Second Annual Festival of Dreams Stirs Awake

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[dropcap]“OK[/dropcap], so I’m sitting in the end zone of this giant football stadium that’s somehow accessible through a door in my kitchen. I’m getting a haircut from Kim Jong-Un while a giant armadillo wearing a red beret does his best impression of John Wayne … or Lil Wayne, I can’t remember. Whatever. Anyway …”

Is there anything quite as lethal to a promising social gathering than talking about a dream you had last night? For many people, dreams are narcissistic non-sequiturs, mindless absurdities that can shut down a conversation cold. To them, dreams belong in the same conversational no-fly zone as politics, religion and Irritable Bowel Syndrome.

For others, though, dreams are anything but trivial. They are metaphorical, even poetic reflections of a person’s inner state, a series of symbolic messages from the subconscious mind to the conscious mind, compelling proof that sleeping can be more effective in problem-solving than brooding or worrying.

On March 11, curious and open-minded dreamers will converge for the second annual Festival of Dreams at Santa Cruz’s Louden Nelson Center. The event will serve as a kind of freewheeling marketplace of ideas for those interested in the potential of dreams to provide insight and inspiration and to solve emotional and psychological problems.

The festival will feature a keynote address by author, lecturer and dreamwork specialist Gayle Delaney, who co-founded the International Association for the Study of Dreams. It will also include workshops on dreaming and a panel discussion of educators, psychotherapists and other professionals from a variety of viewpoints on dream interpretation. And, in what might turn out to be particularly valuable to attendees, the event will also feature a series of free, private, one-on-one, half-hour dream consultations.

The Festival of Dreams took place last year, under the name “Dream Caravan,” at Inner Light Ministries in Soquel. The event’s founder, Santa Cruz dreamwork practitioner Katherine Bell, says she and her colleagues wanted to raise the profile of the gathering by changing its name and location.

“We weren’t sure that ‘Dream Caravan’ really said what it is,” she says. “We wanted it to be more recognizable. It’s about dreams. People on our planning team do all kinds of styles of dreamwork, so we decided to broaden it out and offer people a selection of different ways of working with dreams.”

Dream interpretation is certainly nothing new. In the last century, the field was dominated by grand, overarching theories offered up by brand-name figures in psychology, mostly Sigmund Freud, Carl Jung and Fritz Perls. In recent years, however, it’s become more nuanced, with a recognition that the one-size-fits-all approaches of Freudian and Jungian dream interpretation can be limiting or even meaningless to many people.

What today’s dream therapists recognize is that although dreams deal in powerful metaphors, they can have wildly different meanings from person to person. “Dreams are incredibly personal,” says Bell. “We could look up online what a dream about a horse means. But it’s more important to me to understand what your experiences with horses are. Were you ever hurt by a horse? What do they mean to you, as opposed to what they mean culturally? And that’s the problem with dream dictionaries. You might get some kind of cultural background, and there’s some benefit to that. But what’s the personal story there?”

Keynote speaker Gayle Delaney, who attended the C.G. Jung Institute of Analytical Psychology in Zurich, has developed what she calls “the dream interview,” a method to discern the distinct meanings that dream metaphors have for any given individual, which may conflict with Freudian or Jungian interpretations.

“If you have a dream about a cat and I have a dream about a cat, and five other people have dreams about cats,” she says, “how can they say, ‘Oh, you’re looking at the archetype of the death goddess that so-and-so says represents the feminine principle’? Freud might say cats are your mother. That may be true, but you have no way of knowing that until you sit down with someone.”

Delaney stresses that dreams are expressions of the unconscious mind and can help solve problems even for those who don’t remember their dreams. Still, keeping a dream journal and developing a habit of actively remembering dreams can be rewarding, she says.

More fundamentally, she believes dreams often present a picture of a person’s inner life that is much more in line with who they really are than their social roles suggest.

“I’ve had so many so-called ‘gurus’ in my practice who are lonely, wretched people, and their dreams help them see how lonely they are because they won’t accept anyone as their equals,” says Delaney. “And I’ve had people who lead very quiet lives but who have dreams of great beauty and ecstasy. And they live lives of generosity and love. No one would see them as an enlightened person. But they are.”

The Santa Cruz Festival of Dreams will be held Sunday, March 11, 11 a.m. to 5 p.m., at Louden Nelson Center, 301 Cedar St., Santa Cruz $25 advance; $35 at the door; festivalofdreams.net.

 

Preview: Fabian Almazan’s Project Rhizome to Play Kuumbwa

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[dropcap]A[/dropcap] few years ago, Fabian Almazan was on tour in Brazil with trumpet star Terence Blanchard. On a night off, the Cuban-born pianist found himself on the remote northeastern beach in Jericoacoara, and stumbled into a life-changing moment of clarity.

“The tide went out as far as I could see, and I walked out toward the ocean for about 15 minutes,” recalls Almazan, 33, who brings his double-quartet project Rhizome to Kuumbwa on Wednesday, March 7. “I looked up and saw the dome of stars and was so moved by the enormity of the universe and my place it in, the absurdity and beauty of life.”

Almazan certainly isn’t the first musician to be awed by an encounter with the Milky Way, but his singular life path provided him with the internal and external resources to translate that epiphany into some of the most extravagantly beautiful new music on the planet.

He recorded the nine-movement suite on his recent album Alcanza, and like his critically hailed 2014 album Rhizome, the new project features his New York quartet with Chilean vocalist/guitarist Camila Meza, Australian bassist Linda May Han Oh, and Puerto Rican drummer Henry Cole, along with a string quartet—at Kuumbwa, that means San Francisco’s adventurous Friction Quartet.

A botanical word for a rootstock with multiple shoots emerging, Rhizome is an apt description for an ensemble that gracefully embraces opposing musical impulses, particularly improvisation and intricately constructed composition. With elaborately detailed charts, the music is by necessity much more through-composed than usual in jazz contexts.

“You have so many possibilities with strings, you have to limit it, put guidelines so things are cohesive,” Almazan says.

But describing Alcanza as chamber jazz doesn’t really capture Rhizome’s impact. Dynamically volatile and built on constantly shifting rhythms, the suite is laced with Almazan’s electronics, which add depth to the tidal textures. He credits his decade-long tenure with Blanchard—which included contributing to soundtracks for films by Spike Lee and George Lucas—with radically expanding his sonic sensibility.

“One thing that opened up my mind was the film score sessions,” Almazan says. “As one of the musicians in the pit watching Terence communicate with an orchestra and seeing the beautiful textures he can get, I realized I don’t have to think in these boxes. And I’m extremely grateful that he’s given me absolute freedom to experiment with electronics, both in the quintet and E-Collective. I’ve tried every piece of software under the sun. I’ve tried hardware. I run acoustic piano through effects. It’s constantly evolving, and of course I bring that into my music.”

The most obvious new element in Almazan’s music is his growing reliance on Camila Meza. On 2014’s Rhizome, he used her wordless vocals as a horn-like element. But on Alcanza, her brilliant guitar work is fully integrated into the ensemble, while her vocals are even more central, as Almazan created several songs as part of the suite.

He had never thought of writing lyrics before hearing Meza sing, “but something clicked when I came to one of her shows,” he says.

“I felt like I wanted to convey these abstract emotions, and lyrics are a direct way of communicating that message. Well, direct if you speak Spanish. I feel a sense of responsibility now given the open hostility to Spanish-speaking people, particularly from Mexico, coming from the White House. I want the younger generation of Hispanic youth to hear and know they can be whatever they want to be.”

INFO: 7 p.m. Wednesday March 7, Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

Westside Coffee Keeps the Coastal Caffeine Game Strong

[dropcap]T[/dropcap]hose vintage black and white photos of legendary longboarders Doc Scott the surf doctor and his champion daughters, now share the wall with flat-screen ocean sports videos. Across the room on a wall of recycled lumber, colorful shortboards remind the clientele what’s a few blocks away. Yes, you’re at Westside Coffee, a refreshingly unpretentious oasis of great, inexpensive coffee that offers daily comfort to Westside Santa Cruz patrons. Bagels with various toppings, house-baked muffins, breakfast specialties—you can actually enjoy some real food here. But I come for the coffee, and I’m not alone.

Newly spiffed up, the welcoming sanctuary for students, professors, industrial fabricators, contractors, and surfers is loaded with coastal chic. Without attitude. There are plenty of other coffee palaces for that. Bob Dylan was delivering the acoustics when I went in last week for a jolt of Full City made fresh at the brew bar (with house signature Santa Cruz Roasting Company beans). For $2.75 (16 ounces) I had about as much full-flavored caffeine as I could handle, augmented with two blueberry mini-muffins (50 cents each), and grabbed a table to consult the headlines on the BBC web. Sure, Westside has wifi—this is Santa Cruz after all—but the real magnet here is getting together with fellow java-heads and having some face-to-face. At the far end of the room, a large table hosts vintage adult males (they probably never go home!) who were engaged in a happy argument about somebody’s recently-drilled well. The consensus from these guys, some retired, some local ag honchos, was that the well would never produce.

In the front of the house, lined with small tables, is a retro L-shaped sofa that offers a bit more coziness when needed. Marine paraphernalia with wave motifs and rambling homages to surfing lanes punctuates the newly-painted charcoal grey walls. The staff gets it: You’re there for coffee and a breakfast snack. They seem happy to please. Nobody’s trying out for Barista of the Planet, that I can tell, although you can get a righteous macchiato at Westside. I love this place for a quick dash in and out. Terrific coffee. Which is the point. Right?

Westside Coffee Co. is between ACE Hardware and Safeway in the Almar and Mission complex. Open 5:45 a.m.-4 p.m., Monday-Friday, and from 6 a.m. on Saturday.

 

Aquarius Salutes St. Patrick

When I was a kid I loved to honor my Irish ancestry by wearing green on St. Patrick’s Day, March 17. Part performance, part old-fashioned fun. So I was delighted to find out that Aquarius, the dining room overlooking the ocean at the Dream Inn, is offering a whole host of Irish-themed specials during St. Patrick’s Week, March 16 through 23rd. What sort of thing would the Irish eat in solidarity with the 6th-century monk who allegedly drove the snakes out of the Emerald Isle? Well, for lunch they might like Aquarius’ potato and leek soup with soda bread. Or the braised corned beef and sauerkraut sandwich. Yes, there’s Guinness fish and chips too. On the St. Paddy’s Week dinner menu you’ll find traditional corned beef and cabbage, as well as Old World cottage pie with ground beef and veggies, frosted with mashed potatoes. Even if you haven’t done an AncestryDNA test, you might just have a wee drop of Irish blood yourself. So hoist a pint at Poet and Patriot and then head over to Aquarius and feast like an Irish saint. Don’t know how they did it, but the cooks at Aquarius even discovered Patrick’s personal recipe for apple caramel bread pudding. On the dessert menu. Éirinn go Brách!

How would you make the world a better place?

“Treat people with kindness and keep good positive thoughts.”

Sally Weymouth

Santa Cruz
Legal Secretary

“The ripple effect of a smile.”

JoAnn Tennent

Santa Cruz
Reflexologist

“I’m having a lot of trouble with the way people drive these days. I almost get hit every day. If everyone would slow down and keep to the right, it would be really great.”

Greg Helgeson

Aptos
Retired

“Continue to heal myself and share seeds and story with everyone.”

Melody Overstreet

Santa Cruz
Artist

“Send everyone to therapy.”

Remy Vincent

Santa Cruz
Kitchen Manager

Opinion February 28, 2018

EDITOR’S NOTE

In the midst of production on this week’s issue Monday, we received information about accusations of sexual impropriety by Watsonville City Councilmember Oscar Rios. Our News Editor Jacob Pierce worked literally through the night on this story, speaking with the victims at length and corroborating their stories, as well as reaching out to Rios, to make sure that the piece about the allegations in this issue would not be some shallow rehashing of various press releases, but real first-hand accounts of these stories from the women who came forward with them. It also became an examination of how issues of sexual assault have affected women involved in progressive causes. Rios resigned a mere few hours later, and I don’t think this will be the end of this story, but having been in the room as the conversations around this story unfolded, I have to laud the courage of the women involved and the sensitivity of Pierce’s reporting on it. #MeToo has definitely come to Santa Cruz County, and I’m sure this is only the beginning.

Also in this issue is Andrea Patton’s look at Highway 17 one year after the devastating floods that affected thousands of Santa Cruz commuters. She examines not only what’s been done to Highway 17 in that time, but also the remarkable history of the infamous mountain road that connects Santa Cruz and Silicon Valley, and discovers it has long been a hot-button issue here. Anyone who drives Highway 17 every day will definitely want to give it a read.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Welcome, Wallace

Congratulations to Good Times and to Wallace Baine. I’ve been saddened by the recent changes at the Sentinel and while I certainly wish them well, I couldn’t be happier to learn of Wallace Baine’s newest adventure. I think Good Times will be a great outlet for his talents and perspectives. I’ve admired Wallace’s work and look forward to his continuing take on what’s happening in town and the broader environment, and I trust Good Times will be an environment in which he thrives. In these hard times we need the Good Times.

Matt Guerrieri | Santa Cruz

Local Law Enforcement Leaders on Guns

According to the Federal Bureau of Justice Statistics, there are more than 500,000 shootings per year. As law enforcement executives in Santa Cruz County, each of us individually may have different views of how best to reduce gun violence, but we are all committed to providing leadership to prevent and reduce gun violence and to keep our children and teachers safe in our schools. Here are just some of the practices we agree will make a difference.

First, police and prosecutors must proactively investigate and prosecute existing gun laws. The local police should faithfully examine tips from community members concerning violent or unstable people who possess guns and make threats.

Second, local courts must view gun crimes as serious crimes worthy of meaningful sentences and high control post-incarceration supervision. Emphasis should be placed on guns possessed by violent mentally ill offenders, domestic abusers, animal abusers and violent gang members.

Third, California has some of the most stringent laws on firearms; we applaud our legislature for their foresight. California should continue to place reasonable restrictions and limits on future sales or transfers of assault rifles and other firearms that have high-capacity magazines and fire high-velocity bullets. Gun lobbyists must be reasonable, working in good faith with government, to find real solutions.

We need laws that make sense. In our state, possession of a club is listed as a felony, but possession of an unpermitted and concealed firearm in a crowded movie theater is a misdemeanor. The legislature should also carve out exceptions to privacy laws to allow mental health care workers to provide information to law enforcement when lives may be saved.

Fourth, firearms dealers must be required to harden their facilities or store all firearms in a safe when closed. Gun stores have been the target of thieves searching for firearms in this county many times in the recent past.

Finally, each and every gun owner must do their part. When not using a firearm, lock it up! Leaving unattended firearms in a building or vehicle is reckless. And all of us have a responsibility to prevent a family member with a history of violent outbursts to have access to a firearm. We are here to help with those situations if you need us. Santa Cruz County, we can begin with meaningful and civil discourse that leads to action.

Every reasonable person, regardless of one’s position on the Second Amendment, grieves for the lives lost in senseless acts of gun violence. The question becomes, are we willing to make a personal sacrifice to save lives? Every law enforcement executive in this county is willing, ready and able. Are you?

The County Chiefs of Police and Sheriff


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GOOD IDEA

BUYER BE THERE
The Santa Cruz County Planning Department has confirmed that out of the 65 units going into the new Aptos Village project, 10 of them—15 percent—will be deed-restricted and affordable. Although the prices for these new little homes are a fraction of typical home prices in this area, they still start at $256,000 for a one-bedroom. Applications are due May 18, and there will be two informational sessions before then, both of them at the Rio Sands Hotel. Visit sccoplanning.com for more information.


GOOD WORK

STREET TALK
Now that Santa Cruz Police Department (SCPD) has announced a plan to begin neighborhood policing, the city’s cops are getting ready to unveil the nitty-gritty details behind the new vision. SCPD will hold four events, one in each of the recently established neighborhoods—downtown, upper Westside, lower Westside, upper Eastside, and lower Eastside. The events run from Saturday, March 3 through Thursday, March 8. For more information, visit cityofsantacruz.com or santacruzpolice.blogspot.com.


QUOTE OF THE WEEK

“What are men to rocks and mountains?”

-Jane Austen

Golden Roots Kitchen’s New Take on Meal Delivery

[dropcap]I[/dropcap]t’s been a busy week—but then, isn’t every week busy? You want good, healthy food, but you don’t have the time to prepare it yourself, and you don’t feel like going out to eat every night. One solution is a meal delivery service. Though there’s plenty of popular national services, locals can look up Golden Roots Kitchen and get a taste of Santa Cruz in their meals. The service area includes Santa Cruz, Scotts Valley, Bonny Doon, and as far south as Aptos. Founder Melanie Geist tells us more.

How does Golden Roots Kitchen work?

MELANIE GEIST: Each week we offer a variety of dishes comprised of nine different options. Customers can choose a package, or order à la carte. You can choose pick-up or delivery on Tuesdays. We strive to create dishes that are flavor-driven and thoughtfully prepared, keeping both our clients’ health as well as the environment in mind. We offer organic meals which are sustainably packaged in reusable glass jars, as well as compostable and recyclable materials. We are not content to put a recipe on the menu that does not really excite us. As lovers of travel and food, a lot of international flavors inspire our meals, and my training as a natural chef has helped me uncover traditional cultures’ food wisdom: simple tools like soaking and sprouting and the use of seasonal foods and powerful herbs and spices that make food more bioavailable and digestible. We are always in the kitchen testing and retesting recipes to keep it fun for our clients and to stay inspired ourselves. We try to keep the food mostly plant-based. We do offer animal protein, but we only offer one animal protein per week. There’s a lot of protein through legumes. We also offer high-protein grains like buckwheat.

How is it different than other meal delivery services?

One thing is that meal kits seem to be the most popular services available. The main difference between us and them is you don’t have to prepare the meals. Everything is fully prepared with Golden Roots. But the other big difference is the preparation methods. We take all this time and care to take the additional initial steps. There’s no way that those things can be done in the meal kit services because it’s a several-day production to get food ready just to be cooked so that the nutrients are ready for consumption. I think having a varied menu keeps it a little more interesting. I think some of the meal kit services, the meals start to look the same. We also use a lot of herbs and earthy spices which helps in the nutrient density and digestion components, but also makes the food really flavorful and interesting. I think that a lot of the services, the food is a little more simple. Simple can be great. But we aim for the exciting.

goldenrootskitchen.com, 471-7787.

Author Karen Joy Fowler on the Writing Life

[dropcap]I[/dropcap]f she didn’t write books, Karen Joy Fowler might spend most of her time reading.

“I have to read while I’m writing a book,” says the author of the celebrated Jane Austen Book Club. “I am in this space of needing to do other things. My brain keeps searching. It may have nothing to do with what I’m writing, but the cross pollination of ideas is important. One book can influence the next. And reading keeps my enthusiasm for books front and center.”

Fowler made her home in Davis for many decades until her husband’s retirement. “He wanted to go back to southern California and I had visions of retiring to Whidbey Island in the Pacific Northwest,” she says. “So we settled on Santa Cruz.” Where she’s lived for 10 years.

About the nuts and bolts of her writing practice: “I don’t write every day,” she admits, with something close to a laugh. “Too many distractions. Except at writers retreats. That sort of hothouse environment allows me to not think about dinner or shopping, and just write.” Her favorite retreat is Hedgebrook on Whidbey Island. “Listening to others reading strengthens me as a critical reader. Often it’s a wake-up call for me. I can learn what I think through a piece that is not my own.”

Fowler’s eyes are the color of storm clouds over the ocean, an intense blue-grey. She chooses her words carefully and without unnecessary drama. She is devoted to Pilates.

“I never took a writing class, I have no literary background. My degree was in political science. And perhaps that is why I bring a wide lens to my stories. I’m always aware that there’s a big world out there.”

She admits to a “mystifying confidence,” about her writing, characterizing herself as persistent, “even when things aren’t working. I am very stubborn.” Fowler claims that writing the first draft of a book helps her clarify the project itself. “Quite recently I had some insight into what is now a four-year novel I’m working on. I was at a family dinner, trying to answer someone’s question about what kind of book I was writing. I realized I wasn’t clear about what kind of book it was.” Process provides insight, something many writers agree upon. In the writing, the book’s focus emerges.

“I would prefer to work faster, but I can’t,” she says. An impish smile crosses her face. “But I don’t believe that distractions are necessarily bad. It can appear that I’m wasting time, but the ideas are percolating in the background.” From anyone else, that might sound like a dodge.

Fowler spent her first 11 years in Bloomington, Indiana. “I read a lot,” she says. “Books in the library there weren’t cataloged according to genre. The titles were simply all arranged alphabetically. So I never thought in terms of genres, didn’t care about genre distinctions. That freed me.” And that freedom resulted in Fowler’s eclectic portfolio of short stories, novels, science fiction, and fantasy. “When I went to my first science fiction writers conference I found a community that had a much clearer continual conversation. They were my people.” Now she grins and her eyes morph to pale blue. Her tone becomes hushed, even reverent when she mentions Ursula Le Guin and Donna Haraway, whose literary territory interweaves with her own. Intrigued by entwinings of gender as well as genre, Fowler founded the James Tiptree Award which focuses on expanding explorations of gender. “Sarah Canary,” her first book, “pushed back against the idea that communication could even be possible.  The central character is inexplicable,” Fowler explains. “She cannot communicate. So those who meet her impose their view of who she is according to who they are.” Fowler clearly relishes breaking through expectations.  “There are no rules when writing a novel. And while genre does have rules, they are rules I can break. Otherwise the books would be formulaic and predictable.”

A passionate reader, Fowler often re-reads books she has loved. Jane Austen, for example. “She’s a puzzle to me, a puzzle I like thinking about. I don’t think there’s a more elastic writer. She is a romance writer and she’s a feminist. She’s a Rorschach. As a young girl I thought her books were romantic comedy.” She pauses. “When I re-read a book I bring with me the ghosts of all my previous selves. They change the book with each reading, or rather it is never the same book that I’m reading.”

Fowler confesses that she burned out on Jane Austen when writing her bestseller on the 18th-century novelist. “There’s no shortage of books about her,” she says, eyes twinkling. Currently working on a book set in 19th Century California, Fowler happily admits that right now she has “no deadline, no rush.”

 

Mount Eden Vineyards’ Premier 2015 Chardonnay

You get a big bang for your buck with Mount Eden’s 2015 Chardonnay. Full, lush tropical fruit dominates this wine’s aromas and flavors, and it is a premier example of Central Coast Chardonnay. Jeffrey Patterson, a much-respected winemaker round these parts, has been at the helm of Mount Eden since the early ’80s, and he continues to turn out excellent wines.

Grapes are harvested from Wolff Vineyard in the bucolic Edna Valley near San Luis Obispo—an ideal grape-growing region resulting in the best possible fruit. This is the 31st year that Mount Eden has been making premier Chardonnay from Edna Valley, receiving many awards along the way. The 2015 Chard won 90 points from Wine Enthusiast magazine and 88 points from Wine Spectator.

This reasonably priced Mount Eden Edna Valley 2015 Chardonnay can be found in stores all over for about $20. Barrel-fermented and aged on the lees (“lees” refers to deposits of dead yeast) for 10 months, Mount Eden gives the same care to these barrels as they give to their more expensive estate wines.

Mount Eden says that 2015 was another drought-influenced year “with the crop being miniscule and the flavors magnified,” and the result is a nose of earthy complexity with notes of white flowers and guava. Rich and subtle on the palate, it’s enhanced with flavors of lemon and toasty oak.

Mount Eden does not have a tasting room, but you can make an appointment for an “intimate tour” of the original upper wine cellar and learn the history of the winery. Note: It’s at 2,000 feet and located up a two-mile private road. No tasting is offered on the tour.

Mount Eden Vineyards, 888-865-9463. mounteden.com.

 

Quote from a Local Winemaker

The fun part for me is controlling as many of the variables in growing fruit and making wine as I can, but, as mortals, we love the minor variations that Mother Nature adds to each year’s vintage. For us, it’s like opening a Christmas present. You kind of know what is in the box but are not quite sure what’s in there till the final wrapper comes off!”

Oscar Predictions for 2018

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[dropcap]A[/dropcap]fter the OscarSoWhite hashtag movement a couple of years ago, the Motion Picture Academy’s demographics have altered. With membership now opened up to a younger, more diverse crowd of film pros, you might expect this year’s nominees to feature a few plucky mavericks vs. the mainstream favorites. But—surprise! Almost none of the nominees qualify as “mainstream,” including the two top contenders: Guillermo del Toro’s lush, eerie, romantic fantasy The Shape of Water, and Martin McDonagh’s blackly comic morality play Three Billboards Outside Ebbing, Missouri.

While the predictive winners in all four acting categories are pretty much set in stone (results have been uniform throughout the awards season), there’s still plenty of room to stir up trouble! Here’s what I think will happen:

 

BEST PICTURE Three Billboards Outside of Ebbing, Missouri. Usually, if you subtract the four (out of nine) nominees whose directors didn’t get a nomination in their category, that narrows the field to five serious contenders. But even though McDonagh wasn’t nominated for directing Three Billboards, it’s already won a Golden Globe for Drama, and the Screen Actors Guild Ensemble award. The Shape of Water is my favorite movie of the year, but I think it will rack up its Oscars elsewhere.

The Post was a favorite going into the season, with its timely tale of crusading journalists standing up for the truth, but here, the lack of a nomination for director Steven Spielberg suggests it’s run out of steam since then. Less likely (but not impossible) upsets might by Greta Gerwig’s smart, beloved indie comedy, Lady Bird, or Jordan Peele’s darkly subversive racial-politics horror movie Get Out (Gerwig and Peele both scored directing nominations).

 

BEST DIRECTOR  Guillermo del Toro, The Shape of Water. He’s already won every award there is in this category—in compensation for Three Billboards walking off with most of the Best Picture prizes—but mostly because Del Toro’s irrepressible, iconoclastic personality infuses every frame of this rapturous movie. Gerwig won a Golden Globe in the comedy category, and Peele earned a Best First Feature nod from the Directors Guild of America (although Del Toro won Best Director from the DGA), so anything is possible.

 

BEST ACTRESS Frances McDormand, Three Billboards. Bet the rent; name an award in this category, and she’s already won it. And deservedly so.

 

BEST ACTOR Gary Oldman, Darkest Hour. Another shoo-in, like all four favored acting nominees. Besides, there has to be some kind of recognition for a guy who started out playing Sid Vicious tackling the role of Winston Churchill.

 

BEST SUPPORTING ACTRESS Allison Janney, I, Tonya. She doesn’t just “disappear” into the role of Tonya Harding’s cold, heartless mom; Janney plays her in a trance-like state of viperish perversity.

 

BEST SUPPORTING ACTOR Sam Rockwell, Three Billboards. He’s got all the buzz, as the hot-headed deputy dragged kicking and screaming to a kind of redemption. I thought his co-star, Woody Harrelson (also nominated) was just as good in this category. But I’d have liked to see a shout-out for Doug Jones in The Shape of Water. A longtime Del Toro co-conspirator (he played Fauno/Pan in Pan’s Labyrinth, and was recently seen as the impossibly elongated alien First Officer Saru in Star Trek: Discovery), Jones’ poignant Amphibian Man romancing Sally Hawkins gives the movie its heart and soul.

 

OTHER Here’s where those new Academy members may prevail with an Original Screenplay award to Peele for Get Out, beating out Del Toro and McDonagh (Although the latter has scored some pre-Oscar awards for Three Billboards). Veteran director James Ivory looks poised to win the Adapted Screenplay award for Call Me By Your Name. Expect Blade Runner 2049 to score gold for Cinematography, while Phantom Thread wins in the Costume department. (Although, for a movie about the fashion industry, I found the clothes as lackluster as everything else in Phantom Thread.) Meanwhile, The Shape of Water should swim to victory for its atmospheric sea-green Production Design, and its expressive Original Score by Alexandre Desplat.

 

The 90th Annual Academy Awards will be broadcast at 5 p.m. on Sunday, March 4 on ABC.

Music Picks Feb. 28-Mar. 6

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Live music highlights for the week of February 28, 2018.

 

WEDNESDAY 2/28

JAZZ

MILES ELECTRIC BAND

Miles Davis landed at the center of the jazz/rock fusion movement with the release of Bitches Brew, but that seminal 1969 album marked the start of a new journey rather than a culmination. He continued to evolve over the next two decades, adding and subtracting elements from rock and funk, Brazilian and Indian music, West African and psychedelia. The Miles Electric Band explores a broad swath of this territory, and features a rhythm section with players who toured and recorded with Davis, including Rolling Stones bassist Darryl Jones, percussionist Munyungo Jackson, and drummer Vincent Wilburn. They’re joined by a blazing cast of younger players, including saxophonist Antoine Roney, guitarist David Gilmore, tabla player Debasish Chaudhuri, and New Orleans trumpet star Christian Scott. ANDREW GILBERT

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35. 427-2227.

THURSDAY 3/1

AMERICANA

MCCOY TYLER & FRIENDS

I don’t know if you know this, but McCoy Tyler has a lot of friends. You might have seen him booked as the McCoy Tyler Trio or the McCoy Tyler Band or the McCoy Tyler Wild Psychedelic Ride Through Santa’s Village. Maybe not the last one. But the iteration that makes the most sense is McCoy Tyler & Friends, because that’s what all of these monikers really are: Local boy Tyler playing his unique, earnest brand of Southern rock ’n’ roll meets classic Americana meets power pop with his very talented Santa Cruz friends. If you’re lucky, you may end up being one of his friends someday. AC

INFO: 7:30 p.m. Michaels on Main, 2591 S. Main St., Soquel. $8. 479-9777.

FRIDAY 3/2

ROCK

JERRY JOSEPH & THE JACKMORMONS

Salt Lake City is a trip—having grown up there, I can say that. The Mormon church has a presence that weaves through most things, but the area is also cradled by one of the most spectacular mountain ranges you’ll ever see, the people tend to be neighborly, and Salt Lake has an outstanding arts and music scene—including a robust music underground. Jerry Joseph & the Jackmormons is one of the local-bands-done-good from the area. Led by prolific singer-songwriter Jerry Joseph, from the groups Little Women and Stockholm Syndrome, the band ventures into psych-leaning rock, a bit of jam, and a lot of lyrical poetry, and has extended its reach far beyond SLC. CJ

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12. 429-6994.

FRIDAY 3/2

R&B

BOOKER T. JONES

Way back in the way, way back, Booker T Jones wrote and performed some legendary soul-R&B classics. His instrumental “Green Onions” for his band the M.G.’s is arguably one of the most famous instrumental tracks ever put to wax. It’s got a real “Hit the Road Jack” vibe, but 1,000 times better. The M.G.’s are considered originators of the grooving Southern soul in its infancy. Jones’ accomplishments in music are too numerous to list here—just set your alarm for March 2, and go enjoy the music of a legend. AC

INFO: 7 & 9 p.m. Kuumbwa, 320 Cedar St., Santa Cruz. $35/adv, $40/door. 427-2227.

FRIDAY 3/2

ROCK/REGGAE

ZACH DEPUTY

Zach Deputy has a feelgood reggae-funk-Latin thing going on. The multi-instrumentalist songwriter and looper has described his sound as “island-infused drum ’n’ bass gospel ninja soul.” Based in Savannah, Georgia, Deputy sometimes sings about mundane topics, such as Chevys and scrambled eggs and mornings, but he does it in a catchy, endearing way. He seems like your brother’s good-natured friend who’s always welcome at family gatherings because he’s fun to be around and makes everybody feel good. And he’s a kickass musician to boot. CJ

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $12/adv, $15/door. 479-1854.

SATURDAY 3/3

REGGAE

WARRIOR KING

Born in 1979, when classic Jamaican roots reggae was all but over, Mark Dyer—later to be known as Warrior King—would grow up to embody this classic ’70s sound, and its uplifting spirit. Back in the ’90s, he went by the name Junior King, and was a popular dancehall artist. His change to Warrior King was more than just a style change, it was about embracing his spiritualism. He dedicated his music to fighting oppression, and loving God. “Virtuous Woman” was the debut single as Warrior King in 2001. Ever since, he’s had a loyal fanbase for creating incredible reggae. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

SUNDAY 3/4

R&B

ADRIAN MARCEL

Adrian Marcel first hit the scene five years ago—at the ripe age of 22—with his explosive mixtape 7 Days A Week. His smooth voice and wide range of R&B, hip-hop and soul music influences have led the Oakland native down a path of collaborating with everyone from Kelly Rowland and Sage the Gemini to Raphael Saadiq, who also produced the singer’s debut mixtape. Last year, Marcel dropped his long awaited debut full-length, GMFU, and continues to represent Bay Area sounds to a new generation across the country. MAT WEIR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door. 429-4135.

MONDAY 3/5

PSYCH ROCK

EARTHLESS

According to the Oxford Dictionary, “earthless” is an adjective from the 17th century defined as “unencumbered by material or earthly things; spiritual,” and it’s the perfect name for this trio of headbangers from San Diego. No strangers to Santa Cruz, Earthless has been delighting heshers and rockers since 2001 with a no-holds-barred brand of controlled chaos. Packing in more jam than a Smucker’s plant, Earthless explores the space in between sounds, taking listeners on a psychedelic spin through structure and improvisation unlike any before them. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $22/door. 429-4135.

TUESDAY 3/6

FOLK-ROCK

MAMMALS

New York’s Hudson Valley has a rich folk music history; the legendary Pete Seeger championed environmental and social causes in the area, among others. Folk-rock group the Mammals is part of a new generation of bands carrying on the Hudson Valley music lineage, sharing its legacy with the global audience of roots music fans. Co-founded by Seeger’s grandson, Tao Rodríguez-Seeger, the band brings a high-energy vibe to folk traditions and a truth-to-power ethos of which Seeger would have been proud. In 2008, the band went on hiatus and now they’re back, with a performance Tuesday at Flynn’s Cabaret (formerly Don Quixote’s). CJ

INFO: 7:30 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $15. 335-2800.


IN THE QUEUE

SWEET PLOT

Funk and rock out of San Francisco. Saturday at Crepe Place

JOURNEY UNAUTHORIZED

Don’t stop believing in classic rock tributes. Saturday at Rio Theatre

A LOVE SUPREME CELEBRATION

All-star tribute to John Coltrane. Saturday at Michael’s on Main

MOLOTOV

Rock ’n’roll out of Mexico City. Sunday at Catalyst

CLAUDIA VILLELA & KENNY WERNER

Brazilian jazz vocal sensation and her pianist. Monday at Kuumbwa

Second Annual Festival of Dreams Stirs Awake

Festival of Dreams
Santa Cruz’s Festival of Dreams attempts to decipher the language of the subconscious

Preview: Fabian Almazan’s Project Rhizome to Play Kuumbwa

Fabian Almazan
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Westside Coffee Keeps the Coastal Caffeine Game Strong

Westside Coffee Santa Cruz macchiato
A macchiato worth stopping for, plus an Old World St. Paddy’s Day menu at Aquarius

How would you make the world a better place?

Local Talk for the week of February 28, 2018

Opinion February 28, 2018

Plus Letters to the Editor

Golden Roots Kitchen’s New Take on Meal Delivery

Melanie Geist of Golden Roots Kitchen
Melanie Geist on a more exciting, more local take on meal delivery services

Author Karen Joy Fowler on the Writing Life

author Karen Joy Fowler of Jane Austen Book Club
Best-selling author of ‘Jane Austen Book Club’ on her youth, writing life and book-in-progress

Mount Eden Vineyards’ Premier 2015 Chardonnay

Mount Eden Vineyards Chardonnay barrels
Edna Valley Chardonnay 2015 is of the highest quality at an affordable price

Oscar Predictions for 2018

Shape of Water, Oscar Predictions
Mavericks duke it out at 90th Academy Awards

Music Picks Feb. 28-Mar. 6

the Mammals
Live music highlights for the week of February 28, 2018.   WEDNESDAY 2/28 JAZZ MILES ELECTRIC BAND Miles Davis landed at the center of the jazz/rock fusion movement with the release of Bitches Brew, but that seminal 1969 album marked the start of a new journey rather than a culmination. He continued to evolve over the next two decades, adding and subtracting elements from...
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