Music Picks Mar. 7-13

Live music highlights for the week of March 7, 2018.

 

THURSDAY 3/8

HAWAIIAN

MASTERS OF HAWAIIAN MUSIC

The connection between Santa Cruz and Hawaii is strong, with surfing, a laidback lifestyle and a widespread appreciation of music. There’s also an underlying agricultural and rural vibe both places share. Santa Cruz County has no shortage of horses, ranches and farms, and one of the somewhat hidden elements of Hawaii is its rich cowboy (paniolo) culture. Slack key guitar masters George Kahumoku, Ledward Kaapana and Jeff Peterson all grew up in rural Hawaii, surrounded by the beauty and music of the Hawaiian countryside. They’re also all three world-renowned artists sharing slack key and other Hawaiian music traditions with audiences around the globe. CJ

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30/gen, $36/gold. 423-8209.

THURSDAY 3/8

REGGAE-ROCK

BADFISH

Sublime gets a bad rap. OK, I get it. Any band that names their album 40oz. to Freedom might be due a little scorn, but they were actually a really good bad—you can thank them for the entire reggae-rock explosion. Yet at the same time, if you listen to Sublime’s three albums, it’s a chaotic, diverse hodgepodge of styles ranging from reggae, punk and ska to weirdo rock. And Bradley Nowell could sing. With his untimely passing, if you want the Sublime experience, the closest thing is on-the-nose tribute band Badfish. It’ll be like it’s the ’90s all over again—the good ’90s that is. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $10-$18, 429-4135.

THURSDAY 3/8

CELTIC

ALTAN

An Irish folk band out of County Donegal, Altan has been a force on the international music scene since the late 1980s, winning awards, representing a new generation of Irish musicians and furthering contemporary Celtic music. Possessing a sound that incorporates Irish folk songs, reels and jigs, Altan has a deep commitment to sharing traditional Irish music with music lovers around world—and the band has made quite a name for itself in doing so. Rooted in informal music gatherings and sessions in the pubs of the band’s hometown, Altan has worked with Bonnie Raitt, Ricky Skaggs, Dolly Parton, the Chieftains, Alison Krauss and more. CJ

INFO: 7:30 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $30. 335-2800.

FRIDAY 3/9

HIP-HOP

ROB $TONE

In 2014, at the age of 19, San Diego rapper Rob $tone released his first single, “Chill Bill,” through soundcloud.com, taking the iconic whistle from the Kill Bill movies and transforming it into a club hit. The fact that he wrote the track while in the back of a police car definitely added to his hip-hop street cred. Four years later, $tone has two mixtapes under his belt and just dropped his debut album, Don’t Wait For It, last October with his debut video for “Uncle Ben” out last month. MAT WEIR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $18. 429-4135.

FRIDAY 3/9

SOUL

THE SUFFERS

An award-winning eight-piece out of Houston, the Suffers is a rocking soul band that’s credited with redefining Gulf Coast soul. Led by frontwoman Kam Franklin, whose soaring vocals take the band into otherworldly territory, the Suffers have caught fire on the roots, soul and retro rock scenes with a contagious mix of gospel, swamp rock, reggae, Latin and more. CJ

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

FRIDAY 3/9

ROCK

GARCIA PROJECT

Those who weren’t lucky enough to see the Jerry Garcia Band while Jer-Bear was alive, dry your tears—the Garcia Project is here. For eight years, the Project has toured the country, delighting Deadheads of all ages and even featuring special guest appearances by former JGB member Melvin Seals and ex-Grateful Dead keyboardist Tom Constanten. So bust out your best attire, roll away the dew and if you get confused, listen to the music play. MW

INFO: 8:30 p.m. Michael’s on Main, 2591 S Main St., Soquel. $22. 479-9777.

SATURDAY 3/10

FUNK

SPACE HEATER

A long time ago in a galaxy far far away … oh wait, I saw the name Space Heater and I just assumed it was a science-fiction-themed tribute band. It turns out that is not the case. Local ensemble Space Heater is all about the funk. The band plays it loud and booty-shaking proud. They keep it loose on the dance floor, too, with extended jams and improvised sections—anything that makes it funkier. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $7/adv, $10/door. 479-1854.

SATURDAY 3/10

INDIE

SEE NIGHT

If slow, dreamy indie jams with the occasional violin solos are your thing, then be sure to get out of bed Saturday night and head over to the Crepe Place to check out San Francisco quartet See Night. It’s got music that is emotionally cathartic and surreal at once, with layers of moody guitars hitting you over the head with introspective finger-picking riffage and lush vocal harmonies. And if you watch the band’s video for “Chasm,” you’ll see the band rip an ethereal string solo. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

MONDAY 3/12

CUBAN

OMAR SOSA – SECKOU KEITA TRIO

The ever-exploratory Cuban pianist Omar Sosa returns to California with the North American premiere of “Transparent Water,” a cross-cultural summit featuring Senegalese griot and master of the harp-like kora Seckou Keita, whose album 22 Strings/22 Cordes (ARC Music) won the 2016 Best Album Award for African and Middle Eastern music from the world music magazine Songlines. Completing the liquious triangle is Venezuelan percussionist Gustavo Ovalles, who recorded a thrilling live duo album with Sosa, 2003’s Ayaguna, and the atmospheric 2016 trio session JOG with German trumpet player Joo Kraus (both on Otá Records). ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.


IN THE QUEUE

HAUNTED SUMMER

Orchestral pop and electronica. Thursday at Crepe Place

ACHILLES WHEEL & CHINA CATS

Grateful Dead tribute and album release party. Thursday at Moe’s Alley

PAPA’S BAG

Tribute to James Brown. Saturday at Flynn’s Cabaret

PSYCHEDELIC FURS

Legendary post-punk band. Sunday at Catalyst

NORMA JEAN

Metalcore out of Georgia. Tuesday at Catalyst

Giveaway: Flogging Molly

0

 

Formed in the late 1990s, Flogging Molly has carved a niche for itself as a pioneering Irish-American Celtic punk band out of Los Angeles. The band has been around long enough that if you’ve been remotely paying attention to punk, Celtic music or rock, you’ve stumbled upon this rowdy crew that draws as much from Johnny Cash and the Clash as it does the Dubliners. Led by Irish vocalist Dave King from the band Fastway, Flogging Molly now organizes an annual music-fueled cruise called the Salty Dog Cruise. A bit unexpected for a Celtic punk band, but who am I to question a music cruise? Also on the bill: Jon Snodgrass & Friends and Scott H. Biram. 

INFO: 8 p.m. Tuesday, March 20. Catalyst, 1011 Pacific Ave., Santa Cruz. $35/adv, $40/door, $100/VIP. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Tuesday, March 13 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Andy Fuhrman

0

Andy Fuhrman wants to write the Santa Cruz theme song. Technically, he already wrote it, but currently it’s a sort of unofficial local theme song. “Santa Cruz Local” takes the melody and some elements of Merle Haggard’s “Okie from Muskogee,” but alters it to be more relatable to Santa Cruz—like the line from the original that says “We don’t smoke marijuana in Muskogee.”

“We’re not living in Muskogee, we’re living in Santa Cruz,” Fuhrman says.

On the contrary, his lyrics center around Santa Cruz’s love of marijuana: “I’m proud to be a Santa Cruz local, the place where we smoke our homegrown weed. We don’t need to go to no dispensary because we grow a whole lot more than we need.”

The song inspires sing-alongs, suggesting it has the popular vote even if it never gets an official nod.

“Everybody loves it,” he says. “There’s no way the Chamber of Commerce is going to take that up, being their song, but just at a grassroots level, I’ve got people singing it,” Fuhrman says.

Fuhrman should know what it means to be a Santa Cruzan. Originally from Coney Island, he moved to Santa Cruz in 1971. He’s played mostly in his room until 2009, when he started playing at Venatella Winery.

Originally, he brought country western covers to the gigs, but his sets have widened to include all sorts of styles. He sometimes even plays with other musicians—he’ll book himself as Andy Fuhrman and his Fabulous Friends.

And then there’s his originals, which are local favorites. He’s even written a few political songs. But as a Brooklyn native, his anti-Trump material is more personal. He recalls all the damage that Fred Trump—Donald’s father—did to his neighborhood when he was growing up.

“It went from a nice lower middle-class neighborhood to a slum just within a decade of my life. Some of it had to do with Fred Trump, with him knocking down existing housing, moving people around,” Fuhrman says. “I guess I have a lot more reason to dislike Trump historically than most people.”

INFO: 7:30 p.m. Wednesday, March 7. Michaels on Main, 2591 S. Main St., Soquel. $15. 479-9777

5 Things to Do in Santa Cruz Mar. 7-13

Event highlights for the week of March 7, 2018.

 

Green Fix

The Magic of Honey Bees

popouts1810-honey-beesCome see what all the buzz is about with experienced apiarist and Santa Cruz Beekeepers Guild president Emily Bondor. Bondor will discuss the lives of hardworking honey bees and why they are vital to our ecosystem. There will also be sampling of local honey and the chance to observe bees in their hives. Whether you are an avid beekeeper or just a bee lover, everyone is welcome to learn how to be the best bee steward they can be.

INFO: 9-11 a.m. Sunday, March 11. Hive and Hum. 415 River St., Santa Cruz. 421-9028. Tickets available online at Eventbrite, in store, and over the phone. $45.

 

Art Seen

‘Avenue Q: School Edition’

Avenue Q is getting a rejuvenating facelift. Students from both Watsonville and Pajaro Valley high schools are joining together to create the school edition of the hit Broadway musical, which will be more family-friendly than the famously obscene original. The musical tells a hilarious story of post-college graduate life: dateless, jobless and moneyless in New York City. Don’t be fooled by the puppets, the play is still rated PG-13 and some material may not be appropriate for young children.

INFO: 7 p.m. Fridays and Saturdays March 8-16. 2 p.m. Sundays, March 11 and 18. Henry J. Mello Center for the Performing Arts. 250 East Beach St., Watsonville. 728-6390. whs-pajaro-ca.schoolloop.com. $10 for general admission, $7 students, senior citizens, teachers.

 

Thursday 3/8

Pep Talks for Writers: Conversation with Grant Faulkner and Lise Quintana

popouts1810-writersblockThe writing process is a long and bumpy road. Luckily there’s expert support along the way. Join Grant Faulkner and longtime local writer and publisher Lise Quintana in conversation about getting past the hurdle of writer’s block. Faulkner will be discussing his latest book, Pep Talks for Writers: 52 Insights and Actions to Boost Your Creative Mojo. Get there early, the seats are sure to fill up with both eager and anxious writers alike.

INFO: 7:00 p.m. Bookshop Santa Cruz. 1520 Pacific Ave., Santa Cruz. 423-0900. bookshopsantacruz.com. Free.

 

Saturday 3/10

Malabar Homeless Housing Benefit

popouts1810-malabarMalabar will be open for lunch as of March 10, and to celebrate they are hosting a fundraiser for William Thornton—the janitor at Malabar for three months now. Thornton sleeps outside Malabar at night and uses money from his work to shower at the gym and occasionally stay in a motel. Malabar will match all proceeds from the benefit to help Thornton get shelter. An additional 5 percent of all daily lunch sales will also go into a savings account for individuals facing similar challenges in Santa Cruz.

INFO: 11:30 a.m.-2:30 p.m. Malabar Restaurant. 514 Front St., Santa Cruz. 458-3023. All plates range from $2-$8.

 

Saturday 3/10

Santa Cruz Polar Plunge

popouts1810-polar-plungeIf you are going to jump into 54-degree ocean and freeze, it might as well be for a good cause—and you might as well look as crazy as you are. Grab a costume and a best friend (human and non-human welcome) for the annual Polar and Puppy Plunge. The event is a benefit for the more than 21,000 Northern California athletes participating in the Special Olympics in July. Start a team, or join a team, everyone is welcome.

INFO: 10 a.m.-2 p.m. Rio Del Mar State Beach. 201 State Park Drive, Aptos. sonc.org.

Registration includes a fundraising minimum of $125. Additional $15 for dogs.

 

Blue Summit Shakes Up Santa Cruz Music Scene

[dropcap]A[/dropcap]s Blue Summit hits the stage, every seat at the Kuumbwa Jazz Center is occupied, with more people standing in the aisles, and even more crowded around the door. There are teens, young adults, grandparents—even babies, who are dancing by the front of the stage. The band opens with a high-energy bluegrass tune that carries shades of classic country and a sprinkling of modern Americana. They play like seasoned professionals, but everyone is between 19 and 23.

All eyes are focused on lead singer AJ Lee, who hollers and strums her mandolin with the passion of a street performer busking for spare change. The other four members take turns on vocals, but clearly Lee’s vocals lead. The set includes a mixture of covers and Lee originals, and the audience loves everything the band throws at them.

This show in September was supposed to be Lee’s final gig in Santa Cruz before she made the leap to Nashville, where she intended to chase her dream as a professional singer-songwriter. But over the past few months, Blue Summit has blown up, finding a new level of success locally that caused her to reconsider her move.

But the show was fiddler Sam Kemiji’s last one before moving down to San Diego for college. Steep Ravine’s fiddler Jan Purat has been filling in, but they are looking for a permanent fiddle replacement so they can hit this year hard.

“There was some turmoil in the band, chemistry-wise. Also, I was having some pressures from friends to move to Nashville,” Lee explains. “Everything in the band clicked back together. We’re having a lot of momentum.”

It’s easy to see why Lee doesn’t want to leave. She’s having a blast on stage, and the energy of the band is unmistakably infectious, with a cross-generational appeal.

“I think what people tend to like about us is our stage presence, because we’re all just a bunch of friends,” says guitarist Jesse Fichman. “AJ has the soul of bluegrass in her voice. It keeps us tied to the tradition. But the songs may not sound very bluegrass.”

       

Let’s Get Serious

A year ago, this band wasn’t a serious pursuit at all; it was quite literally just a bunch of friends jamming together. Most of the members lived in Santa Cruz, but Lee was still in Turlock, the town she grew up in.

“We’d all hang out, pretty much jam and have occasional gigs,” Lee says. “I was thinking, ‘I love these guys so much, and our musicianship blends so well that I want to try and move there and be closer to them, and see what happens.’”

When she moved to Santa Cruz, she got a job at Lulu Carpenter’s and played music on the side. But by this past summer, the band was getting so many gigs that they were all able to quit their jobs and support themselves as full-time musicians. Moving to Nashville has been a dream of Lee’s since she was 17. She’s 20 now, and she’s not exactly sure what’s going to happen.

“I didn’t have that big of an expectation for this band, honestly,” Lee says. “I’m really enjoying being in the band because everyone’s contributing so much, and we’re working really hard.”

Blue Summit released its debut album, Sweet Company, in December, and is already planning a second one. They hope to tour, get booked at a bunch of festivals and really make a name for themselves this year.

They are also prepared for the possibility that Lee could change her mind again, and move to Nashville. That’s never been off the table—but for now, it’s on the back burner. It all depends on what happens with Blue Summit.

“One of the big things that changed is AJ’s goals. She’s turning into a very serious musician,” Fichman says. “She’s really pushing us to be more professional as a band. All of us are fine with that. We don’t want to hold her back if she does decide to go and pursue some other path. We’re kind of hanging on her.”

 

Child Prodigy

Lee was five years old the first time she performed in front of an audience. It was at an open mic in a pizza parlor. She was dressed in a cowgirl outfit, and had her mandolin in hand. Then she froze.

I’m sitting with Lee on the outside patio of the Kuumbwa shortly before Blue Summit plays. As I ask her about this story, Lee’s mom Betsy Riger comes over to the table, excited, and jumps in to tell me one of her favorite stories about her daughter.

“My best friend Sharon, she says to me, ‘she can’t remember the first notes to the song,’” Lee’s mom says. “AJ came over and I said, ‘Don’t cry. It’s so easy. All you have to do is hit the first chord, and it’ll come to you.’ My god, that’s what she did. That was so awesome.”

To my surprise, Lee doesn’t seem the least bit embarrassed that her mom is telling childhood stories. In fact, she’s remarkably low-key for a musician about to take the stage in an hour.

“I was freaking out,” Lee says calmly, referring to her debut gig. But it was a good thing she mustered up the courage to sing. She impressed an audience member, Frank Solivan, who ran the Kids on Bluegrass program for the California Bluegrass Association. Kids who are part of this program get to perform on the main stage at the annual Father’s Day Festival in Grass Valley, and Solivan invited Lee to participate.

Lee is used to the spotlight now, which maybe explains her seeming lack of pre-show nerves. Since that first show, she’s continued to wow audiences with her far-too-mature-for-a-kid voice. Mother Jones interviewed her when she was 13, suggesting that she could be the next Alison Krauss.

She spent a majority of her childhood performing with a group called “the Tuttles with AJ Lee”—everyone in the band was part of the Tuttle family except Lee. Jack Tuttle, the patriarch, saw her sing at the age of 7 and was blown away.

“She was quite something,” he says. “The further back in time you go, the more it was way ahead of where it should have been. Her voice got better as she got older. In some ways, it was less amazing because at some point you expect a good singer to have a good voice, but when she was really young, she could really turn heads.”

The band didn’t play a lot, but landed enough high-profile shows that they made a splash on the bluegrass scene. Lead vocal duties were shared by Lee and Jack’s daughter, Molly, who was five years older than Lee. Three years ago, Molly moved to Nashville to carve out a career as a solo artist.

That was Lee’s plan, too. But it turns out that while her formative years were spent blowing people’s minds with her voice, she wasn’t nearly as confident about sharing her songwriting.

 

MARSHMALLOW ON FIRE

When Lee tells me about the first song she ever wrote, she stutters a little bit. It’s a rare moment where she actually seems a little embarrassed.

Her first song was called “I Set My Marshmallow on Fire.” She wrote it when she was 12, and it’s just as silly as it sounds.

Her songwriting has since gotten much better, which I see firsthand when Blue Summit hits the stage. In fact, you can tell which songs in the set are Lee’s originals because they sound less like traditional bluegrass, and have instead a more straightforward, subtly twangy singer-songwriter style to them.  

It took a while for her to bring her own music to the stage. Before she turned 18, she’d been performing live for longer than most pop stars, but her originals never made it to the Tuttles’ set, with the exception of a few at the very tail end of the band’s run.

“I wasn’t known for any of my original songs when I was little. It was just what came out of my mouth,” she says.

The Tuttles never technically broke up, but when Lee was 17, the band more or less faded into the background as Molly pursued her dreams.

This left Lee at a crossroads. Should she even continue playing music? She nearly pursued a non-musical profession, with veterinarian at the top of her list. But one day she realized, “I’m only 17.” While it seemed she’d been in the spotlight a lifetime, she’d never actually tried to go all in as an adult artist.

“There was something inside me telling me, ‘This is what you love doing right now, and you know you have some potential to do something with this for a future career. Why not just try it, because you have all these years to make mistakes?’”

Around this time, producer John Abrams, who was a fan of the YouTube videos that captured her live performances, reached out to her about working on one of his projects. This evolved into the two of them working together on making a solo record for Lee. He recorded her, and assembled a band to play on the record. They ended up recording two EPs together. Abrams helped her choose some of her originals, and also suggested several covers to play.

Abrams had a vision to package Lee as a sophisticated California country star. Her cover of Gram Parsons’ “Hickory Wind” got a lot of positive notice, but while Lee liked the song, she also felt like it didn’t resonate strongly with her.

The EPs didn’t sell all that well—partially because Lee had no live band to promote them, but also because she felt like she wasn’t really supporting her own vision.

While she was putting all this hard work into these records, she was jamming casually with her old friends as Blue Summit, with little expectation from it, and that’s when she really started to feel herself coming out.

“I wasn’t too comfortable doing solo acts. Mostly I stayed in my room and started writing, seeing what comes out, and that’s where most of my development happened,” Lee says. “It helped me broaden my songwriting mentality. Kind of experiment with different instruments and different things. I’d say those two albums were definitely the beginnings of me developing as a songwriter.”  

 

SUMMIT MEETING

Blue Summit was originally conceived by upright bass player Isaac Cornelius. He’d wanted to put together a band for a while, and thought about the kids he grew up with from the Kids on Bluegrass program. Mostly, he thought about playing with Lee, who he knew from even before getting involved with Kids on Bluegrass.

“AJ, I’ve known supposedly since we were in diapers,” Cornelius says. “There’s video I believe of AJ and I singing together when we were 2 or 3 years old. I’ve known her for quite a while. I would 100 percent consider her one of my best friends.”

Cornelius contacted Lee first, and together they discussed some of the other kids they’d gotten to know through Kids on Bluegrass. At the top of the list was Fichman and guitarist Sully Tuttle from Lee’s old band the Tuttles. Fichman suggested a friend of his, Kemiji—the only member that didn’t grow up in the Kids on Bluegrass program—to play in the group, as well.

The relaxed, low-pressure environment of the band gave Lee a chance to explore the sort of covers that actually spoke to her, and to also find her voice as a songwriter. In the first year, the band was so casual that oftentimes band practice was mostly Lee driving down to Santa Cruz and hanging out with the guys. They might play some tunes if they felt like it.

“When I started branching out, I tried to write these songs that were more in tune with myself. What started coming out wasn’t bluegrass,” Lee says. After considering it a moment, she continues: “They’re definitely more indie-bluegrass, I’d say. Maybe even rock-grass. More of the progressive side, I’d say, because there’s a youth influence and youths like messing with things.”

Her move to Santa Cruz in early 2016 marked a decision to put more effort into the band. But she and Fichman got together, which complicated things a bit. When they broke up, it seemed like maybe the band wouldn’t be able to continue. But she and Fichman worked through everything, just as the group found their unexpected success. It seemed like with even just a little bit of effort, people really responded to Blue Summit.

Cornelius recalls the group’s gig at the Plumas Homegrown Americana Festival in Quincy in early September, a few weeks before the Kuumbwa show, when the group shared a bill with bluegrass legend Peter Rowan. That’s when it seemed real to him.

“For us, that was big. I’m standing backstage with Peter Rowan going, ‘Holy crap, this guy’s a Grammy award winner. He made an album with Tony Rice.’ Those were moments where I felt, ‘OK, this is legit. This is an option,’” Cornelius says.

All through the summer, even as everything was going much better than anyone expected, Lee stuck to her guns about moving to Nashville—that is, until the summer was nearly over and it dawned on her just what she’d created here, and how she was able to discover her own voice with this group of friends in a way she didn’t anticipate.

“Being around these guys that have been my best friends growing up, the chemistry is so strong. And that’s really helpful when I’m writing,” Lee says. “I feel more comfortable because I’m in charge of developing who I am instead of having input from a producer’s side. It’s easier for all of us to develop at the same time and help each other. These guys are probably the best thing that’s happened in my life.”


BLUE SUMMIT AT SCMF

Blue Summit plays Sunday, March 11, at 3 p.m. at Abbott Square, as part of the Santa Cruz Music Festival. The SCMF runs March 10-11 at locations around Santa Cruz; details and tickets at santacruzmusicfestival.com.

 

Shaking up Santa Cruz’s Business As Usual

0

[dropcap]U[/dropcap]nemployment was around 14 percent when retail expert Robert Gibbs originally visited Santa Cruz in 2011. The closure of Borders bookstore had made sleepy downtown Santa Cruz, suffering from a slow economic recovery, even drearier.

More than a billion dollars in sales were “leaking” out of the community, according to a report from Gibbs at the time—with Santa Cruz capturing less than a quarter of its total potential sales dollars. Gibbs’ much-debated report laid out a plan to capture $237 million in extra revenue by 2016.

It’s difficult to guess how close or far the town finished from his hypothetical target—as Santa Cruz ended up not pursuing most of the retail guru’s big-ticket suggestions, like changing the direction of traffic on Pacific Avenue.

Earlier this year, Gibbs visited Santa Cruz from Michigan to update his report under a $9,700 contract, with up to $2,000 in reimbursable expenses.

There’s no timeline for the Gibbs update’s release, and meanwhile, locals have been taking economic issues into their own hands. A new program spearheaded by the local Small Business Development Center, called Reset 2018, is reaching out to struggling downtown stores with tips on surviving the era of Amazon and other online retailers.

And in an effort to encourage businesses to stay in local hands, a brand new collective is encouraging longtime business owners to explore employee ownership succession plans.

 

Expense Report

While Gibbs’ update could prove to be something of a guiding document, some members of the city’s business community have been expressing skepticism this time around.

Transportation and Public Works Commissioner Peggy Dolgenos, for instance, called the Gibbs report “flawed” in a 2016 public meeting. Dolgenos, who’s also the CEO of local internet company Cruzio, told me more recently that she doesn’t “always agree with Robert Gibbs.”

“I feel like he’s looking at a Midwestern town model, where there’s the big road right through the middle of town, and there’s all the parking spaces on the side, and you get out and go over to the hardware store, and I just see towns as being different and changing,” she explains.

Dolgenos, who also serves on the Santa Cruz County Business Council’s board, dreams of fostering town spaces that cater more toward bicycles and pedestrians and less to cars. She has her doubts that Gibbs’ vision jibes with Santa Cruz’s identity.

Another well-regarded longtime member of Santa Cruz’s business community tells GT that although Gibbs’ new analysis could provide tips for a few businesses, they fear that this new document will not offer solutions that get to the core of the matter—solutions like creating unique shopping experiences and streamlining permits for retail-oriented pop-ups.

“There’ll be a report. I don’t believe that it’s going to create a big paradigm shift that’s going to make anything happen,” adds the source, who read the 2011 report at the time, and requested anonymity.

In his presentations back in 2011, Gibbs criticized Santa Cruz’s pervasive “Do Not Enter” signs around town, as well as the posted warnings that parking lots are under video surveillance. Gibbs said downtown needed more parking and that Pacific Avenue needed to be rerouted for two-way traffic, or at least one-way in one direction continuously. Six and a half years later, none of those things have changed.

“What does that say about our political will?” the source asks.

Economic Development Director Bonnie Lipscomb tells GT in an email that she’s “aware of the criticism, but would prefer to have a real dialogue directly with the business owners to get at the heart of the issue and move forward.” Thanks to Gibbs’ guidance, she says the city made traffic and signage changes and introduced its new downtown trolley.

Also reached via email, Gibbs says that he’s in the middle of compiling the update and that his team has “been impressed with the many fine new retailers and restaurants that have opened along Pacific” since he had last visited. He calls Santa Cruz one of the top 10 or 15 urban shopping districts in the country and said he wanted to hold off on an interview with GT until his analysis is finished.

When he was in town, Gibbs also gave advice directly to downtown businesses.

Ariel Stirum, of Botanic and Luxe, says that Gibbs provided eye-opening suggestions on how to bring more customers into her plant and home decor store on Front Street. “Bob was extremely helpful and had a lot of nice things to say about our space, but also had a lot of critical and aesthetic feedback,” Stirum says. “One of the big things he suggested was spilling out into the sidewalk a little bit more—forcing ourselves on the passersby with pots, signs, A-frames. It makes it feel a little bit more welcoming.”

Gibbs also told Stirum and and co-founder Lelani Kanter to cut white paint on their interior walls by 60 percent to enliven the space, something that had never occurred to them.

They say they’ll be painting in the next few weeks, hopefully before their second anniversary party on April 8.

 

Owner Occupied

In the meantime, a new collective of volunteers is lending a hand to the next generation of potential business owners, with an upcoming event.

The new group, called Co-Op SC, is launching to help Santa Cruz businesses stay in local hands, and its first event, an informational session, will be Thursday, March 8, at the Museum of Art and History. The collective is spreading the word about various employee-ownership succession plans to let business-owning baby boomers retire comfortably, while giving stability to their workers.

“We know that small business owners care about their employees. We know that eventually they’re going to want to sell their business so they can retire, and we know we want to keep these local, and they want to protect their legacy,” says volunteer David Brown, who works by day in the Santa Cruz County administrator’s office. “There’s an opportunity here to hit all of those marks and raise the floor for everyone. There’s two American dreams, right? Own a home and own a business. That’s what we’re shooting for.”

Sheila Carrillo, another Co-Op SC founder, says that an early incarnation of the group had one of its first meetings the day after the release of a GT story about the closure of Santa Cruz’s iconic stores and restaurants last year (“Everybody’s Business,” 10/11/17). Carrillo wonders if resources on employee succession plans could have prevented the shutterings of many popular establishments, like Capitola’s beloved Kaleidoscope toy store, which closed in 2014.

Brown says he’s hesitant to single out examples of businesses that could make the transition and sell to their employees without knowing the specifics of their situations. But he says there are generally a few ideal conditions for a worker-owned business. One is that the business be in good financial standing, and another is that the owner be nearing retirement, but not looking to retire immediately.

For Thursday’s event, Co-Op SC has lined up speakers like Ross Newport, the sales manager for the cooperatively owned Community Printers. Newport says he’ll discuss his 40-plus years of experience at the local operation, sharing responsibilities and profits.

“One stereotype about worker co-ops is that it’s this crazy business model. It’s actually a really conservative model, because imagine what happens when you put all the people at a company in charge of the major decisions having to do with hiring, firing, signing on a million-dollar note to buy equipment,” says Newport, talking loudly over the hum of a heavy machine assembling an academic magazine nearby. “Because it’s everyone’s job, people take these decisions really, really seriously.”

Of the company’s seven founders, Newport, 63, says he’s the only “old fart” left at Community Printers, which now employs 35 people. And he says that the company has grown into the Monterey Bay’s biggest printer largely because they have remained vigilant about continuing to innovate and also because the company leapt at the opportunity to buy their building years ago, giving the group a sense of long-term security.

Brown says some of the best candidates for employee ownership will likely be the businesses that find a way to avoid Santa Cruz’s high rents. Maybe the business owns property, like Community Printers does, Brown says, or maybe it’s a business, such as a cleaning service, that has geographic flexibility and isn’t tethered to one location.

Brown and his fellow volunteers don’t have any data yet on how popular this idea will be in Santa Cruz or what impact these resources could have on the local economy. But they are hoping to get a pulse of the community on Thursday.

“We see an opportunity here for transformational change,” says Brown, who helped start a nonprofit preschool on the Westside years ago that’s run by parents and teachers. “We’re also just trying to find out who’s out there. Who’s interested? And we haven’t had these opportunities to do these in-depth studies of our local business owner community. And this’ll be our first foray into that. We’ll see who shows up.”

Newport says there can be challenges when sharing a business with a couple dozen co-workers. But he says that the model can work as long as everyone’s willing to listen.

“You have to get used to the idea that what you want to see happen is one person’s opinion. You don’t always get to have your way. You sometimes have to subordinate what you think is the right thing for what the group wants to do and is comfortable with,” says Newport, adding that Community Printers employs workers from many walks of life—immigrants, tea partiers, radical leftists. “We come together and we make things happen to benefit all of us. It doesn’t mean much if it’s only for crazy idealists. The model has to be viable for everyone.”

“Creating an Employee Succession Plan” will be held at 7 p.m. on Thursday, March 8 at the MAH Community Meeting Room.

Rob Brezsny Astrology Mar. 7-13

Free will astrology for the week of March 7, 2018.

ARIES (March 21-April 19): The men who work on offshore oil rigs perform demanding, dangerous tasks on a regular basis. If they make mistakes, they may get injured or befoul the sea with petroleum. As you might guess, the culture on these rigs has traditionally been macho, stoic, and hard-driving. But in recent years, that has changed at one company. Shell Oil’s workers in the U.S. were trained by Holocaust survivor Claire Nuer to talk about their feelings, be willing to admit errors, and soften their attitudes. As a result, the company’s safety record has improved dramatically. If macho dudes toiling on oil rigs can become more vulnerable and open and tenderly expressive, so can you, Aries. And now would be a propitious time to do it.

TAURUS (April 20-May 20): How will you celebrate your upcoming climax and culmination, Taurus? With a howl of triumph, a fist pump and three cartwheels? With a humble speech thanking everyone who helped you along the way? With a bottle of champagne, a gourmet feast and spectacular sex? However you choose to mark this transition from one chapter of your life story to the next chapter, I suggest that you include an action that will help the next chapter get off to a rousing start. In your ritual of completion, plant seeds for the future.

GEMINI (May 21-June 20): On April 23, 1516, the Germanic duchy of Bavaria issued a decree. From that day forward, all beer produced had to use just three ingredients: water, barley, and hops. Ever since then, for the last 500-plus years, this edict has had an enduring influence on how German beer is manufactured. In accordance with astrological factors, I suggest that you proclaim three equally potent and systemic directives of your own. It’s an opportune time to be clear and forceful about how you want your story to unfold in the coming years.

CANCER (June 21-July 22): What’s your most frustrating flaw? During the next seven weeks, you will have enhanced power to diminish its grip on you. It’s even possible you will partially correct it or outgrow it. To take maximum advantage of this opportunity, rise above any covert tendency you might have to cling to your familiar pain. Rebel against the attitude described by novelist Stephen King: “It’s hard to let go. Even when what you’re holding onto is full of thorns, it’s hard to let go. Maybe especially then.”

 

LEO (July 23-Aug. 22): In his book Whistling in the Dark, author Frederick Buechner writes that the ancient Druids took “a special interest in in-between things like mistletoe, which is neither quite a plant nor quite a tree, and mist, which is neither quite rain nor quite air, and dreams, which are neither quite waking nor quite sleep.” According to my reading of the astrological omens, in-between phenomena will be your specialty in the coming weeks. You will also thrive in relationship to anything that lives in two worlds or that has paradoxical qualities. I hope you’ll exult in the educational delights that come from your willingness to be teased and mystified.

VIRGO (Aug. 23-Sept. 22): The English word “velleity” refers to an empty wish that has no power behind it. If you feel a longing to make a pilgrimage to a holy site, but can’t summon the motivation to actually do so, you are under the spell of velleity. Your fantasy of communicating with more flair and candor is a velleity if you never initiate the practical steps to accomplish that goal. Most of us suffer from this weakness at one time or another. But the good news, Virgo, is that you are primed to overcome your version of it during the next six weeks. Life will conspire to assist you if you resolve to turn your wishy-washy wishes into potent action plans—and then actually carry out those plans.

LIBRA (Sept. 23-Oct. 22): In the 2002 film Spiderman, there’s a scene where the character Mary Jane slips on a spilled drink as she carries a tray full of food through a cafeteria. Spiderman, disguised as his alter ego Peter Parker, makes a miraculous save. He jumps up from his chair and catches Mary Jane before she falls. Meanwhile, he grabs her tray and uses it to gracefully capture her apple, sandwich, carton of milk, and bowl of jello before they hit the floor. The filmmakers say they didn’t use CGI to render this scene. The lead actor, Tobey Maguire, allegedly accomplished it in real life—although it took 156 takes before he finally mastered it. I hope you have that level of patient determination in the coming weeks, Libra. You, too, can perform a small miracle if you do.

SCORPIO (Oct. 23-Nov. 21): Scorpio mathematician Benoît Mandelbrot was a connoisseur of “the art of roughness” and “the uncontrolled element in life.” He liked to locate and study the hidden order in seemingly chaotic and messy things. “My life seemed to be a series of events and accidents,” he said. “Yet when I look back I see a pattern.” I bring his perspective to your attention, Scorpio, because you are entering a phase when the hidden order and secret meanings of your life will emerge into view. Be alert for surprising hints of coherence.

SAGITTARIUS (Nov. 22-Dec. 21): I suspect that in July and August you will be invited to commune with rousing opportunities and exciting escapades. But right now I’m advising you to channel your intelligence into well-contained opportunities and sensible adventures. In fact, my projections suggest that your ability to capitalize fully on the future’s rousing opportunities and exciting escapades will depend on how well you master the current crop of well-contained opportunities and sensible adventures. Making the most of today’s small pleasures will qualify you to harvest bigger pleasures later.

CAPRICORN (Dec. 22-Jan. 19): If you saw the animated film The Lion King, you may have been impressed with the authenticity of the lions’ roars and snarls. Did the producers place microphones in the vicinity of actual lions? No. Voice actor Frank Welker produced the sounds by growling and yelling into a metal garbage can. I propose this as a useful metaphor for you in the coming days. First, I hope it inspires you to generate a compelling and creative illusion of your own—an illusion that serves a good purpose. Second, I hope it alerts you to the possibility that other people will be offering you compelling and creative illusions—illusions that you should engage with only if they serve a good purpose.

AQUARIUS (Jan. 20-Feb. 18): I do a lot of self-editing before I publish what I write. My horoscopes go through at least three drafts before I unleash them on the world. While polishing the manuscript of my first novel, I threw away over a thousand pages of stuff that I had worked on very hard. In contrast to my approach, science fiction writer Harlan Ellison dashed off one of his award-winning stories in a single night, and published it without making any changes to the first draft. As you work in your own chosen field, Aquarius, I suspect that for the next three weeks you will produce the best results by being more like me than Ellison. Beginning about three weeks from now, an Ellison-style strategy might be more warranted.

PISCES (Feb. 19-March 20): According to my assessment of the astrological omens, you’re in a favorable phase to gain more power over your fears. You can reduce your susceptibility to chronic anxieties. You can draw on the help and insight necessary to dissipate insidious doubts that are rooted in habit but not based on objective evidence. I don’t want to sound too melodramatic, my dear Pisces, but THIS IS AN AMAZING OPPORTUNITY! YOU ARE POTENTIALLY ON THE VERGE OF AN UNPRECEDENTED BREAKTHROUGH! In my opinion, nothing is more important for you to accomplish in the coming weeks than this inner conquest.

 

Homework: What would the people who love you best say is the most important thing for you to learn? Testify at Freewillastrology.com.

 

Jupiter Retro in Scorpio: Risa’s Stars Mar. 7-13

We have many planetary retrogrades this year—Mercury, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto, Vesta and Chiron. Retrograde planets turn us inward; we become reflective upon our lives, our blessings, our wants and needs.

This week, Jupiter, planet of love and wisdom (Ray 2), of truth-telling (with Sag), of justice and the expansion of everything everywhere, turns retrograde at 23.13 degrees Scorpio. Jupiter in Scorpio is bringing to light all of the dark secrets humanity is presently drowning in.

Jupiter retrogrades for four months (March 8 to July 10). During this time, we are able to “see the big picture”; our perspectives and beliefs change, expand and are uplifted. We are able to rise above separations. We develop new tools, consider new goals and new journeys (Jupiter rules Sag). We want to learn more, understand mysteries (Scorpio), solve problems, seek the psychology of a person, place or event. Inner and outer work is accomplished simultaneously.

Jupiter, a social planet, expands us outward. Scorpio and the retrograde take us inward. With Jupiter retrograde, our secret selves, all that’s been hidden from view, especially emotions, awaken, make themselves known. It’s a time for healing, for transformation (Pluto works with Scorpio) which comes through crisis. It’s quite a fascinating time. We may encounter issues with sex, money, death, rebirth and rock ’n’ roll.

Jupiter was last in Scorpio October 2005 through November 2006, and before that, November 1993 to December 1994, and from November 1981 to December 1982. What was occurring for everyone then? Now with Jupiter again in Scorpio, something from that time appears again—for remembrance, adjustment, assessment, completion, or for just a little tenderness.


ARIES: It’s a time for intimacy, developing trust, understanding your psychological mechanisms, time for counseling, for marriage, and for tending to all debts. These are important months when your private world opens to you and you alone. You will assess intimacy, finances held in common, and vulnerability. Buried, hidden, secret situations come to life in order to be resolved. The outcome of all of this is harmony and wholeness while reading mystery stories.

TAURUS: Partnerships grow and expand, become deeper, more successful, and happy, too. A beneficence that comes into all interactions. Everything feels like a blessing, and it is, though often it’s hidden. You sense and feel a benediction, no matter what occurs. There are shared finances and assets conversations. A resource drops from the sky. This comes as a surprise. There’s a sharing of beliefs and interests. Freedom will be part of the dynamics of all intimate relationships.

GEMINI: Be sure to maintain constancy with daily routines so that your health and well-being are enhanced. Daily tasks, duties and responsibilities call for order and organization. Careful that you don’t overwork. Life prospers if your work entails serving others. A new job or position may be offered. You feel useful during these months. Do not allow any task to become monotonous. Imaginatively mix up your day. Take up an ancient yet well-known study.

CANCER: Having fun is most important, allowing ease to express yourself. Each day, pursue your own creative interests. Realize you’re unique with much to share. A dream you’ve carried for a long time comes true. The arts are important, children, too. As you go through each day you feel confident, supported by everyone. And then your imagination comes into play. A new partnership may be formed.

LEO: Home is most important. It’s your foundation, your nest, your family, how you live each day, anchor emotions, seek comfort, have protection (for self and other kingdoms) and take refuge. Something will grow and expand in your home. A new garden is a good idea. Perhaps you will expand real estate holding, or expand rooms, the garden or even your family. Careful not to overextend. And balance home and professional life. Resources appear.

VIRGO: Deep and wide philosophical issues will begin to cross your mind, then take up lots of your mind, thoughts, ideas, conversations. New and interesting conversations increase your curiosity. You may take long solitary walks through neighborhoods, down streets, in new towns. Not too far away, but enough that new things are seen. You may choose to raise bees, gather honey and seed wildflowers in meadows here and there and everywhere.

LIBRA: All of your values may change, as you assess personal resources finances and possessions. You see the benefits of your tireless work each day and earning power. You find you want more of everything, creating a greater opportunity to give and share more. Something may be bought and/or sold. You assess self-worth, you attract abundance, you choose not to overspend. You help someone who loves you. Someone misses you.

SCORPIO: Cheerfulness and optimism appear and they noticeably improve how you feel and act out in the world. You are expansive, exuberant and more self-confidence than is usual. You feel relaxed and fortunate and, truly, you are! You greet each day with the knowledge that no matter the circumstances, all is good, every moment, every day. When problems occur you ease into them, tend to them with equanimity, and poof, they disappear!

SAGITTARIUS: You asked what planet has been affecting you lately. Among many others, it’s Jupiter, in your 12th house of Pisces—sign of compassion, empathy and deep sensitivity. Know that this is good. There’s an angelic level of protection when Jupiter is in one’s 12th house with a feeling of being guided (pushed at times), directed and rewarded. Intuition comes more easily, charity, too. This is very beneficial. Faith happens.

CAPRICORN: Over the next months, you may find yourself networking a bit, creating friendship and new acquaintances, researching clubs, groups and organizations. Perhaps you will consider creating a group of friends that meets together, shares knowledge, food, cooking, and creating together. You feel hopeful these days; resources increase, and you look into things alternative. There’s a feeling of joy permeating your days and nights.

AQUARIUS: There will be more recognition concerning your service to the world, the work you do that enhances people’s lives. You may consider how you want your career to advance. You may consider new opportunities, new jobs, education, something influential, professional and pleasurable. You feel freedom, have integrity and are honest and these take you to places of reward. You are worthy of recognition. Take a bow!

PISCES: Goals, travel, journeys, new horizons, new people, places, and events. These call to your curiosity, your sense of adventure. There may be a greater opportunity to teach. Education comes through possible travel. Stress, felt before, lessens, priorities take on new meaning. You become more and more creative. You think about writing a book, publishing. New doors open. The Temple doors.

 

Second Annual Festival of Dreams Stirs Awake

0

[dropcap]“OK[/dropcap], so I’m sitting in the end zone of this giant football stadium that’s somehow accessible through a door in my kitchen. I’m getting a haircut from Kim Jong-Un while a giant armadillo wearing a red beret does his best impression of John Wayne … or Lil Wayne, I can’t remember. Whatever. Anyway …”

Is there anything quite as lethal to a promising social gathering than talking about a dream you had last night? For many people, dreams are narcissistic non-sequiturs, mindless absurdities that can shut down a conversation cold. To them, dreams belong in the same conversational no-fly zone as politics, religion and Irritable Bowel Syndrome.

For others, though, dreams are anything but trivial. They are metaphorical, even poetic reflections of a person’s inner state, a series of symbolic messages from the subconscious mind to the conscious mind, compelling proof that sleeping can be more effective in problem-solving than brooding or worrying.

On March 11, curious and open-minded dreamers will converge for the second annual Festival of Dreams at Santa Cruz’s Louden Nelson Center. The event will serve as a kind of freewheeling marketplace of ideas for those interested in the potential of dreams to provide insight and inspiration and to solve emotional and psychological problems.

The festival will feature a keynote address by author, lecturer and dreamwork specialist Gayle Delaney, who co-founded the International Association for the Study of Dreams. It will also include workshops on dreaming and a panel discussion of educators, psychotherapists and other professionals from a variety of viewpoints on dream interpretation. And, in what might turn out to be particularly valuable to attendees, the event will also feature a series of free, private, one-on-one, half-hour dream consultations.

The Festival of Dreams took place last year, under the name “Dream Caravan,” at Inner Light Ministries in Soquel. The event’s founder, Santa Cruz dreamwork practitioner Katherine Bell, says she and her colleagues wanted to raise the profile of the gathering by changing its name and location.

“We weren’t sure that ‘Dream Caravan’ really said what it is,” she says. “We wanted it to be more recognizable. It’s about dreams. People on our planning team do all kinds of styles of dreamwork, so we decided to broaden it out and offer people a selection of different ways of working with dreams.”

Dream interpretation is certainly nothing new. In the last century, the field was dominated by grand, overarching theories offered up by brand-name figures in psychology, mostly Sigmund Freud, Carl Jung and Fritz Perls. In recent years, however, it’s become more nuanced, with a recognition that the one-size-fits-all approaches of Freudian and Jungian dream interpretation can be limiting or even meaningless to many people.

What today’s dream therapists recognize is that although dreams deal in powerful metaphors, they can have wildly different meanings from person to person. “Dreams are incredibly personal,” says Bell. “We could look up online what a dream about a horse means. But it’s more important to me to understand what your experiences with horses are. Were you ever hurt by a horse? What do they mean to you, as opposed to what they mean culturally? And that’s the problem with dream dictionaries. You might get some kind of cultural background, and there’s some benefit to that. But what’s the personal story there?”

Keynote speaker Gayle Delaney, who attended the C.G. Jung Institute of Analytical Psychology in Zurich, has developed what she calls “the dream interview,” a method to discern the distinct meanings that dream metaphors have for any given individual, which may conflict with Freudian or Jungian interpretations.

“If you have a dream about a cat and I have a dream about a cat, and five other people have dreams about cats,” she says, “how can they say, ‘Oh, you’re looking at the archetype of the death goddess that so-and-so says represents the feminine principle’? Freud might say cats are your mother. That may be true, but you have no way of knowing that until you sit down with someone.”

Delaney stresses that dreams are expressions of the unconscious mind and can help solve problems even for those who don’t remember their dreams. Still, keeping a dream journal and developing a habit of actively remembering dreams can be rewarding, she says.

More fundamentally, she believes dreams often present a picture of a person’s inner life that is much more in line with who they really are than their social roles suggest.

“I’ve had so many so-called ‘gurus’ in my practice who are lonely, wretched people, and their dreams help them see how lonely they are because they won’t accept anyone as their equals,” says Delaney. “And I’ve had people who lead very quiet lives but who have dreams of great beauty and ecstasy. And they live lives of generosity and love. No one would see them as an enlightened person. But they are.”

The Santa Cruz Festival of Dreams will be held Sunday, March 11, 11 a.m. to 5 p.m., at Louden Nelson Center, 301 Cedar St., Santa Cruz $25 advance; $35 at the door; festivalofdreams.net.

 

Preview: Fabian Almazan’s Project Rhizome to Play Kuumbwa

0

[dropcap]A[/dropcap] few years ago, Fabian Almazan was on tour in Brazil with trumpet star Terence Blanchard. On a night off, the Cuban-born pianist found himself on the remote northeastern beach in Jericoacoara, and stumbled into a life-changing moment of clarity.

“The tide went out as far as I could see, and I walked out toward the ocean for about 15 minutes,” recalls Almazan, 33, who brings his double-quartet project Rhizome to Kuumbwa on Wednesday, March 7. “I looked up and saw the dome of stars and was so moved by the enormity of the universe and my place it in, the absurdity and beauty of life.”

Almazan certainly isn’t the first musician to be awed by an encounter with the Milky Way, but his singular life path provided him with the internal and external resources to translate that epiphany into some of the most extravagantly beautiful new music on the planet.

He recorded the nine-movement suite on his recent album Alcanza, and like his critically hailed 2014 album Rhizome, the new project features his New York quartet with Chilean vocalist/guitarist Camila Meza, Australian bassist Linda May Han Oh, and Puerto Rican drummer Henry Cole, along with a string quartet—at Kuumbwa, that means San Francisco’s adventurous Friction Quartet.

A botanical word for a rootstock with multiple shoots emerging, Rhizome is an apt description for an ensemble that gracefully embraces opposing musical impulses, particularly improvisation and intricately constructed composition. With elaborately detailed charts, the music is by necessity much more through-composed than usual in jazz contexts.

“You have so many possibilities with strings, you have to limit it, put guidelines so things are cohesive,” Almazan says.

But describing Alcanza as chamber jazz doesn’t really capture Rhizome’s impact. Dynamically volatile and built on constantly shifting rhythms, the suite is laced with Almazan’s electronics, which add depth to the tidal textures. He credits his decade-long tenure with Blanchard—which included contributing to soundtracks for films by Spike Lee and George Lucas—with radically expanding his sonic sensibility.

“One thing that opened up my mind was the film score sessions,” Almazan says. “As one of the musicians in the pit watching Terence communicate with an orchestra and seeing the beautiful textures he can get, I realized I don’t have to think in these boxes. And I’m extremely grateful that he’s given me absolute freedom to experiment with electronics, both in the quintet and E-Collective. I’ve tried every piece of software under the sun. I’ve tried hardware. I run acoustic piano through effects. It’s constantly evolving, and of course I bring that into my music.”

The most obvious new element in Almazan’s music is his growing reliance on Camila Meza. On 2014’s Rhizome, he used her wordless vocals as a horn-like element. But on Alcanza, her brilliant guitar work is fully integrated into the ensemble, while her vocals are even more central, as Almazan created several songs as part of the suite.

He had never thought of writing lyrics before hearing Meza sing, “but something clicked when I came to one of her shows,” he says.

“I felt like I wanted to convey these abstract emotions, and lyrics are a direct way of communicating that message. Well, direct if you speak Spanish. I feel a sense of responsibility now given the open hostility to Spanish-speaking people, particularly from Mexico, coming from the White House. I want the younger generation of Hispanic youth to hear and know they can be whatever they want to be.”

INFO: 7 p.m. Wednesday March 7, Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

Music Picks Mar. 7-13

The Suffers
Live music highlights for the week of March 7, 2018.   THURSDAY 3/8 HAWAIIAN MASTERS OF HAWAIIAN MUSIC The connection between Santa Cruz and Hawaii is strong, with surfing, a laidback lifestyle and a widespread appreciation of music. There’s also an underlying agricultural and rural vibe both places share. Santa Cruz County has no shortage of horses, ranches and farms, and one of the...

Giveaway: Flogging Molly

Flogging Molly
Win tickets to Flogging Molly on Tuesday, March 20 at the Catalyst

Love Your Local Band: Andy Fuhrman

Andy Fuhrman
Andy Fuhrman plays Wednesday, March 7 at Michaels on Main

5 Things to Do in Santa Cruz Mar. 7-13

Event highlights for the week of March 7, 2018.

Blue Summit Shakes Up Santa Cruz Music Scene

Blue Summit
As Blue Summit plays the Santa Cruz Music Festival, big decisions are ahead for frontwoman AJ Lee

Shaking up Santa Cruz’s Business As Usual

Ross Newport, sales manager for Community Printers, a Santa Cruz business
As controversial retail guru Robert Gibbs returns, new group promotes employee-owned businesses

Rob Brezsny Astrology Mar. 7-13

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of March 7, 2018.

Jupiter Retro in Scorpio: Risa’s Stars Mar. 7-13

risa's stars
Esoteric Astrology as news for week of March 7, 2018

Second Annual Festival of Dreams Stirs Awake

Festival of Dreams
Santa Cruz’s Festival of Dreams attempts to decipher the language of the subconscious

Preview: Fabian Almazan’s Project Rhizome to Play Kuumbwa

Fabian Almazan
The textured beauty of pianist Fabian Almazan’s jazz reflects his cosmic inspiration
17,623FansLike
8,845FollowersFollow