County Board Approves Affordable Housing Measure for Ballot

Andy Hartman, of the local electrical workers’ union, has noticed a strange irony when it comes to building affordable housing.

Oftentimes, the men and women laboring to bring a project to life make too little at the construction sites to afford to live in one of the finished units, explains Hartman, the business manager for the International Brotherhood of Electrical Workers Local 234.

That’s why he’s excited about a new $140 million bond measure headed to the November ballot to fund affordable housing, as it would require that workers be paid a living wage—which, for electricians, would be $46 an hour—instead of hourly wages that he says can run as low as $15.

“We want to see workers out there on projects,” he says. “We want to ideally have more local people going to work on the projects.”

It isn’t just the unions who are throwing their weight behind the measure, which would need a two-thirds voter majority to pass on the Nov. 6 ballot.

By last month, the coalition working on the November measure had grown to more than 70 people, including members of local city governments, affordable housing developers, the Community Action Board, Visit Santa Cruz County, Barrios Unidos, the Santa Cruz Farm Bureau, and Santa Cruz for Bernie, to name a few. On Tuesday, Aug. 7, the Santa Cruz County Board of Supervisors voted 5-0 to place the measure on the upcoming ballot.

During a public comment period that lasted more than an hour, Cathy Sarto, of Peace United Church of Christ, spoke on behalf of COPA, a coalition of more than 29 institutions, like schools and churches. Her voice trembling, she spoke about her five children—one of whom works for Hospice of Santa Cruz County, and another in mental health.

“These are Santa Cruz’s own kids, kids who did everything we asked of them,” she said.
“We asked them to get an education and contribute and give back to society. Our congregations are losing members and clergy. Our schools can’t recruit teachers. Our health institutions can’t recruit doctors and nurses.”

The rent for a two-bedroom Santa Cruz apartment is about $3,200, according to data from both Zillow and Rent Jungle, which is more than half the median household income.

Casey Beyer, the executive director of the Santa Cruz Chamber of Commerce, has been working on the measure and building a coalition for more than a year, since former Mayor Don Lane and former state Assemblymember Fred Keeley asked if he would pitch in to help strategize. Beyer says that when the chamber polls its members on top priorities, three things rise to the top of the list—housing, transportation and retention or recruitment of employees, in that order. When Beyer asks business owners about their recruiting problems, he says they tell him, “Well, if we can recruit someone here, we often lose that potential candidate because the cost of housing is too high.”

The challenge, he says, applies to both the public and private sectors.

Some progressives were understandably less than thrilled at the bond’s dollar amount, given that it would provide $110 million less than the $250 million measure Lane and Keeley had initially pitched. Keeley says the trick was finding that sweet spot between how much voters’ checkbooks will support and how much money was required to provide the needed impact. The last time that the Affordable Housing Santa Cruz County (AHSCC) coalition met, members in attendance voted unanimously to support the measure. They also voted unanimously to go “all in” on the campaign, meaning that even if someone is running a different campaign, the affordable housing bond should be their second-biggest priority.

“We gotta be number two, not number three or four,” Keeley explains.

In the measure, 75 percent of the funds are slated for affordable housing construction, and 15 percent would go to fund the brick-and-mortar construction costs for new homeless facilities that could be spent anywhere in the county. The final 10 percent would go to assistance for home ownership, like loans to first-time homebuyers.

Beyer says that in order to build units that are truly affordable, the community will need funding, and if Santa Cruz wants to compete for state grants, the county needs local sources like a ballot measure.

The measure’s money is split between the county’s five local governments, with a breakdown that the city managers and the county administrative officer agreed upon.

Recent polling paid for by AHSCC reveals some encouraging tidbits about likely voters’ compassionate interest on these issues—but also cause for concern. Only 60 percent of voters support the measure at first, with 3 percent more leaning in that direction. After hearing more information, that number jumps to 64 percent, with 2 percent more leaning toward supporting it, bringing the total number to 66 percent, still technically under the needed two-thirds threshold.

The measure includes language, recently mandated by state law, about the cost of the bond measure to property owners on their property tax bill. It would cost $16.77 per $100,000 of the officially assessed value of the property.

The pollsters told Keeley support could be 5 to 12 percent higher were it not for that language. Coalition members know they could wait two years and put the measure on the ballot in 2020, when they can count on higher turnout from a presidential election. But if a recession begins between now and then, Keeley isn’t sure that the climate would be any more favorable. He notes that coalition members have plenty of campaign experience, and that housing will drive voters to the polls in November, as there will be two statewide housing measures and two local ones.

With a short runway ahead, Beyer says campaigners need to craft a cohesive message and stay on the same page. “Now’s the time to play ball. We have 100 days to pull it across the finish line,” says Beyer, a onetime chief of staff to former Congressmember Tom Campbell.

In the AHSCC poll, county voters’ top three priorities were affordable housing, homelessness and mental health services. Those needs came in ahead of education, transportation, the environment and public safety. Eighty-four percent of likely voters agreed that local governments should do more do address the homeless problem in Santa Cruz County, with 60 percent strongly agreeing. Those numbers are up from polling in 2017. Not only that, but the numbers of those who were unsure, who somewhat disagreed and who totally disagreed went down.

The polling indicates that people are less concerned about being able to find a place to live for themselves than they are about other people. That indicates encouraging findings on what Keeley calls “the compassion meter.”

“The compassion meter in our community isn’t inexhaustible, but this isn’t so much about them,” he says. “It’s about what kind of community do we want to live in?”

Keeley stresses the campaign is in the business of securing money for affordable housing, not making housing policy decisions that local governments will figure out in the future.

“We’re not in the business of saying where it should go, should it be single-family or multi-family? Should we do four stories on Water Street? We’re staying in our lane,” Keeley says, “and our lane is forming capital, providing funding and community funding to make these pencil out.”

Update: A previous version of this story misspelled Cathy Sarto’s last name and misstated Tom Campbell’s former title, as well as the findings of a previous housing poll.

How is Santa Cruz California’s second-poorest county?

The national numbers are already jarring. Just over 15 percent of Santa Cruz County residents live under the federal poverty line of about $24,300 per year for a family of four.

Add in local housing costs and the value of safety-net services like food and rent assistance, though, and that number jumps — to the second-highest poverty rate in the state behind Los Angeles County, according to a report recently released by the Public Policy Institute of California.

When factoring in costs of living and the local availability of social services, more like 23.8 percent of residents fall below what researchers call a more realistic poverty line for Santa Cruz County of $33,953 for a family of four.

Here’s a snapshot of the statewide findings from the nonpartisan think tank, which looked at the most recently-available data from 2014-2016:

California poverty chart

To understand the gap between the official poverty rate and the on-the-ground financial realities in Santa Cruz County, we talked with study co-author Tess Thorman. The conversation has been edited for length and clarity.

There’s a stereotype that inland California is the poorer part of the state and the coast is more affluent. What does this report say about the reality?

TESS THORMAN: The official poverty measure has always shown poverty in the Central Valley. The California poverty measure additionally shows that there is poverty in what we’ve considered to be wealthier regions along the coast.

By including the full range of resources that families are using to meet their needs — but also variation in cost of living — you can see that families in higher-cost places may be earning enough to not be in federal poverty, but still be struggling to afford living in places where it’s expensive.

What issues should people who are concerned about high poverty numbers be watching moving forward?

I mean, housing costs are really the single-largest component of what’s driving at least the California poverty measure. I think that any changes in that statewide will really have an impact on poverty. Most housing policy is really happening at the local level. It’s not something that the state has really taken on.

With regard to the safety net, there’s been conversations about adding work requirements to SNAP, which is the federal program behind CalFresh. That will have a big impact, given that CalFresh is a major program that alleviates poverty in California. That’s a place to watch what’s happening in the Farm Bill.

One thing that was surprising is that nearby places known for being even more expensive, like Santa Clara and San Francisco, ranked below Santa Cruz for poverty. Is it clear why that is?

That’s a good question. It’s hard to tell specifically, but it’s likely to do with the average amount of resources that people do have.

In Santa Cruz, for example, many people who are earning above the federal poverty level but are still struggling to make ends meet are not eligible for a lot of safety-net programs. Those programs don’t have the chance to assist, and it may also be that people in the Bay Area have slightly higher incomes.

How Stoned Is Too Stoned to Drive?

When Juanita Sorrentino hung up the phone with her eldest granddaughter, she never imagined that the quick, casual goodbye would be her last. Isabelle Gonzalez, a 16-year-old San Jose High School student, told her grandma she’d hang out with friends for a few hours, but would come home in time to rest up for her cheerleading rally the next morning.

Around 1:30 a.m. on March 16, Gonzalez sat in the back seat of a Honda Accord. The car’s driver, 22-year-old Brandon Gomez Hunsperger, barrelled down Casselino Drive at freeway speed before losing control of the car, striking a small tree and careening over a nearby hill. Paramedics pronounced her and Hunsperger dead on the scene. Her best friend and another man in the car survived with treatable injuries.

Though the crash remains under investigation, the coroner’s toxicology report showed that he had 11 nanograms of delta-9-tetrahydrocannabinol, or THC, in his system. Had Hunsperger been driving in Colorado, that would have put him over twice the legal limit for that particular cannabinoid, perhaps the drug’s most common and also most psychoactive ingredient. What should not be overlooked is that lab results also showed that Hunsperger died with more than twice the legal limit for alcohol in his bloodstream as well.

When pot became fully legal for recreational use in California at the beginning of the year, law firms and law enforcement stepped up warnings about stoned driving. Signs like “Drive High, Get a DUI” along freeways warned about the consequences of getting busted behind the wheel while under the influence. But unlike Colorado, California does not yet have a definite maximum THC level, so policing marijuana-induced driving under the influence (DUI) charges has proved challenging.

“It is the officer’s interpretation of the situation based on their training to determine whether a person is too intoxicated to drive,” says Santa Cruz County California Highway Patrol (CHP) spokesperson Trista Drake. “Hopefully, we will have something like Colorado. We have been slow to catch up so far.”

Officer training, Drake says, includes programs on both enforcement of impaired driving and recognizing various substances, each of which includes identifying if someone is high. And the state legislature will soon fund a UC San Diego study to look at the effects of cannabis on driving.

One of the problems with using THC to draw a hard line, however, is that cannabis affects different users differently. Medical cannabis patients, for example, may have a tolerance that is far beyond that of recreational users—and not be impaired regardless of how much THC is built up in their bloodstream, where it can remain for weeks after use.

Issues of drug use and driving have come up in Santa Cruz recently, as well. On the Westside, 24-year-old Kelsey Knoll was recently charged with murder after barreling her SUV into 23-year-old McKenzie Gilbert. Knoll’s toxicology reports have yet to come back, but she’s faced felony drug charges in the past, including for methamphetamine and heroin.

In general, Sorrentino says she’s concerned that, absent a standard for intoxication, the legal penalties for driving while stoned will fail to reflect the seriousness of the crime. “We want justice served,” Sorrentino says. “We want justice for Isabelle.”

Because it’s still early in weed’s post-prohibition era, regional law enforcement officials have been unable to confirm to what extent such fears are warranted. CHP’s San Jose branch has been tracking the number of marijuana-related DUIs, but the office has yet to draw any conclusions about whether stoned driving has gone up there.

While DUI related arrests in Santa Cruz County are on the rise, compared to last year (with a total of 615 for the first six months), Drake says incidents of cannabis-specific DUIs in Santa Cruz County haven’t increased.

Local cannabis attorney Ben Rice isn’t surprised by that fact, adding that cannabis-specific DUIs are “pretty darn rare” in his experience. “Cannabis is so different from alcohol. Users are more relaxed, and they mostly become more careful, and it makes them slow down, not speed up,” Rice says.

Rice adds that although CHP officers will arrest someone they believe is under the influence of cannabis, there’s often little the district attorney can do to prosecute such cases, since studies have yet to conclusively prove how to measure impairment.

Although federal research has shown that while smoking before driving does elevate the risk of crashing, it’s less impairing than alcohol. Anyone using both substances at the same time, though, can end up far more impaired than someone using either drug on its own.

While the American Journal of Public Health published a study last summer reporting that the states of Colorado and Washington saw no increase in fatal crashes after legalization, a separate study from the Insurance Institute for Highway Safety found that collisions went up 3 percent. The Washington Post called it “plausible that legalization could lead to a slight increase in minor accidents that don’t prove fatal.”

According to a Denver Post analysis last year, however, data from Colorado showed an increase in fatalities where the driver tested positive for recent cannabis use, with the rate more than doubling annually between 2013 and 2016.

In San Jose, the crash that killed Gonzalez wasn’t Hunsperger’s first drug offense. Court records show he had both drug- and driving-related infractions to his name. In April 2016, police pulled him over for participating in a speed contest. An officer found cocaine, pot and drug paraphernalia in his car. A judge gave him two years’ probation and suspended his license for one year—but he violated the terms of his sentence by getting behind the wheel again in 2017.

Hunsperger also entered a deferred entry judgement, a program for drug offenders that offers counseling or substance-use education in exchange for the chance to expunge their record. Gonzalez’s loved ones say the system that tried to save Hunsperger failed their family.

“She was underage, she was a little girl,” her aunt, Vivian Chavez, says. “That guy had no business drinking.”

There are other incidents that have indicated the trickiness of prosecuting drug-related DUIs in the year 2018.

On May 15, Fremont police arrested 21-year-old Dang Nguyen Hai Tran for allegedly causing a a five-car pile-up that killed three people. Police suspected Tran was under the influence of marijuana during the wreck, but released him from jail three days later without charges. “The justice system is that easy to let these guys go,” Sorrentino laments.

But others say that after decades of heavy-handed enforcement that disproportionately impacted people of color and fueled the crisis of mass incarceration, the powers that be have been trying to strike the right balance. Chris Johnson, a program manager for the pedestrian safety advocacy group Walk San Jose, says he isn’t entirely convinced that more severe punishment is the best way to prevent drug-related DUIs. Instead, he calls for expanding public transportation options.

“You make the choice to get behind the wheel of a car,” he says. “Yes, there should be very serious consequences for that, but I’m skeptical of the harshness of that sentence as a deterrent. It’s not premeditated.”

Update 8/3/18, 9:05 a.m.: A previous version of this story misstated attorney Ben Rice’s views on cannabis testing.

Be Our Guest: Santa Cruz Shakespeare’s ‘Romeo and Juliet’

0

Romeo, oh Romeo. The story of Romeo and his beloved Juliet has woven itself into our pop culture—in movies, songs, books and more—and for good reason. Romeo and Juliet is Shakespeare’s most iconic love story, a tragic tale of two young people desperately in love, and the society determined to keep them apart. This year, Santa Cruz Shakespeare presents the classic production under the guidance of director Laura Gordon.

INFO: Through Sept. 1. Grove at DeLaveaga Park, 501 Upper Park Road, Santa Cruz. $20-$35. 460-6399. Information: santacruzshakespeare.org.

WANT TO GO?

Go to santacruz.com/giveaways before 11 a.m. on Friday, Aug. 3 to find out how you could win a pair of tickets to the performance.

Love Your Local Band: Suborbitals

0

Ryan Masters recalls how excited he was in 2006 when his avant-pop band the Suborbitals released its debut record, Blackout Rolling. It felt like there was some momentum behind the group, and he was ready to get in the studio and record a follow-up album.

The following year, a series of personal issues led him to Atlanta for five years. He still worked on material for his band, and when he moved back to the area, they were playing live again. But it’s at this upcoming show at the Crepe Place that the Suborbitals will finally release that follow-up, Hey Oblivion. It may have taken longer than expected, but Masters believes the album benefitted.

“It didn’t have the murky darkness of our live shows,” he says of the group’s first record. “We’ve always had a reputation as a good live band. We’ve never had any solid recordings behind us. We’d have to say, ‘come see us live.’ This album sounds like us. It’s really moody and dark. We can send people this album to see what we’re like.”

Besides vocalist Masters, the group is comprised of Heath Proskin on bass, Gordon Stokes on drums and Ben Herod on baritone sax and flute. There’s a gritty punk sound mixed with a mysterious jazzy quality, and the execution at times sounds like cabaret-pop with a dark side.

The band members have been re-energized by finally getting their sophomore album out.

“It went so well that I’m hoping we’ll make another one. Of course, I said that last time, and it took 12 years. I probably shouldn’t say that this time,” Masters says. 

INFO: 9 p.m., Saturday, Aug. 4. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

Music Picks: August 1-7

Live music highlights for the week of August 1, 2018.

WEDNESDAY 8/1

GARAGE

SANTOROS

One glance at Santoros and their combination of a Seeds-era psychedelic look and traditional Mariachi band outfits, and you’ll probably ask yourself what exactly this band is up to. Well, the L.A. outfit delivers surfy-poppy garage rock tunes packaged in a surreal haze. There’s also a subtle Latin influence in the music, and the members are proud of their Mexican-American heritage—they promote themselves as a Mexican American garage surf rock band—so there’s a lot to love here. AARON CARNES

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

WEDNESDAY 8/1

BLUEGRASS

DAVID HOLODILOFF

For many deadheads, it’s still hard to believe Jerry Garcia left us 23 years ago, because his songs continue to fill the air. For his ninth annual Jerry Garcia Bluegrass Birthday Bash Tribute Concert, David Holodiloff is bringing his acoustic bluegrass band to Michael’s on Main for a night of music spanning Garcia’s career. From the Grateful Dead to JGB, Old and in the Way, and more, party on what would’ve been Garcia’s 76th birthday with his music reinterpreted in ways that the man himself would smile, smile, smile about. MAT WEIR

INFO: 7:30 p.m. Michael’s On Main, 2591 S Main St., Soquel. $12/adv, $15/door. 497-9777.

FRIDAY 8/3

COUNTRY

JUNIOR BROWN

Country legend Junior Brown has been playing honky tonk clubs since the ’60s. He has an affinity for traditional country music, but he’s not stuck in the past. In his song “Hang Up And Drive,” for instance, he sings about how everyone is on their cell phones when they should be paying attention to the road. He also plays the “guit-steel,” a double-neck instrument combining a standard electric guitar and a lap steel. While the songs are basically old-timey country, his guit-steel, gives them a psychedelic vibe. AC

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

SATURDAY 8/4

AMERICANA/COMEDY

RALPH ANYBODY & FRIENDS

Ralph Anybody (aka Jeff Juliano) is a familiar name around Santa Cruz. The longtime KPIG personality and DJ with penchant for comedy celebrated 25 years at the station last year, and is a core part of what makes KPIG so special. This Saturday, Ralph teams up with comedian Fred Reiss and musicians Jeffrey Halford and Michael Gaither for a night of music and comedy to benefit Jacob’s Heart and the Second Harvest Food Bank of Santa Cruz County. CAT JOHNSON

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25-$35. 427-2227.

SATURDAY 8/4

AFROBEAT

FEMI KUTI

Femi Kuti has a lot to live up to. He’s the eldest son of Fela Kuti, the pioneer of Afrobeat. Also, his mom is Funmilayo Ransome Kuti, a political leader and women’s activist in Nigeria. But Femi has become a political and musical force to be reckoned with. He’s been playing music professionally since the late ’70s, and he’s still releasing stellar albums. His latest, One People One World, mixes Afrobeat, jazz and soul, and balances his usual political ferocity with songs about love, humanity and hope for the future. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $29/adv, $32/door. 429-4135.

SATURDAY 8/4

COUNTRY

SHOOTER JENNINGS

To some, Shooter Jennings is a bit of a mystery. Born the son of country music royalty, he followed in his father’s footsteps as a musician. However, instead of sticking to honkytonk and outlaw country, Jennings blazed his own path by unapologetically blending raw rock ’n’ roll and even experimental music into his reinvented country sound. After two decades, Jennings is still as bold and brazen as ever, prepping to release his latest album, Shooter, on Aug. 10. MW

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

SUNDAY 8/5

RANCHERA/NORTEÑO

ALICIA VILLARREAL

Hailing from Monterrey, Nuevo León, Mexico, singer-songwriter Alicia Villarreal is a longtime favorite of Ranchera and Norteño music fans. She has performed with numerous bands, most notably Grupo Límite, which she fronted for eight years before leaving to pursue a solo career. A multi-Latin-Grammy-winning artist, Villareal remains a giant of the Mexican pop music scene. CAT JOHNSON

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $45/adv, $65/door. 423-1338.

SUNDAY 8/5

FOLK

KEITH GREENINGER & DAYAN KAI

Longtime friends and local folk heroes Keith Greeninger and Dayan Kai have both crafted solo careers that see them playing across the states (including Kai’s current home of Maui, Hawaii), impressing audiences with award-winning songwriting, virtuosic musicianship, and a heart-first approach to music and life. Greeninger is a familiar entity on the Americana circuit, having toured and performed for more than three decades. Kai is rightly described as a “true musical force of nature”—a multi-instrumentalist with a mastery over countless instruments, despite having been born without sight. This Sunday, the two join forces for what promises to be an intimate, heart-warming afternoon. CJ

INFO: 2 p.m. Michael’s on Main, 2591 Main St., Soquel. $25/adv, $30/door. 479-9777.

MONDAY 8/6

JAZZ VOCALS

KIM NALLEY with HOUSTON PERSON

Over the years, Kim Nalley has brilliantly evoked inimitable masters such as Nina Simone and Billie Holiday in various stage productions and thematic shows of her own design, but she’s never sought to sound like anyone but her own glorious self. A powerhouse blues vocalist who can make a double entendre blush and a jazz singer who can caress a ballad or trade lickity-split licks with her bassist, Nalley has been one of the Bay Area’s definitive jazz artists for more than two decades. Backed by her longtime rhythm section with the invaluable pianist Tammy Hall, redoubtable bassist Michael Zisman and unfailingly musical drummer Kent Bryson, Nalley is in the midst of a series of gigs with tenor sax great Houston Person, a brawny but lyrical stylist who has spent most of his career blowing soulfully in organ combos or accompanying some of the best vocalists in the business. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $31.50-$36.75. 427-2227.

Opinion: August 1, 2018

EDITOR’S NOTE

After reading this week’s cover story, GT’s managing editor Maria Grusauskas texted me this about Patti Maxine: “There are so few female lap steel guitarists that I actually can’t find many living. I’m sure there are, but when you google players, it’s almost entirely men in the results. It just makes her that much cooler that she’s been in such a male-dominated space.”

I love this observation, and I also kind of love the fact that it doesn’t even come up in Aaron Carnes’ cover story about Maxine this week. She’s such a force unto herself, such a widely recognized treasure of the local music scene, that it seems strange to talk about her in the context of anything but her own unique personality, presence and talent. And yet, it’s worth noting that as a lap steel player whose popularity seems to only be increasing in her 70s, she is defying a lot of music norms, not only in terms of gender, but also the age bias that so many women in music have spoken out about.

One other note: after Carnes wrote this story (and after our photographer Keana Parker took the photos for it), Maxine cut her famously striking hair. It is, however, no less striking.

Also this week, we got an interesting inquiry from Boulder Creek’s Jim Balkanloo, who’s kicking off an ultra-grassroots campaign this week called #NoAmazonAugust, in an attempt to get everyone thinking about shopping local. Can you go without Prime for a month? Read the story in our news section, and let us know what you think of this anti-Amazon push.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Re: “Current Location” (GT, 7/25 ) 

If the goal of the article on Keri Waters and Buoy was to show how tech startups are taking root in Santa Cruz, then bravo, the article hit its point.  But what I didn’t get were any specifics about the value this company adds; it feels like another random “what if … ?” tech startup with little real-world added value. The Santa Cruz Water District should be monitoring water usage and giving good options to limit our local consumption as well as rectifying leaks. I’m not sure about the incentive for paying $205.88 a year (+ a minimum $299 installation fee) to monitor my water by smart phone, when I can get a monthly total usage from municipal utilities. I note also that “personally” taking “an interest in related data privacy and security groups” does not mean your data won’t be for sale on the digital marketplace—data that, to my knowledge, isn’t regularly sold by our SCWD.

Bloom

Santa Cruz

Re: Dog Parks

I just saw that Frederick Street Park was voted best dog park in Santa Cruz. There’s a wonderful picture of a happy dog above five facts about the park. Unfortunately, only two of those facts are correct. Yes, there are nine off-leash dog areas in Santa Cruz, but no, there is no oceanside view of the harbor from the dog park. It’s close by and easy to reach, but is separate and not visible. The water fountains onsite might be distinguished by a single spigot. Fountains (plural), no. I would also think twice about human consumption. There are three or four buckets that usually get filled on a frequent or not basis that give the dogs their hydration. The area is fenced in and is safe for the dogs. Lastly, don’t forget your poop bag! Usually the boxes containing bags are empty because too many people forget their poop bags! That results in too much poop not being picked up at the dog park. That’s a common element that is not so widely advertised.  

—Xpro

Re: Areperia 831

I am so excited to see a person < a woman < a woman of color < a woman of color entrepreneur boldly bringing peace and love, compassion and joy, connection and freedom through nourishing, ethnically diverse, creative and fearless food. I am so grateful for Georgia Johnson for taking the time to bring this story to the community at large, and I am thrilled in the sense of fun and inspiration it lights up in me and I trust countless others. Thank you!

— Tiffany Worthington

Re: Spektrum

I have experienced a good amount of performance art, but never anything like this. It’s as if the art was observing you, rather than the other way around. It was intensely personal. Still processing…

— Don

Loved it. I sent out many of those “you must go see this” emails.

— Dee

Re: Business Closures

Everybody in the county still working two and three jobs just so Santa Cruz’s endemic slumlords don’t have to work one.

I still don’t know anyone who’s had a worse time with the homeless than with the owning class that we’re propping up in SC (or SF, or NY, or wherever they live off our dollar these days).

— SC Expat


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

The 12th Annual Breastfeeding Health Fair and Walk is happening at 3 p.m. on Friday, Aug. 10. The rally will include family activities, a live DJ, community resource booths, healthy snacks, raffles, and free T-shirts. The walk starts at 5 p.m. In hosting the event, Community Bridges Women, Infants & Children (WIC) aims to build support for breastfeeding in the community. WIC wants to establish breastfeeding as normal and preferred.


GOOD WORK

Sunday, July 29 marked the dedication of the John Keith Solar System at the Resource Center for Nonviolence (RCNV). Locals gathered for a celebration of Keith, a former photographer for the Independent who also helped start the monthly Phoenix newspaper. Keith, a solar activist and innovator, died of Alzheimer’s at age 66. More than 120 people donated to the solar fund, with several pitching in to help with installations as well. The energy savings are expected to save the RCNV operating funds and support 300 hours of additional RCNV staff time annually.


QUOTE OF THE WEEK

“All music is folk music. I ain’t never heard no horse sing a song.”

-Big Bill Broonzy

One Man’s Quest to Become More Literate in Body Language

Every time I visit my debutante mother, she yanks at my neck and tells me “shoulders back, stand up straight.” This is sort of embarrassing for a 36 year old. And posture isn’t the only problem with my nonverbal communication skills—being able to read social cues and respond appropriately with my own body language, also known as emotional intelligence (EQ), is something I just never had.

But for those who struggle with the same issues, it may be in our best interest to pick up some skills: A recent study conducted by TalentSmart (with more than 1 million participants) found that people with high EQ make $29,000 more annually than their lower-EQ counterparts. These are folks who are keenly aware of the role that unspoken signals have in communication.

Over the last few weeks, I’ve embarked on an ambitious quest for body language redemption, and have decided to become vigilant in monitoring and improving how I move through the world.

As the CEO of 6seconds.org, a sort of next-gen online finishing school devoted to the development of emotional intelligence, 52-year-old Josh Freedman of Corralitos has spent more than two decades researching EQ and instructing others on the power of nonverbal communication, including a bevy of Fortune 500 firms like FedEX, Siemens, Lenovo, and even the Navy.

“Body language is one of the great ways of communicating what’s really going on inside of us,” Freedman says. “We are interpreting constantly. And we communicate a multitude of emotional messages with our body language.”

For instance, successful people tend to lean in to conversations, tilting their heads ever-so-slightly to signal engagement, comfort, trust, and interest. According to Dr. Travis Bradberry, the award-winning author of Emotional Intelligence 2.0, leaning in shows the person speaking they have your complete attention and focus.

Posture is key. (Thanks, mom). Until recently, I had no clue that poor posture can read as a sign of disrespect, signaling boredom. Maintaining proper posture is a conscious choice—one that promotes engagement and respect from both ends of a conversation. Standing up straight with your shoulders back is the ultimate power position, according to Bradberry. Because the brain equates power with the amount of space you take up, slouching, which compresses your form, projects weakness, insecurity and discomfort.

As the so-called windows to your soul, the eyes can be an important power (or weakness) in nonverbal communication. Sustained eye contact communicates confidence, power, leadership, and intelligence, while avoiding eye contact communicates a lack of interest, or worse, that you’re not being trustworthy. Bradberry recommends keeping a deep and level gaze while making an important or complicated point, and definitely not to look down.

Most people hold eye contact longer when they’re listening than when they’re talking, and seven to 10 seconds is the average recommended length of eye contact, says Bradberry. I am not sure how one can really keep track of this without counting one-Mississippis in their head (distracting), but eye contact any longer than this can be perceived as aggressive or domineering. Breaking eye contact by looking to the side shows confidence while looking down signals submission.

But if you’re discouraged about not having the Adonis-like posture of A-list movie stars, the unwavering confidence of Victoria Secret models, or being able to maintain eye contact for more than a few milliseconds, take comfort: emotional intelligence and body language experts agree that these are things that can be learned and improved with practice.

I’ve spent the past two weeks trying to reverse decades of body language blunders. It’s been slow going, and I often find myself slipping into my old, slumped ways—but finding myself there sets off a chain reaction: chin up, shoulders back, tall spine, float the head up. And here’s how I know that transforming the way I’m perceived in the world is entirely possible: Even my mom has cast an eyebrow raise of approval.

Alfaro Family Vineyards & Winery’s 2016 Chardonnay

I have been a fan of Alfaro Family Vineyards & Winery for a long time—their wines get better and better and it’s always a joy to visit their tasting room and happening outdoor patio. Winemaker Richard Alfaro and his wife Mary Kay Alfaro want every visitor to have a good experience.

I tried an impressive 2016 Rosella’s Vineyard Chardonnay ($32) recently, made with grapes from Santa Lucia Highlands. Tasting notes say: “This wine begins on the nose with the subtle hint of fresh-baked bread,” which is apropos considering Richard Alfaro used to own a bakery. This pale straw-colored Chardonnay also carries tempting aromas of caramel and cinnamon, leading to creamy tropical mango, peach and pear flavors. Richard suggests pairing it with fish, shellfish, pork, or dishes that have a cream or butter base. But with such a delicious wine, it’s perfectly fine to have a glass all by itself.

Local artist Scott Erwert designed the eye-catching label, which stars a young blonde driving a tractor through a lush vineyard.

Alfaro Vineyards & Winery, 420 Hames Road, Corralitos, 728-5172. alfarowine.com.

Challenger Tennis Tournament

Alfaro wines will be poured for the sponsors of the Nordic Naturals Challenger tennis tournament at Seascape Sports Club in Aptos, which runs Aug. 4-12. Main sponsors include Nordic Naturals and Santa Cruz County Bank. Won by Andy Murray in 2005, the tournament is an opportunity to see up-and-coming tennis players—and tickets are available at the door. Other wines featured are from Bargetto, Lucia Highlands, Bartolo, Pelican Ranch, and Margins. Wine and food will be available for purchase.

Seascape Sports Club, 1505 Seascape Blvd., Aptos. 688-1993, seascapesportsclub.com.

Harvest Dinner

The Santa Cruz Mountains Winegrowers Association will host a fundraiser evening under the stars at Deer Park Ranch in Aptos, home to Lester Estate Wines. The Pinot Noir & Chardonnay Harvest Dinner, with local cuisine prepared by Brad Briske of Home restaurant, is a benefit for Hospice of Santa Cruz County. This food and wine extravaganza will be held from 4-9 p.m. Sunday, Aug. 19. Tickets are $150. Visit scmwa.com for more info.

Why Patti Maxine is a Santa Cruz Music Icon

It’s Sept. 13, 2013, at the Kuumbwa Jazz Center. Patti Maxine stands behind her lap steel guitar with her long-flowing silver hair tied back into a ponytail, and her plain white button-up shirt adorned with a single Hawaiian lei. It’s her 75th birthday, and she is surrounded by several of her close musician friends on stage, and a sold-out crowd. She’s as calm and cool as always, but underneath her striking locks is the glint of a smile.

After a brief, softly spoken intro, she and her band go into a lively country, bluesy version of Brenda Lee’s 1959 rock ’n’ roll classic “Sweet Nothin’s.” You can almost hear the shock in the crowd when she starts singing—it’s like she’s channeling the classic juke-joint blues greats.

She fills most of the songs with licks from her lap steel guitar, an instrument she’s played since she was a 14-year-old kid living in the mountains of southwestern Virginia. Before she was old enough to vote, she’d developed a knack for making it sing like an angel with almost no effort.

Maxine moved to California in the early ’70s, eventually settling later in the decade in Santa Cruz, where she became the local go-to lap steel guitarist. In all this time, she’s played the lap steel (and occasionally guitar) in roughly 10 bands and has accompanied more singer-songwriters and bands than she can even recall.

This night is different. She’s not accompaniment, not off-to-the side providing flawless, rehearsal-free lap steel sliding notes. She’s at center stage, with the other musicians there to accompany her. It’s Patti Maxine’s name on the marquee, a rare treat for folks in Santa Cruz.

She plays nearly three hours of music, a range of songs spanning old country hits to Hawaiian tunes to jazz standards to Western swing classics. She sings, plays the guitar, and of course plays plenty of the lap steel guitar. Her steel solos are particularly intoxicating. For Duke Ellington’s “Caravan,” she may as well have attached the strings to her heart—rarely does a solo move an audience like this.

Even on her 75th birthday, she doesn’t hog the spotlight; several other players get a solo during “Caravan.” And for “Bird in a House,” written by semi-recent bluegrass band Railroad Earth, local guitarist Rhan Wilson sings lead, with Maxine and longtime local musician Pipa Piñon singing harmonies. Maxine’s lap steel solo adds a trippy element that can best be described as the aural equivalent of floating through space.

So why does this have to be so rare? Why doesn’t a musician as well-known, respected and loved locally as Maxine play more shows as a headliner?

“It feels a little overwhelming to me. People are paying to hear you, and you’re supposed to have this big show going on,” she says, then gives the question some more thought. “It’s a lot of love coming at you. It’s just beautiful. I try to make sure I keep that in check. Not let it go to my head or something.”

In Demand

Maxine certainly doesn’t seem overwhelmed on stage, and after six decades in music, maybe she deserves to let it go to her head once in a while.

But for someone with such a deep resume, she’s remarkably humble. When I interviewed her, she downplayed a lot of her accomplishments, and even the notion that among local musicians, she’s a bit of an icon.

However, Maxine’s longtime partner Marilyn Marzell also sat in on the interview and was more than happy to set the record straight. For instance, Marzell told me that a young man who recently jammed with Maxine said that doing so was an item on his bucket list. Maxine then said she had no idea it was that important to him.

“She’s very humble,” says Marzell. “But Patti is in demand. People know Patti.”

PATTI QUAKE Left and right: Patti Maxine perfoms at the Crepe Place. She'll be celebrating her 80th birthday with a headlining show in September. PHOTO: KEANA PARKER
PATTI QUAKE: Patti Maxine perfoms at the Crepe Place. 

Maxine’s talents have been long recognized, but even more so recently. Locally, there’s been a shift toward traditional forms of country music, and bands like Miss Lonely Hearts and the Carolyn Sills Combo have risen to the top of the scene.  

Sills’ group plays Western swing, and she greatly admires Maxine. She tells me that when she and her husband moved to Santa Cruz eight years ago, they were mainly playing to folks in their 50s and 60s. Now there are a lot of younger people coming out to their shows.

“It seemed the younger folks were more into bluegrass and faster punk-country,” Sills says. “Bars are now doing country nights. People are coming out. I’m sure Patti’s noticed. I feel like she has this younger cult following, and it’s rightfully deserved. She’s such a badass lady. She’s done such cool stuff over the years.”

Maxine has also been recognized in recent years for her amazing work playing the lap steel guitar for Hawaiian music. In 2015, she was invited to the Maui Steel Guitar Festival in Hawaii, where she was treated as one of the greats of her instrument. She’s been invited back every year since. She’s one of a very small group of people from the mainland who is treated with this level of respect as a Hawaiian music lap steel master.

“When Hawaiian musicians come to town, they know to call ‘the lap steel player.’ She’s known in that community,” Marzell says. “Everybody knows Patti, because she’s everywhere. She’s always playing. She doesn’t need rehearsals most of the time.”

Getting Into It

Maxine recalls singing whenever she had the chance as a young child. It was one of the few trouble-free ways she and her family were able to connect. The lap steel guitar became her instrument of choice almost by chance. At 14, she went to take guitar lessons at a local music school, and the teacher, Elmer Ridenhour, talked her into studying the lap steel instead since he was low on students.

The lap steel is a guitar that’s played horizontally, with a metal slide. It’s most associated with the classic breezy Hawaiian music and the twangy sound of traditional country, honkytonk and Western swing. The tuning is different than a standard guitar, and the strings are not pressed to a fret, which gives the guitar its dreamy, sliding sound.

Maxine took to the instrument right away.

“I loved it. It was very natural. I just fell into it and really loved it,” she says. “The teacher was a really good teacher. What he told me was you need to listen for a while and then start playing. He was so easy, non-judgmental. Really supportive. He’s like a father figure.”

He also got Maxine her first batch of gigs—only six weeks after her first lesson—which she did mostly as a duo with him at Elks Clubs and firemen’s halls. The lessons continued for five years, by which point she was an in-demand player. She landed a spot in Virginia country band Doug Wilson and the Trail Dusters, who even had their own local TV show. As incredible as the experience was, it lacked something critical for Maxine.

“It’s really different being on TV,” she says. “It’s like playing for no audience. There’s nobody there. Just camera staring at you. Not my favorite. I like the feedback of people.”

PATTI QUAKE Patti Maxine perfoms at the Crepe Place. She'll be celebrating her 80th birthday with a headlining show in September. PHOTO: KEANA PARKER
HIGH NOTE Patti Maxine will be celebrating her 80th birthday with a headlining show in September. PHOTO: KEANA PARKER

Maxine landed in California in 1970, after a bartender in her hometown of Roanoke invited her to join him on his trip to one of the ski resorts in Lake Tahoe. Once out here, she gigged anywhere she could.

She hopped around from town to town for a while, but it was Santa Cruz that really spoke to her. She first checked it out because people were talking about a jam rock band that played here, frequently called Sons of Champlin, though she never did get a chance to see them. By 1978, she had made Santa Cruz her home.

“When I drove into Santa Cruz, it’s when they closed Pacific Avenue and had a spring fair. I drove in and saw that people were dancing in the streets, just having a great time,” Maxine says. “To me that was really different from what my life was like in Virginia.”

On the West Coast, Maxine gained a reputation in no time. As Marzell was leaving Eugene, Oregon to come down to Santa Cruz in 1979 to form a dance theater company, some of her friends told her to look up this amazing musician everyone was talking about down there named Patti Maxine.  

Not much has changed, Marzell says.

“When Patti and I are walking around, it’s like being with a celebrity. People are really moved by their experience of listening to her music. I stand back and watch her receive it very graciously,” she says.

One of Maxine’s closest friends is singer-songwriter Piñon, who also came to Santa Cruz in the late ’70s, and currently lives in New Mexico. She recalls the first time she saw Maxine performing at a coffee shop in town—just her and her guitar on a stool under a red spotlight.

“Patti can really move you with her music. She really gets into the song. I was just in awe of her,” Piñon says. “She can bring her lap steel in and play any type of style; country to jazz to avant-garde to rock to country-swing. She’s a musician through and through. She’s genuine and she’s been that way her whole life.”

Throughout the ’80s, Piñon and Maxine also did a lot of theater. They would write music, perform, and Maxine would act. Maxine also showed off her acting chops in the Altared Christmas production written and put together by local musician Rhan Wilson. In one song, Maxine sings a dark, reflective version of “I Saw Mommy Kissing Santa Claus.” She plays up the odd vibe with deadbeat perfection, making it a hilarious rendition of the normally goofy, upbeat song.

Maxine’s talents are diverse, but she most often plays in someone else’s band, or adds something to the work of a singer-songwriter. As in-demand as she is, she’s very generous with her time. Chances are, if she has the date free, she’ll say yes to nearly anyone that asks her to play with them.

“It doesn’t matter so much what the level of musicianship is,” Marzell says. “She’ll play with people who are just coming out as musicians and people that have been around for a long time.”

Until recently, she was playing in the local band Sherry Austin with Henhouse, which was well known in town and played regularly. More recently, she’s playing in Wilson’s new group Jazz the Dog, which plays at Michael’s on Main every other Friday.

“It’s a little looser now,” Maxine says of her schedule. “I am playing a lot, but it’s different now. I have a hard time saying no [to someone], but I’m trying to learn it a little bit. Unless it’s something that I absolutely do not have a heart for, most of the time it’s ‘Sure, I’ll be there.’ I almost always get something from it.”

She’s Got Soul

Her lap steel chops are not the only reason Maxine is a favorite among other musicians. Sills says it’s also because of what a fun person she is to be around.

“She’s a blast. She can keep up with me drink for drink for sure. It’s always fun to have Patti Max around, hanging out,” Sills says.

Maxine is also a thoughtful player, one of the least celebrated but most important skills a musician can possess. She’s got a lot of tricks up her sleeve, but she’s careful to give the song exactly what it needs rather than showing off everything she can do on the lap steel.

“She doesn’t dominate,” local musician Andy Fuhrman says. “Sometimes you’ll have somebody play with you and they’re just loud and take over. They just fill up all the space. She doesn’t do that. What a fantastic person she is. Her personality and the type of person she is—that’s a significant piece of why people love her and want to play with her.”

Her generosity has led her to donate her talents to important causes—though, again, she doesn’t mention this herself. Marzell says that in particular Maxine is always willing to show up for feminist, progressive and LGBTQ events.

“She contributes her singing and her music, not so much standing on a soapbox. It’s huge. Music is transformation,” Marzell says.

SOUL STYLEAn up-close shot of Santa Cruz music legend Patti Maxine in action.
SOUL STYLEAn up-close shot of Santa Cruz music legend Patti Maxine in action.

One of the most interesting campaigns Maxine was involved in was called the Patti Maxine Living Wig Foundation, which was a collaboration between her and Wilson. People have long obsessed over Maxine’s silver hair, so she and Wilson decided to use it to raise money for WomenCare, a local organization that supports women with cancer.

“People would always either ask me, ‘Are you going to cut your hair?’ or say, ‘Do not cut your hair.’ Those were my only two choices,” Maxine says, laughing. “We talked about that, and played around with the idea and came up with the Patti Maxine Living Wig Foundation.”

They took a photo of Maxine with her hair on full display. Then for $25, folks could have Maxine’s hair photoshopped onto them. This money was donated to WomenCare. They raised $2,000 total.

“Everyone looks like an old hippie,” says Marzell of the results. “It’s pretty amazing,”

Everyone I interviewed made a point to say that although Maxine may be known as the local go-to lap steel player, she is also an incredible singer. And it’s true—she’s soulful, precise and natural. Not only that, but like her gift with the lap steel, she can handle a diverse style of songs. “Sweet Nothin’s” may have showed off her ability to belt out a rough and rowdy rock ’n’ roll song, but she can also sing tender ballads, or lighthearted country-pop tunes. When she sits in with other musicians, she’ll often add vocal harmonies, too, sometimes to the surprise of the musicians that invited her to accompany them.

The way it showcased her voice is one of the reasons that her Kuumbwa show five years ago was so special. It turns out she is currently working on a live album using the audio from that night. It’ll be her first-ever solo album, aside from a compilation of odds and ends she put together sometime back for friends. She plans to release it in September, at her 80th birthday party show. Since her 65th birthday party, she’s gotten in the habit of headlining shows once every five years. That first one was a surprise party for her put together by Marzell.

This record is really special because while Maxine’s likely gigged more than just about every musician in town, there’s not much recorded material of hers out there to show her wide range of talents. It promises to be a memento of everything she’s contributed to here in Santa Cruz.

“It’s a gift to be given,” Maxine says of her musical talents. “I’ve definitely seen people come and go. I’ve watched as some people just starting and learning to play would come to my gigs, or bands that I’m in, then they started putting their own bands together. So now they’re playing, and they’re inviting me to sit in with them. I really enjoy that.”

County Board Approves Affordable Housing Measure for Ballot

affordable housing bond
With policymaker blessing, housing advocates have three months to sell bond measure

How is Santa Cruz California’s second-poorest county?

California poverty map
A Q&A with the co-author of a new report that looks beyond the poverty line

How Stoned Is Too Stoned to Drive?

Isabelle Gonzalez
Law enforcement awaits state guidance on measuring impairment

Be Our Guest: Santa Cruz Shakespeare’s ‘Romeo and Juliet’

Romeo and Juliet
Win tickets to an upcoming performance of 'Romeo and Juliet' at the Grove at DeLaveaga Park

Love Your Local Band: Suborbitals

suborbitals
The Suborbitals play Saturday, Aug. 4 at the Crepe Place

Music Picks: August 1-7

Femi Kuti
Live music highlights for the week of August 1, 2018.

Opinion: August 1, 2018

Patti Maxine
Plus letters to the editor

One Man’s Quest to Become More Literate in Body Language

posture
How a sea change in posture can change your world

Alfaro Family Vineyards & Winery’s 2016 Chardonnay

Alfaro Winery
Chardonnay 2016 from the Santa Lucia Highlands pairs well with fish, pork, and dishes that have a cream or butter base

Why Patti Maxine is a Santa Cruz Music Icon

Patti Maxine
As she prepares to celebrate her 80th birthday, local lap steel virtuoso is as busy as ever
17,623FansLike
8,845FollowersFollow