Opinion February 14, 2018

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EDITOR’S NOTE

Well-wishers who attended Snazzy Productions’ feting of Wallace Baine at the Rio Saturday night got an unexpected bombshell announcement.

“We’ll miss you, Wallace!” said Santa Cruz. “Surprise, I’m back!” said Wallace.

So let me just confirm that yes, it’s true, Wallace is the newest member of our GT staff. I’ll let him tell you about it himself, but this seems like a good time to make a confession.

First, let me say that when I was starting out at City on a Hill at UCSC, wanting to cover the arts was completely and totally uncool. The way you truly served the community as a newspaper, the thinking went, was hard news, and I wrote a lot of hard news. But deep down, I wasn’t buying this idea that the arts scene wasn’t an essential part of the community.

Neither was Stacey Vreeken, my editor, shortly after, at the Register-Pajaronian. She had a vision for covering the underserved arts community in Pajaro Valley that I was lucky enough to be hired to help her realize. I certainly had the passion and the enthusiasm for it; what I did not have was any idea of how to meaningfully and comprehensively cover an arts scene.

So how does a kid just out of college figure that out? Why, find somebody already doing it and do what they do, of course! That was how I became a follower of Wallace’s work at the Sentinel, and I learned a lot about what kind of people and stories to seek out in Watsonville from what he was writing about in Santa Cruz. We were always technically “the competition” for each other, but over the years I always respected what he was doing. And once I became part of the alternative press here, I had a feeling that if he ever got a taste of the freedom and space we have to explore Santa Cruz’s stories, he’d never go back to daily journalism. And indeed, so far he’s been like a kid in a candy shop at editorial meetings—completely thrilled to cover this community in a totally different way.

So please join me in welcoming Wallace Baine to GT. Don’t you love surprises?

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

DOG UNFRIENDLY

Re: “Puppy Love” (GT, 2/7)” Thank you for this article. Next let’s talk about “leash laws.” There is almost no place to walk our furry friends or let them romp without provoking harassment by Parks and Rec rangers armed with tasers and citation tickets that now amount to up to $250.

So, before adopting a furry pet, let’s consider that your walks will be restricted in most of Santa Cruz. Furthermore, if you are a renter, it is extremely challenging to find a place to live that will accept dogs. Many people have to leave town or give up their dogs.

I am currently in the process of bringing the “off leash laws” to the attention of the city yet again. So far, this has not been a successful discussion for dog owners. This, after incurring a citation in the park I have played with my dog in over the course of his life. So far, to no avail. There are no exceptions for well-trained, well-behaved spayed and neutered pets. This unfortunately is ultimately inhumane for dogs. But so it is. So buyer beware, if you adopt a dog. Unless we can pass some laws that protect humans and their canine friends, Santa Cruz is not a good place to own a dog.

Eva Rider | Santa Cruz

THREAT RESPONSE

On Jan. 23, the Santa Cruz City Council unanimously passed a Resolution in favor of the U.S. Congress passing Carbon Fee and Dividend legislation, as a viable, necessary response to Climate Change. There are conservative and nonpartisan groups supporting this type of legislation, so don’t fall on the floor laughing. There are 66 members of the House of Representatives, half Democrats, half Republicans, who meet regularly to discuss Climate Change and its solutions.  

Carbon Fee and Dividend is a fee on fossil fuels at first point of sale. The money collected by the government would be given to citizens to help the transition to solar, wind, geothermal, etc., energies. Giving the money to us will keep the economy stable, with some citizens making more from dividends than they pay for their current energy bills.

Thank you, Santa Cruz City Council, for this and other recent bold acts (joining in a suit against nine energy companies) to address a threat to mankind equal to nuclear war, or greater.

Diane Warren | Boulder Creek

ONLINE COMMENTS

Re: Deleted Sentinel Story

Hedge funds are parasitic destroyers. They buy up to dismantle piece by piece for high profit returns. Check out CALSTARS teacher’s pension fund. Follow the money find the corruption!

— pec

Re: Tech Sexual Harassment

A bunch of geeks using technology to be more invasive than most of these women probably even know. Nobody wants to be the “complainer” and have a gamergate situation, where the “anonymous trolls” are co-workers.

I’ll read about this industry from afar.

Props to the women who speak out, despite the backlash.

— Murphy Midecker

Correction

In last week’s “Seals and Whales” story, the location of the new whale installation was misreported. It is at the Sanctuary Exploration Center. We regret the error.


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

POINT OF DISCUSSION
Santa Cruz County officials are getting the word out about the third meeting to discuss the Pleasure Point Commercial Corridor on Thursday, Feb. 22. Attendees will provide feedback on design principles for commercial and mixed-use development in the corridor, as well as concepts for improvements to the Portola Drive streetscape. Planning staffers based draft concepts for the corridor upon feedback from the first two community meetings. The event is at 6:30 p.m. on Thursday, Feb. 22, at Del Mar Elementary School gym.


GOOD WORK

SAFE BED
Santa Cruz County District Attorney Jeffrey S. Rosell has announced that a settlement reached with My Pillow, Inc., will be donated to two local programs providing shelter services to victims of domestic violence—Monarch Services and the Walnut Avenue Family and Women’s Center. Alleging false advertising, a task force comprised of the Santa Cruz County District Attorney’s Office and nine other DAs jointly sued the brand in 2016. Monarch Services and the Walnut Avenue Family and Women’s Center will receive $5,000 each.


QUOTE OF THE WEEK

“There are no extra pieces in the universe.”

-Deepak Chopra

What’s your motto?

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“Be yourself and be kind, do good work.”

Garrett Kautz

Santa Cruz
Self-Employed

“Love each other. Love is strength.”

Robert Foster

Santa Cruz
Chef

“Be the best person you can be.”

Mike Davidson

Santa Cruz
Renaissance Man

“The roads are for journeys, not destinations. ”

Holly Korzeniewski

Santa Cruz
Business Owner

“Oh, just let it go.”

Chelsea Osterhout

Santa Cruz
Bartender

Film Review: Oscar Nominated Shorts

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[dropcap]F[/dropcap]ledgling directors have been cutting their teeth on short-form films since the invention of celluloid. But there was no way for the public to view their efforts—not even the buzziest ones anointed with an Academy Award nomination—except to troll the festival circuit. Then the Academy got the bright idea to start packaging each year’s Oscar-nominated short films in two programs to play in movie theaters—one featuring all five nominated live-action shorts, and a second featuring all five animated nominees (plus a few extras, to bump it up to feature-length).

These programs are a showcase for new talent. Released in the month between when Oscar nominations are announced in January, and the actual ceremony (March 4, this year), they’re also another way to promote the upcoming broadcast.

The 2018 editions of the Oscar Nominated Short Films are in theaters now—two separate programs with two separate admissions. If I was forced to pick a favorite, I’d go with the Animated Shorts, as they are far more stylistically diverse, and in a format that encourages creative imagination. The Live-Action nominees represent a broader range of racially and culturally diverse experience, which evoke some powerful responses. Purists planning to see both should start with the more serious-minded Live-Action Shorts, then treat themselves to the Animated Shorts for dessert!

The centerpiece of the Animated program is Revolting Rhymes, from Jakob Schuch and Jan Lachauer (U.K.). Adapted from a collection of fairy tale-inspired poems by Roald Dahl, it’s a sly, subversive mash-up of classic tales conveyed in Dahl’s waspishly elegant verse. A dapper wolf (voice by Dominic West) spins a tale for a sweet little old lady in a tea shop in which strands of Snow White, Little Red Riding Hood, and The Three Little Pigs are woven into a fiendishly clever narrative where little girls are not as helpless as they seem, and “goodness” does not always prevail.

Garden Party, by Victor Caire and Gabriel Grapperon (France) boasts astonishingly life-like animation of frogs, toads, butterflies, and other wild creatures who are gradually overrunning an abandoned mansion. (Funny, although the story’s payoff doesn’t amount to much.) Daniel Agdag’s Lost Property Office (Australia) isn’t even one of the nominees, but the retro-steampunk vibe in this dialogue-free sepia-toned tale of a lowly clerk in a lost-property office underneath a metro station is completely beguiling.

This year’s Disney/Pixar entry, Lou, by Dave Mullins and Dana Murray (U.S.) tells a comic, but empathetic tale of schoolyard bullying thwarted by a boxful of plucky lost-and-found items. Negative Space, from Max Porter and Ru Kuwahata (France) is a reserved, yet surprisingly touching tone poem about a father and son who bond over the art of packing luggage. And Dear Basketball, by Glen Keane and Kobe Bryant (U.S.), also produced and narrated by Bryant, is a heartfelt love letter from the Lakers star to the game he loves.

The most moving of the Live-Action films is The Silent Child by Chris Overton and Rachel Shenton (U.K.), in which a compassionate young audiologist bonds with a 6-year-old deaf girl whose well-meaning family is too busy to engage with her. Watu Wote/All Of Us, by Katja Benrath and Tobias Rosen, (Germany) tells a harrowing true story of Muslims and Christians protecting each other on a bus trip between Kenya and Somalia when their bus is invaded by terrorists.

Kevin Wilson Jr.’s My Nephew Emmett (U.S.), set in Mississippi in 1955, is a dark elegy exploring events leading to one of our nation’s most notorious racial crimes, told with stark, potent grace. Reed Van Dyk’s DeKalb Elementary (U.S.) feels far less authentic, unable to evoke resonance out of its fictional story of a would-be school shooter. And The Eleven O’Clock, by Derin Seale and Josh Lawson (Australia) switches gears in a clever, Pythonesque comic tale of a psychiatrist and a particularly annoying patient.

At the end of each program is an invitation from the Academy to you, the public, to submit your predictions for this year’s Oscar winners. I’ve made my predictions; check back in a couple of weeks and compare your notes to mine.

 

Oscar Nominated Short Films: Animated

Not rated. 83 minutes.

Oscar Nominated Short Films: Live-Action

Not rated. 100 minutes.

Giveaway: Hari Kondabolu

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Comedian Hari Kondabolu is described by fellow comic and collaborator W. Kamau Bell as “the comedy equivalent of a punk rock concert that breaks out at a human-rights rally.” Possessing sharp intelligence, a social consciousness and a knack for crafting smart, well-structured jokes, the Brooklyn-based Kondabolu is one of the top political comics working today. Host of his own Comedy Central special, he’s also appeared on The Late Show with David Letterman, Conan, Jimmy Kimmel Live, John Oliver’s NY Standup Show and more. On Feb. 24, Kondabolu returns to Santa Cruz.

INFO: 8 p.m. Saturday, Feb. 24. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $20/door. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, Feb. 19 to find out how you could win a pair of tickets to the show.

Craft Beer Event Twisted Tasting Is Back

[dropcap]T[/dropcap]wisted Tasting, started by Emily Thomas of Santa Cruz Mountain Brewing, is an annual event that started in 2011 to honor the craft of making unusual beers and other alcoholic drinks. There was no Twisted Tasting last year, but it’s back this year on Feb. 17, stronger than ever. Thomas explains what to expect when you’re expecting some truly different beers.

What’s the main idea behind Twisted Tasting?

EMILY THOMAS: Twisted Tasting showcases the local breweries, but also I would go out and bring back all of the crazy beers I could find from my travels and pour them at the event. I think the first beer that inspired me was at Great American Beer Festival 11 years ago. It was a porter with bacon and it was from a brewery called Right Brain in Michigan. It was actually pretty good. It had some of the smoky qualities of bacon with the porter. It opened my eyes to a lot of different things that could be done with beer.

What’s something that’s been featured at Twisted Tasting that epitomizes what this event’s about?

For us, one of our favorite beers that we made for Twisted Tasting is called Madame Grey. It’s a milk stout that we brewed with Earl Grey tea. It just came out so well. It’s so interesting that we keep brewing it every year. There was one year that Brewery 25 did a Thai Stout. They used lemongrass and coconut. I remember Discretion did something with rosemary one year. It’s just a unique experience for brewers, I think. I think it gives breweries the flexibility to be creative.

How has it evolved over the years?

When I started, there were probably five local breweries, so I pulled more from the region. I went out to get beers from Belgium and Oregon and San Diego and bring them back and pour them. This year it’s 99-percent local breweries. There’s one brewery that isn’t from Santa Cruz. It’s Moonlight, and they’re from Santa Rosa, and they’re just really good friends of mine. We change the theme every year, which is fun for us. This year we’re trying to create a New York disco/Studio 54 feel with the Civic. So that really challenges us to take a blank auditorium and transform it. Some people get inspired by beers that they’ve recently tasted, or ingredients that they just found at the Farmers Market. For us, we’re trying to come up with some unique stuff that reminds us of the ’70s, like Champagne bubbles—mess around with some molecular stuff that plays on jello shots and that kind of stuff. Another thing is that pop-ups have really changed. That really goes with our theme to create the New York City street food—you go hit up the hot dog cart or the taco stands or Halal or whatever. In the past, we focused on pairing. This year we’re changing that up. The drinks are on their own, and it’s about showcasing these pop-up folks and what they can do.

INFO: 7 p.m., Saturday, Feb. 17, Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. $85. 420-5260.

Chaos Vexes Customers at Trader Joe’s Lot

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It’s 7 p.m. on Friday night, and the worst traffic jam in all of Santa Cruz is the Trader Joe’s parking lot.

“I couldn’t find a parking spot for a long time,” says Ishani Chakraborty, as she pushes her cart full of Trader Joe’s grocery bags out the store’s front door to the very far corner of the lot.

Before she can finish the thought, a pale blue Honda Fit pulls up to her left: “You leaving?”

Chakraborty, a fourth-year student at UCSC, says she is, but when she tells the driver where she’s parked, he darts off.

Chakraborty says it had taken her 10 minutes to find her spot, and when she finally did, she found herself speeding the wrong way through the parking lot—an anecdote she’s embarrassed to relay because she doesn’t normally stoop to such indiscretions.

“But otherwise it would have been a lot longer,” she says, as three cars descend on us, their drivers eyeing our path. “I was just about to turn around and go home.”

Chakraborty says she doesn’t think she’ll ever shop at Trader Joe’s on a Friday night again.

Inside the store, the mood is calmer. Just over half of the store’s nine cash registers have someone working them. There isn’t more than one person in any line—in stark contrast to the mayhem unfolding outside.

That’s because the two hours’ free parking at Trader Joe’s is the worst-kept secret in all of downtown Santa Cruz, especially on entertainment-filled Friday nights. Across the street, it’s First Friday at the Museum of Art and History, where curators are unveiling a Monarch butterfly exhibit. Foodies and music lovers are crammed into Abbott Square, where they’re enjoying poke bowls, specially crafted gin and tonics, and vegetarian dishes, as local reggae rock group the Leftovers jam onstage near the Octagon building.  

Parking has long been among the the most controversial issues facing downtown, especially with the city getting ready to weigh a possible multi-story parking garage, combined with a new library, sparking big questions about Santa Cruz’s long-term vision.

Lately, I’ve found myself more personally fascinated by the ever-worsening log jam at the Trader Joe’s lot—especially when the store’s interior looks like a ghost town on many weekend nights. (Friday night, I’ve found, is the best time to walk or bike to the store.) Surely, I figured, the store’s corporate offices would have something to say about it, but company spokesperson Kenya Daniels referred GT instead to the property owner, who did not return multiple voicemails seeking comment.

Even so, the store’s local employees sure are sick of hearing customers complain about the parking situation, which they say worsened as the towing policy changed.

“A lot of people are coming in and saying that they had a hard time finding a spot,” explains one experienced downtown Trader Joe’s employee, who asked to remain anonymous, given both the sensitivity of the issue and weariness at the store’s corporate office of any potential controversy.

The parking debacle extends beyond customers. The employee says that occasionally a crew member will have a shift that starts after 4 p.m., which forces them to leave for work early and circle the lot with everyone else, looking for a spot.

Complicating the matter is the fact that the security company in charge of policing the lot has changed twice over the past few years, the employee says. A few years ago, a different security company was in charge and had a much more aggressive towing policy, to the point that trucks were towing the cars of the store’s crew members. The employee doesn’t blame Trader Joe’s, but says that owner Howard Properties doesn’t take the situation seriously enough, and hasn’t prioritized enforcement of the two-hour parking limit.

Enforcement, though, involves towing cars, which often isn’t a popular solution—especially to anyone who’s ever had to get a lift to Live Oak and pay a several hundred dollar fee to pick up their car.

Ben Goodell, who works for Securitas Security Systems, is the daytime guard at the Trader Joe’s lot. Goodell—who has a brown wispy mustache and is wearing a grey beanie—says he has actually been ramping up enforcement of the two-hour limit lately. He says he’s been leaving warnings for cars that he sees go over the limit and writing down their license plate numbers, with the intention of calling a tow truck if someone offends a second time. Next month, they may tow more, he says, in hopes of increasing turnover at the lot. Goodell adds that a guard like himself technically has the authority to tow a car whenever a driver parks and then walks off the property.

Meanwhile, at the city level, plans for the future of downtown’s public parking are inching along.

The Downtown Library Advisory Committee has recommended building a brand new first-floor downtown branch with five levels of parking above it. According to the architects who studied the city’s options, that route is far cheaper than doing a full remodel of the current building or tearing it down and starting over from scratch. The garage portion would seek separate funds.

Jim Burr, Santa Cruz’s transportation manager, says the city will present a much-anticipated parking study, with updated figures on expected demand, to the Downtown Commission on Feb. 22—a meeting that’s sure to draw a big crowd of environmentalists who oppose building any new parking whatsoever.

Another person eager to take a close look at new data is Chip, the executive director of the Santa Cruz Downtown Association. The organization’s board hasn’t taken a position on a possible garage because it wants to see the numbers first. Chip, who’s optimistic about the possibility, notes that no one knows how the city would pay for a multi-million-dollar garage. Ridesharing apps and other changes, he says, have shifted the transportation landscape, too. “So I think there’s a lot of unknowns,” he says.

The city’s transportation experts are investing in car-free options as well.

Transportation planner Claire Fliesler says Santa Cruz is gearing up to launch its new bikeshare programs after a few more hearings, which continue into the spring. The city will create 26 new bikeshare stations, including two that will be converted from car parking spaces downtown.

Cycling, she says, is a better alternative to driving than ever, and the easiest way to avoid hassle.

“A great way to not face the parking problem,” Fliesler says, “is to ride your bike, take the bus, or use the new bike share program.”

 

Wallace Baine is Good Times’ Newest Writer

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[dropcap]W[/dropcap]hen I left the Santa Cruz Sentinel last November, I avoided the r-word (“retirement”) like it was the last donut in the tire shop’s waiting room. Many well-meaning people congratulated me on finally attaining a life of shuffleboard and crossword puzzles, but I considered it bad form to remind them that I was not old enough, wealthy enough or exhausted enough to retire. Like cowboy hats and facial jewelry, retirement might look good on some people, but it wasn’t something I could pull off.

Now that I’ve begun a new odyssey as a writer for Good Times, I’m embracing other r-words—recharging, renewal, rejuvenation.

After more than 26 years working for the local daily, I’m making the jump to the other side of the Santa Cruz media playground, and I couldn’t be more thrilled about it. For years now, Good Times has been at the center of Santa Cruz County’s cultural life and, as a competitor, I’ve always admired its energy, its ideas and its commitment to local journalism and the community it serves.

My new job is nicely suited to my skills and interests. I’ll be covering the arts community (and more) for Good Times in Santa Cruz County, as well as doing something similar for sister papers in San Jose, Gilroy and Hollister as a kind of writer-at-large. It’s an invigorating blend of the new and the familiar, expanding my horizons and pushing me out of the dreaded “comfort zone.”

I’m under no illusion that Good Times needs me in order to reach some new level of greatness. I think of the GT staff much like the Golden State Warriors—who, let’s remember, won the NBA title before big-name free agent Kevin Durant showed up. What I’m looking to do is to shed my old skin a bit and become a different writer, a better one; to look deeper, to find better angles, to take a longer vision.

The social and political dynamics in the U.S. and California at large make these—understatement alert!—interesting times. Santa Cruz finds itself a bright blue node in a defiantly independent state in a country under the control of an authoritarian federal government unprecedented in American history. That political model, along with communication technologies that continue to disrupt daily life, is already creating all kinds of fascinating social and cultural undercurrents, even on a small-scale local level, many of which we’ve only barely begun to perceive.

That’s why there’s no better moment in my lifetime to be a cultural journalist than right now. Good Times is poised to be the leading media organization in this county and I’m deeply grateful to Dan Pulcrano, Steve Palopoli and the Good Times staff for bringing me aboard to continue to reveal the shape and character of my community.

Good or ill, we’re all in for a wild ride through the 21st century. I’m ready to find those stories that will help us all navigate history as it unfolds. Who’s with me?

Love Your Local Band: West of Nashville

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Kim Arzate was a Spanish teacher who always wanted to be a country singer. In early 2015, she decided to follow this passion and form a band. At first, their style was too varied—country, pop, rock, etc. Also, she didn’t gel with the other members, except for guitarist Eric Bumgarner Widell. So the two of them reformed the group with new members as West of Nashville. Now it’s a strictly country-rock band.

“I was kind of placating some of the other people that were in the original lineup, thinking that’s what they really wanted to do, but it wasn’t really what I wanted to do,” Arzate says. “I got way more success with my band as soon as we got focused and started playing what we really wanted to play.”

The Santa Cruz music scene includes a lot of Americana, bluegrass, and country-punk bands, but what West of Nashville plays is something fairly unique around here: actual country music. The group has done really well in the South County so far, but are excited to play more gigs in Santa Cruz County, like this week’s show at the Crow’s Nest.

“We definitely have a niche that we’re filling, because there isn’t really anybody doing what we’re doing. So that’s been really great,” Arzate says. “There’s a little bit of, ‘hmm, we don’t know about country.’ We’re hoping to break that mold a little bit. Country’s really popular.”

 

INFO: 8:30 p.m. Thursday, Feb. 15. Crow’s Nest, 2218 E Cliff Drive, Santa Cruz. $5. 476-4560.

Music Picks Feb. 14-20

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Live music highlights for the week of February 14, 2018.

 

WEDNESDAY 2/14

FOLK

LAURA LOVE DUO

In the 1990s and 2000s, singer-songwriter Laura Love released a stream of well-received albums, and was a popular presence on the folk and festival scene. Then she disappeared from the public eye. Turns out, she was living off the grid, growing her own food and raising her daughter. In 2017, after what she has called a “savage couple of years” recovering from an assault and the death of her sister, Love returned to life as a touring musician—flanked by standout guitarist Terry Hunt, and with a new batch of songs and a repertoire that includes gospel tunes, field hollers, Civil Rights-era songs and socially conscious originals. Word is, she’s better than ever. Also on the bill: local folk favorite Henhouse with Sherry Austin. CAT JOHNSON

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25/gen, $40/gold. 423-8209.

THURSDAY 2/15

AMERICANA

FRONT COUNTRY

San Francisco’s Front Country always knew they’d be swimming upstream in the acoustic American-roots music world. It’s not just because they lay their heads in the concrete jungles of San Francisco’s Mission District; the members’ past musical influences touch on just about every genre besides Americana (jazz, classical, soul, electropop). But the quintet has played to their weakness and carved out an elegant, eclectic indie-folk sound that’s rooted in ’70s folk-rock and heartfelt soul music. You won’t see any cowboy hats, but you also won’t miss them. AC

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $12. 335-2800.

THURSDAY 2/15

JAZZ

OAKTOWN > NOLA

Berkeley Hammond B-3 organist Wil Blades has spent a fair amount of time in New Orleans over the last 15 years, including numerous gigs with alto saxophonist Donald Harrison, Jr., scion of a storied Crescent City musical clan. Blades is the junior partner in a project that adds two other illustrious artists into the mix. Soul-steeped vocalist Linda Tillery has been a Bay Area institution since the late 1960s, while bebop drummer Mike Clark earned acclaim as a funk innovator with Herbie Hancock’s Headhunters. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

THURSDAY 2/15

IRISH

OPEN THE DOOR FOR THREE

Open the Door for Three may not be the most intuitive name for a Celtic band, but the trio’s musical pedigree speaks for itself. Comprising fiddle player Liz Knowles, uilleann piper Kieran O’Hare, and singer and bouzouki player Pat Broaders, the members have appeared with Riverdance, Cherish the Ladies, String Sisters, Secret Garden, Anúna, the New York Pops and more. Drawing inspiration and material from centuries-old tunes, the band then reworks them, adding their own original melodies and instrumentation to reveal something timeless and fresh. CJ

INFO: 7:30 p.m. Michaels on Main, 2591 Main St., Soquel. $18/adv, $20/door. 479-9777.

THURSDAY 2/15

PSYCH-POP

PEARL CHARLES

If you listen closely to the latest record by L.A. singer-songwriter Pearl Charles, you will hear traces of blues, acid-rock, southern-rock and indie-folk. But at its core, it’s gentle pop music, the kind that would have fit snugly on ’70s AM radio. Charles isn’t the kind of singer that leads her band like an overbearing dictator. She’s like a pleasant friend riding along on a coastal drive, giving little cues and directions, blending in with the music in such a subtle way that you never realize she’s telling you what to feel. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12. 429-6994.

FRIDAY 2/16

ROCK

THE BLASTERS

Four decades ago, brothers Phil and Dave Alvin formed the Blasters with Bill Bateman and John Bazz to play what they called “American Music.” With a blend of country, mountain music, punk and early rock’n’ roll, the Blasters were on the forefront of the 1980s rockabilly revival. Over the years the band has continued to be an inspiration to rockers and punks alike, with musicians from Eric Clapton and Bruce Springsteen to Rancid singing the Blasters’ praise. This week the current line-up of Dave Alvin, Bill Bateman, John Bazz, and Keith Wyatt return to Santa Cruz for a preeminent night of feet-rockin’, hip-shakin’ good times. MAT WEIR

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

FRIDAY 2/16

FOLK

FRED EAGLESMITH DUO

Fred Eaglesmith is a wildcard of contemporary folk and roots music. One of the most talented singer-songwriters of our time, he’s also outspoken, irreverent and nontraditional. He bears as much similarity to a steampunk carny as he does to a run-of-the-mill folk singer—and that suits him just fine. With dozens of albums to his name and a loyal fanbase of “Fred Heads,” Eaglesmith is a true original who shuns the music industry in favor of authenticity, accessibility and independence. This Friday, Eaglesmith is joined by showstopping singer-songwriter Tif Ginn, who is also his wife. CJ

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/gen, $40/gold. 427-2227.

SATURDAY 2/17

HIP-HOP

OCTAGON

Celebrating two decades of strangeness, the mysterious Dr. Octagon will be performing at the Catalyst for a one-night, hip-hop experience not to be forgotten. Originally created by OG MC Kool Keith, Dr. Octagon has been a favorite persona of hip-hop heads who have a clue, even after he was killed off—twice. This rare, live performance will also feature an all-star line-up of producer Dan the Automator and turntablist, QBert, who were both integral parts of the 1996 Dr. Octagon debut album, Dr. Octagonecologyst. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $28/adv, $30/door. 429-4135.

SATURDAY 2/17

BRAZILIAN

BRAZILIAN CARNAVAL

A trip to Brazil would definitely be the best way to celebrate Carnaval this year. But with rent skyrocketing these days, who can afford a plane ticket to anywhere? Fortunately, Santa Cruz is home to the one and only SambaDá, a truly unique Brazilian experience. But they are only one piece of the puzzle this year at the Brazilian Carnaval show. The all-star group includes Pato Banton, DJ Oscar, and Pierre Onassis, the singer for famed Brazilian band Olodum. If you don’t come out to this party, you will hang your head in shame at the office on Monday morning. AC

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25. 479-1854.

 

4 Things to Do in Santa Cruz Feb. 14-20

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Event highlights for the week of February 14, 2018.

 

Green Fix

Grapevine Growing and Pruning

popouts1807-green-fixGrowing grapes is a big commitment—grapevines need continual maintenance and pruning—but the UC Master Gardeners are here to help you out. Join UC Master Gardener and viticulturist Art Nathan for a free talk about how to grow, train and prune grapevines. So sharpen your shears and face the grapes of wrath. (If you don’t know how to sharpen your shears, please don’t just wing it—you can learn how to do it at this talk, too.)

INFO: 10 a.m.-Noon. Saturday, Feb. 17. 1430 Freedom Blvd, Suite E, Watsonville. 763-8007. mbmg.org. Free.

 

Art Seen

UCSC Spoken/Unspoken Forms of Resistance

popouts1807-art-seenUCSC’s installment of the county-wide Spoken/Unspoken series is now open, with the UCSC Mary Porter Sesnon Gallery opting to take a more literal approach to the theme by highlighting forms of resistance. The show includes work by more than 20 artists and activists engaged with forms of resistance from land rights to human rights, and aims to continue a larger conversation around activism as self-expression.

INFO: Feb. 8-March 17. Mary Porter Sesnon Art Gallery. 1156 High St., Santa Cruz. art.ucsc.edu/sesnon. Free.

 

Tuesday 2/13-Tuesday 5/1

15th Annual Songwriters Showcase

Whether you’re a new or seasoned songwriter, there is always room for improvement in songwriting. The 11-week annual Songwriters Showcase has begun, and is the perfect intimate setting to workshop new songs and ideas. The showcase is a friendly songwriting contest to debut new songs and songwriters to the community while getting feedback from professional musicians. The event runs every Tuesday night and all ages are welcome. Enter the raffle for a chance to win a Boulder Creek Acoustic Guitar, proceeds go to Guitars Not Guns.

INFO: All shows begin at 6 p.m. Britannia Arms of Capitola, 110 Monterey Ave., Capitola. mars-studios.com. Free.

 

Tuesday 2/20

Beatles vs. Stones Musical Showdown

popouts1807-stonesbeatlesThe battle of these two titans has shaken the rock ’n’ roll community for decades. Tattoo You or Abbey Road? Is Ringo more unfortunate looking than Keith? Is Paul even alive? Well, now we will finally know, because the ultimate showdown will be decided right here in Santa Cruz, obviously. All ages welcome.

INFO: 8:00 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com. $40/$60.

 

Opinion February 14, 2018

Plus Letters to the Editor

What’s your motto?

Local Talk for the week of February 14, 2018.

Film Review: Oscar Nominated Shorts

Oscar Nominated Shorts 2018
Dark themes, wit, diversity, in ‘Oscar Nominated Short Films’

Giveaway: Hari Kondabolu

Win tickets to Hari Kondabolu on Saturday, Feb. 24 at the Catalyst

Craft Beer Event Twisted Tasting Is Back

Twisted Tasting Emily Thomas (right), owner of Santa Cruz Mountain Brewing, and Michelle Williams, executive director of Arts Council Santa Cruz County.
After taking last year off, Emily Thomas of Santa Cruz Mountain Brewing’s Twisted Tasting returns

Chaos Vexes Customers at Trader Joe’s Lot

Trader Joe's parking lot, parking in downtown Santa Cruz
As city debates parking’s future, it’s the Wild West at Trader Joe’s, putting the store in an awkward spot

Wallace Baine is Good Times’ Newest Writer

Wallace Baine is Good Times newest writer
After 26 years at a daily, Baine re-emerges in the alt-weekly world

Love Your Local Band: West of Nashville

west of nashville
West of Nashville plays Thursday, Feb. 15 at the Crow’s Nest

Music Picks Feb. 14-20

Live music highlights for the week of February 14, 2018.   WEDNESDAY 2/14 FOLK LAURA LOVE DUO In the 1990s and 2000s, singer-songwriter Laura Love released a stream of well-received albums, and was a popular presence on the folk and festival scene. Then she disappeared from the public eye. Turns out, she was living off the grid, growing her own food and raising her...

4 Things to Do in Santa Cruz Feb. 14-20

Event highlights for the week of February 14, 2018.
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