Opinion July 4, 2018

EDITOR’S NOTE

GT does a lot of work with local nonprofits through our Santa Cruz Gives program every holiday season. But every time I think I have a handle on all of the groups that exist in Santa Cruz County, and all of their ambitious plans for making the world a better place, I always discover there’s someone I haven’t heard of doing something that makes me feel like I should have heard of them.

That’s certainly the case with Gravity Water, which didn’t come onto our radar until they won a NEXTie Award this year. And talk about ambitious plans—founder Danny Wright wants to bring safe and clean drinking water to countries around the globe. The lack of this most basic resource is one of the biggest problems facing communities worldwide, as Mat Weir writes about in his cover story for the Green Issue this week.

What’s particularly impressive is how they’re doing it. The first time I heard the name, I thought, “Why Gravity Water?” But the simplicity of the idea is part of its beauty, so I won’t spoil it. Read for yourself about how one of Santa Cruz’s most innovative green nonprofits is changing the world.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Thanks for Rail Coverage

Thank you for Jacob Pierce’s coverage of the rail issue.

The absence of fully budgeted and staffed daily newspapers is being felt on complex issues like transportation. Disappearing enterprise reporting has diminished the public debate. Jacob Pierce is the exception.

Good Times’ journalism work is invaluable. Thank you!

Greg Becker
La Selva Beach

Remove Tracks Now

I believe it is a given that the people of Santa Cruz County don’t want an expensive, fossil-fueled, pollution-emitting diesel train on the existing railroad tracks. Modern, high-speed, light-rail moves faster and much more efficiently on long-span welded steel rails and properly placed concrete caissons, not creosote ties and archaic spikes. That being said, it seems logical that now is the time to pay back the initial funding of a rail line (use Measure D funds) and tear out the old tracks so the community can start to use the corridor as a wide multi-use trail, much like the vision of Greenway Santa Cruz. There are companies that would purchase and remove the old tracks, properly recycling the steel and mitigating any environmental concerns. Once the tracks are gone we can move quickly to build a wide trail (at a small fraction of the cost of providing infrastructure for a train), that can accommodate dedicated E-bike lanes, regular bike lanes and pedestrian traffic.  Probable futuristic solar-powered and driver-less modes of transportation would also have enough room to operate. At a later date, when population densities increase, we can reserve the right to reconsider rail travel. But for now we must take that first step and remove the tracks. Are you listening, RTC?

Buzz Anderson
Santa Cruz

Online comment: Felton and Capitola Libraries

When voters passed Measure S in 2016, they had no idea that there were any plans afoot to build a new downtown branch. They did know about Felton and Capitola, but not downtown. There are several glaring errors in this article with regard to the downtown branch. First, the estimate for a new downtown branch—not located in a new parking garage—was most certainly not $38 million. A new structure, on the existing library site was estimated at $49 million. It was the so-called full renovation that was estimated at $38 million. However, that was not a renovation in any sense of the word. The architect’s description showed the existing building being stripped to its skeletal framing (with everything thrown away) and a brand new library built from scratch, using just the bones of the former library. Second, building a new library in a new parking garage would not “spare library officials from having to pay for the structure’s foundation.” Library officials are not funding the proposed project. Residents, who voted to tax themselves for 30 years, will be paying. Last, the DLAC did not “recommend a full remodel with a new parking structure.” This is a very complicated issue, so the Good Times will serve the public better by fact-checking its articles before they are published. For further information, go to http://dontburythelibrary.weebly.com/.

— Jean Brocklebank


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GOOD WORK

Ruby Rich, a UCSC film and digital media professor, has been invited to join the Academy of Motion Picture Arts and Sciences. The Academy, the world’s preeminent film organization, is made up of more than 8,000 distinguished members working in cinema and is best known for presenting the annual Academy Awards. Rich, a film critic, is the author of several books on film, including New Queer Cinema: The Director’s Cut and Chick Flicks: Theories and Memories of the Feminist Film Movement.


QUOTE OF THE WEEK

“Thousands have lived without love, not one without water.”

-W. H. Auden

Music Picks July 4-10

 

Live music highlights for the week of July 4, 2018.

 

THURSDAY 7/5

SINGER-SONGWRITER

STEVE POLTZ

“Hey god, I’ll trade you Donald Trump for Leonard Cohen!” So pleads singer-songwriter Steve Poltz in his typically smart-ass fashion. You might not have realized what a sharp tongue the prolific musician had if your main introduction to him was his collaboration with Jewel on “You Were Meant For Me.” The real Poltz voices all of our sorrow at losing Prince and David Bowie, but for being left stuck with Trump in the White House. You might just laugh till you cry. If that’s too political for you, don’t worry, his other material (“Fistfight at the Vegan Brunch”) might be more up your alley. AARON CARNES

INFO: 7:30 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $20/adv, $25/door. 335-2800.

FRIDAY 7/6

REGGAE

LOS CAFRES

For three decades, the members of Los Cafres have given the world their unique blend of Latin reggae, defying any preconceived notions of the genre. Hailing from Argentina, the group consists of four core members, but they continuously bring a wide roster of guest musicians on tour and in the studio. Their first album was not released until 1994, but it would take another 10 years before their popularity reached a global scale. In 2016, they released their 13th album, Alas Canciones. MAT WEIR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $30/adv, $35/door. 429-4135.

SATURDAY 7/7

AMERICANA

JAMES MCMURTRY

James McMurtry is a fixture in the Austin music scene, and his reach doesn’t end in Texas. At the risk of over-hyping his talents, McMurtry is one of the finest, most human songwriters around. Elevating stories of everyday people to near-mythic proportions, the rough-but-insightful McMurtry delves into the nuances of human thought, emotion and relationships and emerges with relatable glimpses into the lives of people who may, or may not, be a lot like you. CAT JOHNSON

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

SATURDAY 7/7

ALT-ROCK

NOVAROSE

The latest single by local alt-rock ensemble Novarose is a powerhouse of emotion and heavy arena-rock guitars. The song “Release Me” takes all of the members’ goth energy and shouts it from the top of the mountain (“If I could be a stranger, I’d run away, un-live the pain”); I suggest they contact the good folks at Webster and ask this song be the new entry for the word “catharsis.” The song is everything the group’s been doing already, but bigger and better—by the end, you will be ready to flee your life while you run in the pouring rain in slow motion. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

SATURDAY 7/7

ROCK

SHRED ZEPPELIN

If you’ve got a whole lotta love, but can’t seem to find the stairway to heaven, then ramble on down to Michael’s on Main this Saturday for the Bay Area’s premiere Led Zeppelin cover band Shred Zeppelin. There’s no communication breakdown when it comes to Shred Zeppelin melting audiences’ faces through good times, bad times and somethin’ else completely. MW

INFO: 8 p.m.  Michael’s on Main, 2541 South Main St., Soquel. $10. 479-9777.

SATURDAY 7/7

POP TRIBUTE

FOREVERLAND

Few artists truly change our cultural arc; Michael Jackson was one of them. From his days as the irresistibly captivating and talented youngster in the Jackson 5 through his game-changing Thriller era, Jackson helped define popular music culture for decades. Foreverland pays tribute to Jackson with high-energy celebrations of music spanning his storied career without falling into the impersonation trap. Formed in 2009, just two weeks before Jackson’s death, the band features four vocalists, a mighty horn section, and a rhythm section that won’t let you stop till you get enough. CJ

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 423-1338.

TUESDAY 7/10

COUNTRY

HOT CLUB OF COWTOWN

If you’re going to talk about old-timey country, Western swing and string ensemble revival music, let’s talk about a band that was doing it long before it was cool: Hot Club of Cowtown. They even made sure to include the word “Cowtown” in their name, even though when they formed in the late ’90s, that was hardly the mark of an awesome-sauce band. The group oddly enough formed in New York, and brought their snapping strings to some probably confused faces for a while. But who’s laughing now? Two decades later, everyone and their mom is in a classic country band! AC

INFO: 7:30 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $20. 335-2800.

TUESDAY 7/10

ROCK

SCOTT PEMBERTON BAND

If you like your rock ’n’ roll cooked in the blues, rolled in funk, sprinkled with jazz and deep-fried in weirdness, then look no further than the Scott Pemberton Band. The Portland native is a guitarist’s musician, smoothly blending all genres into a boldly unique sound. MW

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854.

TUESDAY 7/10

JAZZ VOCALS

BEAUTIFUL FRIENDSHIP

A bit of a mutual appreciation society, Beautiful Friendship brings together Amy Cervini, Peter Eldridge and Sara Gazarek, three critically acclaimed jazz vocalists and friends, for an evening that promises to include harmony, joy, love, and swinging music. Prolific artists in their own right, the three have garnered descriptions including “thoughtful and broad-minded,” “far more than a spinner of songs,” and the “next important jazz singer.” Catch the trio in Santa Cruz this Tuesday. CJ

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.25/adv, $31.50/door. 427-2227.

Love Your Local Band: Practicing Sincerity

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When Kevin Kaproff thought of the name Practicing Sincerity, he didn’t even have any songs yet. But he liked how it sounded, and felt like it was going to fit his next musical project.

He’d been writing music since he was 13, but felt that it was lacking something.

“Everything was very deeply hidden in these obscure metaphors that were almost indiscernible,” Kaproff explains of his older music.

After graduating UCSC, he moved to New York, thinking he’d dive into the music scene there. Instead, he came back to Santa Cruz and started Practicing Sincerity as a solo project. Once here, the songs flowed out.

“I came out of it feeling like I needed to be better at actually expressing my emotions plainly and letting these vulnerable things about myself be known and not hold them inside,” Kaproff says. “I wanted to write songs that weren’t necessarily about anything huge or groundbreaking, but felt important because they were sincere.”

In 2016, he recorded the solo EP I Never Thought I’d Miss Palm Trees So Much under the Practicing Sincerity moniker. Its downtempo indie-pop jams featured him on the guitar and drum machine.

Last year, he recorded I Am Coming Home, backed by a band. The songs have a little more energy, but still retain an eclectic early ’80s post-punk songwriting style. These days, Practicing Sincerity is still a band, but has an entirely new lineup around Kaproff.

“The current lineup I have now definitely feels very solid and that definitely helps feeling like I can move forward where I’m not constantly having to worry about replacing people,” Kaproff says.

lINFO: 9 p.m. Friday, July 6. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Review: ‘Westwood: Punk, Icon, Activist’

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Remember Phantom Thread? A fictional story about a prickly, supposedly genius designer in the world of 1950s haute couture, the movie committed a crime against fashion by presenting a line of clothing that was gimmicky, but not interesting.

If you want interesting, take a peek at the life and career of real-life fashion designer Vivienne Westwood. Truth is way more intriguing than fiction in the frisky documentary Westwood: Punk, Icon, Activist, directed by former model-turned-filmmaker Lorna Tucker. The movie not only celebrates Westwood’s revolutionary clothes, but her rebel spirit as well—along with her fascinating career. While she started out making confrontational stage clothes for the Sex Pistols, Westwood nurtured her craft and her fashion identity over the next four-plus decades, going on to win Britain’s prestigious Designer of the Year award for two years in a row.

Westwood may not have invented punk (as one interviewee claims), but she certainly dressed it. A working-class English girl who couldn’t afford to go to art school, she ditched an early marriage that was too confining, and, with two young sons to support, starting selling handmade clothing out of the back of a record shop on King’s Road in London. Her partner (business and otherwise) in this venture was provocateur Malcolm McLaren, who would go on to manage the New York Dolls and the Sex Pistols.

They believed in outrageous clothing and behavior, “confronting society” to initiate social change. (In one ironic clip, we see a Westwood stage outfit from this era, a torn and grimy T-shirt with a graphic political message, handled with great delicacy by a curator in white gloves from the Victoria and Albert Museum.) As Westwood says, “Everything I design has to have a story.”

When Westwood saw her impudent designs and spiky haircuts being copied on the runways in Milan and New York, she realized that punk was over as a cultural moment. No longer a means of “attacking the establishment,” Westwood says punk became “part of the distraction.” When she became “intellectually bored” with McLaren, but still full of her own ideas, Westwood decided that if anyone was going to succeed with her distinctive clothing style it was going to be herself, and entered the fashion business on her own terms.

Her relationship with current husband and partner Andreas Kronthaler, a former student from Austria, takes a lot of screen time. But it’s interesting how closely they work on designs together, and to see how meticulously Westwood oversees every aspect of the brand that bears her name.

Westwood’s many faces (and outrageous hairstyles) as a designer give the movie an extra kick as it prowls back and forth in time throughout her long career. An Italian adventure, when she was to be sponsored by Armani, was scuppered by McLaren insisting their partnership from King’s Road was still valid and binding. Guesting on a BBC chat show, Westwood keeps her cool while the host invites the audience to laugh at her clothes.

But Westwood has the last laugh, becoming one of the most respected names in fashion, while staying true to her rowdy, anti-establishment roots. Her runway shows are a lot more fun than the usual haughty march-of-the-zombies approach. Her giggling models nudge each other down the runway. When supermodel Naomi Campbell falls off her blue sequined platform high heels, she cracks up, and everybody else joins in.

When Dame Vivienne joins a Greenpeace mission to the Arctic to watch polar ice caps literally melting before her eyes, she cries “Kill the machine!” (of corporate greed), and advocates for a Green economy. Meanwhile, her smart mix of fabrics, textures and patterns, and her androgynous line to be worn by any and all genders, are right on point with the times. Westwood is proof that fashion and political audacity have no age limit.

 

WESTWOOD: PUNK, ICON, ACTIVIST

*** (out of four)

With Vivienne Westwood. A documentary by Lorna Tucker. A Greenwich Entertainment release. Not rated. 83 minutes.

Areperia 831 Brings Vegan Venezuelan BBQ to Santa Cruz

It’s one thing to make delicious Venezuelan barbecue, it’s a another to make it vegan and delicious. A year ago, Vrinda Quintero started Areperia 831—while balancing her social justice work with the homeless and other underrepresented groups—to do both. Originally from Caracas, Venezuela, Quintero says there wasn’t much representation of Latin cuisine in Santa Cruz, so she decided to make what she calls “grandma’s street food.” She’s a lifelong vegetarian who doesn’t believe in eating soy-based fake meats, so she uses more natural alternatives like jackfruit. Quintero serves up her stuffed arepas (Venezuelan fried cornmeal pockets) with a side of beans and rice, fried plantains and social justice.

How did you come up with the menu?

VRINDA QUINTERO: My food is who I am. It’s a mixture of different crazy things, and that’s me. Like my beans, they are a combination of Afro-Latin flavors. They are cooked with coconut milk like they do it in Trinidad, and then there are Latin, African and Asian flavors, too. My slaw is an Asian slaw with ginger and sesame oil, our chicken is jackfruit and our shredded beef is made with plantains. But people think it’s meat all the time. The vegans and vegetarians love it. I make everything myself from scratch, all plant-based and gluten free. Food is a source of life, and it should be nourishing and intentional, and available to everyone.

How did the pop-up get started?

I ran the kitchen, food, and volunteer programs at Homeless Service Center, and then decided that this is what I wanted to do. To me, there is nothing that builds community more than food. I always think, ‘why do I have to explain things like racism and experiences to people?’ But if you sit and eat with a person, you understand them, you understand their experiences and it’s an act of love. We always have to build bridges, and there is nothing better than food to do that. Food should be intentional, it is tied to history and identity. When you share a meal, you are sharing part of who you are.

What are your plans for the future?

I want to do a “share a meal, share a story” event where people come and eat and talk to each other. We have done it for lunch in the past, but I want to do a big one in San Lorenzo Park. I’d cook and people would come to see and share the experiences of other people. It’s easy to say ‘there are so many homeless people here,’ but when you sit and have a meal with someone and see their face, it changes people’s minds. That’s really powerful and beautiful.

332-2860. areperia831.com.

Armitage Wines Expands with Chardonnay 2016

Grapes are harvested from Cooper-Garrod Estate Vineyards in Saratoga for the luxurious 2016 Chardonnay ($45). A beautiful wine redolent with velvet undertones, it comes with more oak and hazelnut than crisp apple. Aromas of cream, toast, and a smidgeon of pear offer clues of what’s to come—a superb Chardonnay by Brandon Armitage of Armitage Wines.

Armitage is a busy man. Not only does he have his own label, Armitage Wines, but he also owns the prestigious Heart O’ the Mountain label—known for producing ultra-premium Pinot Noir—and manages the lush vineyards on the Brassfield family’s Heart O’ the Mountain estate in Scotts Valley. Once home to world-renowned film director Alfred Hitchcock, Heart O’ the Mountain is where famous movie stars were entertained back in the day, and the late Prince Rainier and Princess Grace of Monaco were wined and dined.  

It’s on this historic property, not usually open to the public, where Armitage is holding a farm-to-table dinner at 6 p.m. on Bastille Day, July 14. Hollins House Executive Chef John Paul Lechtenberg will feature the bounty of local farms and fresh-catch fish from local waters, with an appetizer hour of fine cheeses and hors d’oeuvres by chef Tabitha Stroup. It will all be paired with Armitage Wines, with music accompaniment from the Drool Pigs. Tickets are $130 all inclusive, and they’re sure to go fast. The event is a benefit for a Tara Redwood School fund.

“It’s what I love to do,” says Armitage of his passion for making wine. “My business philosophy is to mesh the energy of the wine components in a symbiotic relationship that expresses the character of the wine in its purest form.”

When Armitage opened his welcoming tasting room some years ago in Aptos Village, he was producing only Pinot Noir, and stunning Pinots they are. When I visited a couple of weeks ago, I was thrilled to find out he’s now also making a fine Chardonnay. Tasting room manager Jeanne Earley will be glad to pour you some when you stop by.  

Armitage Tasting Room, 105c Post Office Drive, Aptos, 708-2874. armitagewines.com.

What’s the Civil Grand Jury, and What Does It Do?

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Grand juries tend to make for splashy headlines—especially over the past nine months, with all of the attention given to Russian collusion in the 2016 election, à la “Federal Grand Jury Indicts Paul Manafort.”

The county’s local grand jury, which is part of the Santa Cruz County Superior Court, is something else entirely.

“Our role is more like watchdog,” explains Lauren Tobin, outgoing foreperson for the Santa Cruz County Civil Grand Jury. “We look at local government and county government agencies to make sure they are operating efficiently and effectively and ethically, and with transparency. We don’t do indictments. We don’t deal with criminal charges.”

Last week, the Grand Jury released its final of seven reports, “Honoring Commitments to the Public,” a follow-up on reports from two years ago. This year’s previous six reports looked at the public defender system, local youth homelessness, data-driven budgeting, the San Lorenzo Valley Water District, county mental health, and public safety in local schools.

Grand juries date back to the Middle Ages in Europe, but the only countries that use them today are the U.S. and Liberia, off Africa’s West Coast. And although there are plenty of civil grand juries throughout the U.S., California is the only state that actually requires each county to have one of its own.

Until a couple years ago, county grand jurors were picked via summons mailed out to thousands of residents, and each recipient had the option of whether or not to apply to have their name put in a drawing. The jury still does mailings, but now, with public service announcements, it also recruits any resident who has roughly 20 hours to spare per week and an interest in civic issues, and encourages them to apply.

Applications are due in April, and Judge John Gallagher winnows down the field of qualified applicants, with previous jurors pitching in to help with interviews. After narrowing the possible jurors down to 30, 19 names get picked out of a hopper. The 2018-19 jury got seated last week.

Over the next few months, those 19 jurors will brainstorm possible investigations based on complaints, news stories and things they’ve heard in the community. They then split up into a number of committees, with each group doing an investigation and drafting a report that eventually gets read by the entire jury. At any point, an investigation may get dropped, if it doesn’t find much, Tobin says.

The county government funds the grand jury with $52,000 a year, but Tobin says that small dollar amount does not undermine the group’s independence. She says there’s not much risk of ever losing that funding—which isn’t listed under any one department—since the state requires every county to have a grand jury. (Even if the funding did disappear, that wouldn’t stop the grand jury from doing its job, she says.)

A good chunk of the money goes to mailing costs. Each juror, including the foreperson, makes $30, plus per-mile gas reimbursements for driving from home.

Once a report comes out, the agency in question can respond to the findings and recommendations. Then it’s up to other watchdogs to hold them accountable.

“We don’t have enforcement authority,” Tobin says of the jury. “We we can’t make them do what we recommended. The important thing is that the reports bring these things to the eye of the public.”

The jury’s most recent report follows up on reports from two years ago to see if their recommendations were being implemented. Both the county mental health department and sheriff’s office had finished implementing those recommendations, while the Santa Cruz County Board of Supervisors had finished implementing most of them. The Soquel Union Elementary School District had just begun doing so, and it wasn’t clear if the Felton Fire Protection District had implemented much of anything.

“A lot of people don’t realize that the reports are available for the public to read,” Tobin says. “They read the news stories about them, which is great, so they kind of know, but they don’t read the reports. They’re not that long, and if it’s something you care about, it’s interesting.”

To learn more about the Grand Jury and read the reports, visit santacruzcounty.us/GrandJury

Review: Cabrillo Stage’s ‘Rent’

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It’s all about the struggle to embrace life and hope in the face of fear and death. But the mood is fiercely positive in Rent, the groundbreaking musical now on the boards at Cabrillo Stage, the opening salvo in its summer musical theater season.

First produced in New York in 1996, Jonathan Larson’s acclaimed musical went on to win the Pulitzer Prize, a Tony, and many other awards for its timely story of impoverished artists and other bohemians living defiantly under the shadow of AIDS in New York City’s East Village. Twenty-two years later, the theme of choosing love over fear is as potent as ever, delivered soundly in this slightly uneven but mostly compelling Cabrillo production.

Like West Side Story before it, Rent is an adaptation of a classic from another medium updated for musical theater. For Larson, the inspiration was the Puccini opera, La Bohème, about artists and poets facing poverty and deadly tuberculosis in the garrets of Paris. The characters in Rent share a freezing loft in the Village; there’s no heat, and they can’t pay the rent, for which they’re about to be evicted to join their homeless friends in the tent city next door.

Our entry into this world is Mark (ingratiating Sean Okuniewicz), observing it all through his videocam, and providing wry commentary. His roommate, rock musician Roger (Joey Pisacane, who has a brooding look and a colorful rock voice), is haunted by the specter of AIDS; his previous girlfriend committed suicide after learning she was HIV-positive. He’s determined to write one great song “to redeem this empty life.” But he keeps getting waylaid by Mimi (powerhouse singer Kiana Hamzehi), the erotic dancer and part-time junkie upstairs who wants to spark with him.

Sadie Rose brings edgy pizzazz to the role of Mark’s ex, bi-sexual performance artist, Maureen, who’s moved on to lesbian lawyer Joanne (Brianne Lopez-Cole.) (Finding common ground in mutual exasperation, Joanne and Mark sing a very funny duet, “The Maureen Tango.”) Meanwhile, gay NYU professor, Collins (the appealing Ronald Johnson Jr.) falls in love with perky street musician/drag queen Angel (a standout performance by Vinh Nguyen, who steals every scene with his exuberance and killer grin).

The complex story is stuffed with subplots and supporting characters; the 18-song opening act feels especially long (even though it takes place over a single day, Christmas Eve). But director Dustin Leonard’s inventive staging and Brance William Souza’s smart choreography keep things moving and on track. And the company makes the most of the best material.

The show’s powerfully simple message—to embrace each day of life and believe in the possibility of love—is delivered con brio in emotional ballads like “Will I?,”  “Without You,” and the ensemble anthem “Seasons of Love.” In contrast, there’s the pretentious hilarity of Maureen’s performance art piece, “Over The Moon.” Rose and Lopez-Cole are also particularly effective in their raucous smackdown duet, “Take Me Or Leave Me.”

All that said, there are still a few wrinkles in the production. While it works to have the adroit five-man rock combo onstage the whole time, on opening night, there were occasional issues of relative volume between the band and the singers. Sound clarity could be a problem too; in Mimi’s Act I solo, “Out Tonight,” Hamzehi sings and dances with verve, but it was difficult to understand her lyrics.

But the production gets a grip in Act II: the narrative gains purpose, and the emotions are more incisive. Even the sound cleared up. The peculiar touch of magic realism in the play’s final moments feels at odds with the streetwise sensibility of the rest of the story, but by then, the energetic cast has already won us over.

 

INFO: The Cabrillo Stage production of Rent plays through July 15 at the Cabrillo Crocker Theater. Call 479-6154, or visit cabrillostage.com.

 

When Do Affordability Requirements for Developers Work?

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With rents going up, it came as no surprise when the issues of working people became major campaign issues in the November 2016 election for Santa Cruz City Council.

A progressive slate of four candidates, three of them renters, ran on issues like raising the minimum wage and creating legal places to sleep throughout the city. Branding themselves as the “Brand New Council,” the candidates also ran on affordable housing demands—calling, for instance, for Santa Cruz to strengthen affordability requirements for new housing developments, and increase the required percentage of units deemed affordable in new housing developments up from 15 percent, to 25.

Passing such rules for new rental developments would have been prohibited at the time, but are now allowed, thanks to last year’s housing-related bills at the state level.  

Since that 2016 election, the City Council has passed a robust housing package lauded by affordable housing advocates. The ambitious recommendations, approved June 12, relaxed parking requirements, modified accessory dwelling unit rules and tackled density bonuses—and did so all with surprisingly little opposition.

“People came back with support for removing parking requirements for ADUs, removing covered parking—things that I was like, ‘Really?’ We surveyed a bunch of different ways,’” Councilmember Cynthia Chase says of the 18-month process leading up to the vote. “That actually was a really good process to have because then when we came forward with the recommendations, we had virtually no opposition on Tuesday night. We basically said, ‘Are you sure, are you sure, are you sure? OK! We’re gonna go forward with this.’”

Still, the new affordability laws earned a dissenting vote from Councilmember Chris Krohn, who believes they don’t go far enough, and hinted that the affordability requirements—also known as “inclusionary zoning” rules—will be a big issue this election again. As part of the recommendations, the council voted to slightly loosen the inclusionary requirements to as low as 10 percent in some circumstances, in hopes that it spurs smarter housing development.

Krohn isn’t up for election, but two council candidates—Justin Cummings and Drew Glover—are calling for raising the inclusionary requirement, and Glover says he has the skills to bring a more visionary leadership style.

“There is a need for a shift from business as usual to something a little more creative,” says Glover, who also ran in 2016 on the slate with Krohn. Glover, Cummings and Krohn have called also for eliminating the “in lieu” fee that lets developers fund affordable housing off site, instead of building it themselves.

Psychotherapist Cynthia Hawthorne, who’s also running, says she supports the newly approved Housing Blueprint Subcommittee recommendations as written, but also stresses that the council needs to check on the inclusionary aspect in five years, as outlined in the council’s vote.

The thinking behind lowering the inclusionary requirements is twofold; first, it makes it easier for developers to build. Even building market-rate units should create more supply to better meet demand—especially if the city incentivizes developers to build smaller, cheaper units, instead of extravagant, high-end condos by the beach.

The second, as Councilmember Richelle Noroyan puts it, is that “zero percent of zero is zero.” Noroyan, the lone incumbent running, says that if the council gets too idealistic and makes its inclusionary rules too strict, no one ends up building any housing, affordable or otherwise.

Glover says the city simply needs to do a better job of attracting low-income housing developers, but it isn’t clear which ones don’t already have Santa Cruz on their map. On top of that, most affordable developers rely on outside funding. Much of that money—at both the state and federal levels—has dried up in recent years. Lastly, as Noroyan notes, in the aftermath of the Great Recession, lenders are expecting to see bigger projected profits than ever.  

In general, although the idea of raising the inclusionary requirement sounds good on paper, there has been little evidence that it’s a good idea in practice. The Bay Area Economic Council found in 2016 that if San Francisco were to raise its inclusionary rate slightly, to 17 percent, it would create unforeseen hardship for more than 2,000 households—and that raising it to 25 percent would be one of the worst things city leaders could do for affordability.

The only two policy suggestions that would be worse for affordability, according to the report, are a building moratorium—which demonstrates the power that building new units can have on prices—and eliminating rent control, which has been in place there for 39 years.

The rent control findings show how much the policy can mean to many low-income residents. What’s less clear from data compiled over the years is what impact implementing a new rent control policy has, with economic analyses showing a clear benefit for some renters, but also a detriment to others. Rent control will also be on the Santa Cruz ballot this year.

The one potential candidate who’s taken the hardest stance against raising the inclusionary requirements is one who may not end up running.

“I’m fully willing to admit that there are no silver bullet solutions,” says Robert Singleton, who filed a Candidate Intention Statement last month, although since then, the increasingly crowded council election field has given him pause. “We can’t pick an inclusionary percentage, and all of a sudden, housing is affordable. Just imposing rent control isn’t going to make housing more affordable. Simple solutions don’t solve complex problems.”

Even though he lauded large portions of the subcommittee’s housing plan at the June 12 meeting, Krohn expressed vague reservations as well, saying he was “not so comfortable being this canary in the coal mine.”

In addition to calling for inclusionary requirements of 25 or 30 percent, Krohn called for an Affordable Housing Commission, instead of the educational Affordable Housing Academy sessions suggested by the committee. He implied the new plan somehow changes the owner-occupied rules for accessory dwelling units—it doesn’t—and that it additionally “props up” the controversial corridor zoning update, which it also doesn’t do.

“It seems to me,” he added at the meeting, “if this plan goes forward, you all are throwing down a gauntlet for the next election. I, for one, say, ‘OK, looking forward to November.’”

It was an odd departure from themes of unity that pervaded the night, an evening during which the entire realm of politics, elections included, had seemed the last thing on anyone’s mind.

Who was it that threw down the gauntlet, exactly?

Experiment in Freedom: Risa’s Stars July 4-10

On July 4, 1776, the United States of America proclaimed its independence from England by creating and signing the Declaration of Independence. There is a deep esoteric significance to the founding of the United States. Created by the Hierarchy (inner spiritual government), the United States is an experiment in freedom for humanity. Externally, the U.S. was formed in order to liberate itself from England (freedom from the old ways). Spiritually, the United States of America was created in order to “do a Great Work.” That of “Standing within the light and leading humanity within and toward that light.”

Every country, nation, state, person, kingdom is “called to do a specific spiritual work in the world.” It is their spiritual task. The spiritual task of the United States is to be a “Light unto and for the world.” The people of the United States are to personify, bring forth the light and to shine brightly for the world.

The United States was formed under the Light of the Soul of Cancer with the keynote, “I build a lighted house and dwell therein.” The U.S. is the “lighted house for humanity, the Light of the World.” In these polarized and tumultuous times (in between the ages, preparing for the Reappearance), enlightened servers (disciples) are being called to be the Light that nurtures and nourishes.

Our invocative mantra each day, together is. “Help us, O Lord, to know, understand, stand as a light and do our part in the world.” And we remember, at all times, the true Disciples are always known for their kindness.  


ARIES: You begin to have a new sense of self-identity, a new belief in yourself, new ways in relationship to others and new ways of cooperatively working in the world. Careful with communication, tend to health, create a time for regular exercise, review supplements and vitamins. Sometimes fiery signs cannot maintain a consistent health regimen. However, it’s vital to your daily tasks, upcoming demands, and essential to longevity.

TAURUS: In many ways you’re becoming more and more sensitive. You’re developing Pisces’ compassionate characteristics. Sometimes it’s difficult to perceive earth realities, difficult to walk a straight line and keep balance. Sometimes you’re clumsy and only the very present moment is real. Even with all these physical obstructions presented by Chiron, you will still “save the world.” Your protector is elephant god Ganesh, remover of obstacles.

GEMINI: The message each week seems the same—the community and groups you participate in, the duality you present, all of these carry the love and wisdom from Sirius. Soon you must begin to discriminate and discern which groups stand with the Forces of Light and who the people of Goodwill are. It is toward these groups that you will be magnetized. They call to you daily, each morning. Remember, always, that disciples are known by their kindness.

CANCER: So many things are culminating. Long held hopes and wishes bring forth new opportunities, aid and assistance. As you study and learn new information, especially about gardening and foods, you’re able to teach others ways to safeguard and sustain themselves. In return, a deep love is given and received. New realities appear, new goals, hopes, wishes and dreams, and a sense that you need subtle healing modalities.

LEO: In the next year, as horizons expand, you will enter new groups and endeavors. You may wonder about unfamiliar places, seeking different cultures, people and places that change your life. You’re prepared for a new reality, new archetypes. See the next year as a philosophical adventure. A companion? I don’t know. You still have relationship wounds hidden away. Warm waters help.

VIRGO: You’re working hard bringing forth all of your hidden values. In the next months those values may change. Be aware of this. You like to be practical and you’re ambitious. What for? Is it money, resources or being seen, known and understood? This is a complex question. Be aware of impatience and impulsiveness. Use resources with deep respect, wisdom and gratitude.

LIBRA: Unusual events occur in the next months (till November). Money and relationships increase, then come and go, creating a deep awareness of resources. Sometimes we don’t know how to use money. Sometimes we give everything away. Talk with your partner, intimate, your “I” and thou “other.” Share goals, dreams, wishes, hopes, fears, and the handling of money. Come from the heart, always. You are fierce and independent. Slow down.

SCORPIO: In all things, but especially food, diet, health, and exercise there must be consistency. This may be a challenge. Uranus is creating unevenness everywhere. Anything in excess over time creates a health situation. Attempt to observe this. Ask if your daily work serves you while also helping others. In the months to come, the work you do and your perceptions about work change. Service is to be your middle name.

SAGITTARIUS: You will have days of transformation amid days of harmony, ease and revelations. It will create a tension that creates attention to the creation of new things (artistic). You will express yourself differently. When in charge (a steward), you will enhance and improve everything and everyone. Simultaneously, you need a new sense of fun, pleasure, and perhaps even a new someone to “relate” to. A group calls.

CAPRICORN: At times being the parent or head of household will feel so vast you’ll want to run away from home. Running is good (for exercise or running a race), but always you come home again. Everyone needs you. Oh, dear, if you hear the words “needs you” one more time, you’ll expire! You’re restless for new realities at home, needing more psychological, physical and emotional support. You need a new yet ancient foundation to believe in. Where’s your mommy?

AQUARIUS: Do you need to make an important decision? Are you learning new information, seeking it out, or is it finding you? Over time the lessons learned now will slowly be comprehended. Be in contact with brothers and sisters, relatives and family. Everyone’s changing. You are, too. Share with them, ask about their lives. You need to encounter everything new. Each week I repeat: careful with money and resources. Careful.

PISCES: You’re in deep waters, on the edge of new archetypes, waiting for new realities, seeking new values, learning how to ask for, gather, receive, and use resources. You pray for Right Stewardship and Right Timing. You want to begin something big, creating a safe haven. Observe all living systems; realize “the most diversity exists at the edges. It is here that change happens naturally.” Remain in the heart yet always at the edge.

 

Opinion July 4, 2018

Gravity Water
EDITOR'S NOTE ...

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