Community Bridges Worried About Funding Reductions

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The Santa Cruz County Board of Supervisors will consider allocating some $5.8 million to dozens of social services and programs countywide over the next three years.

This includes just over $770,000 for United Way’s Cradle to Career, $436,221 for Meals on Wheels and $241,680 for Second Harvest Food Bank’s Equitable Access to Food and Nutrition program.

But due to the county’s competitive funding process—the Collective of Results and Evidence-based (CORE) Investments—Community Bridges could see an $816,000 reduction in the amount the organization receives typically.

Community Bridges provides dozens of services for children, adults and seniors throughout Santa Cruz County.

This amount has terrified the organization’s service providers as they gauge the impacts it could have. The organization asked anyone concerned to attend the board meeting on Tuesday at 9am to address the supervisors. 

Cancino says the organization typically requests–and is granted–between $1 million and $1.4 million annually.  

With only $436,221 on the table for a three-year budget cycle, Community Bridges could see a partial closure and reduction in services at all four family resource centers—La Manzana, Nueva Vista, Live Oak and Mountain Community Resources. These serve more than 6,000 families countywide, providing tutoring, lunch programs, CalFresh and MediCal.

There could also be a reduction in services at Elderday, which requested $150,000 and received none.

Because the funding comes in three-year cycles, Community Bridges will have to backfill roughly $2.5 million through 2025, Cancino says.

He adds that the proposed reductions fall hardest in the Watsonville area.

“In this staff proposal, not only can we see directly that the disproportionate burden of the loss of these services has been on low-income South County people of color, but the realignment is heavily laid on the backs of the fastest-growing population, our older adults,” he said. 

Community Bridges in 2020 reported More than $17.5 million in revenue and just over $16 million in expenses.

County spokesman Jason Hoppin says that the proposed CORE funding represents an 11% increase from the previous three-year funding cycle, equal to a $545,000 expansion of services.

Hoppin says that, in sending out a request for proposals countywide, the county received 128 applications totaling nearly $16 million in proposals, almost three times the size of the available funds. A total of 36 awards were recommended. 

Before the CORE program, the county approved funding for the same local nonprofit organizations for 35 years without a competitive process, Hoppin says. 

The new system, he says, ensures a fair and competitive opportunity for all organizations and a standardized selection process.

The recommendations came after five stakeholder meetings and seven public hearings. 

The 58-member panel reviewed the applications included community members, subject matter experts, researchers, and city, county and nonprofit staff. The proposals are reviewed and are subject to approval by the County Board of Supervisors and the Santa Cruz City Council.

Also funded under the new proposal is the expansion of the Safe Spaces parking program, expanded learning opportunities for young people, a farming education program and therapy services for survivors of domestic violence, sexual assault and human trafficking.

The Supervisors will finalize the contracts on June 28. The changes will take effect within 30 days after they are approved.

The Santa Cruz County Supervisors will meet Tuesday at 9am at 701 Ocean St., Room 525, Santa Cruz. Participants can also attend via Zoom. bit.ly/3NYq8I4.

Rancho San Andrés Castro Adobe Gets a New Roof

Friends of Santa Cruz State Parks Friends announced today that Rancho San Andrés Castro Adobe has a new roof, signaling the progression of the ongoing restoration.

Located off of Larkin Valley Road in Watsonville, the historic adobe was initially built in the mid-1800s by Juan Jose Castro, son of Jose Joaquin Castro (of the Juan Bautista de Anza Expedition).

The park’s restoration, and designation as the Pajaro Valley’s first State Historic Park, has been ongoing for decades. The $175,210 roof project is supported through Proposition 68: California Drought, Water, Parks, Climate Coastal Protection and Outdoor Access for All Act, which dedicated nearly $200 million in funding for underserved communities to have equitable access to outdoor recreation facilities.

“We are proud to partner with State Parks to restore and interpret this critical part of Pajaro Valley’s history,” Friends executive director Bonny Hawley said in a press release. “The Castro Adobe provides a hub to share stories from many moments in history, helping visitors better understand and appreciate the generations of people who have called the Pajaro Valley home.”

Since California State Parks acquired the Castro Adobe property from then-owners Edna and Joe Kimbro in 2002, they have worked with Friends to organize volunteers to help with restoration. Everything from earthquake repairs and seismic stabilization to installing an ADA lift and new exhibit features has been included. Community fundraising has backed much of the project.

“California State Parks is very fortunate to have a partner like Friends of Santa Cruz State Parks to collaborate with on this exciting restoration project,” said California State Parks’ senior park and recreation specialist Linda Hitchcock.

Castro Adobe reopened to the public last year after closing for construction in 2019 and then dealing with pandemic challenges. While still an active construction site, it occasionally opens for open house events and school tours.

See the new roof and much more at “Doors Open California at The Castro Adobe.” $20. Saturday, June 11, 10am-4pm. 184 Old Adobe Road, Watsonville. californiapreservation.org/doca.

A Santa Cruz Costume Designer Finds Inspiration Everywhere

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Costume designer B. Modern has been creating outfits for Bay Area actors for more than three decades. Born in Hollywood, she studied dramatic arts and costuming at UC Berkeley before moving to Santa Cruz and starting her career. 

Modern says it was her time at the university that solidified her path. 

“I’ve always been fascinated by what people wore,” she says. “Ever since I was a little girl, I made scrapbooks where I cut out pictures of women in beautiful evening gowns. I was always very fortunate to be adept at drawing. And I was always interested in theater. But I never put it all together until college.”

When an English professor, fed up with his poorly fitting costume, complained to his class, Modern was struck with inspiration. 

“He hated his costume and felt awful in it,” she recalls. “That’s when the lightbulb went on for me. I thought, ‘Hey, I could do that!’ Knowing what I know now—I always tell actors to talk to me about whether they’re comfortable in their costumes. That’s part of learning how to be a diplomatic and conscientious designer.”

Modern has worked on numerous productions throughout the Bay Area. She first worked with Shakespeare Santa Cruz in 1988 on a production of Titus Andronicus and now continues to work with the newly formed Santa Cruz Shakespeare company. 

But her most recent endeavor is with TheatreWorks Silicon Valley on their latest production, Ragtime, which opens Saturday, June 4 in Mountain View.

Based on E.L. Doctorow’s novel, the musical, set in New York City, is a portrait of America at the dawn of the twentieth century. It follows the lives of a Black family, Jewish immigrants and a wealthy white family as they pursue the “American Dream” in a rapidly changing world. 

Modern says it has been exciting to work on the production, given her heritage. 

“All of my grandparents were immigrants,” she says. “My grandfather was a Jewish immigrant, and my Italian grandmother moved to California. Working on this play has definitely been a special experience.”

It’s also incredibly timely.

“With everything that’s gone on in the past two years, it’s all in this play,” Modern says. “Immigration, Black injustice, white people being oblivious to others’ struggles—people are finally discovering what is going on in the rest of the world and expanding their horizons. It’s really important to honor the people who are brave enough to come to America and work hard no matter who they are.”

Creating and fitting the costumes for so many different actors can be challenging, Modern says, and so is staying true to everyone’s vision.  

Modern’s costumes have been used in regional theaters and festivals and opera and dance productions across the U.S., Japan, and Europe—she’s picked up many accolades, including three Dean Goodman Choice Awards. PHOTO: David Allen

“There are the actors, characters, the playwright and director,” she explains. “You have many people to satisfy besides yourself. For every production I do, I do a lot of research. And I try to have hands-on experience with each actor, remembering their names, their measurements.”

Modern says the payoff makes it worth all the effort when everything comes together.

“After an actor gets their costume on at a fitting, and they go, ‘Oh, wow!’” she says, “and they look at themselves in the mirror, and literally start saying their lines in character—that’s special.”

Modern describes the feeling of coming back into theater after the pandemic as “an absolute joy.”

“It’s so glorious to work together again,” she says. “Theater is very collaborative, and it got taken away for two years. It’s a community. People ask me why I still work, why I’m not retiring. But this is part of who I am. Rejoining my community and creating something to see; it’s very rewarding and makes me so happy.”

Ragtime runs through June 26 at the Mountain View Center for the Performing Arts. For information, visit theatreworks.org. Meanwhile, Santa Cruz Shakespeare kicks off in July.

The Santa Cruz Surf Statue Turns 30

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The surfer statue along West Cliff Drive has become a Santa Cruz landmark over the past three decades. Last week, community members gathered around the beloved figure for a 30th-anniversary celebration.

The ceremony, hosted by the Santa Cruz Surfing Club Preservation Society and the city of Santa Cruz Parks and Recreation Department, included a live band, historic surfboards and classic woodie wagons.

Renowned surfboard shaper and president of the Santa Cruz Surfing Club Preservation Society Bob Pearson said a few words about the statue and historic boards and introduced an assortment of speakers. Surfing “patriarchs” Bob Rittenhouse Sr. and Harry Mayo—97 and 98 years old, respectively—attended, and Santa Cruz Mayor Sonja Brunner proclaimed May 23 as Santa Cruz Surfing Statue Day.

“It is so symbolic and has become so iconic for Santa Cruz,” said Mayor Brunner. “And I just love watching it throughout the year with the different iterations—pumpkin head, t-shirts…” 

The figure donned a Hawaiian lei for the ceremony.

The 18-foot-tall bronze statue was inspired by the members of the 1936 Santa Cruz Surfing Club. Members Bob Rittenhouse and Doug Thorne formed a committee in 1987 to create a statue after the death of club member Bill Lidderdale Jr. 

To get the sculpture approved, artists had to engineer it to withstand an 8.0 earthquake and 100 mph winds. Thomas Marsh designed the figure; Bill Curtis designed the base, and Bill Grace and David Steward shaped a replica 11-foot redwood surfboard used for casting.

It was installed in May 1992 with a plaque, “This monument is dedicated to all surfers—past, present and future.”

In-person Voting Guide

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Voters may cast ballots at any of the following locations: 

•Watsonville City Clerk’s Office, 275 Main St., fourth floor

•Temple Beth El, 3055 Porter Gulch Road, Aptos

•Santa Cruz County Clerk/Elections, 701 Ocean St., Room 310, Santa Cruz

•Santa Cruz County Sheriff’s Office, 5200 Soquel Ave., Santa Cruz

•Scotts Valley Community Center, 360 Kings Village Road, Scotts Valley

Several four-day voting centers open June 4:

•Pajaro Valley Community Trust, 85 Nielson St., Watsonville

•La Selva Beach Clubhouse, 314 Estrella Ave., Watsonville

•Lakeview Middle School, 2350 East Lake Ave., Watsonville

•St. John’s Episcopal Church, 125 Canterbury Drive, Aptos

•New Brighton Middle School, 250 Washburn Ave., New Brighton

•Soquel High School, 401 Soquel San Jose Road, Soquel

•Kaiser Permanente Arena, 140 Front St., Santa Cruz

•Masonic Center, 828 N. Branciforte Ave., Santa Cruz

•UCSC Stevenson Event Center, 520 Cowell-Stevenson Road, Santa Cruz

•Scotts Valley High School, 555 Glenwood Drive, Scotts Valley

•Zayante Fire Department, 7700 East Zayante Road, Felton

•Zayante Fire Department, 7700 East Zayante Road, Felton

Voting locations will be open Monday-Friday 8am-5pm; Saturday and Sunday 9am-5pm, and on Election Day (June 7) 7am-8pm. Locations are subject to change. 
Check online before you go.

Services at the centers will also include: replacement ballots (the county can void the previously issued ballot when you come in to vote); voting and turning in the ballot mailed to you; using a tablet to vote on an accessible ballot or a ballot in Spanish; and same-day registration and voting.

All locations will adhere to public safety protocols, including face masks, disinfecting, hand sanitizer, physical distancing and frequent hand washing. They will also provide clear guard protections to separate people.

The following resources are also available:

Vote Mobile: Santa Cruz County has a mobile voting trailer used throughout the county.

Drop Boxes: Voters can return their ballot to any in-person voting location or drop it off at any of the 24/7 ballot drop boxes—17 are located throughout the county. 

No ballots will be accepted after 8pm on Election Day unless there are voters in line or the time for closing the polls has been extended by court order.

Contact the County Clerk/Elections Department at 831-454-2060 or visit  votescount.us for more information.

Local Democratic Organization Questions Dutra Mailer

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The Santa Cruz County Democratic Central Committee (SCCDCC) on Wednesday sent a cease and desist letter to Jimmy Dutra, who is running for the Santa Cruz County Fourth District Supervisor seat, after he sent an election mailer bearing the logo of the Democrat party.

The logo, a blue “D” in a blue circle, is a federally registered trademark. The mailer includes a “Democratic Voters Guide,” says SCCDCC President Andrew Goldenkrantz.

The problem, he says, is that including the logo falsely implies Dutra has the endorsement of the party, when candidate Felipe Hernandez has earned that endorsement.

Dutra has not said that he has the endorsement, Goldenkrantz said. 

The County Party’s endorsement carries with it endorsements by the California Democratic Party.

Dutra said he is skeptical of the intentions behind the letter.

“When political special interest groups see a risk to their candidate, it is not uncommon for frivolous last minute allegations to be thrown against a wall to see what can stick,” he said. “I have faith in our community to see past these desperate allegations.”  

Dutra said he has a wide array of support from all groups in the community, including Democrats.  

“I am proud of being the candidate of bringing all of our community members together,” he said. “Special interest groups are upset because they have been purchasing and controlling this county for decades. It is now time to have representation that can bring all of us together to address the challenges in front of us. I am the real voice for the broad and diverse community of the Pajaro Valley.”

Asked about the timing of the letter to Dutra and the SCCDCC outreach to the media—coming as they did less than a week before election day—Goldenkrantz said that the mailer was sent out early this week, and that the organization acted immediately. 

“I think Jimmy misrepresented this thing,” he said. “He is clearly intending to show an endorsement that did not happen for him. Politics is an important business, but we expect honesty from our public officials.”

Dutra’s mailer, and the reaction it has garnered, is nearly identical to what happened last month in San Jose, when the Santa Clara County Democratic Party demanded that City Planning Commission Chair Rolando Bonilla, who is running the District 5 seat on the San Jose City Council, stop using Democrat Party logos.

Things To Do in Santa Cruz: June 1-7

ARTS AND MUSIC 

BEDOUINE PLUS SHANNON LAY Azniv Korkejian, the Los Angeles-based artist who records as Bedouine, drew international acclaim with her eponymous 2017 debut with arresting and honest vocals accompanied by simple guitar accompaniment. Fader called Bedouine “a modern folk masterpiece,” and the New York Times referred to the songstress as a “future legend.” Shannon Lay, the former member of the Feels, has gone folk. The Redondo Beach native’s 2021 Geist represents the singer-songwriter’s versatility: The record features collaborations with Devin Hoff and Ty Segall, a cover of Syd Barrett’s “Late Night” and an original tune inspired by Frank Herbert’s sci-fi epic, Dune. $23.10-26.25. Wednesday, June 1, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. folkyeah.com.

‘GENDERATION’ SCREENING Santa Cruz Pride 2022 lifts off with a special dinner-theater screening of Genderation, happy hour and Q&A with Sandy Stone and Susan Stryker follow the film. The documentary set in Santa Cruz and beyond catches up with artists, scholars and visionaries who were part of the trans and queer cultural landscape of San Francisco in the late ’90s. In addition to Stone and Stryker, the doc features Annie Sprinkle, Beth Stephens, Max Wolfe Valerio and Stafford (More in this week’s cover story). $20 (recommended donation per ticket). Friday, June 3, 5:30pm. Hotel Paradox, 611 Ocean St, Santa Cruz. santacruzpride.eventive.org/schedule.

DASHAWN HICKMAN SACRED STEEL FEATURING WENDY HICKMAN AND CHARLIE HUNTER Ever since jazz guitar virtuoso Charlie Hunter moderated a panel discussion at the National Folk Festival with guitar talent DaShawn Hickman and other fingerpickers, Hunter and Hickman have remained in touch and even collaborated on each other’s projects. Hunter, a natural innovator, suggested, “It would be cool to mellow out the pedal steel and see what would happen if it had more presence in the arrangement—put the steel front and center.” Along with Atiba Rorie, a classically trained percussionist in West African and Afro-Latin music, and Breven Hampden, a percussionist who also grew up playing in church and went on to study African, Latin and world rhythms, Hunter’s idea came to fabulous fruition. $22. Friday, June 3, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

THE ENGLISH BEAT Since the late 1970s, the Birmingham, England outfit’s music has been called ska, new wave and even 2-tone. They’ve toured the world with David Bowie, the Clash, the Specials and Talking Heads and collaborated on stage many times with the Specials. Pearl Jam began playing “Save It for Later” in 1996, mixing it into the end of “Better Man”—it remained a part of their set through 2014. The group’s debut, I Just Can’t Stop, delivered several hits, including “Can’t Get Used to Losing You,” “Mirror in the Bathroom,” “Hands Off…She’s Mine” and “Best Friend.” $35 plus fees. Saturday, June 4, 8pm. Felton Music Hall, 6275 Highway 9, Felton. feltonmusichall.com. 

TOMBOY SANTA CRUZ 10-YEAR ANNIVERSARY A trio of stellar folk-rock bands come together to celebrate 10 years of TOMBOY Santa Cruz. Larry and His Flask singers Ian Cook and Andrew Carew carry on their songwriting coalition with a brand-new project, Beyond the Lamplight. Meanwhile, another new band, Tejon Street Corner Thieves, is one of the more eclectic bluegrass outfits (More in this week’s arts story). $15/$20 plus fees. Saturday, June 4, 8:30pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

SANTA CRUZ LATIN COLLECTIVE Timbalero Jimmy Palafox and local Latin legend Oscar Estrella founded the collective in 2021 with a vision of bringing together a group that could deliver “positive youthful energy and talented professional musicianship.” Specializing in modern and traditional Latin music with influences spanning from Santana and Malo to Fania All-Stars and Eddie Palmieri, the 10-piece operation has succeeded in adhering to their mission. Don’t forget your dancing shoes! $15. Saturday, June 4, 8pm. Michael’s on Main, 2591 Main St., Soquel. michaelsonmainmusic.com.

REDWOOD MOUNTAIN FAIRE Two days, two stages and more than 20 bands benefiting local nonprofits. Some standouts include folk rockers Midnight North, Santa Cruz Mountains Americana favorite the Coffis Brothers, the Grateful Dead’s brothers from another mother, Moonalice, world music collective SambaDa and Wolf Jett featuring special guest Marty O’Reilly. “I realized if music makes me feel good, the people around me who become a part of it will feel good too,” O’Reilly says. The folks behind the Redwood Mountain Faire feel the same way. $30; $55/2-day pass; $20/Seniors and teens; Free/kids 12 and under. Saturday, June 4 and Sunday, June 5. Roaring Camp, 5401 Graham Hill Road, Felton. redwoodmountainfaire.com.

KAKI KING Guitar trendsetter Kaki King’s Modern Yesterdays is a refinement of her signature guitar-projection mapping performance. She releases the unexpected with technicolor imagination, technical wizardry and carefully choreographed guitar and drum playing. Bridging future-forward modernity with contemplative longing, Modern Yesterdays “sends us on an audiovisual journey reset by our recent past, arriving at the emotional place we yearn to visit.” $30/$35 plus fees. Sunday, June 5, 8pm. Felton Music Hall, 6275 Highway 9, Felton. feltonmusichall.com. 

BOOKSHOP SANTA CRUZ PRESENTS: LYNNE COX International Swimming Hall of Famer Lynne Cox’s recent release, Tales of Al: The Water Rescue Dog, is an inspiring story of an ungainly, unruly, irresistible Newfoundland puppy named Al, who grows up to become one of Italy’s highly specialized water rescue dogs who plunge out of helicopters and save lives. Free. Monday, June 6, 6pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com.

COMMUNITY

SANTA CRUZ RESTAURANT WALK 18 downtown restaurants will open their doors and provide samples of their cuisine to everyone with a passport. A variety of cuisine spanning the globe. Each restaurant will give a portion of a signature menu item. Funds for this event support the Common Roots Farm and several other local nonprofit organizations. $30. Wednesday, June 1, 5:30-8:30pm. Downtown Santa Cruz, 1100 Pacific Ave., Santa Cruz. eventbrite.com/e/santa-cruz-restaurant-walk-tickets-334707458017.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, June 6, 12:30pm. 831-457-2273. womencaresantacruz.org.

LAUGHTER YOGA Having fun, feeling good and relaxing. That’s what Laughter Yoga is all about. Laughing is a form of stress relief. The group laughs as a form of exercise, and through eye contact and childlike playfulness—fake laughter becomes genuine and contagious. The body doesn’t know the difference between fake laughter and the real thing, so chemicals (dopamine, serotonin) are released, easing our minds and bodies. Free. Tuesday, June 7, 3:30-4:30pm. Inner Light Ministries (Fireside Room), 5630 Soquel Drive, Soquel. sa-cc.org.

OUTDOORS

FREE TUESDAY AT UCSC ARBORETUM What’s not to love about Community Day at the UCSC Arboretum? Explore the biodiversity of the lush gardens and the birds or just take some time for yourself on a quiet bench in the shade. Free. Tuesday, June 7, 9am-5pm. UC Santa Cruz Arboretum & Botanic Garden, 1156 High St., Santa Cruz. calendar.ucsc.edu.

WITCH Brings Zamrock to Moe’s Alley

Thrown off by the 10-hour time difference, I wake Jagari at 4am Zambia time. I can hear the sleep in his voice. I apologize profusely, and offer to call back at a later time.  

“No, no!” Jagari perks up as if he is suddenly infused with strong espresso. “Let’s talk now.”

The exchange represents Jagari as a person and musician—his passion is genuine and ever-present, whether awake or half-asleep. Emmanuel Chanda, aka Jagari—the Africanization of Mick Jagger’s name—explains that a musician never stops being a musician.

“When does a pilot stop being a pilot?” he asks. “When does a doctor stop being a doctor? Do they retire? Musicians don’t retire.” 

“It shows you who Jagari is as a person,” says Italian filmmaker and WITCH manager Gio Arlotta.

Jagari and his band WITCH are the dominant force behind Zamrock, a little-known musical genre born in the early ’70s in Zambia, Africa. Zamrock melds the traditional rhythmic backbone of African tribal music with psych, garage rock, blues and funk, resulting in something familiar and completely different from anything else. WITCH albums were reissued in 2010, igniting a renewed adoration for the band and the Zamrock genre—the Beastie Boys’ Mike D included a WITCH tune on his “favorite all-time songs” playlist alongside John Lennon, Miles Davis and Stevie Wonder. 

The traditional music in the village of the mining towns where Jagari grew up and the songs he heard from U.K. bands on the radio—the Rolling Stones, the Kinks—informed the WITCH frontman and unofficial Zamrock leader.

“People from South Africa, Tanzania, Congo, Malawi and Rhodesia came to work in the mines where I grew up, so on the weekends, there was a cross-culture of activities and music,” Jagari says. “Those were things influencing me, but I was not conscious of.”

All the musical influences that impacted Jagari would come out during school dances and other social events. Classmates encouraged him to find a band to join. But before he had the chance, Jagari was invited to join the rising Zambia band Kingston Market. Kingston Market became Footswitch, then Switch, and eventually Witch, as in a woman with magical powers who flies around a broomstick. With the name change came a four-year record contract equivalent to 15,000 euros today. Lazy Bones was the first record released under the new contract. In three weeks, an unprecedented 7,000 copies were sold.

“People were excited to have their own band—a local band doing so well,” Jagari says.

Lazy Bones was unlike any other music at the time; traditional African rhythms fused with heavy organ riffs and early psych/garage-rock sound of Love, Vanilla Fudge and Thirteenth Floor Elevators.

“We didn’t know what name to give [the music],” Jagari says. “Then, a radio DJ called it ‘Zamrock.’”

WITCH paved the way for a barrage of Zamrock bands which formed during the ’70s, including The Peace, Amanaz, Chrissy “Zebby” Tembo and Paul Ngozi and his Ngozi Family.

Thousands attended WITCH concerts every time they played; Jagari became known for his physically demanding onstage antics—think Eddie Vedder climbing the scaffolding during Pearl Jam’s early ’90s Glastonbury show.

“I don’t plan what I want to do on stage beforehand,” Jagari says. “I let the music drive my movements. If I feel something nice, that pushes me to do whatever I want. As the frontman, you have to interpret the music you’re playing; sometimes, people cannot understand what you’re playing until they see your movements or hear words in the songs. I try to relay that to the fans and find a way of making it interesting. They will just go home if they don’t like what you’re doing.”

The music simultaneously blended the rhythms of various African regions and Zambia’s 72-plus ethnic groups with the harmonies of Western music. Jagari says some of their rhythms were inspired by the music of customary funeral rites that encouraged miners to mourn the dead. Whether the Stones were aware of it, “Sympathy for the Devil” uses the same rhythmic pattern.

After hearing Lazy Bones, Arlotta was compelled to jump on a plane to Zambia and make We Intend To Cause Havoc, a documentary showcasing WITCH and Zamrock.

“This incredible music felt both familiar and very exotic at the same time,” Arlotta says. “Once I met Jagari, his persona and attitude towards life inspired me and taught me you should never give up on your dreams because you never know when they will become true.”

But it wasn’t easy. Jagari and Patrick Mwondela (keyboards) are the only original members who remain, and it had been over 40 years since WITCH performed live. 

“There was this gap when the [Zambian] music industry sort of died, and HIV and AIDS took a lot of people,” Jagari says. “Many live below the poverty line and fend for themselves by doing small businesses.”

In addition to the onslaught of AIDS and poverty, Zambia was rife with violence, leading to countrywide curfews and blackouts. It became impossible for WITCH to perform live anywhere in the country, and that was their primary income source.

“I had to find something else to live on,” Jagari says. “That’s how I find myself mining gemstones.”

The documentary was released in 2019, but the pandemic prevented any touring until last year. Jagari and Mwondela were joined by bassist Jacco Gardner, drummer Nico Mauskoviç and guitarists JJ Whitefield and Micheal Rault for dates spanning the West Coast, including Los Angeles, Las Vegas, Denver and SXSW. They return to the West Coast this summer, then head to Europe in August, and in October, WITCH will make their East Coast debut. 

“Music is like wine,” Jagari says. “The older it gets, the better it becomes.”

The humble Zambian musician isn’t looking for fortune or fame. He wants to open a music school in Zambia and a recording studio that would attract people to record within the country. 

“That is my dream,” Jagari says as the sun rises.

‘We Intend To Cause Havoc’ is available on Apple TV and Altavod.

WITCH (L’éclair opens) plays Friday, June 10, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $22/$27 plus fees. folkyeah.com.

Moe’s Show Celebrates a Decade of Tomboy

Before playing “Love Luck” for Little Hurricane’s Tomboy Session video, singer and guitarist Anthony Catalano takes note of his surroundings. “It’s always fun to play abnormal music venues,” he says. You’d think he’d never played Americana in a vintage clothing shop before!

“I get that a lot,” Summer Duppen, owner of Tomboy Santa Cruz, tells me. She knows her shop is an unusual place to showcase live music, but she’s forged a close link with the local music scene since opening a decade ago. In fact, Tomboy is synonymous with music, thanks to the Tomboy Sessions videos Duppen has been presenting since 2016. The gorgeously produced shorts have featured top homegrown talent like the Carolyn Sills Combo, Jesse Daniel and the Coffis Brothers—whose performance of “Two of a Kind” was just posted last month—as well as visiting performers.

Moe’s Alley has come on board as a sponsor of the sessions, so it’s fitting that the club will host a celebration of Tomboy’s 10th anniversary this weekend. It’s also appropriate that the show’s headliner is the furious, banjo-driven folk-rock outfit Beyond the Lamplight, since the band’s lead singers, Ian Cook and Andrew Carew, did a memorable Tomboy Session back in 2018 with their former project Larry and His Flask.

Duppen says the involvement of Moe’s co-owner Brian Ziel has “helped us breathe life into the sessions.” The club is also hosting the monthly Western Wednesdays, of which Tomboy has long been the unofficial style supplier for both artists and fans.

“It’s all Tomboy’d up,” says Duppen.

She’s grateful to loyal customers for helping get the store through three months of pandemic closures in 2020, allowing her to celebrate this 10-year landmark.

“It was incredible,” she says. “And now business is better than ever.”

The Tomboy 10th Anniversary celebration will be held at 9pm at Moe’s Alley on Saturday, June 4. Beyond the Lamplight and Tejon Street Corner Thieves perform. $15/$20. moesalley.com. See the Tomboy Sessions at tomboysc.com.

Community Bridges Worried About Funding Reductions

ray-cancino
The nonprofit provides dozens of services for children, adults and seniors throughout Santa Cruz County

Rancho San Andrés Castro Adobe Gets a New Roof

The historic Watsonville landmark is now one step closer to complete restoration

A Santa Cruz Costume Designer Finds Inspiration Everywhere

Over 30 years after her first stint with Shakespeare Santa Cruz, B. Modern returns in July to work for the newly formed iteration of the company

The Santa Cruz Surf Statue Turns 30

The Santa Cruz Surfing Club Preservation Society and the city of Santa Cruz Parks and Recreation Department host community celebration

In-person Voting Guide

In-person voting centers are open throughout Santa Cruz County for the June 7 Primary Election

Local Democratic Organization Questions Dutra Mailer

watsonville-pride-flag
Logo falsely implies the candidate has the endorsement of the Democratic party

Good Times Obituaries

obituaries featured, santa cruz
Obituaries Submit an Obituary What to Include in Your Obituary

Things To Do in Santa Cruz: June 1-7

‘Genderation’ Screening, Redwood Mountain Faire, Santa Cruz Restaurant Walk and more

WITCH Brings Zamrock to Moe’s Alley

Nearly 50 years ago, the Zambian group merged African music and psych-rock to create something new

Moe’s Show Celebrates a Decade of Tomboy

Vintage shop has close ties to the Santa Cruz music scene
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