Hundreds Demand Change at Santa Cruz Juneteenth March

On Friday, hundreds of peaceful protesters gathered for the youth-led ‘Juneteenth to Allegiance’ event, speaking out against police brutality and systemic racism in Santa Cruz and standing in solidarity with the nationwide Black Lives Matter movement. 

The event began with a march from the Louden Nelson Community Center to the steps of City Hall, where members of the Oceloyotl people of Castroville preceded speakers with a traditional dance and blessing for the land. 

“They’re not just dances, they are prayers. They are moving prayers,” said Julissa Reyes of the Oceloyotl. “Today we are being called here to protect. That call of protection is for our Black relatives.” 

The protest was organized by 24-year-old Thairie Ritchie, who says he drew inspiration for the event, in part, from the recent Black Lives Matter protests on West Cliff.

“It really inspired me to see the community come together in peace and solidarity, figuring out ways to unite and make change happen,” he says. “I have no history of organizing at all. It was honestly just a thought that came together, and a lot of friends, acquaintances and community members that all united and were like, ‘Yeah. We’re behind you on this 100%.’” 

Seeing the event turnout, Ritchie says he was heartened and incredibly grateful to see Santa Cruz show up in a peaceful, loving manner to demand change. 

Part of the event’s purpose was to pay homage to the history of Juneteenth, which marks the day when the last enslaved people were freed in Texas, two-and-a-half years after the Emancipation Proclamation of 1863, says Ritchie. 

Still, as Rev. Deborah Johnson of Inner Light Ministries—one of about a dozen speakers at the event—explained, the true history is more complex. 

“Too many people associate Juneteenth with the ending of slavery. This is not true. Yes, Juneteenth freed the existing slaves, but it did not end the institution of slavery,” she said, referencing the 13th Amendment of the Constitution, which banned slavery except as punishment for a crime. “It was at this juncture that the criminalization of Blackness happened, and it still continues today.”

Participants at the event all wore masks and encouraged social distancing when possible. During 23-year-old Breanna Byrd’s speech, she addressed Black members of the crowd specifically about social distancing in the time of Covid-19. “Did you feel like you had to change how close you were walking to people?” asked the UCSC PHD student, as members of the crowd replied “No.”

“What is the social distancing order when every white person in town already doesn’t look me in the eye?” she said. “When we say the culture of police, we mean inside of your head, too. We mean the part of you that is still suspicious of us.”

The physical presence of police at the protest was limited to a single police truck and motorcycle, driving ahead of attendees as they marched from the juncture of Maple and Center streets to City Hall. 

The protest included a 10-second moment of silence for 21-year-old Tamario Smith, who died in Santa Cruz County Jail on May 10. In a press release, the Santa Cruz County Sheriff’s Office said that Smith died from “acute water intoxication, due to the over-consumption of water in a short period of time.” 

Protestors, including members of Smith’s family, have repeatedly called into question the circumstances surrounding his death, including the medical care he received while in custody.  

“He was a great friend of many of the young members of the African American community in Santa Cruz. We grew up with him,” says speaker Aaliyah Wilson, a friend of Smith’s. “We really would appreciate it if the community could continue to say his name and keep us, the Black children of Santa Cruz, alive. Because we are here, we are prevalent.” 

In addition to highlighting “stories that have been unheard, particularly in the Black and Latino community,” Ritchie says, “what really motivated me to do the protest was my recent experience of racial profiling with the police.” 

The incident, he says, occurred when he was running errands a few blocks from his house last month and a Capitola police officer stopped him while looking for a suspected burglar in the area. 

“The gentleman said, ‘You look like you fit the description of someone in the area.’ And he held up an 8 by 10 picture of a light-skinned Hispanic male. Me being a dark-skinned Black male, I felt that was pretty much blatant racial profiling,” says Ritchie, adding that he later filed a complaint with the department. “I wanted to speak out and shed light that certain things are just not okay and not justifiable.” 

In response to questions about racial profiling within his department, Capitola Police Chief Terry McManus says he recognizes the community’s concerns and believes that ongoing implicit bias trainings, led by non-law enforcement community experts, are critically important. 

“I’ve been in law enforcement 34 years and we’re at a low point, in my opinion, as it relates to communities’ trust in our performance,” he says. “We need to regain that, but it doesn’t happen in a couple of weeks or a couple of months, it’s a long term program. I’ll speak for all the chiefs here in all the departments, we’re all committed to that.” 

McManus added it is “very likely” that his department will ban the use of the chokehold restraint, something Santa Cruz Police Chief Andy Mills committed to earlier this month. 

DEFUND THE POLICE? 

The final speaker at the protest, 21-year-old Ayo Banjo, commenced the event with a rousing call to action, encouraging attendees to support Black-owned businesses, demand the Santa Cruz Chamber of Commerce diversify its board, and demand a disarming of the UC Santa Cruz Police Department. 

“We know that for no reason should any police be armed on campus, at all,” says Banjo, president of the UC Santa Cruz NAACP and former UC student body president. “How have we normalized that?” 

Banjo also urged protestors to attend the upcoming Santa Cruz City Council meeting on June 23 and demand cuts to the police budget. “Whenever a politician tells you that they care, don’t listen to their words, look at their budget,” he says. “If you care about Black lives, I want to see it in your budget, let’s reflect that. Let’s demand that, together.” 

Currently, the SCPD accounts for about 28% of the city’s total general fund budget expenditures. In Capitola, that number is almost 48%. 

“What [defunding the police] means is taking a lot of the excess funding that’s spent on excessive policing and gearing it toward alternative services,” says Ritchie. “Instead of calling the police on someone who’s mentally ill or someone who’s homeless, we provide more funding to experts in those particular fields to come in and offer more extensive help.” 

In an open meeting between the UCSC NAACP and city leaders this weekend, Mayor Justin Cummings said the majority of calls the local police receive involve people with mental health issues. 

“If there is another agency or entity that could be created or that could be in charge of dealing with those calls, I think across the board, they’re all more than happy for that agency to pick up that role,” says Cummings. “They’re not trained to be social workers and deal with people with mental health issues. So I think it’s an opportunity to work with the county to see if creating that kind of agency is possible.”

Overall, Ritchie says he is proud of what youth-led actions are accomplishing, both locally and nationwide. 

“I really commend a lot of these youth leaders, Black and brown brothers and sisters, for really stepping up to the plate, bringing the community together, making effective changes, and really making a statement,” he says. “They realize it’s their chance to make a difference.”

FBI Lays Out Driver’s Role in Carrillo’s Oakland Killing

The man who says he served as the driver on May 29 when Steven Carrillo allegedly killed a federal police officer in Oakland—and wounded another one—confessed to his role in the attack after turning himself in to the FBI.

But FBI agents were watching Robert Alvin Justus Jr. even before he walked into the Federal Building at 450 Golden Gate Ave. in San Francisco and asked to speak with an FBI agent.

That’s because investigators, who searched Carrillo’s phone after he was arrested for the June 6 killing of Santa Cruz County Sheriff’s deputy Sgt. Damon Gutzwiller, discovered that the two spoke just before the Oakland shooting.

According to a criminal complaint filed Tuesday in the U.S. District Court for the Northern District of California, Justus told agents he did not want to participate in the murder, and that he stayed with Carrillo throughout the attack in an attempt to talk him out of it.

Justus told investigators that he did talk Carrillo out of his desire to shoot down a helicopter, police officers, and civilians, according to FBI Special Agent Brett Woolard, who wrote the complaint.

In addition to being the suspected shooter in Gutzwiller’s death, Carrillo is also believed to be responsible for the attempted murder of two other law enforcement officials in a crime spree that included two carjackings. He has been linked to the Boogaloo Bois movement, a loosely knit group of heavily-armed, violent extremists who say they are opposed to government tyranny and police oppression.

Justus said he met Carrillo on a Facebook group, and that Carrillo picked him up on May 29 at the San Leandro BART station, driving the white van used in the attack.

Before he drove the van out of the station, Justus said he removed the van’s license plate at Carrillo’s direction. 

Justus said that he declined Carrillo’s offer of body armor and a firearm when he got into the van, and that Carrillo told Justus to drive away from the BART station.

The two then drove around Oakland for a time and eventually parked near the Ronald V. Dellums Federal Building, where Carrillo opened the van’s sliding door and opened fire at a guard post, killing David Patrick Underwood and wounding a second federal officer.

Justus described Carrillo as being excited and thrilled after the shooting, Woolard said.

“As they drove away, Carrillo said words to the effect of, ‘Did you see how they fucking fell?’” the document stated.

After the shooting, Justus drove to a nearby location and put the license plate back onto the van, again at Carrillo’s direction. Carrillo then left Justus in Millbrae, telling him not to talk about what happened.

After Carrillo left, Justus said he got rid of the clothing that he wore, erased from his phone any communication with Carrillo and disposed of the backpack he was seen carrying in some of the video surveillance.

Woolard said that he does not believe that Justus did not want to participate in the shooting.

“He could have walked away from the van and not returned, or he could have reported Carrillo and his plans to a nearby law enforcement officer,” he wrote, adding that Justus did not come forward until after he was arrested for Gutzwiller’s murder.

Woolard pointed to a Facebook exchange between the two a day before the Oakland shooting, in which Carrillo stated, “It’s on our coast now, this needs to be nationwide. It’s a great opportunity to target the specialty soup bois.”

“Soup bois” is an apparent reference to people who work for federal agencies such as the FBI, CIA and the ATF, a group sometimes collectively referred to as alphabet soup, Woolard said. 

Justus later responded, “Let’s boogie,” which Woolard said was a statement of agreement to engage in attacks on law enforcement personnel in accordance with Boogaloo ideology. 

“I therefore believe Justus’ statement to the FBI was a false exculpatory narrative carefully crafted to fit what Justus believed to be the state of the evidence,” Woolard said. 

Open Studios to Launch New Online Venture for Local Artists

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Among the many losses in the surreal year 2020 will be a cherished autumn ritual in Santa Cruz County: the annual Open Studios Art Tour in which artists from all over the county open their creative worlds to the public each October.

This year, unsurprisingly, the Open Studios will not happen, thanks to the Covid-19 pandemic. But even as it plans for 2021, Open Studios’ host Arts Council Santa Cruz County is making use of the downtime to create an entirely new orientation to local visual arts.

It’s called the Visual Arts Network (VAN), and it’s an online catalogue of local visual artists and their work, to be unveiled in October.

“It’s a pivot in lieu of Open Studios,” says the program’s longtime director Ann Ostermann, “so that come October, when people will be looking for art and artists, we’ll have a safety net.”

Here how it works: For an annual fee of $65, local artists will get a dedicated page on the network that functions much like a personal website, with artist statements, photos, videos, and links to social media and sales portals.

Open Studios itself is juried; a panel of seven arts professionals chooses the artists to be on the tour on the basis of technical proficiency and artistic vision, among other factors. The Visual Arts Network, by contrast, will not be juried. The only qualifications an artist must demonstrate is that their work is 1) in fact, visual art of some kind and 2) original and locally produced art, not manufactured elsewhere.

Ostermann says that the VAN could serve as a staging spot for artists just beginning to make the move toward professionalism. “With Open Studios, you have to be a certain level. You have to be ready to welcome the public to come see your art. You have to know how to display your art, price it, market it. It’s a big dive into the professional art world. (The Visual Arts Network) is a really welcoming way for someone just starting to think about what would it be like to put my art out there for the public.”

She also says that the new online venture will evolve to offer artists instruction and access to professional development tools, including mentoring opportunities, training in video and photography, and networking within the rich and vibrant visual arts community in Santa Cruz County. She also says that the network will have a budget for year-round marketing for artists.

“Usually, in October, we have a four-week press and then it’s done. Now we can go year-round. It’s thrilling the ideas we can have. Maybe next spring, we can let the public know what artists have, who’s opening up, who’s doing appointments. For a person who doesn’t like change and was getting ready to produce her 17th Open Studios tour that I know like the back of my hand, I’m actually finding that it’s creatively juicy to do (something different).”

Ostermann also says that the network will work with artists who cannot afford the $65 annual fee. “People are experiencing real financial hardship right now,” she says. “If you’re not getting income, if the $65 fee is a hardship, you can contact me (to wave the fee).”

The application process to be part of the inaugural 2020 Visual Arts Network is now open. The deadline to apply is July 6. For details, go to santacruzopenstudios.com.

Santa Cruz County Changes Rules to Limit Vacation Rentals

The Santa Cruz County Board of Supervisors on Tuesday unanimously approved placing a moratorium on new vacation rentals countywide, along with several other rules meant to limit the growing industry.

The trustees will consider on June 30 whether to extend the 45-day moratorium.

Supervisor John Leopold, who helped craft the ordinance, said that the growing number of vacation and hosted rentals puts a burden on neighbors, who report loud parties, parking woes and other troubles at some properties. The increasing number of vacation rentals also reduces the number of available homes for county residents, Leopold said.

“I think the need for this moratorium is very clear,” Leopold said. “In the years we’ve been dealing with the vacation rentals, the nature of the complaints—and the concerns in our community—have changed.”

According to Jocelyn Drake of the Santa Cruz County Planning Department, there are currently 656 vacation rentals and 250 hosted rental permits countywide, numbers that continually fluctuate.

Another trouble, Leopold said, is that until the new rules passed, enforcement of existing rules for problem properties was spotty at best.

“In the 11 years we’ve had this, we haven’t revoked one permit—not one,” he said. “So the message we’re sending is that you can get away with a lot, and the impacts on neighborhoods will be great. I’d like us to have a system that helps the people who actually live here, rather than the people who don’t live here but rent their properties.”

The new rules give more teeth to county enforcement by allowing for easier revocation of permits. 

They also require a five-year permit review, with the first year being probationary. Moreover, owners and property managers are required to answer complaints within 60 minutes, and failure to do so will be a strike against future renewal.

In other action, the supervisors approved a five-year spending plan that will allow the county to apply for nearly $3.4 million in state funds to help with homelessness issues.

The Permanent Local Housing Allocation Program, run by the California Department of Housing & Community Development, is providing $195 million statewide for affordable apartments, workforce housing, homeless assistance and homebuyer programs, among other things. 

The funds would also go toward homeless prevention programs and navigation and shelter facilities.

Supreme Court Rules Trump Administration Can’t Immediately End DACA

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The United States Supreme Court on Thursday ruled against President Donald Trump’s challenge to the Deferred Action for Childhood Arrivals program (DACA), giving 700,000 so-called “Dreamers” safety from deportation until the Trump administration can weave its way through the administrative process the court said is needed to end the popular program.

The vote was 5-4. Chief Justice John Roberts was the decisive fifth vote, joining the court’s four liberal justices in saying that the Department of Homeland Security’s decision to remove the program—started in 2012 by President Barack Obama—was arbitrary and capricious.

The ruling came days after the court ruled that it would not hear Trump’s challenge to California’s sanctuary laws, another major victory for undocumented immigrants against the Trump administration.

Shortly after Thursday’s decision, the president took to Twitter to voice his displeasure.

“These horrible and politically charged decisions coming out of the Supreme Court are shotgun blasts into the face of people that are proud to call themselves Republicans or Conservatives,” he wrote on the social media platform. “We need more Justices or we will lose our 2nd. (sic) Amendment & everything else. Vote Trump 2020!”

DACA gave temporary protection from deportation to qualified individuals who were brought into the U.S. illegally as children by allowing them to work legally and apply for college loans, among other things, if they met requirements and passed a background check.

President Trump moved to scrap the program, which he called illegal and unconstitutional, during his first year in office, but that move was blocked by lower courts and then appealed to the Supreme Court.

In his dissent, Justice Clarence Thomas sided with the sentiment of President Trump’s tweet, writing that the decision was “an effort to avoid a politically controversial but legally correct decision.”

Numerous Democratic politicians weighed in on the decision, including Gov. Gavin Newsom who called it an “important victory” for California’s more than 200,000 DACA recipients.

“We need a permanent solution for undocumented Californians and acknowledge that a pathway to citizenship is not enough,” Newsom said. 

Watsonville Mayor Rebecca Garcia echoed Newsom. 

“We must do more than just DACA,” she said. “We must guarantee citizenship.”

In 2012, Garcia tutored DACA students at Cabrillo College and helped many with their scholarship applications. Recently she spoke to one of those students who years ago told her he wanted to be a firefighter. He went on to graduate from the Fire Technology Program at Cabrillo and then transfer to and earn a degree at CSU Monterey Bay.

“Is he a firefighter? No, because he is not a citizen,” she said. “He is an [emergency medical technician] but still wishes he could be a firefighter.”

It is unknown if President Trump, should he be re-elected in November, will again try to end the program, but many believe that will be the case.

Watsonville City Councilman Francisco “Paco” Estrada said Thursday’s decision brought “renewed hope” to Dreamers, but said the battle was far from over. He said the community’s efforts to support Dreamers such as the DREAM clubs established at Watsonville and Pajaro Valley high schools must expand in the coming months.

“We have to keep working,” he said. “We have to keep mobilizing for November—making sure people get registered to vote—and supporting candidates who support DACA and support the Dreamers.”

Cause of Santa Cruz Inmate Death: Water Intoxication

The Santa Cruz County Sheriff’s Office has announced the cause of death of Tamario Smith, the 21-year-old who died in custody at the Santa Cruz County Jail on May 10. 

Smith died of acute water intoxication, due to the over-consumption of water in a short period of time, and the situation was compounded by “underlying mental health issues” that Smith had, according to a press release from sheriff’s office spokesperson Ashley Keehn. Smith’s water consumption led to an electrolyte imbalance, causing his organs to fail, the release stated. Smith, who was pronounced dead at the jail, had been arrested in January on domestic violence-related charges.

The autopsy, testing and investigation showed no evidence of trauma, foul play, Covid- 19 or signs that Smith had ingested any caustic or poisonous substances, according to the release. The sheriff’s office has classified Smith’s death as an accident. 

Under both Sheriff Jim Hart and his predecessor Phil Wowak, the sheriff’s office has faced scrutiny for its medical services, inspection procedures and deaths at the jail. Consecutive Santa Cruz County Grand Jury reports about the jail in 2014, 2015, 2016, and 2017 all called for improvements. 

Amid increased scrutiny of law enforcement across the country, activists have called for details about Smith’s death during recent protests. A previously scheduled protest will meet tonight at the Santa Cruz clock tower on Water Street at 5pm. 

How to Lower the Risk from Gathering During the Coronavirus Pandemic

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The Centers for Disease Control and Prevention on Monday updated its recommendations for personal and social activities, giving people a playbook of how they can lessen their chance of contracting the novel coronavirus while dining at restaurants, using gyms and attending gatherings.

Though health officials at various levels of government are still discouraging gatherings between different households, Santa Cruz County spokesman Jason Hoppin said there are several ways residents can lower the risk involved with gatherings.

“If families do decide to gather, there are ways to lower risk including gathering in smaller groups, gathering outdoors, wearing face coverings, and not sharing utensils or equipment,” Hoppin said. “People should be especially careful around elderly or medically vulnerable relatives. Sheltering fatigue is real, and we accept that some people are gathering with friends and family. There are ways to do that while keeping the risks relatively low.”

According to the CDC, gatherings should be hosted outdoors and hosts should provide disposable, single-use items and arrange tables and chairs to allow for social distancing.

“People from the same household can be in groups together and don’t need to be six feet apart—just six feet away from other families,” according to the CDC.

Guests should wear face coverings when less than six feet away from another person and wash their hands for 20 seconds before entering and leaving the gathering.

They should also wash their hands before serving food, though the CDC encourages guests to bring their own food and drinks to further lessen the risk of transmission. 

For gatherings in which food will be served, the CDC recommends hosts identify one person to serve all food and drinks so that multiple people are not handling severing utensils.

Handshakes, hugs, kisses, fist and chest bumps should also be replaced by waves or verbal greetings, the CDC says.

The updated recommendations on gatherings came a week before Father’s Day weekend, when some people might defy county or state orders put in place to slow the spread of the novel coronavirus.

In Santa Cruz County, Mother’s Day weekend—and the gatherings that accompanied the holiday—was the source of four Covid-19 clusters in the Watsonville area.

In the weeks since that spike, a group of a dozen local leaders from various industries has worked with the county’s SAVE Lives campaign to educate residents of the risks of large gatherings as well as the alternatives and preventative measures they can take to lessen their chances of transmission.

For Father’s Day, the group has created a campaign that it will blast online, in print and over the airwaves through English and Spanish radio stations.

Santa Cruz Dance Community Mourns the Death of Sara Wilbourne

Tandy Beal has a hundred Sara Wilbourne stories, maybe even more than that.

Beal, the most luminous and prominent name in the Santa Cruz dance community, had a deep and durable friendship and creative partnership with fellow dancer and choreographer Wilbourne going back four decades.

For example, in the early 1980s, when Wilbourne was one of the most stalwart performers in Tandy Beal and Co., she was part of a large ensemble tackling a Tandy-esque production of The Nutcracker. Rehearsals were demanding, and, as a result, they were subject to tension and frayed nerves.

At one point, says Beal, during the famous Arabian dance in the ballet, “four dancers come out in these beautiful costumes. Then, Sara comes out, topless. It just tore the rehearsal up. And it was exactly what we needed to finish the work that we had to do. She had this ability to be incredibly elegant and old-world, almost formal, and then completely brazen and out there.”

The Santa Cruz dance community only recently learned of the death of Sara Wilbourne in early May. A few years ago, after a diagnosis of encroaching dementia, friends say, the intensely private Wilbourne retreated from public life and news of her death leaked out only gradually. She was believed to be around 70 years old.

She first came to Santa Cruz around 1980 after she and Beal met at the University of Utah. Beal recruited Wilbourne to become part of her Santa Cruz-based dance company and she followed Beal to California.

Over the next 35 years, Wilbourne was not only a central figure in the fertile local dance community, she also became an irreplaceable resource and creative force in the larger arts community, giving her focus and energies to such organizations as Cabrillo College, Shakespeare Santa Cruz, Santa Cruz Ballet Theatre and others. She worked to connect artists with each other, and with whatever they needed for collaboration and support.

Writer and former dancer Julia Chiapella says, “Sara was so good at bringing disparate subcultures from the arts community together.”

Chiapella, who had worked with Wilbourne as a performer years earlier, was later recruited by Wilbourne to be part of a program called “Talk Dance Talk” with the late poet Morton Marcus. “She was keenly aware that we didn’t have enough people writing about dance and illuminating it in a way that could be understood,” Chiapella says. “Dance is so ephemeral and she brought Morton and myself together and created a two-day workshop in writing about dancing, what that meant, and how we could bring that ephemeral quality to the stage.”

But, before all the community activism, Wilbourne was a gifted dancer who toured with Tandy Beal and Co. in venues across the country and in Europe.

“She was a movement genius,” says Santa Cruz based dancer and choreographer Cid Pearlman, who worked closely with Wilbourne in the latter part of her career. “She brought intelligence, rigor, and humor to everything she did.”

David King, the chair of the Cabrillo College Dance Department, first encountered Wilbourne when he was her student at Cabrillo in the early 1980s.

“Sara had fire and strength,” King says. “She had a vibrant muscularity, and as a young man, I really loved being challenged to use my muscularity like she did. She was crisp and inventive, and her sense of plié made it seem like her feet were going through the floor and down into the Earth. It sounds a little Santa Cruz to say it, but she was drawing some power from the Earth. She would spark it through her fingers, change the angle of her face and suddenly, she was a new sculptural figure.”

She leaves behind a number of memorable performances. Many remember her performance in a Zen tone poem piece called The Eight Ecstasies of Yaeko Iwasaki at Cabrillo based on the poetry of Morton Marcus.

“That was when I first (became) enchanted with Sara,” Chiapella says. “It was just riveting.”

“Sara had a kind of burst energy in her dancing,” Beal says. “It was an alertness that over the years, she developed into a really strong theatrical presence. She could hold a moment and make her stillness meaningful on stage.”

Besides Beal and Pearlman, she worked with choreographer Erik Stern and with her students at Cabrillo. King left the area after taking her class at Cabrillo, then returned years later when a job opened at Cabrillo. “I remember thinking, ‘Oh, Sara is still here and I get to work with her.’”

She toured with Pearlman’s company much as she did with Beal’s, working in a piece called Fire Sale featuring a quartet of dancers on an 8-by-8 square of linoleum and, later, Your Body is Not a Shark, “about the process of aging and the loss of physical presence in the world,” says Pearlman, “and how we live with the bodies that we have.”

Originally from Virginia, Wilbourne had a sense of refinement, say friends, that blended with an easy artistic sophistication. “She was bright and witty,” says King, “very sophisticated and urbane, but true to her roots as a Southern person too.”

“I knew her as someone who was very exuberant and reaching out and connecting,” Pearlman says. “One of the greatest things I got from Sara, other than dancing, was a love of knitting. Sara loved to knit. She would knit things throughout the year for her friends. That was something that I was envious about, and then I realized I could model myself on Sara and make things for people.”

Since she learned of Wilbourne’s death, Beal says she has been thinking of Sara more as a friend than an artist. “I just remember singing wild songs with her in the back of the van when we touring the country together,” she says. “Thinking about her, the art part and the friend part, just gets all mixed up.”

Wilbourne was also part of one of Beal’s master works, the magisterial Here After Here, a meditation on the afterlife that premiered locally in 2007.

“I wanted her on the third story of this massive structure we had built,” says Beal. “‘Sara, could you be up 18 feet off the ground? And I want to get a big fan blowing on you, get your clothes moving.’ And she was game. It made for a shockingly beautiful opening to see her up there that high with that ability to hold the moment.”

These days, Beal is haunted by words she had Wilbourne deliver in Here After Here, words that have, with her death, closed a loop.

“I’ve been thinking about a line that I specifically gave to her,” says Beal, “It’s a Rumi line: ‘Whoever brought me here will have to take me home.’”

Memorial Honors Fallen Santa Cruz County Sheriff’s Deputy

Hundreds gathered Wednesday for Santa Cruz County Sheriff’s Sgt. Damon Gutzwiller’s memorial at Cabrillo College under sunny skies.

Gutzwiller, a former Cabrillo student and Aptos resident, was gunned down while on duty June 6 in Ben Lomond.

The memorial began at 7:45am with a miles-long motorcade at the Santa Cruz Beach Boardwalk that threaded its way through Santa Cruz, Capitola and Soquel before arriving at Carl Conelly Stadium at Cabrillo’s Aptos campus.

Headed up by a double-file line of more than 80 police motorcycles, the hearse carrying Gutzwiller was then followed by a phalanx of patrol cars, special law units, a SWAT team, fire personal, paramedics, 911 dispatchers, State Parks Rangers, tow truck operators and more. Some came from as far away as San Diego, San Francisco, Fresno and Los Angeles.

“I’m proud of this community,” said Damon Bruder, who watched from the sidewalk in Santa Cruz. “This is sad, but it is necessary. I hope people realize we need our law officials—our first responders.”

Angela Farley said she felt it was “very important” to join the crowds along Soquel Avenue to watch the procession.

“I’m out here to show support for his family and those in public service,” she said. “I had to be out here to honor his sacrifice.”

Thousands of people lined the procession route. Watsonville Fire Battalion Chief Corey Schaefer said he was “proud to be in the procession.”

“Being in it was overwhelming. I’ve never been in something that size,” he said. “I was glad to see such an outpouring and public support. It was a different atmosphere; it was powerful.”

With a huge swath of uniformed officers and others covering the athletic field, Gutzwiller’s flag-draped casket, carried by a half-dozen formally attired, white-gloved deputies, was ushered onto the field by the San Jose Police Emerald Society bagpipe band. They were followed immediately by his wife, Favi del Real, their 2-year-old boy, Carter, and Sheriff Jim Hart.

Pastor René Schlaepfer welcomed the crowd and led the ceremony on a flower festooned stage.

“Today the world is undoubtedly a better place because of Damon,” he said. 

He went on to emphasize that Gutzwiller was recognized for his “humor, patience, loving nature, giant heart and ever-present smile.”

Speaking of the day of the killing, Hart told the audience, “It was a bad call. But those people, what our people, our CHPs, what our deputies did that day saved many, many lives.” 

Hart said that more than 40 officers responded to the incident in Ben Lomond. 

Mark Ramos, a retired Santa Cruz City Fire Deputy Chief, said Gutzwiller was part of his family.

“We talked about cops, robbers, good guys, bad guys, fires, car chases and family,” he said.

Del Real described her late husband as “compassionate and caring.”

“He was always kind, loving and respectful, never so much as raising his voice at me. Never,” she said. “From the start he was always thinking about me, putting me first and making sure I was OK.”

Del Real said she’d told Gutzwiller at first she did not want to have children. That quickly changed.

“As I grew to know and love him, I wanted to have children with him,” she said through tears. “I wanted to have children because he would be their father. I knew he would be a great father … for a short time, I was able to see he wasn’t just a great father: He was amazing.”

Del Real said Carter got a scooter for his birthday last month, and Gutzwiller purchased a matching one. She remembers Gutzwiller telling her that he couldn’t wait to have father-son scooter rides.

“They were only able to have one,” she said.

Schlaepfer urged the audience to move forward with the selflessness Gutzwiller exemplified. 

“We can never overcome evil with evil, only with good. So seek to multiply the good in Damon’s life into your own,” he said. “He laid down his life for his friends.”

The casket carrying the body of Santa Cruz County Sheriff Sgt. Damon Gutzwiller is carried to a memorial service at Cabrillo College on June 17. His wife, Javi, and their son, Carter (at left), are escorted by Sheriff Jim Hart. PHOTO: TARMO HANNULA

The Secret Sauce is Compassion at Veg on the Edge

Akindele Bankole, the man behind Abbott Square’s popular plant-based outpost Veg On The Edge, is being honored with the 2020 Foodie of the Year NEXTies Award

Originally from Nigeria, Bankole’s West African-influenced dishes and American staples are a far cry from his culinary origin story of working in fast food while attending college at Sacramento State. These days, he is most often found following his passion of preparing award-winning vegan meals. 

How does it feel to win the Foodie of the Year NEXTie? Is it as a sign of things to come for the plant-based movement?

BANKOLE: I really appreciate the award. It allows us to stay focused on what we are doing and validates our values. Being given a chance to reach into people’s bodies and transform them is an awesome responsibility that deserves our focus, attention, and gratitude.

As a plant-based restaurant, there’s inherent compassion in it. We want to make sure the food is good for people and safe for other beings. With more vegetable products, you don’t run the risk of coming into contact with illnesses from animal products.

How has Veg on the Edge evolved over the past few years?  

When we first opened we had just as delicious a menu, but a lot of the dishes were complicated and took a long time. Customers come for a quick bite—get in and get out—so that was not helpful to sustain the business. The menu had to be simple enough to be easily done.

It was important to us not to move to processed foods. Even doing the Beyond Meat burger, we had to take a good look at it to make the right decision. We saw the Beyond burger was a clean option so we chose to do that. We want to make sure most of our food is regular grains, greens, and legumes.  

What’s your favorite dish?

The pumpkin seed stew.

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The Secret Sauce is Compassion at Veg on the Edge

Akindele Bankole follows his passion of preparing award-winning vegan meals
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