Shadowbrook is Destination Dining—Even for Lunch

Polished and gleaming, the Shadowbrook wears its age gracefully. In fact, its seven decades of dining give it several things few places today can offer—grace, a touch of class and pride in the authentic touches that make dining here memorable. It’s famous for its acres of gleaming woodwork, polished brass accents, the well-kept gardens lining the serpentine walkway down from street level. The ladies room offers the sort of cushioned, wallpapered luxury you associate with Elizabeth Taylor movies and wedding receptions.

Shadowbrook is the local go-to spot for special occasions, and the terrace at lunchtime last week was hosting a large family gathering, and a 13th birthday lunch. Meanwhile, we were returning to check out the summertime lunch at this fabled dinner house. “We’ve never had a bad meal here,” my companion recalled as he checked out the menu—salads, pizzas and a few choice entree sandwiches. On the contrary, we’ve had some mighty fine meals here at the restaurant my parents too used to frequent, and which owner Ted Burke still hosts with style.

I am such a fan of those addictive bacon-wrapped prawns that I didn’t think twice about ordering us a small plate of four ($11.50) to start off lunch. Char-grilled in a tangy soy glaze, these decadent appetizers can’t be beat. Especially dipped in the pickled ginger or sesame-mustard sauce. A gorgeous pizza was brought over to the adjoining table, the kind with the blistered crust that had us reminiscing about Rome. Waiting for our main dishes, we surveyed the drinks list and noticed a charming selection of Retro Favorite cocktails culled from 70 years of expertise. Old-Fashioneds, Negronis, Sazeracs, a Tequila Sunrise—remember when those were on every menu? Great prices on these and all the cocktails. Instead of insisting on updating itself, from menu to decor, Shadowbrook trusts its instincts. Patrons come here wanting to enjoy the classic menus that can’t be improved upon.

So yes, I did want a house burger ($16.95) with bacon jam ($2.95) and cheese ($2.25) (brie on top, please!), and my companion succumbed to an item once found on every menu in California: a seared Ahi Salad Niçoise ($22.95). A giant bottle of icy San Pellegrino ($5) was the perfect partner on the warm mid-day.

The service at Shadowbrook was perfect. Our waitperson made sure we had any extras we wanted, and responded to questions or requests with a friendly can-do attitude. What a pleasure to find well-trained and engaging service, especially given the issues restaurants have faced during the past two years of upheaval. Arriving along with salt and pepper grinders and a little pot of ketchup, my burger was gorgeous, glistening under a glaze of thick bits of bacon in an onion jam, topped with long strips of melting Brie. In a delicious bun, one side open to reveal sliced tomatoes, the burger was just plain wonderful. The burger you want when you want a burger. Coleslaw on the side made perfect sweet/tangy sense with the rich beef. The ahi Niçoise was huge and gorgeous. Slices of seared pink tuna fanned out across a generous salad of fresh baby greens. A sliced hardboiled egg sprinkled with paprika, little red potatoes, green beans, sundried tomatoes, capers and yes, pungent niçoise olives. What an array! The vinaigrette lightly drizzled over the entire creation pulled every bite into delicious focus. I took one last look at the hillside filled with blooming nasturtiums as we made our way back up the fragrant garden walkway. When you go to Shadowbrook for lunch this summer, make sure you go early. Everybody wants those outdoor tables.

Shadowbrook, 1750 Wharf Road, Capitola. Lounge and Patio, daily noon -10pm. Dining room, M-F 4-8:30pm; weekends from 2pm. shadowbrook-capitola.com.

Watsonville’s Downtown Plan Completely Reimagines Corridor

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The addition of around 4,000 new housing units over the course of 25 years. Two-way traffic on Lake and Beach streets. A completely reimagined industrial district on Walker Street. A network of pedestrian “paseos” that provides safe walking paths. The reduction of one lane on Main Street.

All of these ideas are part of a wishlist included in the draft of the Downtown Watsonville Specific Plan, a comprehensive planning document in the works for the past two years that will guide development downtown, reviewed by the city’s advisory committee at a virtual June 30 meeting.

A coalition of public officials, developers, business owners, nonprofit leaders and community organizers, the committee asked questions and gave feedback to the land-use consultant—Raimi + Associates—and City of Watsonville representatives at the gathering. Among their biggest areas of concern: The implementation of a “road diet” on Main Street, the proposed plan for Walker Street, the reduction of parking requirements and new land-use restrictions.

Getting around

The reduction of lanes, commonly referred to by planners as a road diet, on Main Street has been a hot topic since it was first introduced in 2019.

City staff says that the California Department of Transportation (Caltrans) is now not only tentatively on board with the project but is showing interest in using Watsonville as a road diet case study for other similar-sized communities that have a highway thoroughfare running through their downtown area.

“This is something that [Caltrans] would like to explore as part of their own project,” Watsonville Principal Planner Justin Meek said. “This would be something that the state would take on, would design, would fund, would build. It’s a good benefit for the city, itself, that the state would do on our behalf.”

The road diet included in the draft plan would change Main Street from four lanes to three lanes, with one lane in each direction and a middle turning lane and median. This would allow the addition of bike lanes and extended curbs and sidewalks along the street.

In order for that plan to move forward, the city must conduct an environmental impact report (EIR) to measure what effect it will have on the area. That EIR is underway and will be completed by the fall, according to Watsonville Community Development Department Director Suzi Merriam.

The road alterations don’t end there. The draft plan also suggests changing East Lake Avenue and East Beach Street in downtown to allow two-way traffic. Other streets such as Union, Brennan and Rodriguez are listed in the plan as roads that will need to be improved with bike lanes and larger sidewalks if the road diet is approved and traffic begins to spill into other areas.

Another ambitious plan included in the draft: A snaking pedestrian path linking the corridor through businesses, parks and housing developments. These so-called “paseos” would provide pedestrians with a way to navigate downtown without having to walk alongside street traffic.

These walkways would be prime locations for street art, outdoor dining and entertainment, the draft plan stated.

Industrial revolution

The draft also lists a handful of “opportunity sites” that, if redeveloped by the city or current landowners, could help address housing and economic development downtown. These sites include Watsonville police headquarters and the old city hall between Union and Main streets; the site that houses Ramos Furniture and Habitat for Humanity ReStore next to Bank of America on the corner of Main and 5th streets; and the city-owned parking lot off of Union Street between East Lake Avenue and East Beach Street.

The draft also suggests a wholesale makeover of several properties off Walker Street around the historic rail station. The stretch of Walker between Lake Avenue and Beach Street could accommodate opportunities for housing, and commercial development that, planners say, would fit the growing trend of placing more services around transportation.

Multiple committee members said that with the recent defeat of Measure D meaning plans for the rail trail will likely move forward, the redevelopment of sites across the street from the station is key for the city’s growth and environmental sustainability. But before that development occurs, committee members urged that the city address pedestrian safety in the area.

“Walkability between Walker to Main Street is a bit challenging for seniors and folks with mobility issues,” said committee member Felipe Hernandez, the former mayor of Watsonville and current candidate for Santa Cruz County Supervisor. “Here on Ford Street, I see people trying to walk with walkers, with baby carriages or on wheelchairs, and they have to move on the street because of telephone poles and narrow sidewalks.”

Parking & housing 

In all, the draft plan projects that the corridor—with the initiatives identified—could add roughly 3,910 housing units over 25 years.

A big reason why this would be a possibility is the reduction of parking requirements for housing developments. Developers would no longer have to meet the current requirement of including at least two parking spaces for each studio, 1-bedroom and 2-bedroom units included in their project. In addition, affordable housing projects would be wholly exempt from minimum parking requirements, according to the draft plan.

The plan also suggests the city change parking time limits and pricing throughout downtown to funnel visitors to less-frequented spots and maximize the use of city-owned parking lots.

Another reason why the number of housing units could quickly increase: Projects in the core of downtown can now be built six stories tall—the maximum height falls to three stories as one moves away from Main Street into the adjacent neighborhoods to the east and west.

Businesses 

The committee also had concerns about the land-use restrictions suggested in the draft plan, which states that thrift shops and antique shops would no longer be allowed downtown.

Raimi + Associates planner Simran Malhotra said that the draft plan excluded these businesses—which also include pawn shops—because there are already several of these establishments downtown.

“The desire is to encourage more restaurants, cafes and other types of uses within that core area,” Malhotra said, adding that current thrift and antique stores will be grandfathered into the corridor.

But local artist Judy Gittelsohn said that this could deter eclectic businesses from moving downtown. Gittelsohn, who last year established Studio Judy G downtown, highlighted the success of vintage houseware retailer SHEF in asking that these businesses be included in the corridor’s future.

“How do you allow for funky, little artisans to be in the town if you’re going to do this?” she asked. “I think what you’re doing here is cutting off your nose to spite your face.”

Feedback

The draft plan is open for public comment through July 14.

The advisory committee will have another virtual public meeting on July 21 in which it will go over the draft plan and the public feedback it received.

The plan, along with the EIR for the road diet, will likely go to the Watsonville City Council for approval in the late fall.
For information on the plan and to give feedback, visit cityofwatsonville.org/1626/Downtown-Specific-Plan.

Family of Aptos High student killed in stabbing sues PVUSD

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The family of the Aptos High School student who died last year after he was stabbed during an on-campus attack has sued Pajaro Valley Unified School District, claiming that the district failed in its duty to protect its students.

The lawsuit, filed July 7 by attorney Charles Tony Piccuta, also states that the district knew that the student involved in the attack—identified only as K.O.—had been involved in a separate on-campus attack with a knife two weeks earlier.

The lawsuit is part of the continuation process from the initial claim filed in December 2021.

Because that attack amounted to child abuse, the district was therefore required to inform local law enforcement of the incident, Piccuta says.

“Had (the) defendants fulfilled their duties to report K.O. to law enforcement, K.O. would not have been present at AHS on August 31, 2021, and Gerardo would still be alive,” he stated in the lawsuit.

In addition, Piccuta says the district was aware of a rise in violent incidents on the campus after the Board of Trustees eliminated the school resource officer program in July 2020, and about a lack of security cameras that left areas of the school uncovered.

The family is also suing for wrongful death and emotional distress for the Aptos High student, who was 17 when he died.

The attack occurred Aug. 31, just after classes ended for the day. The suspect and another student identified in the lawsuit as I.R. attacked their peer behind the school’s gymnasium as he waited for his sister to pick him up. During the attack, K.O. stabbed him with a knife, Piccuta says.

Both suspects had violent pasts, Piccuta says.

No school employees were in the area, he says, and no cameras covered the area, a fact that was well known to staff.

“Defendants were aware of this because teachers had complained about the lack of supervision over students and disruption of classes caused by students who remained on campus and did not have classes at that time,” Piccuta states in the lawsuit.

According to the lawsuit, the student’s sister arrived soon after the attack and saw him staggering toward her. She saw no staff present and called 911.

Staff members, including a nurse, arrived several minutes after that. The nurse, according to Piccuta, offered no medical help except to tell the student to lie flat.

He was airlifted to a medical center, where he later died.

Parties named in the lawsuit include four Aptos High campus supervisors, Principal Peggy Pughe, Assistant Principal Katie Kriscunas and PVUSD Superintendent Michelle Rodriguez.

According to Piccuta, the defendants had a duty to inform law enforcement about the previous incident involving K.O. under district policy and California mandated reporter laws.

They also shirked in their duty to “identify appropriate locations for the placement of surveillance cameras,” the lawsuit states.

Piccuta also says that both PVUSD Board Policy and state law require the district to remove anyone from school grounds that poses a safety threat.

“The mid-August assault of another student by K.O., who brandished and/or cut the other student with a knife amounted to child abuse by K.O.,” Piccuta states.

After the attack, the PVUSD Board of Trustees reinstated the school resource officer program, and Watsonville Police officers have since returned to Pajaro Valley and Watsonville high schools. Additionally, a Santa Cruz County Sheriff’s deputy recently returned to the Aptos High campus.

PVUSD spokeswoman Alicia Jimenez said Friday that the district had not yet been served with the lawsuit.

“When the lawsuit regarding this matter is received by the District, it will be given to the District’s legal counsel for appropriate next steps,” she said. “As this is a litigation matter, the District cannot comment further on this case other than to offer our sincere sympathies to the family.”

New Film Honors CZU Survivors

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In honor of the second anniversary of the CZU Lightning Complex, Mountain Community Theater (MCT) Director Peter Gelblum did something extraordinary to commemorate the event: he wrote a film about it. 

Of the movie, entitled, The CZU Fire In Their Own Words: Fighting Fires, Losing Homes and Rebuilding Community, Gelblum says, “Our idea was to create a living document about the fire and the effect it had on the Valley, as a gift to the community.”

Gelblum’s gift is set to be released on Saturday, July 9 at 7pm at the Boulder Creek Recreation Center, with all proceeds to be divided between Boulder Creek Fire Department and the Community Foundation’s Fire Recovery Fund. 

The film is done documentary-style, with members of MCT featured in the roles of fire survivors, resulting in a compendium of memories and local art, wrapped in music and presented to the community it reflects. 

The script is based on interviews Gelblum conducted with various community members: Matt and Mindy Lariz, Marj and Steve Young, the Ring Family, Big Basin Redwood Park Interpreter Susan Blake, Clinical Social Worker Joan Donato, The Red Pearl’s Jenny Wu, Boulder Creek Native Brian Garrahan and Boulder Creek Fire Protection District Chief Mark Bingham. 

Gelblum says the impetus for making this film was an emotional response to the CZU Fire’s wrath. 

“The unprecedented destruction of both the forest and homes, the vast amount of emotional, material, and ecological suffering, and the enormous outpouring of love and support from neighbors and community,” he says. ”As a performing arts organization, we were in a unique position to create a document of this extraordinary event.” 

When it came time to select the stories to share, Gelblum had many to choose from. 

“I’d read about Brian Garrahan’s heroic “unofficial” efforts to fight the fire, show people what was happening with their houses (including ours), and feed animals (including our cat),” he says. “I and other people at MCT knew people who had lost their homes, and who had interesting stories about their fire experiences.”

MCT’s cast and crew found different messages and motivations in their roles. Actor Grace Peng, who plays Wu, says she felt honored to be a part of the project. 

“I was touched that MCT was creating an homage to the victims of this tightly knit community to memorialize the devastating effects of the CZU fire and how the people of Boulder Creek came together to help one another,” says Peng.

Wu, whose house was lost in the fire, returned to her restaurant as soon as she could after evacuation orders were lifted, and went to work feeding survivors at no charge. 

“I met Jenny a few times, and she is so lovely, generous and kind,” says Peng, who also highlighted a larger message at play. “In California, fire is a part of our new reality. While the fire destroyed so many homes and personal items, the power and generosity of community, of the human connection and love, is unwavering and endures. This film would be relevant to all but may be particularly interesting to those who live in vulnerable regions that are prone to fire.”

Actor Sarah Marsh, who plays Mindy Lariz, says the idea of participating in the film was a little daunting when she was first asked. 

“I wanted Matt and Mandy Lariz (the couple Nat Robinson and I portrayed) to feel heard, represented, and loved. This film shows the resiliency of the human spirit. We might hear that a lot, but these precious humans actually lived it,” Marsh says. “During a deadly global pandemic, job and financial insecurity, a racial injustice reckoning, and nastiness of an upcoming election, they lost their homes, possessions, and security in that disastrous fire. To hear their stories and see how they survived in the midst of so much heartache … how can one not be moved and amazed at their courage and tenacity?” 

Marsh also found solace in the retelling of the survivors’ stories. 

“There is power in sharing our stories. I’m grateful to Peter Gelblum for leading, directing, and editing this project, and I’m extremely thankful to those who shared. May your stories bring solidarity and hope to others who go through scary and difficult times,” she says.

Cabrillo Stage and MCT are the home away from home for actor, singer and dancer Mindy Pedlar. In addition to promoting Cabrillo Stage’s various plays and musicals, she’s also a staple at MCT and was given the role of Marj Young (wife of Steve Young, played by David Leach). 

“I thought it was a wonderful idea for our community and I was honored to be asked to be a part of it,” Pedlar says.

Pedlar says that she and Leach had the opportunity to meet the Young family and visit their property. 

“I wasn’t expecting to cry, but the sense of loss was overwhelming and tears flowed. The trees were trying to reassure me, telling me ‘It’s OK, we’ll grow again,’” Pedlar says. “My heart ached for this couple that had lost so much, but I admired their desire to carry on, perhaps to rebuild and their gratitude that their family was safe.” 

Pedlar says the message of the film was one of resilience. 

“To me, it’s an example of ordinary people going through a devastating experience, dealing with great loss yet somehow rising above the situation and coming together to help each other,” Pedlar says. “In these terrible pandemic and political times, it’s heartwarming to see the generosity of our community at large. For all of us, it’s important to be heard, particularly when trauma has been experienced. This film gives voice to the survivors.”

Leach, who has been featured prominently in many of Gelblum’s MCT performances, says he believes “the primary message is tragedy is really hard on us, on a personal level, in so many ways and it’s always just around the corner.” 

“But the human spirit, like the earth, is incredibly resilient and able to recover from almost anything you can imagine,” he says. “Or, if you want a simpler one, even in tragedy, it’s the people you love who remain the most important things in our lives. Tragedy doesn’t just happen to the ‘other guy.’ It has the potential to strike any of us, at any time, without warning. So stay aware, keep yourself prepared to evacuate at a moment’s notice. And don’t covet stuff, treat others with dignity and love and you will be better off.”

Helene Simkin Jara, who gave voice to Park Ranger Blake in the film, says she “was feeling honored to be representing someone who had experienced such a great loss.” 

“A main message in the film to me is the strong human ability to survive and continue even after such an enormous loss. Also, the willingness of neighbors and friends to help each other in times of great need,” Simkin Jara says. “We never know when a tragedy will happen, and it can happen in the blink of an eye, so the appreciation of what we have in the present counts for a lot and is a good thing to be mindful of.”

Gelblum says he is looking forward to sharing the film with the community it represents. 

“Mountain Community Theater funded the film as a gift to the community,” he says.

The initial screening of the film will be on Saturday, July 9 at the Boulder Creek Rec Center at 7pm. The film will also be shown at one or two other places in the Valley, Bonny Doon and possibly downtown Santa Cruz; Gelblum is hoping to screen it at the Second Annual CZU Remembrance event at Brookdale Lodge on Aug. 18, the second anniversary of the fire. It will eventually be posted on the MCT website and YouTube channel.

Measure U Renewal Now Faces Competition in November

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When Watsonville voters head to the polls in November they will choose between two critical ballot measures concerning the future of the city.

Should they extend outward growth restrictions put in place 20 years ago through 2040, or determine a new, 30-year growth plan for the city in a year-long community visioning process?

The Watsonville City Council in a split 4-3 vote placed a ballot measure that will run in opposition to the proposed renewal of Measure U spearheaded by a group of agriculture industry reps and environmentalists, better known as the Committee for Planned Growth and Farmland Protection.

That group’s initiative—placed on the ballot in March—seeks to extend Watsonville’s expiring urban limit line approved by voters in 2002 for another 18 years in order to preserve agricultural land.

The competing ballot measure introduced at Thursday’s special meeting would not toss out the restrictions included in Measure U—in fact, it would also extend them through 2040—but it could significantly change the urban limit line depending on the results of the upcoming general plan update, a massive, multi-month undertaking in which the community will determine what Watsonville should strive to be by 2050. 

If approved, the measure would allow the council to amend the urban limit line to include parcels identified in the general plan update, which begins later this year.

Both the committee’s measure and the countermeasure only need a simple majority for approval. If both are approved, the measure with more votes in favor would win.

In addition, they both could fail. In that case, the committee and city would be back at the drawing board with some of Measure U’s restrictions set to expire at the end of the year—the rest sunset in 2027.

Councilmembers Eduardo Montesino, Francisco “Paco” Estrada, Lowell Hurst and Vanessa Quiroz-Carter voted to place the new measure on the ballot. 

A few minutes earlier, Montesino, Estrada and Quiroz-Carter voted against a compromise between the city and the committee that would have kept the current urban limit line in place, save for a 13.6-acre agricultural lot at 320 Lee Road, which city staff says could turn into a needed revenue generator if redeveloped into a commercial property.

Councilmember Rebecca Garcia joined that trio in voting against the compromise, and also voted against the countermeasure.

It was the second time the council had thrown out the compromise. Last week, they neither approved nor denied the proposal. Instead, they asked city staff to return with a countermeasure that could run against the committee’s efforts.

Proponents of the committee’s measure say that Measure U’s growth restrictions have had an overwhelmingly positive effect on Watsonville over the past 19 years. They say that preserving ag land has not only kept the Pajaro Valley’s strong presence in the agricultural industry intact but has also forced the city to focus on dense, infill development and limit dreaded urban sprawl.

And, they add, there are still plenty of underutilized and vacant properties throughout the city that can be redeveloped to help the city meet its mounting housing and economic needs.

Critics, however, say that Measure U has hamstrung the city’s ability to adequately build housing—specifically, single-family homes for purchase—and lure large employers and economic drivers commonplace in other cities. 

Some on the council have also said the committee’s measure is “undemocratic” because it does not give residents an opportunity to reassess the community and its needs in the same way they did during the creation of Measure U in the late 1990s.

But their counterparts have called those claims phooey, saying that the committee’s signature-gathering efforts to put the item on the ballot is the basis of the democratic process.

The competing measures will be included in a long list of items before Watsonville voters in the Nov. 8 election. Four city council seats will be up for grabs and the city has a half-cent sales tax increase on the ballot as well. In addition, Dutra and Felipe Hernandez will square off for the 4th District Santa Cruz County Supervisor seat currently occupied by Greg Caput.

Mendez Takes Over as Watsonville City Manager

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New Watsonville City Manager Rene Mendez stepped into the leadership role on July 1. 

Just three days later he was driving Watsonville City Councilman Jimmy Dutra through the Spirit of Watsonville Fourth of July Parade in a Chevrolet Corvette, and, in the time before and after, working feverishly with staff on a key ballot measure for the November election, and meeting with several local organizations.

“It’s a balancing act,” he says.

Mendez, 57, was named the city’s chief executive in April, bringing to an end a months-long search to find a replacement for former city manager Matt Huffaker, who is now the city manager at Santa Cruz.

He brings in three decades of experience in state, county and city government, including the previous 18 years as the city manager with the City of Gonzales. In that role, Mendez, among other things, led efforts to create a Health in All Policies initiative, a youth council that represents the city’s young people at city council and school board meetings and an ambitious microgrid energy project. He was also instrumental in convincing agricultural industry giants Taylor Farms and Mann Packing to set up in the Monterey County city of roughly 9,000 residents.

Mendez says he sees several parallels between his new job and old stomping grounds, but explained that he first wants to embed himself within the Watsonville community before moving forward with any initiatives.

“I’m going to be available and accessible, and I want to learn,” Mendez says. “I have my thoughts, ideas and approaches, but part of the art of this is to figure out how it works … Clearly, there’s a lot of great stuff going on, and, to me, it’s how I can support and enhance that and not get in the way of the stuff that’s going on.”

But, he adds, there are three issues that will likely be focal points of his tenure with Watsonville: housing, economic vitality and community engagement. All three issues, he explains, are interconnected, and have big implications for the city’s large population of youth and young adults. He says the city should help in any way it can in creating paths for its younger residents to access higher education, find a good-paying job and, ultimately, own a home.

“How do we tap into [this generation] to get more involved in their community?” Mendez says. “Obviously, we want to work with all segments of the community, but one of the challenges and goals that I see is how do we bring in segments of the community that have not felt that they’ve had access or participated. It’s not easy, and it’s not going to happen overnight. But that doesn’t mean we’re not going to keep knocking on the door.”

Mendez signed a five-year deal with a base annual salary of $240,000. 

He takes over during a time in which Watsonville’s leadership and direction could see big changes. Three city council seats will be up for grabs in the upcoming Nov. 8 election, and Watsonville voters will also decide whether to support the extension of current outward growth restrictions and a half-cent sales tax measure.

He says he made the decision to leave Gonzales for Watsonville—a move made easier after the recent graduation of his two sons from Gonzales High School—to continue his “professional growth.”

“One of the things that I hope people find out about me is that I don’t sit still—I’m not a maintainer,” he says. “I think you have to maintain things but I’m always working to improve.”

Mendez is a first-generation Mexican American who grew up in the Central Valley and worked in the agricultural fields as a youth. He holds a master’s degree in public policy from Duke University. He first worked as a state legislative analyst before being hired as an analyst for Solano County and then as the County Administrator for Inyo County. He then joined Gonzales as the city’s lead public official.

It took all of two weeks for him to realize that being a city manager is “the best job in the world.” 

He came to that realization when a woman randomly walked through his door and asked if the city had a youth soccer league. At the time, Gonzales did not. So he told her to gather the coaches and kids and the city would find the fields and equipment. That was the start of a strong partnership between the youth soccer league and the city that has paid dividends for the community multiple times.

“That was a reminder that sometimes the investment is only like 2 cents and the return is amazing,” Mendez says. “You had parents, kids, families there—salen todos. So, now, from a city perspective, you can participate, you can ask questions, you can put a table out there for information—aver que—you don’t have to force it on people because they’re already there. If the city wants to do that by themselves that would take more effort and resources … That, to me, is why I think this work is so exciting. Making those connections.”

Things to Do in Santa Cruz: July 6-12

ARTS AND MUSIC

DANIEL CHAMPAGNE When the Aussie prodigy first picked up his father’s guitar at the age of five, it simply made sense. By 12, Champagne was penning original songs and began training classically while performing wherever and whenever possible. Over the last decade, the musician has released five acclaimed records, averaged about 300 live dates annually and shared stages with Lucinda Williams, Ani DiFranco, Judy Collins and Rodrigo y Gabriela. $25. Wednesday, July 6, 7:30pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

THE WAYBACKS The San Francisco foursome has been perpetually evolving for more than two decades—and continues to experiment with an eclectic sound driven by guitarist James Nash, fiddle virtuoso Warren Hood, bassist Joe Kyle Jr. and drummer Chuck Hamilton. The outfit’s blend of improvisation, skill and animated irreverence equates to a musically satisfying experience in any setting. “The whole spirit of improvisation has always been the cornerstone of this band for me,” Nash says. “I can do whatever I feel like doing at any moment.” $25. Sunday, July 7, 7:30pm. Michael’s on Main, 2591 Main St., Soquel. michaelsonmain.info.

MAN IN BLACK From the crying weeping willows of “Big River” to the fiery ring “bound by wild desire” in “Ring of Fire,” the Santa Cruz quartet does all things Johnny Cash. Boardwalk shows are on the Colonnade Stage, located on the beachside of Neptune’s Kingdom—the dance area is in front of the stage. Free. Thursday, July 7, 8:30pm. The Colonnade at the Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. (Free Movie at the Beach features Little Shop of Horrors on Friday, July 8, 9pm). beachboardwalk.com.

HOUNDMOUTH WITH SAM FILIATREAU The hard work is starting to pay off for Indiana alt-rockers Houndmouth—SPIN and Esquire wrote that they’re one of Lollapalooza’s must-see acts. Garden & Gun said, “You’d be hard-pressed to find a more effortless, well-crafted mix of roots and rock this year than the debut album from this quartet.” Since then, the group has performed at Austin City Limits, Bonnaroo and the Newport Folk Festival. $29 plus fees. Friday, July 8, 8pm. Felton Music Hall, 6275 Highway 9, Felton. feltonmusichall.com.

JAKOB NOWELL WITH NOAH VONNE There’s no way to escape your last name. Jakob Nowell embraces it. Hell, it represents the musical talent embedded in his DNA. Jakob knows there will never be another Bradley Nowell—gone-too-soon Sublime frontman. So, he’s forging his own path. “I’ve always really liked the stage,” Jakob told Billboard. “Being an entertainer and a performer has always really resonated with me. I feel more comfortable up there in front of an audience than on the ground floor talking to people.” $15/$20. Saturday, July 9, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

‘EMPTY CHAIR’ Two years ago, the inspiration for a short play about Calvary Church Founders Day was ignited after Scotts Valley historian Jay Topping discovered that Agnes Scott was one of Calvary Church’s original members in 1861. Topping stars as Agnes’ husband Hiram in a trip back in time, written by Dana Bagshaw and directed by Matt Matthews. The performance starts in the courtyard, moves into the church and ends outside where it began. A Q&A will follow both performances. Free (donations appreciated). Saturday, July 9 and Sunday, July 10, 4pm. Calvary Episcopal Church, 532 Center St., Santa Cruz. cd*******@*tt.net.

COMMUNITY

DOWNTOWN ANTIQUE FAIR Plunge deep into a world where Bakelite, Fire King milk glass and Couroc reign supreme. Free. Sunday, July 10, 8am-5pm. Lincoln Street between Pacific and Cedar, Santa Cruz. 831-476-6940.

GROUPS

TODDLER STORYTIME The weekly bilingual program—in-person—includes sing-alongs, nursery rhymes and books that foster early literacy. Free. Wednesday, July 6, 11:30am-12:30pm. Freedom Branch Library (Meeting Room), 2021 Freedom Blvd., Watsonville. cityofwatsonville.org.

BACKBEAT JAZZ JAM Players of all skill levels are invited to sit in with the house band, and all are invited to watch—dancing is encouraged if the vibe feels right. The focus: jazz from the Great American Songbook. Free (donations accepted). Sunday, July 10, 3-6pm. Santa Cruz Veterans Hall, 846 Front St., Santa Cruz. jazzsantacruz.org.

OUTDOORS

SANTA CRUZ SANDHILLS TOUR Experience Santa Cruz’s most sensitive ecosystem, the sandhills, during a two-mile guided walk. Learn about the habitat’s formation and the unique plants and animals adapted to the area. Meet at the campground amphitheater off Graham Hill Road and journey through a breathtaking setting in the mountains. Free ($10/daily use parking fee). Sunday, July 10, 9-11am. Henry Cowell Redwoods State Park, 101 North Big Trees Park Road, Felton. thatsmypark.org.

Heartless Bastards Bring an Explosion of Cathartic Rock to Felton

“Revolution,” the opener on Heartless Bastards’ 2021 A Beautiful Life, begins gently with an acoustic guitar moving back and forth between two simple chords. Frontwoman Erika Wennerstrom’s vocals drift in, unrushed and relaxed, similar to that calm-before-the-storm temperament Lou Reed evokes in the opening minutes of the Velvet Underground’s “Heroin.”

“Where you going, my friend?” Wennerstrom croons in her deep alto voice. “Have you forgotten when there was a time filled with hope instead of fear that’s in your heart?/ There was a time when life was simple and innocent to start. Do you remember? Do you remember?”

The light tingle gains more steam when Wennerstrom asks again, “Do you remember?” An abbreviated orchestra of strings and synth become audible, alongside the lone guitar, as her vocals jump an octave higher: “Constantly being advertised, your life commercialized and disguised, as happiness in pills and potions, fancy threads and cars in motion/ Hypnotized by gilded lies to line the pockets of so few/ While hungry politicians feed bullshit to the masses, to ensure their statuses and further divide the classes/ You were born with a voice so open up and speak your mind, raise consciousness and elevate how we all relate don’t hesitate. No need to be better or smarter than anybody else/ Leave judgment at the door for others and yourself.”

Wennerstrom takes the song into fourth gear: “The revolution is in your mind; the revolution is in your mind; the revolution is in your mind; the revolution is in your mind.” The repeated line is unleashed with urgency as if there’s no time to come up for air; there’s no time to take a breath.

Like Gil Scot Heron’s “The Revolution Will Not Be Televised” and the Beatles’ “Revolution,” Heartless Bastards’ “Revolution” is timeless—and timely. Wennerstrom lists off several influences for the one song, including the old-school rock ‘n’ roll sound of Chuck Berry and the matter-of-fact/don’t-give-a-fuck delivery of Kurt Vile. The tune was released as a single in 2020, marking Heartless Bastards’ first new music since 2015’s Restless Ones—­in 2018, Wennerstrom released a solo LP, Sweet Unknown.

A few days after the Supreme Court’s historic Roe vs. Wade reversal, Wennerstrom is still in shock.

“I’m still processing it all,” she says from her Austin home. “I’m a little afraid. When you have a court ruling on things that most Americans don’t support, there’s a real disconnect. I feel powerless right now, but hopefully, we will all be able to move forward. Ultimately, we can only control our perspective and attitude, and I think music is a medicine that helps.”

The ideals and the frustrations shared by many following the monumental SCOTUS decision are similar to the vexations that Wennerstrom feels fuel most of the songs on A Beautiful Life. As a single entity, the songs on the record work together and represent a profoundly personal journey towards inner peace and acceptance.

“It’s a message that others could use, and I think I find that writing has a positive impact,” Wennerstrom says. “The [album] is about raising consciousness and being aware of your strengths and impact—I also address the environment and hyper-commercialism.”

Stylistically, the music is just as varied as it is thematically. On the dreamy “The River,” driven by Andrew Bird on violin and Fared Shafinury on setar (not to be confused with sitar), Wennerstron’s vocals resonate with a tribal undertone—a cleansing of the soul. Meanwhile, “Photograph” jams with hints of the Byrds’ Sweetheart of the Rodeo acid country rock.

In addition to the guest musicians, Wennerstrom put together a super tight band for the record, including guitarists Lauren Gurgiolo (Okkervil River) and David Pulkingham (Patty Griffin), drummer Greggory Clifford (White Denim), multi-instrumentalist Jesse Chandler (Mercury Rev), keyboardist Bo Koster (My Morning Jacket) and longtime Heartless Bastards bassist Jesse Ebaugh. 

On the group’s world tour, which kicked off July 1 in Santa Fe, Wennerstrom is joined by several Heartless Bastards regulars: guitarist Jonas Wilson, bassist Sam Pankey, singer Beth Harris and multi-instrumentalist Doug McDiarmid.

The tour closes out in Bristol, England, on Dec. 7. 

Wennerstrom isn’t sure if she’ll start working on a new record after the tour. It’s definitely not a matter of having enough material. 

“I probably have a couple of albums worth of songs,” she says. “I always have tons of ideas. Just finishing ideas is the biggest challenge for me. Melodies will pop out when I’m walking down the street, not even when I’m trying to write. I think honing my message and figuring out how to articulate what I’m feeling is the big challenge. I didn’t really write during COVID. I had some ideas here and there, but I think I get inspired by being around people and living life. In isolation, it wasn’t the right time for me; I didn’t feel inspired because I didn’t have that interaction that I’m used to that makes me think differently.”

The last couple of lines in the closing minute of “Revolution” speak to Wennerstrom’s feelings on human interaction and offer sound advice regarding the recent Supreme Court ruling: “You were born with a voice, so open up and speak your mind, raise consciousness and elevate how we all relate don’t hesitate/ No need to be better or smarter than anybody else, leave judgment at the door for others and yourself.”

Heartless Bastards play Monday, July 11 at 8pm at Felton Music Hall, 6275 Highway 9, Felton. $29 plus fees. Laney Jones opens. feltonmusichall.com.

The Return of the Hop N’ Barley Festival

Beginning in the 2010s, beer festivals really became a thing in Santa Cruz County. Thanks to Covid, however, they all but disappeared over the last two years. Now, like so many things we’ve all missed in the pandemic, they’re coming back, and it’s appropriate that one of the festivals originally at the forefront of the trend is also one of the first to return.

The 12th annual Hop N’ Barley Beer and BBQ Festival will be held Saturday, July 9, from 11am-5pm at Skypark in Scotts Valley. A benefit for the Homeless Garden Project, this year’s event will feature 60 breweries, including local favorites like Humble Sea Brewing Co., Santa Cruz Mountain Brewing, the Slough Brewing Collective, Discretion Brewing, Shanty Shack Brewing and more, as well as visiting brew teams like Los Gatos’ Loma Brewing Co., Berkeley’s Gilman Brewing and Fresno’s Full Circle Brewing Co.

There will also be food trucks—with an emphasis on BBQ, of course. And since most of us are still making up for lost live-music time, the two stages’ worth of bands should be a nice boost.

Featured on the Good Times stage is newcomer Santa Cruz jam band Superblume. The group was formed in 2019 by guitarist Nate Smith and drummer Taylor Brougham, but due to the pandemic, they had to wait until last year to start showing off their wide-ranging sound, which oscillates between psychedelic, funk and straight-up rock ’n’ roll. They share the stage with eclectic Bay Area band the Higher Collective and local roots-reggae favorites Ancestree.

The Solar Stage will present Half Moon Bay acoustic bluegrass ensemble False Bottom Band, and psychedelic rockers Love Creek from the Santa Cruz Mountains.

The 12th annual Hop N’ Barley Beer and BBQ Festival will be held Saturday, July 9, from 11am-5pm. For more information, and to purchase tickets, go to hopnbarley.org.

Letter to the Editor: Respect Us, Protect Us, Pay Us

Our City’s facilities, shores, parks and lands are overburdened and understaffed while at the mercy of our elected officials, who are failing to implement what is needed to keep public spaces functioning: livable wages and safety for the Santa Cruz City workforce.

According to a 2022 compensation study commissioned by management, the City pays its SEIU-521-represented workers more than 15% below the median wage of comparable public employers.

Accounting for total compensation, we receive nearly 9% less than we would by simply working elsewhere.

In this economic environment, many of our co-workers are succumbing to predatory lending, maxing out credit cards, taking on second jobs, living on the streets, in their cars, or wiping out their savings to be able to provide for themselves and their families.

We often find ourselves in situations where basic resources to maintain public facilities are unavailable or unreasonably denied by management. Our safety exposure isn’t limited to refuse, wastewater, bacteria, blood-borne pathogens or needles and human waste discovered during routine cleaning.

Our coworkers who service public spaces in disrepair are also subject to physical, mental and emotional assault while on the job. Even while underpaying and under-protecting its workforce, City management maintains the highest surplus in its general fund balance for at least a decade.

Much of this large surplus in the general fund was created on the backs of City workers. On paper it is clear the furlough we endured during the pandemic accounts for a significant portion of unprecedented funds available. Strikingly, our staff retention crisis—caused in large part by inadequate compensation and safety protections—could be fixed if the City chose to invest in its workforce. However, Santa Cruz is a de facto training ground for workers who leave for better-paying jobs once their training is complete. Retaining good workers is more efficient and far cheaper than hiring and training new workers every year.

Management fails to understand or care about the impact of low wages and inadequate safety on our ability to keep Santa Cruz running, and their behavior in our contract negotiations are arguably worse. First, management claimed there was “no money in [their] budget,” then they began utilizing every tool available to disempower us: canceling bargaining sessions, submitting incomplete proposals and showing up late or unprepared. Negotiations are now at a standstill.

The decisions by the City don’t only impact us as workers, but the public who fund our positions. We take offense to the management’s behavior, which forced many of us to make major life sacrifices including living on the fringes of Santa Cruz society.

Every member of the public that needs our services deserves the best that we bring to the table. We ask the City to do the same.

SEIU 521 City of Santa Cruz Bargaining Team


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

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