and a harbor seal hangout. Back near the parking lot, Jacobs Farm rosemary fields line the road. Who nose what else you’ll find! ERIN MALSBURY
Best Way to Satisfy a Late-night Taco Craving
Tacos Los Jacona
It’s not really clear to me what time Tacos Los Jacona opens or closes up shop. I’ve ordered food from this well-known Watsonville food truck on 1375 Freedom Blvd. at 6pm and I’ve also done so at midnight. And while having a taco at any time of the day is satisfying, there’s nothing quite like the latter. Dressing up a plate of hot al pastor tacos in the middle of the night with cilantro, onions and salsa, and scarfing them down while chopping it up with friends connects me to Watsonville like few other things. It’s like you can feel the heart of the little Santa Cruz County city—or maybe that’s just the vibrations from the lowrider trucks that speed by this place? TONY NUÑEZ
Best Place For Natural Wines
Apèro Club
Walking into the Apèro Club on the Westside, you just feel cool. Maybe it’s the dim, red lighting that seems to pulse with the music, maybe it’s the song playing that sounds like it’s out of a Wes Anderson movie, or maybe it’s the people nodding their heads along with the song as they pour your wine. Whatever it is, they’ve got it—and they make you feel like you do, too. If I were a Hollywood agent, and Apèro Club was an aspiring actor, you would catch me using the phrase, “you’ve got that special something, kid.” Granted, I am a millennial, so I put significant weight on the experience of a place when I give recommendations. But growing up in Wine Country, I have a snobby wine side, and Apèro’s hand-picked selection of natural wines pass my, dare I say, “elevated” palette. From funky reds to crisp whites, you will be sure to impress both your wine friends and your cool friends, and intimidate everyone in between. AIYANA MOYA
Best Chocolate Square of Irresistible Goodness
Companion Bakeshop Brownies
It all begins with a mouse-sized nibble—just enough to taste the lay of the land. Then comes a barrage of finger pinches; it’s as if you’re hypnotized, snatching piece by piece on autopilot, until the entire gooey cube of deliciousness disappears into the underbelly of your belly, leaving only a shadow of what had sat undisturbed just a few minutes earlier. I’m not even a big fan of chocolate, but I just can’t help myself around these tasty pastries. Furthermore, I usually can’t stand walnuts in baked goods. Still, somehow, Companion delivers the whole package, walnuts included, in a way that makes me forget that they’re even part of the equation. Companion’s brownies are everywhere—Santa Cruz, Aptos and even the Cabrillo Farmers Market—so you might as well give in. ADAM JOSEPH
Best New Thrift Store
Forever Thrift
I am something of a bargain hunter, especially when it comes to clothes. I love to upcycle and buy secondhand, and finding inexpensive clothes at thrift stores has been something of a specialty of mine ever since my mother and I used to hit the yard sales every Sunday. So when I unexpectedly found Forever Thrift on Seabright Avenue, I was thrilled. The cheap prices (some clothing items priced as inexpensive as $3), the graphic tees and vintage dresses, the name brands — I was in heaven. There’s so much to choose from, and sifting through the racks of clothes, you will inevitably find a gem, and one that’s unique at that. AIYANA MOYA
Best Place to Nap Your Day Away
South County Beaches
Whenever I write about Watsonville’s beaches, I have to do so with caution. Unlike the beaches in Santa Cruz, South Santa Cruz County’s beaches are not overpopulated with rows of hotels and tourists. Watsonville’s beaches are pristine and isolated. They’re the perfect place to go to get away from everything and anything. That’s why I have to proceed cautiously: Watsonville folks don’t want outsiders to know this. Sure, there are no beachside restaurants, coffee shops or bars. But you don’t go to Sunset State Beach or the Dunes for that. No, you go there with your blanket, a book, some sunscreen and a few beverages and snacks to enjoy a beach bum day. I’ve already said too much. I can feel the eyes of 53,000 Watsonville residents bearing down on me. TONY NUÑEZ
Best Winery for Alfred Hitchcock Fans
Armitage Winery
Not to be confused with the Armitage Tasting Room in Aptos Village, the Scotts Valley estate where Armitage grows its grapes and produces its wine was once the renowned filmmaker’s home away from home. From the 200-acre property, you feel like a beaked extra from one of the director’s most well-known films perched high up, overlooking the Monterey Bay. In 1940, the famous director shelled out $40,000 after coming across the spot during a scouting location trip for Rebecca. As part of Good Times’ 2021 Halloween issue,Editor Steve Palopoli wrote a piece asking, “Why Scotts Valley?” Adam Roche, the podcaster behind The Adventures of Alfred Hitchcock, offered a theory: “I think he was just attracted to that kind of rugged piece of the world.” Avoid the shower if you’re ever there. The estate is only open for special events and its Tiny Winery Concert series. armitagewines.com. ADAM JOSEPH
Best Place to Destroy a Longboard
38th Avenue
Move over, Cowells. Move over everyone, actually—and quickly. There are four people on a two-foot wave, and they’re somehow all about to collide. On a crowded day at 38th, every wave is a party wave, intentionally or not. Sometimes the party gets a little too lively. Between the, shall we say, relaxed etiquette and the rocks along the shore, it’s not unusual for boards to come away from the spot with a few new dings. On the bright side, there’s no better excuse to dive down the resin-filled rabbit hole of board repairs or get to know some local professionals. ERIN MALSBURY
Best Place to Travel Back in Time
Villager
“Roads? Where we’re going, we don’t need roads.” I’ll do Doc Brown one better: we don’t even need a stinking DeLorean to travel back in time in Watsonville. Just go to the Villager at 1032 East Lake Ave., and I’m sure you’ll bellow out a “Great Scott!” This local landmark is a dive bar’s dive bar. There are no fancy beers, the drinks will put some hair on your chest and make the hair on your head fall off, and the jukebox will tear your eardrums in two. But, hey, there’s no other place like it in Watsonville, or Santa Cruz County for that matter. Make sure to bring cash, and don’t worry, the locals who call this place home don’t bite. TONY NUÑEZ
Best Ocean Spray
West Cliff Blowhole
It’s no secret that West Cliff is home to some splash zones. When the waves are pumping, eruptions of sea spray dot the shore. But there’s one special spot not far from Natural Bridges that really puts on a show. When the tide and swell align, backwash and incoming waves collide with the cliff and spout a geyser-like stream high into the air. To find it, luck out with conditions and listen for something that sounds like a whale’s blowhole. At best, you’ll get a mesmerizing natural spectacle, and, at worst, a thoroughly scenic stroll. Pair it with a kimchidilla from Steamer Lane Supply. They’re so good that I almost wrote about that instead. ERIN MALSBURY
Best Place for a Chocolate Chip Cookie
New Leaf Bakery
This one is going to be controversial. I know Pacific Cookie Company is right there, and they are the heavyweight champion of Santa Cruz cookies. The thing is, I don’t even really like chocolate chip cookies. I know this is a cardinal sin, and if I were a serial killer—which, for the record, I am not, but if I were, this would be the character trait that my friends would point to as an indication that something was truly off with me. So with the concession that I don’t like these cookies in general, and I don’t eat them often, I would like to make the case for New Leaf bakery’s chocolate chip cookies. Maybe my expectations are already lowered—after all, how good could a grocery store cookie be, I think as I toss it one onto the conveyor belt. Maybe it’s because it’s an unexpected treat, an afterthought. Regardless, these soft, huge cookies are worth $4, and will continue to be the only ones I buy, and I will die on this hill. AIYANA MOYA
Best Place to Watch the World Burn
Highway 129 Roundabout
Back in 2016, Michael Caine’s monologue from The Dark Knight that ends with the phrase “Some men just want to watch the world burn” was hijacked by political pundits trying to understand why we decided to put the orange man in office. Well, I’m taking this phrase back. The men (and women) who want to watch the world burn are Caltrans. The state transportation agency thought it was a good idea to open a roundabout on Highway 129 just outside of Watsonville without all of the needed signage in place late last year. The idea was that the addition would slow down traffic in a dangerous intersection where collisions were all too common. I hear that early indications show that has been the case overall. But I’ve also heard and seen people drive over the center divide, and fall into a perilous circular limbo in the roundabout’s center lane. I’m sure things will improve, but, for now, Caltrans is squeezing unsuspecting drivers’ faces in their palms and asking them, “Why so serious?” Battinson, where art thou? TONY NUÑEZ
Best Slice of California History You Never Knew Existed
Rancho San Andrés Castro Adobe
You’ve probably driven by the Watsonville exit hundreds of times without giving it any thought. Why would you think that an important piece of California history exists just beyond the off-ramp for Freedom Boulevard? But the Rancho San Andrés Castro Adobe has been sitting there, just a couple miles from Highway 1, for over 170 years. Initially built as the Castro family headquarters, the structure was home to 14 different families following the Castro era. The adobe survived two of California’s largest earthquakes, but still stands proudly overlooking the Pajaro Valley, representing one of the last surviving adobes of its kind on the Central Coast. State Parks now own it, and through a unique collaboration with Friends of Santa Cruz State Parks, the monument has been undergoing restoration efforts for nearly two decades. That’s dedication! Find out more at thatsmypark.org. ADAM JOSEPH
Best Way to Show Your Environmental Friendliness While Surfing
Ashley Lloyd Eco-Boards
Let your environmental freak flag fly! Keep your ’92 Celica running on used fryer oil! Make your toothpaste out of kelp and bond with your egg supplier! (After all, chickens lay tastier eggs for friends.) Most importantly, if you’re a surfer—even one who doesn’t let their environmental freak flag fly—Santa Cruz’s Ashley Lloyd is one of the most talented eco-aware shapers around. She had already made a name for herself as a shaper and scored an endorsement from Oprah, but decided to flip her approach and use eco-materials only. Lloyd traded standard polyester resins for bio-based epoxy. She also abandoned fiberglass layers in favor of flax cloth. The risk has paid off; Lloyd says hereco boards are “strong and maintain a smooth glide.” The boards are also Ecoboard-verified through Sustainable Surf and approaching 0% waste. ADAM JOSEPH
Best Place to Work Remotely in Peace
Capitola Branch Library
Working remotely is fantastic in a lot of ways, but there’s a limit to the number of days I can sit in my house for eight hours straight. For me, coffee shops are more of an inconvenience than they’re worth: buying a $6 coffee to sit in uncomfortable chairs surrounded by loud espresso machines always leaves me questioning my decision to leave my house. Enter one of the best things to come from our tax dollars: libraries. The Capitola Branch Library sits across from a trail that leads to Peery Park, and from inside, you can see oak and eucalyptus trees through the tall windows that line the building. There are dozens of wooden desks scattered around the bright library, each one with its own outlet for chargers and comfortable leather chairs. There are a few meeting rooms, where you can discreetly take calls. It’s quiet, and sunlight brightens the room with natural light thanks to the tall windows. And, of course, we love to support public libraries. AIYANA MOYA
Best Scone Bliss
Cafe Ivéta’s Lavender White Chocolate
“How do they do it,” is one question Cafe Ivéta’s lavender, white chocolate scones might prompt you to ask. Another is, “would having one a day for the rest of my life really be that bad?” I’ll admit to a sweet tooth, but white chocolate has never been my go-to. Cafe Ivéta’s scones are just that good. A little crunch on the outside, light and fluffy on the inside, and subtly sweet, it’s no wonder these baked bundles of goodness are the cafe’s claim to fame. Cafe Ivéta opened on Delaware Ave in 2010, but started selling packaged baking mixes more than a decade earlier. They use flour from a miller in San Francisco, apricots from Hollister and other ingredients from local sources. I-veta you’ll fall in love. ERIN MALSBURY
Before our walk through the woods, Caitlin Wild places one hand on her heart and one on the Earth.
“It’s just sending this place some real heartfelt gratitude, in recognition of all the wild ones, seen and unseen,” she says. “Extending our gratitude to the native people who call this place home and stewarded this land for thousands of years before us. May we walk humbly, remembering our place in the family of things, and listen to the wisdom of the wild ones.”
Wild, the founder of Mountain Sea Adventures, started guiding edible and medicinal plant and fungi walks about five years ago. She began foraging and getting to know the species around her—“making friends,” as she calls it—10 years before that.
“It all started with mushrooms,” she says with a smile. “I went mushroom hunting with some friends, and we found a bunch of edible mushrooms. And I just could not believe you could go outside and find food everywhere. Delicious, diverse, healthy food that evolved here.”
Mushrooms are the first to draw many foragers into the wild world of gathering. But with its kelp-covered shorelines, oak-dotted chaparral, redwood forests and coastal wetlands, the areas around Santa Cruz provide much more.
GOING WILD
Gathering wild foods in Santa Cruz is nothing new—Northern California and the Central Coast have nurtured communities for more than 10,000 years. In this area, Awaswas and Mutsun-speaking peoples cared for hundreds of types of wild plants for many generations.
But the forced removal of native people from their lands and genocide at the hands of Spanish and American settlers made passing down ecological and cultural knowledge difficult.
“The thousands and thousands of people that were missionized and then emancipated after secularization, they really did not have access to many of the resources that their parents or grandparents were familiar with,” says Alan Leventhal, an ethnohistorian and archaeologist who has worked with the Muwekma Ohlone Tribe in the San Francisco Bay Area since 1980 and the Amah Mutsun Tribal Band since 1989.
Today, some Indigenous nations reunite with their ancestral lands through land trusts. The Amah Mutsun Land Trust conserves and restores traditional knowledge and stewardship practices, and the Muwekma Ohlone Preservation Foundation similarly seeks to reconnect the tribe’s people with the land and restore culture.
“It takes a very long time to establish a relationship with those plants. Our people did not domesticate plants intentionally,” says Valentin Lopez, Chairman of the Amah Mutsun Tribal Band. “Whenever you domesticate a plant, you dominate it, and you subordinate that plant to be lesser than you. We should never do that with plants. Plants are our relatives.”
Viewing plants as equals, Lopez’s ancestors would leave a gift or an offering whenever they took something.
“It’s a reciprocal relationship,” he explains. “We have a responsibility to take care of this plant—to be responsible for them. So it’s not about going out and just randomly taking. That’s really disrespectful, and it should never be done that way.”
Tobacco, songs and prayers are a few examples of traditional offerings, but Lopez declines to give too many details.
“I don’t want people thinking that I’m giving them the right to gather, or that I’m teaching them the native way of gathering,” he says.
When asked about ethical ways for non-native people to forage, he emphasizes the importance of learning what plants mean.
“That plant is a gift from Creator, and that plant is a relative of ours,” he says. “And we have an obligation.”
He recommends the book Tending the Wild by Kat Anderson as a way to learn more about indigenous relationships with plants.
As far as what to focus on, “maybe people should learn how to gather the non-native plants only, and I can’t help much there,” he says with a chuckle.
KNOW YOUR SPORES
There are plenty of non-native organisms to choose from, but starting out with identifications can feel daunting. Most foragers recommend getting to know one species inside and out first. The rest follows naturally.
For many people, especially in Santa Cruz, that first species is some kind of mushroom.
“We have this very active and wonderful, dedicated Fungus Federation here,” says Maya Elson, who leads mushroom hunts, applied mycology workshops and plant foraging walks with Mycopsychology.
Most major cities in California have mycology clubs, but the Fungus Federation of Santa Cruz stands out. The club hosts the annual Fungus Fair, forays, talks and workshops. Longtime members also contribute to the science of mycology at large, publishing identification books and discovering new species.
But even though mushrooms are “something that has a little more of a presence in the everyday person’s mind around here,” Elson says the average person still suffers from mycophobia.
“I have a lot of people who are afraid to even touch mushrooms, afraid to let their kids get excited about them,” she says. “And I just find that really sad. It’s a real barrier to us finding our place within our ecosystem and building relationships with our ecosystem.”
While not wanting to be alarmist, Elson and other experts emphasize the importance of cross-checking identifications, and being 100% certain that foraged finds are safe before eating them. Most people know that putting the wrong mushroom in your mouth could make for a very bad day.
Phil Carpenter digs up a death cap (Amanita phalloides). One of this size contains enough toxins to kill a large adult. PHOTO: Erin Malsbury
Phil Carpenter, a retired chemist who has led mushroom walks at UCSC for over 30 years, consults with the local hospitals on mushroom poisonings. He recalls one deadly season in particular.
“There was a rumor going around Santa Cruz that all amanitas—a genus of mushroom—are hallucinogenic,” he says with a sigh. People were accidentally poisoning themselves with death caps, one of the deadliest mushrooms in the world.
“It’s a horrible way to go,” he says. “Basically, your liver dissolves, and you die in your own toxins.”
The solution, he says, is more education. “It’s being cursed with a little bit of knowledge, and not enough to make a proper decision.”
Many of the calls he gets come from panicked parents whose toddler has just eaten something.
“They rush them to the hospital, and they terrorize these poor kids. And half the time, they’ve got a good edible,” he says with a chuckle.
Carpenter started foraging as a young child with his family. He encourages people who want to get into it as adults to join a club like the Fungus Federation.
“Get to know people who know what they’re doing, and learn from them,” he says.
Some of his favorite species to find in California are porcini, morels, chanterelles and candy caps. The latter tastes almost like maple syrup when dried, and are often added to desserts such as cookies and ice creams.
ECO GATEWAY
One of the challenges to mushroom foraging in the area is finding legal locations. Most public lands do not allow harvesting.
“There’s just a real limitation to places that we can legally forage,” says Elson. “And then those places are often way over-harvested.”
Some of this strict regulation comes from a lack of understanding of fungi, foragers say.
“When you’re doing it right—the way I teach people—it’s actually regenerative,” says Elson, who studied fungal biology at Evergreen State College in Washington.
“A mushroom is a fruiting body of this stuff called mycelium,” she explains. The mushrooms pop up to spread spores, which are “little microscopic packets of genetic information that float around in the wind,” similar to tiny seeds.
By collecting mushrooms in baskets or bags with holes and walking around the forest, “you’re like a little spore fairy,” says Elson.
Since most of the organism lives in the soil as the root-like mycelium, people should take care not to disturb the ground around mushrooms. That can do more damage than over-harvesting, Elson cautions.
Most of these mycelia live in symbiosis with specific plants. They exchange sugars, nutrients and minerals through their root systems.
This partnership is why foragers look for specific trees when searching for certain mushrooms. And it’s how mushrooms become a gateway into getting to know the rest of an ecosystem.
“Mushrooming has given me a completely different way of looking at things,” says Phil Carpenter. “The interrelationship between the fungi and the trees, and knowing your trees—it has made me a better naturalist.”
LESSONS FROM THE LAND
As I walk through the forest with Caitlin Wild, she stops frequently to point out “friends.” One thing that begins to stand out among the mushrooms and trees is the variety of fresh greens.
Wood sorrel, also known as sour grass, has a tart, almost lemony taste. Curly dock, a wavy-leaved weed native to Europe, also tastes a bit sour, and can become mouth-puckeringly bitter as they mature.
Claytonia, also known as miner’s lettuce, provides a sweeter flavor.
“The younger claytonia looks pretty distinct from the older claytonia,” says Wild. “So you want a guidebook that really shows the life cycle of the plants or mushrooms that you’re harvesting.”
Wild advises using two or more books to cross-reference identifications. She stays away from phone apps because of spotty cell service and high margins of error.
“Be 100% sure before ingesting anything,” she says. “And if you’re ever in doubt, don’t eat them.”
Non-native edible flower blossoms like wild radish, common mustard and nasturtium provide a pop of color and delicate floral taste.
Just like with any foraging, when harvesting greens, it’s important to stay aware of your impact.
“Only harvest abundant species. Only harvest, maximum, one-quarter of what you see. Only take what you need—duh,” says Wild. “And make sure you have permission.”
She points to a small beetle on a claytonia leaf.
“What I mean by that is sometimes you get a very clear ‘no.’”
An animal on the plant, a spider web or a poisonous species nearby all signal a forager to move along.
We come across a patch of poison oak.
“I consider poison oak—or what I call “protector oak,” because they protect the ecosystem from human invasion—to be a master teacher,” says Wild.
She calls plants and fungi “they” rather than “it.”
“If we really believe that the whole ecosystem is alive, which of course I do, I don’t want to objectify them by calling them ‘it,’” she explains.
Wild traces the roots of that practice to Indigenous languages.
“What that does is it actually brings you into a relationship with them, and when we objectify and call things ‘it,’ it’s much easier to destroy and not take care of them,” she says.
Every few feet, we pass new plants with new uses. I ask Wild whether she has a favorite thing to look for.
“The thing that I’m looking for,” she says with a laugh. Wild’s searches change with the seasons. And despite her deep familiarity with her surroundings, she still learns constantly.
“You can dive deep into it and over the course of your lifetime never be done,” she says.
In addition to medicinal and edible plant and mushroom walks, Wild leads longer immersive trips into nature. But you don’t need to go on a backpacking trip to connect with the non-human world, she says. “You can just go outside and take your shoes off or put your hands on the Earth.”
SEE FOOD
Some professional foragers, like Wild and Elson, make their living guiding people through nature. Others collect commercially.
As the founder of Seaquoia, Ian O’Hollaren spends his days harvesting wild kelp. He became interested in organic fertilizers while studying horticulture in Hawai’i and learned about the use of seaweed. When he returned to California, he bought an identification book and started learning different species.
Along the West Coast, cold, nutrient-rich water wells up from the deep sea and supports a huge diversity of seaweeds.
“Dwarf rockweed, sea palm, kombu, nori, wakame, cat tongue, grapestone, splendid iridescent, bladderwrack…” he says, reciting species found in the intertidal zone—the space between low and high tides.
Seaweeds, which are actually algae rather than true plants, fall into three categories: red, brown and green. Although we might have trouble digesting some of them, no known seaweeds are considered poisonous.
O’Hollaren, who branched out from fertilizers to culinary applications, has a commercial license and harvests away from towns, river mouths and other potential sources of pollutants. He’s also careful not to collect from no-take marine protected areas and avoids rare species.
Young cats tongue seaweed (left) and bladderwrack seaweed (center) can both be harvested in amounts under 10 pounds without a permit. California mussels (right) require a fishing license and should only be harvested in season to avoid paralytic shellfish poisoning. PHOTO: Erin Malsbury
“Everyone should always look into their local regulations and be mindful,” O’Hollaren says.
When he collects, he prunes just a bit from each plant.
“Cleaning them off is how I look at it—kind of taking some weight off the plant,” he explains.
O’Hollaren works with farmers, restaurants and cosmetic companies on everything from fertilizer to kelp beer.
“It’s been really fun exploring and creating these relationships with different companies and watching them grow and create their ideas,” he says.
For home kitchens, O’Hollaren suggests using kelps like any other vegetable. Starting with crunchier varieties can make the process a bit less intimidating.
Dwarf rockweed, for example, gives a mild briny flavor without any of the sliminess you might expect from seaweed. It turns bright green when cooked and stays just as crisp as when raw.
The Seaquoia website lists other ideas and recipes for the kelp-curious.
GATHERING COMMUNITY
During one of my first forays to collect seaweed in the intertidal, a stranger cracked an urchin shell open and offered me a taste of uni. A few moments later, another stranger was describing the best way to steam mussels. As we meandered across the exposed reef, we exchanged tips and stories.
“It’s a great opportunity to bring generations of people together,” says Peter Mu, an investment advisor who spends his spare time free diving, foraging and organizing programs for the Fungus Federation.
The communities built through foraging help keep people and ecosystems safe.
“When people are interested in participating, every step along the way there should be communication about doing it legally, doing it appropriately, getting connected to readily available regulations,” says Mu.
“This is why groups like the Fungus Federation of Santa Cruz exist. Our purpose is to educate the public about how to enjoy the resources of fungi safely,” he continues.
Staying on top of state and county regulations—especially within the marine environment—can prove tricky. Mu has watched fisheries shrink and close over time, and things change seasonally.
For plants and mushrooms, policies often stay more consistent. But seasons and abundances are shifting as the climate changes.
“Climate change is definitely reflected in the mushrooms,” says Carpenter. With warmer temperatures and changing rainfall patterns, “we’re seeing more Southern California mushrooms sliding up here, and we’re seeing other things move north,” he says. “And the fungal health relates to forest health.”
Wild and Elson both agree.
“In the small amount of time I’ve been foraging—the past 15 years—the seasons have been changing,” says Wild. “The mushroom season is way shorter. The rains come later, and they are far fewer than when I started.”
She and Elson both suggest supporting Indigenous communities and land trusts as one way to help protect the environment.
“When you’re fed by the ecosystem, you naturally want to feed it back,” says Elson. “There are a lot of ways that we can support our ecosystem, and it’s really urgent that we do so right now.”