UCSC Hones Pitch for Adding 9,000 Students

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Santa Cruz’s Ron Pomerantz says his jaw dropped when he heard UCSC would explore adding about 9,000 more students by 2040.

“To gain 50 percent more doesn’t even compute. You’re kidding, right?” says Pomerantz, a community activist and retired firefighter. “Everyone needs to be involved.”

He says the announcement felt like a “decree” when it came down from Chancellor George Blumenthal, because it predated any community input.

These early stages of the new Long Range Development Plan (LRDP) process allow the university to test its 28,000-student figure, says UCSC spokesperson Scott Hernandez-Jason.

Squeezed by state enrollment pressure, UCSC—which currently enrolls about 19,000 students—is holding public meetings in March as part of its process to study possible growth from 2020 through 2040. Meanwhile, current students complain of already impacted infrastructure, while Santa Cruz deals with a sharp increase in local rents.

In the wake of Blumenthal’s announcement that the university would “study” and “explore” the possibility of expanding to 28,000 students, the university is holding three public forums, each beginning at 7 p.m.—one on March 5 at Hotel Paradox in Santa Cruz, another on March 6 at the Civic Plaza Community Room in Watsonville, and a final one March 8 at Capitola’s Mid-County Senior Center.

Hernandez-Jason says UCSC needs to grow to be more accessible to low-income communities. “A record 56,000 frosh applied in fall quarter. So did 12,000 transfer students,” he says. “If we roll up the drawbridge, some students won’t be able to get an education at UC.”

The university last year showed early signs of testing public opinion for an expansion, including a pitch about improving diversity and access. While compiling a report for UCSC, market research company SimpsonScarborough interviewed local residents, as well as more-prominent “influencers of Santa Cruz and Silicon Valley. Anonymous statements in the report say UCSC brings value to Santa Cruz, particularly economically, although many portrayed the university as a bull in a china shop, and they welcomed more transparency and community involvement.

Participants in the survey were split in their support of UCSC’s growth, with the influencers more supportive of growth than Santa Cruz residents.

Pomerantz says surveyors contacted him last year for their report, and he remembers diversity being part of the pitch—which he viewed as a tack to manipulate a sense of “liberal guilt” out of the community.

Chayla Fisher, a sophomore co-chair of the Student Environmental Center, is serving as one of two student representatives in the LRDP planning process. She says the university should serve its existing student population better before expanding. Shocked by the 28,000 figure, she argues that the new hypothetical target doesn’t actually help diversity goals at all.

“We don’t even have the resources to support students now, especially those of color and low incomes,” Fisher says. “If we bring more students in, they will face harsh circumstances. I don’t think that’s supportive of students of color and lower-income students.”

Fisher describes an inadequate supply of athletic spaces, kitchens, study spaces, and classrooms. One of her classes expanded to 350 students, 50 spots over capacity, with students regularly sitting in walkways, she says.

Hernandez-Jason and Kimberly Lau, co-chair of the Academic Senate and literature professor, both say the university has recently made strides to help retention of students of color and lower incomes, with new programs. However, the school’s student-run retention organizations remain largely without consistent university funding, Hernandez-Jason says. According to the most-recent data available, 43.7 percent of first-generation students graduate before their fifth year, compared to 55 percent of students who had at least one parent finish college.

The new LRDP—once it’s finished—will not mandate growth, but rather will guide development and construction. It will include land-use planning, as well as impacts on traffic, wildlife and the city of Santa Cruz. The university is also proceeding with plans for a 3,000-bed housing facility on the school’s west side, which is partly privately funded.

Feedback from the March forums will go to the LRDP planning committee, in order to develop options for the university’s future, while it receives monthly feedback from a Community Advisory Group. Later this year, community members can comment again, with possible scenarios going to the chancellor as early as May. Consultants will then draw up the chosen plan’s impacts, which could take more than a year. After that, the environmental impact report will have another window of public comment.

The university is aiming for more community involvement after the prior LRDP, from 2005, resulted in a lawsuit.

Lau co-chairs the LRDP planning and executive committees. She says that the 28,000 figure may have given community members sticker shock, since the planning extends over a longer period—20 years, instead of the typical 10-15. She says the university has an ethical obligation to accept more students.

“We don’t want to eliminate more students from having this opportunity,” Lau says. “We’re trying to address the problems as we plan. We don’t have the money to fix everything at once.”

But UCSC’s student government released a statement condemning recent growth, explaining that changes have increased demand on academic and facilities staff, to say nothing of the new suggested target. The crunch has created a shortage of resources, like food, housing, transportation, psychological services, and classrooms, the statement said, adding that impacts on the city have made Santa Cruz one of the “least affordable” small metropolitan areas in the U.S.

The university’s original LRDP in 1963 set out a plan for 27,500 students by 1990, a vision that included 20 colleges—more than twice as many as the school currently has.

Cautiously optimistic, at least one resident has faith in the opportunity for UCSC to become more accessible to local residents, especially ones from South County communities. MariaElena de la Garza of the Watsonville-based Community Action Board of Santa Cruz County, says the time is right for a conversation about a satellite campus in Watsonville.

A member of the LRDP’s Community Advisory Group, she says she has been the only voice in the room representing South County and nonprofits. De la Garza agrees with notions that this is an opportunity to think big.  

“I want there to be a true community-wide conversation, participation and inclusion so we know what the needs and the opportunities are,” she says. “We’re supporting the school to make sure the right voices come to the conversation.”

Drew Barrymore Does Wine

[dropcap]O[/dropcap]n a recent stay in Carmel at the Hofsas House, we walked over to the welcoming Carmel Road Winery’s tasting room, where I hoped I would run into Drew Barrymore (wishful thinking!), as the famous movie star features three of her own wines there. The tasting room manager assured me that Barrymore visits the tasting room from time to time, and that “she’s just lovely and knows a lot about wine.”

“I am passionate about wine,” Drew Barrymore says on her wine label. “There is so much to discover and experience, and my travels help me do that.”

Barrymore, acclaimed actress and oenophile, shares a winemaking partnership with Carmel Road winemaker Kris Kato, who grew up in Portland, Oregon and has garnered experience working at wineries on the Central Coast. The two of them craft three varietals—Drew’s Blend Pinot Noir, Monterey Rosé of Pinot Noir, and Monterey Pinot Grigio, a bright, perky wine which I particularly enjoyed.

Pinot Grigio is known for being easy to like and easy to pair, as it matches up with a broad array of food. Barrymore’s Pinot Grigio ($22) is crisp and refreshing with citrus and tropical notes—revealing a tasty blend of honeydew melon and lemon, and an elegant minerality. A screw cap top makes it simple to open.

Barrymore’s other wines are also notable—especially the Rosé with its mouthwatering red-fruit flavors and hints of stone fruit. And the lush and vibrant Pinot Noir sells for only $28. Carmel Road’s tasting room is modern, light and airy—and the staff is upbeat and knowledgeable.

We often stay at the warm and friendly Hofsas House Hotel in Carmel because it’s situated very centrally on San Carlos Street—an easy walk to tasting rooms and good restaurants. After lingering over coffee and continental breakfast at the hotel, we strolled down to the ocean and then to Carmel Road’s tasting room. Although Drew Barrymore was not there at the time, I’ll be going back soon … just in case.

Carmel Road Winery is between Ocean Avenue and 6th Street, Carmel-by-the-Sea, 624-1036. Open daily from 11 a.m. to 6 p.m.

Opinion February 21, 2018

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EDITOR’S NOTE

At this point, I’m not even sure exactly how many times I’ve seen The Post. I saw it with my dad first, I know that. Then I took the whole GT editorial staff to see it. And I saw it with the publisher, too. (If you’ve seen Steven Spielberg’s film about the Washington Post’s decision to publish the Pentagon Papers in the face of prosecution from the Nixon administration, you know why the publisher and editor of every newspaper should go see it together. The interplay between Meryl Streep (as publisher Katharine Graham) and Tom Hanks (as editor Ben Bradlee) about the workings of the paper is funny and realistic. At one point in the film, after Bradlee blustered something arrogant to Graham, Jeanne Howard leaned over to me and said, “Don’t try that line on me.”)

Anyway, the point is I’ve seen it, related to it and come to admire it enough that I’ll be a little crushed when it inevitably doesn’t win the Oscars it’s nominated for. But it’s not even the insight into the real story behind the film that is my favorite thing about Georgia Johnson’s profile of Santa Cruz attorney Daniel Sheehan this week. Even better are the parallels that Sheehan and Johnson draw between Richard Nixon and Donald Trump. It’s a great read—and an important one.

The next seven days also mark the return of Santa Cruz Burger Week, which was a runaway success in its inaugural outing last week. Kudos to Hugh McCormick for his deep dive into everything you need to know. It’s pretty entertaining to read about how truly into burgers this year’s participants are. Bun appetit!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

YES TO LIBRARY, NO TO GARAGE

Re “Lot of Issues” (GT, 2/14): It is stated that the Downtown Library Advisory Committee recommended relocating the downtown library to a new parking garage, and that is “far cheaper” than a full renovation or a brand-new building at the present location.  

However, there is another option that is within Measure S funds, and that is a partial yet substantial renovation of the seismically sound library building, resulting in a remodeled, upgraded and attractive library. The DLAC ignored the majority of the public’s stated preference for renovation over moving the library to a parking garage (now called a “mixed-use project”). Stay tuned for a late-March City Council meeting. Meanwhile, go online to Don’t Bury The Library for a perspective very different than the DLAC.

Judi Grunstra | Santa Cruz

YES TO TAX CUTS, NO TO DEMOCRATS

Re: “Getting Hammered” (GT, 2/7): Thank you for pointing out that contractors have so much more work because of Trump’s tax cuts, so they don’t have as much time to build affordable housing.

Is Trump trying to force us to lower California taxes so people would be able to afford housing? My property taxes in Aptos go up every year since Governor Brown took over again. The real reason for the homeless problem is our California state government. There is a website where you can donate more of your money to Governor Brown if you don’t feel you pay enough taxes already.

I see Gavin (shove it down your throat without a vote) Newsom running on how evil Trump’s tax cut is. After all, Jimmy Panetta voted against more money on our paychecks.

Remember the threat by the Democrats during our 2016 election: “I will triple the taxes on the middle class,” vote for Hillary or you are deplorable and not cool for not giving all your money to the government.

Please vote for lower taxes. Thank you.

Steven Austen | Aptos

ONLINE COMMENTS

Re: Homeless Encampment

San Lorenzo Park has always been a haven for homeless and drugs. In the 1980s, dealers would walk up to your car window and take your order right there on the street. The park cleaned up for a bit and eventually attracted its current population again. Part of the attraction to the homeless crowd is the park’s isolation from downtown.

Let the homeless have San Lorenzo Park and let’s build a real park that is more accessible from downtown. The 1995 general plan called for a Cedar Street park/plaza adjacent to the Tea House. Whatever happened to that park? Where is our park? We got a huge parking structure instead. We need more parks.

— Theryl McCoy

Re: Dog Lovers

I reiterate Eva Rider’s comment “So buyer beware” (Letters, 2/14). Think first before adopting a dog! However, while Eva notes that the countywide leash ordinance restricts allowing one’s dog off-leash in most public places, she fails to mention that there are “dog parks” available to owners where their dogs are allowed off-leash. There are eight in the City of Santa Cruz, and others scattered throughout the county. The city even currently has one beach area (Mitchell’s Cove) where dogs may run free during posted hours. Note that all other beaches of the county require that dogs be leashed (no matter who calls them “dog beaches”). For more information on local leash laws, see http://llascc.weebly.com/.

— Jean Brocklebank


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

PAIN RELIEVER
Hospice of Santa Cruz County has opened registration for volunteer visitors to offer support for those facing the end of life. There will be four informational gatherings between Thursday, Feb. 22 and Tuesday, Feb. 27, stretching from Santa Cruz to Watsonville. Volunteers receive a comprehensive 30-hour training, beginning on April 18. Applications are due March 29. For more information, download an application at hospicesantacruz.org, or call volunteer services director Forbes Ellis at 430-3045.


GOOD WORK

BREATH PRACTICE
Biomedical researchers at UCSC have won $1.8 million in funding to investigate lung cancer and chronic obstructive pulmonary disease. The funds come from the California Tobacco-Related Disease Research Program, which is supported by the state tax on cigarettes. Awards include a $935,000 grant for lung cancer research led by John MacMillan, a biochemistry professor who studies natural products derived from marine microbes and investigates their therapeutic potential for treating disease.


QUOTE OF THE WEEK

“There should be at least one leak like the Pentagon Papers every year.”

-Daniel Ellsberg

Film Review: ‘Film Stars Don’t Die in Liverpool’

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Gloria Grahame is not much remembered these days. She was never as famous a movie star as, say, Marilyn Monroe. But, with her soft, girlish voice, sensual mouth, and trademark pout belying the gutsiness of the characters she played, she was a staple player in 1950s film noir, who is still much beloved by fans of the genre.

But it’s Gloria Grahame in her later years, at the end of her career, who’s the centerpiece of Film Stars Don’t Die in Liverpool. Based on a memoir written by Peter Turner, it’s the story of how Turner, an aspiring young actor trying to break into showbiz, met and fell in love with the veteran actress when she was working in England in 1979. The book is now a movie by director Paul McGuigan, a wistful tone poem about age and celebrity featuring dynamic performances from stars Annette Bening and Jamie Bell.

Scripted by Matt Greenhalgh, the film begins with a prologue in Liverpool, 1981, where Gloria (Bening) is appearing in a local theater production. When she collapses backstage, Peter (Bell) is called to come collect her, and takes her back home to his mum (Julie Walters). Flashback two years to Peter’s first glimpse of Gloria, at a neighborhood lodging house where they have adjoining rooms, running through her vocal exercises in front of a mirror. She invites him in for a drink if he’ll teach her to disco dance, and a friendship is born.

Peter is 28, and Gloria is almost 30 years his senior. But they bond over the craft and business of acting as he squires her around town, and pretty soon they become lovers. When, inevitably, she moves back to Los Angeles, she invites Peter to come live with her in her trailer on the beach at Malibu—a heady fantasy for a lad from Liverpool. He meets Gloria’s doting mother (yes, that’s Vanessa Redgrave, in a one-scene cameo), and waspish sister (Frances Barber).

The film moves fluidly between parallel time frames (a character turns a corner in one period and finds himself in the other), telling the story of how their relationship collapses, only to be reinvented later. The rift that separates them in L.A. is told twice, first from Peter’s viewpoint, then Gloria’s. This works the first time, although when a second, follow-up scene is also repeated, it becomes a little irritating (and the swelling, bombastic music doesn’t help).

However, that Bening’s no-nonsense, often fiercely anti-glam onscreen persona is so different from the kittenish Grahame’s gives the casting its interesting edge. Bening softens her voice a bit to approximate Grahame’s delivery, but doesn’t mimic the other actress. Instead, she digs into the heart of a woman of a certain age whose appetite for life and the work she loves is undiminished, investing her with a vitality and playfulness that plausibly beguiles the younger man. Her love for showbiz is infectious; at the movies, Bening’s Gloria can’t contain her gleeful laughter at the chutzpah of the chest-bursting scene in Alien while everyone else—including Peter—screams and cowers.

There’s another nifty moment when Gloria tells Peter the best acting advice she ever got, from Humphrey Bogart. “Keep it all inside,” she says. “Let the camera come to you.” Clearly, Bell has taken this advice to heart. Many of the movie’s richest moments come from Bell’s still face, perceptibly filling with emotion to which he never quite gives voice. Solid and soulful, he partners Bening beautifully.

Of course, based on Turner’s book, we have only his word that Peter was as gallant and adoring as Bell plays him. (When Gloria and Peter spat in the movie, it’s almost always because he tries to make some light hearted joke that she takes too seriously.) Still, there are moments of emotional truth, especially a key scene when Peter finds a way, however briefly, for Gloria to realize her dream of playing Juliet onstage. And if this movie revives interest in Gloria Grahame’s vintage movies, I’m all for it.

 

FILM STARS DON’T DIE IN LIVERPOOL

*** (out of four)

With Annette Bening, Jamie Bell, and Julie Walters. Written by Matt Greenhalgh. From the book by Peter Turner. Directed by Paul McGuigan. A Sony Classics release. Rated R. 105 minutes.

 

Trump Megadonor Donates $1 Million to MAPS Research

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Girl, you don’t know me!

That’s the short version of what Rebekah Mercer—whose father is of one of President Donald Trump’s lead bankrollers—wrote in a Feb. 15 Wall Street Journal op-ed, titled “Forget the Media Caricature. Here’s What I Believe.”

In it, Mercer, daughter of conservative hedge fund billionaire Robert Mercer, expressed support for housing the homeless and protecting freedom, as well as general platitudes about how “decentralized” power is good. She also deflected claims that she’s “anti-science” (even though her family has donated to anti-global warming causes over the years).

Anyway, shortly before that the story dropped, Santa Cruz’s Multidisciplinary Association for Psychedelic Studies (MAPS) announced a $1 million donation from the New York-based Mercer Family Foundation, led by Mercer herself. Even MAPS was surprised by the gift, which it will spend on research for veterans suffering from post-traumatic stress disorder, per the foundation’s requests. The nonprofit has been leading a push to have MDMA approved for psychiatric purposes.

“We were not expecting the Mercers would be one of the major funding sources for the phase three MDMA trials,” says Brad Burge, MAPS’ communications director. “We have had many of our donors be on the opposite side of the political spectrum from the Mercers, but we’ve been making sure this research is not just a left cause, that this research cuts across the political divide.”

MAPS has garnered other mysterious donations recently, including an anonymous $1 billion cryptocurrency donation followed by a $4 million matching pledge in bitcoin from the same source.

This past August, the Food and Drug Administration (FDA) awarded MDMA-assisted psychotherapy the Breakthrough Therapy Designation, and Burge says 95 percent of trials that earn that honor go on to get approval.

“It isn’t guaranteed that the FDA will approve it,” he says, “but it’s like receiving extra credit.”

A Brief History of the Cheesy Bavarian Sausage

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[dropcap]I[/dropcap]t was love at first snap as my teeth broke through the taut casing of my first Cheesy Bavarian sausage from Corralitos Market & Sausage Co. several years ago. The exact “where” and “when” of this inaugural experience has faded from my memory, muddled with the many, many Cheesy Bavarians that came after it, but I’ll never forget my first taste of mildly spiced sausage mixed with creamy cheddar cheese—a deceptively simple combo that nonetheless made quite an impression. I’m salivating just thinking about it.

I didn’t know it at the time, but I had become a member of a group of disciples dedicated to “the Cheesy B” above all other sausages. And according to Dave Peterson, president of Corralitos Market & Sausage Co., we are legion. “We sell 800 to 1,000 pounds of Cheesy Bavarians per week,” reports Peterson, and that number easily jumps to 1,500 pounds during food-based holidays like the Fourth of July and the Super Bowl. “It’s by far our biggest seller. It pays the rent on this place.”

With those kinds of numbers, the beloved Cheesy B is a leading candidate for Santa Cruz County’s Official Sausage (which is a thing we should totally have—get on it, county leaders!), especially since, as Peterson explains, its origins are democratic.

The year was 1976. America was celebrating its bicentennial, the Apple Computer Company was established by Steve Jobs and Steve Wozniak, and customers of the then-20-year-old Corralitos Market were asking for a sausage with cheese in it. Peterson was just getting his start at the market at the time, and says that the general consensus among the staff was that there “was no such thing.”

But not long after, the sausage makers discovered that national chain Hickory Farms was making a sausage with pepper jack. “We thought, heck, if they can do it so can we.”

The rest is history. The popularity of the Cheesy Bavarian inspired sister sausages Cheesy Jalapeño and Cheesy Andouille. The Market has even gone beyond retail to do custom cuttings—making Cheesy Bavarians out of wild game for hunters.

“It’s just a simple, basic sausage with beef, pork, mild spice and sharp cheddar cheese,” says Peterson. “There are no frills or thrills and you wouldn’t think it, but man, it’s something special.”

 

At local markets and Corralitos Market & Sausage Co., 569 Corralitos Road, Watsonville. 722-2633.

Music Picks Feb. 21-27

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Live music highlights for the week of February 21, 2018.

WEDNESDAY 2/21

ROCK

SHAKEY ZIMMERMAN

Led by Pat Nevins, Shakey Zimmerman will perform a one-night-only acoustic tribute to iconic rockers Bob Dylan and Neil Young. The band will give listeners a chance to relive the emotional music of these legendary artists as they deliver covers that range from true-to-the-original to new twists on fan favorites. MAT WEIR

INFO: 7:30 p.m. Michael’s On Main, 2591 S. Main St., Soquel. $10. 479-9777.

FRIDAY 2/23

ROCK

LANGHORNE SLIM

Despite a name that sounds straight out of the classic Delta blues era, Langhorne Slim isn’t easy to pin down. At first listen, the Nashville-based singer-songwriter appears to fit nicely into the folk and roots category, but he doesn’t stop there. When Slim gets going, his folky delivery can turn into an impassioned rock-out session or a pop hook so sweet and catchy that it stays with you for weeks. Throw in some swirling strings and a willingness to be lyrically vulnerable and you have one of the most interesting artists around. CJ

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15/adv, $18/door. 335-2800.

FRIDAY 2/23

ALT-FOLK

SEAN ROWE

When Sean Rowe was 18, he started writing songs in earnest. But at that point, he had a greater passion: the wilderness. Hailing from New York City, Troy got so fascinated by the great outdoors that he blogged about the woods, and studied at a wilderness survival school. Music would take a greater degree of seriousness in his life years later, and he channeled the simplicity of nature into his dark, gothic folk songs, as well as his deep, woodsy, bassy singing voice. He’s carved out a cult fan base over the past decade, but gained a few more fans last year with his new song “To Leave Something Behind,” which landed on the soundtrack of the film The Accountant. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

SATURDAY 2/24

REGGAE/FUSION

B-SIDE PLAYERS

B-Side Players could be called a contemporary reggae outfit—and it is that. But the award-winning San Diego-based band has musical roots that extend in many directions. The band members blend styles and instruments from Mexico, Brazil, Latin America, Cuba and more into what’s been described as “global funk.” Covering themes of rising up, social justice, freedom and the spiritual journey, the B-Side Players reflect a worldview of people, countries and communities working, celebrating and creating together. This Saturday, the Players celebrate Mexico’s flag day, Dia de la Bandera. CJ

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20. 479-1854.

MONDAY 2/26

GYPSY PUNK

GOGOL BORDELLO

Ever wanted to see a show that brings high-energy, vibrant, theatrical stage shows and a wild twist of eclectic music that’s like crack for the feet? Then gypsy punk act Gogol Bordello has you covered. Originally formed in 1999 in New York, this eight-piece band combines Eastern European gypsy music with punk rock attitude for a show unlike any other. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $35/adv, $38/door. 429-4135.

MONDAY 2/26

JAZZ/SOUL

LISA FISCHER & GRAND BATON

When Grammy Award-winning vocalist Lisa Fischer started performing with Grand Baton after being featured in the 2013 Academy Award-winning documentary 20 Feet From Stardom, the media storyline focused on the longtime backup singer finally stepping back into the spotlight. These days, she covers songs of her former employers, including the Rolling Stones and Luther Vandross, but the powerhouse singer isn’t standing in anyone’s shadow. She’s an overwhelming force whose bracing combination of rock ’n’ roll, soul, jazz, and various international musical currents turns every performance into a hair-raising journey. ANDREW GILBERT

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $35/gen, $50/gold. 427-2227.

MONDAY 2/26 & TUESDAY 2/27

GARAGE-PUNK

BURGER A GO-GO

Burger Records puts out music that’s, well, fun! We’re talking punk rock, garage-rock, psych-pop, goth-rock, really anything with guitars, drums, and a ton of scrappy energy—technical proficiency is not a requirement for Burger bands, in fact it’s generally discouraged. Santa Cruz lucked out in that we are one of the stops for the label’s two-day Burger a Go-Go concert tour. The lineup is insane: Coathangers, Dengue Fever, Death Valley Girls, Summer Twins, the Flytrap Feels, and Patsy’s Rats. You save big time if you buy a two-day pass. AC

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door, $30/two-night ticket, 429-4135.

TUESDAY 2/27

COUNTRY

WHITNEY ROSE

I heard the most fantastic definition of “countrypolitan” music the other day: “’60s girl group meets honkytonk feminism.” How could I not give that a spin? I imagine Dolly Parton, with her badassery, style and business savvy, being the patron saint of such a movement. Whitney Rose is an emerging star of the American country, roots and countrypolitan scene. Possessing what Rolling Stone called a “devilish twang,” Rose has a lyrical fearlessness around tackling tough topics, as heard on her new release, Rule 62. Later this year she’ll be on tour opening for Jason Isbell and John Moreland but on Tuesday, you can catch the rising phenomenon at Moe’s Alley. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $8/adv, $12/door. 479-1854.

TUESDAY 2/27

AMERICANA

DAVID RAWLINGS

David Rawlings has collaborated with a ton of amazing people—Gillian Welch, Ryan Adams, Robyn Hitchcock, Bright Eyes, Old Crow Medicine Show, Led Zeppelin’s John Paul Jones, and Willie Watson. As a solo artist—and leader of the Dave Rawlings Machine—he’s a strong singer-songwriter all on his own accord, grooving old-timey folk music with country and rock flair. Some of it’s the kind of storytelling folk you’d expect from a person like him that draws so much from the rich American roots music tradition. Some of it is quite haunting. He also has a bit of a Bob Dylan-y voice, but we won’t hold that against him. AC

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $39.50. 423-8209.


IN THE QUEUE

SHOOTER JENNINGS

Next-generation outlaw country. Thursday at Catalyst

TOM RUSSELL

Americana favorite. Thursday at Don Quixote’s

SLAID CLEAVES

Contemporary singer-songwriter. Saturday at Kuumbwa

VÄSEN

Renowned Swedish folk group. Sunday at Kuumbwa

TY DOLLA $IGN

Grammy-nominated singer-songwriter-rapper. Sunday at Catalyst

 

Giveaway: Molotov

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In the mid-’90s, Mexican rock band Molotov formed and started playing gigs at underground clubs in Mexico City. With messages of political resistance, sexuality and protest, the band’s debut album, ¿Dónde Jugarán las Niñas?, was banned from local stores and sold in the streets directly to fans. Since then, Molotov has won numerous Latin Grammys, shared stages with some of Mexico’s biggest stars, and performed at the Zócalo, the main square in central Mexico City. The band continues to shine a light on injustice and corruption while bringing heavy guitarwork and ribcage-rattling basslines to fans around the world. 

INFO: 9 p.m. Sunday, March 4. Catalyst, 1011 Pacific Ave., Santa Cruz. $40-$48. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, Feb. 26 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Soulwise

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A few years ago, keyboardist/vocalist Kevin Eichhorn was just finishing his seventh year playing minor league baseball. He began filling his offseason by playing in a band he started with his cousin Sean Eichhorn (guitars/vocals) called Soulwise.

“I’d leave at the end of February, ’til October. Then October to February, we’d play some music,” Kevin says.

In those early days, Kevin says, the group’s sound was all over the place.

“It started a little more funky, almost funk-rock-reggae,” he says. “We grew up on rock and the Expendables.”

These days, the sound is decidedly more reggae-oriented. The vibe is very laid-back, almost hypnotic. The rock influences are still strong, but it’s mostly in the guitar-work, which veer freely into shredding solos.

Kevin and Sean enlisted another minor league player to join the band, bass player Adrian DeMar. Neither plays baseball professionally anymore, so Soulwise has become a year-round band as of 2015. Around this time, they went from a four-piece to a six-piece band, playing with horns at some shows. This past December, they released their first full-length, Good Day, which has done well. They even hit No. 3 on the iTunes reggae charts for a day.

This year, the group plans to get out and tour, and show the rest of the world their Santa Cruz rock-reggae sound.

“We want to give it a shot,” Kevin says. “It’s been fun, and we appreciate the support. That’s the big one. We have a good group of guys, just having some fun playing some tunes.” 

INFO: 9 p.m. Friday, Feb. 23. Moe’s, 1535 Commercial Way, Santa Cruz. $7/adv, $10/door. 479-1854.

California’s Sobering Air Quality Reports Hit Close to Home

The American Lung Association (ALA) recently released its 2017 “State of the Air” report—and it contains findings surprising enough to, well, take the air out of the room. Nationwide, it found that four in 10 people were living in counties that had unhealthy air. Most shocking was that California, despite its environmentally conscious reputation, actually had the most polluted air of any state in the entire country.

Santa Cruz County received an “F” grade for air quality. But Richard Stedman, an Air Pollution Control Officer with the Monterey Bay Air Resources District, says this is misleading, and that our county’s air quality is actually “exceptionally good.”

Stedman says that the ALA’s failing grade for the county is painting with too broad a brush, and that the “F” grade is primarily due to San Lorenzo Valley’s air quality, which can be suspect, especially in the winter. Stedman says that this is due to a number of factors, the first of which is SLV’s bowl-like topography. “NOx [nitrogen oxides] and PM2.5 [very small particles that can get deep into the lungs] are the two main pollutants we worry about,” he says. Wood-burning stoves, among other things, produce both of these harmful compounds. Additionally, when it’s cold at night, this also creates an inversion layer which essentially puts a lid on the bowl of the valley, trapping in all of the unhealthy air.

But what about at the state level? Does California really have the worst air quality in the nation? “Possibly,” says Stedman, “It’s probably between California and Texas, but our monitoring is better, so we pay the price.”

He says that many factors contribute to California’s poor air quality, but the main one is simply the vast number of cars. “Motor vehicles account for about 80 percent of statewide air pollution,” he says, with the other 20 percent being what he calls “stationary sources” like factories and gas stations.

But beyond cars and industry, climate change can also have some particularly deleterious and depressing effects on the air. Stedman says that one factor involved here is simply that more heat and sunlight are catalysts to producing not only more NOx, but also more volatile organic compounds (VOCs) and more ozone (O3 gas), all of which lead to poorer air quality. Further, an increase in climate change-driven droughts leads to less rain, which along with wind can help to disperse air pollution. And droughts also lead to more wildfires, which can be a major cause of air pollution as well. Stedman even says that far-away wildfires like the recent Thomas Fire in Southern California can and do affect local air quality.

Breathing in low-quality air can have serious and harmful consequences on health. “Air pollution attacks the respiratory and cardiovascular systems,” says Stedman. “Less oxygen stresses the heart and creates inflammation in the lungs and cardiovascular system.” In particular, Stedman says that air pollution can lead to cancer and asthma as well as worsen other pre-existing conditions. He says that minor symptoms of breathing in polluted air include inflammation of mucous membranes, burning and dry sensations in the throat and eyes, and difficulty breathing. He says that anyone who experiences these symptoms should consult their healthcare professional.

The ALA’s “State of the Air 2017” report did find “continued improvement in air quality in 2013-2015 in ozone and year-round particle pollution” and that “one-quarter fewer people now live where the air quality hit unhealthy levels in 2013-2015,” compared to last year’s report.

“The trends have been toward improvement,” says Stedman. “Over the last 20 years there has been a significant reduction in toxic air contaminants that can cause cancer and have other health impacts.”

He says one reason for this is that California has the strictest air pollution standards in the nation for both motor vehicles and stationary sources, and that many other states have adopted our standards as well. He also mentions that the purchase of electric vehicles is being incentivized through lower costs of new vehicles and tax breaks, and that his organization is unveiling a new program next year to incentivize the sale of used electric vehicles targeted to low-income populations.

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