[dropcap]H[/dropcap]ere we are in our last days of winter and the last week of Pisces. Before Pisces waters turn to Aries fires, let’s talk a bit more about Pisces. So we understand more.
Wednesday, March 14, is Einstein’s birthday. Einstein, a most brilliant thinker, was Pisces Sun. Most people consider Pisces too confused to become a brilliant scientist. But, there are heights and depths within Pisces hardly anyone ever knows or comes close to understanding. Pisces is the two fish, one masking the other. Pisces’ nature is fluid. And, this fluidity is what enables them to swim deep into darkness while reaching up to the highest star (Sirius). Because of these journeys, Pisces is able to understand all realities, both dark and light, inner and outer, above and below, known and unknown. This is where the two fish swim. Pisces, when directed by the Soul, becomes powerful, like the force of an ocean. Often, people turn away when in the presence of Pisces. A spiritual Pisces (Pluto ruler) understands why. Pisces must withdraw often, eliminate all that has been absorbed from the environments, and gather themselves back together again.
Saturday is the Pisces new moon. So many “lights” both in Pisces and in Aries. The Pisces waters prepare us for the fires of Aries. The keynote for Pisces is, “I left the Father’s house, the bliss-filled Oneness. I returned to the Earth in order to serve the Plan and to save humanity.” Monday is St. Joseph’s Day, honoring all fathers as they cherish their children.
Tuesday, March 20, at 9:15 a.m. (West Coast), the zodiacal year ends, the Sun exits Pisces, enters Aries and the new season of Spring begins. The seasons are all about the elements. From Pisces water to Aries fire, from the end to a new beginning. The new zodiacal year begins and Archangel Raphael assumes his Spring post as protector of the Earth.
ARIES: Rest and relaxation are most important. Retreat continues to be a need. No matter what you attempt, veils drop in front of you. Should you push forward, you only find clouds of confusion. Go slowly, use your heart, slip into a comforting environment (and shoes), and dance and sing to the sounds of kirtan (holy music). The best is by Krishna Das.
TAURUS: Your entire focus is on group work and the creation of community. This is Right Action, for it will be through intentionally creating, building and working within community that sustainability will be assured in the coming years. There is a need to tend to health, be in the sun and exercise to assure that you will continue with the vision and leadership needed to get us from here to there, from darkness to light.
GEMINI: The planets in the sign of saving the world are in your house of friends, hopes, wishes, and how you’re recognized, seen, needed and remembered in the group you belong to. What are your thoughts these days concerning those you associate with? How do they impact your profession, leadership skills and public life? During this new moon, serve those around you with great dedication and love. Make food baskets. Distribute them.
CANCER: Maintain simplicity this week. Tend to easy chores, seek help if needed. You must maintain health, well-being and strength. There’s a possibility of restriction walking or accomplishing tasks or getting from here to wherever, for something unexpected may have occurred. This calls for patience and strength of character that can ask for assistance. If traveling, be sure to have the best of shoes. Drive with care.
LEO: Saturn and Mars have been affecting your day to day life. Have you found yourself working slower, having to redo, review, reassess and create a calm sense of inner patience these past months? What is occurring with money and finances held in common? Something unexpected, expansive, confusing or illuminating? Did financial news from family emerge? Do you need tax help?
VIRGO: Pisces is your opposite sign, your hidden self, the other half of you. When Sun’s in Virgo, an integration takes place between yourself and all those close to you; intimate friends, those you work and live with and even enemies. Virgo and Pisces, like all opposite signs, shadow each other. The gifts each one possesses the other needs. Each shadow of the other gradually fuses and integrates.
LIBRA: With multiple Pisces and Aries planets you could be involved with lots of water (or fire). You could be engulfed in drugs or alcohol or a flood of tears for something sad occurring. You could be learning to swim or riding the waves. You could be turning into Mother Teresa saving the world. You could be lost, confused or realize you’re being refined, purified and prepared. On the burning grounds. Wear veils for protection.
SCORPIO: Creativity should have slipped into your life quite easily, taking you by the hand, creating new interests and goals, having you mingle with artists, writers, musicians, and performers so that you begin to identify more specifically as highly creative and not just a dark stranger behind sunglasses and long black coat in the winter cold somewhere. Now you’re in the bright golden Sun.
SAGITTARIUS: Many opportunities seem to flow into your life. So many you may feel under/overwhelmed. Don’t be. Some you’ll understand, some you won’t. Some are good, some confusing. As the blessings continue to appear, you find yourself learning to be quite at home with style, glamour and dazzling beauty. At times, you do need to retreat, hide under covers and simply swim toward Seas of Tranquility.
CAPRICORN: You like to maintain customs and traditions. Soon it will be Easter. It’s time to create Easter baskets, growing little grasses (barley and wheat), thinking about filling the baskets with homemade foods for family and friends. Easter is Sunday, April 1. In our family, our mother made walnut and poppy seed strudels, she grew radishes and parsley for Easter breakfast, and we walked around the neighborhoods, collecting wild fruits and spring onions. You might do this too.
AQUARIUS: Should you feel overtaken by either sex or intimacy, by money or finances, and/or by confusion in either of these areas of life, give yourself time to acclimate because something’s unfolding and something’s being refined in those areas. Keep close and careful tabs on all money, received and spent. Try not to be taken over by a desire for a very expensive object. It’s an illusion. Wait a month.
PISCES: This new moon brings the hidden out into the open. Perhaps a new self-identity. Pisces is so often veiled, people don’t really know them. They live behind veils (Neptune) for many years. Then one day Pisces emerges, knowing what’s ahead, what came before and what just passed everyone by. There’s lots of work ahead. Get yourself thick boots, something cashmere and a new car. You know which direction to take.
Free Will astrology for the week of March 14, 2018.
ARIES (March 21-April 19): The British science fiction TV show Dr. Who has appeared on BBC in 40 of the last 54 years. Over that span, the titular character has been played by 13 different actors. From 2005 until 2010, Aries actor David Tennant was the magic, immortal, time-traveling Dr. Who. His ascendance to the role fulfilled a hopeful prophecy he had made about himself when he was 13 years old. Now is an excellent time for you, too, to predict a glorious, satisfying, or successful occurrence in your own future. Think big and beautiful!
TAURUS (April 20-May 20): New York City is the most densely populated city in North America. Its land is among the most expensive on Earth; one estimate says the average price per acre is $16 million. Yet there are two uninhabited islands less than a mile off shore in the East River: North Brother Island and South Brother Island. Their combined 16 acres are theoretically worth $256 million. But no one goes there or enjoys it; it’s not even parkland. I bring this to your attention, Taurus, because I suspect it’s an apt metaphor for a certain situation in your life: a potentially rich resource or influence that you’re not using. Now is a good time to update your relationship with it.
GEMINI (May 21-June 20): The iconic 1942 movie Casablanca won three Academy Awards and has often appeared on critics’ lists of the greatest films ever made. That’s amazing considering the fact that the production was so hectic. When shooting started, the script was incomplete. The writing team frequently presented the finished version of each new scene on the day it was to be filmed. Neither the director nor the actors knew how the plot would resolve until the end of the process. I bring this to your attention, Gemini, because it reminds me of a project you have been working on. I suggest you start improvising less and planning more. How do you want this phase of your life to climax?
CANCER (June 21-July 22): If all goes well in the coming weeks, you will hone your wisdom about how and when and why to give your abundant gifts to deserving recipients—as well as how and when and why to not give your abundant gifts to deserving recipients. If my hopes come to pass, you will refine your ability to share your tender depths with worthy allies—and you will refine your understanding of when to not share your tender depths with worthy allies. Finally, Cancerian, if you are as smart as I think you are, you will have a sixth sense about how to receive as many blessings as you disseminate.
LEO (July 23-Aug. 22): How adept are you at playing along the boundaries between the dark and the light, between confounding dreams and liberated joy, between “Is it real?” and “Do I need it?”? You now have an excellent opportunity to find out more about your capacity to thrive on delightful complexity. But I should warn you: The temptation to prematurely simplify things might be hard to resist. There may be cautious pressure coming from a timid voice in your head that’s not fierce enough to want you to grow into your best and biggest self. But here’s what I predict: You will bravely explore the possibilities for self-transformation that are available outside of the predictable niches.
VIRGO (Aug. 23-Sept. 22): Cultivating a robust sense of humor makes you more attractive to people you want to be attractive to. An inclination to be fun-loving is another endearing quality that’s worthy of being part of your intimate repertoire. There’s a third virtue related to these two: playfulness. Many humans of all genders are drawn to those who display joking, lighthearted behavior. I hope you will make maximum use of these qualities during the coming weeks, Virgo. You have a cosmic mandate to be as alluring and inviting as you dare.
LIBRA (Sept. 23-Oct. 22): I suggest you gaze at exquisitely wrought Japanese woodcuts . . . and listen to jazz trumpeter Miles Davis collaborating with saxophonist John Coltrane . . . and inhale the aroma of the earth as you stroll through groves of very old trees. Catch my drift, Libra? Surround yourself with soulful beauty—or else! Or else what? Or else I’ll be sad. Or else you might be susceptible to buying into the demoralizing thoughts that people around you are propagating. Or else you may become blind to the subtle miracles that are unfolding, and fail to love them well enough to coax them into their fullest ripening. Now get out there and hunt for soulful beauty that awakens your deepest reverence for life. Feeling awe is a necessity for you right now, not a luxury.
SCORPIO (Oct. 23-Nov. 21): In the Sikh religion, devotees are urged to attack weakness and sin with five “spiritual weapons”: contentment, charity, kindness, positive energy, and humility. Even if you’re not a Sikh, I think you’ll be wise to employ this strategy in the next two weeks. Why? Because your instinctual nature will be overflowing with martial force, and you’ll have to work hard to channel it constructively rather than destructively. The best way to do that is to be a vehement perpetrator of benevolence and healing.
SAGITTARIUS (Nov. 22-Dec. 21): In 1970, a biologist was hiking through a Brazilian forest when a small monkey landed on his head, having jumped from a tree branch. Adelmar Coimbra-Filho was ecstatic. He realized that his visitor was a member of the species known as the golden-rumped lion tamarin, which had been regarded as extinct for 65 years. His lucky accident led to a renewed search for the elusive creatures, and soon more were discovered. I foresee a metaphorically comparable experience coming your way, Sagittarius. A resource or influence or marvel you assumed was gone will reappear. How will you respond? With alacrity, I hope!
CAPRICORN (Dec. 22-Jan. 19): The Velcro fastener is a handy invention that came into the world thanks to a Swiss engineer named George de Mestral. While wandering around the Alps with his dog, he got curious about the bristly seeds of the burdock plants that adhered to his pants and his dog. After examining them under a microscope, he got the idea to create a clothing fastener that imitated their sticking mechanism. In accordance with the astrological omens, Capricorn, I invite you to be alert for comparable breakthroughs. Be receptive to help that comes in unexpected ways. Study your environment for potentially useful clues and tips. Turn the whole world into your classroom and laboratory. It’s impossible to predict where and when you may receive a solution to a long-running dilemma!
AQUARIUS (Jan. 20-Feb. 18): On May 29, 1953, Edmund Hillary and Tenzing Norgay climbed to the top of Mount Everest. They were celebrated as intrepid heroes. But they couldn’t have done it without massive support. Their expedition was powered by 20 sherpa guides, 13 other mountaineers, and 362 porters who lugged 10,000 pounds of baggage. I bring this to your attention, Aquarius, in the hope that it will inspire you. The coming weeks will be an excellent time to gather more of the human resources and raw materials you will need for your rousing expedition later this year.
PISCES (Feb. 19-March 20): Although her work is among the best Russian literature of the 20th century, poet Marina Tsvetaeva lived in poverty. When fellow poet Rainer Maria Rilke asked her to describe the kingdom of heaven, she said, “Never again to sweep floors.” I can relate. To earn a living in my early adulthood, I washed tens of thousands of dishes in restaurant kitchens. Now that I’m grown up, one of my great joys is to avoid washing dishes. I invite you to think along these lines, Pisces. What seemingly minor improvements in your life are actually huge triumphs that evoke profound satisfaction? Take inventory of small pleasures that are really quite miraculous.
Homework: Describe what you’d be like if you were the opposite of yourself. Write Freewillastrology.com.
Live music highlights for the week of March 14, 2018.
THURSDAY 3/15
CELTIC
BLACK BROTHERS
The Black Family has been one of the most important modern Celtic music ensembles since the ’70s. The group of siblings has brought Irish music from Dublin to the world. Two of those siblings, Michael and Shay Black, moved to California in the early ’90s, and currently tour as the Black Brothers. Along with some very talented string musicians, they play a wide range of traditional Irish music: old sappy ballads, upbeat classic Celtic dance songs, and a few more modern tunes as well. Don’t miss this special pre-St. Patrick’s Day event. AC
INFO: 7:30 p.m. Michaels at Main, 2591 S Main St., Soquel. $17/adv, $20/door. 479-9777.
THURSDAY 3/15
JAZZ
BILLY COBHAM’S CROSSWINDS PROJECT
The last time Billy Cobham came through town he was focusing on music from his seminal 1973 debut album as a bandleader, Spectrum. Already revered as jazz/rock’s rhythmic catalyst for his work with Miles Davis and Mahavishnu Orchestra, he wanted to stretch his wings as a composer and arranger, a process that continued with 1974’s Crosswinds, a strikingly beautiful session that goes in unexpected directions. He’s reinventing those pieces on this tour with a killer band built around adjunct Flecktone, tenor saxophonist and bassoon virtuoso Paul Hanson, keyboardist Scott Tibbs, bassist Tim Landers and Garaj Mahal guitarist Fareed Haque. ANDREW GILBERT
INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35/adv, $40/door. 427-2227.
FRIDAY 3/16
NEW ORLEANS
JON CLEARY
A self-described “student and fan” of New Orleans R&B, singer-songwriter multi-instrumentalist Jon Cleary does his part to keep the city’s rich musical traditions and songs alive. His live, solo performances are tributes to some of the master pianists who defined the city’s sound, including Jelly Roll Morton, Fats Domino, James Booker, Dr. John and Allen Toussaint. With his recordings, however, the Grammy-winning Cleary makes a point of furthering the contemporary New Orleans sound, mixing funk, Afro-Cuban, soul, ska, gospel and more styles he’s picked up in 35-plus years in the city. CAT JOHNSON
St. Patrick’s Day and Molly’s Revenge go together like corned beef and hash—or so this longtime vegetarian hears. A Central California Celtic band comprising David Brewer on highland bagpipes, border pipes, whistles and bodhran; John Weed on fiddle; and Stuart Mason on guitar and mandola, Molly’s Revenge is a fixture on the regional, international music circuit and has played renowned festivals in Scotland, Australia and China, as well. The band’s St. Patrick’s Day performance marks its 18th anniversary. Hot off the heels of shows up and down the West Coast this month, Molly’s Revenge saved the holiday celebration for Santa Cruz. CJ
Christine Lavin’s new record, Spaghettification, is her first in almost a decade. Longtime fans of the famously razor-sharp-witted singer-songwriter may wonder what she’s been up to—oh, just little things like being the queen of the New York folk scene. Her humor and insight are as on-point as ever, her worldview perhaps best summed up by two of her earlier album titles: Getting in Touch with My Inner Bitch and I Don’t Make This Stuff Up, I Just Make It Rhyme. SP
INFO: 2 p.m. Michaels at Main, 2591 S Main St., Soquel. $20. 479-9777.
SUNDAY 3/18
REGGAE
SPAWNBREEZIE
In the latest installment of “Road to Cali Roots” series, the reggae festival and Catalyst have teamed up to bring the smooth sounds of Spawnbreezie to Santa Cruz. His self proclaimed “island hip-hop” combines island jams with reggae and hip-hop for a unique style that transcends genres and age groups. Spawnbreezie is for fans of good times, sweet melodies and positive messages. He will be joined by the Bay Area’s island-pop duo CRSB for a night of roots rocking wrapped in one love. MAT WEIR
You hear the cliché that such and such musician takes retro elements and makes them futuristic. But in the case of East Bay’s Seshen, there’s really no better way to explain what’s so amazing about the band. Singer Lalin St. Juste brings melodies that bring to mind the eerie, but classy side of Ella Fitzgerald. But it’s like it’s been processed through the darkest, most experimental elements of Radiohead. It’s something that should absolutely not make sense, but fits together splendidly. The band’s sophomore record, 2016’s Flames and Figures, is a stunning collection of music that at times will leave you mouth-agape-shocked, and other times shaking your money maker. Usually somewhere in between. AC
Drawing comparisons to jazz and blues icons like Bessie Smith, Sarah Vaughan and Dinah Washington, Lavay Smith transports listeners to another time when the big bands and swing of the 1940s made way to the jazz and pop vocal crooners that defined the 1950s. The California-born Smith and her mighty band, the Red Hot Skillet Lickers, have garnered praise for their tight, horn-driven orchestration, timeless sound, classic repertoire, and arrangements centered on Smith’s lush vocals. The band’s current project, the Great American Road Trip: Red, White & Blues, is described as a “swinging trip through the landscape of American music.” CJ
INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $28/adv, $33/door. 427-2227.
TUESDAY 3/20
ROCK
FLOGGING MOLLY
Ask a music nerd to name three Irish punk bands and the answer will be the Dropkick Murphys, the Pogues and Flogging Molly. Celebrating almost two decades of swaggering ballads, the latter has made their way out of the punk halls and into major concert venues, as exemplified in their 2010 release Live at the Greek Theatre. The salty dogs of Celtic punk return to Santa Cruz with “the guy with the glasses from Drag the River,” Jon Snodgrass, and the “dirty old one man band,” Scott H. Biram. MW
For the last nine years, the NEXTies Awards have honored standout Santa Cruzans who inspire, inform and empower our community. The dress-up affair, which is hosted by DNA and Danielle Crook, is a showcase of some of the best and brightest Santa Cruz has to offer. This year’s NEXTies recipients include entrepreneur of the year Jennalee Dahlen; musician of the year Jesse Daniel; artist of the year Ann Hazels; new business of the year YaDoggie; green business of the year Upcycled Skate Art; “give back” person of the year Chip; and innovative business of the year Steeped Coffee. The event also includes drinks, food and music by Jesse Daniel, Katie Ekin, Kat Factor (above) and Henry Chadwick.
INFO: 6 p.m. Friday, March 23. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25. 423-8209. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, March 19 to find out how you could win a pair of tickets to the award ceremony.
It’s not easy for Fattah Abbou to explain the musical and cultural influences that are in his band Aza’s music. On one hand, it’s a mixture of traditional Moroccan music and Western music. But, as he points out, “Moroccan music” is an extremely broad category.
“Morocco is one of the richest countries in North Africa in terms of different styles of music, for one main reason: it still has the biggest population of the natives. It’s so diverse,” Abbou says. “It’s music, but it’s also a cultural experience. We are almost like Moroccan ambassadors.”
The band was formed in 2002 by Abbou and Mohamed Aoualou, who used to play together in a band back in Morocco in the ’90s. Even there, they mixed the influences of North African music, many of which come from tribes that have evolved their cultures in a fairly isolated environment due to the Saharan desert and the high elevation. They also have influences from Europe, and the U.S.—jazz, blues, country and funk.
“Our music gets its inspiration from different traditional styles of music that exist in North Africa, and there are so many,” Abbou says. “The music is kind of a hybrid.”
They sing most of the songs in their native tongue, and play a lot of traditional instruments like the ribab and the sintir. Abbou plays a banjo, which comes from North Africa originally, but his finger-picking style is completely different than that of bluegrass musicians.
“We’re lucky. We’re in an area that really embraces diversity and is curious, and where people really love world music in general,” Abbou says.
INFO: 8 p.m. Friday, March 16. Michael’s on Main, 2591 Main St., Soquel. $15. 479-9777.
What goes better with yoga than wine? Or maybe what goes better with wine than yoga? Whichever way you see it, enjoy wine tasting, some snacks and a little savasana to start off your week. The event is a fundraiser for Parkinson’s disease, and 30 percent of all wine sales benefit the Parkinson’s Institute. Don’t forget to bring a yoga mat.
INFO: 6-8 p.m. Tuesday, March 20. Bargetto Winery, 3535 N Main St., Santa Cruz. 917-274-1625. bargetto.com. $50.
Art Seen
‘Reflections’ at Motion Pacific
Motion Pacific’s latest Incubator Project show “Reflections” is all dressed up and ready for showtime. “Reflections” is an autobiographical exploration of the relationships between the self, others and the world. The dance ensemble OVA is accompanied by Eric James DeAratanha, a local musician whose acoustic and nature-inspired work is largely improvisational.
INFO: 8 p.m. Friday, March 16 and Saturday March 17. Motion Pacific. 131 Front St., Santa Cruz. 457-1616. motionpacific.com. $14-$20.
Saturday 3/17
20th Anniversary Celebration Te Hau Nui School of Hula and Tahitian Dance
Taj Mahal doesn’t fly out to Santa Cruz for nothing. Te Hau Nui is celebrating 20 years as the largest Polynesian Dance Troupe and only hula school around. You may have seen them at the Cabrillo Music Festival, the Tannery World Arts Ethnic Dance Festival, or the Jack O’Neill Memorial Paddle Out. They have served and represented Santa Cruz across the Bay, and have been nominated several times for the Gail Rich Award. Blues legend Taj Mahal will play a set with the group, and there are many other musicians coming to share the aloha of Hawai’i with Santa Cruz.
INFO: 7 p.m. Rio Theatre. 1205 Soquel Ave., Santa Cruz. 423-8209. tehaunuidance.com. $25 general admission, $55 gold circle.
March 17
The Painted Cork Grand Opening
Santa Cruz’s newest arts locale, the Painted Cork, is a “paint and sip” studio where guests 21 and over can bring their own beer or wine and enjoy a painting class. You know what they say, nothing gets those creative juices flowing better than a drink. Plus no one will judge you if your art goes all Picasso. There will be complimentary drinks and a taco bar onsite, too. Get there early, as tacos might not last long and free drinks certainly won’t.
INFO: Noon-4 p.m. The Painted Cork. 1129 Soquel Ave., Santa Cruz. 471.8939. paintedcork.com. Free.
Thursday 3/15-Sunday 4/8
Mountain Community Theater Presents ‘Julius Caesar’
Julius Caesar is one of only a few historical-fact-based tragedies Shakespeare wrote, and some say he opened the Globe Theatre with it. The play tells the story of Roman politician and general Brutus, who is arguably one of the main people responsible for the fall of the Roman Empire. The story centers around honor and patriotism and how the fragile male ego leads to the demise of one of history’s most famous empires. Who knows, you might see some modern day parallels to today’s political figures.
INFO: 7:30 p.m. Fridays and Saturdays, 2 p.m. matinee Sundays. Park Hall. 9400 Mill St., Ben Lomond. mctshows.org. General tickets $20, senior/student $17. Community night Thursday, March 15, two tickets for $20. Photo: Ali Mac.
[dropcap]B[/dropcap]ryan Barton stormed onstage at a bitcoin meetup in Sunnyvale last month to tell roughly 200 people about his Save Bitcoin Rally. What does bitcoin need to be saved from, exactly? Well, apparently, something called BitLicense, which only allows companies approved by the State of New York to traffic in cryptocurrency, a crushing blow to the libertarian ideals of the earliest adopters.
Barton wore a T-shirt emblazoned with the logo of the Silk Road, an online black market where bitcoin first gained traction as a currency, thanks to its untraceable and pseudo-anonymous nature. Bitcoin and other cryptocurrencies have seen a meteoric rise, culminating with one bitcoin exchanging for nearly $20,000 in December—pretty amazing for a currency created practically out of thin air by Satoshi Nakamoto, a person (or perhaps group of people operating under a collective name) who no one knows anything about.
Since then, the price of bitcoin has tumbled, down to $13,500 by mid-January, the last time GT covered the trend (“Bit of Wealth,” 1/17), at which time we thought it had “stabilized.” But in early February, it dipped down below $7,000. The price currently sits at $9,055, and it’s doubtful that number will be current by the time you pick up this paper.
For its believers, bitcoin represents the first sparks of a global revolution to democratize wealth, the internet and maybe even society as a whole. In theory, the underlying technology that bitcoin uses to store its data—the blockchain—has the power to decentralize all online information, storing it in cryptic jumbles across the hard drives of millions of computer users, freeing us from the tightening grip of greedy banks, monopolizing tech giants and overeager governments.
Will bitcoin and other cryptocurrencies reach their full utopian potential? Probably not, but that’s not a question to be answered for many years. The equation on the minds of the folks at the Sunnyvale meeting on Feb. 13 was: will this make me rich?
After what I saw that night, I wouldn’t bet on it.
——
The bitcoin Meetup took place at the Plug and Play Tech Center, a startup accelerator, where organizers have reserved parking spaces for “venture capital investors” 20 feet away from a massive brass statue of Siddhartha. It doesn’t seem there’s any irony intended.
The hallway walls feature the signatures of big money tech investors. And within these walls, there’s a sea of cubicles dedicated to the creation of startups—doing what, I honestly have no idea.
Upstairs are about 20 boxes of pizza and five icy metal bins of free beer and soft drinks, all of which were consumed during the two-hour event.
Over a slice of pizza, Fernando Serrano says he bought his first cryptocoin in October of 2017—in time for the big rise, but also the subsequent fall. I ask how the experience has been. “It sucks,” he acknowledges, but he thinks it should be “good” again by the end of the year.
“Why?” I ask.
Serrano compares cryptocurrency and the blockchain to the early internet, which also had its skeptics, but ultimately made trillions for its adopters. He also thinks cryptocurrency will gain holds in India and China and that one coin, Ripple (a BitLicense holder), is going to be worth a lot. I nod while drinking beer.
At the event, some of the day’s speakers make promises that seem to veer into the shadowy realm of get-rich-quick schemes. Honestly, when it comes to cryptocurrency, transparency can often be in short supply.
Ed Zitron, the founder of EZPR, owns several cryptocurrency mining rigs—the loud, expensive supercomputers that pull coins from the digital ether by doing math problems. Zitron recently started a satiricale-newsletter where he lobs hot crypto takes as a fictional pundit who is both deeply in debt and fiercely devoted to cryptocurrency. Despite his foray into mining, Zitron thinks bitcoin—and, frankly, America’s whole investment system—is a bit of a crapshoot.
“There’s nothing to know with bitcoin,” he says. “There has never been. And let’s be honest, does any stock really follow much logic? It follows more logic than bitcoin. But it doesn’t follow much. Being able to read the tea leaves is pretty unlikely.”
Zitron got into mining by leveraging some bitcoin he purchased at a low price years ago. And as opposed to just buying the coins on internet exchanges, mining provides him some security because he consistently gets more coins, even if their values fluctuate. But he’s only put in money that he says he can afford to lose. He feels for those people who just want to make a quick buck during tough times.
Zitron thinks of buying cryptocurrencies as little more than glorified gambling. Like at a craps table, you place your bets and roll the dice, hoping that your gut prediction is rewarded. He compares it also to the Gold Rush—wherein a bunch of prospectors went broke looking for the gold that mostly ended up in the hands of larger conglomerates. He says now that the cost of getting into and staying in the game has gotten so high, it’s mostly a way for the rich to get richer.
Dr. Enrique Pumar, the sociology department chair at Santa Clara University, notes a variety of factors that could push people to engage in riskier investment behavior. In the current economic climate, only 39 percent of Americans report having $1,000 in savings, according to a report by Bankrate.
Pumar offers a few factors that may have contributed to that situation: mounting debt, scaled-back retirement plans, slow wage growth, and the rising costs of college and housing, as well as a lack of knowledge about investing—all this while public trust in major institutions flirts with all-time lows.
Although there’s not much quantitative data, Pumar thinks that all may lead to more risk-taking, especially since Americans are expecting to work much longer than prior generations. They may feel like they have time to save money for retirement.
“People say, ‘wait a minute, I’m not going to retire until 40 years from now. I can be entrepreneurial, and, if I have a little bit of money, I can play around with it. Because if it works out, I lucked out. If it doesn’t work out, I have plenty of time to make up the difference,’” he says.
So with all this financial uncertainty, some Americans have tossed their money at something they think promises to make them rich quickly, and cryptocurrencies can be a tremendous opportunity to make money. In January of 2017, this was an industry valued at more than $830 billion. Ten days later, that number dropped by more than $360 billion, and nobody knows why. But no one knows why the stock market does what it does, either. Wall Street’s last crash erased $19.2 trillion in household wealth from 2007 to 2009, according to the U.S. Department of the Treasury.
After the Meetup ended, I wandered the nearly empty facility, staring at hundreds of cubicles underneath dozens of signs bearing the logos of startups. There’s no guarantee they’ll make it—just like most of us have no guarantee we’ll get a raise, a promotion or even a job that will pay us as long as we need money. So with most of America facing a steep uphill climb to financial security, it’s hard to blame folks for investigating a shortcut.
“They just wanted a chance at a better life,” Zitron says. “On one hand, you could say it’s risky. And it absolutely was. It definitely was a stupid decision to invest in funny money. But what more human thing is there, than [thinking] ‘this is going to work’ and taking a chance? It’s not smart. But it’s human.”
The anxiety wakes me up before the alarm does. “Be there at 6:30 a.m. sharp,” Tom Hogye had told me. It’ll take nine minutes to get dressed, seven to make toast and coffee, and 22 minutes to get there. That leaves me with an extra 22 minutes to spare, just in case. As the alarm goes off, I leap out of bed and trip over the boots I’d set out the night before. I’m not off to a great start.
“It’ll be cold,” Hogye had said. I put on my long sleeve thermal, down jacket, borrowed ski pants, extra thick socks, hiking boots, and fleece hat. I burn my toast and forget my coffee, but I’m on the road at 5:52 a.m.
I peer down at the temperature—34 degrees. “I won’t even see any fish,” I think, turning onto Highway 9. “They’ll all be frozen.”
Hogye is a Santa Cruz local and longtime angler who is graciously allowing me to tag along on his Sunday fishing outing on the San Lorenzo River. I’m skeptical that there are fish in the river, and my friends and coworkers don’t believe it, either. Sure, there used to be fish in the San Lorenzo, but given that the water level outside of the Good Times office never looks higher than a few inches, it seems impossible that there are fish bigger than my thumb in there.
Hogye has agreed to let me join him on this Sunday—March 4—even though I’m infringing on one of the final days of the steelhead fishing season, which runs from Dec. 1 to March 7 and restricts fishing to Wednesdays, weekends and holidays. I’ve also admitted to him that I know little to nothing about fishing, despite having grown up and lived on a boat for the majority of my life. I’m not exactly the ideal fishing candidate, since I’m embarrassingly uncoordinated, always cold, and fish make me squeamish.
The crack of dawn is apparently the best time to fish for steelhead trout. I assume they want breakfast just as much as I do, but I’ll later be told that spawning fish in the river aren’t actually hungry, they are just territorial. I turn the heater dial up, glancing at my navigation. That’s weird, I think, Hogye said it was a few miles up from downtown, but my phone says it’s another 10 miles away. I decide to just keep driving.
I didn’t want to go into this expedition knowing nothing, so I had talked with local fisherman Barry Burt about the little-known but tight-knit culture of San Lorenzo River fishermen a few days before. Burt has been fishing the San Lorenzo for 55 years—somewhat of a “fly fishing god,” Hogye says. I was hoping Burt might take me fishing with him, too, but I wasn’t surprised when he politely declined. He had bigger ambitions than dragging a novice along, and even bigger fish to catch.
“The San Lorenzo does not give up her fish easily,” Burt said. “I’m on the river almost every legal day and I have a network of what we call the San Lorenzo Mafia. We are a group of dedicated steelheaders.”
Burt told me that the San Lorenzo River used to be the crème de la crème of steelhead fishing spots in Northern California. Anglers from all over the country would descend on the river to fish for migrating steelhead trout and coho salmon, and runs would number in the tens of thousands. He said before the levees were built in the late 1950s, Santa Cruz High School would let out early during the steelhead run—“it was a social gathering.”
Burt also told me he likes to fish the estuary part of the San Lorenzo River—the block that extends from the Beach Boardwalk river mouth to the Santa Cruz Courthouse. He says it’s one of the best places for practicing fly fishing technique without any overhead obstacles and tree crowding. “It is really a unique place,” he said. “Where else can you go in an urban situation and sit on the river and catch chrome-bright, 10-pound steelhead?”
Suddenly my phone beeps “arrived,” but the only thing I’ve arrived at is a random curve just before Boulder Creek. All of my fears have come true. I’m definitely lost, and I’m going to be late.
6:30 a.m.
I call Hogye, trying to hide my panic. Straight to voicemail—he doesn’t have reception. I’ve definitely gone too far north, so I turn around.
BIG FISH, SMALL POND Longtime San Lorenzo fisherman Barry Burt knows all of the best spots to catch the biggest steelhead trout, though he tries to keep them secret.
I have plenty of time on this drive to go over in my head what I’ve learned so far about fishing in the river. Steelhead trout migrate from the ocean upriver to spawn in the winter and spring months, and run up the estuary to get to higher freshwater breeding grounds, then return to the ocean. Steelhead are a threatened species in the Bay Area; you likely won’t see one unless you know where to look. Even less often will you see a coho salmon in the river—maybe never, as they are endangered and die after spawning. The average San Lorenzo steelhead ranges from six to 10 pounds, though Burt said he’s seen and caught fish well over that. He caught one that was 16 pounds, about the size of a small Dachshund.
Because of their threatened status, all wild steelhead trout and coho salmon in the San Lorenzo are catch and release, meaning that you must return the fish to the river after catching them. Hatchery steelhead, which come from the Monterey Bay Salmon and Trout Project’s Big Creek Restoration Hatchery in Davenport, are the only fish that can be kept. Still, Hogye says most fisherman don’t keep anything they catch, since it’s more about the sport and most want to preserve any and all fish in the river.
The hatchery fish have a clipped fin, which distinguishes them from their wild counterparts. If we’re going to hook a fish today, there’s a good chance it’ll be from the hatchery, since it has released 2 million coho salmon and steelhead to date.
7 a.m.
When I finally find Hoyge’s spot, I’m relieved to discover he’s still there. He gets out of his car and says he figured I got lost and was about to go find me. This is the most embarrassed I’ve been in quite a while, but he’s delightfully accommodating and kind, despite the fact that it’s well past dawn and I have probably just lessened our chances of catching anything.
Hogye is a fly fisherman, meaning he doesn’t use bait and instead relies on flies—little feathery lures with hooks—to snag fish. He ties his own flies—they’re expensive to buy, especially if you lose them a lot. He has hundreds of steelhead-specific flies, including a bead head, wooly bugger, winter’s hope, and green butt skunk in his fly-box. He says he doesn’t use all of them, and just collected them over the years. He picks out the egg-sucking leech, his favorite—which looks, by the way, just as interesting as its name makes you think it would—and ties it on.
“I don’t know if leeches actually suck fish eggs, but it sounds good to me,” he says, thumbing the line and beginning his descent into the river. I wait at the bank, thinking about leeches; actually getting me into waders was likely a Sunday chore Hogye wasn’t quite ready for.
There are people fishing upstream and downstream, and we settle into a nook in the middle where the river is flowing into a large pool or “hole” where fish like to hang out. Flies and fishing hardware glitter in the trees overhead like Christmas ornaments, and as Hogye begins casting, I instantly understand how they got stuck there—his line sails high above the low treeline, and I can tell it’s easy to get snagged on a branch.
“The guy upstream is doing the San Lorenzo swing,” Hogye says. “But we call this technique I’m doing the duck n’ chuck.”
It’s a graceful side-to-side swing that covers an impressive distance. Unlike overcasting, he’s working directly in front of him rather than casting from behind his body—lucky for me, since I’m sitting just 10 feet behind him. This also prevents him from snagging a tree and adding to the ornament collection. Still, each time he chucks, I duck.
Hogye keeps casting, and I decide to walk upstream a bit to get out of the line of fire and wake up my legs. Despite all of my preparation, and the ski pants, I’m cold. Moments later, Hogye exclaims “whoa!” I look up and he is looking right at me.
“Did you see that hen roll?” he asks, excitedly. “I hooked it, then it got off. It was beautiful, and pretty decent-sized.”
He begins casting again with renewed purpose. Moments later, our upstream neighbor catches a silvery blue steelhead. The silver fish come straight from the ocean, Hogye says, whereas the red and green ones have been in the river longer and change color to camouflage themselves.
“I know you’re here somewhere,” Hogye says, wading a bit deeper.
8:30 a.m.
Our river neighbors have moved on to other spots, and Hogye decides it might be time for us to move along, too. We don’t see any other fish, though Hogye doesn’t seem too disappointed. I think he’s just excited he hooked one.
We hike up the hill toward the highway, and Hogye explains the state of the fish population in the river. There aren’t many compared to how it used to be, he says, and that’s mainly because of the river’s low water levels and habitat degradation.
This sounds familiar. Burt, too, cited drought in the 1970s and continual rain shortages as a reason for the decline in steelhead and coho populations. When the Monterey Bay Salmon and Trout Project was founded in 1976, he said, the drought had already taken a major toll on the San Lorenzo fish population.
“When the project started, the number of steelhead had dropped to 500 and coho salmon were virtually extinct,” Burt recalls. “Now there are more fish, but still 90 percent of them are caught by 10 percent of the fisherman.”
BUCKEYE HOLE In the ’50s, hundreds of fishermen would fish the estuary next to Riverside Avenue. Named after the Buckeye tree, the hole was and still is a destination for fly fishers. PHOTO: COURTESY OF TOM HOGYE
I want to know how many fish are in the river, but it turns out that’s not an easy answer, even for the experts.
I talked to George Neillands, Senior Environmental Scientist Supervisor for the California Department of Fish and Wildlife, who said it’s difficult to get an exact estimate of how many steelhead and coho salmon are returning to the San Lorenzo River annually, partially because the watershed is large and private landowner access has been difficult to obtain. Neillands said the Department of Fish and Wildlife’s crude estimates of the steelhead population over the last seven years vary wildly from 600 to 2,000 annually. Though they aren’t able to get estimates of the coho salmon population, Neillands said there are anywhere from zero to six coho salmon observed every year within the San Lorenzo River.
Compared to 30 years ago, the populations of coho and steelhead have been on the decline, according to the National Oceanic and Atmospheric Administration indicator at the Scott Creek Life Cycle Station. This is largely because of climate change, habitat degradation, water withdrawals and urbanization, Neillands told me: “Climate has changed, we aren’t getting consistent rain, it is more variable, with droughts occurring more frequently and the rains are more concentrated from December to March. However, the critical time period for rearing juvenile salmon and steelhead occurs during the dry season when impacts to streamflow and habitat are most felt.”
Since October 2017, the San Lorenzo Valley has gotten 18 inches of rain, according to the Pacific Coastal and Marine Science Center. Compare this to a whopping 72 inches from the same time last year, and you’ll understand why the levels are comparatively low. But flooding isn’t necessarily a good thing for fish, either, since urbanization of the watershed leads to habitat degradation in the San Lorenzo, and causes the holes and cracks that fish like to live in to fill with sediment. When there’s a lot of rain, fish can get washed out into the ocean before they are ready, because there are fewer features in the river for them to hide in.
Lack of rain isn’t the only reason for the low levels in the river. Around 47 percent of the drinking water for the City of Santa Cruz comes directly from the San Lorenzo River, with around 6 to 6.5 million gallons of water used every day. As water levels go down, usage stays the same—and, Hogye points out, will go up as the population increases.
As Hogye and I return to our cars, I ask if we can go to the estuary so that I can get a better sense of what fishing there looks like. Hogye isn’t thrilled about going, because it’s late in the season and there likely won’t be many fish. But he agrees to join me, despite the fact that he may look silly to other experienced steelheaders.
“I’m only doing this for your story,” he says.
9:30 a.m.
I may not know my way around Highway 9, but I do know how to get to the skate park. Hogye and I dip down into the “Buckeye Hole” across from the Kaiser Permanente Arena. It’s desolate, aside from a few people wandering and bikers going in and out. There is certainly no one else with waders and a fishing pole
The lower part of the river near the rivermouth is a bit different than our previous locale—saltier, murkier, and visibly dirtier. Lighters, razors, food wrappers and clothes litter the banks. Hogye says sometimes fish will hang out to get acclimatized to fresh water, but overall they are moving quickly through the river to get upstream. It is low tide, and the water is stagnant—if I were a fish, I’d want to get upstream as quickly as possible, too.
Hogye gets to overcast this time, since I’m not behind him and there are no trees in his way. This is the type of fly fishing technique you see in the movies, and in some ways it’s more impressive than the duck ’n’ chuck.
“Fish come in with the tides, and they sit by the bridge or around here,” Hogye says, gesturing over to the Boardwalk area between casts. “There are holes underneath the bridge at the Boardwalk and there is a deep bank there along the edge of the tracks. You can see the fish when they are coming in; there will be anywhere from 30-100 fish there.”
Hogye points to the piles of leaves and debris, explaining that it should have all been washed out to sea already, but the river is just too low—despite the fact that it rained heavily just a few days before.
“There are too many people trying to share the same glass of water,” Hogye says. “We ruined the river in the last 50 years by taking the water out of it, and now it’s a fight to get it back.”
10 a.m.
We head back up the bank, having neither seen nor caught any fish—just like we thought. Hogye explains that we are nearing the lowest time for the river; levels usually dip even more in the summer months, which is when the young fish are just growing up and acclimatizing. The less water there is, the less their chance of survival.
“The fish are like a canary in the coal mine,” Hogye says. “If the fish don’t live, nothing lives.”
Hogye doesn’t believe that California is necessarily in a drought, rather that people are just using too much water during a low-water period. The increased use of concrete and pavement is part of the problem, too, he says, since pavement and concrete trap heat and prevent water absorption, and runoff isn’t conserved for other uses.
“Our rivers are not just water supplies,” Hogye says. “We have endangered the rivers through our own selfish excess. The fish and wildlife thrived for many centuries before we humans practically ruined their habitat in less than a hundred years.”
After we part ways, Hogye spends the rest of the day fishing and not catching anything. Neither would Barry Burt on closing day, despite hooking three.
That actually makes me feel a little better—if the fly fishing god didn’t catch anything, it’s OK that we didn’t. There are fish in the river, no doubt, but they are few and far between even if you do hook them. The fish are smart, and the odds are against you.
“It’s a very humbling experience to fish for steelhead because they don’t come easy,” Burt says. “Like I said, the San Lorenzo does not give up her fish easily, that’s for sure.”
[dropcap]A[/dropcap]ntonio Villaraigosa has a sharp memory.
When the gubernatorial candidate called me up last week, he detailed to me what he liked about a blog post I’dwritten about him four months earlier—as well as what he didn’t. He opined that I hadn’t provided the full context for one of his quotes, which was probably a fair point. And he remembered the exact part of the quote I had left out.
In a field with six major candidates for governor, Villaraigosa, who once served as the state assembly speaker, is locked in a dead heatwith Lt. Gov. Gavin Newsom, according to the most recent polls. Villaraigosa spoke to GT about immigration, healthcare and balancing budgets.
If you were governor right now, how would you respond to Attorney General Jeff Sessions’ lawsuit against California over its immigration policies?
ANTONIO VILLARAIGOSA: I’d do what Gov. Brown did. I’d say that you’re not welcome in our state when you misrepresent what we’ve done in California. There’s nothing in the California Values Act that says if people commit violent crimes, they won’t go to jail. They will go to jail. They are going to jail.
The biggest reason [Sessions] came to California is for almost a year now he has been under almost a weekly assault from Donald Trump, criticizing how he’s carried out his duties as an attorney general. He’s struggling, fighting to keep his job, so he came here to California to curry favor with his boss.
You’ve advocated for creating a public option for healthcare. How is that better than trying to build a single-payer system from scratch?
First of all, I supported universal healthcare my entire life. SB 562 is legislation that essentially articulates the goals of a state-paid-for healthcare system that would end Medicare and Medical as we know it; eliminate all insurance-based healthcare plans, including Kaiser; require a federal waiver from Donald Trump, who wants to eviscerate the Affordable Care Act (ACA) and Medicaid; and cost at least $200 million, assuming you could suspend Prop 98. And you’d have to suspend it each year, and you’d have to pay back to community colleges the money that would have gone to them. So it’s really a $400 million price tag. So I’ve asked Gavin Newsom, who’s tripled down on SB 562, to debate me on this issue.
The number one issue for the next government is to protect the ACA. In California, we need to do the following: One, restore the individual mandate at a state level. Two, we need to focus on prevention to a much greater degree. Three, we need to look at best practices here and around the country—Cleveland Clinic, Kaiser—where we can adopt cost-containment measures, to drive down the spiraling cost of healthcare. It’s not just a public option. It’s a public option, along with the exchange, along with what we currently have right now.
You paid fines in 2011 for ethics violations for accepting free tickets to high-profile events during your time as mayor. How can you convince voters that you have the ethical standards to be governor?
Before I was mayor, everybody on the powerful commissions—the airport commission, the port commission, the planning commission, community redevelopment—mayors used to put people in those positions that raised money for them. I signed an executive directive my first day in office prohibiting my appointees on any commission, including those powerful ones, from being able to raise money or contribute to the mayor.
What I was fined over was an issue that, prior to me, no one had ever been fined for, and I’ll tell you why. In my case, if I went to a game, a concert, and they gave me tickets, I would have to report them, and I always did. I was speaking at all these events. At every one of these events, I was speaking. Only once in a great while did I actually stay at those events.
The city of Santa Cruz is facing a budget shortfall and has announced a quarter-cent sales tax to support its general fund. One growing cost is its pensions. How did you cut pension costs as mayor?
We were facing a recession that was the worst since the 1930s. Many people said we were on the verge of bankruptcy. I said, “Not on my watch.” I was going to have to lay off thousands of employees. I worked with our unions. They wanted me instead to do an early retirement. We didn’t have the money for it, so we worked together and got current employees up from six percent to 11 percent. We did it working with our unions. We almost doubled the size of their pension contributions, but I did it working with them.
[dropcap]M[/dropcap]useum researchers at the Louvre found that people look at the Mona Lisa for an average of 15 seconds. Considering that it is the most celebrated painting in history, you have to wonder how much face time less famous works of art are granted. Chances are, it’s a matter of a few seconds—perhaps barely more than a quick scan before moving on.
Cabrillo Gallery Program Instructor Beverly Rayner is determined to change that. The Cabrillo Gallery’s newest exhibit “Cyphers” features work with encrypted messages and ambiguous concepts intended to get people to slow down and consider a deeper meaning behind the work. It’s an exhibit full of questions and not many answers, which is inspiring, intellectually stimulating and incredibly frustrating all at the same time. You’ll have to spend more than 15 seconds in front of each piece to really unpack them, and that’s the point.
“It nudges and challenges your mind,” Rayner says. “You look at it and make some associations, but you have to keep going back.”
The exhibit is an artistic playhouse that embraces the logical interplay between arts and analytics. It’s a bridge between left-brained and right-brained thinking that melds them into a unique, enigmatic installation more like a sudoku puzzle than a simple illustration.
One piece plops a confessional right in the middle of Euler’s Formula—a mishmosh of sines and cosines on a chalkboard. The formula is known for its particular aesthetic beauty, though it’s gibberish to the untrained eye. Like the rest of the work, there is no exact meaning behind it. Rather, it’s all about individual interpretation, not necessarily a specific idea that artist Laura Forman intended.
The work only gets more bizarre and fascinating from there. Lucy Gaylord-Lindholm’s work is inspired by fragile but resilient artifacts that have somewhat withstood the test of time—a Russian typewriter, a broken Amati violin, old letters. There are Gina Pearlin’s un-interpreted dreams, and Steve Gompf’s surreal animations playing on antique televisions in the middle of the room. Gompf’s video is a must-see; snag a pair of 3D glasses and maybe a chair for the weirdest visuals you’ve seen in a while.
The exhibit is an artistic playhouse that embraces the logical interplay between arts and analytics. It’s a bridge between left-brained and right-brained thinking that melds them into a unique, enigmatic installation more like a sudoku puzzle than a simple illustration.
While many have been holding their breath for the exhibit’s opening, its completion comes as a relief to Rayner and program coordinator Victoria May, since they are the founders and hosts of the “Spoken/Unspoken” series. Over a year ago, the gallery was awarded a $10,000 grant from the Rydell Visual Arts Fund to bring together an 11-venue exhibit. After much discussion, the galleries decided on the “Spoken/Unspoken” theme because it was open to interpretation and seemed fitting at the time. Keep in mind, this was before the Donald Trump presidential inauguration, and Rayner admits that as the idea aged it became more timely than anyone could have imagined.
“Part of the whole idea is to create a sense of community and grow the sense of awareness of the locations you can experience art at across the county,” Rayner says. “If people go to one show, they know about the other places, too. Then, all of these connections happen.”
For the last few months, their job has been to make brochures, promote, advertise, and support other galleries. But now it’s their turn to be in the spotlight. For Rayner and May, “Cyphers” really is the cherry on top of a long few months of organization and preparation. The final shows at the Pajaro Valley Arts, Santa Cruz Mountains Art Center and Santa Cruz Public Library run through the spring and early summer.
“It shows the strength and vibrance of the art scene in Santa Cruz,” Rayner says. “And it reminds us that art is important, especially now.”
“Cyphers” runs through April 13, and will be closed from March 26-30. For a complete list of past and upcoming shows, visit spokenunspokenart.com.
Free Will astrology for the week of March 14, 2018.
ARIES (March 21-April 19): The British science fiction TV show Dr. Who has appeared on BBC in 40 of the last 54 years. Over that span, the titular character has been played by 13 different actors. From 2005 until 2010, Aries actor David Tennant was the magic, immortal, time-traveling Dr....
Live music highlights for the week of March 14, 2018.
THURSDAY 3/15
CELTIC
BLACK BROTHERS
The Black Family has been one of the most important modern Celtic music ensembles since the ’70s. The group of siblings has brought Irish music from Dublin to the world. Two of those siblings, Michael and Shay Black, moved to California in the early ’90s, and currently tour...
Event highlights for the week of March 14, 2018.
Green Fix
Roots of Your Divine, With Wine
What goes better with yoga than wine? Or maybe what goes better with wine than yoga? Whichever way you see it, enjoy wine tasting, some snacks and a little savasana to start off your week. The event is a fundraiser for Parkinson’s disease, and 30...